#charlotte lebreton

[genevieveetguy]

Yannick, Quentin Dupieux (2023)

[anotherhumaninthisworld]

Robespierre’s dubious girlfriends compilation

Marie Catherine Antoinette ”Anaïs” Deshorties   My brother’s amiability with women captivated their affection. Some of them, I believe, felt more than an ordinary sentiment for him. One among others, Mademoiselle Deshorties, loved him, and was loved in return. The father of this young person had taken for his second wife one of our aunts; from his first marriage he had two sons and three daughters. When my brother was elected deputy to the Estates-General, he had courted Mademoiselle Deshorties for two or three years. Many times already the question of marriage had come up, and very probably Maximilien would have married her, if the suffrage of his fellow citizens had not removed him from the sweetness of private life and thrown him into a career in politics. Mademoiselle Deshorties, who had sworn to him that she would ever belong only to him, took no account of this oath, and, during the session of the Constituent Assembly, gave her hand to another. My brother learned of this betrayal only upon his return to Arras, after the closing of the Assembly; he was very grievously affected.  Mémoires de Charlotte Robespierre sur ses deux frères (1834) page 58-59. Anaïs got married to the lawyer Léandre Leducq on August 7 1792.

Unknown woman  As for [Robespierre’s] continence, I only knew of a woman of about twenty-six years, whom he treated rather badly, and who idolized him. Very often he refused her at his door; he gave her a quarter of his fees.  Souvernirs d’un déporté (1802) by Paul Villiers, who claimed to have served as Robespierre’s secretary for a few months 1790-1791.

Adélaïde ”Adèle” Duplessis (1774-1863)  Robespierre, if you still remember our evenings of intimacy, if you remember the caresses you lavished on little Horace, that you delighted to hold him upon your knee, and if you remember that you were to have been my son-in-law, spare an innocent victim!  Adèle’s mother Annette in letter to Robespierre, seemingly written April 13 1794, begging him to save Adèle’s sister Lucile Desmoulins. In Camille et Lucile Desmoulins — un rêve de république (2019), the authenticity of this letter gets questioned, considering its tone and content are so different compared to the one Annette wrote to Robespierre a few hours earlier. Annette also calls Robespierre ”a tiger with a human face” in it, an expression popularized after thermidor. However, if it’s true that it is apocryptical, it should be remembered that the documents among which the letter was published were in a private collection, resting under the authority of first Annette, who Adèle lived with until her death in 1835, and then Marcellin Matton, who was given the documents right before Annette’s death, promising to publish ”those that may present any historical interest,” and who Adèle then moved in with. It is in other words hard to see this letter getting forged and snuck in with the rest without Adèle being aware of it and giving her consent to being made into the would be wife of one of the people responsible for her sister’s death… Something I’m having a hard time understanding why either Annette, Matton or Adèle herself would want to pretend to be the case. I suppose it’s possible for Lucile to be the person the letter is alluding to as well, but that’s a bit too wild…

Éléonore ”Cornélie” Duplay (1768-1832) .  [Robespierre’s] host's daughter passed for his wife and had a sort of empire over him.  Causes secrètes de la révolution du 9 au 10 thermidor (1794) by Joachim Vilate, page 16

It has been rumored that this daughter [Éléonore] had been Robespierre's mistress. I think I can affirm she was his wife; according to the testimony of one of my colleagues, Saint-Just had been informed of this secret marriage, which he had attended.  Mémoires d’un prêtre regicide (1829) by Simon-Edme Monnel, page 337-338

Madame Lebreton, a sweet and sensitive young woman, said, blushing: “Everyone assures that Eugénie [sic] Duplay was Robespierre’s mistress.” “Ah! My God! Is it possible that that good and generous creature should have so degraded herself?” I was aghast. “Listen,” cried Henriette, “don’t judge on appearances. The unhappy Eugénie was not the mistress, but the wife of the monster, whom her pure soul decorated with every virtue; they were united by a secret marriage of which Saint-Just was the witness.”  Souvernirs de 1793 et 1794 par madame Clément, Née Hémery (1832) by Albertine Clément-Hémery

