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#but they really fumbled her arc
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Me yesterday, distraught over Rayllum: Poor Rayla, she just wants Callum's love! Me today, angry over Rayllum: Rayla WHAT is WRONG WITH YOU GIRL!?!?!
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fluffs-n-stuffs · 10 months
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Finally catching up on the Horizons episodes I missed 👍
#fluff binges !!!#I've missed out this one and the one from last week that I'll watch once I settle my work for tonight--mainly due from a whirlwind on my en#even if it were just for two weeks I missed these sillies sm 🥺🥺🥺#Diana was finna gonna murder that man you gotta respect that#I think I saw online that not that many people liked this episode because of the main concern that Friede usually saves the day#I do get that though I actually really enjoyed this episode because I think it's one of Roy's best battles (aside from the top one which wa#--the confrontation with the explorers in Diana's hideout)#he got a couple hits in and even thought to send in Wattrel when he realized that he'd get an advantage up in the air which was so so good#the kiddos mainly fumbled this time 'round because they forgot about the foongus/didn't have another mon to counter it#(maybe Hatena could've countered but Liko still needs to learn How to use her in battles--she does want to help though !!! with how she#--moved that shovel on her own - which I thought was a nice lil indicator of a possible battle highlighting her in the future)#I loooved that moment at the end with Diana showing the dude his true self through Bronzor's reflection that was actually very sweet#so yeah it's a simple ep but an enjoyable one - I think people gotta chill with constantly wanting peak sdkjfskndjfs#loads of Horizons content are focused on character moments and a slice of life feeling to everything which is something I love personally#this is a nice breather after the insanity of the last arc methinks hehe#anipoke#pokeani#pokemon horizons#diana pokemon#arcanine
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seventeendeer · 3 months
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just watched the barbie movie everyone was discoursing about last year and I can't help but feel like a lot of the problems in its execution could have been avoided if the kid character's arc had been about learning to embrace girly stuff as an act of rebellion against the adultification of teen girls while barbie went full butch transmasc
#deerchatter#i know why they didn't do that obvs the writers haven't a fucking clue what a feminism is and the bosses prefer it that way#but it's fun to think about what a good version of the premise could have looked like. there were interesting pieces on the board#the kid character could have been interesting if her arc had been about rejecting barbie bc of increasing awareness of the association#between femininity and weakness. but in wanting to gain respect she started acting and dressing like a young woman because she's at that age#where girls begin to be rewarded for being a more subdued and quote-unquote natural kind of feminine.#she could have become friends with barbie as a symbolic way to heal her inner child#meanwhile barbie takes the you-can-be-anything message to its logical extreme and decides what she wants to be is the one thing mattel will#never let her be: gender non-conforming#these 2 character arcs and where they intersect could have told the same story much better i think#emphasis on personal choice/growing up/social rebellion/embracing what will really make you happy#while also covering multiple ways to handle gendered expectations. pick out the parts you like or throw the whole gender out. both r good!#anyway i have to admit this movie was disappointing. i knew it wasn't gonna be woke but i thought it would still be a bit more fun ....#was hoping for a guilty pleasure kind of experience but even setting aside that hard thematic fumble it's underwhelming :(
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yzafre · 5 months
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Thoughts from a version of 2012 April's arc that only exists in my head.
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colorful-horses · 1 year
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Not to make you miraculous post on your pony blog but I feel like Chloe deserved to at least be redeemed somewhat. Why give Zoe all the development?
Chloe should have been redeemed and she & Zoe should have shared the bee miraculous. Imagine the plotlines
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wiitzend · 1 year
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hmmm i think the reason why i don't vibe with robin and nancy as a ship (other than the fact that there's no canonical evidence to support this, but i digress) is that i feel like it brushes over the fact that nancy has no friends. barb is killed in the upside down and from that point on up until the current season, we don't see nancy hanging out with anyone who isn't directly related to the supernatural stuff that threatens hawkins. she's close to johnathan and steve, sure, but they largely provide romantic tension to her character arc and little else (which is a shame, but that's a separate post for another day). nancy probably makes a point not to befriend anyone after barb dies because she can't risk losing someone else, and when we do see her hanging out with fred in season four, someone she considers a friend, he dies too. nancy's reluctance to warm up to robin isn't because she's harboring some secret crush on her, it's because everyone she gets close to outside of her usual circle of friends/family always ends up dying in some terrible way because of the upside down. robin's case is a little different, but it's not hard to see why nancy probably wouldn't see it that way given her previous experiences with fred and barb. nancy's self-imposed isolation is actually pretty sad, but that's what makes her verbally solidifying her friendship with robin in season four so nice. there's a glimmer of hope there, however small, and i think nancy's need for a female friend, a true friend, and finding that again in robin after losing barb makes for significantly better and more emotionally impactful storytelling than if they were lovers.
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waywardsalt · 6 months
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:3
#some tag rambles bc im having a bunch of loz thoughts to hey why not do a short lived tag ramble#starting with the bad i have thought more on how i feel totk fucked up its characters and its like. yeah any arcs that are there are bad#zeldas is dogshit all of the sages are just. VERY tell no show and it really doesnt matter and otherwise idk#nothing wrong with a static character but imo with a static character you then have to show more of them#reveal some things. also doesnt really happen. the main speaking cast are also kinda weak in relation to link#they dont really work off of him very well bc hes… not treated like a character. hes just some virtuous everyman in the story#so theres no actual chemistry between him or the other characters bc he isnt treated a character so like. he has almost no chemistry#its all mostly one sided and none of the sages but zelda have any real chemistry with other major characters either#and the major characters zelda has chemistry with barely matter so fuck it. like when ppl talk abt like. loz stories#and ppl talk abt how yeah they arent the best but totk is rlly bad. i dont feel like any other loz stories are baaaaad#not in the same way. but they dont feel as egregiously fumbled. imo its bc of the characters most of them time#ofc story can be strong enough and im not discounting stuff like mm and oots themes and atmosphere and stuff#it seeeems to me the most popular non zelda sage is tulin? but mostly bc hes a sweet kid and thats fine and all but there doesnt seem to#be much else to him hes otherwise kinda unremarkable bc he just doesnt do much else and seems to exists mostly to serve gameplay and plot#botw did it better bc the champions actively had a dynamic and a relationship with link they arent the deepest but they have more substance#botw zelda is arguably the strongest character in botw with a unique personality and genuine relationship to link even if we just see it#in the memories and seeing her warm up to link is cool but imp they fumble it in the ending of her arc and how it kinda contradicts stuff#and in totk they doubled the fuck down on her unlocking her powers for reasons related to link and decided ig shed figure she needs to be#links forever bestie and hypeman and she kinda just revolves around him in a really superficial way and this is the negative extreme#of a character being bolstered by being connected to link. but anyways in loz its the characters that tend to be the strongest points#and the characters with a clear dynamic and relationship to link shine the most. think groose ghirahim ravio midna fi marin linebeck sheik#the list could go on but the characters who get a chance to shine by interacting with the Player Character are the ones who stick out#and ofc they get more screen time but they cant avoid that character development or general character fleshing out bc they are in some way#tied to link and in a sort of way link himself is more fleshed out through how those other characters react to him if that makes sense#i think loz is at its best when a good bit of emphasis and effort is placed on characters and character relationships#and when thise relationships and character are written well ofc this fucking matters too#anyways thats why ph is one of the best we love our character heavy black sheep them ds characters carry so hard and so fucking well mwah
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oathofkaslana · 6 months
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i do really enjoy people telling me abt their hi3 thoughts i think its so sweetie that people think to come into my ask box to talk to me about it :'') <3
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bruh-myguy-what · 5 months
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Pairing: Tech x Fem!Reader (our lovely medic line) Warnings: female insults, gross man being a jerk to reader, violence, cursing, Mando'a cursing, fluff, not proof read I just needed to get it out as my mourning, nothing else I don't think Word Count: 4.5k Summary: Needing something from town, you're stuck with going with Tech, as everyone else is busy. You're not used to his response when a man decides to be rude to you.
Requests are open if you have anything you'd like to send in!
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"Echo," your mirthful voice reverberated around the walls of the Maruader as you laughed, "please?"
Laughing at your shameful display as you childishly hung off of the man's shoulder, playfully pouting at him with eyes as wide as a loth kitten. He chided you with an amusingly stern use of your name, dragging you alongside him as he walked down the gangplank, "I've already told you that I can't go with you into town. I'd love to but I have to help Hunter gather the rations and make sure we have enough for the next trip."
Whining dramatically, you pull at his hand, "I can wait! Really! I'll even help count so it'll go quicker!" Though you tried your most convincing grin, hoping your innocent tone would win him over as it had multiple times before, the Arc trooper shook his head.
"Sorry, sarad, no can do." His simple decline made you groan in frustration and drop his hand indignantly but he continued, "It's already getting late, anyway, the sun'll be gone before we even finish counting. Why don't you see if Tech will go with you?"
At the mention of the clever clone, your cheeks immediately warmed and you pulled away from Echo a bit in fear he might catch your sudden change. "I-I'm sure he's busy...he's always busy with some kinda tinkering." Your mumbled response was met with a raised brow from the cybernetic clone before you, his trained eye-catching the evergrowing red color staining your cheeks. Though the planet had a warmer temperature than some others the Batch had stopped on recently, Echo knew this couldn't have affected you so suddenly. You noticed his scrutinizing squint and quickly tried to move the subject elsewhere, "Maybe Wrecker or Cross could go with-"
With another shake of his head, a knowing grin starting to grow over his pale lips, arms crossing over his armored chest, Echo interrupted you, "Busy with rearranging the cargo hold so Tech doesn't get rid of their explosives again." Then he smirked at your obvious dilemma, "Besides, I'm sure that if you ask him, Tech'll set whatever he's doing aside. He seems to like you more than any of the rest of us."
Stammering at Echo's teasing, you fumbled with a response. He couldn't be serious, right? Tech was nice, of course, he was just as nice as any of the others- just in his own way.
The way that sent butterflies screaming into your stomach...
The way that made your hands tremble sometimes when he forgot about the social decency of personal space...
Tech was nice in the way that you adored and couldn't get enough of even when you'd been around him for hours upon hours, even when his brothers wanted to strangle him.
"Uh, w-well, I don't-" You started as Echo tapped his chin with his scomp-link, in thought when footsteps from the gangplank sounded.
Walking down a step at a time, Tech emerged, face ever plastered to his datapad. A miniscule glance was sent from Echo to you then back to the device in his hands. "I heard whining from the pilot's seat," he began, his precise tone sounding uninvested as it typically did when he was observing a situation unbiasedly.
Echo grinned over at Tech, "Just the clone we were looking for," he praised with a welcoming wave of his scomp. "Our dear medic here is in dire need of heading into town and no one has any time to go with her."
As soon as Echo mentioned you needing to go into town, Tech put away his datapad, eyes meeting yours. "It would seem I am currently unimpeded by any projects that require my immediate attention, for the time being, that is." He stepped further down the gangplank, standing in the unoccupied space before you and Echo. "An appropriate solution would be that I accompany you into the nearby town."
Echo slowly turned his head to meet your red face, smirking proudly at you, "It would be, wouldn't it?" He chuckled at your incredulous expression, then looked back at the taller clone. "Then make it quick the two of you, it's going to be getting dark soon and I'm sure the town isn't the best place to be, even for us." He rested his hand on Tech's shoulder, walking back up the gangplank to head inside the ship, momentarily turning around to salute you with a wink.
You stood there for a second in disbelief, trying to understand how the situation left you with just Tech....alone.
"I cannot believe him." You muttered to yourself under your breath, shaking your head.
"He is correct, actually" Tech interjected into your thoughts, causing you to start a bit, forgetting his proximity. Looking up to see him fixing his goggles on his face more comfortably, you noticed the way his brown eyes caught the sun, as light snuck behind the frames to speckle the golden hues decorating them. "The town we are heading to is known for its rather," he searched around the area for the appropriate word, "sordid, is perhaps the best term I can use for it. We would be safer grabbing what it is you need quickly, then returning at a proper pace." His explanation continued but you began to get lost in your own thoughts, admiring the man before you. It seemed to happen, sometimes, that you would find yourself marveling at how someone who was supposed to be a clone- "defective" or otherwise- was so uniquely designed. However, no matter how smart Tech was, he was so clueless of his beauty (unlike Hunter who was exhaustively aware of his looks). The way his freckles brushed over the thin bridge of his nose to paint his tanned cheeks. The way his honeyed eyes were just a few shades brighter than his brothers, the way the light lingered in them even after all was dark. He was oblivious to how handsome he looked when he raised that one eyebrow in challenge, or when one of his brothers said something entirely incorrect. He was just as strong, just as well adept in battle, as any of his brothers (other than Wrecker), but he had the added allure of his intelligence that made you fall that much quicker. Tech's straightforward behavior, the endearing seriousness, his misconception of certain social cues, and the way his heart was still as open as any of the others- more so, you could argue- just made cherishing him so much easier.
A gentle call of your name caught you off-guard and you shook your head to refocus. "Hmm? Yes?"
Tech's face had grown adorably perplexed as he searched yours inquisitively. "I had asked if you were ready to leave, though I was met with only your vacant expression. Are you alright?"
A burning crept up your neck as you blinked dumbly at the clone trooper, "Y-yep! I'm perfectly fine!" You winced at the crack in your voice, hoping that if he asked any further questions you could blame some of it on the slightly elevated temperature of the planet.
Tech seemed gracious, or oblivious, enough to move on from the situation and nodded at your reply. "Then I suppose we should leave," he gestured for you to go ahead of him, "after you, mesh'la."
-
Once in town, you had noticed quickly what Tech had meant about the town being a little less desirable. The people seemed to even shy away from one another from time to time, going about their own business and then skittering away.
Tech kept a close pace behind you, placing himself directly behind your shoulder, his impressive height becoming even more pronounced. People seemed content to avoid the two of you and you hadn't noticed any issues with the trip so far until you felt Tech press himself further into your back, the smooth front of his chest piece cramming into your shoulder blade. "Tech?"
You glanced up as you continued forward, noting how his eyes narrowed behind his goggles, analyzing something further into the crowd. If you hadn't been in what seemed like a rather precarious situation- based on his current manner- you would find his closeness thrilling and unusual, but by his squared shoulders, you knew he was locked onto something questionable. "Apologies for my proximity." He spoke in a low, curt tone, eyes never meeting yours.
"Is...everything alright?" You questioned, trying to look around the crowd of people to see whatever was bothering the trooper.
Tech hummed in response, the rumble of his chest shaking through his armor and into your shoulder. "Our safety is secured for the present moment. Though it would be wise for my presence to be as near to you as comfortably possible for the duration of our outing."
You hadn't been out by yourself very many times with just Tech, possibly a time a two, but any time you had been it was always causal and friendly places. You'd seen Echo, Wrecker, or Hunter get protective in the face of social danger when you'd gone out with them before and it seemed like an evident connection to make that Tech (or even Crosshair) would've as well even though it hadn't been something you'd actually thought about before. However, now, you couldn't stop the way your heart ached at Tech's rapid transition from relaxed to defensive, the strong line of his jaw the first thing you caught sight of whenever you glanced up to make sure he was still on the lookout.
"Alright," you rushed out, "I'll be quick then. Sorry for the hassle, I didn't expect there to be an actual problem." Any more guilt you had been about to express died when you felt a large hand on the other shoulder blade, the warmth spreading through your entire body.
"Your apology is unwarranted. You required something, it is only sensible that one of us accompany you for protection. Although you are a reputable member of the GAR whom I have seen manage precarious situations rather exceptionally, I am certain every one of us would prefer to maintain your safety as much as we are capable." Tech finally glanced down to give you the slightest hint of a smile, accompanied by a reassuring nod. "Please, continue."
