#but it's just entirely the wrong approach to this issue and that post

[unproduciblesmackdown]

the way that randos seem to have learned a tiny bit more about autistic people and are using this newfound power to give their ableism more range, like [inspiring: this gender-respecting bully will only give victims swirlies in bathroom that aligns with their identity] and [guy who researches your identity so that his microaggressions are more accurate] like oh radical that now you're throwing around the word "autistic" more comfortably as meaning shit like someone's "clueless" or "has an interest or perhaps talent" or what nonsense will follow when someone's breaking out the term "social skills" like oh nice, people accessing all the abilities of Autism Parents without having to be a parent

[tpwrtrmnky]

The problems with the 'infighting' comic

So I deleted the infighting comics. Fundamentally, the reason why is that I think I did a bad job with them. Clearly this wasn't a popular decision, and I did say I'd elaborate on why when I had time, so let's talk about the problem with the infighting comic.

Just to get this out of the way, the problem is not that the 'wrong' demographic liked it, or anything of the sort. What I don't like about the comic, and what keeps coming up, is that the way I frame it and how I execute the attempt at doing something with the never-ending churn of Discourse in the queer community is that it:

Fails to state what I think the problem is. "Infighting" is vague, it can mean basically anything, and unfortunately a very common use of the term is "literally anyone in the community criticizing anyone else in the community for any reason whatsoever." The comic fails to do anything to communicate whether this is the intended reading or not. This is a problem because the most common targets of bad-faith infighting accusations are also the most marginalized in the community, and the fights start as completely unjustified backlash to marginalized people criticizing marginalization.

The comic doesn't sufficiently communicate the intended idea that these are marginalized people with actual problems. The complaints of the characters come off as trivial due to how they are only presented in an oppositional context, with no frame of reference given as to whether their complaints are equally legitimate, whether one of them is right and one is wrong, or whether they're both just saying some nonsense. This is a fundamental flaw in the premise, because depending on which real-life situation the reader assumes it's about, the entire meaning changes. Regardless of what I say I actually intended this is bad enough that by itself, it drags down the whole thing.

The framing that the bigot character doesn't care about the difference between the groups. This only works if you're operating under the assumption that the comic is talking about groups that are routinely conflated by bigots, which at the very least is a detail that should be clearly stated in the premise, not in the second comic, and again leads to a very artificial framing of the supposed "infighting."

The main character being presented as a neutral observer with no stake in the argument themselves is weird.

The follow-ups do very little to address any of the above issues.

The comic is spread over four separate posts, which means even if the above issues were meaningfully addressed, the circulation of parts of the comics without those problems dealt with would continue, with all the problems retained.

There are more criticisms, and I am not going to argue with them because I don't want to defend the comic as I made it. I don't like it. I am tired of seeing the arguments that come from it. I apologize for how it was made, and I will not attempt anything to replace it until I can meaningfully address the problems with it.

There are additional structural problems with the Pills That Make You Green comics that have become more and more apparent as I've kept making them. I think failure to meaningfully address these issues is going to keep causing comics to fail in similar ways, and so I am thinking that a serious change to how I approach these needs to happen if I even want to make them anymore.

[toon-tales]

Here it is! Part three! Omg, I'm so excited for this!

Let's begin!

Ok, so, I know a lot of people say that Poppy hasn't changed a lot in the third movie but let me stop you right there!

Here's our girl, our happy-go-lucky queen cutely dressed and if I may, waiting for her boyfriend to compliment her looks like he always does

But then she notices something is wrong

You can see in the third pic, she was thinking how to approach the matter, because this, after all, is her boyfriend's old home, where he used to live with his grandmother. And in the fourth pic, her brows are even more furrowed

And here, oh my gosh this scene:

Can we look at Poppy, PLEASE?!

She's paying her full attention to Branch. She wants him to talk, to open up to her. HER EYES ARE FILLED WITH HOPE SHE'S ENCOURAGING HIM TO TALK TO HER

Skip, skip, skip, skiiiiiip, annnndddd here:

"I'm not hearing no!"

Branch doesn't look sad, he doesn't look mad, he doesn't look scared, he doesn't look uncomfortable, and most importantly, he doesn't look forced

True, Poppy was all "We are so in!", but unlike in Twt, she actually listened to Branch when he wanted to talk to her, and Branch actually talked when something he didn't like was going on. Do you even see how much they've grown?

Now, Poppy knows how hard life is without a sibling, and she doesn't want her boyfriend to just take his family for granted. Her heart was in the right place, people

And Branch didn't say no! He didn't refuse! They talked, different opinions and different thoughts and different mindsets, yet they worked things out

And yeah, I know Branch was probably thinking 'what have I gotten myself into' in this scene

But the entire movie was just Branch having issues and dealing with them. And Poppy was trying to help him. Also, in case you haven't noticed, things do not work out the way Poppy has imagined, just like in Twt, but the difference? Later, she didn't leave Branch alone to go save Floyd, she went with him. Now, I hear you saying: she went because Branch didn't say anything to her, while they fought in Twt, that's why she left him

Wrong!

Let me remind you that Branch lied to her, kept things from her, kept his feelings from her, didn't open up, and literally was being sarcastic and you can see she was hurt in this scene

And they're in a new relationship which Branch is already beginning with hiding stuff, yet she put all that behind because -I'm not gonna say boyfriend - the man she loved, needed her. So, yeah. She's changed

Takes a deep breath

Now, let's move on, shall we?

I just wanted to point out how Poppy was looking at Branch when he was trying to yet again hide his feelings. She knows what's up

Moving on to this scene:

The way she's telling them to include Branch? The pure happiness and excitement on her face for him! PLEASE?! May I remind you that SHE WASN'T SINGING WITH THEM BUT WAS THIS HAPPY FOR BRANCH?!

Now, I've already talked about the scenes I'm going to talk about now in the analysis posts, but I'm gonna copy-paste them here because I don't want you people going to those posts, then return to this one and lose your focus and vibe

You have Branch, whose brothers' return has reopened scars he's been trying to close for so long, and has just found out his brother is being held captive, and is now in a rescue mission to save him and sing the perfect family harmony, the same thing that they failed miserably at the last time so they walked out and never talked to each other again, comforting his girlfriend. Poppy needed time, needed him, and he was ready to give her all the time she needed and stay with her. Proof? He didn't move until she has left first, ensuring she was ready to leave

Then we have Poppy, who has just found out her boyfriend has been hiding secrets from her, and watched as he reluctantly agreed to reunite with his brothers, and discovered she had a sister that she knew n o t h i n g about, and that this sister was so afraid to leave her safe place and go with her, deciding to go help Branch save his brother. She took one last glance at the walls separating her from Viva, then walked towards Rhonda, silently signaling she was ready to leave.

They were both dealing with stuff, needed time to open up/stay, yet each one thought of the other

Then this scene was SOMETHING ELSE-

"Where are you going?"

"To save Floyd, alone. I didn't need them growing up and I don't need them now." He didn't even look back when he said, "What are you doing?"

And the look of disbelief on her face. "What do you mean? I'm coming with you!"

He literally gave her a blind eye, didn't look at her. He didn't want to get weak. "Why bother? Aren't you gonna leave me eventually anyway?" He was certain. He didn't wait for any reassurances because he didn't want to hear any and live a lie again. "Everyone else does."

But despite that, Poppy did NOT give up on him

"I have been by your side from the moment we've met, and you've been by mine. Let's give each other some credit here."

'and you've been by mine' this wasn't about her, but about THEM. This line has so much depth and meaning for their relationship

"You're right, I'm sorry. Thank you."

He started with the apology because he knew what he just said was WRONG. He knew she wasn't leaving, they've always been there for each other. And I don't think he thanked her for coming, maybe for reminding him? I mean, that's Branch we're talking about, he would surely have thoughts and insecurities about people leaving him

But Poppy's always there to remind him that she's always there

His mission is her mission. She was willingly going for an insane rescue mission, and face people BRANCH HIMSELF didn't know anything about, all the while trying to deal with the separation between her and Viva. But she was going with him. Because that's just them

All they wanted was for the other to be happy

And in the end? It worked out just fine

So, to sum up this post, and the previous two: no, Branch isn't perfect like we claim, nor Poppy is, too. Hiding things? Sure, that happens. Lying? Happens as well. Disagreements? Oh, yeah, lots of those. But in the end of the day? They work things out

Branch is perfect for Poppy, and Poppy is perfect for Branch

That's just love, and it doesn't have to be perfect all the time

Sooooo, that's it? Omg that was fuuuun!

Anyway, as usual, feel free to add or comment on anything!