Madame Duplay had three [sic] daughters: one married the conventionnel Le Bas; another married, I believe, an ex-constituent; the third, Éléonore, who preferred to be called Cornélie, and who was the eldest, was, according to what people pleased themselves to say, on the point of marrying my brother Maximilien when 9 Thermidor came. There are in regard to Éléonore Duplay two opinions: one, that that she was the mistress of Robespierre the elder; the other that she was his fiancée. I believe that these opinions are equally false; but what is certain is that Madame Duplay would have strongly desired to have my brother Maximilien for a son-in-law, and that she forget neither caresses nor seductions to make him marry her daughter. Éléonore too was very ambitious to call herself the Citizeness Robespierre, and she put into effect all that could touch Maximilien’s heart. But, overwhelmed with work and affairs as he was, entirely absorbed by his functions as a member of the Committee of Public Safety, could my older brother occupy himself with love and marriage? Was there a place in his heart for such futilities, when his heart was entirely filled with love for the patrie, when all his sentiments, all his thoughts were concentrated in a sole sentiment, in a sole thought, the happiness of the people; when, without cease fighting against the revolution’s enemies, without cease assailed by his personal enemies, his life was a perpetual combat? No, my older brother should not have, could not have amused himself to be a Celadon with Éléonore Duplay, and, I should add, such a role would not enter into his character. Besides, I can attest it, he told me twenty times that he felt nothing for Éléonore; her family’s obsessions, their importunities were more suited to make feel disgust for her than to make him love her. The Duplays could say what they wanted, but there is the exact truth. One can judge if he was disposed to unite himself to Madame Duplay’s eldest daughter by something I heard him say to Augustin:  “You should marry Éléonore.”  “My faith, no,” replied my younger brother.  Mémoires de Charlotte Robespierre sur ses deux frères (1834) page 90-91

My older sister had been promised to Robespierre.  Memoirs of Élisabeth Lebas (written around 1844)

The eldest of the Duplay daughters, who Robespierre wanted to marry, was called Éléonore. Robespierre allowed himself to be cared for, but he was not in love.  Notes historiques sur la Convention nationale, le Directoire, l’Empire et l’exil des votants (1895) by Marc Antoine Baudot, page 41

All the historians assert that [Robespierre] carried out an intrigue with the daughter of Duplay, but as the family physician and constant guest of that house I am in a position to deny this on oath. They were devoted to each other, and their marriage was arranged; but nothing of the kind alleged ever sullied their love.   Recollections of a Parisian (docteur Poumiès de La Siboutie) under six sovereigns, two revolutions, and a republic (1789-1863) (1911)

[yannick-stream-en-vostfr]

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[skillstopallmedia]

Ottawa Bluesfest | Shania Twain, Foo Fighters and Weezer among the headliners

(Toronto) International country star Shania Twain and alternative rock band Weezer will be performing at Ottawa Bluesfest this summer. Posted at 12:56 p.m. The festival, which will take place from July 6 to 16 on LeBreton Flats, unveiled the lineup for its 2023 edition on Wednesday. Quebecer Charlotte Cardin will also perform on the main stage of the festival, as will Death Cab for Cutie,…

[charlottelebreton]

My art of Anakin

[urban-muse]

Urban-Muse Issue #2 Updated Cover Patreon just updated their logo so the cover for Issue #2 was already outdated! It’s been updated and I. think it looks pretty good! Very fresh. Issue #2 launches July 1 on Patreon! Pledge by June 30th to get your name in the issue, in this issues Patron’s are also being given the opportunity to include a link to their art site/patreon/etc by their name. Pledge now to help this magazine project move forward and eventually get printed issues! patreon.com/urbanmuse

[desativadoforevr]

[johnny-dynamo]

Artist Spotlight:  Charlotte Lebreton

[bigkuzdra]

#Repost @lesfilmsopale

・・・

Quatre frères aux Îles-de-la-Madeleine, une urne et plusieurs problèmes...

Découvrez la bande-annonce officielle du nouveau film de Ken Scott AU REVOIR LE BONHEUR qui sortira AU CINÉMA le 17 DÉCEMBRE! 😅

Écrit et réalisé par Ken Scott ⭐

Produit par Christian Larouche

Avec François Arnaud, Antoine Bertrand, Louis Morissette, Patrice Robitaille, Julie LeBreton, Charlotte Aubin, Marilyse Bourke, Elizabeth Dupperré, Geneviève Boivin-Roussy, Pierre-Yves Cardinal et plusieurs autres! 🔥

À leur maison d'été aux Îles-de-la-Madeleine, quatre frères que tout oppose, leurs femmes et leurs nombreux enfants se retrouvent pour répandre les cendres de leur défunt père. Lorsque Nicolas, le plus jeune frère, perd l'urne contenant les cendres de leur père, les conflits commencent.