"Th-Thanks," was all you could dumbly reply as you tore your eyes away from the clone to search around for any pop-up stand that had what you had dragged Tech out here to get. It was some form of balm that you had needed to add to your collection for healing cuts and scrapes that the GAR hadn't entirely said was a part of the standard order of supplies but it worked as a wonderful substitute for bacta. It didn't take much longer to find a stand that was selling medical salves and the like, though the warmth of Tech's steady touch- whether from his chest or his hand- distracted you desperately.
While shopping through the procured items laid out, you felt Tech's hand fall away from your shoulder and a voice that was unknown to you spoke. "Listen goggles," the gruff man spoke, "just walk away from the woman and nobody has to get hurt, alright?"
As you began to turn, you were met with Tech's broad back blocking you as his hand came behind him to tuck you closer. "I regret to inform you that I am incapable of doing so." His voice was as steady and casual as typical for Tech, if you'd not known any better you would've thought he'd been speaking to Hunter or one of the others.
Choking out a gurgled laugh, the man pulled out a blaster, clicking off what you recognized as the stun. You were hardly terrified, Tech was highly skilled, though faced with a blaster you were worried he might be injured. Tech wasn't the first to respond with violence, opting instead to de-escalate the situation with a straightforward and disarming method. "I don't think you heard me, prick. I don't think you want to die over a whore, do you?" The insult hit you, surprised by its accusation and you placed a steadying hand on the backpack Tech wore, to steal a glance of the situation. You felt the hand that was placed on your arm tighten its grip protectively at your movement.
Tech was caught off guard by the insult as well, inclining his head at the shorter man. "Pardon me?"
"The whore, you fool. I want to whore. Move away so I can have her and we can part ways without anyone getting harmed." The man motioned with his blaster for Tech to step aside, though he remained unmoving.
Tech adjusted his goggles with his free hand, "by my estimation, it would seem that the only fool in our current location would be you. I will not be moving, so in light of our impasse, how would you prefer to proceed? By the tremble of your blaster, I would venture that you are incapable of properly wielding the weapon, which is a dangerous decision in and of itself. Again, it would seem you are the fool." Tech took a step forward, calm assurance complimenting his candid tone.
"B-Back up, freak! I'll blast you without a second thought." The man snarled as he raised his blaster higher toward Tech's chest. As you noted what Tech said, he was right- as always- the man's hand shook prominently. Though the sight of a blaster pointed so blatantly at the trooper was unsettling, you trusted him.
"Proper blaster decorum is to hold higher on the handle, finger over the trigger, and placed securely at the target of the blaster bolt." Tech's nonchalant lesson to the man seemed to only set the situation more on edge, which was surprising to you. He wasn't de-escalating, he was...antagonizing. "Is it standard practice here that any chakaaryc is allowed to carry a blaster?"
"A-Any...what?" The man asked confounded by the word he didn't understand, using his other hand to stabilize the blaster now as Tech approached closer to him.
It was normal for the Batch to use their Mando'a around one another, though they didn't use it much around others outside the GAR and even you didn't understand the language so you never paid attention to the words. Though now you were silently cursing yourself for not studying it, wondering what it was that Tech said.
"Di'kutla," Tech's voice lowered to a tone you hadn't heard him use before, it sounded almost...dangerous, "It is a Mandalorian translation for a filthy low-life, such as yourself."
"Why you!" The man's finger began to push the blaster's trigger and you felt your heart drop, stomach-churning, until you blinked and nearly missed the effortlessly elegant way Tech disarmed the man of his blaster. Crying in pain as his hand was bent backward while Tech placed the rogue blaster in his belt after switching it off, the man spat curses at the trooper. "She's just a whore, man! What's your big deal?!"
At the man's insistence on your status, Tech furthered his grip, causing him to yell out, Tech’s stoic composure- in contrast- never faltering. "I believe I have heard quite enough from you, mir'sheb."
"But-" Interrupting the man's argument, Tech's fist connected directly to the criminal’s face in a surprising display of brutality, effectively silencing him- and bloodying his nose.
"I said enough."
Standing in absolute awe of the current events, you were speechless, and before you could muster anything to say you watched as Tech yanked the stumbling man toward you by the grip on his wrist. "Forgive my lack of decency, mesh'la, though regarding his offense, this man owes you an apology."
"Tech, I-" You began, only for Tech to twist the man's arm behind his back and press him forward a bit harsher to which the man stumbled onto his knees, causing Tech to bend down with him, muttering apologies at your feet.
"Are you pleased with his display of atonement, cyar'ika?" Tech's honeyed eyes rose to meet yours, his tall frame bending over the man on the ground, refusing to let him free until you were satisfied. At your nod, he released his hold.
The man scurried to his feet and scuttled away as quickly as he could, nursing his wrist. Confusion washed over you as you glanced at the trooper, dusting off his hands and shuffling things around on his belt to make room for the blaster he had acquired. Once satisfied with his work, Tech met your eyes once more, adjusting his goggles nonchalantly. "Have you found what it is that we came to find?"
Still stunned by Tech's uncommon display of brute force and his complete willingness to act as if it has been just a normal day of the week, you stood there silently holding up the salve. "Wonderful, then we should return quickly." He sent a look around the sky to notice that it was dark now, "I am sure-" and as if on cue, Tech's comm link made a sound. Echo's voice rushed out with a stern use of Tech's name as soon as he’d answered it.
"Where in the galaxy are you two? I said to be quick!" The clone complained on the other end of the comm. Motioning for you to join at his side, Tech explained that you were momentarily disrupted but were unharmed and returning shortly.
While he spoke with Echo, you stared stupidly at the salve in your hand, replaying Tech making an absolute fool of the criminal. You'd never seen him react in such a way and you could feel your cheeks burning at how attractive the response had been to witness. What could've caused such a change in his approach? Of course, the Batch was known to be unconventional, so maybe Tech just thought the only way to dissuade the man was to use brute strength, but it just seemed like something bothered him. Could it have been when the guy insulted you?
A call of your name brought you back to the present, where Tech was standing in front of you, his hand extended. "Take my hand, please, it is quite dark. I do not wish to lose you in the crowd, it would seem this town is worse than I had originally read about. I will make a note to update the Republic's records properly." His hand enveloped yours delicately, pulling you closer to his side to guide you through the mass.
-
The walk back to the Marauder was quiet, your mind reeling from what happened. You were no stranger to difficult scenarios such as that one, so it wasn't as if you were scared just baffled.
"Stars! Finally, you two are back." Echo huffed in frustration as you emerged from the treeline. "Come on, we gotta get out of here. We're wanted back on Kamino for some new mission. Everyone else is already prepped to leave."
Tech merely nodded, saying something about how he'd set up the ship to be ready for the journey, and departed with a casual 'see you inside' as he let go of your name.
"What's wrong with you?" The accusation behind Echo's voice elicited a glare from you, none of this would've been an issue had he not forced Tech to go with you. You wouldn't be standing here struggling to erase the image of Tech decking a criminal right in the face. Replaying the sound of his voice when he demanded his apology to you for his insults...
This was Echo's fault. For sure.
"Tech punched someone, Echo." You explained with narrowed eyes to which the pale clone laughed as if the joke you tried to tell him was the funniest thing he'd heard. "No, I'm serious. He dropped this guy. He pulled a blaster on us and Tech just...punched him in the face."
"That's weird. Tech's not usually the type to-"
"TRUST ME," you raised your voice, "I'M AWARE."
Echo started laughing again, "I told you that he had a soft spot for you, sarad." He motioned for you to follow as he began his ascent up the gangplank, and punched the closure button when you joined him.
-
Later into the night, while you lay awake in your bunk, you tossed and turned trying to quieten the memory from earlier though it was a futile effort. The thought was driving you crazy.
Why had Tech reacted that way? It was just too out of the ordinary for him. It seemed far more personal than he ever responded.
And Echo's comments about him having some sort of bias toward you weren't helping the racing of your heart.
So you crawled out of your bunk, making sure not to wake anyone up as you tip-toed up to the main hull where there were small sounds of tinkering echoing. Of course, he was still awake.
"Mesh'la," Tech commented as you walked in, surprising him. "You are supposed to be asleep, what are you doing awake?"
Flashing him a grin as you took up residency in the co-pilot seat across from him, you pulled your legs up close to your chest. "Much like yourself, Tech, I couldn't sleep."
Adjusting his goggles, Tech blinked a few times in consideration. "Well, are there any extenuating circumstances that are barring you from getting the rest you usually require? Such as Wrecker's snoring? Crosshair mumbling in his sleep? Echo has a bad habit of shifting a lot during the night, could it be that?"
Shaking your head at his list of options, you took a breath, "I, actually have a question."
A glance in his direction showed his brow raising in confusion. "A question for me?" Upon seeing your nod he prompted you to continue, setting his tools aside to give you his undivided attention.
"Earlier..." you began, nervously playing with the hem of your GAR-issued pajama shirt, "in the town." Tech's intent gaze spurred you to continue, though you were anxious about how he would take the question. He was always truthful, but would he find the question odd? Would he think it was a stupid question? "You reacted differently than normal." You pointed about, changing directions a little, instead of asking a question.
"I am obligated to point out that your statement is not a question, cyare. However, your assessment is correct. It is not my usual course of action to resort to physical altercations in such situations..." He responded evenly. "Though, this circumstance required a unique response from me." His added comment confused you even more.
"Why?" You inquired, eyes now meeting his.
Tilting his head to the side slightly, his brows furrowed as if he were the perplexed one now. "I thought it would be obvious." His simple response was mildly bothersome. Of course, it wasn't obvious! That's why you couldn't sleep!
"Tech, you have to remember, sometimes, some of us need you to explain what's going on up there in that exceptional mind of yours." You clarified as you tapped your temple, gesturing for him with a soft smile on your face.
It dawned on him then, that perhaps it probably wasn't obvious to you. Though he struggled to find how to put it into words. "I was required to respond irregularly because he had offended you. Pointing a blaster at me is less of an issue, one I am perfectly well adept at discouraging," Tech's voice was unchanging until he glanced at his hands and his tone dropped. "It wasn't until his unwarranted comments regarding you that I felt my common strategy of de-escalating was not suitable enough. Your virtue demanded more than my words to right the occurrence." His eyes were still downcast as he spoke, seeming...embarrassed?
"My virtue?" You repeated his term of use.
Nodding, the clone finally met your eyes, the emotion behind his brown hues causing the breath to catch in your lungs. "Yes. I will never allow someone to speak so disparagingly about you in my presence. You deserve far more from those who say they care for you."
The blue streaks of hyperspace highlighted the contours of his handsome face, highlighting his features. It seemed as if time slowed to a crawl between the two of you at his admission. Was it a declaration of love, no, but it still burned in your chest as if it had been. "You care for me, Tech?"
"Considerably so, yes." The speed and certainty of his response felt as if it knocked you against the seat, like your first trip into hyperspace, kicking you back. His honesty was staggering every time. "If I can be forthright, I find that I am more partial to you than even my brothers are. I have spoken with Hunter at length about why this may be. The solution we have come to at the very moment is," Then he paused for a moment, considering his words carefully, "that I have a romantic interest in you. The signs of psychical attraction I have are evident, or so I thought. I desire to be close to you as often as possible, and the ability to speak with you about things is a welcomed one that I look forward to regularly."
As you listened, the burning in your chest only worsened. Tech not only punched a man because he insulted you, but punched a man who insulted you because of how much he cares about you and your honor? And now he was telling you how much he'd cared for you? This had to be a dream.
"Forgive me if this is not the answer you were envisioning, however, that does not change the truth of the answer to your query." Tech finished with a resolute nod, though the emotion did not leave his eyes.
You sat there across from him for a while in silence, reflecting, assessing, and gathering, but once everything sorted itself into place in your mind you rose from your seat to stand before Tech. He'd always been so straightforward, so honest with you...he only deserved the same in return.
Your hands hesitantly reached out, testing the waters of his current mood. When he didn't pull away, you caressed his jaw on either side lovingly, tilting his chin up to meet your eyes. The astonishment in them betrayed his outwardly calm demeanor as you leaned down to graze your lips against his, a whispered 'thank you' tumbling from your lips before you kissed him.
As if your confusion and amazement had been transferred to him, Tech merely sat in his seat, numbly. However, as you began to pull away, his hand quickly reached out to rest around the back of your head to stop you from going too far. Brown eyes explored your face as if you were an illusion, "you captivate and baffle me," he breathed out in wonderment, pulling you back in for another kiss, "show me more, please."
Laughing under your breath at his request you lowered yourself into his lap gingerly, "I'd love to, but right now, I just want to kiss you a little more."
________________________________________
Mando'a translations just in case- chakaaryc - lowlife, rotten,  di'kutla- useless/ worthless, mir'sheb- smartass
@stellarbit - this is for the both of us.
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lemonhemlock · 22 days
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the thing is i don't care about how hard it must be for the hotd writers to adapt from book to screen with budget and time limitations (even though i am historically sympathetic enough to these difficulties and i do understand the need to make changes to fit the story in a different medium)
but what i see as understandable excuses would be shoddy cgi or costumes and less impactful action scenes or even fewer action scenes/battles. which we already got anyway, the only battle (rook's rest) is humdrum and rather spiritless. to a certain extent, i can even excuse cutting out characters or merging them or simplifying storylines.
be that as it may, the fact of the matter is that, even the scenes which should have cost the least amount of money in this whole production, i.e. the sitting-around-in-rooms-talking genre of scenes for which GoT became famous, SUCK. the politics in this show are non-existent. the characters' motivations are so wishy-washy to the point of parody. the character arcs look like they were settled via a game of russian roulette. the S2 version of characters doesn't make sense as a progression of their own S1 canon.
and this has nothing to do with money OR time constraints. it plainly only has to do with bad writing. a talented writer can absolutely have a canon-divergent vision and an understandable desire to adapt their own vision. but they have to recognise if they have the TIME or the BUDGET to bring that canon-divergent vision to life, if they can sufficiently commit to integrating those changes in a way that feels organic to the characters. IF NOT, THEN DON'T DO IT.
i get it if they're big rhaenicent stans or if they really, really like this version of alicent that lives in their heards, the one that would ditch her kids in favour of rhaenyra or if they're so enamoured by the idea of heroic rhaenyra (and that's just scratching the surface when it comes to all the points the show fumbled). but if they don't and can't fit those changes in a way that doesn't destroy the logic of the narrative, in a way that doesn't leave other characters hanging dry with no motivation left to carry out the plot points they have to hit, they should have had the maturity to drop those ideas and settle on something else that could have been easier to film with the resources available.
i said it before and i'll say it again: 1) whether fans are satisfied with the changes made to the source material and 2) whether those changes make sense in the context of the show are two separate issues that apologists sometimes try to merge in other to muddle what the actual problem is. "oh you're just mad because it's not book canon" or "you're mad because your headcanons diverge" or "we had logistics limitations" are not pertinent responses to critiquing the integrity of the show's storyline!
so i hope the writers and executives see all these criticisms and choke because they did a piss-poor job of everything and turned S2 into a goddamn hack operation
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cynthiav06 · 3 months
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I can Almost imagine how Impressive you have to be To Pull THE percy Jackson. Like pulling any Demi-God is great but PERCY?!? The son of posiden?!? THE SAVIOR of Olympus?!?
I headcanon that Percy is really just out of Anyone's League And You gotta be Pretty damn Special to be able to Pull him
Like imagine Fumbling him or breaking his heart
THIS IS HOW IT SHOULD HAVE BEEN.
