#cats paramount theatre

[jennanydots]

CATS at the Paramount Theatre in Illinois, 2014

here's a link to the production trailer (warning for the inclusion of growltiger)

[source]

[rabnerd28]

Cats Tumblr, I need you all aware that Paramount Theater is going to be putting on another production of Cats in 2025. No pictures yet, but it's another chance to see this non-replica production!

[nonreplicakitties]

Cats, Paramount Theatre, 2014

[aniketsanimationblog]

The Fallen TV Animation Empire

Chapter 1: The Rise of Television Animation with Saturday Morning Block

On August 18th, 2023 - I made a Post titled "The Summary of this whole current Debacles of Animation Industry" on this very Tumblr Page, @aniketsanimationblog, and you, animation fans, have expressed the concerns about What is Going on in The Global Animation Industry as a Whole, I am glad by that!! I am so thankful to those who expressed this concerns and realised that Animation is in Danger. Because, what happened in the Last Year, When Nickelodeon and Paramount+ Canceled and Removed Star Trek: Prodigy from their platforms at that time, until Netflix saved it to stream the entire Season 2 in one-go, just paint a big picture in the Animation Community. Last Year, Star Trek: Prodigy's Cancelation and Removal was not just the omission or abandonment of a Star Trek Show set in their universe or the best Star Trek Show in the Alex Kurtzman's Era of New Star Trek Shows, but also a big Massive Shocker of a Serialised Animated Kids' Show, that had a chance to become Nickelodeon's Next Avatar: The Last Airbender, betrayed by their own original Network, is like committing a Seppuku.

And it happened at the same time or before that incident, when most of the great Animated Series at the same time were Canceled/Canceled + Removed/Sabotaged by their respective Broadcasters, showing the Dismays of Fandoms of their respective shows. Now either only a handful of Good shows are left or there is nothing to watch at all, because of Kids TV Broadcasters' Greed and most notably Animation Community's Biasness towards Shows that, nowadays, have become a Money Generator, and no longer serving any good quality things to the fans, whatsoever, once they had in their prime, in the first place.

Now depending on who you may ask, "How did this Happen? What Happened to the Kids Television, once we used to love since our Childhoods, have gone in their Worst Phases now?"

Well, to understand why this happened, we need to go to the history of how this Kids TV Animation had started to build its Large Empire.

To understand the history of Kids TV Animation, we need to go back to where it all started. Since, it's a long history, and for context, The Kids TV Animation first started in the United States of America, as Hollywood were the only film industry to create Animation Renaissance from the big screens, they are also responsible for creating Majority of their Animations in the Small screens, we have to go back all the way to 1928. This is the year, when Walter Elias Disney, as we all know him as the legendary Pioneer and The Father of Animation, released his iconic Cartoon Character, Mickey Mouse's First Short film, "Steamboat Willie". At that time, "Steamboat Willie" was released over on Hollywood Theatres. But at the same time, there was an experiment happened at the small screens, aka The Television, with some limited animation cartoons appeared on TV with one of the images of "Felix The Cat". And remember, at that time, TV was available to some people who could afford TV, when majority of people weren't ready to switch from Traditional Radio. So, a handful of People watched that experiment going on.

Then some Animated TV movies happened like, "Willie The Worm" by Chad Grothkopf. It was an Eight-minute experimental TV Movie in Animated form.

But all changed in 1950s when, TV Animation started to broadcast like, "Crusader Rabbit" and "Colonel Bleep" etc.

But the First TV Animated Series came along, consisting of Animated Shorts, "Captain Kangaroo", by the Terrytoons, which is often referred to as, "One of the Finest Cartoons to ever produce on TV".

But the Cartoons, at that time, was seen primarily as "Children's Entertainment" by some Movie Exhibitors.

In 1954, Walt Disney capitalized on the Medium of Animation to Showcase on TV, with his weekly show, "Disneyland", which was broadcasted by US Terrestrial Channel, ABC, which expanded later to "Walt Disney's Wonderful World of Color".

But as soon as Television popularized in the US, the people were slowly moving away from their traditional Radios and Movie Theatres, to the Compact form of Entertainment, Television. And thus, a new format was started to develop for TV Animation for Children, "The Saturday Morning Blocks", as the name suggests, the TV Animation would only be broadcasted on Saturday Mornings, because on Weekdays, The Kids are at their Schools, and on Sunday, With the American Football games clogging up the Sunday Schedules. At that time, there were no Cable systems, people were relying on Terrestrial Channels like ABC, CBS and NBC. And thus, American Children of that era were having a Ritual of watching Cartoons on Saturday Mornings.

And thus, some Television Animation Production Studios came afloat at the time. Such as, Filmation, Depatie-Freleng Enterprises, UPA Studios, Warner Brothers with their Merry Melodies, Metro-Goldwyn-Mayer Studios (MGM) with their first classic iteration of Tom & Jerry until it's collapse in 1957, Disney Studios, and the leader of all Studios, Hanna-Barbera Studios, by the Creators of Tom & Jerry, William Hanna and Joseph Barbera.

For the Starters, 1960s era was the era, when TV Animation boomed with mostly H-B Studios, "The Ruff & Reddy Show", then "The Huckleberry Hound Show", "The Yogi Bear Show" and most notably, "The Flinstones", which was like an Half-an-hour Animated Sitcom series, aired on ABC, which was their biggest successful show on Studio History, running for 6 years, alongside The Jetsons and Top Cat.

Hanna-Barbera had the common Trope used in most of their series, featuring atleast an Anthropomorphic Animal and a Child Character, up until they created "Scooby-Doo! Where are you?" in 1969 for CBS. Many incarnations of Scooby-Doo spawned for 17 seasons on CBS and then ABC, uninterruptedly with their new formula of A Group of Teens solving Supernatural mysteries or Fighting Crime. And they are the ones, who started with their Limited Animation Technologies at that time for Artistic Reasons.

Disney Studios had their fair share of Animated Shows, showcased on TV, most notably The Mickey Mouse shorts including characters from the Mickey Mouse Universe, as we all know today, and also "Winnie The Pooh".

The Studio still had a decent amount of TV Animated Series, even after Walt Disney's Demise on 15th December 1966.

At the time of 1960s, there were several Animation Artists, mostly Animators, that are still called Legendary/Veteran Artists, like Walt Disney, William Hanna and Joseph Barbera, Tex Avery, Chuck Jones, Gene Deitch, David H. Depatie, Friz Freleng, Don Bluth, to name a few.

But as Time went on, the Kids TV Animation was changed for a new era, that is beyond just only for "Saturday Mornings".

To be continued...

Next Post, Chapter 2: The Fall of Saturday Morning Cartoons and Rise of American Cable Television for Kids TV Animation.

[wehrwolf]

so this week I flew across the country by myself to see my favourite band in the entire world. practically nothing went amiss. I had random interactions with lovely people. my hobbling faith in humanity has straightened its spine a bit? I’ll be cringe about this below because I want to remember, let’s have some positivity for once.