#aurevoirlebonheur #kenscott

[hotfps]

Directed by Colin Solal Cardo Story by Christine and the Queens & Colin Solal Cardo Screenplay by Colin Solal Cardo Produced by Rémy Solomon Executive producers: Julien Berlan, Elsa Rakotoson, Marie Fioriti DOP: Crille Forsberg Choreographer: Ryan Heffington Editor: Tianès Montasser Costume Designer: Jonathan Huguet Set Designer: Jeanne Ader Color grading: Fabien Pascal Guest starring: Caroline Polachek and Félix Maritaud as “The Fauna” Dancers: Brandon Masele, Emmanuelle Soum, Enzo Boffa, Josh Wild, Liza Lapert, Maji Claire, Patric Kuo, Silvia Contento Extras:Adam Dahibi, Adam Grandval, Alan Tardif, Alexia Pereira, Aminata Thiboult, Bonnie El Bokeili, Coli-Fary Diouf, Erwan Fale, Eva Studzinski, Fabian Lamy, Fatoumata Diawara, Fleur Dujat, Jordy Van Beghin, Laurent Benhenni, Mariana Benenge, Mélissa Bocoum, Melvin Malheurty, Nicolas Lecourt Mansion, Pricile Ugena, Reihane Grandguillaume, Roxanne Ky, Ryan Meng, Sahné Rasoanaivo, Serena Freira, Stencia Yambogaza, Thomas Lelong, Tidiane Diop, William Dybele Line Producer: Ophélie Stavropoulos Production Coordinator: Mélanie Gilbon First Assistant Director: Juliette Mabille Second Assistant Director: Elsa Michon Assistant Choreographer: Benjamin Milan Casting Extras: Dourane Fall, Conan Laurendot Leader Extra: Fiona Bègue Assistant: Hugo Dao First Assistant Camera: Loup Lebreton Second Assistant Camera: Dimitri Sorel Third Assistant Camera: Jimmy Nguyen Steadicam Operator: Rémi Quilichini B Camera Operator: Julien Pujol Art Department Coordinator: Marie-Aubrey Molès Second Assistant Art Director: Isabelle Lawson Prop Master: Victor Delbos Set Decorators: Lisa Boukobza, Gilles Garnier, Clothilde Cras De Belleval, Timon Milon, Laurent Saint-Gaudens, Océane Dufau Unit Manager: Kim Shewy Unit Assistants: Marion Prieux, Jean-Fred David, Djibyrile Sy, Romane Botquin, Penelope Ader, Charles Crapart, Alexandre Do, Emilia Massias, Jérôme Babinard, Sacha Hayon Gaffer: Basile Barniské Electricians: Adrien Lallau, François Auclair, Vincent Taberlet, Marchal Bedy, Frédéric Chevrier, Lucas Janiszewski, Matthieu Legoupil Key Grip: Tristan Morin Grips: Zaher Megdiche, Camille Conroy, Tanguy Bourgeois, Thomas Canivet, Ugo Villaume Make-Up Artist: Manu Kopp Hair Stylist: Pawel Solis First Assistant Costume Designer: Sarah Bernard Second Assistant Costume Designer: Lise Breton Adjuster: Brice Fernandes Stylist Extras: Pierre De Mones Stylist Extras Assistants: Jill Gattegno, Louise Pisselet Sfx Make-Up Designers: Raphaël Guionnet, Charlotte Arguillere, Antoine Wayne, Cindy Bohn, Joël Mogade, Alexis Kinebanyan, Christophe Mureau Sound Recordist: Charles Darnaud Sound Mix: Alban Lejeune, Eliott Sebbag Sound Mastering: Ash Workman Post Production: Everest Head Of Post Production: Sylvain Obriot Color Grading: Fabien Pascal Post Producer Fx: Chloé Juillard Editing Assistant: Ella Dixon Technical Post Producer: Jeremy Le Bris Graphists: Vincent Heine, Stephane Gassin, Francois Puget, Damien Thiebot Title Designer: Julien Seiller Typographer: Julien Priez Set Photographer: Jonathan ‘Ojoz’ Adelaide Special thanks to: Les équipes de l’Opéra national de Paris, Nicolas Lecourt Mansion, Julien Pujol, Silverway, Kodak, Everest, Rvz

[artwalktv]

