#bona bonanza

[marketplaceknowledge]

How Salon Marketplace Can Become a Potential Business Opportunity

Well, you're in for a treat because today, we're diving into the realm of Salon Marketplaces – a potential goldmine for budding entrepreneurs. No need for a fancy business degree or a magic wand; just a keen eye for opportunities in the booming beauty and wellness industry.

Now, let's keep it real. The Salon Marketplace isn't just a website; it's a bustling digital hub where salons, stylists, and beauty buffs come together. It's like a one-stop shop for all things beauty, accessible with a few taps on your device.

So, why is this a big deal? Picture this: convenience. It's not just about getting your nails done; it's about doing it on your terms, from discovering the perfect salon to booking your appointment in seconds. Transitioning from the traditional salon experience to the digital marketplace isn't just a shift; it's a leap into a world of business potential.

In this blog, we'll break down why the Salon Marketplace Solution is your ticket to turning a passion for beauty into a bona fide business opportunity. So, grab your virtual salon cape, and let's explore the world where beauty meets business – it's a journey worth taking. Ready to dive in? Let's get started!

The Boom in Beauty and Wellness

Alright, let's talk about the beauty and wellness scene – it's not just about looking good anymore; it's a whole booming industry. Think of it as a self-care revolution. People everywhere are getting serious about taking care of themselves, from their hair to their toes.

Now, here's the scoop: the Salon Marketplace is right in the middle of this beauty bonanza. It's not just a website; it's where all the action is. Imagine you're into skincare. You hop on the Salon Marketplace, and bam – you've got a bunch of spas and skincare wizards at your fingertips.

Transitioning from the old days of walking into a salon to this digital marketplace is like upgrading from a flip phone to a smartphone – a game-changer. It's where the demand for all things beauty meets the convenience of a centralized platform. So, whether you're after a new hairstyle or a spa day, the Salon Marketplace is like your beauty genie – granting your wishes with just a click. Ready to join the beauty revolution? Let's roll!

Convenience and Accessibility

Let's chat about convenience – not just any convenience, but the kind that changes the game in the beauty world. Enter the Salon Marketplace, the superhero of making salon services easier than ever.

Picture this: no more navigating through traffic or waiting in line. The Salon Marketplace is like having all the salons, stylists, and services right in your living room. It's not just a website; it's a portal to pampering without the hassle.

Now, let's break it down. Do you want a haircut? A few clicks, and you've got it scheduled. Eyebrow threading? Easy – just pick a salon that suits your fancy. And here's the kicker – you can read what others are saying. Reviews at your fingertips, so you know you're in good hands.

Transitioning from the old-school way of salon hunting to the Salon Marketplace is like trading in your paper map for GPS. It's not just about finding a salon; it's about having a beauty adventure without leaving your couch. And guess what? It's not just customers loving the convenience; it's a whole new world for salon owners and service providers, opening up a massive market. So, if you're all about making life simpler and more pampered, the Salon Marketplace is where it's at. Ready for the beauty revolution? Let's dive in!

Empowering Independent Professionals

Enter the Salon Marketplace, where it's not just about booking services; it's about giving independent stylists and wellness pros a digital stage to shine.

Imagine you're a freelance stylist – the Salon Marketplace is like your own spotlight. It's not just a platform; it's where you showcase your skills to the world. You're not limited to the folks in your neighborhood; you're reaching a broader audience hungry for your expertise.

But it doesn't stop there. Managing bookings is a breeze. No more phone tag or scribbling down appointments on a scrap of paper. It's like having a personal assistant, but digital and way more efficient.

Transitioning from the old-school hustle to the Salon Marketplace is like going from a street performance to a sold-out concert. It's not just a stage; it's a dynamic ecosystem where independent talent thrives. It's the Salon Marketplace saying, "Hey, show the world what you've got," and that, my friend, is empowerment in action. So, if you're a stylist ready to break free or a client eager for unique talent, the Salon Marketplace is the place where empowerment meets style. Ready for the spotlight? Let's do this!

Technology Integration and Innovation

It's not just about picking a time; it's about doing it instantly, like magic. No more waiting on hold or wondering if your appointment went through. It's all happening in real time.

Now, let's talk about digital consultations. It's like having your stylist right there in your living room, discussing your hair dreams or skincare goals. It's not just a chat; it's personalized advice without leaving your couch.

And here's the tech cherry on top – augmented reality (AR). Ever thought about how that new hair color would look on you? AR lets you virtually try it on before committing. It's not just choosing a service; it's a virtual test run.

Transitioning from the old-fashioned salon experience to the Salon Marketplace is like going from a black-and-white TV to 4K. It's not just about a transaction; it's an immersive, tech-savvy journey. So, if you're all about beauty with a side of tech innovation, the Salon Marketplace is where it's at. Ready to embrace the future of beauty? Let's teach it out!

Marketing and Branding Opportunities

Let's talk about putting salons on the digital map – not in a complicated marketing strategy way, but in the kind of way that turns salons into the talk of the town. Enter the Salon Marketplace, where it's not just about offering services; it's about becoming a brand powerhouse.

Imagine you're a salon owner – the Salon Marketplace is like your own digital billboard. It's not just a platform; it's where you showcase your skills, flaunt your expertise, and shout about your special offers. It's not waiting for customers to stroll by; it's putting your salon right in front of a massive audience.

But it's not just a one-way street. The Salon Marketplace isn't just a showcase; it's a stage for engagement. It's where you chat with your audience, respond to reviews, and build a community around your brand.

Transitioning from traditional salon advertising to the Salon Marketplace is like going from handing out flyers to a viral social media campaign. It's not just marketing; it's branding – a chance for your salon to stand out in a sea of options. So, if you're a salon owner ready to shine or a customer eager for the best in town, the Salon Marketplace is where marketing meets magic. Ready to be the buzz? Let's make your salon the talk of the town!

In conclusion, the Salon Marketplace is not merely a platform; it is a gateway to a world of business opportunities in the thriving beauty and wellness industry. Entrepreneurs, salon owners, and independent professionals can harness the potential of this marketplace to tap into a growing customer base, enhance visibility, and contribute to the evolving landscape of the beauty and wellness sector.