Like come on Rick you are telling me Percy the greatest demigod of all time Jackson has to be paired up with someone who has nothing in common with him, frequently condescends him, literally forces her own views on him, hates his father, has a mother who tried to kill Percy, is controlling and toxically possessive of him and most importantly someone who has completely different life goals than him?? It doesn't even make sense when you look at it rationally.
I think Rick himself was trying to put Percy down in post Son of Neptune books by making his personality all about Annabeth.
We are talking about the Savior of Olympus, the bearer of Achilles Curse, the strongest demigod, the man who denied immortality from the King of Gods, Poseidon's favorite son, the only demigod to have been approached by other Pantheons first and well respected among their demigod equivalents, the only male demigod to have respect of Artemis, only one to be favored by so many Gods on the Olympian Council and that's only pre-Heroes of Olympus.
The Survivor of Tartarus, the demigod whose blood even Gaia wanted to wake to due to his power, the first and only Greek to be made a Praetor and now two times savior of Olympus. This is all without mentioning his singular and unique feats, and he has many.
AND THIS IS WHAT RICK DOES WITH HIS CHARACTER ARC????
Had Rick not been so obsessed with shoving Percabeth down our throats, he could have totally made Seafam Arc, and all our fics would have not been fics. We wouldn't even have needed headcanons for seafam cause Amphitrite and Triton and all of Atlantis would have absolutely loved him cause come on, it's Percy. It's impossible not to love him. So let's assume that's exactly what happened.
So the whole of Atlantis, Seafam, and most of the Olympian Gods love Percy and not to mention Sally and Paul, who are also very protective of Percy.
The new Lord of the Wild is his best friend, The Lieutenant of Artemis is his other best friend and cousin, both the children of Hades/Pluto are his best friends/cousins, the only other demigod to be blessed by Poseidon with a rare gift is also his very close friend not to mention other members of the Seven also respect him greatly and owe him quite a bit.
Hestia, Apollo, Hermes, Aphrodite, Artemis,Hades, Hepheastus, and even Dionysus and River gods either openly favor him or have much respect for him. (Poseidon and the Seafam are implied, Bob and Damasen as well).
This isn't even taking into account all the pegasi and nymphs and sea creatures who love him and that he has a literal hell hound.
Percy not only has friends in high places and the favor of literal gods on top of being Poseidon's favorite son as told by Poseidon himself, all the people with special abilities are all close friends with him.
In Riordanverse, Percy is like the only person you don't want to cross like ever.
So you know logically if anyone needs an explanation as to why Annabeth isn't a good match for him and someone like Rachel would have fit much better. A mortal blessed with sight much like his Mother later turned Oracle of Delphi, the girl who saved his life in literally the very first two encounters they have, a girl under protection of Olympians and blessed by Apollo?
Apollo could have definitely waived the celibacy rule as there have been mentions of married women later becoming oracles in Greek mythology( May Castellan too if you count the books) and that the rule is only to prove devotion to the God nothing more. And if Apollo can't, then Delphi, who is a spirit older than Gods themselves, could just change allegiances. She once belonged to Poseidons' domain, so there's that.
But since I am biased in favor of Rachel, literally any other ship but Percabeth would have been logical and fitting and better off compatibility wise.
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no-droids · 2 years
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Another Rough Day
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gif credit @chrishemsworht
Part Twenty of the Rough Day Series
Rating: Explicit
Word Count: 13.7K
Warnings: Angst, violence, canon-typical blood and gore, language, hurt/comfort
A/N: i wanna thank yall for sticking around during my hermit era, in the time ive been gone i am now officially a junior at a university majoring in aerospace and it’s a fuckin nightmare and i hate everything and god help us all literally kill me and I will be posting INCREDIBLY slowly because of that (I’m talkin weeks or months in between updates yall, im sorry I can’t dedicate more time to this but I am going to finish this fic within the next handful of chapters idk maybe 5 or 6 so you shouldn’t have to wait too too long).  As a heads up there will be hard angst as we enter the final arc, there will be hurt and it’ll get dark but everything is gonna turn out alright so thanks for sticking with me and continuing to stick with me. im sorry if you dont like it or your expectations were subverted or if this isn’t what you’d hoped it would be after following and waiting around for so long but this was planned a long time ago and it took me a good year or two to recognize that I started writing this fic for me and now I’m going to end it writing for me and I hope yall can respect that
ALSO I asked my best BEST FRIEND in the entire world @cptnbvcks to collaborate with me for this after we both took a very long break from creating and she drew some GORGEOUS artwork for this chapter so it will be posted at the end, everyone please go follow her and say hello
ps brittany girl you’re a fuckin menace i had to use my own two ears and listen to ethan literally say the words “the mandalorian cums, hard” what the fuck was that im actually suing
anyways chapter below the cut lets get serious yall
---
You take two of them down before they even realize they’re being attacked.
Your aim is as swift and steady as if Din were behind your shoulder right now, calmly pointing out which stationary tree to hit next in rapid succession.  You’re positioned perfectly at the bottom of the ramp to take full advantage of the ambush, the only thing running through your mind is strategy and the constant calculating of angles and ricochets.  The other three troopers are trapped inside the open Crest and you’re right next to a large boulder that you can step behind for cover, but it proves unnecessary as the rumors were apparently true.
They’re… awful.
Not a single blaster is even fired in your direction—you think you see maybe one panicked red shot bounce around in the hull, but that’s it.  The troopers fumble for their guns and trip over each other at the unexpected attack—a few scream like children through the modulators, but you’re temporarily deaf to anything besides the screech of your weapon hitting its target and the crumpling of armored bodies.
Later on, if someone were to ask you to describe exactly what happened—who died first, who ran for cover, who cried out for help—you don’t think you’d be able to.  You don’t even really feel like a person right now.  The entire thing is cold, robotic survival instinct, pure ruthlessness rising in your soul for the first time in your life.  It feels sick.  Wrong in your bones.  Born from preemptive defense in fear of your life, but that doesn’t mean you stop.  Not until all of them stop moving.
You empty the entire fucking canister for a handful of stormtroopers, firing plasma and char marks across every square inch of the pristine hull even after the last one drops.  Your heart is beating too fast, your finger keeps pulling the trigger multiple times even after the blaster clicks uselessly, completely empty and beeping a warning that it must’ve begun emitting ages ago.  Being out of ammo scares you—you suddenly feel vulnerable, even though the very far away logical part of your mind reminds you that they have to all be dead at this point and no physical threat was ever able to graze you.
Regardless, you quickly spin behind the boulder and grab another canister from your belt, giving it a spare check for leaks while the empty one slides and drops to the rocky ground.  It’s the first time you’ve ever had to reload this weapon instead of just pointing and shooting, but the mechanics are relatively simple and your brain makes up for your lack of coherent thoughts with lightning fast perception.  What's difficult is that your hands are starting to shake now that you’re not aiming, you’re not breathing correctly because you’re not really breathing at all.  You can’t tell the difference between the adrenaline-fueled dissociative silence that muffles everything around you or if it really is just that quiet now.  No more clatter of armor, no modulated voices or terrified screams.  No blasters, no footsteps along the ramp, no birds singing.
You quickly pause to lift your elbow and check the enormous eyes blinking up at you, tiny claws still holding tight to the fabric of your tunic and completely unharmed, and then you force yourself to move.  The blaster is held out in front of you while you walk forward and your finger rests on the trigger, begging to be pulled again.  It’s suspenseful and terrifying in a different way than before—now it’s less about psyching yourself up for confrontation and more about the fact that any sudden movement could mean your very swift end.
Silence.  Silence.  You’re numb and raw at the same time, walking up the ramp as your eyes fly everywhere, not even registering the blood or gore, just searching for movement.  You don’t know if you feel like a predator or prey, you’re that much more brutal and inhuman because of how fucking terrified you are.  You count four stormtroopers in the hull laying crumpled and still on the metal floor, but the one in the far corner only has blood on his shoulder.  You quickly swing the blaster around to remedy that, but then—
“P-Please don’t kill me!”
His words remind you of something.  Reality, maybe.  A world outside yourself and the kid’s survival, the living beings behind the bloody armor your enemies wear.
It’s a miracle your finger stays hovering over the trigger, and you watch him throw the blaster at your feet with a clang and scramble to show you his empty hands.  “Please don’t kill me, please don’t kill me—I’m not loyal to the Empire, I don’t want to be here, please, I don’t want to die, I don’t want to die—”
Behind the mask, your expression furrows.  Stormtroopers are loyal to the bitter end, what is he saying?  They embrace their expendiality, it’s the only thing that makes them any sort of a real threat.  Kuiil told you horror stories about them during your childhood, the cloning facilities and the propaganda they’re force fed since infancy.  It’s nearly impossible to find one who hasn’t been raised from birth to serve the Empire, no matter how crumbled and trace its remaining authority may be.
No, this is a trap, it has to be.  Your expression twists with dread after hearing him speak, readjusting your aim with the blaster and preparing yourself for the years of nightmares that’ll follow—but then he cries out, “Wait!” and then removes his helmet with trembling hands.
You pause, staring down at him in shock.
It’s him, you recognize him immediately.  It’s the same face from a hologram puck you bore into your memory, spent multiple days staring at so you’d be able to spot him under any disguise or circumstances.  Oshua Ryler.  Your quarry, the fifth puck, the one Din was out Maker knows where searching for before this entire mess happened.  A stormtrooper?  His puck said nothing about the Empire, this doesn’t make any sense.  What is he doing here?  Stormtroopers don’t have pucks, they don’t have bounties or relatives or loved ones searching for them.  They’re brainwashed, replaceable, faceless soldiers in suits of armor and they don’t even have names.
“Please don’t kill me,” he begs again, staring at you with wide eyes even as he cowers.  “I have a family, I-I just want to go home, please—”
“Shut up.”  You can’t think straight with him crying like that and you’re wasting so much time just standing here trying to process when your brain had to literally shut itself down to even do the things you’ve already done.  You have to kill him and escape, you have to—you can’t trust this complication, not with the tiny claws currently digging into your back and reminding you of your purpose, but it was so much easier when he had on a helmet.  You hate looking at his face.  It’s going to haunt your dreams now, just like the man you stabbed on Corellia.
“Please don’t kill me—please don’t kill me,” he screws his eyes up and breathes over and over instead, and your stomach wrenches with disgust.  His posture and expression are so fucking pitiful, you can barely keep your eyes on him through the overwhelming nausea and aversion that climbs up your throat.  He’s with the Empire, and they’re looking for the baby.  You know what needs to be done.  Pull the trigger, just one small movement from you and it’ll be all over.  It would be the easiest thing in the world, it would be so easy.
But then instead, you ask, “Why are you a stormtrooper?”
“I’m n-not—I hate the Empire—”
“The Empire is ashes.”  You don’t know if you’re yelling or whispering with how much blood is roaring through your ears.  “They hold no power anymore.  Why are you with them?”
“Because the one thing they have left is money!”  The quarry shrills the words at you, ghostly pale to the point of turning green.  “Th-They buy troopers now—they opened up a whole new market for the smugglers, there’s a base nearby that’s used for training and…”  He stares wide eyed at you and gulps.  “C-Conditioning.”
Your brain is already going a trillion lightyears an hour and it doesn’t have the capacity to empathize or understand anything beyond the child’s survival and the relevant details right now.  “Were they expecting the baby?”
“W-What?”  He squeaks up at you.
“Was the bounty put out on you a trap set by the Empire?”  You ask him, lifting your free arm just enough to flash him the tiny child clinging to your side.  “He said they’re coming after the baby, so tell me if this was planned from the beginning.”
“Who is ‘he’?”  The stormtrooper asks, furrowing his eyebrows and looking around.  “What are you talki—”
“Tell me if the bounty on you was a trap to take this baby!”  You roar, your blaster shaking as you aim it down at him.  Your mind is acutely focused on the tiny claws hanging onto your tunic, the continued safety of the kid and the life or death situation facing him that you were given absolutely no information about.  “Now—”
“If it was I didn’t know!”  He quickly cries out, pleading with you and clamping his eyes shut in terror under the barrel sight.  “I don’t know anything about a b-baby, or a bounty!  They just put blasters in our hands and told us to search for a ship and to bring back anyone we find alive, I swear!”
You’re silent for a moment, biting your lip under the mask and caught halfway between discerning and stalling.  You could still kill him.  You should still kill him, time is ticking down and more troopers could be heading this way any second.
Shit.  “Who put the bounty out on you?”  You ask sharply.  It might not be a completely fair question, but he can’t exactly blame you for not feeling completely fair right now.
“I—I don’t know,” he gasps, clutching his bleeding shoulder.  “Could’ve been anyone—my mother, Cyra, o-or my dad, Obediah, or Thia, or Benja, or S—”
“Thia,” you interrupt his rambling, catching the slurred word and repeating it back to him.
“Yes!”  Oshua jerks his head up, tears and hope immediately filling his eyes at the sound of her name, “Yes, Thiadura Celi Ryler, that’s my sister!”
Maker, if he’s lying, then he’s fucking brilliant at it.  You look towards the cockpit of the ship, biting your lip under the mask.  Get to Nevarro, tell Karga and he’ll… something.  Din was cut off before he finished.  Help?  Know what to do?  You’re lost, but you have a clear directive and the precious seconds are sliding by.  The controls are right up there, two steps to the ladder and less than a minute until you’re rising into the atmosphere.
But then you think back to the terror in Din’s voice.  The blistering panic that made him speak faster and with more urgency than you’ve ever heard from him.  Get to Nevarro.  Tell Karga.  Get to Nevarro.  Tell Karga.
You look back at the quarry.  “How many of you are there?”
“At the base?  Around three hundred,” he immediately spills.  “Half of us are in the hole right now getting brainwashed, they do it in shifts, but they can be mobilized in a few hours.  There were a lot of bodies outside when we were ordered to split off, maybe a third of our squadron, but the rest were still shooting at whatever was—”
“So around a hundred left,”  You finish breathlessly, almost wanting him to speak faster and cut to the chase so you can calculate quicker.  “How many were dispatched on the search?”
“Uh, there were eight groups of five sent in each major direction,” he informs you, still trembling on the ground.  “Told us not to come back until we covered the entire sector.”
Of which, four you’ve already taken care of.  In other circumstances, you’d be nauseated at the thought, but right now, it’s just another number to subtract, just more panicked math in Din’s frightening absence.  That leaves at least sixty troopers left wherever the base is, minimum, and likely a couple more hours before they’ve combed the sector.  If this wasn’t a preconceived trap purposefully set for the kid, then that means reinforcements haven’t arrived yet but likely will soon.  And if this is a base meant for training and conditioning, then that also means there’s a chance not all of them will be loyal yet.
You make the decision immediately.
“Okay,” you announce, clicking the blaster’s safety switch and holstering it, sounding lightyears more certain than you feel.  “Then you’re going to help me carry out a rescue mission, and I’ll take you back to your sister.”
“You…”  He looks uncertain, blinking at your blaster and slowly lowering his hands.  “You want to rescue the men?”
Ideally?  Sure.  Realistically?  You don’t say anything in response.  Instead, you kick his regulation firearm at your feet further away from the quarry just in case your judgment is flawed, and then turn around and grab one of the bodies behind you.
Your adrenaline is still blaring so fast that you only just barely note the severity of what you’ve just done and what you’re continuing to do.  The corpses aren’t real to you right now, they’re inanimate things that you need out of your ship before you can close the doors to it.  They are, however, heavy as fuck, but the only other adult here has a wound in his arm from the gun on your hip.  Regardless, you have experience with lifting dead weight without a big, strong, capable man to do it for you.
