#bonnie grubb

[nightlet]

The Wolfes held a dinner party. Not much happened tbh but they got gold for it.

[lyssahumana]

Bill Callahan & Bonnie Prince Billy "The Night of Santiago (feat. David Grubbs) (Lyrics Video)

[nofoodjustwax]

Deep Rotations: 2021 — 50+ Essential Records

Deep Rotations: 2021 — 50+ Essential Records

Last year I felt myself drawn to music imagining new paths forward. My favorite records deconstructed arbitrary barriers and between genres and technologies, exploring hybridized spaces and relationships between tradition & innovation, spirituality & politics, composition & improvisation, acoustic & digital, etc, in order to express resistance to oppressively rigid systems and offer visions of…

[alwaysstarwars]

A big congratulations to the cast and the crew of the Mandalorian for 24 (!!!!) Emmy nominations. The nominations were as follows:

+ Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) - Chapter 13: The Jedi - Andrew L. Jones, Doug Chiang (LOVE HIM), David Lazan, Amanda Serino

+ Outstanding Casting for a Drama Series - Sarah Halley Finn

+ Outstanding Cinematography for a Single-Camera Series (Half-Hour) - Chapter 15: The Believer - Matthew Jensen

+ Outstanding Cinematography for a Single-Camera Series (One-Hour)- Chapter 13: The Jedi - Baz Iodine

+ Outstanding Fantasy/Sci-Fi Costumes - Chapter 13: The Jedi - Shawna Trpcic, Julie Robar, Sara Fox

+ Outstanding Directing for a Drama Series - Chapter 9: The Marshal - Jon Favreau

+ Outstanding Single-Camera Picture Editing for a Drama Series - Chapter 11: The Heiress - Dylan Firshen, J. Erik Jessen

+ Outstanding Single-Camera Picture Editing for a Drama Series - Chapter 13: The Jedi - Andrew S. Eisen

+ Outstanding Single-Camera Picture Editing for a Drama Series - Chapter 15: The Believer - Jeff Seibenick

+ Outstanding Single-Camera Picture Editing for a Drama Series - Chapter 16: The Rescue - Adam Gerstel

+ Outstanding Period and/or Character Hairstyling - Chapter 16: The Rescue - Maira Sandoval, Ashleigh Childers, Wendy Southard

+ Outstanding Prosthetic Makeup - Chapter 13: The Jedi - Brian Sipe, Alexei Dmitriew, Samantha Ward, Scott Stoddard, Pepe Mora, Cale Thomas, Carlton Coleman, Scott Patton

+ Outstanding Music Composition for a Series - Chapter 16: The Rescue - Ludwig Goransson

+ Outstanding Supporting Actor in a Drama Series - Giancarlo Esposito as Moff Gideon

+ Outstanding Guest Actor in a Drama Series - Chapter 12: The Siege - Carl Weathers as Greef Karga

+ Outstanding Guest Actor in a Drama Series - Chapter 9: The Marshal - Timothy Olyphant as Cobb Vanth (I heartily approve)

+ Outstanding Sound Editing for a Comedy or Drama Series (One Hour) - Chapter 13: The Jedi - Matthew Wood, David Acord, Richard Quinn, James Spencer, Benjamin A. Burtt (Ben Burtt's son - how great!), J. R. Grubbs, Richard Gould, Stephanie McNally, Ronni Brown, Jana Vance

+ Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) - Chapter 13: The Jedi - Bonnie Wild, Stephen Urata, Shawn Holden, Christopher Fogel

+ Outstanding Special Visual Effects in a Season or Movie - Joe Bauer, Richard Bluff, Abbigail Keller, Hal Hickel, Roy K. Cancino, John Knoll, Enrico Damm, John Rosengrant, Joseph Kasparian

+ Outstanding Stunt Coordination - Ryan Watson

+ Outstanding Stunt Performance - Chapter 16: The Rescue - Lateef Crowder (Din's stunt performer)

+ Outstanding Writing for a Drama Series - Chapter 13: The Jedi - Dave Filoni

+ Outstanding Writing for a Drama Series - Chapter 16: The Rescue - Jon Favreau

+ Outstanding Drama Series

Well-deserved all around!

[porlockstompf]

Reading de Nacht Reading 2018

                                  my favourite books of the year

my overall favourite book of the year:

wiliam h gass "the william h gass reader" (2018)

post-cyberpunkstompf:

01 cixin liu "ball lightning" (2018)

02 kim stanley robinson "red moon" (2018) 03 dave hutchinson "europe at dawn" (2018)      + dave hutchinson "shelter (the aftermath 01)" (2018) 04 paul kincaid "ian m banks (modern masters of science fiction)" (2017) 05 hannu rajaniemi "summerland" (2018)

06 m john harrison "you should come with me now: stories of ghosts" (2017) 07 wade rousch (ed) "twelve tomorrows (2018) 08 christopher moore "noir" (2018) 09 jonathan strahan (ed) "infinity's end" (2018)     + jonathan strahan (ed) "the best sf & f of the year, vol XII" (2018) 10 neil clarke (ed) "the final frontier" (2018)      + neil clarke (ed) "the best sf of the year vol III" (2018)

11 gardner dozois (ed) "the year's best sf: thirty-fifth annual collection" (2018) 12 steve toutonghi "side life" (2018) 13 mike ashley (ed) "lost mars: the golden age of the red planet" (2018) 14 mary robinette kowal "the calculating stars: a lady astronaut novel" (2018) 15 mingwei song & theodore huters (eds)  "the reincarnated giant:      an anthology of twenty-first century chinese science fiction" (2018)