Part one

Part two

[starcurtain]

hihi sorry to rant in your inbox but i hate when people use aven's line about jade that says her kindness comes with a price to make their relationship seem worse than it is. while the ipc is. well. the ipc i dont thinl it would benefit her to harm him like theyre both stonehearts AND hes her subordinate. personally i think the price he mentions is like, testing him like she did in her social media post with the ores. it certainly would be less incongruous with her want to guide those that come after her..

I think that people really struggle with Jade. They took one look at her dommy mommy appearance and her status as one of the top three in the Stonehearts and they just want her to be unrepentant evil soooo bad.

Don't get me wrong, she is definitely a master manipulator and she definitely has a specific personal goal she's working toward using the IPC as her vehicle to do so. Her overall idea of creating an endless vortex of desires that can't ever be sufficiently met is very Voracity-coded and not really the kind of idea a very well-adjusted person would be espousing. We have no idea how loyal she really is to the IPC's goal of aiding Preservation against Destruction in the War of the Aeons.

But she's also, over and over again, been painted as having "True Neutral" moral alignment in-game. She's literally xxxHolic's Ichihara Yuuko with a bad case of capitalism: She always demands a price, but never asks more than is fair.

It's literally Fullmetal Alchemist's first law of alchemy: Human kind can not gain anything without first giving something in return. To obtain, something of equal value must be lost.

All of Jade's exchanges are equivalent and none of her customers enter into a bargain without understanding the price they are paying. In fact, she won't even let Firefly try to make a deal at all without doing her research in advance to truly realize the extent of what she is asking for. Jade is inherently an honest businesswoman.

The issue is that greed is all-encompassing. The ability to have any wish granted is a temptation that virtually no one can escape in the end.

Therefore, I think the best way to understand Jade is as the Honkai Star Rail equivalent of Mephistopheles. In the legend of Faust, the eponymous Dr. Faust longs for more in his life--he is endlessly pursuing knowledge and power, but has hit the limits of his own ability. He meets the devil, Mephistopheles, who agrees to enter into a pact with him: Mephistopheles will fulfill all Faust's wishes while Faust is still alive, but then Faust's soul will belong to the devil when he dies. The deal is fairly presented. The terms are not unclear: If Faust agrees to the bargain, he knows what will happen to his soul in the end.

Mephistopheles doesn't trick him or force his hand when it comes to this bargain. Faust could say no. He could resist. But he doesn't. He agrees, because human greed and pride are simply that overpowering. He thinks he's smarter than the devil; unlike the thousands of others who have come before and suffered damnation for their deals with the devil, Faust thinks he is different, better than others, more deserving... The actual temptation doesn't come from the devil. It comes from human hubris.

Like Mephistopheles, like the serpent in the Garden of Eden, Jade merely presents the choice--it's humanity's endless desire that leads to the downfall.

It's a snake and an apple and a contract for a reasonnnnnn, Jade haters.

So, I don't think that Jade represents any danger to anyone who can resist temptation. Firefly walks away from Jade's exchange entirely unscathed. Trailblazer isn't pressed into surrender.

But Aventurine?

To be honest, I think his relationship with her is a bit more complicated.

Aventurine likes Jade. She did him a solid when he was at his lowest in life. His character stories make it clear that he views her as, essentially, someone "safe" in the IPC, unlike other Stonehearts.

But... I do agree that Aventurine approaches Jade more cautiously than he approaches others. And I think that probably stems from a couple of different factors:

Jade has positioned herself as Aventurine's "pseudo-mother," and Aventurine responds to her as if she, indeed, a mother figure he has to obey. He is more respectful of her than anyone else we see him interact with in the game--Diamond and Opal get called by name, but Jade is always "Ma'am." Which is very close to "Mama;" this is not an accidentttttt. When Jade disrupts his banter with Topaz, Aventurine immediately does as he is told, hands over his room card, and simmers down. Even in joking social media posts, when Jade asks Aventurine to do something (judge the uncut jade stones she sent him), he does it even when she rejects his high demand for profit sharing.

But:

2. Jade actually failed Aventurine's moral litmus test. From the beginning of his adulthood flashbacks, we see Aventurine explicitly troubled by the fact that his human dignity was denied and that a market value was assigned to his existence. And not even a high value. He was sold for pennies. It's the ultimate mortification, and we can tell it is still bothering him to this day because even "future" Aventurine brings up the sting of that bone-deep insult during Aventurine's long walk through Penacony. In response to the indignity, Kakavasha gave his original master a moral test: Kakavasha says that he'll go willingly into the hellscape of the death maze if his master will give him 30 copper Tanba, just half his market value. His master refuses, demonstrating that he does not view Kakavasha as a human being, worthy of any respect. By refusing this tiny, insignificant request, the master exhibits his utter moral depravity, from which there is no return. In response, Kakavasha ultimately kills him and takes the 30 copper coins he asked for (nothing more, nothing less) from his corpse.

When Kakavasha meets Jade, he then makes the exact same demand: He wants 30 copper coins and exactly 30 copper coins. At this point, it is very clear that--to Kakavasha--the coins are emblematic of his value as a human being. (I promise you, somewhere in his apartment right now are the 30 bloody coins he took from his master's cold corpse.) His freedom, his dignity, his worth... All of these things hinge on being able to acquire the original 60 Tanba coins. Thus, those who refuse his requests for the coins also symbolically refuse his request for basic respect, his request to be seen as an equal human being who deserves to not be reduced to mere pennies on a bill of sale.

And Jade refuses this request. She treats the demand for Tanbas like a paltry sum and instead ignores the specificity of the request to give a general "We'll give you riches beyond your imagine, more than you could have ever thought to want." But that isn't what he asked for. She stepped over the request he actually made in order to supplant her ideas, on her terms. Kakavasha made the tiniest, most easily completed request in the world, and in failing to actually just respect what he personally wished for, Jade demonstrated that she ultimately will not really respect him.

Just like his slave master, Aventurine represents a value on a page to Jade. For this reason, even if she extends pseudo-maternal behavior to Aventurine and he laps it up like a starved kitten drinks up milk, we see that he remains more cautious toward her than he does to any other female character in the game. Aventurine comes across as more comfortable talking to Acheron than he sounds when he talks to Jade... Because in failing the most basic and seemingly meaningless test, Jade revealed exactly to what extent Kakavasha can--and cannot--trust her.

Does Jade actually mean Aventurine any harm? No, I really don't think so, and you're right, those who claim that she does are really over-exaggerating Jade's negative traits, mostly because they've almost universally got a strong anti-IPC agenda and hate everything from the IPC except Aventurine on principle. Everything in Jade's character stories points to her honestly wanting to develop the hidden talents of others, to "polish" rough cut stones into true gems, and to see her fledglings thrive. Kakavasha is someone she picked up out of the dirt and dusted off. If he excels, that means her faith was well-placed, her judgment was correct, and her team as a whole excels.

It's exactly like a business owner who takes great pride in producing a fantastic product. Only when the product succeeds can the business itself succeed.

But business owners see their products as objects, not equals.

Jade is a fairly neutral figure and I think she wants to see Aventurine grow and achieve greatness. But at the end of the day, their relationship is very predicated on the notion of investment (Jade puts up the original capital to make Aventurine great, and he repays her faith in him by generating wealth for the IPC). It is clear she just can't be trusted to value Aventurine as a person above a means of profit--and Aventurine knows (and accepts) that too.

[messiahzzz]

thank you sm for the ask!! 💕 i’m glad you enjoy my posts and it is not a strange request by any means!

note: this is merely my read on gale’s sexual preferences/kinks. i don’t want to police anyone on their headcanons or claim they are “incorrect”. since the game doesn’t provide too much detail, many things remain up to interpretation. (and lest we forget fanfiction has always encouraged the exploration of dynamics that may not be present in canon.)

gale is a character who isn’t interested in walking the straight and narrow route. he is all about new experiences, favoring non-traditional means, putting his own spin on things, and the thrill of seeking the forbidden. the sheer romance of the uncharted and the unknown. he is enthusiastic in almost every aspect and possesses an infectious zest for life. in regards to his sexual preferences, this translates into an eagerness to explore, witness new sensations, and reach new heights together. while approaching the topic of sexuality with a generally playful, adventurous attitude.

if you’re looking for harder kinks, however — i don’t believe gale is the character for you. and in case it needs to be said again: there is nothing wrong with being vanilla.

initially, i see gale as a switch, who gravitates more towards assuming a dominant role, due to his ever-present desire to give and to impress. i do think he enjoys giving up control, yet you still have to actively convince him to let himself go and be spoiled for once. his first focus will always be to fulfill his partner's needs and drown them in his all-encompassing love and adoration. i also believe that gale will grow more comfortable with being the center of attention, once their relationship has reached a point of total security (and he had ample opportunities to show in just how many ways he can wow them). gale is not a strict dom, nor a sub. in his ideal relationship roles would be discarded entirely, deeming them too restrictive in his expression of intimacy with a trusted partner. it’s all about variety and ridding oneself of the shackles of the worldly, after all. melting into one perfect whole, not knowing where he ends and his partner begins.