Directed by Colin Solal Cardo Story by Christine and the Queens & Colin Solal Cardo Screenplay by Colin Solal Cardo Produced by Rémy Solomon Executive producers: Julien Berlan, Elsa Rakotoson, Marie Fioriti DOP: Crille Forsberg Choreographer: Ryan Heffington Editor: Tianès Montasser Costume Designer: Jonathan Huguet Set Designer: Jeanne Ader Color grading: Fabien Pascal Guest starring: Caroline Polachek and Félix Maritaud as “The Fauna” Dancers: Brandon Masele, Emmanuelle Soum, Enzo Boffa, Josh Wild, Liza Lapert, Maji Claire, Patric Kuo, Silvia Contento Extras:Adam Dahibi, Adam Grandval, Alan Tardif, Alexia Pereira, Aminata Thiboult, Bonnie El Bokeili, Coli-Fary Diouf, Erwan Fale, Eva Studzinski, Fabian Lamy, Fatoumata Diawara, Fleur Dujat, Jordy Van Beghin, Laurent Benhenni, Mariana Benenge, Mélissa Bocoum, Melvin Malheurty, Nicolas Lecourt Mansion, Pricile Ugena, Reihane Grandguillaume, Roxanne Ky, Ryan Meng, Sahné Rasoanaivo, Serena Freira, Stencia Yambogaza, Thomas Lelong, Tidiane Diop, William Dybele Line Producer: Ophélie Stavropoulos Production Coordinator: Mélanie Gilbon First Assistant Director: Juliette Mabille Second Assistant Director: Elsa Michon Assistant Choreographer: Benjamin Milan Casting Extras: Dourane Fall, Conan Laurendot Leader Extra: Fiona Bègue Assistant: Hugo Dao First Assistant Camera: Loup Lebreton Second Assistant Camera: Dimitri Sorel Third Assistant Camera: Jimmy Nguyen Steadicam Operator: Rémi Quilichini B Camera Operator: Julien Pujol Art Department Coordinator: Marie-Aubrey Molès Second Assistant Art Director: Isabelle Lawson Prop Master: Victor Delbos Set Decorators: Lisa Boukobza, Gilles Garnier, Clothilde Cras De Belleval, Timon Milon, Laurent Saint-Gaudens, Océane Dufau Unit Manager: Kim Shewy Unit Assistants: Marion Prieux, Jean-Fred David, Djibyrile Sy, Romane Botquin, Penelope Ader, Charles Crapart, Alexandre Do, Emilia Massias, Jérôme Babinard, Sacha Hayon Gaffer: Basile Barniské Electricians: Adrien Lallau, François Auclair, Vincent Taberlet, Marchal Bedy, Frédéric Chevrier, Lucas Janiszewski, Matthieu Legoupil Key Grip: Tristan Morin Grips: Zaher Megdiche, Camille Conroy, Tanguy Bourgeois, Thomas Canivet, Ugo Villaume Make-Up Artist: Manu Kopp Hair Stylist: Pawel Solis First Assistant Costume Designer: Sarah Bernard Second Assistant Costume Designer: Lise Breton Adjuster: Brice Fernandes Stylist Extras: Pierre De Mones Stylist Extras Assistants: Jill Gattegno, Louise Pisselet Sfx Make-Up Designers: Raphaël Guionnet, Charlotte Arguillere, Antoine Wayne, Cindy Bohn, Joël Mogade, Alexis Kinebanyan, Christophe Mureau Sound Recordist: Charles Darnaud Sound Mix: Alban Lejeune, Eliott Sebbag Sound Mastering: Ash Workman Post Production: Everest Head Of Post Production: Sylvain Obriot Color Grading: Fabien Pascal Post Producer Fx: Chloé Juillard Editing Assistant: Ella Dixon Technical Post Producer: Jeremy Le Bris Graphists: Vincent Heine, Stephane Gassin, Francois Puget, Damien Thiebot Title Designer: Julien Seiller Typographer: Julien Priez Set Photographer: Jonathan ‘Ojoz’ Adelaide Special thanks to: Les équipes de l’Opéra national de Paris, Nicolas Lecourt Mansion, Julien Pujol, Silverway, Kodak, Everest, Rvz

[whileiamdying]