16 john zakour & lawrence ganem "the peach-blonde bomber" (2018) 17 becky chambers "record of a spaceborn few" (2018) 18 yoon ha lee "revenant gun" (2018) 19 derek künsken "the quantum magician" (2018) 20 gregory benford "rewrite" [arc] (2019)

21 richard k morgan "thin air" (2018) 22 charles stross "the labyrinth index" (2018) 23 john varley "irontown blues" (2018) 24 peter watts "the freeze-frame revolution" (2018) 25 karl schroeder "the million" (2018)

26 drew williams "the stars now unclaimed" (2018) 27 peter f hamilton "the salvation" (2018) 28 neal asher "the soldier" (2018) 29 nick mamatas "the people's republic of everything" (2018) 30 s j morden "one way" (2018)

31 gareth l powell "embers of war" (2018) 32 alex white "a big ship at the end of the universe" (2018)      + alex white "a bad deal for the whole galaxy" (2018) 33 s k dunstall "stars unchartered" (2018) 34 catherynne m valente "space opera" (2018) 35 alastair reynolds "elysium fire" (2018)

36 charles stross "dark state" (2018) 37 n k jemisin (ed) "the best american sf & f 2018" (2018) 38 jack mcdevitt "the long sunset" (2018)   + jack mcdevitt "a voice in the night" (2018) 39 elizabeth moon "into the fire" (2018) 40 r.e. stearns "barbary station" (2017) /      steven erikson "willfull child III: the search for spark" (2018)

polarstompf:

01 david hewson "the savage shore" (2018)

     ex aequo      andrea camilleri "the pyramid of mud" (2018)      + andrea camilleri "death at sea: montalbano's early cases" (2018)

02 mirko zilahy "de schaduw" (2017)   + mirko zilahy "de mythe van de dood" (2018) 03 mick herron "london rules" (2018)   + mick heron "the drop" (2018) 04 volker kutscher "babylon berlin" (2017)   + volker kutscher "the silent death" (2017)   + volker kutscher "goldstein" (2018) 05 chris petit "pale horse riding" (2017)

06 edgar cantero "this body's not big enough for both of us" (2018) 07 ian rankin "in a house of lies" (2018) 08 philip kerr "greeks bearing gifts" (2018) 09 jack grimwood "nightfall berlin" (2018) 10 dolan cummings "the existential leap: a crime story" (2017)

11 ann van loock "de expo '58 moorden" (2018) 12 massimo carlotto "master of knots" (2004) 13 joseph knox "sirens" (2018)     + joseph knox "the smiling man" (2018) 14 geir tangen "het meesterwerk" (2017) 15 kate atkinson "transcription" (2018)

16 patrick conrad "diep in december" (2018) 17 jorge zepeda patterson "zwarte trui" (2018) 18 wolfgang burger "heidelberg requiem" (2016) 19 charles cumming "a divided spy" (2016)      + charles cumming "the man between" (2018) 20 frank goldammer "the air raid killer" (2018)      + frank goldammer "a thousand devils" (2018)

21 andreas norman "stille oorlog" (2018) 22 jesper stein "de onrust" (2018)      + jesper stein "papa" (2018) 23 luca d'andrea "in de greep van de waanzin" (2018) 24 jo nesbø  "macbeth" (2018) 25 hans dooremalen "descartes in amsterdam: filosofische detective" (2018) /      chris pavone "the expats" (2012)

klassikstompf:

01 wiliam h gass "the william h gass reader" (2018)

02 louis armand "breakfast at midnight" (2012)      + louis armand "the combinations" (2016)      + louis armand "canicule" (2013)      + louis armand "cairo" (2014) 03 andrew crumey "the great chain of unbeing" (2018) 04 viv albertine "throw away unopened" (2018) 05 daniela cascella "singed" (2017)

06 ted geltner "blood, bone, & marrow: a biography of harry crews" (2017) 07 steve erickson "zeroville" (2007) 08 olga tokarczuk "drive your plow over the bones of the dead" (2018) 09 julián ríos "the house of ulysses" [] (2010)      + julián ríos "poundemonium" [1997] 10 daniel mendelsohn "an odyssey: a father, a son, and an epic" (2017)

11 giorgio van straten "in search of lost books: the forgotten stories of eight mythical volumes" (2017) 12 pascal mercier "night train to lisbon" (2004) 13 tony white "the fountain in the forest" (2018) 14 alejandro zambra "not to read" (2018) 15 gabriel josipovici "the cemetery in barnes" (2018)

16 lucy ives "impossible views of the world" (2017) 17 matthew herbert "the music: a novel through sound" (2018) 18 ann quin "the unmapped country: stories & fragments" (2018) 19 stephen fry "mythos" (2017) & "heroes" (2018) 20 johan swinnen "happening: de aanslag op de Inno" (2017)

21 ermanno cavazzoni "the nocturnal library" (2018) 22 richard powers "the overstory" (2018) 23 alain robbe-grillet "project for a revolution in ny" (1972) 24 melchior vischer "second through brain" (2015) 25 bob van laerhoven "return to hiroshima" (2018)      + bob van laerhoven "dossier feuerhand" (2017)      + bob van laerhoven "dangerous obsessions" (2015)      + bob van laerhoven "heart fever" (2018)

gedächtnisstompf:

01 jacques derrida "geschlecht III: sexe, race, nation, humanité" (2018)      + jacques derrida "le goût du secret: entretiens 1993-1995" (2018)

02 tom cohen, claire colebrook & j hillis miller      "theory & the disappearing future:  on deman, on benjamin" (2011) 03 hannah arendt "het waagstuk van de politiek:      over politieke leugens en burgerlijke ongehoorzaamheid" (2018)      + dirk de schutter "hannah arendt: politiek denker" (2015) 04 serge andré "les perversions #1: le fétichisme" (2013)      + serge andré "les perversions #1: le sadisme" (2013)      + serge andré "les perversions #1: le masochisme" (2013) 05 ger groot "4 ongemakkelijke filosofen: nietzsche, cioran, bataille, derrida"            (2003)