As the demand for personalized grooming services continues to rise, the Salon Marketplace stands as a beacon for those looking to embark on a rewarding entrepreneurial journey in this flourishing industry. So, are you ready to unlock the doors to your salon's success in the digital marketplace? The opportunity awaits.

Do you want to start a Salon marketplace and innovate the market? Then start your startup with Techtsy's HairWeGo, a comprehensive Salon Marketplace solution.

[kk8fu]

Investigating the Allure of Malaysia's kk8 casino

Presentation

Malaysia is a country famous for its different culture, dazzling scenes, and dynamic urban communities. In the midst of this rich woven artwork, there's an arising pattern that is catching the consideration of local people and travelers the same: the kk8 casino. "kk8" is a Malay word that means "posh" or "exquisite," and it impeccably epitomizes the quintessence of this exceptional betting objective. In this article, we'll dive into what compels kk8 casino a must-visit for those looking for an exceptional gaming experience in Malaysia.

The kk8 casino Experience

Situated in the core of Malaysia, kk8 casinoﾠis rethinking the betting scene with its extravagant vibe and a broad exhibit of games. Here is a more critical gander at what separates it:

Lovely Style: The second you step into kk8 casino, you'll be moved into a universe of extravagance and complexity. The casino flaunts rich insides, enhanced with precious stone light fixtures, extravagant floor coverings, and elegant craftsmanship. The tender loving care in the plan makes a mood that is suggestive of the amazing casinos of Macau and Las Vegas.

Extensive variety of Games: kk8 casino offers a different choice of games to take special care of each and every speculator's inclination. From customary top choices like blackjack, roulette, and poker to a variety of gaming machines with differing subjects and bonanzas, there's something for everybody here. The casino likewise has high-stakes spaces for those looking for an adrenaline rush.

Top notch Amusement: kk8 casino goes past betting with its diversion contributions. Visitors can appreciate unrecorded music exhibitions, parody shows, and even style occasions. The objective is to give a total diversion experience that reaches out past the casino floor.

Culinary Greatness: The feasting choices at kk8 casino are a culinary joy. Various eateries inside the perplexing proposition a different scope of cooking styles, from bona fide Malaysian dishes to worldwide charge. Whether you're in the state of mind for high end food or a light meal, kk8 casino takes care of all preferences.

Celebrity Treatment: The staff at kk8 casino invests wholeheartedly in offering immaculate support. Celebrity rooms are accessible for hot shots, offering customized consideration and select honors. The casino's unwaveringness program guarantees that normal supporters are compensated liberally.

Mindful Betting: While kk8 casino offers a lavish encounter, it is likewise dedicated to advancing capable betting. They give assets and backing to the people who might be battling with betting dependence and have severe age limitations set up.

Security and Fair Play: kk8 casino focuses on the wellbeing and security of its supporters. High level security frameworks and fair gaming rehearses guarantee that visitors can partake in their time at the casino with true serenity.

End:-

In the core of Malaysia, kk8 casino remains as a demonstration of extravagance, diversion, and top-level gaming encounters. With its rich style, various gaming choices, elite diversion, and uncommon feasting, it has cut a specialty for itself in the Malaysian betting scene. Whether you're a nearby searching for a critical evening out on the town or a traveler trying to encounter the better side of Malaysia, kk8 casino guarantees an extraordinary excursion into the universe of fashionable diversion. In this way, when in Malaysia, don't botch the opportunity to investigate the appeal of kk8 casino.

[denimbex1986]

'Greta Gerwig’s hot pink fantasia “Barbie” and Christopher Nolan’s intricately bleak historical drama “Oppenheimer” are both putting up box office openings to remember. In a summer movie season that has largely failed to keep spirits up, two bona fide blockbusters are showing that everyone can be a winner.

But the more winning winner between the two — the number one movie in North America — is Warner Bros. Discovery’s “Barbie.” After scoring $22.2 million on Thursday, the highest preview ticket sales of the year, the big screen bonanza about Mattel’s marquee doll kept the superlatives going on Friday, adding another $48.2 million from 4,243 theaters. That’s a $70.5 million total — the biggest opening day of the year, blasting past the $51.8 million earned by “Spider-Man: Across the Spider-Verse” in June.

The pink wave may not stop there, as “Barbie” now looks to score the biggest three-day debut of 2023. In the crosshairs is another branding flex — “The Super Mario Bros. Movie,” which landed $146.3 million in three days in April (as a caveat, the film opened with Tuesday previews and also played through the Easter holiday, drawing $224 million through that stretch). That animated feature currently stands as the highest-grossing release of the year, with $573 million domestically and $1.34 billion worldwide.

Gerwig’s “Barbie” also has a shot at scoring the biggest opening weekend ever for a feature with a female director. “Captain Marvel,” co-helmed by Anna Boden and Ryan Fleck, earned $153 million in its 2019 opening. The record for a feature solely directed by a woman is currently held by Patty Jenkins’ “Wonder Woman” at $103 million, which “Barbie” will easily surpass.

All of this is to say, “Barbie” has gone boom. The film was a gambit by Mattel to enter the filmmaking space, costing $145 million to produce, not to mention more spending for a ubiquitous marketing campaign that went down to bus stop benches being painted pink and a Dreamhouse in Malibu. Reviews are glowing with a 90% approval rating from top critics on aggregate website Rotten Tomatoes and audiences are also ecstatic, as indicated by the enthusiastic “A” Cinema Score grade determined by surveying the first round of moviegoers. This weekend is proving to be an eruption, but the summer is far from over for “Barbie.”

Starring Margot Robbie as Barbie and Ryan Gosling as Ken, the comedy follows the iconic doll as she travels from the fantastical Barbieland to the real world — which has some problems! The deep bench of ensemble talent includes Issa Rae, America Ferrera, Kate McKinnon, Michael Cera, Simu Liu, Helen Mirren, Will Ferrell and many more.