Directed by Colin Solal Cardo Story by Christine and the Queens & Colin Solal Cardo Screenplay by Colin Solal Cardo Produced by Rémy Solomon Executive producers: Julien Berlan, Elsa Rakotoson, Marie Fioriti DOP: Crille Forsberg Choreographer: Ryan Heffington Editor: Tianès Montasser Costume Designer: Jonathan Huguet Set Designer: Jeanne Ader Color grading: Fabien Pascal Guest starring: Caroline Polachek and Félix Maritaud as “The Fauna” Dancers: Brandon Masele, Emmanuelle Soum, Enzo Boffa, Josh Wild, Liza Lapert, Maji Claire, Patric Kuo, Silvia Contento Extras:Adam Dahibi, Adam Grandval, Alan Tardif, Alexia Pereira, Aminata Thiboult, Bonnie El Bokeili, Coli-Fary Diouf, Erwan Fale, Eva Studzinski, Fabian Lamy, Fatoumata Diawara, Fleur Dujat, Jordy Van Beghin, Laurent Benhenni, Mariana Benenge, Mélissa Bocoum, Melvin Malheurty, Nicolas Lecourt Mansion, Pricile Ugena, Reihane Grandguillaume, Roxanne Ky, Ryan Meng, Sahné Rasoanaivo, Serena Freira, Stencia Yambogaza, Thomas Lelong, Tidiane Diop, William Dybele Line Producer: Ophélie Stavropoulos Production Coordinator: Mélanie Gilbon First Assistant Director: Juliette Mabille Second Assistant Director: Elsa Michon Assistant Choreographer: Benjamin Milan Casting Extras: Dourane Fall, Conan Laurendot Leader Extra: Fiona Bègue Assistant: Hugo Dao First Assistant Camera: Loup Lebreton Second Assistant Camera: Dimitri Sorel Third Assistant Camera: Jimmy Nguyen Steadicam Operator: Rémi Quilichini B Camera Operator: Julien Pujol Art Department Coordinator: Marie-Aubrey Molès Second Assistant Art Director: Isabelle Lawson Prop Master: Victor Delbos Set Decorators: Lisa Boukobza, Gilles Garnier, Clothilde Cras De Belleval, Timon Milon, Laurent Saint-Gaudens, Océane Dufau Unit Manager: Kim Shewy Unit Assistants: Marion Prieux, Jean-Fred David, Djibyrile Sy, Romane Botquin, Penelope Ader, Charles Crapart, Alexandre Do, Emilia Massias, Jérôme Babinard, Sacha Hayon Gaffer: Basile Barniské Electricians: Adrien Lallau, François Auclair, Vincent Taberlet, Marchal Bedy, Frédéric Chevrier, Lucas Janiszewski, Matthieu Legoupil Key Grip: Tristan Morin Grips: Zaher Megdiche, Camille Conroy, Tanguy Bourgeois, Thomas Canivet, Ugo Villaume Make-Up Artist: Manu Kopp Hair Stylist: Pawel Solis First Assistant Costume Designer: Sarah Bernard Second Assistant Costume Designer: Lise Breton Adjuster: Brice Fernandes Stylist Extras: Pierre De Mones Stylist Extras Assistants: Jill Gattegno, Louise Pisselet Sfx Make-Up Designers: Raphaël Guionnet, Charlotte Arguillere, Antoine Wayne, Cindy Bohn, Joël Mogade, Alexis Kinebanyan, Christophe Mureau Sound Recordist: Charles Darnaud Sound Mix: Alban Lejeune, Eliott Sebbag Sound Mastering: Ash Workman Post Production: Everest Head Of Post Production: Sylvain Obriot Color Grading: Fabien Pascal Post Producer Fx: Chloé Juillard Editing Assistant: Ella Dixon Technical Post Producer: Jeremy Le Bris Graphists: Vincent Heine, Stephane Gassin, Francois Puget, Damien Thiebot Title Designer: Julien Seiller Typographer: Julien Priez Set Photographer: Jonathan ‘Ojoz’ Adelaide Special thanks to: Les équipes de l’Opéra national de Paris, Nicolas Lecourt Mansion, Julien Pujol, Silverway, Kodak, Everest, Rvz

[ozkamal]

