#but i'll say here first that i think it's the femininity in lxy that is what precisely makes him an unparalleled swordsman. not in spite of

[rinbylin]

re: jianghu as a queer space in mlc

here to answer @redemption-revenge !! in reply to this post

(also tagging @markiafc @ananeiah <3)

there are many definitions of jianghu, but this is specifically based on the framing of jianghu as the space people retreat to, away from the mainstream sphere governed by the imperial court. in that is a sense of rejection and defiance against the patriarchal, heteronormative values and norms, which had been enforced through a fixation on upkeeping order in the society. as such i guess it's not too much of a stretch to interpret jianghu as a queer space in a way that's characterised by a spirit of nonconformity to the norms. consequently, it makes sense for stories set in jianghu be used to illustrate and navigate queer identities/experiences/feelings - which I came to believe mlc had made really good use of.

there's always kind of a dichotomy between 江湖 jianghu and 庙堂 miaotang (ie. imperial court). like in mlc, there are two separate, distinct law enforcement bodies from the respective spheres - and jianghu strives to keep imperial court from interfering in their affairs. like how li xiangyi firmly stands against getting imperial court involved in jianghu matters. like how fang duobing is actively running away from the grip of the royal court on his life choices. the rejection of the mainstream (very conveniently and broadly put, confucian) norms in mlc also manifests in many of its key relationships being non-familial (in the sense of blood/marriage-based kinship) and there being little emphasis on the main characters' biological familial ties. (anyway this is for a whole different meta on its own... edit: it's here)

it's then actually a sort of irony that the imperial court's institution of law and order is what sigu sect/baichuan court had been formed to be a de facto counterpart to. so when li xiangyi becomes li lianhua, it triggered the process of deconstructing the meaning of installing such an institution and the need to maintain order to a fundamentally nonconforming space such as jianghu. mama fang's seemingly throwaway line of criticising li xiangyi and his mission is in fact the thesis statement in this particular reading of mlc's story: jianghu makes its own rules. nobody should dare to do it in its place.

now deprived of all means to fight like he used to, li xiangyi's new life as li lianhua is essentially a refresh of how he views jianghu. the death of li xiangyi the leader of sigu sect and top of wulin, meant taking apart the idea that jianghu is a lawless arena where the fittest fight to the top for power and control over wulin. and li lianhua then putting together lotus tower, living a life focusing on a domestic lifestyle this time for real far from the reach of the governance both from the imperial court and sigu sect/baichuan court, is him living the jianghu that's defined as a space away from any form of conformity.

with that, there's also a sense of queerness to this particular way of living as li lianhua, if you consider the chinese conceptualisation of gender being more social than biological. if femininity and masculinity were respectively characterised by inner/domestic sphere and external/any space outside of that, dare I say...it actually makes li lianhua's moving house mindblowingly smart as a metaphor for gender fluidity. lonely wanderers are common in wuxia but housed lonely wanderers? he carved for himself a domestic (ie. feminine) space in the wilderness - among a jianghu space that's still dominated by masculine values of aggression and competition. and being freely mobile makes this feminine space more fluid and less tied down than the more rigid, inert domestic, feminine spaces in traditional mainstream society. when you combine it with how his character has been fem-coded - even as li xiangyi (eg. yin-coded powers/energy) (also a whole other meta on its own... edit: it's here now), it speaks to a part of him that has always found appeal in qualities conventionally associated with femininity of stability, gentleness and non-aggression. and a rejection of expectations to fight and destroy. he is defining who he is in his own terms, in the true spirit of jianghu.