#but understand just because you may think something - doesn't mean you should do it

[allthingswhumpyandangsty]

"guys I do not condone any of this in real life" "this is fiction" "consent is key. this is only fiction" "murder is bad irl" — I wish fanfic authors didn't feel like they had to clarify this in author's notes or else they might be accused of being abusers or worse (I admit that such disclaimers are also something I personally use for my own stuff because I feel like I had to make it clear). like... people used to not care if an author wrote dead dove fics because people used to understand that ao3 fics are not a reflection of someone's in real life views or morality in any way. people used to understand that fanfics mean what they mean; fan fiction. none of it is real. maybe it's purity culture that normalizes witch hunt and censorship in the past couple years, and therefore authors feel like they have to clarify that just because they write about violence or noncon stuff doesn't mean they're murderers or sex offenders in real life. and I think it sucks that these things (purity and cancel culture?) have made authors feel like they have to apologize for the art they created instead of being proud of their hard work and all the dedication they put into creating these art. artists should not have to feel like they have to apologize for creating art that isn't all rainbow and sunshine. artists should not have to be made to feel ashamed of their own art if it's not all rainbow and sunshine.

I don’t agree with the “you can write noncon and dark fics as long as you make sure your readers get the message that these things are bad” or “you can write noncon and dark fics if it’s your way of coping with your trauma” take either. because writers do not owe you anything. the message writers want to send to their readers — whatever that message may be, if there’s any message or moral of the story for readers to take from the stories at all — is none of your business. why writers write what they write is none of your business. remember “don’t like don’t read”. no one forces you to read anything you don’t like. dark and noncon fics are a form of creative writing and creative writing is a form of art. you can’t pressure artists into creating art that “fit your moral compass” nor can you apply your own moral compass to artists to determine if they can create dark art or not, if their reasoning behind creating dark art passes your moral compass. like… what artists create and why artists create are none of your business. and you don’t get to shame artists for creating art that you hate / art that disgusts you. what you can do is ignore the art because it clearly was not made for you and that’s okay. what isn’t okay is you harassing artists because you don’t like the things they created.

writers, embrace and be proud of your works. as long as all the trigger warnings are tagged properly, you have nothing to apologize for.

[enixamyram]

I truly do not get the "Angel sexually harassed Husk!!! He's awful and it's gross the writers never addressed it!!!" mindset some of the anti's have. Especially when the show very much did address it very clearly in a way that I, personally, believe was very well done:

"Maybe I'd treat you better if you were real, and not some bullshit version of yourself. Always pushin' my boundaries."

Husk openly calls Angel is a jerk for the way he treated him. He (and the writers) make it very clear that Angel's constant sexual advances bothered him. And this isn't a revelation moment either since it's obvious during every moment prior that Husk doesn't like the way Angel behaves with him, even if he puts up with it. He physically expresses his discomfort and dislike for it each time and you'd have to be blind to miss it.

People like myself may find a line of Angel's to be funny, but it's the same way we find other lines funny. (Like Val's: "Not off camera you're not!") As in, it was amusing the way the line was said. But that doesn't mean we're ignoring or missing the seriousness behind the issue in reality. (I mean, some people might be, but in general I think most of the audience is not like this.)

More importantly, all of this is literal Character Development. In all further episodes, Angel stops acting this way with Husk entirely. And only after he stops acting this way, is when Husk and him start to genuinely get on as friends.

I've seen some people complain that Angel never officially apologised for his actions. And yes, while we don't seen an on screen "I'm sorry for what I did to you", it's very clear that there has been something based off of the very next shot of them:

Even if he hasn't said those exact words, Loser Baby was an entire song about how they understand where each other is coming from, why they act how they do and how they can now change that by leaning on each other for support instead. Loser Baby is, in its own kind of subtle way, an apology between them. Just because we're not spoon fed scenes doesn't mean they didn't happen off screen.

Anyway. You don't have to like the ship. But can we stop trying to find problematic reasons why no one else should like them either and just grow up and say it's personally not your thing?

[thependancer]

An essay on why The Voice of The Cold and The Broken can handle Fury breaking them apart.

**Spoilers for Pristine Cut!!**

The Voice of The Cold and The Broken are one of the few voices able to survive being torn apart by the Fury. Of the Voices that make it to the Fury, The Contrarion leaves first due to boredom. The Hero is next to go as the pain becomes unbearable. The Stubborn perseveres through still however even he can't handle much more.

However, The Cold and The Broken are able to outlast the torture. They manage to even tire out the Fury. So the question is simple, how come these two voices survive? Even when you're just atoms, they are still there, but how?

Lets start with The Cold. The Cold is, in his own words, "unfeeling". He isn't completely detached from feeling, he is just able to disregard it no matter how big or small it may be. This ability is also seen in The Moment of Clarity where despite enduring endless torture, he still acts as himself while the other voices are thoroughly broken.

The Cold is able to endure the pain of the Fury reducing you to atoms as he can simply disregard it. He is completely detached from his body. Hence, he can confidently answer yes to the Fury's question "Are you still here? Are you still you?" Being detached from the body means that he is still here and he is still him. He never thought of himself as the body so why should his identity be threatened by affecting the body? This allows him to withstand the pain. And this detachment is also visible with his attitude after the torture. He is still as "unfeeling" as ever. He does not learn anything from this. He sees the Fury has given up and instead of comforting her, he justs exclaims that the Fury is just like him. That they both just want to feel something. She wanted to see if she would anything if she tortured you and The Cold wanted to endure the torture to feel something. Only when the role is reversed, that you inflict pain on her that when they both can actually feel something, whatever that something is. I believe it is regret. The Cold regrets his inability to feel but quickly disregards it as he does with every emotion, while the princess regrets her torture and we do not get to see what happens to her after she experiences this something. However, that is just my interpretation.

Now moving on to The Broken. The Broken can come to the Fury from the Tower or the Adversary. I will be discussing the Adversary one specifically. In this scenario, you realized the hopelessness of the situation before The Stubborn. You broke. For The Broken, everything is utterly hopeless. So when you reach the Fury, The Broken is able to see that even she thinks whatever she is doing is utterly hopless. He finds connection. He craves that connection. The Fury will tear him apart? It matters as much as the world at this point in that it doesn't matter at all. She is broken and The Broken realizes she wants us to feel what she feels. So he lets himself be torn apart. He is the complete opposite of The Cold. The Cold disregarded the pain and so was able to survive but gained nothing from the experience ultimately. The Broken accepted the pain. He learnt how the Fury felt. He saw the fear in The Hero's voice and comforted him. He reassured The Stubborn that winning and losing didn't matter. He spread his understanding to even the narrator, who had to witness and describe the grueling torture, which is another way of experiencing it.

The Broken, the one who needed comfort the most in any other route, here we see that he is able to handle pressure extremely well. Here, he is still broken, but he is still here. He can see the Fury rages because we hurt her. He can see that the other voices are afraid and hurt and he can comfort them. He feels everything and extends that feeling to everyone who needs it. And most importantly when you reach the mirror, he comforts you. "It's going to be okay.", he says.

And so by disregarding your feelings or by accepting them, you are able to hold yourself despite literally being torn to atoms. Personally I think both of these routes are beautiful.

[mean-scarlet-deceiver]

how about A Gordon and Edward Analysis

Ooh yes… the OG dynamic! The first one, the foundation for everything!

(Unless you count “Edward and railwaymen”... or “Edward and coaches”... which, to be fair, I do…) 

These two are insane (affectionate). Hot take but this may be the saddest relationship on the N.W.R.?* They’re my two bestest boys but, man. Their dynamic is fucked. Edward and James are nothing compared to this. Gordon and Henry are healthy, relatively. 

tl;dr: They need couples counseling. 

Jobey, aren't you being a little dramatic? 

Am I? Take my hand. Let's do a close read… 

* This is going to focus on RWS (not tv series). Right now and for the rest of this post, I’m going to be talking strictly from the Wilbert books (and, thus, analyzing their relationship from the ‘20s to the ‘60s only) unless I specify otherwise 

Part 1 (this post): Gordon, what's your damage? 😭 / The Doylist Reason / Rent. Free. 

Post 2 (upcoming post, link later): Edward's Defences / Gordon's Growth

Post 3 (upcoming post, link later): Collision / Uh… Cleanup Crew?

tagging @weirdowithaquill because you asked for Edward+James and i wound up folding in most of what i have to say about them into this analysis 😅 in RWS they're a good foil for understanding Edward+Gordon

Gordon, what's your damage? 😭

There is a strong drive, right here on ttteblr, to portray how despite some notorious conflicts these two are canonically old friends. Also that maybe Gordon’s bad behavior is not so bad. 

That is a valid mission, indeed I flatter myself that I had some influence steering us down this road a few years back, however sometimes I think we're in danger of forgetting how often Gordon really has just been like… This: 

"You watch me this afternoon, little Edward," he boasted, "as I rush through with the Express; that will be a splendid sight for you." (1923) 

“I’ve done it! I’ve done it! I’ve done it!” he said proudly, and forgot all about Edward pushing behind. He didn’t wait to say “Thank you”... (1923) 

Edward puffed and pulled, and pulled and puffed, but he couldn’t move the heavy coaches. / “I told you so,” said Gordon rudely. (1923) 

So Edward found coaches for the three engines, and that day the trains ran as usual. / But when The Fat Controller came the next morning, Edward looked unhappy. / Gordon came clanking past, hissing rudely. “Bless me!” said The Fat Controller. “What a noise!” (1926-1934) *

When Gordon and Henry heard about the accident, they laughed and boasted. “Fancy allowing cows to break his train! They wouldn’t dare do that to us. We’d show them!” they boasted. (1952) 

“The Fat Controller would never approve,” said Gordon loftily. “Branch Lines are vulgar.” (1965) 

Edward scolded the twins severely, but told Gordon it served him right. Gordon was furious. / A few days later, some Enthusiasts came. On their last afternoon they went to the China Clay Works. / Edward found it hard to start the heavy train… / “Just pathetic,” grunted Gordon. “He should give up and be Preserved before it’s too late.” (1965) ** 

I am sportingly not even saddling Gordon with the blame for the line "Driver won't choose you again. He wants strong engines like us." (In TTRE, this is said by the collective of big engines – although the illustrations do clearly point a finger at Gordon. Still, like I said, I'm going to be sporting. The pictures aren't canon.) Also note that in RWS Gordon doesn't say "No use at all" when he learns Edward has come to push his train; that whole bit of dialogue was something Britt and David cooked up. 

Even being as generous as possible, this still leaves us with… seven. Seven instances of Gordon taking a shot at Edward. 

That’s actually quite a… lot? 