The penultimate weekend of July had become Christopher Nolan territory over the past few years, as the renowned filmmaker opened two of his last four features (“The Dark Knight Rises,” “Dunkirk”) in that slot. (“Tenet” was also originally slated for it, but faced release delays due to the COVID pandemic.) Months after Nolan exited Warner Bros. and voiced blistering frustrations about the then-current leadership’s lack of commitment to exclusive theatrical releases, Warner Bros. followed up — arguably retaliated — by dating “Barbie” for the same weekend as Nolan’s “Oppenheimer,” which the director had brought to Universal.

What once seemed like a contentious collision course now seems to have proven nothing but fruitful. “Barbie” may be winning the weekend, but “Oppenheimer” is still impressing. Playing in 3,610 locations, the sweeping biopic earned $33 million on its opening day, which includes $10.5 million in Thursday previews.

“Oppenheimer” is now looking to rank among the biggest opening weekends ever for an R-rated release. At the top of that list are a swath of franchise films, like “Deadpool” and its sequel, “It” and its sequel, plus the “Batman” spinoff “Joker” (which has already shot its own sequel). The film is currently projecting $77 million through Sunday, which would put it behind only “The Passion of the Christ” ($83 million) among the highest openings ever for a non-IP R-rated film — and the titular role of “Passion” has a bit more of a built-in fanbase than J. Robert Oppenheimer, to say the least.

The Nolan feature is also strongly benefitting from its showtimes in Imax auditoriums and other premium formats, which come with increased ticket prices. The filmmaker has a longstanding relationship with Imax, shooting large fractions of his features with the company’s heavy-duty cameras. (Also of note, the performance of “Barbie” is all the more impressive because it isn’t playing Imax auditoriums.) “Oppenheimer” is shaping up to be the third-biggest opening of Nolan’s career, behind “The Dark Knight” and “The Dark Knight Rises.”

On top of that, Nolan features tend to stick around in theaters. “Interstellar” and “Dunkirk” nearly quadrupled their opening weekend numbers in their final domestic earnings. Even “Tenet” legged out to $58.5 million after its wide release debut of $9 million — in a time before a widely distributed COVID vaccine no less. “Oppenheimer” has drawn some of the strongest reviews of Nolan’s career (a 96% approval rating from top critics on Rotten Tomatoes), but — even more encouraging — audiences seem to have truly taken to the despairing three-hour epic, as inferred by the sterling “A” grade through Cinema Score. With strong buzz and already some good fortunes for awards season, “Oppenheimer” has the right stuff to keep drawing audiences in.

The film follows the life of physicist J. Robert Oppenheimer, played by Cillian Murphy, who was tapped by the U.S. military to spearhead the construction of the first atomic bomb. Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Casey Affleck, Josh Hartnett, Benny Safdie, Kenneth Branagh, Rami Malek and many others also star...'

[dreamsmpclips]

i found this very funny and i dont even know why

stream title - “The benchtrio play Wii Party” streamed july 15 on RanbooLive, timestamp 51:23

yt vod title - “Benchtrio play Wii Party Games (07-15-2021) VOD” uploaded july 15 on RanbooVODS, timestamp 51:23

TRANSCRIPT:

Tommy (reading the screen which says “Bank Bonanza”): Bank Bona?

Ranboo (laughing): That is—not what that says.

[mimelord1]

Manhattans Congressional Candidate Releases Porn Video To Promote Sex Positivity

Manhattan’s Congressional Candidate Releases Porn Video To Promote Sex Positivity https://ift.tt/pUmrFDO Manhattan congressional candidate Mike Itkis is letting it all hang out to win votes … releasing a sex tape to show he’s got the goods to go to Washington. Itkis is locked in battle with the long-time incumbent, Rep. Jerry Nadler. The challenger is running on a sex-positive platform, so to prove he’s not all talk, he posted a 13 min video of him doing the deed with porn star Nicole Sage. He posted the vid — titled “Bucket List Bonanza” — on a popular porn site. As for his bona fides … Itkis is all about legalizing sex work, so that’s how he rolls. He told City & State, “If I would just talk about it, it wouldn’t demonstrate my commitment to the issue. And, the fact I actually did it was a huge learning experience, and it actually influenced items on my platform.” The 53-year-old is running as a 3rd party independent … kind of a cross between the Birthday Party and the Birthday Suit Party! He says it’s the first time he’s ever had sex on camera …  “I’m kind of a nerd who doesn’t like to be the center of attention if I can avoid it. But, I thought the issues I’m trying to address are so important… I wanted to have my issues talked about in some way.” Politics … it’s a hard business. The post Manhattan’s Congressional Candidate Releases Porn Video To Promote Sex Positivity first appeared on Suave Media. Tags and categories: Uncategorized via WordPress https://ift.tt/45TBp2Y October 14, 2022 at 09:08PM

[hell-yeahfilm]

AGENT SNIPER

Documentary filmmaker and investigative journalist Tate, who has written many books on both spycraft and true crime, has turned up a riveting spy story focused on Michal Goleniewski, a senior official in Poland’s intelligence service who also answered to the KGB. In a 1958 letter to the American Embassy in Switzerland, he offered “enticing leads to Soviet Bloc spies, which…would excite American counterintelligence interest.” The CIA responded, and there followed a bonanza in which Sniper (his code name) smuggled microfilm and thousands of top-secret Soviet documents to the West before defecting with his mistress in 1961. His debriefing produced more priceless information, but matters eventually went sour. The problem was not Goleniewski but rather the faction-ridden CIA. The agency’s Soviet and East European sections accepted Sniper’s bona fides, but the counterintelligence branch, led by James Jesus Angleton, did not. Famously paranoid, Angleton believed that the CIA was riddled with KGB agents that included nearly every defector. For three years, the CIA showered money and benefits on Goleniewski and used his revelations to arrest numerous traitors and their handlers around the world. Much of what followed remains classified, but Tate theorizes that Angleton’s faction assumed dominance within the agency, because in January 1964, it abruptly eliminated Goleniewski’s salary and protection and suspended him, subject to an “internal review” that never happened. Cast out, Goleniewski floundered for a time before developing severe psychosis, declaring himself the son of the czar of Russia who had been executed along with his family in 1918. In the final 100 pages, Tate chronicles 30 years of bizarre behavior until Goleniewski’s 1993 death, alternating with wildly dysfunctional CIA behavior, an ongoing theme throughout the book.

