#but we do support good budgeting choices

[darning-alder]

When the hate pasta is on sale and you are but a broke college student: 😡🫳💵

[street-corner-felines]

Zero Day (2002)

[pomefioredove]

now I'm actually invested in this idea. maybe I'll write a full length fic someday idk... for now I have short hcs

parts 1 | 2 | 3 | kalim | bad ending

summary: crowley decides to "give away" yuu to the highest "donation" for financial reasons type of post: headcanons characters: all nrc students additional info: can be read as platonic or romantic, except malleus is pretty romantic, second person pov, yuu is gender neutral, maybe a little ooc I wrote this as soon as I got up

crowley has had his fair share of "what the fuck" moments from you but this was really taking the cake

he acts so... casual about it?

swaggers into ramshackle one morning and says times are tough and your personal expenses are straining the budget so he's decided to "put you in someone else's care"

"The screening process will be vigorous to make sure you end up in good hands!" like you're a cat or something "Your expenses will be covered and you'll have somewhere to go during break!"

okay great. pretty obvious you have no say in this, so you don't even argue. what's the worst that could happen?

*ੈ✩‧₊˚

Ace, Deuce, Jack, and Epel find you the next day to say they're pooling their money to buy you

"To what?"

Epel shrugs. "Oh, well Crowley said we need to offer a donation to prove we're capable of supporting you..."

(you think that if not for the laws of this land you would have slaughtered that old fart)

Jack goes on a really long tirade about how shady and underhanded this is, making sure to reaffirm that he believes you should be free to make your own choices

"So you'll let me go once you get me?"

"Uhhh..."

Ace thinks once they buy you you'll have no choice but to do all of his homework for him

Deuce says that's not really how it works- and even if he tried, Riddle would kill him

(they've already gone over this twice before finding you)

Epel happily volunteers to take you home with him over breaks, probably the only positive in this mess

even if he thinks the whole thing is kind of funny

*ੈ✩‧₊˚

incapable of keeping his mouth shut, Ace accidentally spills the plan to Riddle, who is understandably aghast

you can't just give away a person under your care like a toy!

of all the irresponsible things...

of course, he'll have to put up his offer, too

purely for your sake! with a nicer room and a brand new copy of the dorm rules, maybe you'll stop getting yourself into trouble

he's got some family money (doctors, naturally) and considers this a worthwhile purchase, for his sanity and yours

of course, Trey and Cater overhear and may or may not be pooling their own cash for a chance, too

going behind Riddle's back on this is a risky venture, but hey, someone's gotta be on your side, here, right?

I mean, between a bunch of sixteen year old boys, the housewarden, and them, who would you choose?

actually don't answer that

...not that it's much of a secret, anyway. Cater's already got their gofundme equivalent link in bio

*ੈ✩‧₊˚

Leona initially plans to have you become a live-in lackey like Ruggie

but then he really starts thinking- and, hey, the possibilities are endless, right?

for one, you'd make a really good pillow

he might have to kick Grim out for your full attention, but you could learn to live with that

and malleus would hate it

...that's reason enough for him

plus, he's got money to burn, so why not?

either way, he sets his bid at a reasonable (maybe too confident) price and sits back to watch the chaos unfold as everyone scrambles for a piece of the pie

news travels fast around school, after all

then Ruggie finds out that you could dethrone him as Leona's #2 and is understandably a little annoyed

that's his cushy post-grad job gig, thank you! he's worked hard for that!

besides, why should Leona get to hoard you? the guy can barely take care of himself!

so, Ruggie ends up outsourcing to a few dozen classmates for the necessary funds at a steep I-owe-you price

he's gonna be eating nothing but dandelions for a while...

*ੈ✩‧₊˚

now, Azul is annoyed

once the news goes school-wide, it's all anyone can talk about

talk about good marketing...

why didn't he think of such a brilliant scam? he could have negotiated with Crowley to have a café brand deal tie-in!

of course, he's already set his bid, with Jade and Floyd offering to pitch in as necessary

it's a risky investment, sure, but a worthwhile one

Azul tells everyone that with the prefect's "obvious" popularity, having them at the café a few nights a week would drive sales through the roof

though that's really just what he says to shirk suspicion

a likely excuse coming from him, though, really, it would just be nice having you around

and if not for his own affections, Floyd's incessant begging and Jade's subtly manipulative comments about "how nice" it would be having a new face around would be enough for him to cave eventually

*ੈ✩‧₊˚

"Kalim, no," is the first thing that Jamil says

"I strongly advise against this. It's another one of Crowley's silly scams and you could end up a target bec- are you even listening?"

hint: he is not

the second Kalim found out that he could get to take in his favorite magicless student like one of his treasures, he was all over it

(AKA infinite sleepovers)

and for what? a little optional donation to prove he's got the funds? he's got cash to spare!

he's already got your new room in Scarabia set up before he even puts his bid in

right next to his of course :)

and despite what Jamil insists, he himself might be working behind the curtain just a little to ensure he's the one who ends up with you

after all, why should Kalim get everything? this might be a valuable learning opportunity for him

You don't always get what you want

*ੈ✩‧₊˚

as much as Epel tries to keep the rest of his dorm from finding out, it's inevitable

he's actually a little surprised that the news didn't get to Vil sooner

with Rook around campus, surely he must have said something...

when Vil does find out, though, he just sighs

oh, of course. what next, will everyone meet each other in the arena and fight to the death over the prefect?

of all the silly, immature things...

oh? what's that? he's bidding anyway? of course he is, silly potato. he can't have some unwashed miscreant making you sleep on polyester bedding

(really, he's the only person on campus worthy of your time)

Rook has also been mysteriously absent from the dorm lately, though his initials on a poem and a strangely large sum of money end up in the donation pile

but really, that could be anyone... Rook would never dare betray Vil again, right?

*ੈ✩‧₊˚

Ortho finds out directly from the other first years and sends Idia the details immediately

with a little note of encouragement, of course: "could be excellent for improving your social skills!"

Idia understandably freaks out

"WTF!!!! nooo way! this is a person, not a chatbot we're talking about here! I can barely keep virtual pets alive!!!!"

(liar)

(...but this is still different)

the conversation ends there, but semi-anonymous bid from someone named "gloomurai" gets cashapp'd directly to crowley

*ੈ✩‧₊˚

everyone in the room immediately turns to Malleus

"For the record, I think it's wrong to be bargaining over a human being," Silver says first. "But if anyone could handle it with grace, it's you."

Lilia laughs. "Oh, you're just saying that because you like the prefect so much!"

"Father, you're the one who likes the prefect so much,"

"Oh, right! carry on then. After all, I'm sure we could share,"

Sebek is the only one relatively against the idea, though Lilia luckily manages to get him to lower his voice after his third speech about how you aren't good enough for his liege

Malleus is rather quiet through the whole evening, neither agreeing nor disagreeing with any of the points made

he disappears for a short while, and when he comes back he seems a little more confident

though, of course, he goes to you first

seeing him at Ramshackle in the middle of the night is a familiar and welcoming sight after all of the chaos of your week

and he's in a great mood!

"Child of man! I've come with news," he says. "I have heard of your predicament and have come up with a solution!"

you immediately sulk. "Oh, no. You know I think this whole thing is terrible, right?"

"Yes, Silver mentioned you might not like the idea of being bought and sold like a trinket. But worry not, I do not plan on paying for you in money,"

you pause, at a loss for words, and then tentatively continue. "You're not...?"

"Of course not. What a primitive idea, I was baffled to hear it myself. My proposal will be more traditional: a modest sum of treasure, and a generous amount of livestock and the finest crop Briar Valley can offer,"

certainly he's not this naive, you think

"You really think Crowley is going to accept that over money? I'm pretty sure Kalim just bid away an entire country's worth,"

he laughs. "You speak as if this is some kind of business deal! I'm quite confident that my dowry will be best,"

huh. that was a strange way of putting it

but then again, you still didn't really understand how things work here, so you go along with it

and you allow yourself to relax. he seems confident in his offer, and he doesn't even see you as some kind of prize to win!