I mean, not necessarily if we were racking up all the complaints, ranging from major to miniscule, that you’d have about someone you’d lived and worked with for over 40 years, lol. 

But we shouldn’t actually be expecting a complete inventory at all. RWS books are minimalist on detail. There's just so much less in 'em than the sprawling TVS with its 24 full series, lol. And let’s focus here on just the Wilbert canon, since that’s where all these examples of Gordon being rude to Edward come from. Seven times, in 26 books. For context, the number of times Thomas teases Gordon in this same corpus is… three. Three times. Thomas cheeking Gordon. Also kind of a fundamental dynamic. THRICE! 

Passengers saying What a Bad Railway It Was… two. Number of times Thomas and Percy squabble… three. Number of accidents that Percy gets into (and this includes the piddling stuff, like crashing into that wagon of flour that was left on the rails)… five. Reflect on that for a moment: Gordon is a dick to Edward in canon more often than Percy's had an accident. That's crazy. Indeed, there are plenty of RWS characters who are canonically friends or who shed together who don't even get to have seven shared moments. It's actually kind of a fun game, to try to think of any two of them who, like Gordon and Edward, have seven of a specific kind of interaction. Have at it! There has to be something I've missed. 

But I hope it's clear, that by the standards of these books this character dynamic is hit A LOT. You know me, I'm going to go on to contextualize a lot of these seven examples, and I'm going to play Gordon defense attorney to a certain degree, and plead mitigation. But I can't possibly explain away the sheer size of this pile of evidence. This specific dynamic is not meant to be overlooked. It's not meant to be minimized.

This is a big inescapable part of what their relationship is. 

The Doylist Reason

Now, in fairness, the meta reason this dynamic is so pervasive and repeated is that it's The Template. 

“Big braggadocious engine needs help from humble plucky little engine” was trite before The Three Railway Engines was published. This is not a slam; I’m not gonna get on another parent’s case about the story they improvised for their kid because “it relies on cliches.” But it’s just a fact: Edward and Gordon, to begin with, are simply THE foundational cliche of “anthropomorphic train” media. 

One of the reasons the RWS (and the whole subsequent TTTE juggernaut) is so successful is because it features so many creative variations on this template. Most of the relationships are just "okay so one of them is the Gordon, and one of them is the Edward, but this time there's a twist!" (This is how you get Thomas as the big breakout character – because the Thomas and Gordon variation is a lot less cliched, and a lot more fun.)

Just an observation. 

Now, Awdry did keep writing the OGs again and again and again, for a couple'a decades, and he developed them both quite a bit. So by the end of his run we do have a very elaborate Jenga tower built on this template. Loads of fun* to be had yet. So let's jump right back into analyzing this shit in-universe. 

* For certain definitions of fun 😈

Rent. Free.

The first thing I wanted you to note about Gordon’s Edward-directed crimes was that there were a lot of them. 

The second thing I want you to note is that… these are, perhaps, not all so very criminal? 

Some of it is – the group harassment about the strikebreaking and the “Just pathetic!” bit (more on both of those later). But a lot of the rest of it strikes me as more the results of being blunt or un-self-aware or even just plain boisterous than actively choosing to bully anyone. In particular, the early stuff, the Three Railway Engines stuff on which the whole foundation of their relationship is laid… 

"You watch me this afternoon, little Edward," he boasted, "as I rush through with the Express; that will be a splendid sight for you." (1923) 

Condescending. Tone-deaf. Belittling (literally). But… not actually spiteful?

“I’ve done it! I’ve done it! I’ve done it!” he said proudly, and forgot all about Edward pushing behind. He didn’t wait to say “Thank you”... (1923) 

That's not cool, but it's also not… that bad. 

At the point where The Three Railway Engines ends with the claim "all three engines are now great friends," it's like, sure. You can see that. Indeed you can see it much more easily for Gordon and Edward than you could with Gordon and Henry – Gordon's behavior toward the latter (though in a similar vein of "kick a fellow when he's down") was much more extreme, and Henry's behavior was so bizarre that you hardly know what to expect from him next. (What you don't expect is that those two will be joined at the hip for the next thirty years.) By contrast the Edward and Gordon relationship should be kinda easy, the former's really nice so the latter just has to remember some basic manners and they should be okay. Right? 

But that's not how it goes. Partly of course because Gordon has much more out-of-pocket shit in him than he ever displayed in TTRE. But I'm going to set aside some of the more severe tests that Gordon makes of these friendships till later – stuff like punishing Edward for breaking his tender engine strike and "Just pathetic!" (not to mention all the needling of Henry around the Flying Kipper accident). Setting that aside, Gordon's original sin is simply being a dumb, self-centered, out-of-touch rich jock. Yes, he’s consistently “rude,” but usually more in an ignorant, superior, “I cannot be bothered to try not/learn how to prevent myself giving offense” sort of way than an aggressive, malicious “hurting you for fun and profit” sort of way. In contrast to, say, James. Whose behavior really is consistently mean. And who is hurtful on purpose, because he’s having a bad day and tearing someone else down is how he copes. James insults; Gordon (except in those couple of asterisked cases that we’re tabling for later discussion) merely boasts. And it’s really quite interesting to me how Edward seems to have much less problem with the former than with the latter! 

Because he does have a problem with it. We know, because for most of this long list of incidents the source must be… him. 

This is a series where canonically the Author is a human “friend of the railway,” collecting and publishing these stories in order to publicize the railway to the world. This is something that really can’t be forgotten when reading these (indeed, thanks to the “Author’s Note” each time, the books will not let you forget it). The narrator is canonically a figure in this universe, and is not omniscient. 

And, when it comes to the Edward/Gordon dynamic, the Author’s point of view is consistently collapsing into Edward’s point of view. 

Certain times when the narrator editorializes about details, we can be pretty sure, are lifted straight from Edward’s take on the moment (and, if not Edward’s, then The Fat Controller’s, which to be frank is also roughly aligned): 

Edward puffed and pulled, and pulled and puffed, but he couldn’t move the heavy coaches. / “I told you so,” said Gordon rudely. (1923) 

That Gordon said that, I don’t doubt. That the adverb is necessary, or even correct? That’s… that’s interpretative. I totally understand why Edward and TFC, respectively, took it that way, but I’m not 100% convinced it was meant that way, nor that everyone else on scene regarded it as much more than Gordon glumly colour-commentating the group effort to recover from his breakdown. Is he being ‘rude’? Or is he merely too blunt for North Western sensibilities?

Anyway, even if ‘rude’ is the correct interpretation, it is again worth noting that it’s certainly not part of the narrative as Gordon would have been telling the story in the 1940s. (The 1940s! It's over twenty years later! And Edward is getting his side of the thing in fuckin' print… Big win, that.)

So, if we agree that Edward is the source the Author primarily relies on for these 2+4 scenes, what does this show us? Well, for one, I'd say it shows us that Edward may ‘forgive’ all this but he is certainly not forgetting one bit of it. Indeed the narrative’s repeated return to this dynamic almost certainly mirrors how much room Gordon’s superior attitude occupies in Edward’s headspace.

Which is kinda wild. There's no evidence Edward is petty by nature, if anything there's a lot that suggests the opposite. Gordon getting this far under his paint is… something of an achievement. 

But we can see how he managed: 

Even discounting the illustration. Even if Gordon isn’t the speaker. He was one of Them. The other big engines who tormented Edward may have been worse, were probably worse, but they are gone and Gorson remains, an eternal reminder of 1922-3. Of the primordial period when Gordon has the power, Edward doesn't. Gordon is on top of their world; Edward is left alone in a shed, cut off from all his former friends and supporters, afraid for his life, roundly denigrated by the engines he lives with, and quite possibly lost his previous job directly in favor of Gordon. Who, at best, is careless and oblivious. Who, at worst, is belittling and rude. 

Ouch. 

Gordon's arrival is still bound up, probably even the direct cause, of one of the most miserable and humiliating year of Edward's life. And – maliciously or not – everything about how Gordon conducts himself only serves to keep tearing again at that wound.  

Ouch. 

If Edward were to write off Gordin as a potential friend till the end of time, well, you know, it would be valid. Not very "wise" or anything, but it’d be understandable.

To be clear, I don't think this is what happens. I'm not going to argue that the famous line from the end of TTRE is a lie, some sort of diplomatic fiction. No, Gordon and Edward quickly make a go at genuine friendship. Indeed, throughout all this mess, even as I analyze it in excruciating detail… there's something kind of touching and weirdly wholesome about the way that they both try so hard to make it work despite the headwinds against them. Edward (and Gordon, for that matter) make sincere efforts to overcome the wounds they have inflicted on each other's egos. Kudos, lads. 

However, I also don't agree with a vast assumption on the part of many fans that Edward solves the issue by simply… rising above. Puts aside his own ego, takes a pacifist approach to all the jockeying for position, acts purely as mentor, just sits on the moral high ground and philosophically accepts everything as it is. 

This is canonically nonsense. Yes, Edward was passive in his first-ever story – he was at the end of the line; he needed someone to give him a damn break before he even had options – he doesn't actually remain passive after that, though. Indirect (he’s allergic to conflict), but not passive. We see very clearly that Edward may be judging status by a bit of a different yardstick than Gordon et. al., he doesn’t think picking up the slack on secondary or support jobs is a source of shame and his relative physical weakness drives him to find different ways to distinguish himself, but, like, when it comes to points-scoring, he’s still very much in the game. Of course his first priority is just to be wanted and useful at all, but that is not the end of it. Edward is competitive, with a proper amount of pride (“Good! Don’t let them beat you”) and he has normal engine-y desires and ambitions (“Look at me!”). ‘Course, in his case they don’t drive him to make a straight-up nuisance of himself. But, still. It matters to him that he gets to be the Smartest Engine in the Shed. It matters to him that he has nice blue wheels. It matters to him that he’s important, it matters to him that he’s respected, and he’s quite as pleased to get important jobs as any other engine (even if he doesn’t begrudge an engine who gets a jammier job than him). When canon kicks off no driver at Vicarstown has laid a claim on Edward, Topham Hatt has just succeeded some previous General Manager and shows no sign of knowing or remembering that Edward exists, and Edward has nothing – no job and no allies. It is not an accident that all three of those things change. It’s not even merely a natural karmic reward for being a nice, humble engine with a winsome smile. Edward set out to earn recognition. His main method (be helpful and reliable to others) is admirable, but it is also a means to a goal (be recognized as important and ensure he's never again stuck in the sheds). And he succeeds wildly. There’s luck there, sure - there always is, with success - but he didn’t have a lot of natural advantage at his tender, either. What I’m saying is that he’s not some innocent unworldly soul who aww-shucks’d his way into it. He meant for this to happen. He played smart and he worked hard for it – but, like, he had to know what it was he wanted. 