gale: we are all sensual vessels. illusory magic lets us sail farther, and feel more deeply.

gale: [..] i could use the weave to make us feel sensations beyond reckoning.

based on what we know about gale, these could be some of his kinks:

lots of praise (this is non-negotiable), sensation/temperature play (waxplay, electrostimulation/all the many perks magic has to offer), sensory deprivation, light restrictions and bondage, the occasional roleplay, katoptronophilia (self-explanatory), altered mental-states (hypnosis, psychedelics), orgasm control & denial, body worship, olfactophilia and given his propensity towards verbosity: narratophilia and some very inventive dirty talk. as for my own self-indulgent take: due to the recurring emphasis on hands during his romance, as well as his being the main tool in how he shapes and navigates the world: quirofilia.

nodecontext: flustered, standing in front of his romance partner in bondage gear. not necessarily uncomfortable with the bondage aspect, just trying to stay focused.

now, what are gale’s hard-limits?

gale, after the player received loviatar's blessing: your hide, your choice. not quite my cup of tea though.

while projecting your own kinks and fantasies onto fictional characters is fine and well, disregarding and ignoring the source material (and the character's stated boundaries) is another matter entirely. fanon!gale is rather ooc and very different from his canon portrayal, which is something that tends to irk me. although this remains a common fandom phenomenon.

personally, i don’t see gale as someone who enjoys pain of any kind, be it giving or receiving (with the exception of spanking and light choking, if a certain mood strikes. although it is kept mostly playful). contrary to what fandom may claim, having self-worth issues, being loquacious, emotionally expressive, and vulnerability-seeking (as well as being commonly perceived as arrogant and insufferable) doesn't automatically equal having repressed masochistic tendencies. he could be convinced to dip a toe into sadism, but only upon his partner’s insistence. although i doubt he himself would find enjoyment in that.

the same applies to degradation/humiliation. i doubt that a character who is still very much struggling with inherent self-worth issues and a general feeling of being defective/not worthy would derive sexual gratification from being degraded. yes, it can certainly be healing for some, but gale doesn’t strike me as someone who would find particular enjoyment in that. quite the contrary, actually. nor would he like to do the degrading for that matter (he would vehemently refuse. all he wants to do is sing your praises.) gale wouldn’t enjoy being leashed and/or collared in any way either. the prospect of being tied up or restricted is rather intriguing, cause it serves to center one’s vulnerability while also allowing for more intense sensations. anything that taps into the puppy play/slave territory tho? he would find it demeaning… and, quite frankly, silly.

gale is also not a voyeur, nor a cuck. the entire scene with the drow twins leans way too much into dub-con territory for my tastes. the only way you can get him to participate at all is by rolling a persuasion check with DC 25. in every other dialogue option, he immediately (and explicitly) declines. even if you do manage to pass the persuasion check, he is still very hesitant about participating.

gale: i might enjoy watching you tangled up with the drow, as long as i was five paces back.

he then immediately runs from the room, because sending a simulacrum in his place was the only way to somewhat remove himself from the situation while still being able to please tav. because of course he wants to please and clearly this is important to tav so he might just… have to discard his reservations and... just go through with it?!

gale: well i suppose it would do no good to back out now. let us begin this little anthropological study, if we must.

i am aware that fandom uses the fact that his “orb lit up in telltale excitement” as a justification that persuading him was the right choice, as well as confirmation that he was secretly into it and “just needed a little push" to explore his desires/get out of his comfort zone. that implication alone is very suspect and goes straight into the sort of logic abusers often use. you can be physically aroused by certain scenes, images, or sounds, even while being visibly uncomfortable with the presented scenario. it is a natural response that you can’t often control. which is what he is showing throughout the entire scene: discomfort. he was coerced into this situation, without any prior discussion or an opportunity to talk about his boundaries. furthermore, this is what he has to say if you approach him after the threesome:

gale: ahem. i hope you're not here to ask about our recent, erm, activities. i'd rather those were consigned to the footnotes of our romance, if it's all the same with you.

since he is strictly monogamous, any arrangement involving another person is also a no. he made this rather clear when tav sought him out after receiving halsin's proposal. him being monogamous isn't solely rooted in his trauma, it isn't something he has to “overcome” in order to heal, nor does it mean that their relationship is any less fulfilling. call him greedy, stubborn, or old-fashioned, but he cannot comfortably agree to that.

[asneakyfox]

i don't think i would ever write the sort of fic that's, like, post-s2 except izzy survived. but if you did i think you could do a very funny and in-character scene where stede and izzy go get a drink together intending to bond over their mutual love for ed. and they are both approaching this 100% in good faith and completely believing it's going to work but it just turns into izzy saying deranged stuff about ed while stede is increasingly baffled. i don't even mean izzy is being, like, malicious or still evil or jealous or psychosexually obsessed or controlling or anything. it's all just objectively factually wrong in ways you wouldn't think were even possible for two guys who worked together every single day of their lives for a decade or so. wrong about stuff ranging from big-picture issues like "blackbeard really enjoys murder and never feels bad about it ever" (izzy says this as an absolutely sincere compliment) and "blackbeard had a great relationship with his dad and also with captain hornigold, they were great guys" (why izzy believes this is unclear but he does) all the way down to ed's favorite color and the way he likes his tea. and the entire time stede's just sitting there like ?????????????????? well that's very insightful, izzy. exactly how long did you say you and edward have worked together again

[cpvnksabm]

Please stop trying to "fix" RTC's disability rep without doing prior research, especially if you are able-bodied.

I'm not just saying this because, on principle, I think it's important to centre & uplift disabled voices in discussions of disability representation. I'm saying it because in practice, I've noticed that when people take the "canon sucked so I'm just going to change it" approach to Ricky's depiction in RTC, they frequently end up erasing the parts of canon's representation that were valuable and important to me, sometimes doing things that are worse than canon.

It's important for a fandom to be able to recognise canon's flaws, especially in its depictions of serious topics. But I often feel that the discussion of criticising RTC's disability rep is dominated by people who haven't done a lot of research or don't understand the issue.

I've found that most of the things I actually consider objective flaws in RTC's disability representation are incredibly underdiscussed. Instead, criticism tends to focus on a few specific points, most of which are things I don't agree with or things that are just objectively wrong. For example - it was not ableist to remove the scene where Ricky concedes the competition. At all. I could even argue that this was a positive change, but it gets lumped in with the more ableist script changes (the 2022 rewrites removing Ricky's disability) simply because both happened after the most popular proshot was released in 2016.

Another criticism I see frequently is the idea that canon should have named Ricky's specific disability and was bad rep for not doing so. I understand the idea behind this and somewhat agree with it, but I also think it's more complicated than most people give it credit for - Ricky specifically has a rare disease, meaning most of RTC's audience would not be familiar with it, and when the musical was written, the intended "official" watching experience was for people to see it live, in a dark room with their phone turned off. While the majority of the fandom (who got into RTC through bootlegs) would benefit from Ricky's condition having a known name that can be easily googled, I think it makes sense for the the writers to avoid using terms the average audience member wouldn't be familiar with, given they wouldn't be able to Google it unless they remembered it after the show.

This wouldn't be an issue, if not for the fact that fans frequently use "canon wasn't clear enough" as an excuse to erase the things that canon was clear about. There is a big difference between a character having some sort of "blank slate mystery disease", leaving it entirely up to the fandom to decide what disability he has, and a character who is explicitly said to have a rare degenerative disease with a clearly shown set of symptoms, without the exact name of the disease being mentioned.

I think part of the issue here is a lack of awareness. Many people don't understand how one disease would cause both Ricky's inability to speak and his need for mobility aids, and so they assume canon must have just chosen these symptoms at random. And since "choosing symptoms at random" isn't exactly a great approach to disability depiction, these fans then try to "fix" canon by coming up with separate plausible explanations for Ricky's symptoms.

But the fact is that Ricky's symptoms were not chosen at random - they are in line with symptoms that are caused by real-world neuromuscular disorders. This is heavily implied to be the type of disability Ricky has (I've made a post explaining why, check it out on my account if you want).

Seeing erasure of Ricky's disability is always upsetting, but it's even more upsetting when it comes from people who think they are "fixing" canon by removing "unrealistic" depictions of disability. A person being unable to talk and a mobility aid user due to neuromuscular disability is not unrealistic. Just because you aren't already aware of how something can exist, doesn't mean it is unrealistic.

