#bigsnorp

[poetryincostume]

Hey, what kind of costuming do you do? I'm obsessed with the corsets you've posted, they honestly look immaculate and I love the period inspiration. are you a historical costumer?

Hello!

Thank you so much, I'm so glad you like them! I've been wanting to make a ribbon corset for years, so finally making two has been very pleasing.

I broadly call myself a cosplayer as much as I call myself anything. I have a lot of feelings about the various labels people use and the forms of gatekeeping and snobbery that come from each. Really costume, in whatever form you may approach it, is an art form.

I have been working as a professional costumier in the UK film industry (tho not right now, thank you US studios for your greed) for the last 13 years. I’ve only been making for myself since 2017. I approach all of my projects the same way I approach my work - and have been so lucky to observe incredible designers working: I always end up falling into research holes and drag in historicsim, art, pop culture, and all sorts into my projects. But at the heart of it all, for me, is exploring character and narrative. Painting and sculpting characters out of fabric.

This is largely why I refer to my personal work as cosplay for ease: because I'm making characters or using character, theme or story as a leaping off point. See my little star warsy inspired jacket, and The Madwoman. The Saddest Girl In The World works as a standalone piece in this vein, but is also part of a bigger, whole costume that I started uuhhhhh a year ago. I want everything I make to stand on its own and express something.

Left to right: - Numa, Star Wars Rebels - I closely referenced the French Resistance in my research and making, but this is a true and true 'accurate' cosplay. - Olivier Mira Armstrong, Fullmetal Alchmist - also an 'accurate' cosplay, but I did deep research in historical tailoring, Japanese tailoring, and World War II military tailoring and created the entire costume using historical techniques. I won two competitions with this costume! - Princess Zelda, Breath of the Wild - an example of me building from the skin out. This is an accurately historical turn-of-the-century combination set made using historical handkerchief and insertion techniques and entirely handsewn. However I infused it with character and story by constructing the main body of the combinations of triangles, and piecing it together with three point needlework (more triangles), for a total Triforce infusion. There is a full set of similarly triforcey companion undergarments.

It's all fake and in space; it's all poetry. I'm playing. With costume. So I guess I'm a cosplayer, but when you're playing the limit is your imagination.

[mask131]

A continuation of my Medusa post here.

Since people have been asking for links and sources about Medusa, I'll provide a little bibliography of various sources you can compare and debate about. Note that the bibliography about Medusa is even wider and bigger than the little samples I provide below, but I think they form a good "basic set" or "starting kit". (And I might have forgotten things, since I originally wrote my post unplanned and wasn't ready for it to blow up so much. I am just a tiny little blog that didn't get as much as seven likes on my biggest things you know Xp)

First of all, a resource that is fully available for free on Google Books: here, or here. It is called "Dangerous Beauties: Medusa in Classical Art", a Metropolitan Museum of Art Bulletin, published in the winter of 2017. Very beautiful and informative with lot of nice art. There's also more about the exposition tied to this publication here. There was another publication by the Metropolitan Museum that can be of some interest, Majorie Milne's "Perseus and Medusa on an Attic Vase".

When it comes to English-speaking books analysing and dissecting the Medusa myth, two works keep popping up everywhere. 2003's "The Medusa Reader", and Stephen Wilk's "Medusa: Solving the Mystery of the Gorgon". They do form references when it comes to the overview, analysis and evolution of the Gorgon figure. Other works of note include David Leeming's "Medusa in the Mirror of Time", and Thalia Feldman's "Gorgo and the Origins of Fear" (published within "Arion", I don't know if it had been published elsewhere). The Internet Archive has a free copy, right here, of Frederick Thomas Elworthy's "The Evil Eye: The Classical Account of an Ancient Superstition".

If you can read French, go read Jean-Pierre Vernant's works that tackled the Gorgon: "La mort dans les yeux: Figures de l'Autre en Grèce Ancienne", (Death in the eyes: Figures of the Other in Ancient Greece - explores the legends of the Gorgon and of Artemis) ; and his co-work with Pierre-Vidal Naquet "Mythe et tragédie en Grèce Ancienne" (Vernant did wrote in English a part of The Medusa Reader, the article "In the mirror of Medusa"). Jean Clair also wrote an interesting document: "Méduse. Contribution à une anthropologie des arts du visuel."

And finally, the cherry at the top, the Internet Archive even has a copy of the scholia (well, one of them), in which the old Pherecyde tales are described - the ones that make proof the idea of Medusa having been turned into a monster by Athena due to a crime of vanity and boasting is as old as the 5th century BC. It is right here. If you like to read Latin, go have fun.

(Shoutout to the people who asked for links and sources - which is absolutely normal and indeed much needed in this time of widespread misinformation and websites that can literaly invent Greek goddesses of torture out of nowhere

@60sec400 @fishlord-main @nouzillard @bigsnorp @gendermeh and probably others I forgot about

EDIT: adding @tanoraqui and @beanshery to the list)