Am I belaboring this point? Maybe. But I feel like so many people only see Edward as nothing more than a dutiful, responsible, maybe even stuffy oldster with at most an occasional twinkle of fun in his eye and, hell, often that’s not even a big problem (though I think it sells short later characters who arrive and who are ACTUALLY more unambitious and above-it-all than Edward - for instance, I think Donald and Douglas are actually our first tender engines who show up and legitimately just never once give a shit about their status, at least not beyond the status of ‘alive’ vs. ‘dead’). But I think it IS a problem, that it does lead you wrong, when you bring that assumption to bear on Edward’s relationship with Gordon. Edward never "mentors" Gordon. It’s a fundamentally competitive relationship. Oh, maybe it shouldn’t be! It shouldn’t be, because Edward is not jealous by nature and so if Gordon were halfway chill himself it never would have been. And it shouldn’t be, because Gordon so easily outclasses Edward that there should be no reason for Gordon to ever get jealous, either. But they both manage, somehow. Edward’s not just benignly pulling a quarter out of Gordon’s ear every so often, to gently remind him that Gordon doesn’t know everything yet. He might have settled into this role, if Gordon hadn’t scared the existential shit out of him throughout the ‘20s, but Gordon did and so Edward didn’t. Edward’s in it to win it, babe! He accepts that his express days are over, but he’s not willing to be told he never again gets a cut of the cake, either – and, when Gordon snubs him, Edward is not just rising above the fray and letting it go. They’re always playing tug-of-war. 

To reiterate: I don't think Edward is faking friendship after Gordon's failed express. He's really working on it – and he might have had more success letting go of the previous wounds Gordon inflicted on his ego – if only Gordon had stopped that sort of shit, going forward! 

But that's asking too much. It's still the 1920s, baby; Gordon's gonna Gordon; so what's a little tender engine to do? 

[fandom-reader]

Listen, that will be a long one but listening to this song on repeat makes me THINK!!!

I came back and brought the crown with me / The king's den

At some point Jinx will come back to Piltover, I know it. But she won't be back to seek redemption or forgiveness from the people she knew, she won't be looking for healing her wounds or closure of her past.

Once Jinx comes back, she knows she doesn't need her sister approval she was looking for for such a long time. She doesn't need her acceptance or forgiveness or Vi telling her that all is good now and they can be sisters again.

Never learned to raise my hand, Was too busy raising hell / Everything I know I am / You should go and save yourself /Thought you had my number huh / Congratulations you played yourself

She knows she's not Powder anymore as Powder died for good with Isha. She may be less crazy, voices now calmer and quieter as they used to. They are still there even if she learned how not to trust them completely or to not listen to them all the time. Sometimes she still does though.

She accepts that everything that happened to her in her life made her Jinx and she will always be Jinx. It can mean something bad, or good, everything or nothing at all, but most importantly it makes her her.

I've been in court with the spirit beside me since I was a baby / Just getting chaotic / Y'all made me a product for causing the chaos / Right here where they raised me

After all, she is chaos.

She meets with Ekko. They fight, obviously. He already mourned her death, has to learn to live without her, blaming himself sometimes that he could do more to keep her alive. And it's not easy to get past that even if he's happy to see her again.

She may not understand it completely, but she tries, and fails, and tries again. It's not easy, but taking small steps, they can make it work. Sometimes she still does not believe that he can accept her the way it is, but then he proves her otherwise. He shows here how the city changed. At some walls she can still see faded blue.

I don't believe that after Arcane's final war upper and under city will become one at all, sharing and caring for each other. As you can fight together against one enemy but it doesn't mean you're friends, and after it's done, you go seperate ways again.

And I know that Zaun people will throw a party to greet Jinx back, some of them joining just to make sure that rumours are true. And I can see her dancing freely in a bar, jumping and throwing head around to the sound of this song (which makes me want to do the same, with the amount of energy it gives me, not being able to stay still), enjoying herself to the fullest, not minding anyone else's opinion. Ekko watches her, with a warm smile on his face, giving her all the space.

Sure, some of the people are eyeing her, suspicious, some of them want to kill her, or punish her, or make her pay for the past. But she doesn't care. And then they will understand that there's no point in that.

Because she is, after all, the queen of Zaun. And Ekko is the king.

[bardicious]

I think it's also important people know they can think like a judgmental twat, but not act like a judgmental twat.

[mccromy]

Thinking of Luo Bingge trying to seduce a nice Shizun for himself and failing miserably.

LBG, used to women throwing themselves at his feet just by being in their proximity, utterly confused as SY won't also fall to his knees and beg to be ravished. He doesn't even have a LBH of his own, LBG checked!!!

SY thinks he's handsome and charming and sooo cool, but also LBG will surely kill him if he steps out of line :) no thanks :). And as he finds himself being subjected to over the top courtship attempts, he thinks LBG must want something from him. info? Treasures? No need for this charade, Junshang, you just need to ask!

One time, they get sex pollened and LBG is like "finally! Now he'll beg me to help him with my magical Heavenly demon cum" and SY will just stab himself until the pain and adrenaline overwhelm the horniness and he bleeds out the poison because 1) he's straight! And more importantly "I would never put Luo Binghe in a situation in which he doesn't have the choice to say no!"

LBG is stumped, heals him quickly with his magical Heavenly demon blood, and remains in a state of shock for a week. Also, for some reason he can't stand the sight of Qin Wanyue anymore.

When he does finally pull that bad bitch, he doesn't get rid of his harem (love alone can't heal this man. He also craves the attention as he craves air) and SY understands it. He had his moment, now is time to vanish into the harem and stay the fuck away from Harem politics.

LBG goes to check his new husband, it's been a week since they had some time together, longer since their wedding night, and the sense of accomplishment remains. (Take that Inferior Luo Binghe! Superior Luo Binghe had bitches AND a nice Shizun!) And tries to seduce him into bed, but SY being SY needs to do a little song and dance before getting plowed and LBG has no clue what's going on.

Why won't he say yes immediately?? What do you mean with "aiyah... I'm a bit occupied"??? You're?? My husband??? Open your legs??? Oh! You need to be seduced more?? Alright, I'll do it.

And he tries to tempt him like he does all his wives, bedroom eyes and a deep voice and soft touches and. It. Won't. Fucking. work.

SY doesn't want coaxing! He doesn't know what he actually wants but for some reason this is not doing anything for him (he wants tears and pouts, something that LBG is too prideful to even think about trying).

After a few more attempts Shen Yuan feels his pussy dry out of frustration and goes:

"You know what, Binghe? Just go ask another wife, I'm not in the mood now." And LBG is like,

"Ah my dear husband is jealous, no need, you, exclusively, may have this lord for the night."

And SY is like, offended, because he is actually a bit jealous but how does LBG dare say that out loud?? How insensitive!! Spare this old man some face!! To be a man jealous of those flowers perfuming your garden is so humiliating!! And SY, petty bitch that he is, raises an eyebrow and says, "Perhaps my lord should visit lady (name of wife #78) she has been more neglected than this husband, so she needs our Lord more than I."

LBG gets forceful in his frustration because he wants DICK and HOLE, not HOLE and HOLE! and SY palm strikes him and sends LBG flying. LBG shakes off the dust and stomps fuming towards wife #78's room. Then, unsatisfied, goes to visit five more wives until the sun rises.

After that SY gets snappish and cold and poor LBG is SO triggered.

SY: *glares at him over his fan*

LBG: this reminds me of something that I do NOT want to think about. No, sir. Don't like how it feels.

What did he do?? Why do even the nice Shizuns reject him?? Is there actually something wrong with him??? No. No, it can be.

He'll show his husband! He's rejecting him, hm? LBG will reject him back!! He'll ignore him!!! See how he likes it! Hmph!! He'll come crawling back.

He doesn't. Shen Yuan takes this as a sign Luo Bingge can't be satisfied by a man and, hurt and angry, just lets him.

And Shen Yuan becomes quite the unfavored "wife" and thus a victim of Harem plotting, and he asks to be sent to another residence, much to Luo Bingge's ire. His request gets denied, and SY, feeling like an unwanted pet whose owner refuses to give away out of a sense of ownership, turns even colder towards Luo Bingge.

LBG is a fucking mess. He tries to make SY jealous, let's himself get caught balls deep in the wife of the week by SY. Flaunts his favoritism for others and makes SY watch. But SY doesn't show any reaction to any of it. And when he does, it's just disappointment.

But he's not disappointed that he isn't the one sitting on LBG's lap (something clear in some other wives faces, who stare at the chosen wife resentfully) he's disappointed in Luo Bingge.

And Luo Bingge can tell the difference.

(Sometimes, Shen Yuan thinks, what's cool in fiction is just... Sad and hurtful in real life.)

Luo Bingge does a 180 and now tries to seduce him by courting him like he did before getting married. But Shen Yuan, unlike the other wives, doesn't just forget and forgive the shit Luo Binghe pulled before. He's not snappish, but quiet, still disappointed, sad. He seems to have fallen out of love. And no matter what Luo Bingge does he can't make him fall in love again.

He's tried everything, no matter what he does he just can't close the breach between them.

Luo Bingge just can't win with this man.

And Shen Yuan has not fallen out of love, he's just realized how petty and sad his husband is. And he doesn't know how to reach him, how to help him. LBG thinks they're playing cat and mouse and doesn't realize he actually hurt SY. And when he finally apologizes, SY remarks that he's apologizing that SY was so hurt over LBG's treatment, and not for giving him said treatment. LBG can't understand the difference.

And SY knows him, knows him better than LBG will ever know. And he says he forgives him, but LBG can't tell if he means it or not.

SY does mean it. Because he understands why LBG did what he did, and although it was not right, LBG didn't know any better now, did he? SY won't take this peace of mind away from him just because LBG didn't meet his expectations.

He's not angry, he just feels pity.

Things become amicable once again, but LBG can tell things have not been swept under the rug. Yet SY is just as sweet as he used to be, but there's something different.

SY's touch is no longer reverent nor feverish, but careful. As if LBG is fragile, and LBG both hates and is addicted to it.

LBG can't read him, can't understand him. So he assumes that SY is planning to betray him and is feeling guilty. Ah, his husband allied himself with someone else while LBG and him were at odds? Perhaps? And now he regrets it? No matter, it has happened before with (name of wives #23, #190 and #304) he can take whatever comes.

Nothing happens.

It's driving LBG crazy.

So he tries to force SY to confess, he engineers a kidnapping or something to force him to sell LBG away to his enemies. To spill a secret, anything! In the end things get out of hand and whoever LBG hired turns against him.