And there are other issues too, such as whether the "feed him through a tube" meant anything with regard to ricky actually having a feeding tube or generally how well canon handled ocean's ableism, where I feel like people are too quick to jump to "I don't know why canon did that, must be bad representation, I'll fix it" without fully understanding the issue. And if you try to "fix" canon without understanding where it went wrong, you might just make it worse.

I just think it's time for everyone to step back a bit and remember that it's okay to not know everything. Ricky is a character with an underrepresented disability, and it makes sense that some things about him might not be things you've seen before or things you understand well. It's okay to be confused. It only becomes a problem when people make assumptions and then spread these assumptions without fact-checking.

It's very easy for misinformation to get spread online. One person makes a claim in a post, and other people just believe it without fact-checking, because they don't see why the OP would lie about it. And often OP isn't lying at all, but they may be misunderstanding something. A lot of the time, complex subjects like disability representation can be accidentally stripped of important nuance in a game of telephone, when a discussion aimed at one group of people gets taken out of context. And the 2017/2018 RTC scripts frequently get lumped in with the ableist post-2022 script, purely because they both come after the most popular version (the 2016 proshot bootleg).

So before you try to "fix" RTC's disability representation, I think it's important to take a step back and think about what you think RTC originally did wrong. What makes you think these parts were wrong? If it's simply because you don't understand it, or because other people have called it bad representation but you don't understand why, it's time to do some more research to figure out how to best fix it. Otherwise, you might do something that is also bad representation, or plain erasure - and you might do this in an attempt to "fix" one of the things that RTC actually did a good job of originally.

My asks are always open if you're interested in hearing one disabled person's perspective on how RTC handled a specific topic. Please do not assume you don't need to ask because you already know what my perspective will be, and please don't feel like you're bothering me by sending an ask. I am much less bothered by good-faith questions than by people speaking over me, even unintentionally, or taking it for granted that i'll agree with their views.

I think getting a disabled perspective is incredibly important if you're planning on changing any aspect of ricky's disabilty in fanworks - there is a fine line between genuinely improving on canon's flawed rep, and just erasing canon's rep (including the good parts) and excusing it with "well it was bad representation anyway". Remember, disability erasure isn't only when a disabled character is made completely abled - it is possible to erase an aspect of ricky's disability even if he is still disabled.

This is a little more blunt than my usual posts, but it is very important. Thank you so much for reading.

[queer-n-here]

once again comin in with another meal to cook !!!

character of your choice ♡

stalker, obsessive and possessive reader (quite literally just yandere) seeing their SoulmateTM one day and just going full degenerate and doing everything in their power to learn more of their new lover, even getting rid of powerful foes or imaginary rival love interests for them. no one has any idea as to how they're able to do things no human or gifted can do. eventually, reader slowly comes in and orchestrates their first meeting and slowly woos their lover, but they have major issues on hiding their possessiveness and jealousy of others. lover can either a) be all for it and find it hot or b) lover is unsettled by it.

either way, after someone flirts with their lover, reader kind of snaps and after that person leaves, reader excuses themself and goes to absolutely maim the persom who dared to approach what was his. it's nighttime when reader is finished with them, and they come home to their lover who is worried, but becomes horrified at seeing all the blood covering reader. all reader can think about is claiming his lover, breeding him and imprinting himself so deep inside his lover that they'll always feel empty without him. (dubcon would be amazing)

~ 🕸

Oh my god 🕸️ bro 😭😭😭😭😭😭😭

Bruv this is so good, love you for this, and yeah, y'all I've recently started reading a shit ton of dubcon/noncon so yeah...

I did this one for Akutagawa, cuz I feel like this could work for a situation where the reader is in the Port Mafia.

Also,this one got really long, and I haven't posted in like two days, so I thought I'd make two parts, yknow? Read Pt. 2 here!

Contents: Yandere reader that stalks Akutagawa and plans out their first time meeting in person. Not that Akutagawa already knows reader's name since they both work for the Port Mafia, but that's about it.

Warnings: No smut in this part yet, top male reader, yandere tendencies, mentions of stalking, murder, ability user reader.

You had been watching Akutagawa ever since you joined the Port Mafia. In total, this is what three years of stalking and careful planning was gonna boil down to: this one opportunity.

You had planned it out meticulously, paid seventy eight people to be nearby and on the scene to prevent anything from going wrong.

A heroic rescue!

As you watched Akutagawa cut open those men with Rashomon, you couldn't help but smile. He was so precious, so brave, so beautiful, so-

You shook your head, forcing yourself to concentrate. You couldn't miss your cue. Akutagawa wasn't stupid. If you made half a mistake, he'd know what was up.

One of the men got too close to Akutagawa for your liking, and you pounced on the opportunity like a starving cat.

You dashed out of your hiding spot, your ability leaping out and cutting the man to the ground.

Akutagawa turned to look at you, surprised.

Some of the men halted, too. They hadn't thought that you would actually hurt one of them. Before it was too apparent, and before Akutagawa could notice the changes in their expressions, your ability flew out, covering the entire area. Soon, all the men but the one you were enamored with were lying on the ground in pieces.

"[Name]," Akutagawa said, frowning slightly. "Aren't you supposed to be responsible for the East block tonight?"

"I asked Higuchi to handle it." You shrugged seemingly casually, your hands in your pockets as you scanned Akutagawa's body for any injuries. "The weather is great tonight, so I thought I'd step out for a drink. And good thing I did, otherwise you would have been cut to pieces."

Akutagawa sulked slightly, no longer focusing on the reason behind your sudden appearance. "I could've handled it."

Of course he could've, he's literally perfect.

"Were these Guild's men?" Akutagawa looked around the bloody mess of bodies around you two.

"How would I know?" You placed your hands behind your head.

Akutagawa shrugged. "Whatever, they're dead now."

And so the night ended. You took Akutagawa back to his home, pretending to ask for directions, when in reality you had his address memorized. He tried to turn you down, saying that you were being paranoid, but you said you'd rather be safe than sorry.

When you reached the tall apartment building, you watched him step inside, waiting for the light to turn on in the window you knew was his before leaving.

Over the next few weeks, you orchestrated multiple meetings between you two, always appearing out of nowhere and going back to it. Slowly, Akutagawa opened up, and started trusting you.

Miraculously, you even got Mori to assign you and Akutagwa to the same area. It cost you it's worth; you had to help Mori convince Elise into some bullshit.

It wasn't long before you were sure Akutagawa had developed feelings for you. He was painfully easy to read; his cheeks would flush every time you got too close, you could sometimes feel his eyes following you as you moved around. Once, when you 'casually' playfully winked at him, and you swore you could hear his breath hitch.

But you waited. The perfect thing to seal the deal for you and Akutagawa would be a confession from him, and not from you.

There were times when you almost gave up on this thought, like that one time one of your clients found interest in Akutagawa. He was ugly as hell and nowhere close to Akutagawa, who shone brighter than the sun. You had to take care of him your own way afterwards, slitting open his insides in your secret warehouse and throwing his pieces away to the dogs.

That wasn't a first-time occurrence, nor was it the last, but you fought well to keep your cool as long as Akutagawa was around. You didn't want him to know that side of you.

That day, you had known something was up even before you saw Akutagawa. There was a funny feeling in your stomach, and you felt like something great was going to happen.

And it did.

"I... I really l-like you."

His words caught you off guard, and for a moment you almost punched yourself in the face to confirm whether it was a dream or reality. But you stopped yourself.

"Really?" Even as you spoke, your hands were already reaching for Akutagawa, pulling him closer to you.

He nodded, his entire face red.

A small broke through your face, and you kissed him, holding his waist in your hands.

It was finally happening. It was finally happening! Three years, four months, twenty-seven days, sixteen hours and forty-two minutes after you'd first laid eyes on this angelic man, you had finally kissed him!

It was a gentle kiss, despite the roaring in your head and all the urges to crush him into yourself. You nipped at Akutagawa's lips gently, making his breath hitch in that oh-so majestic way. He tasted like the best thing in the world, and you just couldn't get enough.

It was him who pulled away first, you wouldn't willingly part from those beautiful lips even if you suffocated to death. Staring at you with shining eyes and a shy little smile on his ethereal face, Akutagawa spoke.

"So... D'you... wanna be my boyfriend?"

Yes, yes, YES! A thousand times yes!

You nodded, pressing your forehead against his.