from Kirkus Reviews https://ift.tt/3ylkVn2

[askmegambler]

Casinonic Online Casino

Casinonic Online Casino Review

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[arlenschumer]

TOMORROW, WEDNESDAY SEPTEMBER 30 @ 8:00pm EST: THE 60th ANNIVERSARY OF THE FLINTSTONES webinar via @nyadventureclub Cartoon studio Hanna-Barbera’s most famous creation, The Flintstones, was the first animated television comedy series to air in prime time when it debuted 60 years ago, at 8:30pm on a Friday night, September 30th, 1960, on the ABC-TV network. It was an instant hit, spawning a merchandising bonanza during its six-season run—166 episodes—before leaving the air in 1966. But in some ways, The Flintstones never really left the air, or the consciousness of the public, because of its reruns in steady syndication, and multiple spinoff programs from the Hanna-Barbera studio over the decades. The original series has become a bona fide Baby Boomer Classic! So, on the occasion of The Flintstones’ 60th Anniversary, come join New York Adventure Club and pop culture historian Arlen Schumer (author/designer, The Silver Age of Comic Book Art) as he presents an overview of the development of the series via a plethora of early concept sketches, rare visual clips, and an analysis of The Flintstones’ storied place in American television history! TIX: nyadventureclub.com •Can't make it LIVE? Register and get access to the full replay for one week! https://www.instagram.com/p/CFuZfnABmRx/?igshid=uoyylt9tkz8d

[nebris]

The first global city

High in the Andes, Potosí supplied the world with silver, and in return reaped goods and peoples from Burma to Baghdad

In 1678, a Chaldean priest from Baghdad reached the Imperial Villa of Potosí, the world’s richest silver-mining camp and at the time the world’s highest city at more than 4,000 metres (13,100 feet) above sea level. A regional capital in the heart of the Bolivian Andes, Potosí remains – more than three and a half centuries later – a mining city today. Its baroque church towers stand watch as ore trucks rumble into town, hauling zinc and lead ores for export to Asia.

Elias al-Mûsili – or Don Elias of Mosul, as he was known – arrived in 17th-century Potosí with permission from Spain’s Queen Regent, Mariana of Austria, to collect alms for his embattled church. Potosí silver, Don Elias believed, would stave off the Sunni Ottomans and Shiite Safavids who battled for control of Iraq, periodically blasting Baghdad to smithereens with newly scaled-up gunpowder weapons. Just as worrisome to Don Elias were fellow Christians, schismatics with no ties to Rome.

The great red Cerro Rico or ‘Rich Hill’ towered over the city of Potosí. It had been mined since 1545 by drafted armies of native Andean men fuelled by coca leaves, maize beer and freeze-dried potatoes. When Don Elias arrived a century and a quarter later, the great boom of c1575-1635 – when Potosí alone produced nearly half the world’s silver – was over, but the mines were still yielding the precious metal.

By 1678, native workers were scarce and the output of the mines dwindling. Yet in the city’s royal mint, Don Elias marvelled at piles of ‘pieces of eight’, rough-hewn precursors of the American dollar, fashioned by enslaved African men. He saw them ‘heaped on the floor and being trampled underfoot like dirt that has no value’. For a long time, Potosí’s medieval technologies kept producing fortunes, if on a smaller scale.

On Potosí’s main market plaza, indigenous and African women served up maize beer, hot soup and yerba mate. Shops displayed the world’s finest silk and linen fabrics, Chinese porcelain, Venetian glassware, Russian leather goods, Japanese lacquerware, Flemish paintings and bestselling books in a dozen languages. Votive African ivories carved by Chinese artisans in Manila were especially coveted by the city’s most pious and wealthy women.

Pious or otherwise, wealthy women clicked Potosí’s cobbled streets in silver-heeled platform shoes, their gold earrings, chokers and bracelets studded with Indian diamonds and Burmese rubies. Colombian emeralds and Caribbean pearls were almost too common. Peninsular Spanish ‘foodies’ could savour imported almonds, capers, olives, arborio rice, saffron, and sweet and dry Castilian wines. Black pepper arrived from Sumatra and southwest India, cinnamon from Sri Lanka, cloves from Maluku and nutmeg from the Banda Islands. Jamaica provided allspice. Overloaded galleons spent months transporting these luxuries across the Pacific, Indian and Atlantic oceans. Plodding mule and llama trains carried them up to the lofty Imperial Villa.

Potosí supplied the world with silver, the lifeblood of trade and sinews of war – and as Don Elias knew, the surest means to propagate the Roman Catholic faith. In turn, the city consumed the world’s top commodities and manufactures. Merchants savoured the chance to trade their wares for hard, shimmering cash. The city’s dozen-plus notaries worked non-stop inventorying silver bars and sacks of pesos, loaded onto grumbling mules for the trans-Andean trek to the Pacific port of Arica or for the much longer four- to six-month haul south to Buenos Aires. In the rainy season rivers swelled, and in the dry season livestock died of thirst between scant watering holes.

Mule trains returning from the Pacific brought merchandise and mercury, the essential ingredient for silver refining. Most mercury came from Huancavelica in Peru, but the Spanish Habsburgs also tapped mines in Almadén (La Mancha) and Idrija (Slovenia). From Buenos Aires came slavers with captive Africans from Congo and Angola, transshipped via Rio de Janeiro. Many of the enslaved were children branded with marks mirroring those, including the royal crown, inscribed on silver bars.

Soon after its 1545 discovery, Potosí gained world renown, but central European mines also flourished after 1450, faltering only before Potosí hit its stride in the 1570s. Silver was discovered in Norway in the 1620s, but not enough for export. The Iwami silver mines of southwest Japan, developed in the 1520s, exported substantial silver via the port of Nagasaki after 1570, first by the Portuguese and then, between 1641 and 1668, by the Dutch. The main exporters of Japanese silver however were the Chinese. Scholars dispute the numbers, but Iwami was not quite another Potosí.