06 mark fisher "k-punk: the collected & unpublished writings (2014-2016)" (2018) 07 molier, ellian, rijpkema (eds) "de strijd om de democratie:      essays over democratische zelfverdediging" (2018) 08 florentijn van rootselaar "filosofisch veldwerk:      grote filosofen van nu over leven in barre tijden" (2018) 09 lieven de cauter "van de grote woorden & kleine dingen" (2018) 10 nemanja mitrovic      "the (im)possibility of literature as the possibility of ethics" (2017)

11 sue prideaux "i am dynamite! a life of friedrich nietzsche" (2018) 12 paul farley & michael symmons roberts "deaths of the poets" (2018) 13 erik bledsoe (ed) "perspectives on harry crews" (2001) 14 kailash c baral & r radhakrishan (eds)      "theory after derrida: essays in critical praxis"(2018) 15 agnes czajka & bora isyar (eds)      "europe after derrida: crisis & potentiality" (2016)

poesisstompf:

01 john cooper clarke "the luckiest guy alive" (2018)

02 kate tempest "running upon the wires" (2018) 03 robin robertson "the long take" (2018) 04 david austin "dread poetry & freedom:      linton kwesi johnson & the unfinished revolution" (2018) 05 tommy pico "junk" (2018)

platterstompf:

01 power, devereux, & dillane (eds)       "heart & soul: critical essays on joy division" (2018)

02 michael glasmeier & ursula block (eds) "broken music: artists' recordworks"         (2nd edition 2018) 03 mark e smith "messing up the paintwork: the wit & wisdom of mark e smith"         (2018) 04 willy dirickx (ed) "de brassers" (2018) 05 tommy mackay "40 odd years of the fall" (2018)

06 john h baker "the art of nick cave: new critical essays" (2013) 07 will oldham "songs of love & horror: collected lyrics of will oldham" (2018)      + alan licht (ed) "will oldham on bonnie 'prine' billy" (2012) 08 michael goddard & benjamin halligan      "mark e smith & the fall: art, music, & politics" (2013) 09 daniel kane "do you have a band? poetry & punk rock in nyc" (2017) 10 bendle "permanent transience" (2015)

11 david grubbs "now that the audience is assembled" (2018) 12 nick soulsby "swans: sacrifice & transcendence (the oral history)" (2018)      + michael gira "the egg: stories" (2018) 13 robert young & irmin schmidt "all gates open: the story of can" (2018) 14 mike goldschmith "discord: the story of noise" (2012) 15 bruce russell      "gilded splinters: essays & aphorisms towards an aesthetic of noise" (2018)

16 philippe robert "agitation frite" (2018)²      + philippe robert "action friite" (2018)      + philippe robert "action frIIIte" (2018) 17 guillaume belhomme, philippe robert, ea "le son du grisli:      varèse, tzara, mochizuki & cave" (2018) 18 david stubbs "future days: krautrock & the building of modern germany"                (2018)       + david stubbs "mars by 1980: the story of electronic music" (2018) 19 blixa bargeld "europa: una letania" [2009] (2018) 20 chris bohn (ed) "the wire" 

21 richard hirst (ed)      "we were strangers: stories inspired by unknown pleasures" (2018) 22 françois girodineau "nick cave & the bad seeds: tender prey" (2018) 23 mick middles "the fall" (2009) 24 jim dooley "red set: a history of gang of four" (2018) 25 mats gustafsson      "discaholics! record collector confessions vol I (2nd ed)" (2018) /      + rob van scheers "drie akkoorden & de waarheid: muzikale levenslessen"              (2014)

stagestompf:

01 ian rankin & rona munro "rebus: long shadows" (2018)

humorstompf:

01 robin ince       "i'm a joke & so are you: a comedian's take on what makes us human"       (2018) 02 simon munnery "how to live" (2018) 03 lucien randall "disgusting bliss: the brass eye of chris morris" (2011)

bilderstompf:

01 michael glasmeier & ursula block (eds)      "broken music: artists' recordworks" (2nd edition 2018)

02 thomas bernhard & ferry radax "thomas bernhard: 3 days" (2016) 03 ed van der elsken "love on the left bank" (2002) 04 philippe monsel "francis bacon" (1994)

05 paul duncan & jürgen müller (eds)   "film noir plus taschen's top 50 pick of noir classics from 1940-1960" (2017) 06 cuauhtémoc medina "manifesta 9: the deep of the modern" (2012) 07 julian schnabel: permanently becoming & the architecture of seeing" (2012) 08 reinhard kleist "nick cave & the bad seeds: an art book" (2018)

wissenschaftstompf & other distractions:

01 brian cox & robin ince      "how to build a universe: an infinite monkey cage adventure" (2017)

02 patrick moore & chris north       "the sky at night: answers to questions from across the univers" (2012) 03 chip carter "obsessed with star trek" (2011) 04 leon hunt "danger:diabolik" (2018)

cyclostompf:

01 jean cléder "petite éloge de la course cycliste" (2018)

02 max leonard "higher calling: cycling's obsession with mountains" (2018) 03 colin o'brien      "giro d'italia: the story of the world's most beautiful bike race" (2018) 04 velominati      "wielergoden: de meest heldhaftige renners ooit 38 heroïsche verhalen”           (2018) 05 william fotheringham "sunday in hell" (2018)