Directed by Colin Solal Cardo Story by Christine and the Queens & Colin Solal Cardo Screenplay by Colin Solal Cardo Produced by Rémy Solomon Executive producers: Julien Berlan, Elsa Rakotoson, Marie Fioriti DOP: Crille Forsberg Choreographer: Ryan Heffington Editor: Tianès Montasser Costume Designer: Jonathan Huguet Set Designer: Jeanne Ader Color grading: Fabien Pascal Guest starring: Caroline Polachek and Félix Maritaud as “The Fauna” Dancers: Brandon Masele, Emmanuelle Soum, Enzo Boffa, Josh Wild, Liza Lapert, Maji Claire, Patric Kuo, Silvia Contento Extras:Adam Dahibi, Adam Grandval, Alan Tardif, Alexia Pereira, Aminata Thiboult, Bonnie El Bokeili, Coli-Fary Diouf, Erwan Fale, Eva Studzinski, Fabian Lamy, Fatoumata Diawara, Fleur Dujat, Jordy Van Beghin, Laurent Benhenni, Mariana Benenge, Mélissa Bocoum, Melvin Malheurty, Nicolas Lecourt Mansion, Pricile Ugena, Reihane Grandguillaume, Roxanne Ky, Ryan Meng, Sahné Rasoanaivo, Serena Freira, Stencia Yambogaza, Thomas Lelong, Tidiane Diop, William Dybele Line Producer: Ophélie Stavropoulos Production Coordinator: Mélanie Gilbon First Assistant Director: Juliette Mabille Second Assistant Director: Elsa Michon Assistant Choreographer: Benjamin Milan Casting Extras: Dourane Fall, Conan Laurendot Leader Extra: Fiona Bègue Assistant: Hugo Dao First Assistant Camera: Loup Lebreton Second Assistant Camera: Dimitri Sorel Third Assistant Camera: Jimmy Nguyen Steadicam Operator: Rémi Quilichini B Camera Operator: Julien Pujol Art Department Coordinator: Marie-Aubrey Molès Second Assistant Art Director: Isabelle Lawson Prop Master: Victor Delbos Set Decorators: Lisa Boukobza, Gilles Garnier, Clothilde Cras De Belleval, Timon Milon, Laurent Saint-Gaudens, Océane Dufau Unit Manager: Kim Shewy Unit Assistants: Marion Prieux, Jean-Fred David, Djibyrile Sy, Romane Botquin, Penelope Ader, Charles Crapart, Alexandre Do, Emilia Massias, Jérôme Babinard, Sacha Hayon Gaffer: Basile Barniské Electricians: Adrien Lallau, François Auclair, Vincent Taberlet, Marchal Bedy, Frédéric Chevrier, Lucas Janiszewski, Matthieu Legoupil Key Grip: Tristan Morin Grips: Zaher Megdiche, Camille Conroy, Tanguy Bourgeois, Thomas Canivet, Ugo Villaume Make-Up Artist: Manu Kopp Hair Stylist: Pawel Solis First Assistant Costume Designer: Sarah Bernard Second Assistant Costume Designer: Lise Breton Adjuster: Brice Fernandes Stylist Extras: Pierre De Mones Stylist Extras Assistants: Jill Gattegno, Louise Pisselet Sfx Make-Up Designers: Raphaël Guionnet, Charlotte Arguillere, Antoine Wayne, Cindy Bohn, Joël Mogade, Alexis Kinebanyan, Christophe Mureau Sound Recordist: Charles Darnaud Sound Mix: Alban Lejeune, Eliott Sebbag Sound Mastering: Ash Workman Post Production: Everest Head Of Post Production: Sylvain Obriot Color Grading: Fabien Pascal Post Producer Fx: Chloé Juillard Editing Assistant: Ella Dixon Technical Post Producer: Jeremy Le Bris Graphists: Vincent Heine, Stephane Gassin, Francois Puget, Damien Thiebot Title Designer: Julien Seiller Typographer: Julien Priez Set Photographer: Jonathan ‘Ojoz’ Adelaide Special thanks to: Les équipes de l’Opéra national de Paris, Nicolas Lecourt Mansion, Julien Pujol, Silverway, Kodak, Everest, Rvz

[motioncollector]