SY realizes what's happening mid kidnap and groans. WHY. WHY DEAR HUSBAND? THIS IS SO TRITE?? He told him he wasn't mad!! Is he really trying to gotcha! Him?? Unbelievable.

Many things happen after that.

SY is forced to drink poison that makes his spiritual energy lethal to demons. And LBG'S human cultivation is sealed, so only his demon side is active. The thing is, the poison can eventually kill whoever drinks it if they don't pass it away, even if they're human, the corrosion turns on them. LBG tries to take the tainted spiritual energy for himself. But SY absorbs it, willing it to kill him quicker, not taking any chances. And calls LBG silly and rash, and LBG realizes SY knows they're in this situation because of him. And bursts out crying.

SY kisses him, tells him he forgives him, and he better believe him this time, huh?

SY dies.

LBG tries to revive him in the holy mausoleum but every time the soul enters SY's body the poison kills him again. The poison kills LBG'S blood mites, too. It has fused with Shen Yuan's cells, a product of him absorbing it, and now his body is unable to live longer than what it takes for Shen Yuan to take a first and last breath.

LBG traps SY's soul inside a locket and carries him everywhere. Touches it constantly to make sure it was there. The gesture both familiar and confusing until he remembers he once had a mother who'd gifted him a pendant that he lost many, many decades ago.

How could he have forgotten it?

After years of desperation, he reads about the sun-moon dew mushroom. And when he goes searching for it, he realizes the realm merger killed off all the sun-moon dew mushroom seeds.

He crumbles.

And only then he finally understands his husband and why their marriage never worked.

Because LBG didn't actually love SY. He was possessive of him, yes, attracted to him. But he did not love him, he just used him to prove that other Luo Binghe he could have it all, an empire, an harem, and a Shen Qingqiu. (Shen Yuan, his name was Shen Yuan. He hated it when Luo Binghe called him Shizun, why did he keep insisting?)

Luo Bingge never loved Shen Yuan.

But Shen Yuan did love him.

He saw him for the beast he was and took him into his arms. Luo Bingge never had to prove himself to Shen Yuan, and no matter how he tried to hide the most shameful parts of him, Shen Yuan could see them clear as day, and loved him all the same.

He held Luo Bingge's flaws like something fragile, he protected them.

He didn't hold them over his head, like Luo Bingge would've done.

He didn't love him in spite of them, like his wives did.

Shen Yuan looked at the cruelest man in the world and, even after being subjected to Luo Bingge's cruelty, kept him close to his heart so the world didn't have the opportunity to make him crueler.

And Luo Bingge killed him.

And in that moment, when he finally was able to under his husband, Luo Bingge falls in love with Shen Yuan.

He came back to his palace and locked himself in his late husband's rooms, became mournful, lost interest in sex and food and bloodshed. Held that precious locket in his hands and wept.

Until one day, he began hearing Shen Yuan's voice. Faintly, as if far away. And then just as clear as if his husband whispered in his ear.

The locket had become cursed by harbouring a human soul for so long. But Shen Yuan never asked anything impossible of him, never tried to hurt him as any other cursed artifact would do.

He'd ask him to sleep, to please eat. To cook, doesn't he love to cook? Why don't you try again? He'd say, "Ah, Binghe, look up! That's a Silver Blood Hummingbird ! Oh, I thought they were extinct, isn't it beautiful?"

And Luo Bingge with only a voice for company, the love of a man he could not touch, would finally find the peace that eluded him his entire life. He'd understand that other inferior Luo Binghe, and he'd abandon his palace, leave his empire in disarray no matter how much Shen Yuan nagged at him to "take responsibility!"

He'd search for creatures and plants that went extinct after he so thoughtlessly united the realms. He'd find some, hidden away in small pockets of space, untouched by his sword. Some still thriving in hidden realms. And he'd hear as his husband excitedly tells him all there's to know about them. He'd cook and set an extra plate, let Shen Yuan guide him until he finally learned to play the guqin, an opportunity he was robbed of many years ago.

And one day, hidden from the world and greedy hands, he'd find a grove filled with thriving sun-moon dew mushrooms.

[ancientgoddessofegypt]

Astro Notes : Short N Sweet <3 Neptune's Revenge

Neptune 1st House - Popular energy. Very well known for their beautiful, majestic energy. Could have a lot of haters but admirers at the same time. Energetically sensitive to alot of others emotions. Sometimes, it can be a lil confusing holding so much power. Because their energy can be mixed up with someone elses if they don't know how to tell the difference. They usually have a strong sense of self, its just other peoples opinions can get in away of that if they arent careful.

Neptune 2nd House - Could use some help on the financial train. They're organic to the way they use their money. I mean, they could be super horrendous spender, spending each and every dime on any and everything. While still some how always having more in their wallet. Or they could be pretty good at saving and are a little bit of a cheapskate.

Neptune 3rd House - Whimsical voices. Poetic writers. Creative thinkers. Very talented when it comes to the hands as well. Could be excellent drawers & painters. Neptune in the 3rd has an ability to travel to very interesting places that aren't too far at home. They may go on lil adventures here and there. But its always a treat. Its kinda strange how well they can be at finding good eats as well with all the travel they do. Could work abroad or go to college somewhere out of their comfort zone a lil.

Neptune 4th House - Has a lot of secrets when it comes to the inner child. Very free, sweet loving children. Can open a door to different realms like we're in Narnia or something. Angelic creatures who enjoy alone time near their favorite place. If they ever share that special place with you consider yourself lucky. They normally keep the things they cherish hidden for a long time.

Neptune in the 5th House - Artists who seek deep into the art and become it. Very creative & a one of a kind with the way they carry the emotion in what it is they do. Can have you thinking hard on what it is they are trying to convey, they are a master at making complexities more harder to figure out. Just be there in the audience and watch the show. You'll never leave the same again.

Neptune in the 6th House - Fun loving pet owners, they go hard for the planet and the creatures that come from it. Real advocates for change and don't take too kindly to insensitive people. Could need to sharpen their boundaries a little more with people. Also, are incredible writers and should tap into this side a bit more. You might end up surprised with what talents you have that could make you some money, or could be a really cool job.

Neptune in the 7th House - Romance is the thing that just keeps on given to these individuals. May need to put the rose colored glasses down. that man might not be for you, love. Don't forget to put more time into your own needs versus the needs of someone else. Your compassionate energy may run dry if you're not using that waterfall of emotion for yourself. People are drawn to 7th house neptunes alot more than you think. They are capable of seeing thru the veil, you just don't notice.

Neptune in the 8th House - Psychologically understands the reasons on why the universe is the way that it is and why the people in it behave the way that we do. Could be honest about a lot of things, dishonest about what they know. The world doesn't need to know everything, which is why the divine gifted them with certain antidotes. Only they can use this so bring healing to a certain nation (or individual) but not everyone can find this secret the way they can. This is normally given to them by spirit guides, ancestors, or thru drreams.

Neptune in the 9th - Impracticality is almost their birth right. They see things in a way that doesnt make sense at all but to them it means something. What I mean is that these people see the world bigger than what they people tell them. They could have big drams and not understand why they have them, but God put them their for a reason. So you can figure them out. You may want to travel and study abroad, or just move somewhere different and don't know how. Thats where all the magic happens, finding out and taking the risk. The sagittarian way.

Neptune in the 10th - Majestic auras. The highlight of the moment. The star. The siren. The energy healer. Do I keep going? Very special creatures who touched this earth to make their dreams come true, even if they have to figure it out themselves. Empathetic to the people around them and are big on helping out with anything whenever they can. The Queens & Kings of the law of attraction. Can attract what they want if they just believe it in it more.

Neptune in the 11th House - Community leaders. Ancients who know they way to what the true reality is meant to be like. Literally can change the world with the way they move, think, and go around helping others. Sweet and lovely people to be around. Needs healing in their own friend groups. Can be a little out there, but thats why people love them.

Neptune in the 12th House - Practical minds in a world that tells them their crazy. No they arent crazy, they just have multiple psychic gifts. And these gifts have a way in showing them things people aren't usually equipped with handling. They need more time alone and in nature to keep themselves grounded. Other wise, they will go crazy from the world telling them that their crazy... When really they know a little more than what they led on. The imagination is a fun place, but also a place where the most hidden becomes entirely to open. Seers of the daylight & the night.

[this-charming-primevalmusic]

EXACTLY

one big thing i think people outside fandom (like, all fandoms, fandom in general, not any particular one) tend to misunderstand is they know it's a subculture of people who are weirdly deeply invested in fictional media, and they hear about drama caused by people in those subcultures being unhinged in not-fun ways, and they think the unhingedness comes from the fact of being overinvested in works of fiction.

which is a natural assumption, but in my experience that's not really the case? like in my experience the drama llamas in fandom are usually not the ones who are just genuinely very deeply into the fiction. i've known people who are basically thinking about star trek or x-men comics or supernatural pretty much 100% of their free time and ime that type of person is usually very nice and surprisingly functional in their regular life. when someone's a constant nexus of fandom drama it's usually not that they are obsessed with the actual work of fiction the fandom is about, it's at least one of the following:

what they're obsessed with is not the source material but their unhealthy parasocial relationships with one or more of the people who created it

what they're obsessed with is not the source material but some elaborate shared-universe subset of fanfic about it that's only barely related to the original at this point, and/or an esoteric reading-against-the-text reinterpretation of the source material (often if the canon is active and ongoing this leads to becoming actively hostile toward it for its inevitably increasing failure to conform to their preferred fanon)

what they're obsessed with is not the source material but the fandom itself and gathering clout within it, so that the source material basically only exists to them as a tool for scoring points in increasingly arcane fandom disputes

and very often you get the same person doing 2 and sometimes even all 3 of these, and that's where the trouble really starts

[loves4ge]

tattoo artist!au, cw: partial nudity, mdni

choso can feel his heart stutter in his chest, bumping against his ribcage. god, who just walked in? the pen he's using to draw in his tablet clatters to the ground, though he can't be bothered to pick it up because he is too busy staring at you.

oh, you, with your lovely little dress hitching near the middle of your thigh. strappy sandals and painted nails, you have him hooked. the parlor is dimly lit and smells of ink and paper and alcohol. the kind that's used for cleaning wounds and not the one that you get drunk on with your friends on friday nights. he doesn't even hear your words and you have to repeat them.

"sorry, what did you say?" he sounds out of breath despite not doing any physical exertion. and you grin, that smile would put the sun to shame.

"that's alright. i wanted to get a tattoo but i wasn't sure if you accepted walk-ins?" you trail off towards the end in an inquiring tone. you know that they don't. it's their pinned post on social media.

he does not accept walk-ins. "sure we do, what do you have in mind?"

your eyes brighten, grinning even wider, and choso thinks he might just die and go to heaven right now. he can't stop glancing at you when you show him the designs on your phone.