"Oh, well, alright. Thanks! I'm glad you're on it,"

he smiles. "Rest assured, child of man, you're in good hands. My dowry will far outshine the others, and the wedding will be even better,"

"I was honestly getting a little nervous for a momen- wait- wedding!?"

[thelifeofchuckmovie]

When it comes to ending the world, Stephen King is a repeat offender. He has brought life as we know it to a brutal conclusion several times over the decades, usually highlighting the cruelty and desperation that erupts among the last to go. But his 2020 story “The Life of Chuck” uses doomsday to evoke some unlikely sentiments: Wistfulness. Gratitude. Even joy.

The idea of creating an apocalyptic version of It’s a Wonderful Life is what led filmmaker Mike Flanagan to call dibs on the rights to the novella more than four years ago. The breakdown of society, extinction-level natural disasters, and the disintegration of reality itself is explored through the lens of one relatively meek and mild accountant, played by Tom Hiddleston, whose memories and choices are mysteriously connected to these tribulations. Retirement posters congratulating him on “39 great years” pop up everywhere. But who is this guy? What job does he do (or did he used to do)? And why does it matter so much to the fate of the world? This apparent nobody named Chuck Krantz has lived larger than anyone thought possible.

Having explored King country before in 2017’s Gerald’s Game and 2019’s The Shining sequel Doctor Sleep, Flanagan got involved after reading an early copy of “Chuck” before it was published in the collection If It Bleeds. The Haunting of Hill House and Fall of the House of Usher creator produced the film independently, believing it might be too offbeat for risk-averse studios to greenlight. He even secured a waiver from the striking Hollywood guilds last year to move forward with the shoot while the rest of the industry was stuck in the work stoppage. Now he and Hiddleston are ready to reveal the finished version of The Life of Chuck as it heads to the upcoming Toronto International Film Festival, where it will screen for potential distributors.

Among the skeptics about this adaptation was King himself, according to Flanagan. “His initial responses to me were a little like, ‘Oh, okay. Yeah. If you think that’s a movie…,’” he says. “He did say several times that he thought it would be a challenge to get it supported through traditional means.”

King has now seen the finished movie and no longer has doubts. He described it to Vanity Fair as “a happiness machine.”

“Well, he’s written something very tender and very wise,” Hiddleston says. “I think there is a great wisdom in the soul of the story, which is that it takes courage to hold on to what is good in a world that feels like it’s falling apart.”

Flanagan hopes others see it that way too, although the overpowering dread that begins the story may be more immediately relatable. “I’ve heard it said that every generation feels a little like the world is ending at some point, [but] I still feel like it’s different for us,” the 46-year-old filmmaker says with a mordant laugh. “Institutions we took for granted as propping up our society are failing left and right. Our politics have degraded spectacularly. The sense that it’s breaking down, that the world is moving on, has been increasingly palpable. When I talk to my parents or members of older generations who have been through their own turbulent times, the thing that strikes me is that they’re like, ‘Oh yeah, this is really bad.’”

But…it’s not entirely bad. And that’s the underlying message of The Life of Chuck as its various mysteries play out. “There’s no sense of terror in the way that King drew it,” Flanagan says. “Even as the world feels as though it’s ending, people become introspective, they reach into their past for loves that have left their lives for one reason or another. Strangers engage in open and fearless communication.”

It’s an indie-film variation on the big-budget cataclysm story. “A disaster movie has people meeting the end while running from tidal waves, and this story has people sitting quietly holding hands looking at the stars,” Flanagan says.

The key to it all is Chuck himself, although he doesn’t turn up onscreen until the second segment of the three-act story, which plays out in reverse chronological order.

The beginning is actually the end, as the whole world circles the drain. Caught in this spiral is Chiwetel Ejiofor (12 Years a Slave), a school teacher trying to apply logic to the planet’s troubles; Karen Gillan (Guardians of the Galaxy) is his ex, a hospital worker determined to save everyone she can; Matthew Lillard (Scream) is a construction worker neighbor who finds zen amid the chaos; and Carl Lumbly (Alias), plays a funeral director who has dedicated his life to easing people through death.

The end of the movie is actually the beginning, showing young Chuck (Benjamin Pajak) when he was a boy being raised by his grandparents (Mia Sara of Ferris Bueller’s Day Off and Mark Hamill). The insight of these two—coupled with the otherworldly revelations he finds in an eerie room tucked into the peak of their Victorian home—help him learn to seek out bright spots when life is marred by sorrow and darkness.

In elementary school, young Chuck discovers some important things about himself thanks to guidance from a brusque dance instructor (Samantha Sloyan), and a kindhearted English teacher, played by Kate Siegel, who gives the boy (not to mention the audience) some important information that serves as a code breaker for the story's more cosmic puzzles.

As for the middle of the film: It’s a dance number. That’s when Hiddleston steps in.

Compounding the peculiarity of The Life of Chuck is the question: Why is this song and dance sequence so important? The answer is for the movie to reveal, but it matters a lot. “The life of every human being is a constellation, as expressed in this film,” Hiddleston says. “There are certain moments which will burn most brightly as individual stars. Sometimes it feels like the world is going to hell in a handcart, and it’s full of pain and suffering, and it is—but there are moments of deep joy and deep connection.”

Hiddleston shows the audience this single moment in the life of a buttoned-up fellow who somehow controls the destiny of the world. It’s not necessarily the most important day in his life, but it’s a memorable one involving a street drummer (Taylor Gordon), a lovely stranger (played by Annalise Basso), and a fateful decision to cast aside caution and cut a rug. “It’s a reminder to do whatever it is that expresses whatever gives you that feeling of being alive,” Hiddleston says. “Whether it’s music or dancing or math or writing or creativity—do it. Do it now. Those moments are what you’ll remember.”

Flanagan considered casting a relative unknown as Chuck to “give the audience the experience of ‘Who the hell is this person?’” as the peculiar retirement signs begin to appear in the midst of the apocalypse. But he felt the promise of the Loki star would build more curiosity as the world falls apart. “You grow an enormous amount of anticipation to finally spend time with an actor like Tom, who can be a literal god in one story, and then an everyman in another,” Flanagan says.

A TikTok video of Hiddleston getting his groove on sealed the deal. “He had a completely unfiltered joy on his face,” Flanagan says. “He was a good dancer, but that wasn’t what struck me. I wasn’t amazed by the technique so much as the degree of happiness that was radiating off of him. The look on his face made me smile the same way I smiled reading that particular portion of the book.”

The resulting scene was created in a month-long collaboration between Flanagan, Hiddleston, Basso, choreographer Mandy Moore (So You Think You Can Dance, and La La Land), and Gordon, a real-life percussionist who performs under the name the Pocket Queen. “Taylor was there for all of the dance choreography. She wrote that piece of music for that performance. They built it together,” Flanagan says.

Hiddleston rattles off the lists of influences: “I had to learn in six weeks the full regime of any dance training. We did jazz, swing, salsa, cha-cha, the Charleston, bossa nova, polka, quickstep, samba. We were trying to tip our hat to anything that might have influenced Chuck. It might’ve had a bit of Gene Kelly or Fred and Ginger. Certainly moonwalking—Stephen King is very specific about the moonwalk.”

Precision was not the goal, exuberance was what they sought. “We need to always bear in mind that this man is an accountant. We needed this to be an earnest, escalating explosion of joy, and a remembrance of who he was,” Flanagan says. “It’s a chance to step back into the skin of his younger self, not caring that his feet are going to kill him the next day, not caring that he’s going to wake up with a horribly stiff neck.”

A surprising thing happened while shooting the scene over the course of several sweltering afternoons in the deep South. “I burned holes in my shoes,” Hiddleston says. “I was dancing out on the asphalt in Alabama, and by the time we’d finished, you could see my socks through the soles.”

The sequence begins awkwardly: Chuck is self-conscious as he first hears the busker’s rhythm while walking back from a banking conference. That feeling quickly gets shaken off. “Tom was very committed,” Flanagan says. “He was like, ‘If I look silly, that’s fine. As long as I look happy.’”