I hate that I like nissan rogues, I know the transmissions are dogshit. rented one for a day to avoid dragging luggage all over hell’s creation. sound system fucked hard. LOUD paul barker. ate hella steak, eggs and pancakes at pancake chef near seatac. alright alright alright. 

killed time before hotel check-in, visited lakeview for brandon and bruce lee, ended up perusing the cemetery with a multi-talented guy from LA for about an hour swapping perspectives, observations on the human condition and tombstone critiques. glossy black crow perched on an equally inky granite headstone embellished with a huge cross - oh my goth, bro. eric, I’m sorry your cat died, you are rad and I will try to find your music online. be water, my friend.

the fashionable gentleman who checked me into the hotel was a sweetheart, down with skinny puppy, name dropped wax trax, awesome taste in rings.

dipped out for coffee, asked directions from coffee-holding stranger in glasses to make sure I was headed the right way. ran into him the next day in my new hoodie post gig, he mentioned how he used to work at a record store in edmonton, sold records to cEvin. what? insane.

seattle has too many hills, someone should do something about this. but very walkable. always move confidently with purpose, shoulders back, mean mug, look like you want to curb-stomp god. never appear lost.

found a 24 hr cafe near the kurt cobain twin tower / frasier obelisk that served a mean breakfast and was blasting tunes at 9:30am. several compliments on my filthy rat nest hair. what is this fever dream? unwashed hair is in. pancakes are my passion.

wandered to the paramount to get my bearings, saw justin by the tour bus and that metalworker ephraim dude’s sick rusted-out mad max’d honda cr-v. meandered around for the rest of the afternoon before skuppy-prep time. incredible roast beef horseradish sandwich. cool and good.

hung out in the GA line for a while, no VIP this time, wind picked up and it was pretty cold for a may evening. ended up next to a tough looking dude during the show, chatted a bit, he was a kmfdm roadie for a few tours. said his best puppy show was new orleans, I can only imagine. he reminded me of wez from the road warrior. thank you R for the gum, it gave me a second wind.

the paramount theatre is something out of a golden fairytale, gilded to the gills. generous stage for alien abuse. fantastic acoustics. reminds me of the hippodrome. I relished irving plaza’s intimacy but the paramount was my favourite venue.  

I will never tire of seeing lead into gold. soundtrack for slowly asphyxiating in a warm tar pit but make it erotic. thank you paul barker, long-legged light of our lives.

no surge/mosh at this show- if so, I didn’t notice. the energy was on point. denver had some choice dumbasses in the crowd, no such issue here.   seattle mirrored silver spring imo, excellent all around.  I made a brief, wonky post touching on this but in denver ogre was still obviously uncomfortable. that made me feel fucked up... and quiet afterwards.  this time around he seemed in great spirits, tons of energy, spinning the mic around a bunch, writhing all over the place to thwart tormentor!dustin (our boy is flexible). everyone was going wild, we all yelled ourselves hoarse. got to use their A setup with the big projection sheet. justin and cEv on risers.

side note: big love to matthew for his crowd engagement and bubbly enthusiasm this entire tour. honestly he comes off as just a literal cinnamon roll of a guy and the tour diaries have been a real treat. at the end he reflected on otherness and a need to be kind to one another in an unkind world, which really oddly summed up my seattle adventure... and the general vibe of skinny puppy’s unique fans (as others have mentioned here far more eloquently).

also real talk does ogre do belly dancing or something BECAUSE jesus fucking christ man he makes my mind literally fucking blank with all that fluid gyration absolutely knuckle dragging cave woman looney toons wolf beating the shit out of itself with a hammer feral. he knows what he’s doing too, god bless him. there were gals behind me that just started SHRIEKING like it was beatlemania, fucking ogremania with every slutty little hip movement (”go daddy gooo”). also like... cock grabbing causing me irreparable brain damage. then he legit straight up purposefully spit/drooled and it was just... super hOrny NOT like... mouth trauma symptom salivation (I hope? oh god.) his spit makes me insane. ok.

this was the first time I had the pleasure of hearing god’s gift (maggot). we were graced with smothered hope at earlier shows... so I think I basically experienced everything الحمد لله رب العالمين screaming. they ended with candle again, huge plus. ogre practically pranced off the stage after the encore. everyone came back out together for a heartfelt round of goodbyes. no concerts have moved me like these puppy gigs. I am so thankful, down to the marrow. there are probably other details but I have slept ~two hours in the past 48 so...   ✌️👽

[x--daughters-of-darkness--x]

TAYLOR MOMSEN And LUKE SPILLER Perform THE BEACH BOYS Classics At 'A Grammy Salute To The Beach Boys' Tribute Concert

THE STRUTS lead vocalist Luke Spiller and THE PRETTY RECKLESS frontwoman Taylor Momsen dueted on THE BEACH BOYS classics "Surfin' USA" and "Fun, Fun, Fun" at "A Grammy Salute To The Beach Boys", a special tribute concert honoring the legendary Grammy-nominated music icons THE BEACH BOYS. The live concert special, which took place this past Wednesday, February 8, at the Dolby Theatre in Hollywood, California, featured a star-studded performer lineup that also included Grammy-winning artists and past and current Grammy nominees, including Beck, Brandi Carlile, FALL OUT BOY, Andy Grammer, HANSON, Norah Jones, LADY A, John Legend, LITTLE BIG TOWN, Michael McDonald, MUMFORD & SONS, MY MORNING JACKET, PENTATONIX, Charlie Puth, LeAnn Rimes, St. Vincent, TAKE 6 and WEEZER, who all celebrated and honored THE BEACH BOYS' everlasting music and impactful career.

"A Grammy Salute To The Beach Boys" will air on the CBS television network and will be available live and on demand on Paramount+ at a later date.

On Thursday (February 9),Taylor shared a few photos from the event and included the following caption: "I guess the cat's out of the bag…last night it was an honor to perform at the Grammy's tribute to @thebeachboys with my new found friend @lukestruts amongst so many great artists…it was a blast. Stay tuned for broadcast date and time on @cbstv and @paramountplus".

Last year, THE BEACH BOYS celebrated their 60th anniversary on their "Sixty Years Of The Sounds Of Summer" 2022 tour. In June 2022, they released a newly remastered and expanded edition of THE BEACH BOYS' career-spanning greatest hits collection "Sounds Of Summer: The Very Best Of The Beach Boys". The expanded "Sounds Of Summer" features 24 new mixes including two first-time stereo mixes, plus 22 improved stereo mixes enhanced by today's digital stereo extraction technology. The collection is available now in a variety of formats, including a super-deluxe version and a remastered single disc that boasts the original 2003 release.

Since the band's co-founder, lead-singer and chief lyricist Mike Love penned the lyrics to THE BEACH BOYS' first hit "Surfin'" (1961),dozens of the bands chart toppers have become eternal anthems of American youth: "Surfin' USA", "Surfer Girl", "Fun, Fun, Fun", "I Get Around", "California Girls", "Help Me Rhonda", "Barbara Ann", "Good Vibrations", "Wouldn't It Be Nice", "Rock And Roll Music" And "Kokomo".

THE BEACH BOYS have sold over 100 million records worldwide and have received more than 33 RIAA platinum and gold record awards. The Rock And Roll Hall of Famers were also honored at the 2001 Grammy Awards with the "Lifetime Achievement" award.