06 jonas heyerick (ed) "bahamontes" (magazine) o.a. extra editie de giro (2018) 07 jorge zepeda patterson "zwarte trui" (2018) 08 dirk jan roeleven "de nieuwe fiets: villar san constanzo - a'dam" (2018) 09 frederik baeckelandt "gino bartali (les héros 03)" (2018) 10 chris sidwells "the call of the road: the history of cycle road racing" (2018)

10 john dowie "the freewheeling john dowie:                  a comedian, a bike, & a tent, what could possibly go right?" (2018) 12 edward pickering "the ronde:       inside the tour of flanders, the world's toughest bike race" (2018) 13 charles pope "a golden age of cycling" (2018) 14 roger gilles "women on the move:       the forgotten era of women's bicycle racing" (2018) 15 peter cossins "the first tour de france:       60 cyclists & 19 days of daring on the road to paris" (2017)

16 paul maunder "the wind at my back: my cycling life" (2018)       + paul maunder "rainbows in the mud" (2017) 17 giacomo pellizzari "het geheim van de eenzame fietser" [2015] (2017) 18 dries de zaeytijd & fons leroy "25 jaar kweekvijver van koerstalent" (2018) 19 peter sagan "my world" (2018) 20 bradley wiggins "icons: my inspiration, my motivation, my obsession" (2018)

most pleasing purchases:

01 jayne county "man enough to be a woman" (1996)

02 berns, moyaert, & van tongeren (eds)      "de god van denkers en dichters: opstellen voor samuel ijsseling" (1997)

03 anselm kiefer       "l'art survivra à ses ruines: anselm kiefer au collège de france" (2011) 04 ludger lütkehaus       "'ruhe. grösse, sonnenlicht': friedrich nietzsche in sils-maria" (2014) 05 paul raabe "spaziergange durch nietzsches sils-marie" (1994)

… tsundoku !

may your home be safe from tigers, leroy, x HNY!

find me on LT:

TBR... PILING UP ...

postcyberpunkstompf:

adam roberts "adam (the aftermath 02)" (2018) eric brown "the martian simulacra: a sherlock holmes mystery" (2018) gary gibson "scienceville & other worlds" (2018) greg egan "phoresis" (2018) ian mcdonald "time was" (2018) ian whates & tom hunter (eds) "2001: an odyssey in words: celebrating the centenary of arthur c clarke's birth" james lovegrove "firefly: big damn hero" (2018) james patrick kelly "the promise of space & other stories" (2018)

jeff noon "a man of shadows" (2017) + jeff noon "the body library" (2018) kevin j anderson "selected stories: science fiction vol I" (2018) rich larson "tomorrow factory: collected fiction" (2018) seb doubinsky "missing signal" (2018) stephen baxter "redemption" (2018) + stephen baxter "xelee: vengeance" (2018) steve erikson "rejoice" (2018) tom schweterlitsch "the gone world" (2018) & maybe, just maybe: jay key "how to pick up women with a drunk space ninja" (2018) + jay key "how to win a pit fight with a drunk space ninja" (2018)

polarstompf:

dario correnti "heimwee naar bloed" (2018) giancarlo de cataldo "suburra" (2017) matthew pearl "the dante chamber" (2018) victor del árbol "a million drops" (2018) zygmunt miloszewski "priceless" [2013] (2018)

[antikorpersession]

Antikörper-Tipp: Bill Callahan & Bonnie ‘Prince‘ Billy – Blind Date Party  * IT'S THEIR PARTY AND THEY'LL CELEBRATE IF THEY WANT TO! You're invited to Bill & Bonnie's Blind Date Party on 2xLP/2xCD/2xCS on December 10th this year! * The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring AZITA, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but party planning began in the spring of 2020, when, stuck at home, with no gigs in the foreseeable future, Bill, Bonny and Drag City needed an outreach program to keep themselves busy/sane/solvent. In the absence of everything else, playing songs they loved was a good idea; playing with people they loved, a great desire. And making it fun by pairing someone with someone else with no say in the matter - the essence of the blind date - was the plan. Favorite songs were chosen; players from around the Drag City galaxy messaged. Pretty soon, songs began to fly through the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. In the fall, the finished work started to appear online: Bill and Bonny singing a song by someone they loved and admired; each song cut by another artist they loved and admired and sent to Bill and Bonny for finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs: Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Judy Mayhan, Johnnie Frierson, Demis Roussos, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine.   #antikorpersession #antikoerpersessions #bytefm #newalbum #blinddateparty #album2021 #dragcity #dragcityrecords #albumreview #vinyl #recordcollector #billcallahan #bonnieprincebilly #willoldham #newvinyl #albumrelease #smog https://www.instagram.com/p/CWNgFyVsjPn/?utm_medium=tumblr

[nightlet]

Jamie: Mrs. Grubb?!

Eden: Aww shit. Norahhh, your mom's here!

[impressivepress]

Félicia Atkinson: A Closer Listen interview

Do you have a favorite piece of gear you’d care to talk about?  With this series, I try to not fetishize equipment the way that often happens but rather to try to demystify the creative process.

Some people have all this expensive stuff and produce nothing of interest, others use literal garbage or broken old things and produce beautiful soundworlds.  So, not necessarily from a technical standpoint, but as a piece of equipment that you’ve developed a kind of relationship with.

I like to collect stones from my travels, especially the ones I find on empty beaches or desert. I put them in my pockets, forgetting where they come from, and then use them during my show with micro contacts. Sometimes I just hold them during shows, they don’t make any sounds but they give me energy or at least the courage sometimes to stay silent or not add anymore sound to what’s already in the air. It’s difficult sometimes not to add more, you have break yourself somehow in order to keep the focus and sharpness.

I am fascinated by this image of you deriving inspiration from these stones, even when they are not making a sound. Do you have any early memories of sound, as listener or recorder, that stand out to you, that you draw inspiration from as you do with your found stones?