Christine and the Queens - La vita nuova via https://youtu.be/EIdSORj_dd0 // La vita nuova New EP available here: https://ChristineAndTheQueens.lnk.to/lavitanuova_Yo Story by Christine and the Queens and Colin Solal Cardo Directed by Colin Solal Cardo Produced by Rémy Solomon Executive producers: Julien Berlan, Elsa Rakotoson, Marie Fioriti DOP: Crille Forsberg Choreographer: Ryan Heffington Editor: Tianès Montasser Costume Designer: Jonathan Huguet Set Designer: Jeanne Ader Color grading: Fabien Pascal Guest starring: Caroline Polachek and Félix Maritaud as “The Fauna” Dancers: Brandon Masele, Emmanuelle Soum, Enzo Boffa, Josh Wild, Liza Lapert, Maji Claire, Patric Kuo, Silvia Contento Extras:Adam Dahibi, Adam Grandval, Alan Tardif, Alexia Pereira, Aminata Thiboult, Bonnie El Bokeili, Coli-Fary Diouf, Erwan Fale, Eva Studzinski, Fabian Lamy, Fatoumata Diawara, Fleur Dujat, Jordy Van Beghin, Laurent Benhenni, Mariana Benenge, Mélissa Bocoum, Melvin Malheurty, Nicolas Lecourt Mansion, Pricile Ugena, Reihane Grandguillaume, Roxanne Ky, Ryan Meng, Sahné Rasoanaivo, Serena Freira, Stencia Yambogaza, Thomas Lelong, Tidiane Diop, William Dybele Line Producer: Ophélie Stavropoulos Production Coordinator: Mélanie Gilbon First Assistant Director: Juliette Mabille Second Assistant Director: Elsa Michon Assistant Choreographer: Benjamin Milan Casting Extras: Dourane Fall, Conan Laurendot Leader Extra: Fiona Bègue Assistant: Hugo Dao First Assistant Camera: Loup Lebreton Second Assistant Camera: Dimitri Sorel Third Assistant Camera: Jimmy Nguyen Steadicam Operator: Rémi Quilichini B Camera Operator: Julien Pujol Art Department Coordinator: Marie-Aubrey Molès Second Assistant Art Director: Isabelle Lawson Prop Master: Victor Delbos Set Decorators: Lisa Boukobza, Gilles Garnier, Clothilde Cras De Belleval, Timon Milon, Laurent Saint-Gaudens, Océane Dufau Unit Manager: Kim Shewy Unit Assistants: Marion Prieux, Jean-Fred David, Djibyrile Sy, Romane Botquin, Penelope Ader, Charles Crapart, Alexandre Do, Emilia Massias, Jérôme Babinard, Sacha Hayon Gaffer: Basile Barniské Electricians: Adrien Lallau, François Auclair, Vincent Taberlet, Marchal Bedy, Frédéric Chevrier, Lucas Janiszewski, Matthieu Legoupil Key Grip: Tristan Morin Grips: Zaher Megdiche, Camille Conroy, Tanguy Bourgeois, Thomas Canivet, Ugo Villaume Make-Up Artist: Manu Kopp Hair Stylist: Pawel Solis First Assistant Costume Designer: Sarah Bernard Second Assistant Costume Designer: Lise Breton Adjuster: Brice Fernandes Stylist Extras: Pierre De Mones Stylist Extras Assistants: Jill Gattegno, Louise Pisselet Sfx Make-Up Designers: Raphaël Guionnet, Charlotte Arguillere, Antoine Wayne, Cindy Bohn, Joël Mogade, Alexis Kinebanyan, Christophe Mureau Sound Recordist: Charles Darnaud Sound Mix: Alban Lejeune, Eliott Sebbag Sound Mastering: Ash Workman Post Production: Everest Head Of Post Production: Sylvain Obriot Color Grading: Fabien Pascal Post Producer Fx: Chloé Juillard Editing Assistant: Ella Dixon Technical Post Producer: Jeremy Le Bris Graphists: Vincent Heine, Stephane Gassin, Francois Puget, Damien Thiebot Title Designer: Julien Seiller Typographer: Julien Priez Set Photographer: Jonathan ‘Ojoz’ Adelaide Special thanks to: Les équipes de l’Opéra national de Paris, Nicolas Lecourt Mansion, Julien Pujol, Silverway, Kodak, Everest, Rvz http://www.christineandthequeens.com Like Christine on Facebook: https://www.facebook.com/christineandthequeens/ Follow Christine on Twitter: http://www.twitter.com/queenschristine Follow Christine on Instagram: https://www.instagram.com/christineandthequeens/ Subscribe to the channel : http://bit.ly/ChristinetheQueens

[jessicakehoe]

Here’s All the Culture News You Missed This Week

Ryan Murphy released a first look at his upcoming series Halston Iconic American fashion designer Roy Halston—most closely associated with 1970s glitz and glam—is getting a biopic courtesy Ryan Murphy (the creator of The Assassination of Gianni Versace). Ewan McGregor plays Halston, who rose to prominence when he designed a pillbox hat for Jackie Kennedy in 1961, going on to launch his own ready-to-wear line in 1969 and becoming the designer of choice for the Studio 54 set in the decade that followed. In a since-deleted Instagram post that shared a teaser of the Netflix series, Murphy wrote, “After a long 20 years of twists and turns, the limited series Halston starring the fantastic Ewan McGregor began production today. I am so proud of our director and leader Dan Minahan, and Christine Vachon of Killer Films. I am thrilled to be producing this great and meaningful show with them and Alexis Martin Woodall and Pamela Koffler.”