Flanagan remembers being in a bad place when he first discovered “The Life of Chuck.” Then again, everybody was.

His copy of the manuscript arrived in March 2020. “That was just as the world shut down for COVID,” he says. “We had been a week away from starting principal photography on Midnight Mass in Vancouver and had fled across the border before it closed to make it back to the States. We were hunkered down in our homes and had no idea if this was going to last for two weeks or if this was going to last forever.”

With everything halted as the lockdown set in, Flanagan had plenty of time to do nothing but read. The new King book seemed like the perfect escape. Except…

“The first third of ‘The Life of Chuck’ just rattled me,” he recalls. “There’s no way he wrote this before the world ground to this bizarre halt—but he did. And the feeling of anxiety, and uncertainty, and that everything was falling apart came roaring out at me. I wasn’t sure I could finish it. It just felt too close to the anxiety I was feeling.” But he kept turning the pages. “By the end of it, I was in tears, and incredibly uplifted, and convinced I’d read maybe the best thing that he’d written in a decade. I just was floored by the thing,” Flanagan says. “So I fired off an email to him right away saying how much I loved the story, how incredible I thought it was, how meaningful, and important, and how it had really tattooed itself on my heart and said, ‘It’s the movie I want to make so that it’ll exist in the world for my kids.’”

King’s response: Not so fast. Flanagan and his producing partner, Trevor Macy, had at that point secured the rights to King’s fantasy saga The Dark Tower through their company, Intrepid Pictures. The eight-book series is threaded throughout King’s other works, and adapting it was a massive undertaking that Flanagan is still working to make happen. Other filmmakers had either abandoned the project, were canceled midway through, or bombed miserably. The author didn’t want him to be distracted. “He doesn’t like to give the same filmmaker more than one thing, because it typically means one thing is not advancing at all,” Flanagan says. “He said, ‘Well, let’s focus on The Tower and I’ll try to keep this one available for you for later.’”

The quest to The Dark Tower remains a priority for Flanagan, but a number of disruptions to that epic undertaking led him to reapproach King last year about Chuck. Intrepid’s deal with Netflix, where they had created Hill House, The Haunting of Bly Manor, and other shows, had come to a close, and Intrepid signed a new development agreement with Amazon. That meant starting over on The Dark Tower. Meanwhile, the threat of a double-barreled strike by writers and actors was on the horizon, stalling nearly every major new project. The industry plunged into another production-halting lockdown, this time over contract impasses rather than a virus.

Since The Dark Tower was suddenly further off on the horizon, Flanagan saw a chance to make The Life of Chuck happen in the short term. “It’s so rare that I get to approach any project that just has not an ounce of cynicism to it. I just really believed in this thing,” he says. “But it was also clear that we would have an incredibly uphill battle bringing the story to any major studio. They would try to make it as familiar as possible, instead of leaning into what makes it so different.”

King gave Flanagan his blessing to proceed. “I was off like a shot,” the filmmaker says. “I think I turned in the draft to him before he got around to sending the formal agreement.”

For everyone involved, The Life of Chuck became a bright spot in an otherwise dismal time, which matches the theme of the film. “There is a profound optimism in this story,” Hiddleston says. “As the world is spinning off its axis, there are moments of magic.”

[stellawolfearts]

I'm awake now lol, i'm gonna say my piece and i think im done talking about the animation for season 5 till anything new comes up.

This is the new studio that's working with the LMK team to make LMK. They are a good studio. They've made genuinely good shows with entertaining and fun animation. It isn't shown here, but they've also worked on Ninjago. Sonic prime's animation was amazing and so much fun to watch.

But that's the thing, each of their shows are either 3D or puppet 2D.

Puppet. 2D

that's why the season 5 trailer looks so off-putting. Because their specialty IS NOT 2D HAND DRAWN ANIMATION.

They are a genuinely good studio with well-made series, but LMK is not something within their specialty. LMK has been a show with dynamic and stylized animation, the animators curated over each new season.

This feels disrespectful af. and no I don't mean wildbrain.

Lego is the problem. Whoever the fuck is in charge of choosing studios, handling the budget. All of that stuff.

This is highly unprofessional and disrespectful to the show and to animation in general. This studio is not equipped to handle the style of LMK. This is the reason why it looks so...off. In my opinion, it's not even up to par to the average animated kids show because how of unequipped they are to handle LMK's style.

I've been hearing about budget cuts, strikes, and I genuinely hope that whatever is happening on the side we don't see gets sorted out for the better of the animators. honestly, they could have chosen a NUMBER of other animation studios that while they might not have been exactly the same...wouldn't be what we have.

it's okay to be disappointed in the animation. But please don't harass or blame the animators. This is the result of bad choices by leadership.

So if you're going to say anything. Please continue to show support for the show. Don't drop it because of the bad animation. That won't do shit. It'll just make things worse.

Continue to show support but go after Lego. Question Lego and their choices. Not the animators. They did their best with what they had after being handed a show with a style that they were not equipped to animate. Go after Lego.

[sl-ut]

random college!abby hcs

more!college abby

warnings: mentions of sex, drinking, drugs, and nudity, cursing, mild hint homophobia

first things first: jerry is alive and abby is his pride and joy

i'm serious... her mom died when she was a toddler and jerry hasn't had a long-term relationship since, so he's the only parental figure that she has

he took every precaution while raising her to make sure she always had everything she could ever need while also making sure that she didn't end up being an entitled brat

otherwise, she is very close with both of her father's siblings (her aunt is the only maternal relationship she has and definitely relied on her for all of her personal issues as a teenager), has a good relationship with jerry's mother and step-father

her mother was an only child, but her parents always come over for thanksgiving and even christmas sometimes

she was very supportive of her father taking in yara and lev after she moved out. she knew he was suffering from a severe case of empty nest syndrome. she def makes them feel so welcome right away like those strangers became her siblings in a matter of minutes

i'll only say it once ppl: OLD MONEY

jk i'll say it again. the andersons are a long line of surgeons and doctors so obvi they're gonna be well off

like, not "fund a research facility to get my kid into college" rich, they're more "i casually have a summer home, a ski chalet, and a ridiculously nice house to live in year round" rich.

her only real relationship was in high school (trigger warning: it was owen)

our bby had a bad case of comphet as a teenager

like fr she had not even considered the fact that she might be gay until she was two knuckles deep in some sorority girl during a party in her freshman year

after that she sort of just accepted it, she had no concern of her dad bc obviously he would be so accepting and supportive, but a few of her relatives def had an issue with it right off the bat (old money, old values)

she's been friends with manny, nora, owen, and mel since middle school, and the only one whose view of her seemed to change was owen (and mel too ig bc she stopped seeing abby as such a threat)

he drunkenly questioned her about it once, saying something super gross and along the lines of "you didn't seem gay when we were together"

to which she responded by offering him two choices; he could sit down and shut up or she would knock him tf out

he's cooled it since then but everyone knows that he still has a big fat crush on her so he still wants to believe he has a chance (even tho he was literally already talking to mel before they broke up and announced they were together only a few days after)

she's pre-med, majoring in bio and minoring in something totally different like classical lit or history or something

she's gonna end up being an orthopedic surgeon but later on in her career i can see her turning to teaching at a university or something

like doctor!abby turned prof!abby???? omg

is very health conscious

she's a gym rat, this we already know

she also takes her diet very seriously as well, but always has a secret stash of junk for when she really needs it

also careful with her alcohol/drug intake

she drinks on occasion (birthday, christmas, new years, etc, etc) but usually not very much (will almost always be sober enough to be the sober driver if need be)

she refuses to do any drugs during lacrosse season. she's so strict with her diet during the season that she won't ingest anything other than quality, nutritious food. she also needs to submit a drug test a few times per season so she doesn't wanna risk it.