As early as the 1530s, Mexico exported silver too, and considerable amounts of it. Yet Mexico’s many mining camps – Zacatecas, Guanajuato, Taxco, Pachuca, Real del Monte and the namesake San Luis Potosí – peaked only after 1690. In the 18th century, the Mexican peso or ‘pillar dollar’ took the world by storm. Even in the Andes of South America there were other silver cities (or towns) besides Potosí, including Oruro and Castrovirreyna in Peru. But no silver deposit in the world matched the Cerro Rico, and no other mining-refining conglomeration grew so large. Potosí was unique: a mining metropolis.

Thus Don Elias, like others, made the pilgrimage to the silver mountain. It was a divine prodigy, a hierophany. In 1580, Ottoman artists depicted Potosí as a slice of earthly paradise, the Cerro Rico lush and green, the city surrounded by crenellated walls. Potosí, as Don Quixote proclaimed, was the stuff of dreams. Another alms seeker, in 1600, declared the Cerro Rico the Eighth Wonder of the World. An indigenous visitor in 1615 gushed: ‘Thanks to its mines, Castile is Castile, Rome is Rome, the pope is the pope, and the king is monarch of the world.’ A 1602 Chinese world map identified the Cerro Rico as Bei Du Xi Shan, or ‘Pei-tu-hsi mountain’.

For all its glory, Potosí was also the stuff of nightmares, a diorama of brutality, pollution and crime. What Don Elias might not have known in 1678 was that Potosí’s reputation – and with it the Spanish Empire’s – had a generation earlier suffered mightily. In 1647, amid royal bankruptcy, King Philip IV dispatched a former inquisitor to unravel a massive debasement scheme that had metastasised inside Potosí’s royal mint. The plot corrupted nearly every official within 1,000 miles. Even Peru’s viceroy was suspected of complicity. Potosí’s debased coins, mostly pieces of eight, hit world markets after 1638, and before long merchants from Boston to Beijing were rejecting Potosí coins. The fountain of fortune had become a poisoned well.

It took more than a decade to hunt down and punish the great Potosí mint fraud’s culprits and to restore the coinage to proper weight and purity. A new design debuted to signal the new coins, but winning back global trust in Potosí silver took decades. Into the 1670s, even as Don Elias took donations in exchange for sermons in Syriac, Sumatran pepper-growers balked at coins stamped with a ‘P’.

Like the Bernard Madoff scandal of the 2000s, the Potosí mint fraud of the 1640s tells an interesting if not universal story. Nobody wanted to admit that they had been deceived. For Spain’s King Philip IV, the mint fraud – an inside job – was a world-class embarrassment and a sign of the decline of his empire’s fortunes. The global flood of bad coins hurt everyone, rich and poor. Genoese, Gujarati and Chinese bankers suffered ‘haircuts’, merchants worldwide forfeited precious ties of crosscultural trust, and soldiers throughout Eurasia saw their pay halved or worse.

Almost a century before Don Elias visited Potosí, Viceroy Francisco de Toledo revolutionised world silver production. Toledo was a hard-driving bureaucrat of the Spanish empire – and he more than any single man transformed Potosí from a hardscrabble mining camp into a bona fide city. It was a colossal undertaking, but one suited to the ambitions of King Philip II, the first European monarch to rule an empire upon which the sun never set. Toledo reached Potosí in 1572, anxious to flip it into the empire’s motor of commerce and war.

By 1575, the viceroy had organised a sweeping labour draft, launched a ‘high-tech’ mill-building campaign, and overseen construction of a web of dams and canals to supply the Imperial Villa with year-round hydraulic power, all in the high Andes at the nadir of the Little Ice Age. Toledo also oversaw construction of the Potosí mint, staffed full-time with enslaved Africans. Its first coins were hoarded, higher in silver content than they were supposed to be, and overweight.

Toledo’s successes came with a steep price. Thanks to the viceroy’s ‘reforms’, hundreds of thousands of Andeans became virtual refugees (those who survived) and, in the search for timber and fuel, colonists denuded hundreds of miles of fragile, high-altitude land. Implementation of a new technology, mercury amalgamation, introduced from Mexico on the viceroy’s orders, fouled the region’s air and streams. The city’s smelteries belched lead and zinc-rich smoke, guarantees that its children would suffer lifelong stupefaction.

Environmental hazards multiplied as the city boomed, and with these ills came murderous social conflicts, vagabondage, sex-trafficking, gambling, political corruption and general criminality. Epidemics swept the city every few decades, culling the most vulnerable. How did people respond to this lawlessness and chaos? How could they live in such an iniquitous and foul place? In what might be termed the ‘Deadwood paradox’, bonanza brought out the worst in people even as it also provoked startling acts of liberality. It was, after all, the city’s generosity, its profligate piety, that brought Don Elias to Potosí, all the way from Baghdad.

The Habsburg kings of Spain cared little about Potosí’s social and environmental horrors. Potosí silver, for them, was an addiction: deadly and inescapable. For more than a century, the Cerro Rico fuelled the world’s first global military-industrial complex, granting Spain the means to prosecute decades-long wars on a dozen fronts – on land and at sea. No one else could do all this and still afford to lose.

A steady flow of Potosí silver – or, rather, the promise of silver futures – rendered the Spanish Habsburgs’ otherwise absurd dreams possible. Then, all of a sudden, it didn’t. Even before the mint fraud of the 1640s, which helped bankrupt the crown, large quantities of Potosí silver slipped away, siphoned off by the empire’s friends and enemies alike: foreign bankers, contraband traders, pirates. At the same time, silver’s abundance stunted other parts of Castile’s internal economy. Some joked that the Habsburgs had discovered the magic formula for turning silver into stone.

The great Potosí bonanza, source of price disruptions, fiscal crises and costly building projects all over Europe, mostly fuelled commercial and imperial expansion in Asia. Throughout the 17th century, Dutch, English and French merchant-colonists, followed by a few intrepid Italians and Scandinavians, jockeyed with each other and with the embattled Spanish and Portuguese for a space at the great Asian table. All that Asia wanted, beyond tips on gun design, was silver. Europeans steered or inflected some of this pan-Asian trade and empire-building, but not most of it.