With more than five decades of touring under their belts, THE BEACH BOYS have performed more concerts than any major rock band in history. "Sounds Of Summer: The Very Best Of The Beach Boys", Capitol/EMI's 30-track collection of the band's biggest hits, has achieved triple-platinum success with sales of more than three million copies in the U.S. since its release.

THE BEACH BOYS are led by Mike Love, who, along with longtime member Bruce Johnston, musical director Scott Totten, Brian Eichenberger, Christian Love, Tim Bonhomme, John Cowsill, Keith Hubacher and Randy Leago, continue the legacy of the iconic band.

[real-reulbbr-band]

9,11,16,18,26 for bomba

9. What's your least favorite look for this character?

I don't think Bombalurina has any looks I straight-up dislike maybe Paramount Theatre’s production of CATS design for her? I just found it boring.

11. What's the first thing you think about when you think about this character?

he dance during the Jellicle ball, I think it's really fun to watch and it looks like she's having a good time. Happy Bomba >>>

16. A childhood headcaon

I don't think Bombalurina ever had a human owner so she was used to fighting or hunting for survival at a young age. Her mom probably trained her like that.

18. How were they like as a child?

I'd say Bombalurina was confident because she needed to be, if she wasn't anything could go wrong. She was probably a lot quieter though she only got more social the older she got.

26. When do you think they were being “themselves” the most?

When she was comforting Demeter during Grizzabella’s arrival or when she was dancing at the ball. But most of all when she was singing about Macavity, she was bold and confident and that's what I think about when I think about Bombalurina. ^^

Anyways thank youuuu

[alliealert202]

BNHA Relationship Headcanons: Hitoshi Shinsō

Back at it again with the music: Listen to Tears of Joy from the Inside Out score while reading this. 

When you first started going out with Hitoshi, everything was slow. He didn’t know too much about relationships - the thought of one never really crossed his mind until he met you. 

He low-key froze the first time you asked to cuddle. When you needed physical affection at the start of your relationship, Hitoshi worked his way around it by using what worked on his cats at home. For this reason, your default cuddle position is one lying on top of the other on their stomach with your head on their chest. When you’re the little spoon, Hitoshi will often find himself gently stroking your face or back, periodically planting lazy kisses to the top of your head. 

He’ll never admit it, but he loves it when you play with his hair. He also really likes to be the little spoon when he’s had a hard day, but he immediately falls asleep. 

Another guilty pleasure that Hitoshi will never admit to is his secret love for Disney movies. But not the fantasy, princess and fairytale movies - he enjoys Pixar movies like Up, WALL-E, Soul and Inside Out. As stoic as he is, he gets a lot of comfort out of those films and he finds the lessons that they teach important. 

Side note: The only time you ever saw Hitoshi cry was when you watched Inside Out together in his dorm. Even though you both saw the scene coming, neither of you could hold back the tears.

If you can’t sleep, he’s always prepared to take care of you. What he does will depend on the severity of your case - if you simply can’t sleep, he will put on a movie or just hang out with you until you feel tired enough. If you had a nightmare, however, he will hold you in his arms for as long as you need and he will get you to do various calming exercises without having to use his Quirk. It took him some time to cave and stay in bed with you instead of sleeping on the floor whenever that happened - but to him, your state is paramount. 

Hitoshi always finds himself going to you for reassurance and advice when he feels insecure about his Quirk or if he gets too caught up in his thoughts, especially after he transferred to Class 1-A. It took a while for him to become comfortable enough to be vulnerable with you - but once he does, you’re his safety net and he tries his best to be that person for you.

His love languages are quality time and physical touch, but receiving quality time and words of affirmation.

His favourite date with you is going to the cinema to see a really obscure, niche film. 90% of the time there’s no one else in the theatre, which gives both of you the chance to be able to become completely absorbed in the film - with lots of cuddles as a bonus. A very close second is going to a cat café.

When you’re not going out on dates, you tend to hang out in his dorm either watching movies or playing video games with purple LEDs on. 

Your first kiss with Hitoshi was under a lamppost in the snow on the way back from a cinema date. You were actually the one to initiate it with a soft peck to the corner of his mouth. After asking you if you were sure, he lifted your face with a gentle brush of his hand and returned your action with a chaste, yet lingering kiss to your lips.

Although he was awkward at the start, you could not imagine a better partner in crime than Hitoshi. All it took was breaking through his tough exterior to reveal a soft centre - and you can’t believe you ever lived a life without him in it.

gAHHH this one got me in the feels. Quick reminder that I’m taking writing commissions now; check the pinned post on my profile for details!

[toiletpotato]

Here are some that I know of, I have sorted them into available legally and available illegally.

Available legally:

Kinky Boots (West End cast)

Allegiance (with Lea Salonga, Telly Leung, George Takei, and Katie Rose Clarke!)

Miss Saigon (with Eva Noblezada)

Funny Girl (West End cast)

Into the Woods (West End cast)

42nd Street (West End cast)

The Wind in the Willows (West End cast)

Diana the Musical (on Netflix)

Cats

Billy Elliot

Fame

Jesus Christ Superstar Arena Tour (with Tim Minchin, not John Legend)

Godspell in Concert

Holiday Inn

Hetty Feather

Lady Day at Emerson's Bar and Grill (with Audra McDonald)

Mr Saturday Night (with Billy Crystal and Shoshana Bean)

She Loves Me (with Jane Krakowski and Laura Benanti)

21 Chump Street (on YouTube, uploaded by the company that made it, with Lin-Manuel Miranda, Lindsay Mendez, and Anthony Ramos)

Aladdin, a Musical Spectacular (NOT the Broadway show, a stage adaptation of the movie made for Disney Parks, on YouTube)

Tangled the Musical (made for Disney Cruise Line, available on the Disney Parks YouTube channel)

Oklahoma! (with Hugh Jackman, coming to cinemas sometime soon)

... and more!

A lot of these are available on Digital Theatre+ or BroadwayHD. Digital Theatre+ can be accessed through an educational institution's library or account, they have a lot of (but less) the musicals that are also available on BroadwayHD, so if you cannot afford another streaming service, they're a good option provided you are actively a student. BroadwayHD is like any other streaming service, but for theatre, I think it is on the cheaper end and they do a week-long free trial.

Available illegally:

Miss Saigon (the same one mentioned above)

Shrek the Musical (used to be available on Netflix but they took it off ☹️)

Everybody's Talking About Jamie (was released legally in the UK, but not in the US)

Waitress (non-union tour cast)

Rent (with Renee Elise Goldsberry)

Miss Saigon (with Lea Salonga)

Cabaret (with Alan Cumming as the Emcee)

Sunday in the Park with George (with Bernadette Peters)

Oklahoma! (BBC Proms concert version)

Rocky Horror Show

Bandstand

Kinky Boots (same production as is available legally)

... and more!

----

There are also a lot of Made for TV versions of musicals that do lean more into feeling like a movie, such as Bye Bye Birdie with Jason Alexander and Vanessa Williams (currently on BroadwayHD, YouTube, Freevee, Pluto, Tubi- legally!! The latter four are free), Once Upon a Mattress with Carol Burnett as the Queen (used to be on Disney+- now it isn't, but you can rent it from Redbox!). I would be remiss to not mention the "Live!" musicals that many TV channels used to do regularly a few years ago, they're more pro shot than movie musical, but not a pro shot in the most classical sense. They feel less like a movie than the Made for TV movies. Some would include The Wiz Live, Hairspray Live, Peter Pan Live, The Sound of Music Live, Rent Live, Grease Live, Jesus Christ Superstar Live, and A Christmas Story Live. They used to be available on the respective channels' streaming service (ex. all the NBC ones used to be on Peacock) but at least for NBC, there is no legal way to watch them now unless you already bought the DVD. Grease Live is on Paramount+, so at least one is available legally.