“Help me out here, kid,” you mutter over your shoulder, and in response, you feel his claws dig in and climb up just a little bit until he can peek out in front of you.  Thankfully, the burden is suddenly lifted and you can quickly slide the dead troopers down the ramp with ease.  It takes hardly any time at all—you just yank and haul and release and all four of them tumble the rest of the way all by themselves.
When you stand back up, Oshua hasn’t moved and he’s looking at you with a pale, queasy expression.  Glancing down, you see that your white robe is now stained with streaks and patches of rusty blood.  Instead of swallowing back bile at the sight and bolting to the shower to scrub off every last remaining trace, you breeze past it, noting nothing more than a change of color.  Dirtying your white, pristine clothing with the consequences of protecting this baby—you’d rather have blood-soaked fabric with an unharmed kid clinging to you than any other combination of those things.
“Can you make it up to the cockpit?”  You ask the quarry, kicking his rifle off the ship before closing the ramp and then gesturing up the ladder.  Your voice is calm and steady but your hands are beginning to shake again.  “I need as much information as possible about the base.”  You know that’s where Din is, judging from the wall of blaster screeches that drowned him out through the comm.  Logically, you know you could be headed right into a trap, and every instinct inside you wants to find safety, but… you just cannot imagine flying the ship away from this planet without Din onboard.  It isn’t fucking happening, you’ve made your choice.
Without waiting for a response, you climb the ladder and plop down in the pilot’s seat of the Crest.  While Oshua finds some way to clamber up the steps behind you in bulky stormtrooper armor with one good arm, you hold the kid closer on your lap and begin flight checking.  Din will be fucking furious, but the scolding you’ll be sure to get is the least of your worries right now.  Following his instructions and going back to Nevarro is just making shit infinitely more dangerous for him, turning what could be a potential rescue mission into an undeniable suicide mission.  Even if Karga somehow decides to send a few guild members along to infiltrate the base, it’ll be a war you want to avoid.
Besides.  What did you always tell him about running away from him, even when he instructs you to?
It’s just… not really your thing.
---
They’re everywhere.
They crawl like flies out of the base, and for every single body that falls, three more spill from the open doors.  Rapid fire plasma beams launch from the end of Din’s blaster, melting white armor with every twitch of his gloved finger.  Their aim is terrible, as is to be expected, but the sheer number of them more than makes up for it, as is by design.
Din’s heart pounds with exertion, his breath comes in ragged huffs through the modulator as his helmet identifies and isolates which body is closest to him, which body he needs to bring down next.  His blaster is so hot it nearly burns his hand, even through the thick gloves he wears.  When he runs out of ammo, he holsters the pistol and swings his rifle from around his shoulder, spinning to catch a handful of troopers behind him in the obliterating blast.
He’s not thinking much.  He can’t think, even though your safety and that of his son is currently dangling by a thread.  If he focuses on that, he’ll be dead before he can even picture your faces.  He just reacts, he maims and kills without a single thought in his mind.  Blood splatters, screams and sirens blare as he becomes surrounded by more and more troopers.  Din can hear the sound of plasma colliding and ricocheting off his armor; every single one of them is a potential injury he could currently have but might not even be able to feel right now.
His helmet starts beeping rapidly and he turns just enough to see, highlighted in bright red on the screen, two enormous artillery turrets slowly rising up out of the roof of the imperial base.  He feels a fierce flash of anger burn in his chest, it’s like a lightning strike to his veins.
Din needs to go.
And yet… if he was another man.  If he wasn’t a father, or a husband, if he had no family and no attachments like the creed declared he should, he would go.  With just a twitch of his fingers, he could be launching into the sky and retreating as far away from this battlefield as he could reasonably get.  He’s never been the type to run from a threat, but this isn’t just a threat.  Dozens of troopers are gaining on him, they’re trampling their own dead to get within range.  Plasma pings off his shoulder, another one hits his back as they flank from behind.  He can feel the heat through the sizzling beskar, he can see them surrounding him on all sides, and the propulsion trigger for his jetpack is right there under his wrist.
Din holds his ground and continues firing, he plants his feet firmly to the dirt with only one thought in his mind.
Run, sweet girl.  Run.
---
You type in commands to scan for Din’s signal, quickly locating it through the Crest’s computer onboard.  Not far from here, three minutes or less.  The ship rumbles to life beneath you, slowly lifting off the rocky ground and rotating in place as it hovers.  It’s not on autopilot but you feel like you are, you can barely feel your hands as they move the yoke forward and the Crest takes off in the direction of Din’s blinking frequency.
“Tell me about defenses,” you instruct Oshua, restlessly bouncing your leg while the baby coos.
“Two plasma turrets on top of the base,” the quarry quickly answers.  “There’s usually guards stationed around the perimeter, but everyone who’s capable will be outside right now.”
Your mouth twists downwards under the mask.  Blasters don’t scare you much from this high up, but Din’s armor doesn’t cover every inch of his body, he’s not completely invincible.  Doubt churns in your stomach, but you have to stay focused on one task at a time so you don’t get overwhelmed.  The turrets, then.  “Are they automatic?”
“Manual,” he corrects with a shake of his head.
“Radar?”
“Old.  Only engages above fifty meters.”
You eye your altitude and dip the Crest considerably, beginning to weave through the rocky canyons and dodging crumbling cliffs while you travel.  “What about ships?”
“None,” Oshua says, “except for a passenger shuttle used for transport.  TIEs are flown in the Vesta sector, this base is remote and used for basic training only.”
“Anything else?”  You ask, stomach twisting with the knowledge that barely four questions is all you’ve got.  You’re planning to drop into an imperial base to save the man you love and you can’t think of a single other question?  
The quarry shrugs, and your heart slams, does somersaults in your chest at the mere notion that you could fucking die here.  Today, in two minutes or less, you could die here.  The child in your lap looking over the ship’s front panel with a quiet determination in his eyes could die here.  Din could already be dead—that signal broadcasts his location to this computer regardless of whether he’s still breathing or not.  He could already be gone and you’d be flying the baby right into a trap without knowing any differently.
Whelp, you think while taking a deep breath, some strangely calm existential acceptance beginning to flood your soul.  If he isn’t dead, he will be soon if you don’t make it to him on time.
You immediately lift your wrist and speak into the communicator.  “Mando?”  You have no idea if he can hear you, but you need to try anyway.  Your voice is still firm, there’s a strength to it you don’t feel in your chest, but it certainly sounds convincing.  “I’m coming to get you.  Less than a minute to your location, do everything you can to get outside.  If you can’t, I’ll just… uh.  Try to figure something else out.”
That’s it.  That’s it, improvise until you don’t have to.  Even if you’re lacking confidence, you can at least scrounge up some conviction.  Your arms gain feeling again while you veer the Crest through the stony terrain, the familiar reverberations under your feet begin to fill your body with a powerful sense of purpose.  Your breaths begin to come steady, every falling rock you see through the transparisteel feels like it drops in slow motion, allowing you to evade them easily.  It would normally be stupidly dangerous to fly this low with so many unexpected obstacles and hazards narrowly missing the ship, but considering what you’re flying into, a few boulders seems comical.
“Where’s your helmet?”  Oshua asks out of nowhere, and for a second, you don’t think you heard him correctly.
But then it strikes you all at once what he’s attempting to imply, and the sheer lunacy of the thought is enough to make you laugh while you clutch the controls.  “I’m not a Mandalorian.”
“You wear the armor of one,” he points out… rather fairly, you have to admit.  “You cover your face like one.  You have a blaster that fires Philithiorium, a rare and expensive gas native to Mandalore’s stratosphere, and you’re a bounty hunter—”
“I’m not a Mandalorian.”  Your words are short and cutting, you have a daunting task to focus on and don’t feel like having small talk right now.  “I’m not a bounty hunter, either.”
But then again, Karga made you a member of the Guild, didn’t he?  He handed you Oshua’s puck and said this one is for you to find, and you are technically part of a Mandalorian clan.  All of this seems like it happened without your knowledge.  You may be marrying a Mandalorian, you may wear his armor and mother his child and shoot a blaster with his signet branded into it, but war isn’t in your blood.  This robe was a costume when you first made it, this armor was a relic that was restored as a hobby.  In a sense, it still feels that way.  The mask covering your face lended itself to a temporary surge of bravery earlier, but beyond that, the only thing that’s keeping you moving forward now is your family.  The man you love that may or may not be alive right now, the baby holding tight to your leg while the ship sways and weaves through the stony landscape.
Your eyes quickly flick down to the child in your lap, both of his three fingered hands clutching onto the stained fabric of your knee without moving a single inch.  He’d know, you tell yourself.  If his father is gone, he’d already know somehow.  Din is still alive, and he’s counting on you.
---
There’s too many for Din to handle.
They swarmed him, overpowered his endless artillery with massive numbers and there’s nothing he can do anymore.  The backs of his knees are kicked from behind and he slams down to the ground with a clatter, his sizzling hot blasters are ripped from him, and Din folds his hands calmly behind his back even as one of the stormtroopers barks out, “Binders,” to another one, who disappears quickly in response.  In the meantime, a few of them apparently decide to just attempt holding his arms in place, and their measly combined grip is almost enough to make him roll his eyes under the helmet.  These imperial soldiers are even more pitiful than they usually are, but his silent resolve to stall to ensure your escape is enough to keep him stationary and compliant for the time being.
Eventually, a few voices call out from beyond the crowd and there’s some movement from the back.  Dozens of troopers with their blasters all pointed at him begin to shuffle to make way, careful to keep their barrels aimed at him while a path slowly forms.  The crowd of white parts and a stormtrooper with a singular red pauldron on his right shoulder saunters confidently towards Din as he kneels on the ground.
An officer, he assumes.  Conveniently missing from the firefight, the scanner inside his helmet would’ve caught the change in color and Din would’ve made sure to kill him first.
“Well now, what do we have here?”  Comes his thin metallic voice through the tinny filter.  The officer studies him curiously for a few moments, before slowly looking down by his feet, reaching out one cheap, plastic covered foot to gently nudge the body of a dead trooper on the ground with a sigh.  “What a shame.”
Coward, he thinks, his lip curling with disgust under the helmet.
“This is an imperial training base,” he turns his attention back to Din to inform him when he doesn’t immediately respond, rather stupidly he might add.  “How were you able to find us?”
Silence.  The grip on hands held behind his back is even looser now.  He just tilts his chin up slightly in defiance, the scanner inside his helmet locating each weapon strapped to the man’s body and highlighting it red.  Small text boxes blink into existence under each one with a manufacturer and classification—a BlasTech E-11 rifle, a Merr-Sonn thermal detonator, a Kolvo vibroblade—and Din is severely unimpressed with the quality.  The detonator is the only weapon that even catches his eye, and that’s only because the chamber inside that houses the explosive baradium has a release mechanism that’s completely dead.  Useless, then.  Good to know.
After a long moment of quiet tension where Din refuses to speak and the officer continues to confidently scrutinize him, in some strange sort of silent battle of egos that only one seems to have a genuine interest in, another stormtrooper makes his way to the front, shoving past his fellow soldiers to address the superior in charge.
“Commander, we’ve sent out an alert for an intruder,” he tells him, slightly out of breath from running through the crowd in the lightweight armor.  Din wants to roll his eyes, but what he says next makes him snap to immediate attention.  “The fleet informed us that Moff Gideon is currently on route.”
Gideon.  The last time someone spoke that name, it was a quarry on Coruscant and you just barely managed to stop Din from suffocating the bastard for even saying it aloud before freezing him in carbonite.  It would’ve meant half the return on a hunt that lasted nearly a month but he saw red and his hand was crushing his windpipe before he realized what happened.  But he’s dead, Din thinks with a clenched jaw and fists tightening behind his back, he watched that TIE fighter explode and slam into the ground, crushing the man inside it.  The wreck was unsurvivable, he can’t be alive.
“For what?  This Mandalorian?”  The trooper in charge scoffs in response, and Din remains completely mute.
“Yes, sir,” the other one confirms.  “Orders were to capture him, alive.”
“Hm.”  The officer turns his attention back to him, less analyzing and more musing while he tilts his head.  “I see,” he eventually says, and he sounds like he’s grinning, before strolling slightly closer as Din stays completely still on his knees.  “He must want the beskar.  I’m sure it’s worth more than this entire battalion combined.”
All of a sudden, a gloved hand carelessly catches the rim of his helmet and tugs, and Din’s movement is explosive.  He launches off the ground, arms easily slipping from the pathetic grip they were being held in and his fist colliding with the side of the officer’s flimsy white helmet, the plastic making a deafening crack against his face.
Multiple hands immediately rush forward to grab him and yank him back down again while the commanding trooper stumbles backwards in shock, and Din amicably drops to his knees and folds his hands behind his back once more like nothing happened at all.
“Binders!”  A trooper behind him roars loudly once more, and a few men surrounding him begin trotting away this time.
The officer in red stands a few feet away from him now, grabbing his helmet and twisting it back to its proper position on his head where it was skewed.  There’s a shattered hole near his jaw where the material splintered and busted like the cheap piece of banthashit it is, and while he might normally feel pleased with himself for being able to see his skin peeking through, it just fills him with more righteous fury.  It’s such a punchable jaw.
After a few awkward moments of silence, the other one clears his throat and continues.  “He… has inquired about the location and status of a child that should be accompanying him.”
Din inhales deeply through his nose and grinds his teeth.  He wants to snap their necks one by one for even just mentioning his son, but there are just too many, more than even his whistling birds can neutralize.  Still, he gave you as much of a head start as physically possible.  You should be rising into the atmosphere right now, making the jump into hyperspace towards safety.  Karga will know what to do—he’ll protect his family, separate you and the boy so the threat is evenly dispersed instead of collected all in one place, and arm dozens of trained hunters to keep watch over you both individually.  It’s the best Din can do, and it’s the only thing keeping his knees planted on the ground and his body completely motionless while they continue speaking.
“We are combing the sector for a ship with as many men as we can afford to lose,” the trooper in red says, but his voice filter is shattered and now sounds like a puny little droid with a broken voice box, “but our numbers are unimpressive.  Assistance may be required.”
It’s too late, Din thinks, mouth twitching under the beskar with a satisfied smirk.  They’re wasting their time, looking for a ghost.  You’re both long gone by now.  They’ve got no idea you even exist—
“He also spoke of a girl.”
And then he feels his heart stop in his chest.  Every single cell in his body turns to fire, it’s a fucking miracle he doesn’t move a muscle in response.  His sweet girl, the one so far removed from the nightmare of the Empire that she made best friends with the orphans of it.  How the fuck did he know?  He shouldn’t even be breathing, let alone gathering information about you, how did he know?
But then Din thinks back, remembering your makeshift bed on the floor, your panicked eyes and heaving chest as the quarry taunted him with a sick little smile.  Who’s this, Mando?  She’s just darling, isn’t she?  Does Gideon know your crew has a lovely new addition?
“A girl?”
The trooper nods.  “Moff Gideon insisted that if the Mandalorian did not have a child with him, then a girl would likely be protecting him instead.”
He’s going to kill them, Din decides.  Every single one of these imperial pigs, every single soldier standing right now is a dead fucking man.  The blood pumping through his body suddenly turns to acid, deadly black hate poisoning his soul.  His heartbeat morphs into a war drum, the armor strapped to his limbs is the barrel of a gun.  He’s going to fucking kill them and leave an imperial base full of bodies to greet his old nemesis upon his return, and he’s going to enjoy every single second of it.
Except, then—
“Mando?”  The sweetest voice in existence suddenly crackles through the earpiece under his helmet.  “I’m coming to get you.  Less than a minute to your location, do everything you can to get outside.  If you can’t, I’ll just… uh.  Figure something else out.”