Often forgotten were the many thousands of Asian and African merchants and bankers based in Mombasa, Mocha, Mosul, Gujarat, Aceh, Makassar, Canton and many other port cities, including European-controlled Goa, Batavia, Madras, Macau and Manila. In the 17th century, these ‘country traders’, as Europeans called them, moved and lent more Potosí silver than all Europeans combined. Chinese diasporic trading communities in Southeast Asia alone controlled a large share of this global business.

Asian emperors were another matter. Mughals such as Akbar and Shah Jahān, or the Safavid Shahs Abbās I and II, or the Ottoman Sultans Murad III and IV, ruled tributary states whose size and diversity more than matched the empires of the Iberians. Northern Europeans, Dutch ambitions notwithstanding, were far behind. Just as the Spanish Habsburgs began squaring off against the French and English, the ‘gunpowder’ monarchs of the Middle East and South Asia scooped up satellite kingdoms and principalities, propelled to a degree by Potosí silver.

And what about China? As the Potosí mint fraud reverberated, the Ming Dynasty collapsed. The tipping point came in 1644, but the historic Qing takeover was hardly instantaneous. Both Qinqs and Mings spent massively as China’s economy shuddered from war and famine. Ming subjects scrambled for slivers of silver to ward off invading soldiers or to buy passage to freedom. Even a debased peso was a gift of heaven.

When Don Elias visited in the 1670s, Potosí had seen better days. But it was without qualification a global city, a site of suffering but also of wonder, a showcase of technological innovation and cultural sophistication. In the 1970s, proponents of dependency theory, most famously Eduardo Galeano in Open Veins of Latin America (1971), held up Potosi as the tragic exemplum of third-world underdevelopment, a hollowed-out periphery. Yet in its own day, Potosí was a recognised centre. A 1640 manual by Alvaro Alonso Barba, its great metallurgist, was translated and republished for centuries. Numerous painters, poets and playwrights made the city home. In the decades before the great mint fraud, potosinos challenged the king, proclaiming that he (and the world at large) needed them more than vice versa.

The end came not as spectacular implosion but as irreversible decline. Lower taxes and the imposition of a harsher labour regimen lifted silver production in the later 18th century, but the mines were deep and mercury expensive. Technological fixes failed. Simón Bolívar reached a beaten-down but jubilant Potosí in 1825, but British capitalists – close on the Liberator’s heels – could not revive the mines. It was local entrepreneurs and smallscale miners and refiners, many of them indigenous, who kept Potosí alive to the end of the 19th century using archaic but trusted technologies, including the methods of Barba.

By the time that the American historian Hiram Bingham visited the former Imperial Villa in 1909, Potosí had less than a 10th of the population it had boasted three centuries before. A colonial precursor to Bingham’s 1911 ‘discovery’ of Machu Picchu, the old Imperial Villa struck the professor as a silent spectre, not a typical US ghost town but rather a ‘super-sized’ object lesson in the vanity of Catholic Spain’s global ambitions. By this time, mineral rushes had helped to produce cities such as San Francisco and Johannesburg, but nothing quite compared for sheer audacity with the Imperial Villa of Potosí, a neo-medieval mining metropolis perched in the Andes of South America.

Today, almost 500 years after its discovery, Potosí’s Cerro Rico continues to supply the world with raw metals, a bit of silver and tin, but mostly lead and zinc. Half-processed ores wend their way through town and across the mountains and the Altiplano, to refineries in China, India, South Korea and Japan. The city has grown considerably in recent decades, now surpassing its colonial population (and severely straining its water supply). Has Potosí come full circle or is it stuck in the same rut? Will the sale of metallic mud to Asian manufacturers do more for ordinary folks than what was done by the silver-hungry Spanish, British or Yankees?

Potosí remains a globally connected city, a cog in the world economy, a regional magnet for migrants, a space for self-reinvention. Yet recalling its Habsburg heyday, the Imperial Villa of Potosí was famous not only for its mineral bounty but also for its artistic production, its political heft, its piety. Despite their own troubles, the city’s inhabitants gave Don Elias a small fortune in silver to fund his quixotic project in ‘Babylon’. Potosí also remained infamous for its pollution, its round-the-clock workingman’s horrors, its perennial violence, its corruption. Potosí was a mountain of silver that changed the world even as the world changed it. After five centuries of globalisation and exploitation, we can look back on this unique city’s history and ask what, in truth, it means to be ‘worth a Potosí’.

https://aeon.co/essays/potosi-the-mountain-of-silver-that-was-the-first-global-city

[thechanelmuse]

There was once a time when mid-level bands with a modest following could make a pretty decent living playing music. They’d put out a record, sell a couple hundred thousand copies and then go on tour to promote it – which would drive additional sales, even as the tour itself was lucky to break even.

For the largest acts, this formula was a bona fide moneymaking bonanza, lining the pockets of all involved, including the musicians, managers, promoters and record labels. For everyone else, it didn’t produce vast riches but nonetheless supported careers and promoted the creation of new music.

Times, however, have changed. Besides a handful of superstars, it’s impossible for bands and musicians to generate significant revenue taking this approach. And the reason is simple: Consumers won’t pay much for music.

Napster jump-started this trend back in the 90s, pirating content and making it available online, producing a generation of listeners who didn't value music because they were able to download it for free. Then, streaming services basically continued the practice.

The likes of Pandora and Spotify don’t steal content, but they still offer it for free with the support of ads. Others such as Apple Music and Amazon Music obviously aren’t stealing either and do charge users, but it’s a nominal fee. Both models result in most artists getting the shaft, receiving, in most instances, less than a penny per stream.

(Incidentally, the streaming services themselves aren’t faring much better. Pandora and Spotify have always struggled to turn a profit, while Apple Music and Amazon Music are money losers, in place as part of broader distribution play that merely supports other parts of their company’s other businesses. Another irony is that music has become devalued at a time when there are more ways than ever to promote it, thanks to social media platforms like Facebook, Twitter, Instagram and Snapchat.) 

