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#because i was counting and measuring
awkwardinot · 1 year
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I'm not very fond of Doflamingo as you can see
(featuring friend's strawberry-dile and my oc)
((hoo boi are both crocodile and doflamingo tall though))
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dollypopup · 4 months
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"Colin should have grovelled more!" "Penelope folded too easily"
I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.
Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.
I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.
And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.
Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.
Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.
Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.
And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.
And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?
Absolutely no one.
Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.
And he apologizes. Because he listens. Really, truly listens. And really truly cares.
I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.
Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.
Because he saw her when she was invisible.
Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?
Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.
He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.
And he does.
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starry-bi-sky · 6 months
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more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
#tw mentions of gore#cw gore#i suppose this counts as gore#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc#dpxdc crossover#childhood friends au#cfau#really leaning into the idea of rath just being a horror. the horrors! i am delighted in the horrors!#im having fun with it#i swear to god turning 19 turned a switch on in my brain because i am much more comfortable with gore and heavy injury now than i was l#literally a year ago. the urge to write about some of danny's most horrific injuries in his fights is STRONG#like the hORRORS folks. *th horrors*. i dont think i'll ever write a dissection fic because that icks me out but the idea that danny's had#to stitch up his own throat because it got slit in a fight nd he cant shift back to human until he's done because his ghost will survive bu#his body wont#the idea that he's been impaled multiple times before and it hurts each fucking time but he still gets up and hurls the hurt right back in#equal measure. because that's how you wanna play? okay. lets play. he's 14 and his best friend is dead. he can play.#and the idea that all ghosts have 'corpse' forms where their ghosts look exactly like how they died. and danny is utterly unrecognizable#jazz being liminal or not just isnt important to me because she's barely gonna show up in the story anyways#same reason why i hardly use the headcanon that ellie becomes danny's daughter because what use is she to me like that? she'll hardly have#an impact on the story and i refuse to treat characters like props. if they can't help progress the story then they aren't included
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unityrain24 · 4 months
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Not A Person
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"because of this curse•body•culture•bone•blood, i am nothing but an animal•monster•savage•creature•weapon. not a person"
mixed media [ink, paper, dictionary pages, pencil, digital], collage
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cent-scratchnsniff · 14 days
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i wish to be your shadow , forever behind you , even if i am not good enough
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plus some extra. they are quite literally metal boxes. i wonder how large they are in actually. im assuming human size? i also never realized just how complicated hokma's was.. i think its all the gears
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poisoned-pearls · 9 months
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Work doodle about the funniest fucking headcanon to me ever
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wonder-worker · 2 months
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“Studies of Elizabeth Woodville […] have been hampered by the continuing fascination with her brother-in-law, Richard III. The Ricardian [and Yorkist] apologetic is now largely dependent upon the argument that the Woodville family posed such a threat to Richard of Gloucester, and the kingdom as a whole, that Gloucester had little option but to take the throne from his Woodville-dominated nephew. Although this argument has [irregularly] been contested, a reassessment of the queen's role in 1483 has not yet been attempted. Michael Bennett, in his 1987 account [...] still dismissed her as `an inveterate intriguer, capable in her vanity and fecklessness of some remarkable shifts and turns'. But more often she is scarcely mentioned in general histories of the period.”
-J.L. Laynesmith, “English Queenship 1445-1503” (thesis for the degree of DPhil in Medieval Studies, University of York, Centre for Medieval Studies, April 1999)
#Every single thing in this remains as true in 2024 as it did when she published it in 1999 btw#historicwomendaily#elizabeth woodville#wars of the roses#my post#Ironically Laynesmith herself is guilty of the same thing: her 'reassessments' of Elizabeth's role are really bad and always favor Richard#(so I don't know how she can call them 'reassessments')#also Laynesmith seems to think that the anti-Woodville argument has been 'repeatedly contested'#I would love to see those arguments because frankly from what I've seen (and I've searched A LOT) they are entirely non-existent#even historians like Rosemary Horrox who analyze Richard III critically retain a very negative and equally condemning view of the Woodville#throughout it all - so I am not sure that counts lol#That being said I'm really glad that Laynesmith pointed out how Elizabeth “is scarcely mentioned in general histories of the period”#because it's absolutely true#Like I said before - even in traditionally negative narratives there is very lacking interest in Elizabeth as a historical figure#She's only relevant for marrying Edward and Promoting Her Family and scheming against Richard#Most historians barely pay attention to her beyond that#The thing about Elizabeth is that she really has the worst of both worlds - she's vilified and diminished in equal measure#This has a lot to do with her brand of vilification; the persistent need to reaffirm Richard of Gloucester's appeal and authority;#and the very specific anomalous place she occupies in this period of time (between the three dynasties)#In the so-called 'era of queenship studies' where other controversial queens like Eleanor of Aquitaine Isabella of France and#MoA were receiving a great deal of attention and reassessments - Elizabeth remained equally vilified but was also#ultimately still dismissed as someone who 'grounded her queenship in her carnality' (with Edward IV) :/#So when recent 'revisionist' reassessments have depowered her still further...not only are they singularly unhelpful and inaccurate#they are also actively contributing to a major element of her negative historiography that has literally been present across centuries#hence why they annoy me so much#(This is also why Elizabeth is often written as a hysteric with haphazard and incoherent motivations in historical novels btw#It's a direct result of the vilification + diminishment combination that's been so persistent with her)
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littleeyesofpallas · 4 months
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got real bored and weirdly fixated on the canon bleach heights. have this jank ass diagram I've set up
[1] [2] [3] [4] [5] [6]
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steelthroat · 4 months
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*looking at my history notes*
"Okay so this is 4.7k words long, I usually can read at least 40/50k words of fanfiction a day so I should be able to..."