I think the first sounds I enjoyed were birds in the evening and trains passing. Especially just before nightfall. I am still always moved when I hear them. I leave not far from the station in Rennes and there are birds in my garden, and every day I feel still deeply touched by those sounds.

I seem to recall you’ve spent some time in the American southwest, a residency perhaps? Were you at Taliesin West? Can you talk a bit about your interest in the region?  Quite a contrast to Brittany, no?

We went to Arizona, California’s Mojave and Nevada, and also New Mexico quiet often. Each year since 2014 we do the LA Art Book Fair with Shelter Press and we manage to add some wandering time before or after, a kind of research time where I can record, see, draw,s  listen, write, paint…

We actually went to Taliesin West, and the Biosphere, and Arcosanti, but also to the Meteor Crater and the Petrified Forest. Arizona is Crazy! In New Mexico we visited Georgia O Keefe’s ranch and Agnes Martin’s room in Taos. It’s very inspiring.

There are so many contrast and different energies and people out there.

My relationship to those places is very intimate and I don’t know how to speak about it rationally; but let’s say my records Hand in Hand andCoyotes are my way of explaining and sharing my relationship to those environments.

But speaking of stones, you know Brittany is very rich in dolmens, monoliths and megaliths, that are sacred stones…

May I ask about your musical formation?  Did you study an instrument as a child, or play in more traditional bands in your youth?  How did your current practice develop? Can you describe what led your interest in making music? What is your musical background, both in terms of playing instruments and musical “scenes” which you were shaped by?

I studied harp and piano as a kid, listening to classical music mostly, but was very bored with « solfège » and music theory.

I remember learning « Methode Martenot » [an unconventional form of music pedagogy] that was more intuitive and based on rhythm and really enjoying it.

Also, some people came to my public elementary school to present to us the Structures Baschet by the Baschet Brothers and I was fascinated by them.

I grew up in Paris and my parents were listening to music all the time. My dad, who was working as a psychiatric nurse, was listening to Robert Ashley, Stockhausen and Pierre Henryand my mom, who was working as a librarian at the National Library to world music such as Yiddish songs, Cape Verdian music, Polish music…

I stopped playing music at the age of 14 when I discovered grunge music, Brit pop, indie rock and trip hop. I decided to keep on studying theatre instead. I even wrote a few plays.  I wanted to be a writer at that time and was writing all the time; poetry, novels… I destroyed everything I was really living in my imagination.

In those years (14-18), I was listing to music all the time and reading the NME, The Face Magazine, Les Inrockuptibles… I was a music fan, collecting images, reviews, of the bands I was adoring!

I was doing a lot of baby sittings all my teenage years to buy records and go to shows. (There is no age restriction in shows in France.)

I even went to Bristol when I was 16 with a friend to see where Massive Attack and Tricky where coming from, but we were so broke and young the only thing we could afford was to hang out in parks. But we really enjoyed it, Ahha!

Then in my twenties I was a fan of Sonic Youth, Cat Power, Bonnie “Prince” Billy, Smog, and Low and the voice of Kim Gordon showed me you can speak in songs. I still enjoy the mood those musicians were putting me in, the importance of the lyrics and the feeling of being very close and intimate to the singer. The energy, the experience.

Then I started writing a bit in French magazines such as Octopus and Mouvement about music, read The Wire Magazine, and thinking about it in a more theoretical way.

At the same time, I discovered in my late twenties improvised music, avant-garde music, going to see shows at Instants Chavires, Fondation Cartier, Centre Pompidou…. I studied at Les Beaux Arts de Paris and did a workshop with Christian Wolff that was very influential to me. I started listening to Luc Ferrari, John Cage, Cornelius Cardew, but also Jim O’Rourke, David Grubbs, Fennesz, etc… I started playing music, in different projects such as Strechandrelax with dancer Elise Ladoué and a spoken word project with Sylvain Chauveau.

Then, when, and then around 28 years old, under my own name and the moniker Je Suis Le petit Chevalier. With Je Suis Le Petit Chevalier I made a lot of tapes and CD-R on great DIY labels that really encouraged me to be prolific and use recordings as a kind of sound diary. I feel it was a very liberating time because there was no pressure. I was doing live shows that were very short, very loud and noise, I felt since at that time I was playing in talking audiences I had to be louder than the audience. It was like an exorcism. I really enjoyed that psych / synth DIY scene with labels such as Not Not Fun, Stunned, Digitalis, Ruralfaune, Kaugummi…

And then, in 2011 we created Shelter Press with Bartolomé Sanson and it changed a lot for me, knowing I had my own home to release my music and trying to shape things with more specificity and control.

I had a very important discussion when we were living in the Alps with Bartolomé with our friend Pete Swanson. I think he asked me something very basic, like «  what kind of music do you want to record » and it made me rethink the whole thing. I discovered also new composers, such Ruth White, or Moniek Darge and came back to Pierre Henry, Ferrari and Robert Ashley, and then I released A readymade ceremony, which is for me the volume 1 of a kind of new moment in my music, that I am still following now.

I’d like to ask about Shelter Press.  You’ve brought together quite a roster of artists, with some incredible aesthetic variety.  Shelter Press also publishes books and artist’s books. This feels very right to me, and isn’t something that is as common as one might think, as there is so much overlap between artists who produce work in small editions, whether it be music or books, but I’d imagine that the second decade of the 21st century has been a challenging time for such an endeavor.  Please, tell us more about Shelter Press, how you go about business, how you tie these various threads together.

Well, Shelter Press is 90 per cent run by my partner, Bartolomé Sanson, he is the captain,  holding the vessel on an everyday basis, thinking things ahead and making it possible; even though we take all the decisions together. I am more like the passenger, watching the GPS, looking at the window and tuning the radio accordingly to the drive…and making sandwiches!