in the off season, she's more willing to have a puff or two at a party or take an edible before a movie night or something (i don't see her doing any drug other than weed)

she lived with manny during her freshman and sophomore years

they had a shitty little apartment a few minutes away from campus

it was the only one that manny could afford on a student budget, and he refused abby's offer to get a nicer apartment and let her pay a larger portion of the rent than he did

they still had fun either way

manny loved having another person he could talk about girls with (he was initially gonna move in with owen but then he got ditched for mel)

every sunday morning they would get takeout for breakfast so manny could recount his night with the girl that had snuck out only a few hours earlier

she was a little hesitant to join in and share her own stories, but she finally got more comfortable in talking to him about it (RESPECTFULLY!!!!!!! she was so scared that she was gonna end up sounding like a literally disgusting pig but she keeps the details to a minimum and only says nice things unless the girl was a major bitch)

she's a lululemon/gymshark girly. her go-to style is definitely any variation of athlesiure. she wears lots of joggers, dry-fit tops, and the cleanest pair of white sneakers you'll ever see

underneath, i'm picturing her as more of a bralette type of girl. obviously she wears a sports bra to the gym, but on a regular basis, she likes wearing bralettes over bras bc she doesn't need that much support so they offer just enough without the discomfort of a bra

i'm settling the debate rn everyone, college!abby wears boxers AND panties

she finds boxers more comfortable on a day to day basis, but she likes wearing cheekies and thongs especially when she's wearing leggings

so dorky

she was definitely a sci-fi/fantasy kid

she grew up on harry potter, lord of the rings, star wars, etc etc

would love a partner who would watch them with her and actually enjoy it

unironically makes gym thirst traps on tiktok

her followers always comment supportive things like: looking good!, major gainssss, muscle mommy come destroy this pu-

still wears the iconic braid, but usually only when she's on the field. she occasionally wears her hair down, but i hc that she still likes to wear her hair pulled back in a cute little braided ponytail or a messy low bun

when she's older SHE CUTS HER HAIR OMG OMG OMG like literally i'm purring rn

like ik you've all seen that edit of her with super short hair omg she's so hot

in her junior year she decided to live on her own

manny moved in with jordan, who had been begging him for a while since the rent was more than he could handle on his own, though manny's rent would actually be cheaper than it was in his apartment with abby

they still do their traditions tho, still having sunday breakfast, still going to the campus pub on fridays for trivia, still going to the gym together on wednesdays...

they're actually besties i love them

when she's on her period, she craves salty foods

is so frustratingly confident in her emotions

will always try to diffuse the situation and pissing the other person off with her calmness

takes really good care of her skin

her favourite drink is diet cranberry gingerale

she's a dog person, but she would definitely enjoy having a cat around too

adopts a rescue dog a few weeks after finishing her residency

uses old spice fiji body wash and deodorant (SHE SMELLS SO FUCKING GOOD) and a musky vanilla body spray

likes to feel and be clean, but isn't too fussed about her body hair so long as it looks tidy. she isn't anti shaving, and will probably make an effort to shave more regularly in the early stages of a relationship until she's more confident and comfortable around the person

NSFW

down-there hair? duh

like i said, she likes to keep things tidy so she'll trim and maybe shave her bikini line if she's feeling it but that's it. she's not fussed with body hair, whether it's her or her partner's

again, she'll make an effort to keep herself looking neat and tidy for the first bit of a relationship but after a few weeks she's not afraid to go full-bush when she doesn't wanna shave

she doesn't love penetration. fingers are one thing, but she has only had not-so-great experiences with sex that involved a penis-like object. she'd wanna be the one wearing the strap for the most part, but she'd be willing to try it again with the right person

slow and passionate sex >>>>>

considers herself to be very vanilla but she's actually kinda kinkyyyyy (she gets so embarrassed and blushy when anyone calls her out for it)

she prefers scissoring to using her strap (but she LOVES her strap)

she doesn't like to choke her partners, but she will reach her hand up and just hold their throat while they're fucking

she's always so sensitive

came in like thirty seconds during her first time with another girl

she's noiiiiisssyyyyyyyy

she usually starts out with just heavy panting breaths, then they turn into deep grunts, then she begins to whine from low in her throat, and finally she begins to gasp out words of praise or curses

she squirts teehee

like i said she's always so sensitive, so if she's any ways worked up when someone's going down on her they better watch out bc they're in the splash zone

her strap is purple and sparkly

abby anderson eats ass

her nipples are super sensitive too

not really nsfw but she really loves casual nudity with her partners, changing in front of each other, hopping in the shower together, using the bathroom with the other person in the room...

she's a boob girl. doesn't matter if they're big, small, saggy, or perky, she just wants to suck them

when she's on top, she likes to pull her partner's leg over her shoulder and will just start like trailing kisses along the length of their calf

she's a literal munch

will use it to her advantage too

tells her partner she'll go down on them if they finish their assignments

[milf--adjacent]

serious voting question: I'm an ml and generally I don't vote. can I ask what your reasoning is for voting third party? I'm curious to round out my opinion a little better

Seeing just how many people voted socialist back in the 19-teens was an inspiration to me as a baby leftist growing up in a deep red state. Even if they didn't win, I saw that I wasn't alone like I felt I was, that even the 'stupid' people of the past had some sense in their heads and supported policy and politics we still need even today. So no. 1 it's for the baby leftists to come who will feel trapped and alone and need a tangible connection to their beliefs: The number of people who simply didn't vote doesn't show up in textbooks, but minor party votes do.

Second: the democratic campaigning apparatus only serves to seperate those willing to organize from meaningful organization. By convincing people to put that same energy into the third party of their choice, we have countered at least a little of the Democrat's anti-revolutionary strategy. If you can convince a progressive to actually act and vote like a progressive, that's someone who might actually help when you need to set up a soup kitchen or protest in the future.

Thirdly: Many of these "I'm gonna vote anyway so I might as well vote blue" folks have never engaged in organizing. Getting involved with 3rd parties puts them in touch with others who are of a similar political slant, the first (and often most difficult) step in organizing. At least with the Greens in most places, they actively ask for help of all sorts, giving people experience in organizing they can build on as they become more politically involved. More people who know how to organize is never a bad thing.

Fourthly: If a third party can get just 5% of the national vote in an election, they are entitled to national campaign funding and a space in the official debates in the coming election. This would be a much needed shift in American politics. Democrats sound much more like republicans than leftists, and that's part of why they never get involved in the free and equal debates: the democrats are to the right of the fucking libertarians on a number of policies.

Finally: if a 3rd party candidate did win the presidency, a lot of the good things the democrats have held over our heads like bait for decades would get done, and people would have more time and energy to commit to political actions. I support 3rd party politics because at the very least it shakes things up a little. The status quo is what's killing us and any effort to change that disorganizes and spreads our true enemies thinner. Center-left socialism will not save us, but it will at least address the social ills of our society in a helpful way and attempt to tackle crisies like climate change, policing, and ending foreign policy fiascos via slashing the bloated military budget (even the fucking libertarians are running on that).

The general population of the US will refuse to even consider actual leftist politics without some sort of shift in our electoral politics. Instead of apathy and middle-finger-hoisting inaction, I chose an action with lasting strategic value. If we want a real "the revolution will not be televised" moment, we have to slap the soma of blue-tie lies out of enough hands to get people to pay attention. 3rd party electoralism is a step in the correct direction for them and a path I have started many people down already. I plan to continue until there is no need for it.

[askagamedev]

Hello, can I ask how difficult is for developers to add accessibility features to games? I am aware it probably varies by type. Recently, I asked if a sound only minigame in one video game could be reworked to add visual cues, as I am deaf. Lot of other fans harped on me its too much work for little gain, too difficult, that it takes away precious developers time, etc. So now I wonder how complicated such thing actually is and how devs view it. Thank you.

They're not wrong in that building such things isn't free. However, you're also right in that we on the dev side should be thinking about better ways of doing this - there isn't only one solution to these problems. Whatever final solution we implement doesn't have to be the most expensive means of doing so. It's actually up to us to think of better/more efficient ways of doing the things we want to do. Adding accessibility options is often a worthy goal, not only to the players who need those options to be able to play, but also for general quality-of-life. If we're making changes after the fact, of course they're super expensive. If accessibility options are a production goal that we plan for, they're much cheaper because we don't have to redo work - we do it with accessibility in mind in the first place.