"where do you want it done?" he asks at the end, opening a blank page on his tablet to finalize a design. you can't help but observe him, leaning over the counter, hair in two twin ponytails and eyeliner done to perfection.

"i was thinking my hip? like if i wore a bikini, i want the tattoo to be partially obscured by the bikini bottoms." choso thinks he may as well have short-circuited with the speed his brain is malfunctioning. you notice his delayed response and almost cooed. he's shy.

this isn't the first time a client has asked for a tattoo in a risqué position, and he's never batted an eye at nudity either. but he's entirely unsure of himself when you strip down to your panties (you ended up taking off the short dress, though you did wear a cami underneath it), and he's thinking maybe he does have a problem with nudity after all (most people call this problem an erection, but choso's not that crude).

"you're gonna have to pull it aside, or i can cut it off." he doesn't specify which part, and now your eyes widen.

swallowing thickly, you ask, "what do you mean?" you know what he means, but you sort of hope he meant something else.

"the side of your underwear, we can just cut a slit—oh," he understands what his previous sentence sounded like when he sees your face contort into disbelief and then promptly dissolve into relief.

he doesn't look at you directly, "sorry, i don't know why i said that. it's, oh god, sorry to make you uncomfort—" he's cut off by your words of understanding.

"it's my fault really. i swear i'm not uncomfortable. really, choso." oh, the money he'd pay to hear his name leave your lips again.

"…if you say so. i'll use the scissors now, if that's okay?" you nod, smiling to encourage him. god knows he needs no encouragement to cut off your panties. there's silence in the parlor except for the sound of fabric being cut. he hands you a small towel to cover whatever you need to, but you just place it to the side. you know what you're doing. choso isn't sure if you're an angel or the devil.

he makes sure his ponytails aren't loose and puts on some nitrile gloves, black like his hair. you're wondering if you should break the silence, make some small talk, put the boy out of his misery, or just let the tension simmer.

"i really like the face tattoo thing you've got going on." he snaps up to look at you, then immediately reddens. his fingers hover above the black stripe across his face.

"yeah?"

"mhm." you lift your hand, thumbing his cheek where the tattoo ends. he's still the entire time.

you'd be the death of him.

with careful hands, he sanitizes the part of your hip where the tattoo would go on. he may have taken a little bit longer than usual, his fingertips pressing into your skin with the thin layer of an alcohol wipe acting as a barrier. your skin is soft, and he wants to grip your hips more actively. without the façade of a tattooist doing his job.

you're not feeling calm anymore, and in a sudden fit of unadvised decision-making, you grab choso's wrist (this choice was not peer-reviewed by your groupchat, but at the moment you find it in yourself that you don't really care). he startles but doesn't say anything.

"i'm nervous," you murmur. he instantly softens, melts, and reaches out to grab your shoulder in a sort of platonic 'i'm there for you' way. you're not planning to be platonic.

"that's alright lovely, everybody gets nervous before tattoos. it's more common than you think. would you like water?" his voice is soothing, and the way his lips move. you know what you need. you know what would calm you down.

"i know another way we can get rid of my nerves."

"mm, how so?"

"kiss me."

he almost chokes. he looks at your dead serious expression.

he is so fucked.

[xshadowdelta]

FORMER MANAGER

PART 3: Crazy.

Kim Chaewon x Male Reader (3.7k length)

The rays of sunlight streaming through the window and illuminating the bedroom made you wake up. You felt sleepy and tired, when you sat up in bed you noticed how all your muscles were feeling pain from the big effort that your whole body had made the night before.

A thin sheet covered the lower half of your body. From the waist up, you were completely naked, you could see some scratches and slight wounds on your arms. You assumed that your back was in worse condition, but you had no way to confirm it.

You got out of bed wearing some simple boxers, and as soon as you stood up, your legs wobbled. God, if only the night had ended in the shower, but no, Eunbi was not satisfied with just that, you both had to take the party back to bed, making that shower in something totally useless.

The owner of your thoughts burst into the room while you picked up your clothes scattered on the bedroom floor. Smiling, happy and unlike you without traces of consequences of the turbulent night experienced. Moving from side to side, in and out of the bathroom getting ready and getting dressed, making you seriously doubt how bad your physical condition was at that moment.

She came up to you, while you were still putting on your shoes to finish dressing, and placed a soft kiss on your forehead that made you raise your head and face her.

“Did you sleep well?”

“As much as I could.” You replied, standing next to her.

“It's not that I want to kick you out or anything, but I have work, you know?”

“Yeah of course, I understand, do you want me to take you?” She shook her head.

“My manager will come pick me up right away, don’t worry.” She approached you with a mischievous smile.

"And relax, I don't do anything with him that I did with you." She whispered in your ear, making you blush.

“Listen to me, last night was…”

“It was fantastic, but it was wrong and should not be repeated?” That made you frown. “I assumed you would say it, you told that to Yuri too, right?”

“Yes, but…”

“Now you listen to me.” She interrupted you again. “There was nothing wrong with what we did. I wanted it, you wanted it and we both enjoyed it, no problem except that you're too cute to be around girls like us.”

You sighed tiredly, you knew that when she got into that mood there was no person or argument in the world that would make her change her mind, stubbornness typical of a leader.

"Besides if it really pricks your conscience and you think it was that bad..." She took a few steps in your direction. “Next time, I'm sure you'll resist…” She whispered, touching your lips in a sensual kiss.

And you were weak, extremely weak and helpful, very helpful, you were always there to satisfy whatever your girls needed, and it doesn't seem like you were going to make exceptions now.

“Can I at least trust that no one will know about this?”

“It is my career as an idol that is at stake, of course no one will know… no one from the outside at least…”

"What do you mean?"

“Well…” She whirled around playfully. “Girls may already know.”

“NOONA!”

This situation only became more and more complicated, you had to stop all of this immediately because it was no longer just your job that was at stake, now the girls' professional careers as well.

Your fear was no longer being discovered by someone from the company but by someone from the press. You hadn't been in the industry for many years, but you knew perfectly how it worked. Scandals like this one have destroyed other idols in the past.

On the other hand, idols relationships were practically an open secret, they were still human, and despite having to act with special caution regarding some specific topics, they should not deprive themselves about anything.

The sound of your phone chased away all those thoughts, the light was constantly flashing, a sign that you had a new message. Strange since due to the short time you had been in the country, very few people had your contact beyond the staff of your company, and that was your day off.

You unlocked it and were surprised to read, 'Kim Chaewon sent you a new message.' True, the night before you had exchanged contacts with the girls.

'Good morning oppa! I remembered that today you had the day off, I need your help with some things, can you help me please? I'll wait for you.’

Along with the message, she shared a location, which after opening with the map application on your phone, you discovered that it was the Hybe building. You felt a sudden pressure. It is really okay for you to go there?

However, you didn't take long to respond to her message, 'On my way.' You were too helpful when it came to these girls.

“And this is where all the magic happens.” You laughed when you heard that phrase when she opened the door to the LE SSERAFIM practice room, after giving you a short tour of the building.

“It's like three times bigger than it was years ago.” You talked to yourself by observing everything around you.

“What can I say? I'm a superstar." She said with superiority, shaking the dust off her shoulders.

“Whatever you say, Miss Superstar.” You scoffed. “Well, what was that I had to help you with?”

"Personal opinion." She said cheerfully clasping her hands together. You stared at her, somewhat confused.

“In a couple of days, we will release a new comeback, everything is ready: the album, photobook, b-sides, performances, and stages. But I would like to have an honest opinion from someone outside before I start promoting.” She explained sitting on the couch.

"I see…"

She pointed, lightly tapping with her hand, to the spot on the sofa that was free next to her. You sat in there, and she lent you her mobile phone, where she played the unreleased MV of her new song. You watched it, paying attention to all the possible details, although somewhat overwhelmed, because Chaewon practically above you, inches away, kept an eye on your reactions.

“And?” She asked somewhat anxiously once you were done with the visualization.

“It's...different, but it definitely has its addictive point.

"What about me?"

"You? Impeccable as always, Chaewon.”

“Oppa please, you must be more critical, otherwise I won't be able to improve.” She said this, throwing a small tantrum.

“Chaewon, I don't understand anything about music production, dance, or anything like that. I can only speak to you as a fan, and I really like what I've seen here.”

You watched her puff out her cheeks adorably, snatching the electronic device from your hands with a huff of annoyance as she was typing something.

"What are you doing?" You asked, but the only answer you got was how she stacked the phone screen over your face. You pulled back a bit, so your eyes could focus on what she was showing you now.

“Now, look at this.” She said it, still with an annoyed tone in her voice.

You picked up the phone again, it was a fancam, focused solely on Chaewon, from one of the songs she had previously promoted. You pressed the play button and started watching the video.

Right away, you recognized the song, it was good, and you liked it enough to have had it on loop at the moment it came out. But it had one small bad part, the choreography. Seeing in certain seconds how Chaewon shook her butt to the rhythm of the music while she looked intensely at you was definitely uncomfortable.

You looked away just as that part came, but you instantly felt a stab of pain in your arm. You looked over at Chaewon, who was pinching the skin on your arm.

“Don't stop looking.” She recriminated. You knew what her temper was like and that it was best to obey her, so your eyes returned to the screen.

“What do you think?” Her voice now left her mouth in a whisper, moving closer to you. You didn't answer, you were trying to find the right answer.

“My ass is also addictive, right?” She whispered next to your ear, her hand was starting to rub over your pants, right in your crotch area.

"Chaewon, what are you doing?" You asked, tense, without looking away from the video, totally hypnotized.

“I worked really hard for that performance…” Her hand slipped directly under your pants, freeing your slightly hard penis.

“C-C-Chaewon…”

"Shhh, just enjoy my fancam, oppa." She placed a kiss on your cheek before starting to massage your cock.

You let out a moan, noticing how your cock throbbed and grew bigger and bigger under her small hand until it reached its maximum size, making her exclaim a moan of surprise.

“Oppa, you are huge!” She commented, biting your earlobe as her hand ran up and down the length of your cock at a sensual but damn slow pace.

"Fuck Chaewon, it's your ass that's huge." The girl smiled as she saw how you couldn't take your eyes off the video.

She suddenly increased the pace of masturbation when the video ended, and she reached out her hand to press the play button again, but you were faster and went ahead of her, causing her to giggle.

"Impatient."

“Capricious.” Both of you were looking each other, lost into those eyes that seemed to speak to you, and without a single word you understood each other, joining your lips in a rough and wild kiss.

Her other hand moved to your balls, playing with them, which seemed to have regained their full capacity after the long night that Eunbi had subjected them to. Even you yourself were surprised by it.

