#button accordeon

[celtic-cd-releases]

https://www.reverieroadmusic.com/

https://www.facebook.com/reverieroad

https://reverieroad.bandcamp.com/album/reverie-road

[quotes-from-oz]

"I believe the musicker must have swallowed an accordeon in his youth." "What's 'cordeon?" asked the boy. "It's a kind of pleating," explained Dorothy

The Shaggy Man, Button Bright and Dorothy in The Road to Oz by L. Frank Baum

[discogoob]

bro cons are so weird. i just saw harry potter smoke a joint. loki and bloom from winx club are holding hands. i hugged the whole voltron cast. malificent asked to take a picture with me. christmas music is playing somewhere. i bought a button of jenna marbles’ dog kermit. the grinch just played accordeon for me and my friends. this place has such strange energy but i love it

[eurovintage]

Latest from Eurovintage: Vintage Weltmeister Small Accordion / Harmonica Purple Red Mother-of-pearl / Accordion 60s / Kids Piano Accordeon 17 Keys 8 Bass by EuroVintage 145.00 EUR Vintage Weltmeister Small Accordion / Purple Red Mother-of-pearl / Accordion 60s / Kids Piano Accordion 17 Keys 8 Bass Vintage and rare small accordion in beautiful pearloid/mother-of-pearl red-purple color made in Germany by famous producer "Weltmeister" in the 60s. Has a serial number on the back that reads /65. The accordion has 17 keys 8 bass buttons and real leather straps. In general good working condition some key are more "responsive" than other but the sound is nice to be a toy. Aesthetically in great condition with just some small chip shown in the 7th pic. Measurement (closed): 10" x 9" x 4.7" (255cm x 225cm x 12cm) Weight approx 3.5 lbs (16 kgs) A nice small accordion perfect to introduce your kid to music or simply as a super decoration for any music lover vintage space. Feel free to ask for more pics or details. ---------------- NOTE: For faster shipping please choose the Paypal option instead of default Credit Card/Etsy Payment. http://bit.ly/2Gjsphd

[riffsstrides]

Michael Wollny & Vincent Peirani

Tandem

ACT Music, 2016

Michael Wooly, piano

Vincent Peirani, accordeon

German pianist Michael Wollny and French accordionist Vincent Peirani bring jazz, classical, folk and improvised music together in this fine recording- their first as a duo. ‘We prepared and arranged some of the pieces with great care, whereas we left others very free and completely open to the spontaneous ideas,’ says Wollny: their response to each other is so intuitive, it’s not always easy to tell which is which. They open with Song Yet Untitled, by Swiss singer Andreas Schaerer; the accordion’s deep portentous chords sound like an organ behind the wandering piano arpeggios. The surface is glassy and the slow chords almost rocky. The pensive melody resonates, like the theme tune to a movie in your mind. Wollny grew up loving Schubert and Romantic music, and Peirani learned classical music by transcribing it for accordion; both have a wide repertoire of ideas to draw on in their version of Barber’s Adagio for Strings. It’s culled to a couple of harmonised lines, sonorous and tautly emotive. It moves into a Steve Reich-like section with fast, intricate chords that repeat ecstatically before falling back to the main theme. Time expands and contracts, but it’s all over in a few minutes. Hunter turns Björk’s electro-pop into dark thrummed strings, as high piano notes drip onto the strong accordion groove: part flamenco, part Ravel’s Bolero. Wollny’s solo has rhythmic hints of Corea, with abstract shapes and huge crashing chords. He scratches and dampens the piano strings in almost menacing flourishes. Wollny and Peirani’s original tunes are at the core of the CD; you can hear their strong musical personalities pulling together and against each other. Wollny’s Bells has long atonal lines that chase each other like snowflakes in a blizzard- the album was recorded in the snow in Bavaria’s Schloss Elmau. It recalls the frenzy of one of his Hexentanz (‘witch dance’) pieces. It slips into swing, piano and accordion throwing boppy phrases to each other. In total contrast, Peirani’s mysteriously-named Did You Say Rotenberg? wrings strong feeling from a folk-edged three note minor motif, as the harmonies unwrap. Peirani toured with an Eastern European band, and there’s something of the Balkans in his colourful solo. Wollny adds jazzier harmonies, recalling Joachim Kühn in his angular solo. The two move in and out of phase with each other then come together like waves. Wollny’s Sirènes lures the listener in with a melodic riffs, dropping piano notes in unexpected places: they create lopsided timings and harmonies, changing colours over a still scene.  Each instrument has a solo section, thoughtful and deeply Romantic. In Peirani’s Uniskate, Wollny strums the piano strings like a harp or dulcimer behind the bright accordion melody, played with a sense of nostalgic yearning. The piano bass lines seem to hold back the time then push it forward. For a few bars, Peirani’s chords (almost swing) pull hard against Wollny’s flowing arpeggios, as if they might break loose from each other. The rhythmic tension is astounding, heightening the emotion of the piece. Gary Peacock’s Vignette has an intense treatment, a dark tango intensified by Peirani’s growling trills on the accordion: his blurred, fluttering sounds add a sense of mystery to the melody. Wollny’s solo is warm and expressive, echoing Peirani’s trills. When the piano melody returns, with high wistful accordion (accordina?) counter melodies, it’s especially beautiful. (As well as button accordion, Peirani plays accordina on the album- a kind of metal melodica- though it’s not easy to hear when.) Sufjan Stevens’ Fourth of July is slowed down, with rich textures filling the simple, tolling chords. This was recorded live at a concert following rehearsals at Schloss Elmau, as was Travesuras (written by Tomás Gubitsch, and Argentinian-born friend of Peirani.) Travesuras has an Hermeto Pascoal-like wild irreverence in its tango-influenced grooves; a slow central section heightens the fierce playfulness of Peirani’s solo working together with Wollny’s powerful grooves. Tucked away at the end of the track is a hidden song, unnamed. It’s Judee Sill’s The Kiss, with its classical cadences and plaintive melody: as gentle as a Brahms lullaby with harmonic twists to draw you in. This is the kind of album it’s hard to write about: the two are such instinctive and accomplished musicians, that you want to simply absorb yourself in the music, and share their ideas and moods. ‘My speciality is that I’m not a specialist,’ Peirani has said. ‘I’m always curious about music and I try to play music in my way. I don’t care about the style. There is no borderline.’