Ewan McGregor as Halston and Rory Culkin as Joel Schumacher shooting Ryan Murphy's Halston series and OMFG WE ARE LIVING FOR THIS SHIT ARE YOU KIDDING ME?https://t.co/TZmbEmwkry

— Tom & Lorenzo (@tomandlorenzo) February 20, 2020

Sandra Oh announced a new project with Amanda Peet Award-winning BBC show Killing Eve may have been renewed for a fourth season but its star Sandra Oh has signed on to another concurrent project, this time on Netflix. Amanda Peet is set to write, produce and showrun the series, which will be co-executive produced by Peet’s husband David Benioff and D.B. Weiss, the duo behind HBO’s Game of Thrones. Titled The Chair, the six-episode dramedy revolves around the head of a university’s English department, played by Oh.

'Killing Eve' star Sandra Oh (@IamSandraOh) will play the title role in a six-episode Netflix dramedy from Amanda Peet and the creators of #GameOfThones. All the details: https://t.co/7lMgFji2uv

— The Hollywood Reporter (@THR) February 21, 2020

Grimes released her new album After her last album back in 2015, Canadian musician Grimes is back with her highly anticipated fifth studio album, Miss Anthropocene, which she dropped at midnight on February 21. The album features 10 tracks, three of which had already been released as singles in 2019: “So Heavy I Fell Through the Earth,” “Violence,” and “My Name Is Dark.” Grimes calls the sound of this new album “ethereal nu metal,” and according to Pitchfork, the “convoluted” narrative of Miss Anthropocene is “about personifying climate change through a fictional cosmology of demons and villainesses giddily celebrating global warming as a force of good.”

View this post on Instagram

Miss Anthropocene is out everywhere now !!!!! Thanks everybody who put up with everything it rly means a lot 🥺 <link in bio> ___________________________________________ In loving memory of Lauren Valencia. Couldn’t have done it without you, glad you saw it to the end. Never Forget And special 🤍 to the team 🪐

A post shared by Grimes (@grimes) on Feb 21, 2020 at 12:02am PST

Gemma Chan received Max Mara’s Face of the Future award Following in the footsteps of Emily Blunt, Katie Holmes and Zoe Saldana, British-Chinese actress Gemma Chan is the latest recipient of the Women In Film Max Mara Face of the Future award. According to the brand, Chan was selected for her “confidence and poise with effortless glamour” for this prize, which is awarded annually to a woman “experiencing a turning point in her career.” Following her breakout role in Crazy Rich Asians, Chan’s upcoming projects include Marvel film The Eternals alongside Kumail Nanjiani, Salma Hayek and Angelina Jolie, and Let Them All Talk with Meryl Streep and Lucas Hedges.

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Honoured to be the recipient of the 2020 Women In Film x #MaxMara Face of the Future Award. Thank you for inviting me to your beautiful show @maxmara

A post shared by Gemma Chan (@gemma_chan) on Feb 20, 2020 at 12:14pm PST

Ottawa Bluesfest announced its full 2020 lineup Ottawa music festival RBC Bluesfest has revealed the full lineup for its 2020 program, which features Rage Against the Machine, blink-182, Daniel Caesar, Charlotte Day Wilson and Marshmello among many others. The 10-day festival in July also features one very special performer: Alanis Morissette, who will be making a stop in LeBreton Flats as part of her Jagged Little Pill anniversary tour. Tickets for the festival are now on sale.

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It's here! The #RBCBluesfest2020 lineup! 1-Day Presale starts Weds., Feb. 19th at 10AM. Stay tuned to www.ottawabluesfest.ca. ☝️link in bio • • • #RBCBluesfest #ottawabluesfest #musicfestival #summer #ottawa #rageagainstthemachine #jackjohnson #alanismorissette #marshmello #danielcaesar #thenational #boyz2men #vancejoy

A post shared by RBC Bluesfest (@ottawabluesfest) on Feb 17, 2020 at 9:35pm PST

The post Here’s All the Culture News You Missed This Week appeared first on FASHION Magazine.

Here’s All the Culture News You Missed This Week published first on https://borboletabags.tumblr.com/

[joaocnsousa]

Féminine from Charlotte Lebreton on Vimeo.

Version longue.

Féminine est un documentaire qui retrace le parcours de trois femmes qui ont eu un cancer du sein, et qui ont eu recours à l'art afin de se relever de cette douloureuse épreuve. À travers leur témoignage et ceux de plusieurs artistes, plusieurs questions essentielles sont évoquées, comme celle de l'art comme thérapie, celle de la perte de la féminité due à la perte d'un sein, ou bien celle d'une vision différente de la maladie... Ces femmes nous offrent une leçon de vie incroyable. Elles restent des femmes, plus féminines que jamais.

Here is my student project based on testimonies I collected of women affected by breast cancer and who were helped through it thanks to art. English subtitles are available in the video menu.