---

Eek, sorry for going on a bit of a ramble- I'm very passionate about theatre being accessible to folks and I tried to only provide detail about exactly where to find these if said location was legal, I hope that's okay!

After all the talk of slime tutorials on here, I have been reminded of the general consensus that there should be more professional recordings of shows. So I would like to ask what shows actually do have proshots?

As for proshots that come to my mind now, I know Hamilton and Legally Blonde have somewhat well known proshots, Heathers got one not too long ago, and quite a few classics have recordings that were aired on PBS way back when (PBS ought to do that more often these days). I also think Cats has one and Les Mis and Phantom have those staged concerts that kind of fit the bill.

Hmm, good question! First, what counts as a proshot? 🤔 Are we only talking films of staged shows, and not movies/adaptations? So, for example, the Producers movie wouldn't be considered a proshot even though it's got the two Broadway stars and was overall quite faithful to the show? And are we not talking something like Encanto Live?

The ones I can think of offhand not on your list are Spongebob Squarepants, Newsies, By Jeeves, Joseph and the Amazing Technicolored Dreamcoat, whatever else ALW released during the pandemic to watch that I don't recall, and Into the Woods. If we're talking concerts, there's Sweeney Todd and Chess.

After that, I'd have to start cheating by looking up PBS's Great Performances episode list or things like Live from Lincoln Center.

Anyone got any other recs?

Note: As a personal ask, as y'all answer this please don't get too in depth on where you might find these to watch these days. This blog is meant to be about musical recommendations, not piracy recs. And it's nice to support theater with actual money when you can.

[papermoonloveslucy]

ROUGH ROAD TO TOP

August 16, 1953

(1)

One of the more famous CBS-TV shows is “I Love Lucy.” 

Its two chief characters - Lucille Ball and Desi Arnaz - have had a rocky road to their present status as one of the top comedy teams in the country. 

At the end of Lucille's first year in dramatic school she was told by her teachers that she was wasting her time and money, that she would never become an actress. She was fired from all four of her first jobs as a chorus girl. Later, as a model, she almost lost her life in an automobile accident and was told she would never walk again. 

Revolution Factor 

It was a revolution in Cuba and a mishap in World War II which were fateful turns in Arnaz’ trip to stardom. The Cuban revolution destroyed his family’s wealth, drove them to the United States. World War II got him a broken kneecap in basic training, and since he had been a professional entertainer, he was placed in limited service and assigned to entertain hospitalized G.I.s'. 

Columbia Pictures gave Lucille a contract as a stock player, and, convinced that her luck finally had turned, she sent for mother, grandfather, and sister to join her in California. But, the morning after she wired her family, the studio decided to dissolve its stock company. When the family arrived, Lucille was working as an extra at Paramount.

Bit parts and extra roles in a number of pictures kept Lucille busy, but not prosperous, until she was cast in ’"Roberta.” RKO officials, impressed by her work, gave her a contract. When not busy before the cameras, she was a mainstay of the studio's Little Theater. (2)

Offered Stage Lead 

Her performance in the second lead in “The Girl from Paris" (3) drew Broadway's attention to Miss Ball and she was offered a lead in the musical "Hey Diddle Diddle.” After satisfying her yen to perform on the Great White Way (4), she returned to Hollywood for "Stage Door” and “Too Many Girls.” In the latter picture, she was costarred with Desi Arnaz. They were married Nov. 30 1940 in Greenwich, Conn.

Back from her honeymoon, Lucille walked into her first really big break a role in "The Big Street,” based on a story by Damon Runyon (5). Overnight it made her a star. 

Her first assignment at M.G.M. in 1942 was the title role in the Technicolor production "Du Barry Was a Lady” (6). Stellar roles followed in "Best Foot Forward” and "Meet the People" (7). After completing "Easy to Wed” with Van Johnson (8), she headed for New York to be with her husband, then out of the army and on his way to success in the orchestra business. 

Starred on Tour

Shortly after completing "Her Husband’s Affairs,” (9) Miss Ball went on tour as star of Elmer Rice's play "Dream Girl” (10) then worked with Sonny Tufts and Victor Mature in "Interference” for R.K.O. (11)

Lucille, Desi, arid their year-old daughter Lucy Desiree, live at Desilu, their five-acre ranch at Chatsworth, Calif. They raise cattle, chickens, dogs, and cats and dabble in farming. Enthusiastic fishermen they spend a lot of time on their boat.

Desiderio Alberto Arnaz y de Acha was born in Santiago, Cuba, son of the mayor. Desi’s mother, Dolores de Acha, was considered among the 10 most beautiful women In Latin America. 

Three ranches totaling 100,000 acres, a palatial home in the city, a private island in Santiago Bay, speedboats, a fleet of motor cars, and a racing stable were all at the command of the youthful Desi during the pre-revolutionary days. His father, after eight years as mayor of Santiago, was made a member of the Cuban congress In 1932. 

On Aug. 12, 1933, came the revolution. Congress was dissolved. Its members jailed. The Arnaz property was confiscated, the homes burned to the ground. In 24 hours everything was gone except $500 Desi's mother had hidden. Desi and mother fled to Miami, devoted the next six months to efforts to free Papa Arnaz.  from prison. They were finally reunited in Florida.

For Desi, life in these United States for several years was hard but interesting: he worked at truck driving, train yard checking, taxi driving, bookkeeping, and, of all things, bird cage cleaning. Desi’s father managed to launch an importing business. It went broke when a shipment of fruit spoiled in transit.

Show business at this point finally caught up with Desi. His first job was playing guitar and singing with a seven-piece rhumba band at Miami’s Roney-Plaza Hotel (12). Xavier Cugat (13) spotted him, was impressed with this Cuban boy who was to be dubbed "The Tempo” by critics of modem music. After a year as featured vocalist with the Cugat band, Desi organized his own group of musicians and moved into the swank La Conga Café in Miami (14). 

George Abbott's Broadway hit "Too Many Girls” (15) was Desi’s next step up the ladder, in 1939. He played a Cuban football player, one of the leads, and played tropical drums. RKO bought the film rights and signed Desi to play his stage role. When the shooting was over Desi married the leading lady, Lucille Ball.

He spent from Feb. 1943 to Nov. 1945 in the Army, after which he toured the nation with his band playing theaters, dances, night clubs. He hasn’t been without a band since. In 1948, Desi made the Columbia film "Holiday in Havana.” (16)

He made a vaudeville tour with Lucille Ball and that convinced them they’d do well as a husband-and-wife team on television. The tour inspired the CBS-TV show “I Love Lucy,” which has been highly rated since it started. (17)

Desi Arnaz’s personality is as vibrant as the music he makes. He is friendly, direct in manner, has flashing dark brown eyes and brown hair. He’s an avid fisherman, rides and swims expertly: his tennis is the envy of his San Fernando Valley neighbors, Sue and Alan Ladd, Francis Lederer, Jackie Oakie, and the Andrews Sisters. (18) A good cook, he specializes in such tempting dishes as Ginger Beef and Bouillabaisse.

