#but i don't have the means to escape it

[wompwomf]

does anyone know of better ways to make money? im currently on the edge of homelesseness (and i refuse to be homeless, so if that happens i WILL kms /srs) and im currently working minimum wage, around 200-300 a month

minimum wage is evil, why are people paid so little, and it barely covers utilities, why is the world evil? im just someones daughter trying to exist, and I cant even do that without everything edging me onto the brink of suicide, i need help, and places that give help WONT help, and when i do find a place to live its already bought out by someones sweet 16

im starting to wonder if anyone in my area will need a roommate, or if i can just live off of a car, if I had a car and a better paying job i would have at least a little chance of survival, but its expensive, and you need a damn good memory for a drivers license

would my life be different if i was born a boy, if my trauma didnt affect me to the point of a dissociative identity disorder, what would have happened if i wasnt my fathers daughter, or if i had a different mother, what would have happened if i wasnt a dreamer, or if i didnt have mental illness, what would have happened if i had a chance

[poorly-drawn-mdzs]

None of our hands are clean

[First] Prev <–-> Next

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[arthursfuckinghat]

There needs to be a scientific study done on how Rockstar Games' Arthur Morgan is able to provoke the most earth shattering emotions I didn't even know I had in me

[silvermoon424]

It fucking blows my mind how so many men will just see a picture of a woman and feel compelled to publicly announce whether he finds her fuckable or not. This happens on basically every social media site and also irl. Like, did you ever consider that maybe she's not desperate for the approval of random men and she doesn't care if you think that she's too fat or her nose is too big or whatever?

It just gets really disheartening running into this time and time again because it really hammers in the point that far too many men only value women for our looks. Like they have the capacity to comment literally anything and somehow it always comes back to whether a woman makes their peepee hard or not.

[yuseirra]

ch 109 and Mephisto~

even someone in their right mind would have gone insane in his place I'm pretty sure I mean, his beloved got killed upon the reasoning they had his children, if he acted with the belief that he should reverse that somehow, I'd understand the despair and desperation.

[possiblynya]

If you ask one member of the d&d party out, you ask them all out.

[tswwwit]

I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.

It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!

No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.

A henchmen.

(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).

[bonefall]

Feel free to ignore you've probably got a lot going on right now, but considering you know a lot about DOTC and Clear sky, I had a question...

We know that he's a terrible, misogynistic, woman beating and war mongering lunatic who was excused of all his actions because his equally misogynistic brother said " But-But he's nice! Deep down! This isn't the real him! "

But! In a world where the Hunters could write such a character, what do you think Clear Sky would look like as an actual sympathetic villain?

Idk if that makes sense, but what I've thought of doing is taking purely cannon Clear Sky and attempting to change him enough that he's still an antagonist, but not too far where only Reddit defends him.

I don't think he works as a sympathetic villain, on any level, ever. I think you're making a huge mistake to even try, and I have never seen an AU where it was done well nor am I interested in entertaining the thought.

Characters. Are. Tools. They exist to tell a story. The story that people tell me, by obsessing over some alternate universe where he was "ACTUALLY sympathetic and had a REAL redemption arc," is that they're not fucking interested in his dozens of victims. Nor do they actually care about the abusive impact he had on the minds and feelings of his family. They're JUST interested in Clear Sky himself.

Just like the Erins. Everything that happens in DOTC revolves around him. Everything. All his wives die so he can be sad about it. His brother defends all of his actions and BEGS you to sympathize with his pain so he can be 'redeemable.' One Eye comes out of nowhere so that there can be an example of "real" evil to contrast Clear Sky so he's less bad in hindsight.

The first three books of DOTC are bad, but the last three are fucking insufferable because SUDDENLY all that Gray Wing apologia pays off, and they take their main villain and throw him out a window. You CAN'T have "redeemable" Clear Sky and the plot of DOTC without dragging in someone else to drive the conflict, to BE the bigger threat to "unite" against. Slash and One Eye have to be conjured up out of thin air so Clear Sky can WHINE about how people only suck his toes instead of deepthroat them after he killed all their friends.

And yet, in spite of this absolute failure of an attempt, we continue to see this bullshit "redemption" be a mistake because Clear Sky is a fantastic villain, with major antagonist roles in nearly EVERY bit of follow-up material for DOTC that came after.

He's the most consistent monster in all of Warriors.

He's a fragile, egotistical, self-absorbed megalomaniac who ALWAYS sees himself as the victim, REFUSING to self-reflect and blaming everything else for all of his terrible choices. He will USE your love of him against you like it's a chain through your nose, step out of line and he will yank you into place with guilt trips, manipulation, public shaming, and violence.

He's a child abuser. He's a tyrant. He abandons the sick and disabled as soon as they're of no use to him, with grand speeches about "illness" and "weakness." He's a murderer who stands above the shredded corpse of his victim and bellows, "I'M NOT GREEDY! I'M JUST STRONG!"

And you'd write a "good" redemption arc for this, why?

Why are people so chronically unable to accept that there are LOTS of people like him, and you can't save your abuser? Why don't you ask yourselves why you're not interested in exploring Thunder, or Petal, or Gray Wing, and how his toxic influence impacts them? Why does the sympathy fall on Clear Sky? What about the DOZENS of victims who are dead by Book 3, and how THEY could have been saved?

Why ruin a perfectly good villain?

What's behind this trend where a billion people say to me, "Yes Clear Sky is a walking cavalcade of fucked up abuse apologia, and an incredibly realistic depiction of an abuser, but how would you change this while keeping it all the same?"