Alison Bentley  in londonjazznews.com

[rapaljemusic]

http://www.rapalje.com/episode4-2/

How to tune Maceál's harmonica: Rapalje show episode 5

Welcome back to the Rapalje Show! We will show you how Maceál has his harmonica tuned as a preparation for recording our new album!

In the past few weeks, since the first episode of the Rapalje Show, many of you have asked about Maceál’s harmonica and how it is tuned. And now Maceál will show you how! This instrument is also called: melodeon, diatonic button accordeon or squeezebox.

We also introduce a new topic: ‘The Fan, Band or Festival T-shirt’. If you want to send us a t-shirt to wear on the Rapalje Show you can send it to:

Rapalje p.a. Nieuwe Ebbingestraat 133 9714 AM  Groningen The Netherlands

Maceál’s harmonica was tuned by:

Berend  Kok Plantsoen 23 9367 PG De Wilp 0594 – 643347 accordeonspecialist@hetnet.nl www.trekzak.com

The T-shirt Maceál is wearing was provided by Iduna, a music venue in the Netherlands: www.iduna.nl

[tiquetrader-blog]

Ludwig Melodeon Accordion Germany Squeeze Box Concertina Accordeon

Ludwig Melodeon Accordion Germany Squeeze Box Concertina Accordeon

A nice vintage small accordion type instrument.  Marked as an Accodeon. Marked Gebr. Ludwig.  All the single reed buttons seem to work well, though one key is stuck slightly up.  There are three chord buttons on the other hand and I think one set is not working right and producing no sound.  There is a rattle inside suggesting something came loose.Locking straps are missing.    Offered…

[larouxvintage]

Vintage Accordion - Hohner Push Button Antique Diatonic Melodeon - Hohner Pokerwork Instrument - Blonde Squeezebox Accordeon Germany German

[celtic-cd-releases]

https://mattikallio.com/

https://www.facebook.com/MattiMusician

https://mattikallio.bandcamp.com/

https://open.spotify.com/album/0Nej2l9v195CL8OVbEpF4r

[celtic-cd-releases]

https://palmbayfrost.de/

https://www.facebook.com/palmbayfrost

https://palmbayfrost.bandcamp.com/

[justanybeth]

Danny O’Mahony concert. What a treat!

[justanybeth]

Sharon Shannon Live From Dolans

[eurovintage]

Latest from Eurovintage: Vintage Weltmeister Small Accordion / Harmonica Purple Red Mother-of-pearl / Accordion 60s / Kids Piano Accordeon 17 Keys 8 Bass by EuroVintage 145.00 EUR Vintage Weltmeister Small Accordion / Purple Red Mother-of-pearl / Accordion 60s / Kids Piano Accordion 17 Keys 8 Bass Vintage and rare small accordion in beautiful pearloid/mother-of-pearl red-purple color made in Germany by famous producer "Weltmeister" in the 60s. Has a serial number on the back that reads /65. The accordion has 17 keys 8 bass buttons and real leather straps. In general good working condition some key are more "responsive" than other but the sound is nice to be a toy. Aesthetically in great condition with just some small chip shown in the 7th pic. Measurement (closed): 10" x 9" x 4.7" (255cm x 225cm x 12cm) Weight approx 3.5 lbs (16 kgs) A nice small accordion perfect to introduce your kid to music or simply as a super decoration for any music lover vintage space. Feel free to ask for more pics or details. ---------------- NOTE: For faster shipping please choose the Paypal option instead of default Credit Card/Etsy Payment. https://ift.tt/2P1qIGT

[tiquetrader-blog]

Vintage Imperial Accordeon Melodeon Accordion Germany Kalbe w/Box Squeeze Box

Vintage Imperial Accordeon Melodeon Accordion Germany Kalbe w/Box Squeeze Box

A nice vintage small accordion type instrument.  Marked as an Imperial Accordeon.  Am told this is made by J.F. Kalbe of Germany.  Most of the single reed buttons seem to work well.  There are three chord buttons on the other hand and I think one set is not working right and producing no sound.  One locking strap is missing. Nice overall. 

030618

We sell mostly USED and UNIQUEitems. Expect…

[rapaljemusic]

View this post on Instagram

A post shared by Rapalje Celtic Folk Music (@rapalje_celtic_folk_music)

In the past few weeks, since the first episode of the Rapalje Show, many of you have asked about Maceál’s harmonica and how it is tuned. And now Maceál will show you how! This instrument is also called: melodeon, diatonic button accordeon or squeezebox. . . . rapalje_celtic_folk_music #rapalje #celticfolkmusic #celticfolk #celticmusic #folkmusic #irishmusic #scottishmusic #acousticmusic #celticband #livemusic #irishtraditional #celticfest #irishceltic #irishtraditionalmusic #celticartwork #celtica #acousticmusic #irishfolk #irishfolkmusic #sawdoctors #thesawdoctors #tradmusic #melodeon#accordeon#diatonicaccordion #accordion #accordionplayer (at Groningen, Netherlands)