It’s a lot of work to publish in the same time books and records, especially since he is handling creative direction, design, editorial, sales and shipping on his own

I think in many ways we often feel overwhelmed by work!

I can imagine!

But we are very happy and proud of what we put out: for example lately from the Ocean Scores of the artist David Horvitz to the latest Eli Keszler record, Stadium,  passing by a compilation of essays about utopian pedagogy (In The Canyon Revise the Cannon), the first record in ten years by Tomoko Sauvage, or the first album by CV & JAB in collaboration with artist Zin Taylor, etc…

We try to draw a kind of circle that links a kind of sparse but connected family.

We try to always meet people in real life before working with them, this is why we do not accept demos, we are not a dating app of some kind, a record doesn’t happen in one sec, it’s a slow process of exchange, not a fast delivery.

Metaphorically, we invite people to eat our table, and in that order, we like to know them first and then take our time to eat different courses and have a good conversation.

Shelter has just released Spectres, in collaboration with INA-GRM, in which you have a text. I’m looking forward to reading this, it looks fantastic.  Can I ask about how you understand the relationship between theory and practice in this context, between ‘research’ and the production of artistic works? You mentioned that in preparation of producing new works you have a period of absorbing various inspirations (books, films, landscapes, etc). Does the intellectualization of the process, as with this essay, come as part of the process or is it more removed (before, after)?

I just believe things are never isolated. Sometimes my ways of rehearsing is making a salad. I am very inspired by John Cage, Pauline Oliveros, Ana Halprin, or Alison Knowles in the way they embrace(d) the world as a whole. A walk in the forest could be a research.

More and more time passes more and more i believe there is not in one hand theory and in another practice, everything in embedded.

Right now I have a small child, we spend most of the day in the park under the trees, and observing an Atlas Cedar for an hour is for me a way of deep listening.

I understand more time since I started to do soft boil eggs, for example. They handle a very good duration I feel.

And music is about duration.

It’s an important stage. The thinking part is the moment where you allow yourself to stop producing, and look back and forward. What have I done? What am I gonna do?

What is around me? What is missing? What is too obvious? Who / what should I call? Where should I go? To whom am I connecting, referring,  in order to say/ show/ make what I feel /want?

I feel full of questions. I need to share those questions sometimes, and take the risk to make some hypothesis. It’s part of the game. Share your ideas and the risk to be wrong or boring.

Right now, for example, I have a small baby at home. My creative time is very limited, my hands being full all day with this little and wonderful person. Well, it allows me time to think and observe.

I go to the park with my baby, I go close to the Sequoias and Cedars of the park with him, I am not playing music, but I feel it is something that prepares me as much as a rehearsal to play shows or record later.

It’s about being alive. I don’t separate life and theory and creation. Each one is one hour of a whole day.

I feel close to John Cage again in that way. Picking up mushroom is also making music. Or making music is just a part of a bigger process.

I’ve only been able to read the first page of your essay in Spectres so far, but it concerns the voice. It seems to me that your work often foregrounds the voice (and the body, as in Hand in Hand). Can you tell me more about the role that your voice and language plays in your music?

I bring my voice with me. I record it and then, a double exists, and people are listening to the double, to this strange stamp called recording. I find it fascinating.

Language is an obstacle to fascination. It brings doubt and subjectivity. I use language to break the image and I use the voice to play with its plasticity and its ghost-like ability to be multiple, pitched, distorted, doubled or vanished. Voice is a wind that penetrates the ear and leave again and come back, it’s also a feminist embodiment of a flexible force.

I believe also in the power of hushing versus screaming. Getting closer to the ear where the shout push you outside. I believe in energies and flux through the voice and its recording.

The voice for me is interesting because it’s always with you. It’s also for me something that travels; from inside to outside, passing walls, staying recorded and filling a room while your body has always disappeared.

The voice is the metaphor of the spirit in that way. It can talk but in the same time stay difficult to understand. It brings images but also confusion. It’s like a stream or cloud. You can see in it or not, it can appear and vanish.

I am very fond of Robert Ashley or John Cage’s voices. Even if they passed away they are still speaking to me.

Sometimes I feel inspired by that, I want to talk to some listeners who are not born yet; at least to people I will never meet. Recording my voice is a way to travel in time and space.

One of the tensions Sound Propositions is concerned with is the difference between working as an artist in the studio (producing records and compositions in “fixed,” recorded form) and in performances.  Do you approach to a live situation in terms of improvisation as opposed to how you work in the studio?

Aha, I would say it is almost the opposite: I improvise way more in the studio than live

Most of the outtakes on my records are first takes with a lot of improvisation in it, whereas live I construct more the performance with diffusion and scheduled sounds.

I feel that the fact that the record is « fixed » allows many strata of improvisation, because you can pile up time on it, the record has to be played several time, and is recorded in that goal of fighting with age and time;  whereas a live event is meant to disappear and therefore has , in my opinion , to be anticipated ahead, so it’s strong enough to face such a rapid and short amount of time and existence; like fire works!

Perhaps working as a writer brings with it a similar tension?

Almost all the texts that are not borrowed from literature or cut ups from magazines are improvised, they “happen” to me when I record and then I convoke them again live.

Animals, or Twenties are Gone, the two books of poetry I made were written within the same process, very condensed and fast.

How does this vary between working solo and working (live or in the studio) in collaboration with others?

I don’t do that many collabs, but for example with Jefre Cantu Ledesmathe process was like a mail  correspondence : I send you this, you answer, I react, etc… we never recorded on the same room / continent!

We would conceptualize very little ahead but rather exchange links of records and books we like to read / hear. The connection and language was a very special way of listening that, I think, we have in common.