You observed the expression on her face once you separated from her, she still had her eyes closed and a satisfied smile on her lips. Now, with both hands around your huge shaft, stroking it non-stop, trying to squeeze you out.

She got on her knees on her spot on the couch, crouching over your lap, bringing her face closer to your penis to give your tip a shy lick. Another moan left your mouth, which was joined by a set of them when her hand went up in an agonizing manner by the length of your cock, almost closing over your tip, that was already dripping with pre-seminal fluid, which was licked off by Chaewon's tongue.

You held the Smartphone with one hand to direct your free hand to her ass, which stood out as she was in that position. Massaging for a while and giving her a hard spank that echoed throughout the practice room.

As a result, Chaewon's movements became more frantic, with her hands completely wrapping the length of your cock, rubbing as much as she could while your moans accompanied the rhythm.

The video ended again and stayed with the image of the thumbnail with Chaewon's face as a screensaver. She moved your hand that was holding the device and brought it over your cock, giving you a few harder strokes, making you cum and letting out a stream of cum on her face projected on the screen.

“Fuck Chaewon…that was intense.” You said, breathing heavily with your eyes closed, catching your breath.

You felt her move on the sofa, snatching the phone, now sticky and slippery, from your hands. Given that, you opened your eyes to see her straddling over your lap. Her eyes were radiating lust and desire.

She showed you again how her face, in the image of that fancam, was completely covered by your cum, and she gave the screen of her Smartphone a sensual and slow lick, cleaning it and absorbing every drop of cum on it.

Witnessing that scene was super hot, like the atmosphere that had become around you in that room. Chaewon grabbed her small bag on the couch, took something out of it, and threw it away along with the cell phone. She showed you the condom she had taken out of the bag, and your heart pounded.

“Are we safe here?” You asked, realizing the place you were in. Damn, you were going to fuck Chaewon in the fucking Hybe building, you had lost your mind.

“I got the practice room for myself today, there are no security cameras here.” She whispered against your lips.

“What about that one?” You pointed your head to the area where there was a pile of technological elements, among which was a small recording camera with a tripod that they used to record themselves and later analyze their failures and things to improve.

“Do you want us to record what is about to happen?” And as much as you would have liked to, plus the curiosity that filming that would give you, you shook your head.

"Maybe next time."

Next time? Of course, because you were already sure there would be a next time. You didn't know if it would be with Chaewon, Eunbi, Yuri or who else would join this game. Because you had to be stupid not to realize that this was more than planned by all of them, it seemed like some kind of internal competition, and you were the prize.

Even trying to deny yourself with all your might, the part of your brain that was dedicated to controlling your impulses and emotions had completely lost control in a matter of less than one fucking day. Now your devilish part controls you, behaving like an animal in heat. Regardless of the consequences, the only thing that ran through your mind was giving Chaewon the best orgasm of her life.

The girl with short hair opened the condom wrapper and placed it around your erect cock, then she stood on the couch to pull down her leggings, exposing that butt that you had admired so much minutes ago.

Your hands quickly traveled to her buttocks, massaging and worshiping them. She was still standing on the couch, sighing at your touch, while she took off her shirt, and you took the opportunity to fill her belly with kisses.

She grabbed your face with both hands, forcing you to look up and meet her gaze. You brought your hands to her hips, and she began to descend slightly, taking your cock in her hand and aligning it with the entrance to her pussy.

You stared at each other without blinking during those seconds that seemed eternal. The tip of your cock collided with her pussy, beginning to penetrate it, drawing a moan from Chaewon.

You caressed her hips, her arms, and her back as she stayed in that position. You moved closer to kiss her lips, softly and lovingly.

"Ready?"

She nodded, dropping onto your lap, making her pussy take in the entirety of your cock in one fell swoop. She screamed, leaning against your chest, and you completely surrounded her with your arms, hugging her.

When she got used to having your huge penis inside her, she separated herself a few centimeters, starting to move, acquiring a slow rhythm at first but accelerating as time went by.

Chaewon was now jumping on your cock with strength and energy. You could feel your cock reaching her stomach on every decent, and you helped her go even deeper.

Her moans transformed into screams of passion. She was being filled by you with every thrust, and it seemed to not be enough for her, she was totally intoxicated by lust and was letting herself be carried away by pleasure.

The sounds of your bodies colliding together, along with your moans, destroyed any kind of silence there might be in that room. Soon, the festival of lascivious sounds would be joined by the palm of your hand hitting her buttocks and her desperate screams begging for more.

“Please, oppa, make my ass hurt, it deserves to receive a beating.” At this point, her butt was already red, but you just wanted to fulfill her wish, and you spanked her harder.

"You're still my bratty girl, I can't deny you anything." You said, intertwining the fingers of your hands with hers.

She gritted her teeth tightly, once again burying your cock directly into her womb, a trail of saliva beginning to leak from her mouth.

"Oppa, your bratty girl wants to cum!" She screamed, raising her hips in a desperate attempt to reach orgasm.

“Hold on just a little longer, Chaewon, do it for oppa.” You moaned, grabbing her hips and moving yours at a strong pace, pounding her pussy like an animal, causing her eyes to turn white.

“OH MY GOD, OPPA!” Her entire body trembled because of your thrusts.

The rudeness that this whole situation was taking was slipping out of your hands, the sweet and pretty Kim Chaewon that you once knew was now just a piece of meat that you were being used for your own enjoyment.

You hugged her again, pressing her against your body, hers continued to rise and fall constantly, touching your lips every moment. Tears and sobs began to come out of the girl's eyes and mouth. You kissed her sweetly and she reciprocated immediately.

“You did very well Chaewon, let's get you that orgasm…” You said, thrusting into her again with all your strength.

Her body reacted to your moves and fought against yours, it practically seemed like a fight in which neither of you wanted to give in and the first to cum would lose.

A naughty finger traveled to her ass, entering into her small hole making her open her mouth muffling a squeal, now that finger was going in and out of her ass at the same time that your cock was doing the same movement in her pussy.

Chaewon gripped the sofa, placing her hands on either side of your head, her body was already moving by inertia and instinct, her brain had long been overwhelmed by excess pleasure.

She lay on your chest crying, yelling a few insults at you and giving in to the pleasure, curving her back and letting out a large stream of fluids from her pussy.

Her body trembled against yours, which is why you hugged her, caressing her hair, trying to calm her down. Even without being fully recovered, she looked for your member with her hands, found it and took off the condom to masturbate you again.

You lifted her chin with your hand, kissing her again while her grip grew stronger as she regained energy, stroking your cock more and more roughly until you too succumbed and let out another large load of semen that spread across the sofa and part of the floor of the practice room that Chaewon did not hesitate to lick and clean immediately.

Once she left everything clean and swallowed your cum, she climbed back onto your lap, resting there for a while.

“I love being oppa's spoiled girl.” She closed her eyes, guiding one of your hands to her cheek so you could caress it.

“You all girls are.” You said, causing her to open her eyes and look at you angrily.

"I do more!" That made you laugh.

“Hmm, I think I had Wonyoung more spoiled than I had you.” She sat up angrily, making you laugh harder, you kissed her again, trying to calm her down.

“I'm the best for oppa.” She said between kisses surrounding your neck.

Suddenly, knocks were heard at the door of the room, making both of you jump in your seats in surprise and fear.

“Chaewon unnie!” was heard from the other side of the door. Chaewon jumped off the couch, recognizing that voice.

“Kazuha?”

Both of you dressed as quickly as you could, fixing your entire appearance, trying to hide what had happened there. You hid the used condom, and Chaewon sprayed some fragrance around the room to camouflage the smell of sex.

Still fixing her hair, Chaewon opened the door, seeing her member.

“What are you doing here, Zuha? Did something happen?” The leader asked with some concern.

“Our dance trainer said she wanted to discuss something last minute with you, before starting promotions for the new album, so she asked me to come to notify you.” Chaewon sighed in relief for a moment until she remembered that you were still there with her.

"Unnie, who is he?" The japanese girl asked, entering the room and looking at you.

"Oh! He's an old friend of mine, we were just having a little chat." She lied, trying to sound as real as possible.

“But I guess we should continue this talk in another time, it looks like you have a job to do now.” You commented without ignoring the fact that Kazuha still didn't look away from you.

“I guess so.” Chaewon sighed tiredly. “Okay oppa, we'll be in touch, okay? See you." She said goodbye with her hand, leaving the room.

You saw how she disappeared, and you thought it was time to leave too, you bowed to Kazuha and she responded in the same way, and you headed for the exit.

“Can I ask you something?” Kazuha's voice stopped you instantly.

"Sure, what do you need?" You asked, turning to look at her.

“Old friend means you are Chaewon unnie’s boyfriend?” You blushed at that question because of how no hesitation she had in asking that.

“No, no, we're just friends, for real.” A cute smile forms on her face.

"Then…"

Your eyes almost popped out of their sockets, and your face was totally flushed at her request. Had you heard wrong?

“Excuse me, but can you repeat that?”

The girl also blushed and looked embarrassed at the practice room floor before whispering again.

“Can you have sex with me the same way you did with Chaewon unnie?”

[affableramen]

them apologising for calling you bad names

hurt/comfort, established relationships

(Pantalone, Wriothesley, Neuvillette, Tartaglia, Capitano, Alhaitham, Dottore, Dainsleif, Baizhu)

Pantalone

You avoid him for the rest of the day but eventually in the bed time Pantalone meets you. He enters the bedroom with a grave expression in his eyes, eyeing you sit there on the bed with a book in your hands. Distracting, he thinks, she is distracting herself. 

“You know I didn't utter those words seriously”, Pantalone says, omitting the usual ‘darling’ on his lips. You roll your eyes and shake your head dismissively, showing him apparent unwillingness to chat over the issue any longer.

“Say”, Pantalone leans to the door, his fingers, at this moment of time, bare, scratching the roof edges of his antiquated mansion wall, “Are you deeply offended by my comment? It is but something… trivial.” Seeing no reaction from you Pantalone slowly makes his way to the bed and sits down, his body making an impact to the mattress, that being gently pressed on.

“I should have held my tongue.”

“Your tongue is poisonous”, you say abruptly. Upon hearing this, Pantalone reaches his hand to your hand and takes it in his. 

“Hear me out… Please, darling, I would never honestly speak so ill-mannered of you. It was out of stress. You are not… pathetic. Never have been.”

“Mhm. How about ‘brat’? How about ‘loving me only because I provide for the family?’” 

Pantalone closes his eyes and shakes his head. You can see how his own words inflicted upon you sting. 

“Nonsense! Not a single word I spoke then was truthful.”

“Pantalone, if I ever made you doubt my affections, please do let me know.”