[starshadyy]

what your favorite splatoon character says about YOU!

obligatory “this is a joke” disclaimer, please don’t take offense i’m only being silly👉👈

☆ ★ ☆

callie: you are a diehard squid sisters fan. you have an intrinsic sense for design and are probably super creative. you hate it when people misinterpret her. others wouldn’t assume it, but you actually need therapy more than most others on this list…😔

marie: you’re really intimidating but probably super nice. you’re actually good at the game and are well-versed in the meta. you may not be the best at communication, but you have a strong intuition and are good at reading people

pearl: an absolute feral crackhead who needs to be kept on a leash. definitely queer. nasty majesty is your national anthem. you breathe life and energy into every situation you enter, and others appreciate you for it. you are pearlina’s strongest soldier! 🩷🩵

marina: you are a massive nerd /affectionate. you either wanna be her friend or you have a fat crush on her. you listen to splatoon ost all the time. your room is packed with stuff from the media you like, including mountains of plushies

shiver: you join her team during splatfests even when you don’t necessarily agree with the platform. you’re likely very sarcastic and always speak your mind. oh yeah, and you’re a weeb

frye: you loved her from the start and defended her honor back when everyone was clowning on her design. you’re very talented but humble about your accomplishments. you would bite someone if allowed

big man: you act laid back but are probably filled with anxiety. i get the vibe that you would own an unconventional pet of some kind [turtle, frog, ferret, etc.]. you’re for sure the mom friend. you know nothing about splatoon lore

captain 3: you are the BACKBONE of this fandom and i have nothing but respect for you. you’re probably ranked pretty high in competitive and are likely a completionist

agent 4: you grew up on splatoon 2 and were sure that they would show up in side order only to be… uh, half right? i’m so sorry sweet prince /gn. don’t you worry, your day [splatoon 4] is fast approaching…

eight: you’re very analytical and derive great joy from the story aspects of splatoon. you either write or read fanfiction and maybe cosplay too. you LIVE for the found family trope, and also probably ship them with captain 3. you have amazing taste :]

neo agent 3: you think lil buddy is the most adorable creature to walk the planet. you wish their initial outfit was actually accessible in the game. you’ve probably only played splatoon 3

cap’n cuttlefish: you’re an og who’s been around since splatoon 1 but still know next to nothing about the lore. you don’t main a weapon, and instead prefer to bounce around. you are… an inscrutable crackhead who i want to study

dj octavio: you’re willing to die on the hill that he is not a villain and only did what he did to support his people [you’re right btw]. you’re actually really chill and fun and i have a lot of respect for you. also, i’m liable to believe that you ship him with cuttlefish, don’t you? DON’T YOU?!?

commander tartar: you’re… ME??? villainous characters are always your favorites. you think octo expansion is a masterpiece [and you’re entirely right]. you’re a splatoon scholar and scour every obscure twitter post and artbook note to satiate your hunger for that sweet sweet lore. there’s something deeply wrong in your head.

mr. grizz: you play a lot of salmon run but are actually kinda bad at it [shhh i won’t tell]. you suffered through after alterna just for his backstory log and the bear ears. i’m going to go out on a limb here and say… you have daddy issues

smollusk: you LOVE the idea that marina and pearl are its adoptive moms. you’ve beaten side order with every palette. you overuse the “🥺” emoji. you miiight be a little annoying, but your heart is in the right place… probably

acht: either the chillest person you’ll ever meet or the most insane. probably both. you’re 100% queer and probably neurodivergent too. i bet you listen to will wood and / or tally hall. i wanna be your friend

harmony: you know every chirpy chips song by heart. you’re probably really sweet and i know you make banger fanart. you have an affinity for cute things and i bet your favorite pokémon type is fairy. DEFINITELY neurodivergent.

cq cumber: ???you both confuse and frighten me!!! what can i even say? you’re a cryptid! but honestly, you’re kinda iconic. i salute you, you freak of nature🫡

iso padre: I LOVE YOU. you’re accepting of all people and are just an absolute saint in general. daddy issues, but you’re coping way better than the grizz fans. also, i’m betting that you’re neurodivergent

sheldon: i didn’t think you existed, but turns out that you do? you actually listen to his rambles. splatoon 2 is your favorite game in the series. you’re able to see the value in things that others tear down and y'know what? i respect that [not saying i approve of your character choice though]

judd: wait, why him? ohh wait, i know! you probably just don’t care about splatoon’s story at all and / or love cats. there, that’s totally it, right?

lil judd: you either DON’T know his lore and just like the cute little kitten, or you DO know his lore and you’re unhinged. i’m scared of you

spyke: you’d bark for him without hesitation and DON’T pretend you wouldn’t. you clown. you absolute freak. i know what you are. /j

murch: if i had to bet, you’re probably the shy type who prefers to let others do the talking for them. you might secretly be a little freaky though, and i think you should embrace that side of yourself. you’re safe here. be free.

[cator99]

(Re: previous post about my home) with all that said yes i did finally snap and admit that the stress of this situation has been affecting me and pointed directly towards how PG and new girl have irresponsibly conducted themselves and pushed an unstable situation onto all of us which I did not appreciate considering how hard I've worked to reach a point of relative housing stability. They must have assumed I wasn't home because I heard the two of them reacting in a very real ie messy way (I seriously respect that they were just being real about it for once instead of putting up a front like nothings wrong and using instagram infographics speak to slough off taking responsibility for their actions and guilt people into placating their poor behaviour ykwim) like really just cackling about how I brought up the overall flippant attitude that the situation has been treated with, and that [new girl] may think the house is in an unlivable condition (she brings this up constantly as though this is a reason to approach all of this with utter disregard) just because it's not the suburbs but for some of us who grew up without shit this place is a godsend and honestly there's not that much wrong with it at all, so please try not to jeopardize our ability to live here for the people who really need it just because it means nothing to you. Grow up. That was what comprised my (now deleted) message. They were having real fun in the kitchen laughing at how seriously I was taking everything. Fair enough. Their issue at that point wasn't that I was somehow wrong but rather that I care at all enough to get butthurt about it and to say all of this. Then they got to the real issue: how to respond to it? I came out of my room and assured them that there was no need to. Doesn't seem like there's a conversation to be had. New girl ran off and hid behind the corner while PG sat there and shifted back into her can-do-no-wrong sjw mode and asked me if I wanted to talk about it. I leaned against the stove on the far opposite side of the room from them and told new girl that if she really didnt care about all this at all then she should say so to my face. Everyone else has to live with the consequences of what seems to just be a joke to you, so why do you get to hide? I was entirely calm about this for the record so this didn't seem to be a fear thing it's just that she'd just been caught acting shifty lol. She just kept hiding silently around the corner in the living room. PG tried to come at me with the "to be honest, you're Causing Harm by singling out [new girl]'s attitude towards the situation." I told her that overstating harm isn't appropriate here (again, these words exactly. I'm not here tweaking acting out or losing my mind I'm just calmly telling them what I think but I got the impression that it would've made no difference either way) and assured her that the particular statement about Attitude was directed at how everyone involved has handled this. We talked about the minutiae of my language and I reiterated that I was addressing the Overall Attitude that people have taken towards the issue. "But you're singling her out." I don't find that unreasonable. We went back and forth about language until she told me: "if you take issue with the way someone is conducting themselves then you need to tell them." I said she was right! She was absolutely right. So I invited new girl to peek her head around the corner. She brought herself into view. "I think that you are careless and irresponsible. You've made decisions that put people's housing at risk. And yes, you have a shit attitude." They stared at me.

[moonblastbitch]

Yellow card update

Hi ya'll! So I barely use tumblr nowadays, but considering some stuff going on I thought it would be good to do a quick little come back.

So hi! I'm Kit, I write the griddlehark fic Yellow Card with my friend Starr. It's a very silly fanfiction about age difference Harrow and Gideon having an affair and raising a child together. It's pretty well known in TLT fan spaces which I'm super grateful for! It's not an understatement to call this little fic my pride and joy. I've spent the last two years working on it as my little labor of love and it's kinda grown a cult of followers! Really, it's a fun excuse for me and my friend to work on something we care about together. But lately I haven't felt inclined to work on it and I want to talk about why.

Over the last several months I've had some health stuff going on that's resulted in needing two surgeries. Along with that, I moved into a new place and my gf and I are managing some new financial stress. Plus, you know, the general state of democracy in decay all around the world. It doesn't leave me a lot of time or energy to write silly smut fic. Everyone has been very supportive of me taking the time I need to recover and I'm really grateful.

But... this is where I have to address some not great stuff. Today my friend approached me with a fanfiction making fun of my writing. And several posts from someone making fun of the tropes I use in the writing. Now, I want to make this abundantly clear. Absolutely no one is required to like my writing style or fics. I don't write for praise or wealth, just for my own personal happiness. I think everyone is within their right to complain to their friends if they dislike something they read. What I really can't tolerate however is this intense hostility toward myself or my fellow writers. Nor do I appreciate having an entire fic written mocking me or my stylistic choices.