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ceasarslegion · 5 months
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Followers what do we think about the fact that i looked on my ticket and im flying on the same plane model that got boeing into their current mess in june twice
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aparticularbandit · 1 month
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Self.
Please remember.
If you have not hit word count this month.
Most (not all) of your writing has been second writing, which means you've been going through a lot of words, just not adding a lot of new words.
Word count is not always an indicator of progress.
You're okay.
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calamitys-child · 1 year
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As it gets hotter out and work continues to refuse to let us wear shorts im considering just getting increasingly short kilts to see how long it takes someone to say something
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sunny-honeytears · 1 month
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How many shots would it take me to hook up with TDV characters (based on hungarian casting) (shots are measured in jägermeister)
Krolock: Two for confidence
Herbert: Depends on actor but 4 for confidence
Alfred: Two. One for me, one for him
Professor: Zero. Absolutely zero.
Sarah: 1 for human Sarah. 2 for vampire Sarah..nevermind 3
Chagal: Blackout drunk.
Magda: Depends. Pre-bite Magda? Nothing. Post-bite Magda? 3
Rebecca: Respectful no<3 idk we can knit together
Koukol: Another respectful no<3 But we can be besties
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Sometimes I really wish that Theranos hadn’t been a total scam, which is probably part of why it was a successful scam for so long. Like it’s such a pain in the ass to negotiate with your doctor and your insurance to get tests, it’s such a tempting idea to think “what if I could just do this at Walgreens on my lunch break and have it be easy”
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duplicityvn · 5 months
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progress report 5/3 ::
I spent most of the day today drafting from the visual map!
So to preface this before I show the screenshot, I set a current goal of 20k words for part 1 (it'll definitely go past that) because I thought it would be a decent amount of playtime.
And I have a personal daily goal of 5k because I can easily achieve that.
Here's what I hit today!
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As you can see, I'm already halfway thru the 20k LMAO
I am more than halfway through the map though! So it will most likely end up being around that 20k mark, if not a bit more.
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merlions · 3 months
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There's this fuckin. Enormous daddy long legs that has been absolutely. Going ABOVE AND BEYOND the call of duty keeping bugs out of my room. He has his little fuckin web right outside my door and there are sooo many little corpses he has dispatched. I appreciate him. So fucking much.
And it is worth noting. I have a really really really bad phobia of insects and arachnids!! Makes me sick, used to be genuinely paralytic, like I go pale and can't move, I'm too scared to touch the page of a book that contains the image of a bug or spider. It has taken me years and years of working on it (and working on a farm which was!!!!! Quite a time in my life) to be able to cope with a fuckin. Daddy long legs right outside my room.
So why!!! For the love of god. Did my little pal decide for the first time ever, to come down and sit on my light switch!! I almost didn't see him before trying to hit the light and would have squished him!!! Listen. The only thing even close to a bug physically being near or on my person. Is the idea of SQUISHING A BUG??? Horrible horrible horrible the actual worst. If I really need them away from me and no one is available to do so for me I will, despite near syncopal terror, force myself to cup them and put them gently OUTSIDE. AWAY FROM MY PERSON. I will put the cup down and run at maximum velocity. I would never squish a bug on purpose that's not a mosquito actively biting me and that's just evolutionary instinct tbh
And now this fuckin guy??? My pal??? Who I am very afraid of but have allowed to live in proximity to me , so that we may have a partnership??? A symbiosis of sorts????? My good friend daddy L????? He tries to trick me into killing him, something which makes me want to scream in terror??????? Sir please??????? We don't need this, no one needs this, PLEASE go home sir
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