Because of this, musicians have had to adjust. Some have begun to focus their efforts on brand building, using their music, in effect, as a form of advertising to hock products and services for companies. Megastars like Beyoncé and Lady Gaga, and Michael Jackson before them, have always done this, pushing everything from soft drinks to clothing to fragrances.

But more and more, musicians from across the spectrum are pursuing this path to prosper. One good example is Gary Clark Jr., a talented artist but hardly a household name who has endorsement deals with Lincoln and John Varvatos. In the past, purists probably would have called him a "sell out." Now, it's called getting paid.

Ostensibly, playing concerts is another way to boost the bottom line. But save a precious few, most musicians are neither able to draw big audiences nor command the type of prices that make touring worthwhile – and the ones who can are senior citizens who play to audiences that are either roughly the same age or only slightly younger.

[...]

Who are the next generation of stars that will replace these aging performers, and does it matter given the current generation’s preference for festivals like Coachella, where the music is almost incidental to the experience?

Some probably question why anyone should care about all this. After all, the consumer is winning, since the principal fallout has been that accessing music content is cheaper than ever before. Further, large industries have always gone through difficult transformations – what makes the music industry’s struggles any more noteworthy?

The reason is that without meaningful changes to the way musicians get compensated, creativity will suffer immeasurably – and with it, the entire music industry. Consider that the revenue streams created by record sales and concerts once formed an informal infrastructure that continually bred new artists. Without such revenue streams in place – or something similar to replace them – the time will come when musicians will have no practical way to stay afloat, forcing them to give up and many would-be ones never to try at all.

All of which means that the music business may not be a much of business at all before too long.

Read more

[hivaidsupdates]

Mrs Moore’s Bona Bingo Bonanza returns to Charles Street Tap#HIV #LGBT #endHIVstigma #Brightonhttps://t.co/xH9k06ASQz via @Gscene

— HIV & AIDS Updates U=U (@HIVAIDSupdates) February 13, 2020

from Twitter https://twitter.com/HIVAIDSupdates February 13, 2020 at 08:00PM

[weepingsaladcollectorstuff]

Blueprint of Sureman Season 2 Totosite Games to perceive

Games played in a Casino are called betting foundation games. The player will stay in a casino site game using Casino chips for the inexact outcome. There are what is more on the web betting foundation games. These computer games are regularly obliged by guidelines. The Casino computer games are of exceptional preoccupation. There are ordinarily three sort of betting endeavor preoccupations, to be explicit table, advanced gear and ticket computer games. The opening producer is the huge hardware in an online casino. Online computer games are surprisingly well known today. You can discover opening up machines in all betting ventures far and wide. These openings computer games are generously much more proficiently offered, some of them are complimentary and for different other individuals, you need to pay. These rooms’ games have essential ideas; you only require to perceive which catch you should strike. You can get included computer games moreover, on the off chance that you play well.

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The upsides of these games are you that you will positively play without leaving your home, sitting effectively in your room and two or three computer games need not bother with enrollment or downloads. People play these rooms prepared bona fide greenbacks and to get motivations. There are a huge number of guests for each online website. The great on-line casino gives a heaps of territory gadget exhibits to suit each and every customers need. These openings are more straightforward, agreeable and have conceivable getting possibility. Determinations of games, the reward and bonanza sizes are the three significant interesting elements while picking an online regions movement. A portion existing apart from everything else, engaging on-line openings are found incredibly in minimal online casinos 먹튀검증커뮤니티. Online space games norms vary from casino to casino website and what is more likewise from opening to room. Examining the criteria totally will make the games step by step pleasant and captivating.

On the off probability that you never at any point endeavored on-line openings game, if you do not mind do not hesitate to filter for. Certain you will absolutely have an astounding time. Adventure the various codes for casino motivating forces that Sureman Season 2 Totosite give, and you are guaranteed of hustles from real game play, yet also from affirming unconditional presents with these advantages. Casinos need players, and players need power, and casino included codes are the best techniques to fulfill this methodology. The betting undertakings get players by virtue of the idea of the motivations; the players keep up playing considering reality that motivators guarantee that not exclusively will they have security in playing yet what is more logically fun from significantly more cash and more chances to escalate their betting endeavor experiences.

[instatrack]

Millions of people were rapt by “A Quiet Place,” which became one of the first bona fide phenoms of 2018. A $17 million passion project that went on to earn more than $340 million, making it not just a hit with audiences but an unexpected commercial bonanza. At the forefront of the effort was John Krasinski (@johnkrasinski), who directed, and starred along with his wife, Emily Blunt, in the thriller. Originally, they weren’t sure audiences would accept a genre film that harked back to cinema’s silent roots more than its special effects-driven present. But in an era when studios are putting their chips on remakes and sequels, madly mining their archives for intellectual property they can exploit, this bold exercise in pure cinema proves that an original movie, with no “presold” audience or built-in franchising potential, can still lure filmgoers into theaters. And now, Krasinski, 39, is hoping that “A Quiet Place” can prove another concept, namely that a genre film can still be awards-worthy. Read more by clicking the link in our bio. (Photo by Andre Chung for The Washington Post) https://ift.tt/2SyHyye

[fmservers]

“Venom” is better than it has any right to be

What happens when a cast of Oscar contenders like Tom Hardy, Riz Ahmed and Michelle Williams are turned loose to chew the scenery of a (wryly self-aware) B movie?

Audiences get “Venom”, the latest bid from Sony Pictures to create its own superhero mega-franchise now that storylines for the studio’s web-slinging centerpiece have merged into the cast of thousands populating Disney’s Marvel Cinematic Universe.

Audiences may remember the character Venom as the nemesis in “Spider-Man 3”, the last (and least) of the original Spider-Man movies directed by Sam Raimi and starring Tobey Maguire.

There are echoes of its cinematic predecessor in the current “Venom”, but instead of setting up the character of Eddie Brock, and his alter-ego, Venom, as a nemesis to Peter Parker and Spider-Man, the new reboot focuses solely on Brock.