#    #    #

FOOTNOTES FROM THE FUTURE

(1) The photo is from “Be a Pal” (ILL S1;E2) aired on October 22, 1951, nearly two years earlier.  There’s one thing missing from this file photo: Vivian Vance. The success of the show was its foursome, not threesome! If you look closely you can see the hands of the other poker players, Richard Reeves (Hank, left) and Tony Michaels (Charlie, right).

(2) Lucille did several plays at the RKO Little Theatre under the direction of Lela Rogers (above), Ginger’s mom.  When Lucille later bought RKO, she dubbed it the Desilu Playhouse, a training ground for new young performers, often hand selected by Ball herself. 

(3) “That Girl from Paris” (not “The” as the article states) was Lucille’s 33rd film. The light-hearted musical romance earned an Oscar nomination for Sound Recording. It was released on the first day of 1937. 

(4) Lucille was indeed cast in the Broadway-bound comedy (it was not a musical, however) “Hey Diddle Diddle!” It opened in Princeton, New Jersey, the first of several out-of-town stops on the way to Broadway.  What Lucille’s publicity omits is that the show never got further than Washington DC due to the serious illness of its leading man, Conway Tearle. So Lucy’s Broadway debut would have to wait - until 1960!

(5) “The Big Street” opened on September 4, 1942. It was based on a Damon Runyan short story about a night club singer (Lucille) embittered by an accident that left her in a wheelchair and her romance with a naïve admirer (Henry Fonda) named Pinks. Lucy later said it was her favorite of the many films she made.  It was her 55th film. 

(6) “Du Barry Was A Lady” premiered in August 1943. It was Lucille’s  57th film, but her first for MGM.  She nabbed the role from her friend Ethel Merman, who had done the Cole Porter musical comedy on Broadway.  It was filmed in color, and was the film that earned her the nickname “Technicolor Tessie” because of her bright orange hair - a color she committed to from then on, despite her roots!  This is the film that introduced Lucy to the song “Friendship”, which she would also sing on “I Love Lucy.” 

(7) In the musical comedy “Best Foot Forward” (1943) Lucille Ball played herself.  It was her 58th film. “Meet The People” (1944) was a romantic comedy for MGM, Ball’s 60th film. 

(8) In 1946 she released her 63rd film, “Easy To Wed” co-starring Van Johnson and Esther Williams. Lucille and Van had appeared together in “Too Many Girls” and he would appear on Lucy’s television shows. 

(9) “Her Husband’s Affairs” (1947) was a romantic farce with Lucy teamed with Franchot Tone. It was her 69th film. 

(10) Back to the stage, Lucille accepted the leading role in a revival tour of “Dream Girl” a fantasy comedy by Elmer Rice. Once again, the play launched in Princeton, but this time Broadway was not the goal. It had already played the Great White Way two years earlier. The play toured the country at select cities, landing Lucille back in California in late 1947. In one SoCal gig she was appearing simultaneously with Desi and his band just a few blocks away.  No doubt this was by design. 

(11) RKO’s “Interference” was re-named “Easy Living” (1949) and dealt with the world of professional sports, namely football. It co-starred Victor Mature and Sonny Tufts. It was Ball’s 71st film. 

(12) The luxurious Roney Plaza Hotel in Miami Beach was located on the corner of Collins Avenue and 23rd Street. It opened in 1925 and was demolished in 1968. The resort attracted a who's who that included Hollywood stars and even the Duke and Duchess of Windsor. The hotel's Bamboo Room & Restaurant was the place to be seen on the Beach for decades.

(13) Xaviar Cugat (1900-1990) was a Spanish musician and bandleader who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music. In New York City he was the leader of the resident orchestra at the Waldorf–Astoria before and after World War II.  He was a mentor and friend to Desi Arnaz, who kept his name before the public by making him a rival of Ricky Ricardo on “I Love Lucy” where his name became a punchline. In reality, Desi was grateful to Cugat, not jealous of him! 

“I learned a lot from Xavier Cugat” ~ Desi Arnaz

(14) La Conga Café was located in New York City, not Miami, although the article may be referring to a different, lesser known establishment where Desi Arnaz performed.  He became a regular headliner at La Conga, even issuing a record titled “La Conga” in 1939. 

(15) Speaking of 1939 New York, Desi appeared in his only Broadway show in 1939, Rogers and Hart’s “Too Many Girls.”  When the film rights were purchased by RKO, Desi was hired by director George Abbott to recreate his role. It was while filming this movie that he met Lucille Ball. 

(16) “Holiday in Havana” was a Columbia picture released in October 1949.  The film is about a Cuban hotel busboy (Arnaz) who dreams of becoming a composer.  His love interest was not Lucy, but Mary Hatcher. 

(17) The Tour incorporated some of the same routines seen in the “I Love Lucy” pilot as well as early episodes of the series, most notably the “Cuban Pete / Sally Sweet” duet.  The tour culminated at the Roxy in New York City, where Desi was playing when he married Lucille in 1940. 

(18) Before moving to their Beverly Hills mansion, Lucy and Desi lived on a ranch in Chatsworth in San Fernando Valley. They dubbed their ranch home Desilu.  About their neighbors: 

Alan Ladd (1913-64) was a chorus boy when Lucille was an Earl Carroll showgirl in Murder at the Vanities (1934). He was married to Sue Carol (1906-82) from 1942 until his death. Carol’s name was mentioned on “I Love Lucy” in “The Fashion Show” when Lucy selects the same Don Loper original that Carol has chosen to wear in the fashion show. She does not appear on screen. 

Francis Lederer (1899-2000) was a Hungarian-born actor. In 1960 he did an episode of Desilu’s “The Untouchables”. From 1941 until his death he was married to Marion Irvine. 

Jackie Oakie (1903-78) did four films with Lucille Ball between 1934 and 1938, including both “Annabell” movies. 

The Andrews Sisters were the pre-eliminant close-harmony girl group of their time. The consisted of Patty, Maxine, and LaVerne. They were mentioned on “I Love Lucy” in “Be a Pal” in the same scene that the photo at the top of the article came from. In 1969, Patty Andrews guest-starred as herself on “Here’s Lucy”.  Lucy and Lucie played the other two Andrews sisters. 

[skimblyshanks]

Production stills from Paramount Theatre’s production of CATS

[perfectlymacabre]

The Sound of Music was AMAZING. Everyone was SO good!! ✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿ #musical #theatre #paramount #soundofmusic #sogood #seattle #broadwaymusical #broadwayattheparamount #rodgersandhammerstein #loungefly #purse #cat #starbucks #pumpkinchai #ticket (at Paramount Theatre)

[bookish-fan-things]

The Captive Kingdom Launch Party HIGHLIGHTS

Jen has a dog that won't play fetch and a cat that hallucinates

The Kings English Bookstore is home to many authors in Utah and it has been hit hard by Covid-19. She asks for us to support them or your local indie bookstore!!!