For example - let's say that we're working on UI and we have this system:

Let's say that we want to improve things for colorblind players. If we wanted to make this more accessible, instead of just using color to differentiate the choices, we could also add different border visuals to provide additional context.

In such a situation, the difference in choices is still obvious if you're colorblind and it helps legibility for non-colorblind players as well.

These kinds of UX changes can be expensive if we decide to do it after the fact, but if it's something we decide is important to us from the jump we can compensate for those costs by creating efficient and smart solutions early. Remember, the cost of any change in game development is directly proportional to how close that change is to shipping the game. The earlier the change is made, the cheaper it is. Furthermore, we make resource allocation choices based on our goals. If we want to make a game more accessible, we will figure out a way to do so that fits within our budget and provides a good player experience. Players don't really have a say in how we allocate our resources and that kind of armchair producer talk isn't particularly constructive anyway. Telling us what's important to you and why (including accessibility requests) is really the best kind of feedback we can hope for. Don't sweat coming up with the solutions or fretting about where we spend resources, that's our job.

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[writingwithfolklore]

5 Things about working in a (small) publishing house that surprised me

My experiences definitely aren’t true of the entire industry. I work in a very small, very local publishing house as a marketing assistant, and I’m certain that you’d have a much different experience at Penguin Random House, or even another small house on the other side of the country. That being said, here’s five things that really surprised me about what I’ve seen from the industry so far…

1. Very few of the people who work in publishing are writers

Okay this was one of the biggest surprises but also kind of makes sense? Publishing is a lot about the business side of things—numbers and marketing strategies and event planning, etc. People who are talented in design and accounting and other essential pieces to book publishing aren’t necessarily good at or practiced writers, and not all people who love reading also love writing!

I guess this surprised me so much because I’ve never been a reader without being a writer, but we often actually rely on the author’s writing on their own works (summaries, bios, etc.) to populate the backs of books and other marketing. Including me, there are three writers in my entire office.

2. Big booksellers (think Indigo) release yearly cover palettes for book covers

When we’re deciding the colours for a book cover, one thing that goes into that consideration is actually the different palettes Indigo releases! They have different palettes for different sections they update every year. I imagine it’s to fit a certain look for their shelves for new releases, but it’s not something I had ever really thought about, or thought that they would care about!

3. On that topic—publishing houses don’t sell to readers

My first day in marketing, my manager told me, “you’d think we’re selling to readers” I did think that. She said, “we’re actually selling to bookstores and libraries, they sell to readers.” How the money works is booksellers buy our books to put on their shelf. Everything they don’t sell, they’re allowed to trade back for credit, so we want them to buy big upfront, and then sell big to readers. Every book they send back is inventory we can’t get rid of and a “free” book for them down the line, so we don’t want books to come back!

If you want to support authors and your favourite publishing houses, buy from local bookstores who can’t afford to keep underselling books on their shelves for as long as say Indigo. If you really want to support authors, check out their books from libraries (yes really). Libraries are great because they buy books from publishing houses and can use the same one book to get into the hands of several readers, (in Canada) authors get a small amount every time a book is checked out (up to a certain amount so that the library’s entire budget doesn’t go to one book/author). Often, an author’s largest cheque is from libraries.

Unfortunately in the States authors don’t get the same boon, but still supporting your local libraries is just as good as supporting your local indie bookstores!

4. Soo many people look at covers, and soo much goes into creating them

I’m not really a designer, so I’m certain this wouldn’t surprise those of you who actually do graphic design, but they seriously look at every single detail and how it will benefit or hurt the sales. The placement of blurbs, choice of fonts, colours, subtitles, even the placement of raindrops for a rainy background, everything is discussed and tested and tried several different ways. So yes, DO judge a book by its cover, we work so hard on making covers perfect for the audience we’re trying to reach.

5. Publishing houses don’t necessarily have in-house editors, publicity, or other roles

I had always assumed that every publishing house had its own editors and publicists and what not. That’s probably true for the bigger ones, but if you’re being published by a smaller one (which you may be for your debut) you may be working with freelance editors and publicists who work somewhat with your publishing house and also with others as well. We have one in-house publicist, and no editors!

I wouldn’t turn down a publishing house just because they use freelancers (our freelancers are amazing!) but it’s important that they’re upfront about it. Huge red flag if they say they have in-house editors and they don’t actually—I would pass on a publishing house that lies to you.

Any other questions you have about the industry I’ll try to answer!

[why-animals-do-the-thing]

this is a slight detour from your usual subject matter but i'm very curious about your experience renting a high-quality camera lens? how did you go about doing that and have you been pleased with how it worked out? (the changing of hands i mean, it's clear you're happy with the lens!)

i didn't know this was a Thing before and now i'm wondering if i might be able to try that myself!

Oh yeah, it's absolutely the best thing if you can't afford fancy lenses / want to try out new gear / just need something for a special occasion.

There are places you can rent online that will ship you gear, and depending on where you live you can often also rent from local camera stores. I've done both!

Right now my main practice is renting lenses from LensRentals, which is an online company that ships out of Tennessee. They've got pretty reasonable rental prices, and they don't charge a deposit - but you do sign a thing saying if you damage or lose it, they can charge you. You can also pay for insurance on the rentals against damage or loss which would mitigate a lot of that cost if something went wrong. I've heard a range of opinions about them, but I've pretty much always had a good experience with them and gotten stuff on time that worked correctly, and their customer service has been really responsive for me when we had some snafus with shipping stuff back lately. One thing they do that I really like is their system is set up with an option to ship directly to FedEx stores for you to pick up, which means I don't have to worry about a package containing pricey gear getting stolen or rained on.

LensRentals also is willing to let you buy their rental gear, which is what I'm hoping to do before I send the really nice huge telephoto lens I've been using back tomorrow. They'll take some of the price of your rental off the purchase cost - it isn't a ton, but it generally covers sales tax and maybe a little more. I like it as a way to purchase used gear because I can see the condition before I commit, and I've had it in my hands and gotten to use it a bunch. That's how I bought my first real digital camera like a decade ago, and where I got my current camera and starter lenses.

If you've got a local rental store, I absolutely encourage going through them! I've done that when traveling - there have been some times I wanted a specific piece of gear to test on a habitat - and it's worked out really well. Plus, supporting local businesses is always the right choice. They'll often all operate a little differently, but it's nice to know people IRL who can help you decide what gear to use or just nerd out with you. Sometimes local places will ask for some type of deposit to make sure you bring the gear back, and TBH if that's within your budget it's perfectly reasonable.

Unfortunately, the local rental place in my area charges a deposit to your credit card for the entire worth your rental until you bring it home, and my credit limit isn't high enough that I can float a hold for that (e.g. upwards of four thousand dollars for the two lenses I'm using lately) and still be able to, y'know, use my card, so I go with online rentals. It drives me up a wall! I'd really like to support local businesses and minimize shipping costs / carbon emissions.

If you think you'd like to rent some gear to try out, I recommend it! Just make sure you know what's compatible with your camera, you've got a safe way to transport and store the rental when you're not using it, and that you know the terms up front. It's been such a fun way to play around and see what I like and what works well for me.

[da-shrimping-station]

Mammon helps out with the House's budgeting as well as managing finances.

It started when he found Lucifer's notes on the expenses when they moved to HoL. Diavolo was generous enough to give them a monthly stipend but it was the brothers' first time having to deal with something like this. In the Celestial Realm, they really didn't have to spend much or ask for much. In the castle, everything was provided for after a simple request. But now they're on their own. Still with Diavolo's support of course but far more independent now.

So Mammon sits down on Lucifer's chair and starts poring over the papers. Lucifer's already got a preliminary budget drafted but it's not that thorough. His brother doesn't go out much with needing to juggle caring for everyone as well as fulfilling duties for the Demon Prince so some of the estimates are way off especially in terms of cost. He doubts his brother knows market prices for things like toiletries and groceries.