You abruptly put your book on the bedside table and switch the lights off. 

Wriothesley

“Why do you keep insisting on these things? You think I don’t know them?”

“I think you’re simply less educated than me. You should understand, Y/N that in some aspects you may be less intelligent. Stupid even.”

“Less intelligent! Stupid!” 

Wriothesley covers his face and bites his own lip when he realises what unruly language he just used. 

“I didn't mean that-”

“That I’m stupid?” Your patience blows up and you decisively start strutting to the exit door of his office.

“I didn't mean to sound that harshly!” Desperately Wriothesley follows; but to no avail. You already shut your door before his nose.

A few hours after Wriothesley finds you in your two’s favourite café, of course it would be the place where you’d go to reflect on your irritation. 

“Here, your favourites”, he puts the bouquet of vivid red flowers on top of the coffee table, next to your hand, and does it with such carefulness of behaviour you would least expect from him.

You look at him, facing Wriothesley’s eyes at last and as if having your thoughts read the duke says with regret:

“And sorry.”

You take a look at the flowers, your fingers caressing the petals.

“Okay”, you respond quietly. Wriothesley receives approval from you and takes a seat, his attitude nothing but amiable, a far cry from his roughness in the morning.

Neuvillette

“I told you that some matters I unfortunately, willing or not, have to solve on my own. There is no place for you in some of my business, because you’re just one weak-” Neuvillette holds his tongue, realising how personally offensive the words he said sounded. How villainous he suddenly appeared before you.

“Human? Yeah, I know. But me being human doesn't mean I can’t think and analyse, and there’s no way I’d approve the responsibility you’re about to take on yourself. I strictly dissgree.”

“Strictly disagree?” Neuvillette does not believe his ears, for you had always been a quiet amd obedient one, quite agreeable and supportive of his opinions. Yet this time you could not stay silent, seeing how your precious husband puts himself in danger for the hundredth time.

“You are to not take on that mission, are we clear, Neuvillette? And I am not weak, neither am I dumb or uninformed.”

In awe, Neuvillette stands there, looking at you. At last he takes one careful step closer, his hand in his hair, pulling it back as he’s thinking on something with raw intensity.

“If my wife is ready to convince me so much to not do something, if she finds my impulses false, then I will do my best to refrain. Knowing how worried you might be for me, perhaps it would be wise to reject the mission first and utmost.”

You nod, your face grave, uninterested as you turn away from him and walk out of his office. Only then Neuvillette stops you, his wrist tightly on yours. 

“Please, beloved, if you could forgive me for my poor choice of words and underestimating your judgment.”

“It doesn't happen first time, Neuvillette, for being a dragon sovereign makes you incredibly stiff to perceiving others’ opinions. But I’m glad if you do truly believe me now.”

“I do. Please, don't stay furious and frustrated for long.” 

You finally smile, forgiving your dragon husband as you make haste to leave the court, otherwise dramatic Fontainian society that loves gossiping and tragedy so much, will turn your little banter into a lavish scandal.

Tartaglia

“Peanut, I just said that you can’t fight as hard as I do, I didn't mean it in a bad way.”

“Of course, Ajax. You meant it in the way ‘I’m the coolest, and you are inferior’.”

“No, no, no. It’s a misunderstanding! Hear me out, babygirl…” Tartaglia gently grips the both of your shoulders and stares intimately into your eyes.

“I just wanted… You know, I just meant…” he blushes crazily and his expression radiates sheer embarrassment as he tries to seek excuse to explain himself. “I, uhh… Consider myself a great fighter, and you are exceptionally good, too…”

“Exceptionally good?” 

“Absolutely exceptionally good, babygirl. But I am simply worried, okay? I’m scared”, he rubs your shoulders up and down, as if trying to comfort you, but in honesty it rather comforts himself. “I don’t want you hurt. So you better stay home. Training.”

“Training only, nice. I will never fight real enemies if I am constantly kept hostage in Fatui training camp.”

“You’re just… so fragile. You know what I mean?”

“Uhuh. The Eleventh considers me a weakling. Nice discovery, if you weren't my boyfriend”, you free yourself from his grasp and go about the narrow long corridor of headquarters. “I thought you would trust in me and my power a tiny bit more.”

Ajax follows you immediately, his steps agile and steady as his hand gently takes yours.

“You may come with me next time. But tomorrow, I want you safe. Okay? And please… I’d never call you weak… Never.”

“Mm…” you gently caress his gloved hand with your thumb, almost failing to see him in the dim light, but feeling his erratic breath caused by quick talking.

Capitano

“I can’t let you do this, woman. You are acting immature. You have always been a bit naïve, but this is where you should start obeying me”, Capitano says with a harsh, yet genteel aura around him.

“And my love for you, Capitano, is also naïve?”

At that moment Capitano drops his expressionless, emotionless act and looks at you with horrified glint in his eyes. He wants to comfort you, to apologise for his words but realises that was once said cannot be taken back. Oh how he wishes he would hold his tongue for a little while longer!

“I didn't mean that, woman. You know that I would never-”

He shuts his eyes for a second, a storm of overwhelming thoughts crosses his mind over and over while you are standing before him, patiently waiting for an answer and expecting your husband to provide you with a proper one.

“You are weak… no not weak; you are frail. You need protection. And I want to protect you, but I may not be able to do it in Natlan. Not when I am wounded myself.”

“Oh, believe me, Capitano, I can and will protect myself. And you know what, big guy? I don't even need your permission to come with you anymore. You will accept me, because I am your wife, and I will be by your side. Especially, when you are wounded.”

Capitano raises his hand to caress your cheek with his knuckles, light-weight.

“You are going to get yourself in trouble, love.”

“I know my limits, and I can clearly see that my husband needs me, even though he won't ever admit it.”

The raven-haired tall gracious man with impeccably sharp aura around him speaks with emotion:

“But if you get hurt, I won’t ever be able to forgive myself.”

You stand on your tiptoes and cup his cheeks.

“Oh, Capitano, I will take care of myself just to spare you the trouble.”

Dottore

“You’re a dork, I don’t even have pity for your stupidity. You got this chemical burn deserved.”

“Said who? You’re the one treating it right now, Doctor”, you respond with a tiny smug smirk, watching how carefully and gently Dottore is working on your palm. The burn is not too big, but painful enough to prevent you from completing your tasks for today.

Dottore reveals his teeth, groaning at you, his self highly dissatisfied and frustrated. He smoothly applies a herbal-smelling ointment and covers your hand with tight bandages.

“I insist you staying home tomorrow. I will speak with Pierro and describe him the accident.”

“Surely you don't have to go to such lengths for me only, Dottore. You know, I could speak with the Jester myself.”

Dottore stabs the knife with which he had been cutting the bandages, into the desk.

“NO, he won’t even speak to you. He is very uneasy to find”, he lets out a long held sigh. “Besides, brat, I think I made it clear you need to rest at home.” He glares at you with his poisonous ruby eyes. “Primarily, in your bed.”

“If the doctor says so”, you shrug, too exhausted to argue and too grateful for his help to deny him of this small favour. “I do not mind staying in my bed for a little while.”

Once the treatment has come to an end, Dottore once again checks your hand; quickly, lightly, without a single unnecessary touch or glance. 

“Sorry for calling you a dork. I didn't mean it wholeheartedly”, he clears throat. “Though I still think your ass is highly careless.”

“I will work on it, hopefully my curiosity doesn't lead me to any other injuries”, you wave to him upon leaving the lab. “Can’t have my doctor worry too much.”

“Remember to look closer what you touch in my lab next time, silly creature.”

Dainsleif

“I think you’re forgetting how difficult it is to fight Abyss alone. I can’t believe you disobeyed me again and went seeking for abyssal hounds. This is infuriating, Y/N. I have never seen a woman act so stupidly and rashly before”, Dainsleif says roughly, through gritted teeth. His expression is grave and ominous.

“I feel strong desire to take your Vision away and lock you home until you learn to respect my rules.”

“Your ‘rules’?” You raise your eyebrow, looking at Dainsleif no less infuriated and frustrated than he is currently. “You think if you’re older than me, I have to act like your little puppet on strings who does everything that is ordered? Hell no, Dainsleif. We won’t have it this way.”

“FOOL!” He yells, his arm grabbing you tightly and pressing you against a wall. “You could have gotten yourself killed! You could have been hurt! You don’t know the thoughts running through my mind when I imagine you hurt; I want to burn the whole world for you.”

“Let me go, Dain. Please, this is uncalled for, you know that, right?” As you gently ask him Dainsleif slowly, but hesitantly releases your arm and takes a step back, closing his hands behind his back.

“I ask you once again to refrain from getting yourself harmed by the hand of Abyss.”

“Did you just call me a fool? I thought you were better than that.”

“For that ruthless language, I apologise. However I need your obedience when it comes to survival matters.”

Slowly, you walk over to look into Dainsleif’s eyes.

“I understand your tragedy wholeheartedly and I sincerely respect your wish to protect me, but you need to understand that my fighting skills are not low anymore, I can be efficient and agile.”

Dainsleif’s head hangs down, you see that he is contemplating something in the depth of his heart.

“I see”, his hand reaches out to you, even though he is not looking in your direction. Dainself intertwines his fingers with yours and speaks, much quieter and softer words:

“I’m sorry for calling you a fool. That was uncalled for”, his hand gives you a light but worried squeeze. “Just… be careful, Y/N.”

Alhaitham 

“You’re acting like a child. Your opinions are too dreamy, irrational and irrelevant”, Alhaitham speaks briefly as he opens his book and hides his sharp gaze somewhere in the middle of the paragraphs.

Having acknowledged his disregard to you with pain in your heart you throw your arms around and ask him with bright feeling which is contradicting his own manner of speaking.

“Speak about irrelevance! You are the embodiment of irrationality yourself, for guilting me into thinking that you actually care for me.”

Alhaitham stays still for a moment but a tense squeeze he gives the book in his fingers raises even more contradictory emotions between you. 

“I knew you are a difficult person to get intimately acquainted with, but your actions proved that you had at least a bit of attraction towards me. If not, then your choice of words and manner of speaking to personally me was too extreme. If not, and you are dreaded by the mere thought of me being intimately honest with you, spit it out. I don’t want you to play the romance where it no really belongs. I don’t want you to like me out of pity.”

“But I don’t”, Alhaitham finally closes the book and removes from his seat. “Your opinions and decisions make me question whether or not we are compatible enough.”

“That is because you are thinking too rationally.”

“And you are thinking too irrationally.”

“You were the one to touch my hand and hug me in a very personal way. And if I am not mistaken, you are the man who never touches anyone and is dreaded by a mere thought of being pulled out from your serenity.”