How do you approach or conceive of the process of musical composition?  Is it a studio-based practice for you?

It’s a slow process, very similar to the way I do art. First I read books, watch films, listen to music, walk in landscapes. Then some ideas and desires appear out of this contemplation. Therefore I start producing various materials: field recordings, melodies, modular patterns, voice…. and then I listen to everything and assemble, like making a bouquet of wild flowers, according and tuning sounds into this first hunch I had at the beginning. This « feeling » or « idea » that will be the shape makers of those drafts, that will give sense and cohesion.

I think of composition as way to create form in space, with layers, blanks, densities, perspectives and light.

Would you be willing to choose a recent or upcoming track and break it down, talk about its development, equipment used, etc?

This is impossible for me to answer, I never follow recipes, neither in the kitchen, nor in the studio.

I can explain what inspires me, the environment of a composition but  I’ve always been a bit skeptical about technique demonstrations. I find it often obviously masculine and even sometimes even shallow; like ooh look how much gear I’ve got.

I feel creation, wherever it’s music, literature or painting can be analyzed as an objet, of course,  but what the artist does can only be explained in terms of intention and context, that’s it. It’s always completely relative, because at the end, the listener might catch something very different, because he/she is a different person than the artist, at a different time, in a different place, and that’s the beauty of the artefact. To be able to travel, to be able to remain a mystery and in the same time, to be able to be explained and analyzed in many different ways. Like a diamond with different facets.

In fact, I feel rather the same. I don’t mean to imply that the particulars (of the studio or a particular track’s creation) should have some universal importance, or be instilled into some kind of hierarchy, such that readers might think, oh “this piece of gear or software would make my work better.” I absolutely do not subscribe to this idea, and I’m very much moved by work that comes from making do with what is available. (Arte povera artists, or the sculptures of Louise Nevelson for instance, or the artists I’ve profiled in the series).  So, yes, I absolutely agree (about cooking as well!), improvisation is key, and formulas are generally to be resisted. Art is not a recipe to be followed.  I also concur regarding the masculinist tendency of gear shots and demonstrations of skills, flexing in the studio and all that.  (I for one dislike FACT Mag’s On the Clock series in part for this reason.)

So perhaps the question is more pedagogical: what advice would you give to someone starting out to make music or art in whatever form?  

Take your time. Believe in small forms.

Be curious and imaginative. Don’t forget to have some humour and distance around you . it’s only music. It’ s just music.  and to paraphrase JL Godard what is «  une image juste / juste image »?

You evoke Godard, and I think there’s something pedagogical in all we absorb. So, I always like to ask about an artist’s favorite work outside of sound art or music. What books, visual art, plays, films, etc you are inspired by, or find common cause with? Are their artists working in other media (past or present) that you feel an aesthetic kinship with?

So many of them of course. I wish i could have seen the Anni Albers retrospective in London and the Hilma Af Kint retrospective in NYC. Both of those wonderful women are very inspiring for me. They are both masters of colors and shapes, and I could watch their work all day. Same with many other artists such as Ruth Asawa, Agnes Martin, Sophie Taeuber-Arp, Sonia Delaunay… Painting is source of every day joy for me.

I was lucky enough to catch the Af Klint at the Guggenheim while I was home for the holidays. What a revelation, when viewed all together in a space such as that. She knew her work would be misunderstood, so she imposed this long restriction on public exhibitions of her work. To think it’s taken this long for her work to be appreciated. Imagine what else is out there, still hidden.

What is on the horizon for you? What future projects can you tell us about?

Horizon is a line in the sky I am always contemplating and questioning. We never know.

I am currently composing a piece inspired by the work and persona of the painter Helen Frankenthaler for Atonal in Berlin this summer and another piece called Hedra Helix for Musica Sanae in Sokolowsko in Poland in August. [Episode 6 of the podcast includes an excerpt from her live performance at Musica Sanae in Napoli in May of 2019.]

I am gonna play at Le Poisson Rouge in New York in September and I’m working on the score of a dance piece by the choreographer Rebecca Chantinell in Stockholm.

Thank you so much.

~

by thenewobjective · July 5, 2019

[maddiesplaybills]

Hi friends!

Me again with a new batch of audio masters from my arsenal. I’m definitely willing to gift these to anyone who asks nicely, so send me a message if you’re interested in any of the following:

Groundhog Day  06/14/17 eve Cast: Andy Karl (Phil Connors), Barrett Doss (Rita Hanson), Rebecca Faulkenberry (Nancy), John Sanders (Ned Ryerson), Andrew Call (Gus/Billy the Bartender), Raymond J Lee (Ralph), Michael Fatica (Chubby Man), Heather Ayers (Mrs. Lancaster), Katy Geraghty (Debbie), Gerard Canonico (Fred), Sean Montgomery (Sheriff), William Parry (Jenson), Jordan Grubb (u/s The Hot Dog Seller), Vishal Vaidya (Larry), Joseph Medeiros (Deputy/Mr. Cleveland), Rheaume Crenshaw (Doris), Travis Waldschmidt (Jeff), Kevin Bernard (u/s Buster), Taylor Iman Jones (Lady Storm Chaser), Jenna Rubaii (Joelle/Doctor), Tari Kelly (Piano Teacher/Mrs. Cleveland)