Time passed (that Mammon wasn't aware of) and he was waist deep in the process of fixing the budget. Lucifer eventually comes home and sees him at his desk and making a mess (in his opinion) of things.

"We're gonna need a bigger allowance." Mammon looks him dead in the eye, ink stains on his hands and papers filled with scribbles and calculations.

Lucifer makes the smart choice of shutting up and listening to him.

Over the next few days they manage to come up with a more feasible and more detailed budget plan for the family. The only thing left to do is to send a formal request to Diavolo to request a more flexible amount for the stipend.

Does this mean they all (Mammon especially) become more responsible with their finances? Of course not! It's just that Lucifer now has a more detailed report and estimate of everyone's spending! Mammon's transaction history and his maxed out Goldie. Levi and his online shopping for games and merch. Satan buying a cart full of books as well as random ingredients he may or may not use for curses. Asmo and the long bill for clothing, makeup, shoes, accessories. Beel being the reason the allocated budget for food is more than half of the stipend. Belphie and a purchase list of questionable but exorbitant items.

And of course Lucifer splurges here and there. Do you think this man buys anything cheap? NOPE. It has to be of good if not the highest quality possible. He justifies that it's a one time purchase (but the price tag is still hefty and how long do you think that item will last given you live in a house full of gremlins???)

"Here ya go, Lu. This month's summary."

"What do you mean we had to pay 40,000 grimm for damages to property?!"

[vidavalor]

Hello!

This is random but I remembered your posts regarding The Situation with NG’s involvement in Good Omens when one of my followers on Twitter tweeted a screen cap of an old conversation on bluesky where Neil sorta confirms Amazon had pulled back his influence on production from S1 so there’s a lot of truth in what you said

Hope you’re doing great! ❤️❤️❤️❤️

Hi there! 💕 Hope you're doing great yourself. I usually offer snacks but this is a large sherry or Talisker topic so *gets the glasses*...

That's interesting info-- thank you for sharing it. Like I was saying in that original post, I don't know any of that for sure but that was definitely the impression I was getting. One of the several reasons I was getting that impression was due to other, equally unprofessional posts like the one you're talking about here that speak to already-existing conflict with Amazon long before this particular Situation became publicly known.

I'm not sure why he'd be trying to fight the studio publicly like that if there's not something happening behind the scenes. It's just unprofessional. I was shocked when I saw posts like that because it's not like he was being a whistleblower to egregious behavior or something-- he was bitching about his boss and the budgets to fans on Tumblr. It feels like he was trying to use the fanbase as a shield to keep himself from being fired, as a way of saying "you can't get rid of me-- I will tell my fans you are the issue and they will believe me and not you and I have a million of them-- just look at my little Tumblr thing. You'll lose money if you don't back me."

You know what kind of guy does shit like that? The same kind that tells young women that no one is going to believe them because he's a famous, award-winning writer and they're nobody.

If you don't mind, I'm going to use your ask here for a moment to add a bit to what I was saying about Good Omens being a through-and-through Pratchett novel because I think it's important to remember that this story has another author here. I've had some people ask me to expound on that a bit. So, for anyone interested, this is what I mean when I say that Good Omens is a Pratchett novel:

As most of you probably know, most of the posts I write about Good Omens have to do with the use of language in the story. The diction in Good Omens is extremely specific. Its quirky word choice, its "gayer than a monkey on nitrous oxide"- type of wordplay? It's funny on the surface level and it's a whole other level of funny when you dig a bit deeper. The cleverness there is familiar to Pratchett readers, as it's part of the distinctive style of his other novels. As a writer who is a bit obsessed with etymology myself, I spotted his love for it right away in his writing. It's in every. single. one. of his books that I have read and I have read quite a few.

The exact same thing is in Good Omens. It's a really specific way of writing where word-related jokes are the vehicle for the humor and etymology-based diction choices are chosen with great precision and inform the piece on every level. Pratchett's signature style of writing came from the fact that he used etymology as a tool to help him convey the messages in his writing. The thematic connections he was making were supported by the complex histories of the key words around which he was forming his stories.

For example, there's a meta one of you asked me to write about the halo in S2 and, when you look at the etymology of the word, as we're going to do in that meta, you'll see that halo comes from discus and discus is the root of discussion, the root of the word desk, and the ancient sport that is like ring toss. It was also the name of a threshing floor for oxen, which ties both to dancing and to the threshold of a door, like the bookshop entry. By the time we get through looking at this one, key word of halo, we're going to have taken this whole trip-- through other discs-- the magic ring trick, record albums, Velvet Underground cds, etc., through what it means to dance to the ox ribs to what it means to have (or not have) a desk to what it means to talk through your frozen peas to what's up with the invitations into the bookshop. Good Omens is not random. Everything is very specifically chosen to work together to serve an overall story that is structured around using the etymology of words to underpin its meaning.

This is just one example and it's the same thing in the novel and S1. Much of the S2 stuff connects back to S1 & the novel. It's a story that loves words and it's a story that is threaded together, thematically, through being told by using very specific words and their histories. Good Omens is written like a Pratchett novel and feels like a Pratchett novel because it centers word history in exactly the same way as Pratchett does in his other novels.

You know where that halo thru-line that connects everything came from?

Discworld. It comes from Terry Pratchett's Discworld.

The same, core themes in his books are being explored, just in a slightly different way, in Good Omens and, often, using the same words in the exploration.

Because that's the thing-- all of these posts I'm writing about wordplay in Good Omens? I could, if I wanted to, also be writing them about any one of Pratchett's other novels, and a lot-- and I mean a lot-- of the specific words being used in a big way in Good Omens actually overlap with Pratchett's other books.

One of you has been waiting patiently for me to write about Mrs. Sandwich and the seamstress-themed language happening in the show and, to do that? We're going to not only talk about her and what she stands for in Good Omens but we're going to talk about the etymology jokes Pratchett was making with The Seamstress Guild in Discworld. Mrs. Sandwich might have been new in S2 but seamstress language is not-- it's baked into Crowley & Aziraphale's speak back in the novel and, as you'll see, there are instances of it in S1 and the novel that only become more apparent once you know to look for them after S2.

When NG said that, back in the day, he and Pratchett decided that Aziraphale should have a halo that was like a ring toss-- no.

Pratchett decided that.

The idea comes from the wordplay that is literally *in the title* of his own book series. Aziraphale's halo is related to why Pratchett's series is the Discworld. It's the same ideas. NG has fuck all to do with it.

Think about how I was just saying that all this love of etymology that is in Good Omens is also throughout Pratchett's books and is the driver of his word choice in all of them.

Now? Ask yourself who came up with Crowley and Aziraphale's secret language. Whose idea was it that it be so punny and etymology-based?

Probably the guy who wrote all of those etymology-based, other books.

Who invented the rules for that language?

Probably the guy who wrote all of those etymology-based other books.

If Pratchett wrote basically nothing but intentionally, lovingly, word-nerdy books... and if Good Omens is, soup-to-nuts, a love letter to etymology to a point that its main characters have a secret language built around it, then Terry Pratchett is who really wrote Good Omens. He's the true author of the book.

There are even interviews that show they had much different takes on how the process for the book happened. Pratchett, in one of the ones I read, said he wrote more than 2/3rds of the books straight up on his own and that he'd have phone calls with NG before NG wrote his bits of it and something politely vague to the effective of 'editing over' when writing the next chapter. In the same paragraph where he said he wrote more than 2/3rds of the book, he also said with all that discussion happening "who can say" who really wrote what-- yeah, exactly. It sounded a bit like NG needed the phone call to be told what to write on his end and then Pratchett edited it/rewrote bits of it before he wrote the next bit.

It comes off sounding like this book was like a partnered school project where Pratchett was the diligent one who did all the work himself so it would get done and be actually good and then assigned a bit of it to NG to do that he then had to go and fix so they'd get a decent grade. I wasn't there so I don't know but that's a bit like what the Pratchett interviews about it sound like to me and I'm much more inclined to believe Pratchett's view on their process than I am NG's take.

