I WISH Jorge had referenced the part of Luck Runs Out where Odysseus tells Eurylochus to be quiet because I feel like that’s an element missing from a lot of Eurylochus interpretations.
“I need you to always be devout and comply with this /Or we'll all die in this” is important because Eurylochus fails to do it by questioning Odysseus’ words (the bag is NOT treasure, it’s storm) and opening the wind bag and his actions lead directly to the facilitation of the death of most of the crew. I hesitate to say he’s to blame because, well, Poseidon is taking revenge due to Odysseus’ decision, but Eurylochus handed him means and perfect opportunity to do it.
So, after that, Eurylochus obeys everything Odysseus says to do. He takes men to explore Circe’s island. He stays put instead of running when Odysseus goes to rescue him. He follows intl the Underworld despite the fact that “hey this witch is helping us now by sending us to death’s realm, this is definitely not a trick” probably raised some questions. He doesn’t (or at least we don’t see) stray or talk to the souls in the Underworld even though Odysseus ends up doing it. He traps and kills the sirens.
He lights and gives out six torches.
So, if devotion to Odysseus wasn’t enough to save them? If Odysseusnis now using that devotion and trust to get them killed as long as he gets to make it home to his wife? What is he meant to do now?
Eurylochus doesn’t sound… fully there, during the second half of Mutiny. Whether there was divine intervention pushing him or madness or simply the pain of it all, he’s not acting rationally. He just saw six of his trusted men brutally murdered, asks Odysseus to lie and say it was a trick, and can’t even kill him when the truth comes out. Odysseus’ wounds are bandaged! (I’m not sure that he doesn’t actually know where Helios’ statue is from btw, both due to the melody and bc it seems outrageous)
We’re all talking about Odysseus pleading for Eurylochus to stop before killing the cows, but Eurylochus is pleading too. He asks how much longer is he expected to suffer, to push through doubt, to follow the orders. And Odysseus’ first plea is “I need to get home” (later “we can get home”). Let’s not forget Odysseus is selfish and Eurylochus knows that, maybe even loves that, but he’s not just hungry, he’s tired.
When Polites gets the location of the sheep cave from the lotus eaters and takes the men to it, he leads several of them to death and himself to his doom. When Eurylochus stumbles upon the cows, does he remember that? Does he deliberately invoke it?
Killing the cows isn’t about the hunger, not really. It’s about the devotion that was asked of him, the price he paid to learn that lesson, and the pain that silence put him through anyway.
1K notes
·
View notes
~followup to the previous doodle
Aoko volunteers to help Conan with catching Kid :] Kaito got dragged along for moral support since he's "bad at riddles". Shinichi's too bemused to consider calling him out.
1K notes
·
View notes
Possessed Pearl's
You know how in some ghost stories sometimes its not a person or a land that's haunted but the items?
Well what if, when looking for a mother's day gift for his mom, Danny is looking around a pawn shop and finds a necklace, it's missing some pearls but it's just enough to pass off as a decent gift. Danny humms but decides against it and goes to leave it....
That was until he gasped out blue frost and spots a ghostly woman appear out of the necklace with a somber smile. She isn't as seeable as the other ghosts in Amity though, meaning she doesn't have enough ectoplasm on her own (that might change the longer she's in Amity and around Danny though) and that right now only Danny can see her.
And Danny well... hes been doing his hero gig for a bit now, might go and ask if there was anything he can do to help.
And later Danny's good deed... bites him back. Oh boy. Because now he has the Bats looking into Amity Park... Wait what do you mean Martha is now strong enough to be seen?!
3K notes
·
View notes
Miyazaki's Retirement Declarations (chronologically)
Translated from last week's NHK documentary on the production of The Boy and The Heron (more under cut). I saw people posting a screencap of this and I just couldn't contain myself. THIS HAS BEEN GOING ON WAY LONGER THAN I IMAGINED LMFAO
This is from the NHK programme "Professional - Their Working Philosophy" (プロフェッショナル 仕事の流儀) a few days ago (16/12/2023). The episode investigates the production process of The Boy and the Huron, and how the late Takahata Isao influenced the movie.
(It was confirmed within the documentary that Mahito = Miyazaki, Great Uncle = Takahata Isao, The Heron = Suzuki Toshio, Kiriko = Yasuda Michiyo)
The documentary is currently available on the NHK Streaming Service (Location Limited). If you have your own ways of watching and you know Japanese, I would definitely recommend the episode as it gives a lot of much-needed context to The Boy and The Heron. Personally, I haven't found a way to watch it yet, so all I know about the documentary are hearsay I saw on Japanese twitter.
Original screencap:
Also, at the very end of the episode, Miyazaki was shown working on a Naucicaa piece without any explanation, which led to many people speculating whether he could be working on a sequel for Naucicaa of the Valley of the Wind.
What do yall think? Do you think he's going to finally retire or release yet another animated film in a few years? I would love to see Naucicaa 2 but I also feel like he really needs to... yknow, chillax a bit and stuff. He deserves a long ass vacation.
2K notes
·
View notes