November 14, there is going to be an author extravaganza to support TKE Bookstore

Shortly after the False Prince came out, she was still a very new author, she got a tweet from R.L. Stine, author of Goosebumps saying how much he loved TFP. She was so excited and she wanted to thank him personally but didn't know his name, and he had called her Jennifer so she didn't want to say Mr. Stine.So she ended up just saying, thanks!

Book 5 is due to her editor Monday (October 5, 2020) and she said she would be finishing this (the launch) then getting right back to it!

She showed her open project folders (there are a LOT)

Working on a World War 1 story and she showed history books she is reading such as History of the World War, A World Undone, and Weird War One.

One of her new works is about a kid with no memory, a magic sharpie, and a dice game called Boggle that sometimes talks to him and he sees a message in the dice: “they know ur here go”

Q&A!!!

Disney, book to movie adaptation possibilities? She'd be fine with it if they asked. She wants it to be made right. She wants someone who comes to at it with a fan’s perspective.

Paramount Pictures had optioned the rights to the False Prince, what happened? When you have a contract, every six months they have to decide whether to extend, cancel, or make the movie. As her six months was coming up, they fired their CEO, so everything evaporated.

How does it affect you emotionally when one of your characters goes through something traumatic or extremely challenging? She has a background in theatre and she comes to writing from a theatrical perspective. It plays out in her head like it's on stage so she becomes every character. She goes through everything with her characters, she feels it, she dreads it, she feels awful, but she's learned that “Most of us are in this stasis of being where we are just comfortable being exactly who we are and when something hard happens to us, even if we hate it, it forces us to grow. The hard thing creates heroes. So my characters start out believing they are just ordinary people, but when I do the hard things, my characters become very heroic characters. I do hard things to them because I love watching them grow.” I had to include this quote because it was so great

Favorite background character who you think gets overlooked a lot? Kerwyn, he is one of the very few stable things in the lives of the main characters, he is just good, strong, and loyal. Amarinda, she’s ok with being overlooked but she is so strong and intelligent.

Characters based on yourself? Not really, she doesn't think she is interesting enough to write about, but Sage, like her, is left handed, climbs, and has her sense of humor. She relates closely to the main character from the Scourge, Ani, and sees a lot of herself in her, but didn't base Ani on herself, they just have a lot in common.

Jen discussed how she plots out her books and how many drafts she goes through: she's got to know the twist so she can layout the hints. She shows an example of a chart of how much each character and what the reader knows. She rewrites a lot and feels it come together. First rewrite is fixing major plot issues. Second, logic. Dialogue. Description. Word choice. Could be 10-15 drafts before her editor sees it, who sees things Jen missed.

Have your characters ever taken you by surprise (with twists)? The ending of Mark of the Thief book one, she didn't expect, so she had to make some changes. Usually on top of it, and has something called the Rule of Five. Has a general idea, and makes herself come up with five possible ways the idea could play out. 1, usually pretty predictable. 5, usually really weird. 2, 3, and 4 she really gets creative. “Limitations are the mother of creativity.”

How she gets her character names: baby name books and websites (Imogen and Tobias). Symbolic, Sage (wise, a way for him to stick it to his dad and say he has wisdom), Connor (con man), Jaron (teenage boy she knew who was just a great person and outstanding kid, and if we had royalty in our country he would be a prince). Put sounds together, places, Amarinda, Mott, Roden, Kerwyn. (She also gave an example for writers to use: UTAH, UTAR, TUTAR, TOTAR, TOTARA, city of Totara!!)

She explained how she does her fantasy world building and it is mainly based on what she will need in the plot (ie Carthya is landlocked, mountains to the north, waterways that would be needed, it is resource wealthy making it desirable, etc)

Culture and religion in world building: how many gods or none? saints and devils! causing good and bad things in your life. Sage feels like he is constantly being harassed by the devils. It became a social thing in the world.

Would she want to live there [in Carthya]? Sometimes, but not in the last book that she is editing now!! *wink*

Where's fink's rat? Fink’s rat is on the castle grounds. She said this. It's canon. Fink’s. Rat. Is. In. The. Castle. (See @thedevilsofcarthya for full transcript of Jen discussing this)

TCK trailer: created by her family, particularly her son, Chase, and the voiceover was her son in law. Chase wanted to do something different and take a risk.

Your career as an author? When she started writing she knew nothing and nobody just had a manuscript that was ‘awful’ and will be buried with her. (I personally would read ANYTHING she wrote). She submitted her second one to “every agent with a pulse” and everyone said no. She wrote a new one, they said no. Fourth manuscript, she felt ready to break in, Apprentice to a Madman, she thought it was the best thing ever, submitted it and got a rejection scribble, not a letter, worked on it and kept getting rejected. One publisher had rep for taking everybody so she sent in hers. A couple months later, on her birthday, she got a call from a friend that they got an acceptance letter from the same publisher as she had submitted hers, got her own… rejected…She thought a lot about it and decided to erase everything she thought she knew about publishing and once she had a new idea, that manuscript got her agent and first publisher. That letter on her birthday was the last rejection letter she received. “Remember you can start from nowhere and find success.”

When asked for descriptions of the characters so an artist can draw them, she said, they look like how you envision them, there is no ‘right’. (Shows fanart from the competition that is on her blog!)

TCK art print was created by her niece, Ireland. It is her concept of the characters.

Writing during covid and quarantine? She's a strong believer that when God closes a door, he opens a window. She misses the opportunities to be in schools and bookshops. Just discovered a new WW2 true story she is researching. Various stories at different stages. Very excited for stories she has created because of Covid. “We will get through this, we will, and we're going to be stronger at the end because remember, when we go through hard things we get stronger."

[simping-on-the-daily]

Pride: a feeling of deep pleasure or satisfaction derived from one's own achievements, the achievements of those with whom one is closely associated, or from qualities or possessions that are widely admired. We often imagine Pride as Roman’s Dark Side, but what if it was a separate side entirely?

With these idea, I ended up creating a plot where Pride had an entire episode based around him, but knowing me, I only did quotes he might say! Consider it a character introduction.

The storyline I went for this is that Thomas went to an audition, and he didn’t get the role. The main problem was that he was the most experienced person auditioning, and the others either sucked or were beginners. However, the director chose them instead of the clearly superior one in the theatre (Pride’s words, not mine), and Thomas began to think he deserved the role, not them. Pride was eventually exposed and now we’ve got a wild Dark Side on our hands.

Pride’s sorta an asshole, but the guy doesn’t care about anyone’s opinions. He’s confident in what he can do, and is also confident in Thomas’ abilities. Pride is a perfectionist and short tempered. He’s very similar to Roman due to their similar functions, and as a result, he enjoys Disney and makes a lot of references to Disney Channel in particular! The reason why I made Pride separate to Roman for this post is because Thomas didn’t only split his creativity, but his ego as well. Roman simply represents Thomas’ confidence and ego, while Pride is straight up narcissistic and arrogant.

Pride represents arrogance, narcissism, honor, dignity, satisfaction, self image, hubris, self-love and self-glorification.

Now, onto the lines!

“Wow, glad you little Little Sides caught on so easily!”

“Finally, I’m in the spotlight!”

“Staying in the background got boring. I thought I would put on a little performance before I showed up. You came out of the theatre feeling very happy, I assume. The metaphorical theatre, of course. The one we left had poor taste in judgement.”