All I know is that Good Omens was successful when it was first published and any even moderately successful book makes publishing houses jump up and say "MORE NOW" and if you were those publishing houses? And you had a popular project with two writers? And one of the writers became tragically ill? You know what you'd do?

You'd eventually ask the other writer to finish the series.

It is known that a trilogy was planned from the start, which makes sense because most books are planned that way. You actually have to rough outline the entire story arc and then divide it amongst the books first. The story already existed in full when Pratchett began to get sick. Never-- in over two decades-- did anyone ever go to NG and ask him to both honor Pratchett and make them some cash by writing the rest of the trilogy?

Not even with how popular this book is?

That seems pretty suspicious to me.

Like a 'they know NG didn't really write it' kind of suspicious.

When both the publishing houses and the tv studios seem to be doing handstands to minimize his involvement with it, I'm thinking it's not too wild to infer there that it's because he never really wrote much, if any of it, in the first place.

More to the point? They know he's incapable of emulating it.

Because he's no Terry Pratchett.

[lullabyes22-blog]

As Arcane S2 rolls around the corner, please remember...

That however beautiful this animated endeavor is, it remains the property of corporate giants like Riot, and streaming platforms like Netflix - both of which are notorious for

a) jumping that shark on successful premises due to a superabundance of bad suggestions trickling down to the creative depts in the form of Insipid Emails from Corporate

b) milking successful premises past the point of exhaustion due to their own success and leaving their twitching, feeble, barely-breathing remains to die an unceremonious death in the shadows of media obscurity, and

c) replacing their successful creators with less creative ones to save costs, because they don't understand the value of the creative input behind the show's success.

Please consider supporting the mobilization of workers/creatives on all shows - not just Arcane - to stop corporate meddling in the form of budget cuts and unfair wages, while their CEOs + board members continue to take home billions.

Please consider both petitioning and demanding that platforms like Netflix grow a spine and phase out the 'all episodes released at once' model, which actively harms the actors, animators, writers, costume designers, set departments, VFX experts and everyone else that worked hard on the series, by cheating them out of the right to receive paychecks and residuals over the lifespan of the show, instead of the cheapened instant gratification of a single deposit.

Please consider calling out Netflix on the need to have more episodes released per season on their shows, so writers, voice-actors, sound engineers and many others will have a steady stream of payments instead of an unpredictable one, and to give the characters, and the writers who wrote them, some breathing space instead of cramming all the plot points into 9 or 10 episodes.

Please remember that the creatives are often the public face of a franchise, and are often thrown into the line of fire when narrative decisions are made behind the scenes - decisions that they do not necessarily agree with, and are often not in control of, but are forced to sell anyway, lest they be replaced.

Please remember that hateful, threatening, and abusive behavior is not what we should be about as fans - and that the creatives who work on these shows/projects often read our comments, and feel the weight of our expectations and emotions.

Please consider supporting your creatives and showrunners as individuals, not just as "the person who makes X".

Please consider getting LOUD AF on Twitter/X about the bungling of character arcs via hashtags - and directing the vitriol @ the company producing the show, not the poor creators - because corporate runs numbers on that kind of stuff, and if there's a perceived furor about certain narrative directions/plotlines, they're less likely to ignore it and more likely to cave, because of the bottom line.

Please remember that a majority of dismal creative choices have come as a result of corporate/big tech pushing the button on creative decisions - and that, in order for us to be heard, we have to use our collective voice to push back, and keep pushing back until the message sinks in.

Please remember that beyond protecting a beloved series, it's about fighting to protect the people behind it, the same way they fought for the integrity of the story, and the characters, in their telling.

And, while we're at it, please support people within fandom spaces - like fanartists and fanfic writers - who share their labor of love for free, and don't get paid a cent, except in goodwill and appreciation.

Remember that fandoms are, first and foremost, a community.

It is not about content, but people.

Let's be good to each other, and to the creatives, and keep fighting for them to be treated well by the companies and executives who make money off their labor, and profit off our love.

<3

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The Animator Dormitory Project 2023

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[rwbyrg]

Hello again! I was wondering, in your own opinion, what moment(s) for both Oscar and Ruby, really implied that there was much more going on with the two character, in the sense that their relationship was starting to evolve? Also what do you like about those moments? To add, do you think we will see it much more in volume 10?

Hello!! I think, generally speaking, all of their focused scenes imply there's more going on or that their relationship is evolving in some way. RWBY doesn't have filler. So when characters - especially ones as central to the narrative as these two - get focused screen time together (and romance-y tropes), it's done with intention.

Ruby's arc is about many things, but especially about how she's pretty much the last silver eyed warrior that can face Salem. Meanwhile, Oscar's arc is about defining who he is while under a curse that robs him of his identity. And in their first meeting, Oscar comments on Ruby's eyes, and she asks him who he is. Even their first lines to each other are mirrored in how they're spoken!

This scene really shows that their character arcs linked from the very beginning.

We get all the stuff I mentioned in my last post and more and none of it is necessary to do if it's not building up to something. Which it very clearly is.

I have no doubts we'll get to see more of their shared story in V10 onward. The V9 epilogue - what was supposed to be the final episode of the season - works as both a closing point for the Atlas arc, and a kick off for the Vacuo one. It's setting the stage for what is to come. A non-extensive list of what we know we're getting so far:

Nora's and Winter's character arcs; both of them struggling with responsibility, grief, and guilt.

Weiss will almost certainly be getting some focus by extension of that as well. Especially because her arc has always been about her family.

Ren being more open and trying harder to support those around him.

Qrow, more hopeful than he's ever been before and how much it's propelling him forward.

And then we have Oscar.

Oscar and the merge. Oscar Pine, Little Prince, pining at Ruby's grave in the desert. I talk about this set up a lot, and it's difficult to explain succinctly because it's got a lot of complex pieces at play (and has been going on since their meeting, as mentioned above). But if I were to try and break it down as simply as possible:

Ruby's fatal flaw is her grief. Her silver eyes are powered by, and the embodiment of, the preservation of life. She doesn't want to lose anyone else that she cares about and cannot bear the weight of responsibility that comes with it alone. So much so that she almost abandons her own identity via ascension because she is offered the choice to do so. She stays true to herself in the end as someone that fights, not for those she's lost, but for those she hasn't lost yet. And the narrative, through all their interactions, but especially the Tea Party, has placed Oscar front and centre in the position of who Ruby hasn't lost yet. Oscar, who wants nothing more than to be a part of the team that he keeps pushing away. Oscar, who just wants to be who he is, to preserve himself, but is being robbed of that choice via the merge. Something Ruby, can't protect him from.

RWBY loves to make its pairings thematically complimentary and it loves pushing characters to their limits. There is no way that the scenes and setup between Oscar and Ruby haven't been intentionally building to something big with how much their respective and shared conflicts are directly playing off of each other. There is no way CRWBY - with their limited budget and resource constraints - dedicated all that screen time to these two for it to not pay off at some point. And given this arc is the last one... now's a good a time as any for it to happen.