Natasha, Pierre, and the Great Comet of 1812 06/15/17 Cast: Josh Groban (Pierre), Denée Benton (Natasha), Brittain Ashford (Sonya), Gelsey Bell (Mary/Maidservant/Opera Singer), Nicholas Belton (Andrey/Bolkonsky), Azudi Onyejekwe (u/s Dolokhov), Amber Gray (Helene), Grace McLean (Marya D), Paul Pinto (Balaga/Servant/Opera Singer), Lucas Steele (Anatole), Ensemble: Sumayya Ali, Courtney Bassett, Josh Canfield, Kennedy Caughell, Ken Clark, Erica Dorfer, Lulu Fall, Ashley Pérez Flanagan, Alex Gibson, Billy Joe Kiessling, Blaine Alden Krauss, Reed Luplau, Brandt Martinez, Andrew Mayer, Mary Page Nance, Pearl Rhein, Heath Saunders, Cathryn Wake, Katrina Yaukey, Lauren Zakrin

Miss Saigon 06/16/17 Cast: Jon Jon Briones (The Engineer), Eva Noblezada (Kim), Alistair Brammer (Chris), Katie Rose Clarke (Ellen), Nicholas Christopher (John), Devin Ilaw (Thuy), Rachelle Ann Go (Gigi)

Come From Away 06/17/17 mat Cast: Petrina Bromley (Bonnie & others), Geno Carr (Oz & others), Jenn Colella (Beverley/Annette & others), Joel Hatch (Claude & others), Josh Breckenridge (u/s Bob & others), Kendra Kassebaum (Janice & others), Chad Kimball (Kevin T/Garth & others), Lee MacDougall (Nick/Doug & others), Caesar Samayoa (Kevin J/Ali & others), Q. Smith (Hannah & others), Astrid Van Wieren (Beulah & others), Sharon Wheatley (Diane & others)

Anastasia 06/17/17 eve Cast: Nicole Scimeca (Little Anastasia), Mary Beth Peil (Dowager Empress) Caroline O’Connor (Countess Lily), Ramin Karimloo (Gleb), Derek Klena (Dmitry), John Bolton (Vlad), Christy Altomare (Anya), Ensemble: Zach Adkins, Lauren Blackman, Sissy Bell, Kyle Brown, Janet Dickinson, Constantine Germanacos, Wes Hart, Ken Krugman, Dustin Layton, Shina Ann Morris, James A Pierce III, Molly Rushing, Kristen Smith Davis, Allison Walsh

Bandstand 06/18/17 Cast: Jonathan Shew (u/s Donny Novitski), Laura Osnes (Julia Trojan), Beth Leavel (Mrs. June Adams), James Nathan Hopkins (Jimmy Campbell), Brandon J. Ellis (Davy Zlatic), Alex Bender (Nick Radel), Geoff Packard (Wayne Wright), Joe Carroll (Johnny Simpson), Ensemble: Mary Callahan, Max Clayton, Andrea Dotto, Ryan Kasprzak, Andrew Leggieri, Erica Mansfield, Morgan Marcell, Drew McVety, Kevyn Morrow, Jessica Lea Patty, Keven Quillon, Ryan Vandenboom, Jaime Verazin 

[radiophd]

bill callahan / bonnie ‘prince’ billy ft. david grubbs -- the night of santiago

[lexingtonparkleader]

Panel to Focus on Naval Aviation Agility

Panel to Focus on Naval Aviation Agility

The Patuxent Partnership and the Association of Naval Aviation are hosting an educational panel event Oct. 3, 2018, titled “Naval Aviation Agility and Lethality in Contested Environments.” The event will be held from 5 to  7 pm at the Patuxent River Naval Air Museum in Lexington Park, MD.

Participants can join moderator and keynote speaker Daniel Nega, deputy assistant secretary of the Navy Air…

[nightlet]

She just walked in?? Didn't even knock???

[babaalexander]

Sweet Birthday Wishes to Web Stars Born on November 27 Sam Golbach Chris Smoove Bonnie Hoellein Dan Hill Liz Hemmings Skorm undertakerfreak1127 Stef Sanjati Jaylyn Caylen Sasha Spilberg Billlyyy Kelly Wakasa Cambrie Schroder Samuel Grubbs Sam Ozkural Jayson Roby Be. Busta Chloe Hodgson BiboyQG Freya Haley Edward Ateva Dylan Hamilton Lycette Cornejo Eman Kellam Valentino Kemper Aalia Eff Ryann Jerome Jess Carmen TheOceaneOpz Corahn Lockridge Shortyyguy Ross Everett Gucci Marnetino IsTJ27 Gwynne Furches Jessa Furches Lucas Garofalo Tobias Skogman Anastasija Djuric Chris Simonds Caitlinsgymnastix xKito Pablo Castellano Jessica Cook, Antonella Russoniello Mark Cefalo AKSpartanKiller Anne Reburn #SamGolbach #ChrisSmoove #BonnieHoellein #DanHill #LizHemmings #Skorm #undertakerfreak1127 #StefSanjati #JaylynCaylen #SashaSpilberg #Billlyyy #KellyWakasa #CambrieSchroder #SamuelGrubbs #SamOzkural #JaysonRoby #BeBusta #ChloeHodgson #BiboyQG #FreyaHaley #EdwardAteva #DylanHamilton #LycetteCornejo #EmanKellam #ValentinoKemper #AaliaEff #Ryann Jerome #JessCarmen #TheOceaneOpz #CorahnLockridge #Shortyyguy #RossEverett #GucciMarnetino #IsTJ27 #GwynneFurches #JessaFurches #LucasGarofalo #TobiasSkogman #AnastasijaDjuric #ChrisSimonds #Caitlinsgymnastix #xKito #PabloCastellano #JessicaCook, #AntonellaRussoniello #MarkCefalo #AKSpartanKiller #AnneReburn

[nightlet]

Never made soup on a grill before. Wonder if that'd work well.

[nightlet]

Back at the house, the ladies are cramming themselves into a 5 1/2 tile bathroom to gossip.

Eden: Did we really need to come in here to talk? There's no roo-

Danni: SHH! We don't want Mochi to overhear!