“Para, let me get this straight. You believe Thomas didn’t do his best in his performance? A performance he worked very hard on? Wow, you have so much trust in Thomas’ abilities.”

“What, the P word? Bitches, Paramount exists.”

“I’m not Roman, ya know.”

“Well, Thomas. Lemme put this way. While you may not know how to pronounce Wednesday, you know that there’s a different between proud of your accomplishments and being a dick about them.”

“I don’t know De De and Re Re. I kept my distance from all of them. Or, at the very least, I was forced to keep my distance.”

“Why are you making such a big deal about this? I vote someone out of my life everyday.”

“Yes, Roman! Bizaardvark reference. You know, that was one of the most happiest days of my life!”

“I have faith in Thomas’ abilities! I just don’t have faith in people’s judgement.”

“I’m not fucking Deceit. I don’t manipulate people. I don’t care if you’re on my side, or if you like me. I’m here to deliver my opinion and to make sure you know I’m right.”

“Can someone please shut up the Specialist Teacher? I’m about to a Para move and take a cat nap.”

“You know, Para? Hearing you say not to call you that makes me want to call you that even more.”

“Respect? Oh, sorry. I don’t know anything about words.”

“Holy shit, you are confusing.”

“Thomas deserved that role and you know it! He has the most experience!”

“Thomas did his best, and his best is amazing! Their best is Sonic 06 quality.”

“I finally why De De was trying so hard to make you go to that callback. Thomas, you’re way too giving. Just, for once, take.”

“No, no Roman, please speak up. Subjects have to hear their prince, after all.”

“I smell sexual tension............and pizza.”

“You can’t handle me? I’m pretty sure you’re not to supposed to handle me.”

“Don’t doubt their abilities? Oh, I’m doubting. I’m doubting pretty hard.”

“No-one is above me.”

“Are you still mad at me because I gave Thomas his fedora phase? For the last time, they were trending!”

“Nice idea, Roman! I’m open to a compromise if anyone can make a good argument.”

“It’s okay to think that you were the best, but don’t let it hurt other people? Be aware that people have tried their best? Be nicer? Work with Roman? .........Got a little sappy, but whatever fits the glass shoe, I guess.”

“It isn’t a real apology if you’re not sorry.”

“Fine. I’m sorry for making Thomas an asshole, and I’ll try my best to be more humbler. For you guys.”

“The day I doubt Thomas’ capabilities is the day Patton stops suppressing his emotions.”

“Jesus Christ you’re all so angsty-”

[hrsun111]

INTOWN REPORT for 12/5/19 – 12/11/19

THURSDAY, 12/5

5 Star Bar – Telekinetic Yeti, Darvaza, + Hexicon

1720 – Lousi Futon

Alex's – Five Guys...One Cover Band, Glitter Wizard, + Crimewave

The Belasco – Daughters, Protomartyr, + Show Me The Body

Bluespade 75 Studios (E.L.A.) - The Virus, Cinderblock, The Venomous Pinks, + HeadNoise

Bootleg – Lisa Prank, Rose Melberg, + Worriers

Doll Hut – Slaughterhousers, The Pawns, + The Tragic Radicals

Dynasty Typewriter – Michelle Buteau

Echo – Magic Sword, + Go Dark

Echoplex – Saint JHN

Fonda – Sasha Sloan, + Winnetka Bowling League

The Hi Hat – Bonavega, Brasko, + Mood Killer

Harvard & Stone – Baby A, + The Emerald

House of Blues - Gryffin

House of Machines – Love Nothing EP release, Deep Fields, New Balance, + Lindsay B

Largo at the Coronet – Anthony Jeselnik

Little Joy – No Exits, Programmed For Pleasure, + Del Lucrii

Malone's - Big Rig Dollhouse, Ascent, + Tragic Radicals

Maui Sugar Mill – Midnight Cloud, John Thompson, High Grass,+Carry On Band

Moroccan – Moon Hooch, + Coco Columbia

Observatory – The Hu, + Crown Lands; From Indian Lakes, Queen of Jeans, + Yummm (Constellation Room)

The Palace – Vagabon, + Angel Olsen (also Friday)

Petie's Place - The Kitty Litter Disco Show Band, Review Killer Lords (Tribute to The Lords of the New Church) + The Flutterbyes, free entry with a toy donation for Children's Hospital LA

Redwood Bar – The Tearaways (feat.Clem Burke), The Reflectors, + Mogg

Satellite – Salute to Lou Reed with Angie Bowie, LoveyDove, The Dick & Jane Family Orchestra, + Mary Woronov

The Smell – Banny Grove, Pregnant, + Brendan Eder Ensemble Theater at Ace Hotel – The Revolution (Prince's former band) Troubadour – Alex Cameron, + Holiday Sidewinder (also Friday) Wiltern – Snoop Dogg, + more

Zebulon – The Make-Up, + Seth Bogart

FRIDAY, 12/6

5 Star Bar – Endless Struggle, Destruction Made Simple, Dead77, Gob Patrol, + Dcon

1720 - Graves Bootleg Theater – Madison Cunningham, Johanna Samuels, + Pet Dress

Doll Hut – Reagan Youth, Functional Lunatics, The Lewd, Damaged, Justified Anger, Ciphors of Transcendence, Krovak, The Order of Nine Angels, The Outskirts, Pig City, 6pm

El Rey – Dreamers, Arrested Youth, + American Teeth Garden Amp – The Adolescents, The Zeros, The Crowd, + more! Glass House – The Hu, + Crown Lands The Hi Hat – Sonny & the Sunsets, + The Gonks Hollywood Forever Cemetery – Drab Majesty, + Body of Light House of Blues - Thrice House of Machines – The Dickies, Cheap Tissue, + DM Tina & The Bumps The Lash – Body of Light, + DJ Drab Majesty Lodge Room – Surfbot, Dumb F**ks, + Nice Maui Sugar Mill – Dr. Savage &The Shrunken Heads, Super Villian, + Caroshi Moroccan – Kills Birds, Daisy, + The Living Roomers Observatory – The Wrecks Pappy & Harriet's – Ryley Walker, + Black Mountain Petie's Place – Dickwad (also Sat.)