[johannestevans]

i think his death was just shoehorned in at the end but like. i wouldn't even have minded much if they'd killed izzy in say, episode 5 and then had his death make an impact. kill him at the BEGINNING of the episode, even, and let it carry through

but killing him in the last 10 minutes and hurrying through it comes off far more as, "god, we're so scared about our budget being even LOWER if we do get renewed for s3 and this guy isn't part of our main romance but we don't know what to do with him and his salary is higher than a lot of our other cast, we have to kill him off quickly and get him out of the way"

esp bc like. killing izzy distracts from several other storybeats. ed and stede running an inn with izzy's corpse rotting in the garden. lucius and pete's matelotage is overshadowed by the grief for izzy. the big flee from the british even was about supporting izzy and then killing him off sort of pointlessly

like i'm sorry but like. as much as they can try to go "oh well, it was a mentor thing" or "oh well, it was a natural end of his arc" or whatever like. if it was about any of that they would have planned for that and written that.

if you have to give 10 interviews telling everyone what the point of your story was, you did not write a very good story. if you have to explain that, oh, izzy was meant to be ed's father or mentor, because you put in literally 0 scenes showing that, then... perhaps he wasn't that. perhaps you made that up last minute to explain what you've done.

maybe you made a choice for budgetary reasons, didn't execute it very well because you were under stress and freaked out about the aforementioned budgetary reasons, and then you had to think up an explanation. maybe for whatever reason, budget aside, your actor told you he wouldn't be able to make it back for s3 and the same thing happened. maybe you were worried that a guy you originally intended to be a two-dimensional antagonist was being played too well and was taking up too much emotional space in your tv show and you needed to get rid of him.

all of these would have been entirely understandable reasons to kill off his character, except that like. you could have also just sent him away and left it ambiguous, or had him die offscreen after being gone for a few episodes, and yes, it would have been sad enough but like. it wouldn't have taken away from the already slapdash narrative you were trying to accomplish

like that's the thing that frustrates me about the whole thing, it's just a complete lack of basic craftsmanship

there are other flaws like... i hate how ed and stede are meant to suddenly be happy together when ed hasn't been given time enough to grow and be comfortable, i hate that zheng was supposedly outsmarted by the brits and had her entire fleet abruptly blown up in one scene, i hate how oluwande and jim and zheng and archie aren't given enough screentime to play out their relationship dynamic(s), i hate lots of messy shit that doesn't do justice to the characters being given but like

izzy's death is just the biggest example

[deesseshesca]

What truth must I accept to move on ?

What again ? No ! No ! No ! You swore it will be the last time…

Good night pretty souls, today we are checking on your situation. Why did it needed to happen ? How can you alchemise it ? 

Choose the image that’s speak to you and allow yourself to soak ONLY what’s reasoning with YOUR SITUATION 

Rules and Disclaimer 

I am the type of tarot reader to say as it is. Nothing is sugar coated but everything is sent with good intention. If you are not ready to face some truth, you should vagabond somewhere else. 

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CHOOSE AN IMAGE 

PILE 1 

Ace pentacles, ace wands (reverse), page swords (reverse), chariot, 999

Good night to my type A people, welcome to your reading. So lately you have concocted the most perfect budgeting plan to attend to your goals in the most efficient and successful way. I am also getting that you brought cute little things to ensure to motivate you throughout this saving journey. You know you're going to need to make some sacrifice on the way. Which can be frustrating in summer, especially when you see everyone around you spending a bag. I want to congratulate you for the healthy mindset you have regarding your money. Most of you are saving for your first car or first apartment. Someother to fund a change of career, thinking of starting nursing school or just to survive college. While others are trying to start a side hustle like becoming a lash tech or a nail tech. While harboring this tunnel vision mindset, I'm getting that people around you are not very supportive. Going as far as mocking you. But the truth you must accept: the journey towards your goal will never go smoothly. Pile 2, you are the type to plan for hours down to the very second. Anticipating everything that can go right or wrong. And when it does not go your way, you say ‘’fuck it. It ain’t even  worth it anyway. If it was really meant to be it will be easy’’ BULLSHIT ! You are the problem. You are to focus by the end of the journey, that you forget that you have to walk through the journey. Not just fly to it. Sometimes on your path something might stings or feet might hurt. The real issue is that you are missing stamina and only want to feel good. Good job, you have your priorities straight. But girl, you ain't just saving for some Mcdonal meal or a new lip gloss. You want a car, a house, a new career. Since the goal is bigger it requires more sacrifice. Letting go now, wil be like taking a big ‘’L’’.Head up, discipline over motivation. Building muscle is hard and it takes time just like a habit. Plus you have to stop thinking that life is happening to you. Babygirl, everyone got issues, you are not the only. Imma touch your heart when I said this, you are not the strongest soldier, so pick it up and keep it pushing. Because this victim mentality is making you act sour with people around you. I’m afraid to announce it to you, but you are the bad energy, you are the negative vibes rn. Hold on, before you click off this reading after this beautiful drag (you must admit…) is you have too much potential. And is pissing me off that you are allowing it to slip away from your hands. You are capable of standing strong on your boundaries and to create an amazing plan. That’s some qualities one will take a lifetime to master and you are born with it. Don’t become forceful, be the amazing leader you are meant to be. Don’t give up ! You will be rewarded in your finances/career. Finish what you started. The worst is that you know all that already. What’s funny is that you keep saying you don’t care, but your mind screams for it, your soul keeps reminding you that it wants it and your pinterest ain’t giving up on the vision yet.  Do do everyone a favor and go get it.  Do a deep life clean so you can make room for some new energy. Reflect on your life choices.

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Super shy -Newjeans

PILE 2 

Death (reverse) , ace cups, magician (reverse), emperor

You were meant to read this. Now ! Right now is giving the biggest scam in history just like what’s happening in your life. I’m hearing the tiktok that goes ‘’ Ok now, where’s the camera now. I must be getting prank now’’. The reality…you don’t want to move on.  You yearn for a past that ain’t never coming back. You also don’t want to deal with anything that can trigger you. But you can’t claim you heal, if you have the same reaction when the universe sends you variation of the same problem. And isolating ain’t going to help your case. But the universe finally got the message. Lucky you, you are getting to send a friend. Someone that will bring the sun back into your life. That person will trigger you (in a good and necessary way ) and she will not allow you to sabotage the way of y’all friendship. I’m understanding : poor timing, don’t have resources, cocky, delulu, personality disorder, force = I think you are going to have a Karen moment in a shop close to your house. She is going to trigger a crisis in you. Instead of looking at you like you are crazy, like most people do. That person will play along. Y’all going to be 2 crazy bitches in the store. And instead of feeling cornered, you will weirdly feel valited because usually when you act out people call you crazy. You just found another crazy person. Everytime will go back into the store, she will always be there. You will try to avoid her , but nah she will jockly always go to you. That person will grow on you. I’m feeling the opposite aesthetic. I see her being a bimbo and loving it and you our little emo angel. Honestly, I fell in love with her energy while channeling her. I was trying so hard to stay serious but nah, I ended up having a dance break. How can u notlove her, she’s a sweetheart. Girl, you might THINK, that you ain’t doing enough. But your spirit guard, the universe, anyone that allows themself to see more than what you project and I can assure that you are on top of your game. Especially after everything you went through and put up with. Keep your focus and discipline. You got this babe ! I’m proud of you ! When you are ready, let go of the version of you that no longer serves you. You don’t need to pay the price of your mistakes. 

I’m hearing: ‘’ You deserve this friendship’’ 

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POP - NAYEON

PILE 3 

Knight swords, ace pentacles (reversed), seven cups, High priestess, 1313 

Everything was fine until it wasn’t. When did it all go so wrong? It happened so unexpectedly. The only thing left standing is your BFF/sister. You never thought life would take u off overnight. I’m hearing you failed some important exams or your parents are very good but they badly gambled the finances and you have to pay the price for it. The truth is … it is always in front of your face. It’s been a while that you have been seeing and feeling that your studying routine is not working for you. But prefer to pretend that is everything else but what’s ahead of you. You always had a feeling that your parents were awful with money but did not dare to try to know how badly. Is not too late…yet. For a while now you pretend to be happy. Thinking that the more you fake it, you will finally feel it. Now you are down bad emotionally. You never thought you would ever be there. Babe is the the time to give in into distraction. Now you need to pull the rag under your feet and face your fears. You want to know what happiness is really about. You know it is time to do some deep healing. To question your self belief. From the silliest question to the most disturbing. ‘’Is my fav color really red ? What do I actually think about the government ? ‘’ You need some shadow work. Is not the time to act, is the time pounder. Also is your life. Babe nobody is behind you. If you want to take 1 year or 1 month at the crossroad nobody is coming for you. As long as you are confident about your choice. Is time to start fresh ! Step out of your comfort zone. You will learn a new skill that will get you some abundance and recognition. Be confident and trust in your decision. 

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What is love - TWICE