Alhaitham then shivers slightly, his body mannerisms betraying distress and frustration that is not by a long shot defined in his eyes. 

“I’m sorry for calling you these words. These are bad words, I should not be disrespecting you so”, he looks away, giving his lip a strong bite whereas finally giving you a relief: “I always thought and I still think that you are a perfect companion for me, but our opinions are very unlike.”

“So you think two people cannot get accustomed to living with each other if they have different choice of words or thinking! Alhaitham, this is laughable.”

“The only laughable thing right now is that I desperately want to hug you”, without further hesitation he pulls you into his arms, an embrace filled with warmth and dedication, while his fingers gently stroke your back. “I apologise, my love.”

Baizhu

“You are being too nosy and impatient, sweetheart. I asked you to not ask me specifics of my contracts and yet here you are - interrogating me like some sort of criminal. I am feeling pressured and most frustrated!” He throws his arms around. “Darling, if you could give me some space, I would finish what I started with no further delay.”

“Am I violating your space by simply caring for your well-being? Baizhu, your contract has gone way too far; your help to people robs you of your own happiness, can you not see it?”

“I will be most contented if you simply leave me to finish my work. I would be happy if you simply encouraged me, but I’d be even more grateful if you stopped asking me so many questions.”

You know perfectly well what it’s like to sacrifice yourself for other people’s sake however you could not any longer bear seeing your love life being disrupted by Baizhu constantly feeling sick and suffering. You want nothing more than him to feel safe, secure and well, but instead this curious pharmacist only risks more and more his life in exchange of knowledge and improvement.

Though, Baizhu did recognise your words as a simple statement of care, he only admitted it in a few days. While you were helping him sort his things out in the pharmacy, Baizhu dropped his formal act and gently touched your hand.

“Darling?”

You stopped sorting at once when you heard what he declared:

“I’m sorry, I was so rude to you speaking about my health.”

You turn to face him and notice the sincerest apology in his snake eyes.

“I just wish you’d understand that my worry for you is not intended to make you uncomfortable or distressed.”

“I do understand it now. I will try my best to not bring you suffering from seeing me suffer. I cannot reject what I had started, but I will seek ways to heal both me and you from this torture.”

The gentle confession ends with Baizhu rubbing his thumb against the top of your hand. 

[ariel26c]

🎀Things I’ve learned about Shifting 🎀

1. Background noise doesn’t matter. I come from a Hispanic family household and let me tell you hun it’s freaking loud as hell. It’s like a zoo lol but guess what? I still shifted. At some point you will start to feel your CR kinda “fade away”. I have been in this state where I am in between my CR and DR. I can hear background noise from my CR but I still feel like I’m in a different room or I hear sounds from my DR as well. Has anyone experienced this?? Let me know, I’m curious 🤨

2. Have patience. Allow yourself to relax and naturally connect to your DR. Don’t stress about having random thoughts or having an itch or things like that. Have patience with yourself like seriously you got this babe. Sometimes for me it’s feels like it’s takes 1 or 2 hours until I feel fully connected to my DR. (It’s different for everyone btw) you may take less time than I do. Those things don’t matter if you decide that those things don’t matter.

3. Methods really aren’t needed. If you think about it all methods consist of the same thing usually. It usually consists of affirmations, visualization, subliminal audios, meditation, counting, blah blah blah. If you want to use a method, then do that but don’t force yourself to do a method that doesn’t resonate with you. If you don’t like counting, then don’t count. If you don’t like visualizing, then don’t visualize. Change things up a bit and listen to music that reminds you of your DR or do something that you think is fun.

4. Just because some people like to lie about their shifting experiences doesn’t mean that shifting is fake. Just like in every community there is going to be people that are dishonest or don’t have the best intentions but that doesn’t mean that shifting is a big inside joke. Don’t allow these people to discourage you from shifting to your DR or make you doubt in its existence. Don’t depend on other people's content to feel motivated or believe in shifting. Just KNOW it’s real and motivate yourself to shift. (even though motivation isn’t needed to shift)

5. Shifting is Real. I think we all should know this by now, but I don’t think people really fully understand just how REAL shifting is. I mean you are going to be able to use all of your senses. You will be able to taste food, see your reflection in the mirror, talk to people that may be considered as fictional in this reality, etc. The process of shifting is safe but if you are shifting somewhere that has violence or gore make sure you script your own well-being. High pain tolerance, no trauma, etc.

6. Time isn't important. Just because it's been 4 years or 5 doesn't mean you can't do it. Time doesn't apply to shifting because time is just man-made thing. We created the concept of time not the Universe. Don't blame the Universe for your "Failure". (Spoiler alert: it's not failure) You just need to realize that no matter what, it will happen. It is completely inevitable. Some people have shifted after 5 years so don't give up! It will be worth it.

7. You can't fail at shifting. When you do your method, you will shift to your DR or shift to your CR. You shift all the time. We are constantly shifting consciously or unconsciously. Manifestation and shifting are very much closely related. (But that's another discussion for another time) Just like how we are manifesting on autopilot we are also shifting on autopilot. So, when you do a sleep method, and you wake up in this reality instead of your DR you still shifted. (Just not to your DR) (Get it?)

I hope you found this post helpful! :)

[lgbtlunaverse]

This page from the adventurer's bible makes me want to cry

Like basically any neurodivergent dungeon meshi fan, I see a lot of myself in the Touden siblings. But I was blindsided by just how much I suddenly related to Falin in this little comic from the adventure bible's complete version.

It's about the Touden siblings' differing relationships with their parents, and why Laios still holds their treatment of Falin against them, while Falin herself doesn't.

We know that Falin was isolated and ostraziced by their village after she saved Laios from a ghost, displaying her uncanny affinity for magic. Her parents, instead of defending her, sent her away, which angered Laios so much he ran way himself before Falin even left for magic school, hoping to make a living so he and Falin could live together alone.

He tells Marcile this, but when she goes to Falin, she says she sees things differently. Her father sent her to magic school to protect her form the rest of the village without having to cause a conflict. He didn't explain that, and we actually see her burst into tears when he says it.

But, well... Laios was gone for a year before Falin went to magic school, and everyone else in the village avoided her. The understanding Falin has with her parents to me looks like one borne out of necessity, she literally didn't have anyone else to talk to.

And this is where we get to the page that made me want to cry

Like I said, I relate to the Toudens because I'm neurodivergent myself. that feeling of suddenly realizing you're disliked, but not knowing what you did wrong or what you should have done instead? Yeah... that's one I recognize.

When I was around 9 years old, the same age Falin is in this comic, a bunch of kids in my class decided to make a "game" where you lost if you touched me. It was basically the 'cheese-touch' from diary of a wimpy kid, except I always had it and couldn't pass it along. They'd pretend I was poisonous or disgusting and run away from me screaming or gagging. The point was to make fun of me. But my autistic little 9 year old ass thought "Oh I get it! It's tag but I'm always it!" So I... played along. Running at a boy and having him fall on the ground screaming in fake pain because you tapped him is, in isolation, pretty funny.

It wasn't until months into the "game" that I realized it was meant to be meanspirited. That the reason I was the one who was always 'it' wasn't an arbritrary rule but the whole point. Because I was weird and gross. I wasn't in on the joke, I was the punchline.

Falin may have come to understand her parents' intentions, but she didn't always. The adventure bible actually tells us that she at first didn't even notice that the rest of their village disliked her. She clearly knows now, but she had to be told. So when her mom tried to exorcise her, she just saw it as an activity she got to do with a mother she usually didn't get to spend much time with because of her poor health. It's only Laios who notices something is wrong.

(Sidenote, Laios being hyper-aware of people's poor attitudes towards Falin but completely blindsided when he's in the same spot, like with Toshiro, is also very relatable as an eldest sibling)

It probably also took Falin months, until after her brother had left and she had no one but her parents, to realize why her mother had been doing all those things.

And I know they're not the same. Even misguidedly, Falin's mom was trying to help her, not make fun of her like those boys in my class. (Though, as a queer person who also cares a lot about the queercoding in Falin's storyline, a parent trying to 'exorcise' their child of a fundamental part of them the parent thinks is evil or corruptive? yeah... that's not perfectly wholesome)

But do you know what I did, when I finally figured out the game was always meant to make fun of me?

To me, it looked like I had a choice.

See, those boys eventually figured out I didn't understand that they were being mean to me. I'd laugh every time I managed to catch one of them, I was visibly having fun. And while it no doubt only made me more of a weirdo in their eyes, they never informed me that I shouldn't be enjoying myself. That the point was for me to feel hurt.

So now that I did know, I had a choice. I could either get upset, and let the insult land as it was supposed to. That wouldn't stop them, because making fun of me was the original goal. Or I could ignore it and go on as usual. They had already accepted that I didn't get it, and they weren't gona stop me from having fun, so why should I?

And the thing is that I had... one friend, in that whole class. One person who actually liked talking to me and hanging out with me. I was lonely. And the 'game' provided me with another social interaction, mean-spirited as it was, that I desperately needed. And it was so delightfully simple. Navigating actual friendships as a kid with autism and adhd was so fucking complicated, and I'd never know when I might break an inivisble rule. But I knew the rules to the game perfectly!

Sometimes, if I was chasing one of them, the others would trap him and hold him down so I could tap him. In those moments it actually did kind of feel like I was playing with them, rather than against them. And it didn't change much, they didnt start actually liking me. But they were willing to roll with the fact that I wasn't upset, and I took advantage of that because I needed to.

So you can look at Falin seeing the best in her parents as her being naïve, but I look at this page and I see myself, at first unable to differentiate between playing and being made fun of. And then later, when I did see the difference, deciding not to get mad about it because that'd mean losing that social interaction, and I couldn't afford to.

Like I said, Falin probably first realized this in the year she spent with her brother gone, and everyone else avoiding her like the plague. If she refused to talk to her parents, like Laios did, she'd have no one left.

I see a lot of people relating to the fight between Laios and Toshiro. that frustration when you realize someone you thougth was your friend actually hates you, and they never said anything, never gave you a chance to fix it because you had no idea that you were even doing something wrong! And I can see that, too. But sometimes, when people don't fully hate you, it feels better to go along with the pretending. Because adressing it won't fix it. Because the problem isn't a specific behaviour, it's you. And if they're willing to tolerate you, despite the fact that it's you, then you'll take it. Because other people do hate you, so this is the best you'll get.

[neroushalvaus]

Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

[lesbianrobin]

ok so here is my pitch for my dream buddie catalyst:

eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.

i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.

eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—

and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.

they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—

and maddie says you're his. eddie, you're his.

and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.

meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.

eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.

of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.

finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.

after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.

and maybe they'll ask whether it's even a risk at all.