And, as Din kneels there in surrender, surrounded by a crowd of enemies he thought he destroyed long ago, all the anger—all the fury and defiance and murder surging through his veins—suddenly morphs to fear.
The emotion is so foreign and old to him, it feels like a face he barely recognizes and a name he can’t remember.  He’s panicked before.  He’s been in situations where a threat has made him blind with rage, he knows what it’s like to look death straight in the eyes and say that he’s busy and to come back another time.  This is different.  This is ice cold that freezes over beskar.
He can’t speak out loud to warn you—he can’t move his hands to press the button on the back of his helmet and allow him to talk without detection.  There’s plasma turrets on the roof of the base, he can see them right now.  The helmet’s scanners say they’re manned and engaged, and though he is outside and this is how you retrieved him before whenever he needed a quick escape, he has fifty fucking imperial blasters trained on him and you know absolutely nothing about this threat.  You’re flying right into a war zone and if either you or his son dies, he won’t ever be able to forgive himself.
Behind the helmet, his eyes fly to each and every trooper, wondering which blaster will be the one to do it.  Which weapon is going to be the one he can’t block in time when you descend, the one that’ll kill him right in front of you.  Which turret will be the one to obliterate the Crest with you and his son inside of it.
“Maker, where are those fucking binders—” he hears someone behind him snarl, but the white noise of pure terror roaring through his ears drowns them out.  His chest starts heaving against his will, sheer panic begins to blur his vision.  For the first time in his life, his armor feels too heavy, his lungs feel like one of these boulders are sitting on them instead of beskar.
All too soon, his helmet starts making a familiar sound that signals quietly in his ear, alerting him of an incoming ship, and the only thing he can physically do is count down the seconds to prepare himself for what is to come.
Ten, nine, eight, seven, six, five, four, three, two…
Like lightning, Din breaks the grip of multiple troopers and surges up, tackling the officer in red to the ground.  There’s a clatter as they both slam into the rocky floor, but in the ensuing scuffle, he easily snatches the thermal detonator from his side holster and holds it up for everyone to see, before pressing the red button on the front and hearing it begin to beep rapidly.
---
You’re right on time.
The Crest rises up through the rocky cliffs surrounding the base and you spot the turrets you were warned about.  Weapons controls are already engaged and you’re too low to be detected by radar—you fire once, twice, and blast both of them to smithereens from behind before they can even rotate around to target you.
Alarms start wailing but the guns are destroyed.  It’s not comforting, though; blasters won’t touch you up here, but that doesn’t mean they can’t fire at Din on the ground.  Your eyes dart across the sea of white, looking for a flash of silver anywhere, and then you spot him instantly in the chaos.
For some reason, the troopers in his vicinity all seem to be bolting away from him.  Their rifles are down, clutched in their hands while they nearly fall over each other to run away as fast as possible, and your heart soars when you spot his jetpack firing up.  Din launches into the sky while another trooper is revealed underneath him, seeming to juggle something in his hands and then throw it into the crowd of retreating soldiers, but the sight of the man you love rising into the air while a flurry of blaster shots from the far edges of the imperial structure follow him gives you the confidence to immediately turn the guns down towards the horde of troopers.
“Which ones are in charge?”  You ask Oshua breathlessly, who leans forward and points out the transparisteel.
“Red pauldrons—” he barely has time to say it before you aim and fire at one of the troopers wearing red that was closest to Din, the plasma beam launching from the Crest so powerful and devastating that it outright obliterates the surface he’s laying on.  Pieces of shattered armor fly and a smoking crater of rubble is all that’s left behind, but your mind is whirling and you’re already onto someone else wearing red at the edges of the complex, and then two more near the doors, and then another—
To their credit, you think the sixty or so soldiers in training seem to figure out that you’re not aiming into the enormous collection of them.  If you were, the damage would be catastrophic and spraying everywhere, but you’re precise and meticulous with your shots, and the only ones who are loyal enough to the cause to hold still and raise their blasters at the incoming threat tend to be the ones you need to mow down anyways.  The rest of them scatter in all directions, scrambling over each other to escape and then disappearing into the distant boulders surrounding the base—but you notice that not a single one of them runs back inside the safety of its open doors.
The hull dips with the weight of Din dropping in, and relief floods your soul even as you continue raining hell down on the superiors in charge.  Any flash of color you see is a target, your eyes lose focus of everything, your vision blurs and turns monochrome as you just search for red.
“Lift up!”  You hear Din’s voice roar from the hull.  You can hear his rifle unloading through the open door.  “Now!  We have to go now!”
You press the button to shut the hull door with Din inside and punch it, rising so fast that the shove of gravity makes it difficult to keep your head up.  Through the sudden surge of downward force, you just barely manage to raise your incredibly heavy arm to push the button that pressurizes the Crest and ignites the launch boosters, preparing the vessel for space travel.  Outside the transparisteel, the gray sky begins darkening as the atmosphere eventually disappears.  The ship’s engines roar, burning so much fuel at once that you’re actually accelerating through the climb, you’re boosting through the gradual ease of gravity as the planet’s curvature and glow becomes softer and softer below you.
As soon as the blackness of space begins to fill the windows, the slight subsiding of force allows you to plug in the coordinates for Nevarro with less difficulty, but you’re still moving, still rising, still escaping.  You can’t find it within yourself to slow down, but then something catches your attention.
Claws suddenly dig sharp into your thigh, sharp enough to sting and cause you to wince, and you look down to see that the kid has gone incredibly tense.  Deadly tense.  Your heart is still pounding even though you’re away from danger, you’ve got Din in the hull, everyone is safe, and yet—
It flickers into existence all at once.  One second it’s just space, just the endless depths of nothingness spread out for light years in front of you, and within the blink of an eye it’s suddenly there.
A star destroyer.
Your body freezes in horrified awe, having never seen a ship so fucking big in your entire life.  It looks like a massive satellite, the size of an enormous asteroid instantly appearing in your vision and dwarfing the vastness of space around it.  All the stars you used to dream about are suddenly blotted out within a fraction of a second, terror so immense seizes your soul that you stop thinking.  You stop calculating, you stop being yourself for a split second that lasts an entire lifetime.
Before you can move a single muscle, the computer beeps quickly and lurches the Crest into hyperspace.
---
The stars streak across the transparisteel like so many times before.  Utter silence nearly deafens you with how abrupt it is after so much noise, but the peace it used to bring does nothing to quell your fear.  Everything is the same as it always was, same bursts of light as you hurdle faster than it towards Nevarro, same quiet, same rumbling hum of the ship.  But now, everything has changed.
You hear the quarry next to you suddenly inhale and exhale loudly, and it shocks you a little bit, reminds you that there’s a person next to you and another is on your lap.  Other people exist outside of the vision of death that just flickered out of existence just as quickly as it appeared.  They’re breathing, Oshua is shakily unbuckling his seatbelt, life is continuing on in the quiet cockpit but you can’t seem to move like he is.  You can’t seem to breathe like he is.  It’s only when the baby slowly maneuvers himself around on your thigh and blinks up at you, placing a tiny hand on your stomach that you finally feel air enter your lungs.
After a moment, you reach down and click open your seatbelt with trembling fingers, scooping the kid up in your arms and slowly attempting to stand.  Everything feels wobbly and dreamlike, you have to brace yourself on the headrest to prevent yourself from falling back into the chair again.
“That was…” Ryler mutters, his voice sounding foggy and distant, “uh.  A close one.”
You look over at him, recognizing that he’s speaking but not quite able to understand the words right now.  Red catches in your vision, and you blink down at the way he’s clutching his left shoulder, the smear of blood darkening the white armor he’s wearing.  You blink a few more times at the sight of it, and though it feels like you normally would be sickened at the wound, somehow shocked out of your state of shock, it does nothing to you.  When you look back up at his face, his expression seems strangely grateful, even when it’s screwed up in what you know must be excruciating pain.    You did that, a quiet voice whispers in your mind, even though the rest of it seems incredibly blank.
Instead of responding, you stumble a few steps over to the ladder, spinning around and hesitating for a moment.  You’re severely lacking in coherent thought, but one thing seems to break through.  You’re not sure if you have enough coordination to do this safely right now.  However, when there’s movement in your peripheral and you look to see Oshua gently offering his right arm to you, seeming to understand you’d like to use both hands for this, you snap back to your senses just the slightest bit and hug the baby tighter to your chest.  Carefully, you begin making the slow climb down the ladder with the kid, still trembling with the aftershocks of adrenaline.  Your limbs feel extra heavy, but eventually the floor meets your feet.
Din is standing there when you slowly turn around, armor gleaming and still as a statue, but he has his back to you.  His helmet is tilted down at the ground, and when you follow his gaze, you’re met with the sight of the bloodstains of dragged bodies that leave dark red streaks all the way up the ramp.
You feel something this time.  It’s… cold.  A burning, searing cold that creeps into your skin.  Like your heart decides to pump nitrogen through your chest instead of warm blood.  You did that.
There’s a sudden urge inside of you to speak, to address him and inform him of your presence, tell him everything is okay, everything worked out, but you can’t find it in yourself to say a single word.  You can’t find a single word to say.  The kid twists as best he can in your clutch, his ears drag against your chest to greet his father, but for some reason, there’s still a strange sense of fear in your bones.  It’s enough to wake you up slightly, it’s enough to tell you it’s not over yet.  There’s a terror in your heart that hasn’t left since he first called over the comm and begged you to run, a crippling dread that you thought climaxed after seeing that star destroyer appear, but it’s somehow only increased after laying eyes on him like this.
You watch as his helmet turns, slowly meeting the pauldron on his shoulder, and for some reason, you feel yourself harden.  Your feet brace against the metal floor like this is another threat you have to face, you let its unyielding metallic strength transfer up through the souls of your boots to your heart in your chest.
But the second you hear cheap white armor clatter as the quarry steps down the ladder behind you, Din bursts into movement.  He suddenly spins and storms up to you in one single step while catching your holstered blaster on your hip.  It’s out and aimed in the blink of an eye, and it’s a miracle you remember how to speak before he remembers how to kill.
“Mando—” you warn, just in time for the quarry to land on the floor of the hull and turn around to reveal his face.
Din holds there for a second, his helmet locked on Oshua’s features.  His gloved fingers twitch wildly on the trigger of your gun held over your shoulder, like he has to remind himself multiple times not to.  You hear Oshua’s armor clack while he likely raises one good arm in surrender, but then Din’s helmet moves a fraction of a millimeter to your face and holds there.  He just stares down at you, and the air feels heavy, your body feels heavy, the feather light child in your arms feels heavy.
Slowly, he lowers his arm, lets it fall while he continues looking at you from behind the visor.  You look back at him, unblinking, unfeeling, and there’s a few seconds that last an utter eternity where nobody moves.  Nobody speaks, nothing happens, but then a soft coo comes from your arms before you can finally break eye contact, knowing there are still some things that need to be done.
You eventually turn around and lift your chin to address Oshua.
“You have to go into carbonite,” you inform him quietly.  Your voice sounds strange, like it’s coming from outside of yourself.  “We’re taking you to Nevarro, and then you’ll be transported to your home planet. When they unfreeze you, your sister will be there to collect you.”
He looks uncertain, one hand still raised while the other hangs uselessly at his side, and you don’t blame him.
But you also don’t feel like saying anymore, not unless he decides he doesn’t want to go in willingly.  Normally you might’ve tried to empathize, offer him further reassurance beyond just a couple short sentences, but you don’t.  Speaking feels difficult, thinking feels difficult.  You’re still in survival mode, not active but reactive.  There’s also no reason for you to lie to him about this, and you can see him glance at Din standing silently behind you, who hasn’t moved a muscle.
He eventually nods and you walk him over to the chamber without another word, watch him turn to face you as he backs into the opening while you reach up towards the control panel.
But then there’s a moment.  One where you hesitate slightly, one where your vision flashes back to the sight of those bloodstains on the floor, and that burning cold fills you again, so cold it feels completely numb.
“I’m… sorry,” you whisper quietly to him, though your voice sounds so empty.  There’s so much emotion that should be there but isn’t, so much regret and pain that should break through but can’t.  “I’m sorry I… killed your friends.”
Later, you’ll think about how you felt absolutely nothing saying it.  Your heart doesn’t constrict with remorse at the mere words leaving your mouth, guilt doesn’t flood into your soul, pain doesn’t wrack through your bones.  You could’ve been saying anything at all and nobody would be able to tell the difference.
He blinks at you, flicking his eyes between yours for a second or two, but then you press the proper button and watch the gas quickly freeze him where he stands.  He’ll be conscious the entire time, but Karga will send him to the correct location and you have no doubt that this elemental purgatory is leagues better than where he just escaped from.  It’s a benefit being the last quarry to be retrieved—he’ll only have to spend a few days trapped in here before being reunited with his family.
When that’s done and Oshua is a complete statue in front of you, bulky white armor now colored a dull metallic gray and frozen in time, you will yourself to finally turn around to face the enormous mountain of a presence behind you.  The baby gently reaches out for him, but Din doesn’t move from where he’s stood.  Your blaster is still clutched tightly in his hand, and he isn’t looking at you.
Slowly, you walk over and stop directly in front of him in the middle of the hull, blinking at him while the helmet subtly moves to lock onto your face.  The kid begins wiggling in your arms, making soft impatient noises while you both stand in complete silence across from each other.
After a few moments, you hear him flick your blaster’s safety on by his side and then toss it carelessly to the ground.  It skids along the floor, light enough to be mostly quiet.  Gloves reach out as he carefully takes the kid from you and settles him in the crook of one arm, and then he looks you up and down, still not saying anything.
Your eyes follow his movement, watching his arm slowly reaching out to you, and you think he’s going to cup your jaw, or brush your hair back.  Give you some sort of physical reassurance since he hasn’t spoken a single word of it.
Instead, Din suddenly grabs the armor clinging to your chest and starts ripping it off you with one hand.  It clangs to the floor so loudly in the silence of hyperspace, the kid’s ears twitch and flutter with each shattering bang.  You hold still while he does it, you barely respond except the unavoidable movement your body experiences as the pauldron is yanked from your shoulder and thrown against the ground.  The ammo belt is tugged over your head and hurled away, the thigh braces are snatched from your legs and they clang to the floor, and the pearly, opalescent fabric revealed underneath is stained in dead man’s blood, rusty and in such great quantities that it shows up as brown instead of red.
“Are you hurt?”
He sounds… dead.  So monotonic that you can’t possibly gauge his emotional state.  He doesn’t move.   His fists don’t clench, he says every single word like it means the same exact thing as the last.  If nothing at all was a person who could speak, they’d use his tone of voice.
“No,” you eventually whisper.
The helmet nods once, and then he spins around and walks away without anything else.  Without saying anything, without touching you, or double checking you for injuries in case you were lying.  You stand utterly still while Din climbs the ladder with the kid cradled in one arm, and you don’t even flinch when the door to the cockpit slides shut behind him.  You have no idea how long you stand there in the splitting silence afterwards, numb and unmoving.
You feel… nothing.  Absolutely nothing.
The hard defenses you strapped to yourself today to reconcile the things you had to do are still high and strong, guarding your soul even if he stripped away your physical armor.  Self preservation is still animating your body, and your facial expression barely changes.  Your first thought, as soon as you remember that you can have one, is that there are things that still need to be done.  Tasks to complete.