I wouldn't. You can't. It wouldn't be the same story, or it wouldn't be the same character. Never seen it done well, and I have seen it a lot. So I don't entertain this deeply frustrating "Well What If Clear Sky But Nice" impulse.

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[lucascsinclairs]

Wait how did I not notice before that in the moment in the finale where Max finally escapes into her memories of the Snow Ball, she's standing right in front of The Piano. You know, the "I bet if we hit these suckers in the right combo we might just open a door to his secret lair!", "You're such a dork", "I've really missed that.//Missed what?//Your laugh." piano! That piano!

[sealrock]

a sound of thunder.

[nymphilily]

"The Knight Of Dawn being a near exact copy of Silver is lazy!" You absolutely think the curtains are just blue, don't you?

[leupagus]

You know what I thought of at 3 am last night (this morning) and haven't stopped thinking about

is that Aziraphale and Crowley drew up all that power for Gabriel's protection — one that was so powerful all the demons and angels desperate to find him couldn't do it — and they never thought to use that same miracle for themselves.

[agnesandhilda]

I am a strong supporter of the "kaiser fixates on his mother as an actress/on other troubled female celebrities" concept on the basis of him having mommy issues as well of him being flamboyantly queer and drawn to femininity

[someobscurereference]

ive been rereading your ffxv fic "im trying hard to take it back" for literally four years now. please end my suffering and tell me how gladio feels. please. PLEASE. (but only if u want ofc)

(fic) Short answer: Gladio feels insane guilt and spends a lot of his life trying to make this up to Prompto. In the process, they deepen their connection as friends and do begin a relationship probably around the one-year mark of endless darkness. <3

Longer answer: (implications of abuse/violence tw but no worse than in the fic itself; just what others assume to be true even if it's not in the context of this specific fic)

Gladio is a secret romantic at heart who has always envisioned meeting his soulmate, but he's also duty-bound and duty comes first. So even though he reads romance books (amongst other types of books too) and indulges in his head a bit as many people do, he's often put his duty to the crown first and foremost in his mind. He also didn't imagine his soulmate was anyone on this trip and thought perhaps the person he may have been fated to meet died in the assault of Insomnia. Even if they were a refugee, they can't be a priority to him at this moment. His priority has to be Noctis.

Prompto has obviously grown on him over the course of their road trip, but there are aspects of them that don't 100% mesh (as is true with every realistic relationship). That said, Gladio never in a hundred years would want this moment of (understandable but out of line) frustration and anger in the wake of Luna and Altissa to be a permanent mark on Prompto's face. He's genuinely horrified and disgusted with himself for a long time after this and spends most of his life trying to make it up. He feels like a dirtbag about it.

That said, Prompto runs away from him in this moment and they need time to calm down, just as the fic shows. Noctis goes after Prompto, just like in canon. Prompto falls off the train and has his Despair Arc just like in the DLC, now with the added despair of "well, in addition to being a clone, my soulmate hates me. And in addition to the mark of inhumanity on my wrist (barcode), I have a giant hand print of him literally Shoving Me Away on my face. Forever."

Aranea: Well, do you want to die about it. Or do you want to live.

Prompto, eventually like in canon: Live, I guess. But it will be excruciating.

Aranea: That's what living is. We do it anyway. Your friends love you. Get off the floor.

He fights his way through his issues and gets rescued like in canon. Gladio probably tries to talk to him when they all catch up again, trying to apologize, and Prompto tells him to hold off on that for later.

Then, of course, Noctis is eaten by the crystal and "later" becomes much, much later as they evacuate and try to survive in eternal darkness. (Though they also can't Not think about it because it's a giant hand print. On Prompto's face. And every person they meet has Something To Say about it, for better or worse, whether they knew Prompto before or not. Prompto cannot escape it, and when Gladio is not doing Crown Duties he feels he must do in Noct's absence, he's with Prompto, so he also Cannot Escape It either. Even when the person speaking is unaware that Gladio left that mark. It's almost worse when they don't know, but when they see it's Gladio, who is such a big guy who seemingly hit Prompto and left that permanent mark there, some of them get nasty to him and some back off out of fear. Both are horrible. The guilt is eating him alive.)

Eventually, enough time passes as the dust settles that they do Talk About It. Gladio apologizes sincerely, for the 500th time. Prompto's like, "Well. It's not like you could have known that this would be The One Time it happened." And then cracks a joke about their soulmate mark being a Prompto's hand print on Gladio's ass from a butt slap in another life, which does help the tension somewhat. (The more Gladio tries to apologize, the more Prompto grows sick of hearing it, so they just have to move on and keep going, as he's learned to do.)

They grow closer over time, especially because there's not a lot of people who have survived to this point and even less later on. They do get together romantically, both because they do like the idea of soulmates (for different reasons) and also because they're living out of each others pockets for years, so there's an affection and dependency that develops there. Also, teenage Prompto always thought Gladio was really handsome and teen Gladio thought Prompto was cute and sincere for a pipsqueak.

When they are out together on dates in normal settings surrounded by strangers after the light returns, Gladio will receive dirty looks for the rest of his life from strangers who see the hand print on Prompto's face and immediately (correctly) assumes it was out of anger rather than a funny accident or something. (Edit: Some people will assume there is a funny story attached. Gladio will not know what to say to this. Prompto will play along.) He will learn to live with this. Prompto is really grateful Gladio is with him despite everything.