A “loose cannon” in the reporting world, Brock’s bona fides as a righter of wrongs are established early in a montage sequence that has him reporting on the seedy underbelly of a stylized San Francisco, ruled by technology companies that have run more than slightly amok over the city’s population.

Brock’s nemesis, played by the Emmy award-winning British actor Riz Ahmed, is “Carlton Drake” a billionaire tech mogul whose wealth is built on the backs of the city’s poor. They serve as fodder for Drake’s experiments, meant to save humanity from destruction at the hands of disease, climate change, and overpopulation. And they’re the focal point of Brock’s reporting.

Drake’s plans to save the world have a whiff of Elon Musk, as he fantasizes about extraterrestrial colonization, sending space ships up to explore other planets that may be suitable for human life — or asteroids that may be suitable for mining.

In these heady times where startups like SpaceX, Blue Origin, and Planetary Resources are planning colonization and asteroid mining missions, the plot point isn’t as far-fetched as some might think. But the alien life-form known as a symbiote, which Drake’s crew of astronauts takes back for study and (human) experimentation is still squarely in the realm of comic books.

Those symbiotes are what give the movie its propellant force, as Drake experiments on humans to try and find suitable hosts for the super-powered aliens (who feed on human organs) to bond with — thus creating a new super species that can survive the coming environmental apocalypse and ensuing space colonization.

Brock, while working to uncover the dastardly deeds of this mad scientist, becomes one of those unwitting hosts — and thus imbued with super powers, fights the good fight with the help of his former fiancee, in an unlikely turn for Michelle Williams, to save the earth, and himself.

With Ahmed forced to deliver clunkers like, “Oh my God, they’re beautiful!” when first confronted with the alien species; or “Release the drones!” during a particularly satisfying chase sequence where his minions are tracking an alien-infected Brock (made the more enjoyable for the wanton destruction of San Francisco), “Venom” could have been terrible.

But the movie aims for the kind of tongue-in-cheek humor that made Deadpool a hit with audiences … and it mostly succeeds. Hardy delivers a performance that’s shot through with some great physical comedy and sight gags, and the levity goes a long way to lightening what could have been an exercise in morbidity given the darkness of an alien-infected, organ eating anti-hero at the movie’s core. 

To be clear, Venom doesn’t quite hit the meta-movie high notes that made Deadpool a smash, but powered by the performances from Williams and Hardy (who seem to have chemistry) and a script that aims for humor and hijinks and embraces the camp within its source material, Sony should have a solid foundation on which to build a new superhero franchise.

And it needs one. As Spider-Man’s scripting swings off into the arms of Disney’s Marvel Cinematic Universe, Sony appears to be looking to some of the lesser-known corners and characters in the Spideyverse so it can write its own destiny. Next up for the studio is Morbius: the Living Vampire, which has landed Jared Leto in the lead role, according to recent reports.

Following on the heels of Disney’s surprise breakout hit with Guardians of the Galaxy and Fox’s big box office bonanza with Deadpool (both lesser known titles in the Marvel catalog), the practice of going with something a bit more off-the-beaten path when it comes to superhero sagas may not be a bad idea.

Perhaps Venom benefited from the extremely low expectations that had been set for it, but the movie managed to score big with the preview audience that attended last night’s premier.

Via Jonathan Shieber https://techcrunch.com

[nishillustration-blog1]

How To Approach People Meet And Befriend People Around You

carol AndersonHow toward Approach nation Meet along with Befriend community Around You Self Help Articles | May 27, 2012Approaching visitor and nation you almost know package be easily scary notably if you are not a bona fide sociable person. However, it is very helpful to learn crowd skills over they jar help you in house your course and your personality. study how to approach is very important. It will help you a field in the future considering you can have a bigger globe and have lots of connections. enthrallment can help you a lot in your communal life and career life. If you want to know whence you bucket approach people, particularly outsider or society you move not meet so often, here are some bang for you.The first point you have to move is to let you of your pride. ad lot of people flop to entrance others considering they think so eminently of themselves. It is okay to be noble of yourself however if it is already too much and if it is stirring your accord with people, it will be leading to speck it and start subsistence humble. perchance you are afraid of being jilted or subsistence disliked. But do not worry. Even if they do not like you, you closed have billions of new people in the creation that you can right and befriend.The second word you wish to move is to learn after what precedent to start a conversation. Having a conversation is required albeit you access people considering nothing will happen if you just stand subsidiary by oblique with individual other aphorism nothing. move not always wait for people to talk with you. You need to take the initiative to start the connection.The tertiary important word is to keep the conversation simple. If you are in a communal gathering and you are meeting a person for the antecedent time, you will not want to have a conversation in reverse politics, economics and alternative difficult topics. It is better to keep the conversation transparent and universal then moderately go to complicated talks. You jar talk round the crisis you are both at or you can lecture about the weather. conceding that you have the like interests, harangue about them to constitution rapport with each other.The fourth important thing to remember is to fmovies online accordingly. Let us not be crook and authorize us endorse that society do court others occupying on concrete appearance. in case that you complete not requirement to be pre-judged, you should attire accordingly bank on on the situation. move casual but not likewise casual. whenever you are meeting family in a conference, you need to dress active and neatly.The fifth point is to let go of fear. A area of nation are bare shy producing it crucial for them to access people and talk with them. conceding that you are also apprehensive of subsistence with family you do not recognize that much, you package create a habit of talking with strangers one at a time. dramaturgic 30-day challenge will be very useful because it lets you create a habit and helps you overcome your fear. objection yourself and talk with at last one alien everyday for a 30-day period.The sixth tip is to energy out alone. Of course, it is always enjoyable to force out and attend crisis with friends. However, there is a tendency that you will only relate with your friend and will not make an effort to meet new people. that is motive you use to enroll to show up events on your own from point to time. This way, you have no prime but to approach residue or others can advance you.Approach crowd and compose your ring bigger. You can bonanza expert clue at dexterity Of Approaching. Once you have uphold the life you like, learn how to turnFriends Into Lovers.

[theres-a-wilde-man-in-my-h-blog1]

How to Select Best Internet Service Providers (ISP)

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