Alone, you shower the lingering traces of blood off your body, the normally clear and refreshing water running a sickly, toxic brown.  Alone, your stomach rolls and suddenly decides to empty itself of the very little that was in it as the scalding drops rain down over you—mostly liquid and bile that easily rinses down the drain.  The water is too warm, it beats down on you like blazing hot sand pelting your skin in the desert.  You feel like you did those first few months with Din, where the silence was suffocating, where you’d only interact with the baby if he was on a hunt or if you could tell he didn’t know how to calm him when he was fussy.  If you were in hyperspace, you usually spent time by yourself in the hull while he lived in the cockpit, and if he decided he needed to be in the hull for whatever reason, then you’d trade places with him.  It was… isolating.  Lonely by yourself.  The quiet used to haunt you before it became your cherished friend, but now it’s a betrayer, a ghost that whispers memories and nightmares in your ears.
When you finally finish rinsing the blood from your skin and get dressed, you see the sheets that used to make up your bed now have fried holes in them from your charred plasma marks, the inside of the hull is covered in them and the trails of dried blood where you dragged the bodies down the ramp.  Your armor is still strewn about the hull, the kid’s hovering shield lays dead in the corner.  Everything you meticulously cleaned and organized and collected and created, now the scene of a bloodbath.  One committed by your hand, your blaster still laying uselessly on the floor forever linked to this atrocity.
You spare a glance towards the ladder, but you don’t want to come face to face with Din yet.  You already knew he’d be furious, but… you had hoped that he’d at least…
What?  At least what?  Comfort you?  Coddle you after you deliberately ignored his instructions?  What exactly, in the past year or so of learning Din’s inner workings and intricacies, would ever give you the impression that he’d come give you a big hug after you purposefully defied him?  You flew the kid directly into an imperial base after being told to protect him, you ignored every order he gave to you in the moments he thought would be his last, and though you did it to save his life, you have a feeling that Din has never valued his life even a fraction of what you do.
The misery stabs at your soul, but your mind is finally beginning to process things logically.  He’s alive, the kid is alive, the quarry is secure, and you’re all onboard the safety of this ship hurtling through hyperspace where nobody, not even the Empire, can touch you.  You weighed the consequences before making your decision, you did what you had to do.  If he wants to be mad, then he can fucking well be mad and you’ll find some way to comfort yourself.  At least he’s here being mad, at least he’s alive and safe and breathing and mad, and your rare act of disobedience is to thank for that.
Somewhere in the back of your mind, you realize it’s probably easier than it should be to reconcile the punishment.  Right now, you welcome the exclusion, the negativity and sorrow beating itself into your soul.  Four innocent people died today on this ship, gunned down under your blaster while they panicked and ran for cover.  You keep hearing their screams.
So you start to clean up the hull, needing another task to focus your thoughts on.  You work to erase every inch of the evidence of your deeds, make it disappear like the pool of blood Din once cleaned up while you were sleeping and never acknowledged again.  You only allow the bloodstains to fuck with your head for a single moment, and then you swallow back the nausea until you’re a blank slate again and sink to your knees with a rag in your hand.  After that, your vision stops focusing and it just becomes red contrasting against gunmetal gray, and you work tirelessly to get rid of all remaining traces of it.
Then you start on the blaster marks, you need them gone.  After a few informed attempts at mixing cleaning chemicals, you find one concoction that allows you to wipe them away like they’re nothing more than dirt that got tracked in.  The Crest’s oxygen recycling system works overdrive to constantly purify the air so you don’t get high or pass out, but your nose still stings.  It’s fine, it’s sterile, it burns a bit but it smells sharp and metallic and keeps you hyper focused on the task at hand.
After that’s done, you pick up the charred blankets and ball them up to throw into the trash vent.  You don’t feel anything as you do it.  You don’t think about how long it took you to collect these over months and months of being stuck on this ship, how comfortable they were when everything else was industrial and rigid, how many nights you spent with Din curled up in their softness while he breathed easy and warm.  Sheets are just luxuries, they can afford to be lost.
Next, you gather your armor and wipe it down with the rag, put it away along with your blaster.  The stained robe goes in the trash, along with the sheets and the blood soaked cloth you used to clean everything.  They’re all ruined, you’ll never be able to make them right again.
The hull is sparkling clean when you decide to take another shower.  Nothing on you is dirty except your hands, but you feel filthy.  Wrong, cold, numb, cold, stained, cold.
After scrubbing your skin raw under the water and changing clothes again, since you don’t really know what to do with yourself anymore, you slowly climb the ladder to the cockpit, keeping perfectly silent.  When you reach the upper platform and come face to face with the closed door, you can just barely hear Din’s whispered voice speaking quietly to the baby beyond it.
You raise your hand for a moment, hovering your knuckles over the metal, but then it eventually falls.  Instead, you look over and spot the corner, the same corner Din bunched himself into when he snapped at you for even suggesting going on a hunt with him, blew up at you for the mere notion of something happening like what happened today.  You back yourself into it in defeat and slowly sink down on the floor, resting your head against the metal and hugging your knees to your chest since you don’t have a tiny baby to take their place.
You can’t sleep.  You don’t even try, it’s pointless.  The concept feels foreign the longer you sit here by yourself.  You don’t hear Din or the baby anymore, but you feel… so fucking awful that it’s fitting that you don’t knock or go looking.  You don’t want to hold that sweet child with hands that were covered in blood just a few hours ago.  You killed more people than you can count on your fingers today, and of the ones who had done nothing wrong…  They screamed like younglings, ducked for cover and were able to fire off one single useless shot in the mayhem before you closed their eyes forever and left their bodies to rot in armor that wasn’t ever their choice to wear.
You didn’t know they were kidnapped and smuggled and forced into that situation.  You couldn’t have known, but that isn’t the point.  In this case, knowing doesn’t make one bit of difference.
You also can’t face Din yet, not like this.  You don’t want him to see you cowering, shattered with guilt over the decisions you made under pressure.  How will you ever get him to forgive you for not listening to him when you can’t even forgive yourself for the result of your choices?  Din is a hardened man who grew up in blasterfire and bloodshed, just because you love him doesn’t mean he’s going to magically become someone he isn’t.  You’re here letting guilt sink sharp claws into your chest over four dead men when he had a good fifty or more corpses scattered on the battlefield around him.  You decided to wear that armor, you decided to fly into an imperial base with the kid on your lap, and this is now your penance.  You’ll accept it with your back straight and your chin held high.
Figuratively, of course.  Physically, you’re smaller than you’ve ever been.  Crumpled up into a ball, taking up as little space as possible, curling up as tight as you can like an animal protecting all your vulnerable parts during a brutal attack.
So, since he isn’t here to comfort you himself, you just try to think about what he would tell you.  A long time ago, what would he tell you?
Din would tell you… that you killed someone.  Multiple people, this time.  He’d also tell you that it doesn’t matter what he tells you, what you could have reasonably foreseen or what you should have done.  The end result won’t change.  You own this now.  You’ll carry their deaths with you.
You take a few deep breaths, self-soothing with the undeniable truth that would be murmured matter of factly from his quiet voice.  He wouldn’t argue with you.  He wouldn’t deny the decisions you made or the consequences of them.  It happened, and at the end of the day, you either learn how to handle that, or you don’t.
And, for the four you did shoot, you were responsible for freeing ten times that amount.  You’re responsible for reuniting Oshua Ryler with his family, even if your place in yours is momentarily shunned.  You’d rather be out here alone than in there with the kid, wondering where his dad is or if he’s even still alive.  You rescued Din and now he gets to be here to shut this door on you, hold his son, and whisper calm reassurances to him.  If you listen really hard and imagine, you can pretend they’re for you, too.
That’s it.  Focus on them both, alive and well together.  Focus on the bodies wearing white armor that were moving, the ones that were bolting away from the imperial training base as fast as they could, free from the torture of imprisonment and conditioning.
Finally, you close your eyes and slip into unconsciousness.  It’s not a testament to your exhaustion, but rather just how long you’ve been left to sit here by yourself.  Hours, maybe.  Time is strange in hyperspace.
You dream of a faceless man ringing bells.
---
When you wake up, a small baby has been placed in your arms, and you’re being dragged into a strong, secure beskar hold on the floor.
“Din,” you suddenly lift your head as soon as you’re conscious and nearly bonk it into solid metal, apologies rising in your throat before you even remember where you are.  You did what needed to be done to keep your family alive and together and you’d do it a thousand times again if necessary, but that doesn’t mean you won’t apologize anyways.  After the deeds you’ve committed today, regret feels as natural on your lips as speaking your own name.  “I’m sorry, I’m so sorry, I know you’re mad at me but I—”
“Shh,” he whispers, running his gloves through your hair.  He’s still wearing his helmet, he hasn’t taken anything off yet.  “Don’t say anything.  Just… stay here, stay right here with me.”
“I tried to save you,” you croak, tears instantly flooding your eyes.  You did save him.  You saved him and the baby and yourself but you’re so physically and emotionally exhausted that all you can recall is your intent.  “I tried.  Wasn’t gonna leave you there by yourself.  I tried to be brave, like you—y-you wouldn’t have left without me.”
His arms tighten around you, cradling you in such a strong embrace that you burrow into him, you find a place for your head on the hard metal strapped to him and bury yourself there, wishing that you had shovels of dirt being piled on you to justify the death you still feel staining your soul.  Your heart is starting to pound now that you’re remembering, your body is starting to shake with tremors of shock now that you’re aware of your own skin again.
“I was so sc-scared, Din, I didn’t—didn’t know what was happening,” you lament through watery eyes, gasping it out in hopes that it’ll relieve the slightest bit of the gut wrenching guilt just mercilessly crushing you.  It caught you before you could protect yourself against it, that armor you built around yourself isn’t on when you first wake up.  “I-I didn’t want to kill them, but they were already on the ship and y-you said—you said they were coming after the kid s-so I had to, I had to—”
“Stop,” Din whispers, voice so quiet that you can barely hear him.
“I-I cleaned up the blood,” you turn your face against the cold beskar to let all the positives you listed for yourself before scrape across your throat.  They don’t sound comforting anymore, they just sound like excuses.  “It’s gone, it’s like it never happened, everything is okay now, I got the quarry, I protected the baby, I saved a bunch of people, you’re both safe—”
“Stop,” he chokes out.  The modulator cuts off before you can hear his next breath, but you feel it shudder under your body.  “St-Stop it, please.”
Your eyes clench shut so tightly you feel like the streaking stars outside are behind them, tears drop down against his pauldron and you press your face tighter to it like it’s a wound, like the pressure will somehow ease the bleeding.
“Listen to me,” he says very quietly, and you instantly brace yourself.  The walls you just let down shoot right back up, your body physically tightens in preparation for another pain, another trauma, another scar you’ll carry, and you stop shaking.  You stop breathing, even when his hand comes up to ease your face away from his armor.
“You,” he whispers, holding your chin so you’re staring right at him, and your eyes flick fearfully in between his behind the visor, “are a sweet girl.”  Din’s leather thumb brushes along your skin, dragging over the tears below your puffy eyes.  “Not,” his voice catches, “a Mandalorian.”
Your heart goes cold.  Again, everything turns numb.  It doesn’t matter that you already said this yourself out loud earlier today.  It doesn’t matter that you acknowledged this fact, verbally insisted it more than once to hammer home the truth and felt some sense of comfort in it.  For some reason, hearing the words from his mouth is a fucking knife to your chest.
“I taught you how to fight, how to shoot a blaster,” he murmurs, thumb catching every single tear that continues to fall as he speaks.  “I taught you everything I know, everything that’s been taught to me.  I taught you how to defend yourself, how to protect yourself when you’re in danger.  I gave you your blaster, I gave you my armor, I gave you everything I could give you to keep you safe.  And when I thought you were ready, I let you loose on Sanctuary II.  Do you know why I did that?”  The helmet tips forward the slightest bit at the question, probing deep into the most shattered part of your heart.  “After all those months of fighting, and shooting, and training, do you know why I told you to run?”
You blink silently at him, a shaky breath quaking through you, and your expression wants to crumple under the reprimand.  You’re so fragile right now, taking hit after hit after hit to the softest parts inside you, and you want to just give up.  Let the guilt and remorse take you, let it wash you away.  But then, instead…
There’s a flicker of something inside you.  Something strong, endlessly strong, and it makes you want to revolt against what he’s saying.  It replaces the hurt and fear and desperation for comfort with a strange sense of insurgence, like it did earlier when you were hiding behind a boulder, cowering and trembling and not wanting to die.  You’re filled with a quiet urge to defend yourself in the face of this, stand up for yourself and refuse to be beaten down any longer.
“Because you needed to know how to escape danger,” he answers himself when you don’t.  “You needed to know how to disappear, how to outsmart any pursuer and find safety, even the trained ones.  Especially the trained ones.  Anything else was meant to be your last resort.  Not your choice.  Not something you chose.”
“I couldn’t leave you,” you admit to him quietly, voice shaky and tears still coming even as you try to speak up for yourself.  The regret you carry has nothing to do with this, and you decide right now that you won’t feel bad for saving him.  Your hurt comes from the meaningless things, the ones without any need whatsoever, not the necessary ones, and you tried.  You repeated his words to yourself over and over again, told yourself to run, told yourself to get to Nevarro, and it wasn’t going to happen.  “I couldn’t do it.  It wasn’t a choice.”
“It was,” he tells you.  He says it softly, whispers it like it’s the gentlest thing in the world, but the power and inherent distance of the armor strapped to his body finds its way into the words.  “And it was the wrong one.”
“What was I supposed to do?”  You ask, just a hint of that rebellion swimming to the surface now, rising out of the waves of self doubt, the one that feels like a spine growing in your back, an energy coursing through your veins that makes your heart start to beat faster.  Din’s hand slowly drops from your cheek but you don’t care.  “Was I supposed to run away and just let you die?”
“Yes.”  It’s quick and blunt and completely emotionless.  Delivered like a punch to the vulnerable parts of yourself he taught you how to protect, and the utter silence following this single word is comparable to the physical pain you learned to defend against.  It jabs hard against everything good and sweet and tender inside of you, and you’re left speechless even as he continues impassively.  “That’s exactly what you were supposed to do.”
It takes a second, but then that unfamiliar feeling suddenly surges up, breaches with the power of an entire ocean.  Your voices may be nothing more than whispers in the dark, you may be clinging to each other, holding each other with the softest, gentlest love in your hearts, but the strength of your conviction on this would rip metal apart.
“No.”  The word holds the might of your entire being, and it stands alone and defiant in the face of everything you fear, everything that threatens you, him, and this child.  Never.  You’ll die before that happens.  “I love you, and there’s nothing in this galaxy that would ever make me do that.  Not fear, not danger, not the Empire, nothing.  Not even you.”
Din stares at you.  His visor reflects your hardened expression back to you, the force in your soul and the purpose in your eyes, and you don’t even realize the gravity of what you just said because like your love for him, gravity is a constant.  It’s a fundamental truth cemented into the rules that govern your actions and it stays true no matter where you are, no matter what terror you face, or how scared you become.  You have him, you have this little boy in your arms, and if that’s all you have, then you have everything.
After an eternity of this, of feeling his eyes pierce deep into you from behind the helmet while you refuse to wither under his stare, you watch him slowly turn and look down, landing on the sleepy child tucked between you both.  He holds there for a long time, before finally whispering, so quiet that the modulator barely picks it up, “It was the wrong choice.”
You stay quiet.  It happened.  What’s done is done, you can’t change the past.  He can scold and reprimand you about this as much as he wants, but you did the right thing and that decision is the only reason he’s even here to be able to do so.  This exhausted child was reunited with his father because of your choices, and this exhausted father was reunited with his child.  You won’t argue anymore, but it’s a certitude that lives deep in your heart now, builds a home there right alongside the both of them.  Din eventually looks up, his eyes find yours again behind the visor, and his hand rises once more to gently cup your jaw.