Back when I first joined the TLT fandom in 2020 it was teeny tiny. Now it's a lot less so. It's been so satisfying to see everyone grow and change over the years, and I think I've grown a lot as a writer. Sadly though, I've seen a lot of stupid bullshit. I've seen personal friends of mine targeted in harassment campaigns because they ship the wrong ship. I've been added to public bookmarks complaining about my writing, I've been subtweeted, I've been made fun of. And I think I'm done.

I write for my own pleasure. I write to bond with my friends. I am not writing for homophobic assholes who use my work to mock me, nor make me or my co-writer the target of harassment. So, as a result, Yellow Card and all my other TLT fics are on an immidate hiatus, with the exception of one upcoming commission for the TLT for Palestine charity.

I spent a long time tonight debating if I should even write this post. It seems like by writing this I'd be giving the people making fun of me more ammo. But honestly? I don't care. My feelings are hurt. I am upset. I shouldn't have to hide that because some bullies will take bits of this statement to use in their next bitchy text post.

I want to reiterate something important. I am open to critque on my work. Anyone who has an issue with my writing style is more than welcome to come into my comments and let me know if something isn't flowing right, if there are unfortunate implications of a line I may not have considered, if there is something they personally find a bit distasteful. Sadly, the people doing this skipped right to mockery and ridicule, and that is unacceptable.

What drew me to this fandom in the first place was Muir's openness to her background in fanworks. She clearly takes such pride knowing her book series has spawned into a wild, happy fandom writing crack silliness and serious character study alike. Because that is what fandom is for. Having fun in a big beautiful sandbox, creating art with friends. And I treasure that deeply, even as I am forced to walk away from a space I love.

TLDR: TLT fandom is full of dicks. And not the kind I write about.

Thank you to everyone whose offered me kindness and support over the years! I truly appreciate you all. If you wanna stay in contact, it's easiest to find me over on twitter @moonblastbitch or discord (same name)

[girlactionfigure]

🚨EXCLUSIVE NEW DETAILS ABOUT THE PAGERS - A THREAD:

Just when you thought it couldn't get crazier, Reuters released brand new details about Mossad's brilliant pager operation against Hezbollah in September. I will break down the most important parts and the exciting moments. 

Let's start with the construction of the pagers themselves. The explosive component, Pentaerythritol tetranitrate (otherwise known as PETN), did the most damage. Mossad technicians found a way to insert a very thin square sheet of PETN between two battery cells and a strip of highly flammable material to act as a detonator. This entire package was placed into a plastic sleeve, which was encapsulated in a metal case roughly the size of a matchbox. 

When the command was given, the flammable strip generated a spark to light the detonator and trigger the PETN to explode. The explosives took away some of the battery's power, which Hezbollah noticed when the battery would drain faster than expected. However, they never put two and two together and continued to use and issue the devices. 

The complexity of this construction is essential for one primary reason: without metal components like a standard detonator or wires, the explosive element was utterly undetectable by X-ray. Israel knew that upon receiving the pagers, Hezbollah would likely check them for tampering or explosives, which is precisely what happened. Using airport-style security scanners, Hezbollah did indeed check the pagers, but thanks to Mossad's ingenuity, the explosive was not detected. 

Now we get to the really interesting part, which is the lengths the Mossad went to create a cover story for their ruse. The PETN battery pack that Mossad constructed had a label on it: LI-BT783, and this was an issue because that specific battery did not exist. The Mossad started by creating a custom model for the entire pager, AR-924. They approached a renowned Taiwanese brand, Gold Apollo, to add it to their catalog. 

Hsu Ching-Kuang, the chairman of Gold Apollo, was approached by a former employee and her new boss named "Tom" to inquire about adding the model. Ching-Kuang said that while he wasn't impressed by the AR-924 when he saw it, he agreed to grant a license under the brand and add photos and a description of the product to his company's website, thus unknowingly establishing the legitimacy of the Mossad's pager. 

In September 2023, a website named came online with the AR-924 listed as a product. The site was tied to a Hong Kong-based company, Apollo Systems HK, of which no record exists today. In late 2023, two additional online states came online with the LI-BT783 battery listed in their product list, amongst other legitimate units.

Users in two online forums discussing batteries even made posts about the LI-BT783 and the AR-924, praising its "great performance" and ruggedness for field use. When Hezbollah searched for a new pager, their procurement manager chose the AR-924. The salesperson who brokered the deal offered a "very inexpensive proposition" and continued reducing the price until the Hezbollah manager agreed. 

In the wake of the explosions, Hezbollah launched an internal probe of what went wrong. However, the senior official leading the investigation, Nabil Kaouk, was himself killed in an Israeli strike just 11 days after the pagers went off. The internal investigation is supposedly still in progress... 

@JewishWarrior13

[general-cyno]

I'm caught up with manga rn so I wanted to share a few thoughts (ramblings) on egghead arc zolu too. first, this convo after the crew leave wano and find out abt what's gone down in the reverie, and wrt to vivi specifically,

I do agree with some stuff I've seen about how using ace here as an example was not exactly the best one since we know how that ended up. that said, I think it's lowkey sweet that zoro still remembers so clearly what luffy said back then and well, he's not entirely wrong.

as I've mentioned in other posts before, zoro takes the crew and his own role in it very seriously. these are his companions, his friends and family I daresay, and part of his duty as both crewmate and friend includes keeping them all check and safe whenever it's needed. especially luffy, as we've seen in different occasions (water 7, thriller bark, punk hazard, wano, just to name some arcs with relevant moments related to this). storming into marijoa, THE world government/navy stronghold, without any information and/or plan whatsoever is a bad idea all around.

luffy may be impulsive and stubborn at times, but he isn't really an idiot and he knows zoro's right even if he doesn't like it. hence this:

ngl I love how grumpy luffy is at zoro here. these two are usually on a similar wavelength but there are key moments where their approach to things differ, and it ultimately works bc it's kind of... a complementary thing. making up for what the other lacks or needs to hear in those moments. I believe they bicker relatively less than other straw hats do in comparison (precisely bc of how similar they are imo) but it's funny when it actually happens. I can so easily picture luffy here fuming and stomping like a brat also being seconds away from asking for a divorce

this one's perhaps on a more delulu note on my part, but I like that zoro brought up ace in specific bc he was there both times when ace and sabo asked the crew to take care of luffy. it was curious to me that in the former case, zoro was kinda shown with this "!" reaction sign and later when it came to sabo in dressrosa, he was the one to fondly point out he sounded just like ace did in alabasta (and the "!" is back).

(the fact that sabo handed zoro luffy's vivre card there also lives in my mind rent free btw)

so yeah. zoro's definitely not one to mess around when it comes to the crew and luffy's safety, though he may get a handful of grumpy straw hats (captain included!) for it.

another thing, and do bear with me bc I might be reaching once again is... the break up flashback between shanks and buggy. I pretty much forgot to make a post about water 7/enies lobby zolu bits (too busy crying over robin, I admit) but this actually reminded me of it.

the context and personalities involved differ from each other, yeah, but I believe this shows exactly how easily it could've been for luffy and zoro to have a bad ending of sorts under different circumstances.

I can't say for sure how much of whiskey peak was intended to affect zoro and luffy's relationship later in the manga (I personally find some parts of it kinda goofy), but it at least served as an early example that they're not immune to suffering from misunderstandings and miscommunication issues. though unlike shanks/buggy, the fact that they're more similar than they're different and their differences tend to complement each other's likely works more in zoro and luffy's favor. still,

if luffy hadn't listened to zoro here - if he'd failed to stay true to what's expected of him as the captain (and being the captain is related to his journey to become the pirate king), to stay true to the kind of man zoro believes him to be and that he chose to join in that marine base, we could've had a similar scenario to shanks and buggy's imo. more so when you consider that zoro's as headstrong as luffy is, that he's been mistaken for the captain and now has turned out to have the color of the supreme king too. hell, zoro used to be a bounty hunter, is still called the pirate hunter. I don't believe it'd be easy for zoro to leave despite what he says, or that they'd become enemies per se, but it isn't (or wasn't) out of the realm of possibilities. zoro has admitted that he sees no point in being a pirate unless he's part of luffy's crew as well.

as it is, the fact that luffy values zoro's imput and listens to him whenever the need arises is such an important part of their relationship. as loyal as zoro may be, as great as his displays of that loyalty are, they only exist bc luffy cares for him just as much and has earned them through his actions. I love it!

last thing before this gets too long is this:

the mobile app's pic upload limit is my enemy so I can't share it but I also liked the page before this one, where luffy asks zoro if he needs some help, to which zoro tells him to focus on kizaru instead.

this is such a great showcase of how much they've grown in terms of strength - that zoro can take on one of pre-timeskip luffy's strongest foes now, and that luffy himself is no longer unable to do anything against enemies like kizaru. and yknow, I find it special that luffy can go against him now considering kizaru was the one who almost killed zoro in sabaody - one of those instances in which luffy was genuinely worried, upset and feared for zoro's safety to the point he was actually all teary when rayleigh managed to save him.