Redwood Bar – Drug Front, Dante HH, + Graveyard Bandits Regent – The Slackers, Viernes 13, Soul Ska, + Gabriela Penka Teragram – Marco Benevento, + The Mattson 2 Zebulon – Judge, Regional Justice Center, Section HB, + Down to Nothing

SATURDAY, 12/7

5 Star Bar – A Darker Bright

1720 – Minty Boi, Twin Tribes, + She Past Away

Alex's – Boyo, Dustin Lovelis, Nik Freitas, Tino Drima, + Emily Edrosa

Alpine Village - 7th Annual Krampus Ball with Rosemary's Billygoat, Hammerstein Band, Totendanse, + Krammpstein

American Legion Post 206 (Highland Park) – Master Cylander, Sapphic Musk, Somos Mysteriosos, Ley Valentine, + Stars at Night

Bootleg – Mike Krol, Night Shop, + Jess Cornelius

Catch One – Reagan Youth, The Voids, The Skeptix, The Virus, Defiance, Cheap Sex, Thulsa Doom, + more! 2:00pm

Doll Hut – Punxmas Toy Drive with Ravens Moreland, Big Mess, The Whining Pussies, The Pawns, Shubees, SLOKA, Mr. Firley, Dirty Hammer, + Time Kats (entry with 1 unwrapped toy)

EB's at The Farmer's Market – The Stardust Ramblers The Echo - Glades El Cid – Eyedress, + Natia & The Renaissance Family El Rey – Greyson Chance

The Factory- Daisy Chain, Lunch Lady, Silky & the Scopers, + Dummy Glass House – Aly & AJ, + Armors The Hi Hat – Fitness, + Somme Hollywood Forever Cemetery – Mount Eerie, + Julie Doiron

LEM HQ (835 N La Brea Ave.LA) – Crisis Actor, Safeword, Le Face,+DJsTerminal A Lexington – Drop Top Jesus, Wagemaker, Mountains of Delusion,+Living Darkness Lodge Room – Louis Cole Maui Sugar Mill – Punk Rock Karaoke, + Shiner's Club

Meltdown (1644 S La Cienega, Unit 4, LA) – Justus Profitt, Poll Tax Riot,+Noah Salem Moroccan – From Indian Lakes, Queen of Jeans, + Yummm Observatory – Me First & the Gimme Gimmes, Glitter Wizard, + Masked Intruder Pappy & Harriet's – KOLARS, + Soft White Sixties

The Paramount – Very Be Careful

Permenant Records Roadhouse (former location of Cafe Nela) – DJ Frankie & the Witch Fingers

Redwood Bar – Tramp For the Lord, + Jason Heath & The Greedy Souls Regent – High On Fire, Power Trip, Devil Master, + Creeping Death (sold out) Roxy – Black Flag, + The Linecutters Silverlake Lounge – Dangerously Sleazy, Fox Medicine, + Cosmic Kitten Teragram – Defeater, + Modern Life is War Troubadour – Lindsay Eli Wiltern – Snoh Aalegra Zebulon – Frankie & the Witch Fingers, Kevin, + Perfection

SUNDAY, 12/8

Alex's Bar – Headless Palms, The Sleeping Sea Kings, + Boom Years

All Star Lanes – Boy In the Water, Margeaux Sippell, Jack Rabbit,+Arch Stanton

Bootleg Theater – Tow'rs, + B.R. Lively

C.I.A. - Angela Bowie, Cat Museum, + The Chelsea Club

The Echo – Myles Parrish

Echoplex – Nothing, Launder, No Swoon, + Sprain

Fonda - Me First & the Gimme Gimmes, Glitter Wizard, + Masked Intruder

The Hi Hat – Tribute to Jim Morrison by The Burning Doors, + John Lennon Memorial Celebration

Lodge Room – Jason Lytle Moroccan – Spindrift, Federale, Roselit Bone, Sir Woman, + Dylan Meek Observatory – High on Fire, Power Trip, Devil Master, + Creeping Death The Pike (L.B.) - Hamapple

Redwood Bar – Blood Wisdom, Beatnik Party, + Calico Sky Roxy – With Confidence, Seaway, Between You & Me, + Doll Skin Teragram – Ours, Chris Shinn, + Black Angel The Wiltern – CHVRCHES, + Dominic Fike

MONDAY, 12/9

4th Street Vine – The Cure & Friends Aratani Theatre at JACCC – An evening with Flea Bootleg – Henry Hall, Polyplastic, + Corvax Echo – Courtship Echoplex – Trap Girl, Agenda, Strangers, La Pregunta, Skirt Cocaine,+DJ Bat Slave The El Rey – The Pineapple Thief Fonda – Fabio Frizzi Moroccan Lounge – Halfnoise, Blackpaw, + And That Zebulon – Shannon Lay, + Earth Girl Helen Brown

TUESDAY, 12/10

5 Star Bar – We Were Giants, + Next Door to Heaven 1720 – Unearth, + Darkest Hour

Bootleg – Erin Anne, Potty Mouth, + Cartalk Echo – Say Sue Me, + The Pantones Echoplex – Madame Gandhi El Rey - Zhavia

Fonda – The Hu, + Crown Lands The Hi Hat – Georgi Kay, Esbie Fonte, + Psychic Twin

Lodge Room – Rob Bell

Moroccan – Channel Tres, + The Briggs

Novo – Cindi Lauper, Belinda Carlisle, Bily Porter, Brandi Carlile, Carol Leifer, Charlie Musselwhite, Emily Estefan, Henry Rollins, Perry Farrell, Marilyn Manson Lily Tomlin, Margaret Cho, + more! (Home for the Holidays benefit)

Redwood – Thee Idylls, Dylan Champion, Kid Bandit,+The Path of Most Resistance Resident – Stalley Roxy – Divinio Nino, Bardo Martinez, + DJ Venus

Zebulon – William Tyler, + Xylouris White

WEDNESDAY, 12/11

4th Street Vine – Downtown, Sleeperz, + Calm Kill Alex's – Las Chicas Tristas, White Woods, Slice, Sea Moya,+DJ Caliate Y Escucho Bootleg – The Monolators, Soft Sailors, + Saint Heartbreak The Echo – Khemmis, UN, + Future Usses El Rey – Berhana, + Pomo Fonda – Conan Gray, + Denee Highland Park Bowl – Emmitt James, JeremyJones, + Shaelle The Hi Hat – Mothica, Cannons, HUX, + Velvey Starlings House of Blues – Falling In Reverse Lodge Room – Rob Bell Moroccan – Channel Tres Observatory – Allah-Las, Mapache, + Tim Hill Redwood Bar – Here Lies Man, Sissy Brown, + Mars Rodriguez Roxy – Role Models, + Jackie Hayes Teragram – Fruit Bats, + Kacey Johansing Troubadour – Beouine Zebulon – Xylouris White

LIVE ON LIVATION, WEDNESDAY NIGHTS FROM MIDNIGHT TO 2AM THURSDAY MORNINGS (PST) ON KXLU 88.9FM, LOS ANGELES & KXLU.COM

12/11 – Otniel y Los Condors 

12/18 – Dangerously Sleazy

12/20 – Livation fills in for Demolisten with special guest Bruce Duff, 6-8pm

12/25 – Lucky Otis

12/27 – Livation fills in for Demolisten with Clifton AKA DJ Soft Touch 

1/1/2020 – Buzz Clic Adventure

1/8 – Crisis Actor

1/15 – PR Shake

1/22 - Jason Paul & The Knowitalls

2/12 – Ley Valentine

2/19 - Cheap Tissue

2/26 - JesuCrisis

reverbnation.com/venue/livation 

intownreport.wordpress.com 

livation889fm on Instagram l

theosangelesbeat.com

kxlu.com

[amirocks]

Crucified fluff isn't a thing, thoughts on mindfulness and more - part 2 #drawing in the dark Friday night during @marcmaron @paramountaustin w @carmenaliciaojeda #sketching #sketch #watercolor #ink #austin #atx #texas #comedy @moontowercomedy #livedrawing #livesketching #performance #marcmaron #art #cat #crucified #crucifixion (at Paramount Theatre) https://www.instagram.com/p/B1lsZQeFch0/?igshid=y4gr2hhmfisk