“I… thought I’d enjoy seeing you in my armor,” Din finally whispers.  It’s not what you expected, but his voice sounds… weak.  Broken.  “You wore mine once before, and it was…”  He brushes his thumb along your cheek, and then his head shakes slightly, pushing the thought away.  “It wasn’t real.  It didn’t fit.  It dwarfed you, it made you look out of place, it made everything soft and innocent about you stand out.  I liked it because it wasn’t real.”
“Was it… really that bad?”  You whisper back, partially to ease the tension just slightly but quickly breaking eye contact with him when you realize it doesn’t land correctly, it just sounds self conscious and sad.  You try to find that conviction again, that strength and assurance that propped you up so sturdily before, but…  Not a Mandalorian, he’d said.  Of course not.  Of course not.
“It wasn’t the armor.”  Din gently tugs up on your face so that you look at him again.  “It was you covered in blood.  It was you purposefully putting yourself in danger.  You killed multiple armed soldiers of the Empire, you dragged their bodies off the ship.  And then you flew into an imperial base, where you killed the officers, too.  You…”  He shakes his head slowly at you while speaking, and although you can’t see his face, you don’t need to in order to hear the horror in his voice.   “You… collected a quarry… in the middle of a massacre, sweet girl.”
Not a Mandalorian.
“You don’t chase down bounties,” he tells you.  “You don’t fly into war zones.  You don’t kill imperials, you don’t collect quarries, you don’t sacrifice yourself, or our son, to save me.  You said you tried to be brave… like me.”  His fingers tighten against your cheek, he dips his helmet to make sure you understand.  “I’ll never ask you to be brave.  I’ll ask you to survive.”
“I’m… sorry,” you finally whisper, and his arm drops from your cheek to join the other in wrapping around you and holding tight.  They hug you and squeeze, encasing you and the baby in a beskar shield and staying there for a long time.  Long enough for you to tuck your head back into its proper place under his helmet, long enough to start to feel okay with the silence again.  It brutalized you the last time you were surrounded by it, it made you feel alone and desolate and barren inside.  You greet it warily now, settling into it for an unknown amount of time until it’s forgiven once more.
After a while, Din quietly breaks it.
“How many?”  He murmurs to you.  You already know exactly what he’s asking, there's no more clarification necessary on his behalf.
You slowly close your eyes and think back to the smoldering craters, the blood soaked ramp, the fear in Oshua Ryler’s eyes as he begged you not to kill him.
“That didn’t deserve it?”  You ask, clenching your eyes tighter at the memory.  “Four.”
And maybe, maybe six or eight months ago, you would’ve begged for some guidance on how to reconcile that.  Hell, maybe a few hours ago, you could’ve used his arms around you exactly like this, his low voice repeating the same things he’s already told you before, over and over again, if only for some semblance of stability when everything feels turbulent and uncertain.  You’ll never be able to change it, though.  This belongs to you now.
This time, all Din says is, “I’m sorry, too.”
And that covers everything.
The silence envelops you both again, but… there’s something else.  Something that still sits deep in your worries, an image that isn’t a scar of what’s happened but a dread of what’s to come.  You need to tell him.  You don’t feel like saying it, you don’t want to speak it aloud for fear of bringing it into existence, but you need to tell him.
“Din?”  You breathe out, and he makes a soft noise in his throat while cuddling you on the floor.  “I saw…,” you whisper, every word sitting tight and reluctant in your throat.  “Right when we made the jump, I was looking through the window and I-I saw…”
“A star destroyer.”  He says it like… like it’s the worst thing in the world and also completely expected at the same time.  He says it like he already knew, yet can’t even imagine.  You lean every bit of your weight against him since you can’t hold him in return, squish him as best you can against the small corner and curl up even tighter in his arms for comfort.
He takes a deep breath, a shuddery sound you don’t think you’ve ever heard him make before.  It holds untold anxiety, unsaid conflict, uncertain action, an unknown path forward.
“I don’t know what to do,” Din eventually whispers to himself, to you, to the baby in your arms.  His voice is barely a breath through the modulator, his fingers digging into your skin with how many emotions he’s repressing.  “What do I do?”
He sounds so distressed that you automatically feel your soul find the floor—instantly, you become steady and calm and you locate all that rationality that kept you going today.  All your worries still twist deep down, all the guilt and the turmoil wrestles with your soft, easy nature until you can only find bits and pieces of it in the most vulnerable places inside you, but if he’s struggling this terribly, then the least you can do is offer some good, true, unwavering faith in times of uncertainty.  You’re in hyperspace, everything worked out, and it’s going to stay that way for right now.  If he doesn’t know how to talk about it yet, then you trust him enough to wait for him.
“It’ll be okay,” you tell him with a newfound confidence and purpose, carefully easing the baby into one arm so that the other can find its way to the other side of his helmet and pull him closer.  Din tucks his head and allows you to brush your lips against the metal, whisper the words soft and steady to him.  “We’ll figure it out together.”
---
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@cptnbvcks thank you so much for the incredible art!
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mymarifae · 1 year
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every time someone says "an should have been vbs's leader" or "saki should have been leo/need's leader" i want to . slam my head through concrete. oh you missed the point so bad
1. the "leader" thing is kind of really fucking insignificant outside of where each group's story begins and promo materials. it doesn't mean one character is the "main character" of the group. project sekai doesn't HAVE a main character in the first place it's not that kind of story. each individual character is equally important to not only their group's story but the over-arching story of the whole game
2. leo/need's story begins with ichika because she is ultimately the one that brings them all back together. not saki. it is ichika's determination and frankly stubbornness that gets through to shiho and honami. like, saki was literally ready to give up on reconnecting with honami! (out of love and respect for her choices but like) if she was the focus leo/need would have been honami-less!! but ichika refuses to let it go. much like she refused to let go of their friendships throughout all of middle school.
when the story begins, we see ichika burnt out and hopeless. but that's only after years of trying and trying and trying and trying again to reconnect with shiho and later honami. this fandom does not understand ichika's character well . she's not meek and she doesn't back down easily she's not some like... fumbling "girlflop" she's incredibly driven and strong-willed. she lost some of that due to depression and isolation but as of leo/need's most recent arc ender she has pretty much regained her fiery spirit. she's leo/need's lead singer and MC for a reason
3. vivid bad squad's story opens with kohane because she's the only one who hasn't grown up/partially grown up on vivid street. if an or akito had been the "leader" we would have lost the magic of getting to know vivid street and its people and unique culture. it's all average every day life for them, but kohane is experiencing it all for the first time. it's only through her eyes that the audience can understand just how very special vivid street is
4. one more thing: you could say that the "leaders" represent the themes of each group and the general direction of their story arcs. vivid bad squad, among several other things, is all about improvement and growth and overcoming challenges and creating something new and finding a place to call home within a community. who better to represent that but the socially anxious newbie who never felt like she belongs anywhere and would never do anything with her life?
leo/need is about love and the ability to endure all hardships and preserve that love . it's about having a heart big enough to hope for the impossible and the willpower to make it reality. ichika, in all her hard-headed stubborn painfully persistent glory, is perfect for that.
similarly, mafuyu isn't nightcord's leader because nightcord is ultimately about healing. hope. finding a way to make life worth living again. these aren't paths he would have chosen on his own. he gave up on himself a long time ago. as did ena and mizuki, in their own ways. the best person to represent hope is the one who refuses to give up on anyone and stubbornly believes she can save them all
wonderlands x showtime is about moving forward to a brighter future and not letting the past keep you shackled in place. it's also about having lofty dreams and the selfishness to pursue those dreams. both of these things are why emu Isn't wxs's leader; she lacks that selfishness (i'm not using this word in a negative sense btw; i think being selfish can be a good thing. and sometimes being selfless is a bad one) tsukasa (and rui) has, and she often clings to the past.
and as far as more more jump and all their own themes of hope and never giving up go, of course their leader has to be minori. she brought three disillusioned, jaded ex-idols hope and reignited their passion! she's the walking embodiment of hope itself
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ultfreakme · 8 months
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Actually you know what, thinking on it, Sokka's sexism in the original was really weird and when writing fic, I had a hard time understanding where that even came from. We've been told Gran-gran left NWT because of the sexism and stayed at SWT, Hama was a fighter, Hakoda didn't condemn Katara for fighting or learning bending, there's a trivia thing where we learn Hakoda actually wanted to find a waterbending teacher for Katara. Now sure you can say fighting doesn't mean sexism wasn't present, but Sokka's conveyance of that sexism didn't work if that's the case.
Sokka specifically underestimates girls in fighting. That's how his sexism is largely expressed. Kanna wouldn't have raised Hakoda that way and in turn Hakoda wouldn't have raised Sokka like that.
He would be overprotective of Katara and stifle her as a bender, but not because he's sexist, but because Hakoda said "Hey you're our last warrior"- and this is actually the crux of his character.
One big argument people make is that Sokka's character arc with Suki apparently won't happen. But interviews state that the new focus on Sokka-Suki would be about them finding strength and solidarity as non-benders. In the original we do see Sokka trying to figure out his place and part in the war and among Gaang, he does feel insecure about his strength and ability to protect people. I think taking the new direction would connect well with the Serpent's Pass reunion.
I understand why people are hesitant but I just saw posts saying Sokka's sexism is inherent to his character as Toph's blindness is!?!?!? WHAT'S WRONG WITH YOU????? There's so much to unpack there I don't even know where to begin. Like this is getting ridiculous and in trying to say Sokka's sexism is good actually, you guys forget that the original was kinda fumbling its way through Sokka's sexism arc. It's not that fast or easy to make someone dismantle sexism, and the Kyoshi Warriors + Suki are playing into the idea that a woman is only equal to a man when she has combat prowess (I still kinda cringe at Suki saying "I'm a warrior....but I'm also a girl" she says that about her romantic interest in Sokka and kissing him, like why is being a girl or romantic interest associated with 'girl'?). They could've stretched out the arc and included Yue in helping Sokka learn that women aren't inferior but all talks of women's equality was restricted to combat.
I ADORE the Katara v Pakku fight and I think that was a far better discussion and showcase of misogyny and commentary on inequality. Because yes it was a fight, but it was, underneath all that, about Kanna and Yue.
It is the first time we see that actually, Kanna and Yue should get to choose because that is a fundamental right they should have. Healing was allocated entirely to women, but Katara learned it and it was never seen as an inferior form of bending. Everyone should get to pick if they wanna fight or they wanna heal or both. Katara'a fighter, a healer.
So I just wanna ask; Do you want Sokka's sexism to be there to comment on the unfairness of gender inequality? Do you want it there to give this one male character a character arc (because Sokka never talks to Katara- the one whom he hurt most with that attitude- or acknowledges his contribution in suppressing her advances in bending after this little lesson he learned from Suki)? Or do you want it there because the og did it so it has to be there? Because if it's the first, KATARA's arc does it a million times better and that's still in the show.
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slowd1ving · 2 months
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Hey I could request for a Daniel Park who has a crush on Male! Reader ( fluff please )
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27,000 WON ゜・DANIEL PARK
Armed with nothing but a headache and the fit of a wayward uncle, it's perhaps not your proudest moment. But it's a moment nonetheless: one the cashier in this stupid convenience store locks away in his pounding heart. aka first meetings with this guy /// anon this is more crack than fluff I'm sorry ..my idea of fluff is getting a free umbrella from a fumbling cashier because it's raining, I swear it sounded better and fluffier planned pairing: daniel park + male student reader warnings: mentions of alcohol, convenience store weirdo #1 + #2, tiny bit of violence, not a warning but shy daniel (in both bodies), more reader-centric than anything, pre training arc wc: 2.2k
LOOKISM MASTERLIST
MASTERLIST ・゜・NAVIGATION
Without an umbrella, Seoul was a miserable place tonight. Anyone else might’ve appreciated the dense shimmer of rain streaked neon with this fluorescent city, but your head throbbed miserably with the urban cacophony. Fuck. It was pointless stumbling out onto the grey asphalt when you were in such a shit mood. People swarmed and jostled, and you might’ve stepped on a foot or two as you leaned against the rough, corrugated shutters of a closed shop: barely holding on to both your sanity and your consciousness. 
Ironically, it was the detestable luminescent rods that saved you, beckoning your damp body towards a 24-hour convenience store. Warily, you peered at the cold lights—and they winked back. Winked, for their clinical flickering suggested sentience, or at least, some sort of quest window that was your beacon for safety from the downpour. 
Located on the very corner overlooking an alleyway, it really wasn’t very surprising that it was a magnet for trouble too—if you objectively looked back on the situation. Dark, dingy, smelly—all were generous, polite adjectives you’d use to describe the surroundings. 
You dodged the businessman puking up his guts on the off-white wall with a strained smile and a pained twitch in your eye. An abandoned soju bottle sloshed onto your shoes from his wobbling, and your day (night) became worse. Immediately. Biblically, your irritation surged to such unprecedented levels that he might’ve turned into a pillar of salt had you even an ounce of psychic talent.
Still, you stepped across the threshold smelling faintly of pollution and alcohol, but you were finally in one of Korea’s sanctuaries. Albeit soaked, shivering, and possibly seething with annoyance. The triple S threat of all bad days. 
“Shit,” you cursed as your phone rang in your pocket. Desperately juggling the two bottles of barley tea and a lychee ice cream onto the top of a freshly polished shelf, you scrambled for the device and swiped it multiple times with wet fingers. Stupid, stupid phone, you thought as it creaked in your incensed grasp. Answer the fucking call, damn it. 
The caller ID was as followed: stupid sod. The person on the other end? Well. 
“Where’d you go? The weather was supposed to be rainy all through the night, and you really went for a walk?” The voice on the other end of the line was just as irritating as ever. Nasally, too, like if a short dog suddenly started barking with a French accent. Your head throbbed just trying to imagine it, but you did suppose your younger sister was a migraine and a half. 
“Hungry,” you muttered. The brick-red plastic basket at the entrance clattered against the linoleum floor as you pulled it out single-handedly, but still you tried to keep your voice down during these witching hours. Those two barley teas bounced against crimson when you swiped the goods into your mode of carrying, and you thoughtfully threw two blue, cardboard packets of paracetamol into there too. Now, you were just missing some yellow to complete the haphazard primary colour wheel you cradled. 
“What? Can’t hear you.” Your eye twitched at her admission, and you just knew she was squinting at her phone with an open mouth as if she could simply inhale the frequencies instead. 
“—yeah I don’t have my ID, but you could let it slide, right?”
“Hungry,” you enunciated, clearly, for the dear sister struggling to hear a single word. “You happy? I’ll be back in twenty so just don’t burn the house down. And clean out your ears—I don’t want to give the poor guy working the graveyard shift a headache by talking loudly, especially since you’re a banshee on speaker.”
“Yeah, yeah,” she dismissed. “Get me those chips—those ketchup ones—and those peach candies. The knockoff ones, you know which ones.”
“With whose money? Get them yourself, you lazy bum,” you sighed exasperatedly. You were on, what, your last twenty thousand won? In this economy, too.  
“—what do you mean you can’t just let it slide? Hey! I look over 21, don’t I? C’mon man, don’t make this difficult.” There were snippets of conversation threading along into the spool of your own, and your eyes flicked upwards. One poor cashier in his green vest, hands clasped like God would possibly rescue him from this situation if he was pious enough. The other had an obnoxiously fake leather jacket draped over him—a wannabe thug if you ever saw one. 
“I sent you some, you broke shit. Like, you literally have a job, so there’s no need to be so stingy. Get me some lemon tea too,” she groaned. Her syllables dragged out abrasively, but you were more focused on the conversation unfolding in reality rather than how much you hated her voice. 