I would've liked to see zoro's reaction to nika!luffy since he was knocked out in wano when it first happened, but I suppose he's already seen the wanted poster and his lack of reaction now isn't that out of character probably. godly power up or not, that's still his silly gremlin captain ig. can't wait to see what else is in store for these guys in this arc and onwards!

[dallasgallant]

As I re-read the novel I find myself appreciative and disappointed. As it’s really damn close a lot of the time, some parts are word for word and there’s little details here and there but then it’ll loose these pretty important moments. The biggest for me being how cut down the drive in scene is. Not only because there are some funny quippy parts to it but also so much world building and character work.

The whole reason Marcia cracks her “you just burry him no sweat.” joke is because Greaser fighting is wildly complicated! It’s fascinating to how two bit explains it.

To a greaser violence becomes almost like another form of communication, blowing off steam, solving an argument- getting the anger out of the way now so there’s less grudge holding and more solidarity. They have self made rules and honor that holds them to their system of fairness. You back up your friends when they ask you but sometimes it’s their fight alone— Dally’s getting what’s coming to him for slashing those tires, they ain’t cheap and it’s a poor community. Tim will whip him and they’re back to buddies by the end of the night. Big fights, real fights - rumbles- are organized with rules and this weird sense of civility.

There’s this weird mix of “Boys will be boys” roughhouse with “got to be tough to survive” raised in violence survivalism.

Meanwhile,the Soc’s are a lot less warm with their approach to fighting its “cold and impersonal” like they handle all things. Though honestly I’d argue it’s a lot more personal— not fighting for communication but because one can or to exert power. They don’t fight fair, they hold those grudges and there’s no solidarity to that. Ponyboy describes them best as “a snarling pack”. Their violence is rooted in the same systems and misfortunes Greasers face - in that what perpetuates violence is a bit universal. The difference is a greaser will help a guy up and maybe get him an ice pack where as a Soc will just leave you in the street for the sake of appearance or dominance, it’s not enough that they beat you. Nothing is ever enough, like Cherry mentions they can never be satisfied.

“It’s not the money it’s feeling— you don’t feel anything and we feel too violently.”

I’ll keep mentioning that quote until I’m blue in the face honestly, it goes right alongside “things are rough all over” Differences stem especially from their reactions and behaviors in response to what’s rough. Some hardships are universal but don’t mishear me as a good portion of it is also class issues because the Reason a Soc might drink himself into oblivion is way different from why a Greaser might.

Beyond Two-bits explaination I’m sad we loose more of the talk between Cherry and Pony on emotions and money. How people are people and they’re all a lot more similar than one might think (despite the contrasting I’ve been doing in this post it’s very true). And talking about his brothers. In the movie it’s a little weird as he only brought up Soda once but she “feels like she knows him” and he brings up sunsets to her later in the movie and they never mentioned it here! Unless they’re trying to imply they had more of a convo on the short walk to the parking lot but I’m not buying that.

Ponyboy being resentful (not that he’s wrong for it) because how hard everyone he knows has it compared to Soc’s. How he has to learn though the novel that “things are rough all over” isn’t that everyone has the same troubles/level of trouble. As they’re certainly worse off; it’s about empathy and everyone being human. That some might be better off but that doesn’t mean they’re entirely without problems. That not everyone is out for a fight all the time.

It’s just a shame as this scene adds so much context to the world, social circles and the moral of the literal freaking novel. The compare/contrast with their lives is pretty important… I digress.

[theflyindutchwoman]

Can you better explain how Isabel factored into Tim and Lucy's fight? I've rewatched the scene multiple times trying to understand, but I'm just not making the connection, and I know I'm missing something. I thought the fight was about Lucy making detective, but then she brought up Tim's trauma with Isabel, and I'm just not seeing how they connect.

I can certainly try - whether I'll succeed, however, is another matter… Make yourself comfortable, it's going to be a long post. As always, this is merely my interpretation.

The fight was initially about Lucy making detective and escalated from there. That's because the issue goes beyond just this test : all of this is intrinsically connected to the whole undercover work storyline. This is the reason why she is taking this exam in the first place : so she can become a UC. And that is the crux of the matter. This is the topic they have yet to fully discuss : how Tim truly feels about her becoming a full UC officer considering his past traumatic experience. It has been bubbling for the last five episodes… And this time, it blew over.

In my opinion, you can see the progression of their argument in these 3 key scenes.

/ 1st - First scene in the shop (Lucy's spiraling) Here, Lucy is entirely focused on the detective exam. This is about the pressure she is feeling. Taking an exam is already stressful enough, but add the fact that one of the higher-ups is gunning for her, and her anxiety is understandable. I believe that up to this point, she has been trying not to let it get to her. We saw a bit of her distress when she found out about Primm potentially blocking her in 5.19, but that was it. Now that the date is approaching though, the cracks are starting to show. As someone else mentioned, she asked for TO/Sergeant Bradford to help her when really, she wanted (and needed) Boyfriend Tim. You can already see how she is second-guessing herself when she says she should have asked Nyla or Angela for help. And after that, well… She starts spiraling. Part of the reason why she cracks here is that she feels safe : she's in the shop, riding with Tim. This is an environment she is familiar with. So she starts unloading. Only, once she starts, she can't stop. She overthinks everything in a way we haven't seen her do before, not even when she was still a rookie. And Tim in that moment is completely caught off-guard, not knowing what to do. And to be frank, I don't think he realises how bad it is yet. Now, speaking from experience, I'm not entirely sure there was anything he could have said that would have made a difference. I've been on both sides of the equation and you usually feel powerless. What could have possibly helped was doing some breathing exercises with her, making her focus on the here and now, or simply taking a small walk… Like in that scene with Barnes and the ladybug in 3.11. Anything really to take her mind off that exam. But I'm afraid that would have only been helpful in the short term since the issue at heart goes far deeper than the exam.

/ 2nd - The fight in the shop (stake out) This is where the conversation starts to (slowly) shift away from the exam itself. At this point, Lucy is on a downward spiral and is second-guessing everything, including taking the exam. It's clear by the tears in her eyes that she is barely holding it together. Tim's immediate reaction is to protest and reassure her that she is ready. And when she argues that it would be better for her to wait, he tries to reassure her again that there's nothing wrong that. He even makes sure to emphasise that she can still do some undercover assignments while in patrol. Because he knows this is why she wants to become a detective. There is no malice in his words. He is genuinely trying to be supportive and help her deescalate. He trusts her to know what's best for her and if she says it is to wait, then he will support her. Just like he trusted her when she wanted to stay undercover after finding out Rosalind had escaped. Unfortunately, Lucy understands something entirely different. What she hears is that he doesn't believe she can pass the exam. Otherwise he would have insisted. And from there, she spirals even more. Her mind is projecting and creating a whole new scenario. Remember when I said she is second-guessing everything? Well, now it includes Tim. When you spiral, your mind tends to jump to the worst case-scenario. And before they can clarify this, the suspect shows up.

/ 3rd - The final scene And this is when it all comes crashing down. Tim is still trying to figure out what happened while Lucy's mind is already somewhere else. He's playing catch up here. When you think about it, it's not that different from the 'unless it is' scene : when they met outside the station back then, Tim was trying to understand why she didn't want to break up with Chris while Lucy was one step ahead of him and blurted her confession out. When they meet here in the parking garage (a few steps away from where they were in 5.08 by the way), she looks completely defeated. She solved the case but it doesn't feel like a victory. Now, her doubts go far beyond Primm and the exam. Doubts poison everything. And make you question everything. And in that moment, the thing she is questioning is why Tim doesn't believe she can pass the exam.

So why does she jump to Tim's trauma with Isabel? Because, in her mind, that's the reason why he is scared of her becoming a detective. If she passes the exam, she will be an undercover cop. Her words are : "Did you undermine me today because you're scared that I'm gonna make detective?". "Scared" being the operative word here. Like I said earlier, this is where I think the context helps. Ever since she told him about taking the detective exam in 5.19, she has tried on numerous occasion to broach the topic of undercover - to no avail. He has either deflected or walked away. Like in that couch scene at the end of 5.20 : "I'm worried that you won't [be able to handle me going deep undercover] - I'll be fine". Or that scene in the laundry room : "Look, it's not my first time - I know. It's probably what makes it worse - All right, now's not the time to talk about this". Before it finally blew over a little at the end : "If this is gonna work between us, I need to know that you can see the difference - Of course I can". And there's something to be said in the mirroring in the language here : "if this is gonna work between us" in 5.21 / "this isn't gonna work if you're gonna lie to me" in 6.01.

She knows about his trauma and like he said, he has acknowledged it with her since day one. But that was then. That was before they became a couple. Since their relationship changed, with the exception of that final scene in 5.21, he has yet to open up on how he truly feels about her doing undercover work. And because she knows him and his past, she can sense that he's hiding something. She can sense he is scared. He all but admitted it in 5.21 after all. But that conversation just scratched the surface.

The other reason she brings up his past and trauma is because the one time they did talk about this was when he jumped to the conclusion that she was hiding things while undercover, the way Isabel did. But they didn't go deeper, they were too raw back then. Still, this part of the conversation probably stuck with her. She has internalised everything for so long, has bottled up all those feelings, those things left unsaid until she couldn't contain them anymore. And she blurted everything out at the worst time. That's the issue when you don't talk about things : your intentions can get misconstrued. And watching your partner walk away from the difficult conversation, before you can actually talk things through, takes its toll on you. It creates a doubt. Now add all that spiraling, all that second-guessing she has done all day long and you got a recipe for disaster. She arrives at this crashing point where she second-guesses him. Because she is afraid too. She is afraid that the other shoe is about to drop.

Now from Tim's perspective, I believe he is sincere in his support. And I don't think that in this episode, his past even crossed his mind. He genuinely wants her to succeed, to have the career that she wants and deserves. When he says that she's different, that they're going to figure out, he means it. When he said they were worth the risk, he meant it. He already knew she was going to do undercover work. But he's also scared. The most obvious time was in 5.20 where they were sitting on the couch. The fear was written all over his face. That said, I get where he's coming from too : after his reaction in 3.06, I can understand why he is more guarded. That he doesn't want his fears to influence her in any way. "You don't let anyone ever tell you you can't do something. Not even me." I can imagine that he is afraid that should he be entirely honest, it would put Lucy in a situation where she feels that she has to choose between him and UC. And that's the last thing he wants. He doesn't want to be the one to hold her back in any form. Like he said in 5.02. He wants the best for her so he will be supportive, no matter what her decision is.

And here's the irony for you : he wants to be so supportive that he doesn't see that what she needs even more is honesty from him and that without that honesty, it is creating a doubt in her mind. It's a loop they are stuck in. At least, for now. All it takes to break that loop is to talk.

I hope this helped shed some light on the connection and answered your question :)

[batsplat]

It's a thing I already knew but all your beautiful analysis really made obvious (to me) how much of a grudge holder vale is. That man is never letting it go he's gonna hold his grudges into his grave

you know, I do think this is an interesting issue, because I'm not sure this is true of all his grudges. just sticking here with the grudges he accumulated in his capacity as a competitor, rather than just his general approach to life or whatever... how you judge this will kinda depend on how you feel about the 'reconciliation' he's experienced with some of his rivals - and whether you read the whole thing as sincere or not. now, personally I reckon he still dislikes biaggi, but also you are allowed to just dislike people so I'll give him a pass for that. some of the others, I'm a little more convinced by the whole reconciliation schtick

let's get valentino's take:

interesting that he mentions those three together, isn't it? and like, he's still not messaging biaggi or inviting him to his home - "even with max" kind of tells you all you need to know - but the other two? they said some proper nasty things to each other over the years!! I mean, the casey rivalry, there's some remarks from both sides where quite frankly I think I would struggle just a touch to get over it

I don't know, obviously this could all be pr stuff, but I kind of feel like... y'know, why bother? it's 2022, you're retired, who gives a fuck? sure it's a good look to be all magnanimous, sure it can be a bit of a way of twisting in the knife to the guys left in the cold, but also, who would care if you don't play nice? I think especially with jorge, you surely don't need to do all that, inviting him to your home and dancing with him... (which, again, some of the spats those two had...) and with the casey rivalry, if there's one guy who's still hung up about what happened between the pair of them, it's obviously casey (speaking of blokes who can hold a grudge). maybe this is giving valentino too much credit, but personally I buy it's more or less sincere. there's nothing to really indicate he's still particularly bothered by any of their past disagreements - he's basically going for the 'all's fair in love and motorcycle racing' approach. he knows he was an asshole, he accepts they were assholes too, whatever, that's how these things work. he's generally a fan of drama in rivalries, unsurprisingly, and he was happy enough to contribute his fair share - but he does see it as fundamentally being part of the game

to point out the obvious, check out who he's left out: sete and marc. that's where he can't let go of the grudges... because it's not about the offence itself as much as it is about the betrayal. this is the thing with valentino, right, it's about what kind of bond you had with him. if you weren't his friend in the first place and then piss him off as a rival then, y'know, whatever. obviously he's going to be vicious in trying to get back at you, but also he's really not going to waste his time feeling too aggrieved by it. I mean, think about how all the bullshit between him and casey dropped off sharply post-2012... from valentino's end anyway. think about how jorge and valentino pretty quickly got on again whenever they weren't fighting for supremacy within yamaha. they weren't friends in the first place, then they were enemies for competitive reasons for a while there, then it's over and valentino is basically happy enough to call it bygones

but... if it's a certain kind of bond you had with him and then you wrong him... that little mental list of all his past grievances, all your past transgressions, that's where it comes in. that's where he ices you out. denies you any emotional warmth. ensures that any interaction going forward is conducted entirely on his terms. where even any public 'reconciliation' won't truly be sincere.... or, certainly he's not going to forget what happened. if something else happens... it's like you've always got the potential of triggering this lingering resentment, in a way, where all that past stuff is still primed and ready to be called upon. he certainly doesn't just let it go

or, as he puts it in his autobiography:

Biaggi and I never talk to each other. I mean, we've never had a real conversation, anything that's lasted more than the requisite time to insult each other or put each other down, in the nastiest way possible. In any case, I don't hate him. It's true, we've never been friends, but hatred is something different, and that's too serious a word to describe our relationship. Far too serious. No, we have a reciprocal antipathy. No doubt this is a result of what we do for a living and the fact that we both want to win every single time. And perhaps it's also a function of the fact that we have very different personalities and very different ways of seeing things. Still, I don't think this means we hate each other, as some journalists have written. I think I could feel hatred for someone, but only for someone far worse than anything Biaggi has done. For example, if I were betrayed by a friend, then, yes, I could hate him. But Biaggi will never betray my friendship for the simple reason that we are not, and never have been, friends. Our relationship is very clear: we compete on the track - outside the track, each goes his own way. You could say we detest each other cordially.

... I mean. he said it, not me. and given this book was first published in '05... biaggi can't betray his friendship because they were never friends... I'm not saying he's thinking about sete, but it has to at least be a possibility, right? he's talking about one rivalry here and refusing to even mention the other... and the one he's refusing to mention is the one where he was friends with the other bloke. I don't know, maybe that's reading too much into it! and anyway, even if this passage wasn't really about sete, it's obviously still revealing. "detest each other cordially" is essentially what he was doing with casey and jorge (or from his point of view in any case, not entirely sure they'd agree with that). the grudge comes when he feels let down by you... and then, yes, he'll never let it go

of course, he's willing to set aside his grievances for a while if there's sufficient motivation for him to do so. in 2009, when he had so definitively won that rivalry with sete, why bother kicking up a fuss? in 2016, quite frankly it was just too much, and it was getting to the point where it was obviously hurting him too. on the one hand there was the media furore that had been going on non-stop since sepang, on the other hand it was also hurting his own approach to racing. there's reports from the time how visibly aggrieved he still was in the first few races of the season, and it took until they got back to europe for him to... y'know, have fun again. it's not sustainable to be walking around with a constant dark cloud over your head and broadcasting burning resentment towards your two main rivals. certainly not for someone like valentino - he needs to be having fun! the slight rapprochement needed to happen, in a way, because otherwise those years would have been even worse for everyone involved. but that doesn't actually translate to forgetting any of those grudges. this is about convenience more than anything else

goes to show, really... most of the time he doesn't take these things personally. I talked about it a bit in this post, how maybe it's also something that changed over time for him: the question of whether he was willing to develop these kinds of bonds in the first place with competitors... because he does possess a certain level of self-awareness in terms of what these kinds of rivalries are like and what they do to interpersonal relationships. ideally, you don't want to be hurt by a friend like that, right? better not to have that kind of emotional attachment with your competitors in the first place. how unfortunate it'd be if all those years after sete the circumstances aligned for him to see a competitor as something like a friend again... because, after all, those are the only people who could betray him. those are the only people where he thinks he could truly hate them