“I’m sorry, I really—I legally can’t sell you these products if you don’t produce a valid ID.” The clerk had guts, you had to admit. His voice cracked just twice in his answer, and though he was about half the size of the guy blocking the lottery ticket view, his shaking fists clenched and unclenched. You liked the look in his eyes: determined to stand on principle, even if it was just to some guy high off a power trip. 
“Okay, sure. Uhh, I might be back in forty. I just need to do something.” Words, as fickle as they were, drifted into nothingness while your eyes communicated your intentions. It was a pity you didn’t want to see her irritating face—you would’ve pressed the video call on Kakaotalk just so she could get front row seats to a beatdown. To be clear, the harrasser’s beatdown, not the harrassee’s. 
“Hey. What’s that supposed to mean? Hyung? Fuck, not this— don’t you dare hang up, we’ve literally got our first day tom—”
“Gross.” You made a face as you finally pressed the red button; she should’ve known you’d simply leave the call sooner if she used that term. Cooties. Idiot cooties. Dropping the phone into your pocket and her cavity-inducing requests (plus some cup noodles for your grumbling stomach), you set the basket a safe distance away before eyeing the cashier. 
You were quite the expert in miming and clownish arts, if you said so yourself. His face turned everything from unsettled to confused to hesitant in the span of two and a half seconds: pointing first at yourself emphatically; then to the man’s back as he stood waving his arms about; and finally making a fist and clenching it, all to really emphasise your point. Me. Him. I punch. 
You don’t know if he took it as a joke. You hoped he didn’t, but his eyebrows crinkled and uncrinkled like he was trying to figure you out. 
However, he didn’t exactly have the luxury of piecing together the implications. Not when the man became dangerously more incensed as he was asked to leave, and certainly not when he was about to grab the poor employee’s vest with those nasty hands of his. 
Gross. 
There was no time to hesitate and plead the heavens for forgiveness. 
“Hey man, there’s no need to be a dick to workers,” you gritted out, gripping both his arms in an ironclad grip that miraculously relieved some of your tension headache. Like some damn stress ball, except this was not satisfying at all as you felt the hair on his forearms shift together. Ew. Ewww. 
“Who the fuck are you?” His words sounded garbled, temples throbbing while you glared down at him. Get out. It was enough of a pain to move fast, let alone come up with an answer that didn’t sound corny. In a soaked hoodie, slippers and tracksuit bottoms, there was little you could say that wouldn’t make you stay up at night in embarrassment later on. 
“Shut up,” you instead bade, since you looked like an uncle in this particular outfit. Might as well give out life advice. “Don’t give yourself liver and lung problems, kid.”
The cashier’s lips might’ve twitched in that moment, and your own suppressed the agonising grimace that convulsed through your face. Fuck. Why was a high school student giving life advice to this dropout?
“Who the fuck do you think you are, huh?” He began rocking his body to build momentum and twist free—and twist he did. Through the air and right into shiny, slippery linoleum after he canted his hips sideways for a weak punch. And you threw him, plain and simple: collar grasped tight in your aching fists. 
Success. You did not hit anyone! And neither did you accidentally wreck any of these painstaking displays! You would not get chewed out with a slipper curve-balling straight at your head tomorrow!
“Are you—” the cashier began, but you gestured ‘wait’ with a splayed hand as you stared down at the half-conscious man at your feet sheepishly. Was he… alright? Any more of a brain shake and he could end up more stupid than he was five minutes ago, because how the hell would some random shopkeeper join the National Assembly and change the law? Just so this buffoon could buy drinks without an ID. 
“Hold on,” you muttered with a dented pride and some shame. “Let me just—”
You hoisted the guy’s cheap leather-jacketed arm around your shoulder and dragged his wobbling body out, too repulsed by the stench emanating from him to pay heed to his nonsensical babble. There. Now the businessman holed up outside by the bin would have a buddy for company. For good measure, you tossed a powerful mango body spray into the red basket to douse yourself with promptly. 
Awkwardly, you placed the miscellany onto the little table the thug had bracketed off—only this time the cashier’s opponent was some guy trying desperately to not wilt away on his feet. 
“Um. Sorry about that—” The apology was muffled through your hand dragging across your face—peeking through your middle and index finger at the guy in front of you. Pinned to his vest was a nametag you hadn’t spotted earlier: Daniel Park, noted in size 15 Latin characters and rounded hangul alike. “—Daniel Park.”
Gosh, you even bowed. “Please forget what I said to that guy, for my dignity.”
“Sure.” Once his voice had stopped shaking, it really was quite pleasant to the ears—though it currently shook with barely suppressed laughter. He scanned your items with a tiny, tiny smile. “Thanks for that. I might’ve gotten punched if you hadn’t been there.”
“Real pricks out here,” you grumbled. “No sense of shame or anything.”
“Ah,” he quivered for a brief moment, and you felt your ears heat with just how much you sounded like an ahjussi. 
“Forget I said that too,” you muttered mournfully: five stages of grief beginning and ending within you. “I promise I’m not that old.”
Plastic rustled as he pushed the bag towards you: “Twenty-seven thousand won.” And with it, a cheap polka-dot folding umbrella was also pushed your way with a self-conscious smile. You froze, and he floundered. 
“As a thank—as a thank you,” he waved, panicked. 
“Well, thanks.” You honestly were a little dumbfounded at this sudden good fortune. Maybe you’d get struck by lightning on the way home—you were tall enough that it could probably serve as a conducting rod if you tried hard enough. “I’ll see you around, I guess.”
Just like that you were gone. Back into the neon rain of Seoul you walked, though this time it wasn’t as bad with a pattern over your head and acerbic ice wedged between a sheepish pout. 
・゜・
With a barely suppressed yawn, you stood loudly and proudly (silently and exhaustedly) before your new class. They looked like any other crowd of teenagers: gum surreptitiously being chewed, sneakers squeaking right against vinyl flooring, and a barrage of interesting fashion choices as befitted this department. Back to your own name, you introduced yourself while thinking of about a million other things you could’ve been doing. 
Speaking of your new classmates, they may have been looking at you with curiosity, but there was one particular guy who looked like he’d seen a ghost. Another pretty-boy you’d never done business with, but somehow—for some damn reason—he was staring like you’d shot a horse in front of him. Staring like he was the shot horse. Seriously. Paracetamol was limited in how far it could cure a headache. 
Your gaze met his, and he flinched. Who’s this guy?
Fuck. 
Daniel Park was done for. As you looked at him, he could feel his heart threaten to explode and spatter this whole classroom with veins and sanguine matter. Still wearing that same hoodie, still grinning lazily, and still sporting that confident expression like you could handle anything. His pen creaked in his tight grasp. 
By all heavens, this man was flushed red as soon as your unimpressed gaze met his—pink and suppressing the urge to hide his steaming face in his hands. 
Shit, shit, shit. 
・゜・
“Daniel, why the hell is your face so red?”
‘Are you sick?’
“He’s basically the healthiest out of all of us. Can’t be illness.”
“Okay so you agree it’s unusual then?”
“How odd. Maybe he’s come down with a fever.”
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jesncin · 4 months
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Okay, I'll bite, what are your feelings on the trans conner pitch?
Oh boy! Thank you for tossing me this bone because I have a lot of mixed feelings!
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I notice that people online are very hot and cold about the Trans Superboy Pitch, they either love it or hate it and that doesn't leave a lot of room for nuance + discussion. So to be respectful to a fellow trans peer in the industry, I want to do a fair review/analysis of Skyrocket: the trans Conner Kent pitch by Magdalene Visaggio.
My general takeaway from the pitch is that I like the premise, but the details fumble the execution for me. I can really feel from reading the pitch that Visaggio cares about Superboy. She understands that he's a very weird legacy character who has struggled to find proper footing in the DC Universe after all these years. An effective legacy character is one who is able to spin off and expand upon the themes of the character whose mantle they carry. But the cheesy whatever-goes 90's-ness of Superboy's original run didn't give future writers a lot to work with in terms of a Superman Legacy Character.
It's why I genuinely believe the later retcon reveal that -part of Conner's DNA is from Lex Luthor- is a fantastic addition to his character. It takes a character who was just kind of screwing off to gentrify Hawaii back into the center of Superman's good vs evil conflict. But now Conner's problem is that his story is too tied to his origin and Superman's shadow. Placing Conner with the Kents in Smallville afterwards made him narratively redundant. What's next for him?
So let's dig into the pitch!
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I like what's at the heart of this pitch. It's a very season-3-ATLA-Zuko "honor wasn't all it's cracked up to be" arc and I think that suits Conner's character really well! It's the details I have gripes with:
"Conner has been largely relegated to the Jason Todd of the Superfamily" oof, haha that's not a particularly fair characterization.
The constant comparing of Superman to Christian imagery. He's described as basically "Jesus goddamn Christ" in the pitch. The Tyrannical Kryptonians are named Saint, Shepherd and Savior. No surprise I don't like seeing a character who allegorically represented Jewish immigrants to be constantly compared to Christian imagery and deified.
It's inevitable with pitching to the company, but the pitch is bogged down by a lot of convoluted plot points. I get that it's necessary to pitch event tie-ins and universe hopping shenanigans, but it's a lot.
Leland feels like a plot device in this. I'm sure there were plans to flesh out the brotherly clone relationship between him and Conner so that he can feel like his own character, but from the summary he just kind of revolves around Conner the way the pitch describes Conner revolving around Superman. Oops!
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Conner's relation to Luthor and Superman works as a story about legacy, bloodlines and the things parents pass down to their kids. It's best when handled thematically and not literally because it's easy to get into essentialist "good genes" vs "evil genes" near-eugenics talking points. Unfortunately this pitch has a lot of that vibe. Leland has more Lex genes so he's super smart. Conner and Leland are able to start a schism in the Future Tyrannical Kryptonian House by "proving their truer genetic link to the original Superman, unsullied by thousands of years of tinkering" thereby gaining allies. Not great!
The part where Conner wants to find "his own Metropolis" by moving to Dripping Springs, Texas. That's Jinny Hex's field of operations, so is it really his own space? I would've just given Conner a new town so he can better stand on his own and build out a unique cast system.
Okay let's talk about the trans stuff!
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I get that it makes for an Iconic Visual Superhero Moment, but I really don't like the part where Conner steps through a magical crystal and pops out the other side as a trans woman. It robs her of having that discovery on her own. The pitch says "I believe that this is as natural a move as Iceman's coming out". And just?? Man, remember when Jean Grey read Iceman Bobby Drake's mind and robbed him of his agency by outing him through that invasion of privacy? For a pitch all about Conner's journey of defining herself, it weirdly robbed her of that moment.
The pitch does such a good job talking about how Conner feels like her whole life revolves around Superman and how pointless wanting to be Superman feels now that Jon Kent has taken the mantle. She has Clark's genes, goes to Clark's hometown school, is raised by Clark's parents and all that. So then why is she eventually named after the women in Clark's life? Constance "Connie" Lara Kent. Clark's Kryptonian mom and human grandma? Was the world so small that she could not name herself after anyone else or come up with a new name? Connie doesn't even get to name herself, her new name is one Martha Kent bestows her with. It's hypocritical, and doesn't have the same impact that Superman giving Superboy a Kryptonian name does.
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Speaking of which, this right here is my biggest gripe. It's not in the pitch itself but?? Wait- why go on about how Conner deserves a name that's not given to her and then turn around and make Martha name her? Sure, Connie comes up with the superhero name "Skyrocket" herself but surely she also deserves to name herself considering the thesis the pitch built up about self discovery and agency right?
Also with all due respect, this is the whitest queer take on Conner's identity. I wish white trans people could understand that you can have multiple true names that reflect different parts of you.
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When Clark gives Superboy the name "Kon-El" it matters that it's given. It ties so well to the idea of familial acceptance into a nearly-extinct culture. You wouldn't know how to reclaim that part of your identity when that culture's been wiped out, so of course it's an honor to be trusted with a name that preserves Krypton's culture. This is a common practice with diaspora reclaiming cultural names from closed cultures, they are gifted their names by someone more culturally connected. I think the pitch having Martha name Connie is trying to echo this, but it doesn't hit the same without that cultural context. It also undercuts the genuine joy Conner felt from finally having a name he truly identifies with. Conner was only ever referred to as Superboy before then. When Clark gives him the name Kon El, Conner cries out that Kon El is his "real name". It's one of his defining moments, and to have that be diminished by saying "It's still a name someone else gave him" is so disappointing.
Then there's the design.
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This is gonna lean more into preference, but I'm not the biggest fan of this design! I get what it's going for but it has too much going on everywhere. It also doesn't have that proto-punk look original Conner had, so it ends up not feeling like him. It's too superhero, and not enough casual-wear-on-a-supersuit that Conner sports really well. I see how it fits in with the everyone-in-Superfam-is-wearing-jackets-era, but I also think those new designs don't look good either. Especially Supergirl's. I feel like Conner should be more punk post transition. No respectability beam for her!
Also the name Skyrocket? It's giving knock off-brand toy vibes to me I'm sorry D: People on twidder suggested Supernova and that sounds way better! Even Visaggio stated she prefers that name so you can't be mad at me for this.
Overall big conclusion feelings!
I've been following Visaggio's work for a while because it's awesome seeing trans people getting picked up in comics. While there are some things about her writing I like, for the most part I've felt like her work isn't my cup of tea. I tried reading up a bunch of interviews she's in to try to understand why her writing wasn't clicking with me, and what I discovered is that we have fundamentally different approaches to queer storytelling.
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From Paste Magazine. I get where she's coming from, trans characters deserve to have multi-faceted narratives that don't overly center how they're othered at the expense of further characterization. But also? I just actually find the interior lives of queer people and identity interesting. I like writing the kind of escapism and joy that's informed by surviving and inheriting hardships rather than erasing those things or skipping past it. I think this is why Connie is robbed of her trans discovery in the pitch. Why we don't get to watch her grapple with gender identity in a political way. Queer stories about queer struggles are considered archaic and unnecessary nowadays. It's part of the escapism Visaggio values in her work; to give a place of respite for trans readers from the cruelty they experience in reality, but I don't connect to stories like that personally. Whenever I try to share queer Indonesian art and writing with my peers, I'm often told it's too painful to look at. That our pain doesn't fit the modern expectation for happy, empowering queer stories. "trans people get enough hardships in real life, they don't need that in their fiction" Visaggio still talks about her newest projects like this btw.
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I'd love to see a take on Conner that more holistically continues the political immigrant themes of Superman. The white parts of fandom love interpreting Conner's identity crisis as primarily a queer struggle, but it's also one of a person grappling with his mixed heritage. He's a diaspora kid separated by a generation away from Krypton. He has yet to make peace with the Luthor side of his identity, one borne of generational trauma and resentment for one's roots. Instead of a take where his queerness separates him from the pressures of legacy, I want to see a Conner take that has themes that are intersectional about his mixed diaspora and queer identity. I want his superficial punk aesthetic to graduate into actual punk ideals. The anti-establishment and radical love philosophies of punk culture would make such a cool extension of Superman themes and it would make so much sense that someone facing so many intersections of marginalization would be radicalized from their experience. I want a queer Conner who isn't just empowering and idealistic, I want one that also gives space for queer readers to feel like their pain is seen too. Conner isn't "Truth, Justice and the American Way" he's famously "Truth, Justice, My Way".
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There's a tendency in media criticism to treat marginalized talent as infallible, and I don't think that fair to creatives like Visaggio. Being able to look at their ideas with nuance instead of essentializing it as being Good or Trash is the best way to respect diverse creativity. And my nuanced feelings are that a white queer person who looks at Conner's story and just sees the queer part and dismisses the diaspora mixed heritage side of him,,, is not going to give me the Conner story I want to see.
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