#because I wanted an excuse to talk about psychology on here

[rosewood-multifandom-writer]

If there is one thing I can praise both Zootopia and Detroit Become Human on, it’s how they tackled confirmation bias. What’s that, you ask?

To oversimplify this term in psychology, because I’m a psychology nerd like that sometimes: confirmation bias is a type of bias that a lot of people have about something or someone. They seek out events or facts about a specific topic that paint that topic in a negative light and use that specific piece of evidence a “proof” that all of something is bad. This can be pushed further by a bad experience with this topic. This is the bias that bigots like racists, misogynists, misandrists, homophobes, and transphobes, have which explains their bigotry. NOT excuse it, do not get it twisted.

For instance, Alice is a misandrist. This is due to her terrible experiences with men. Since she was hurt by one man or a few men, in her eyes, ALL men are evil predators. She’ll actively ignore men that haven’t done anything terrible like abuse, murder, assault, or any crime you can think of and ONLY focus on male criminals and male predators as her “proof” that ALL men are evil creatures.

This can also apply to other things that aren’t related to race, gender identity or sexual orientation. For one example, someone having a fear of dogs or hating dogs.

This is not because they prefer cats over dogs, but because they have had a bad experience with dogs and think that a dog simply barking loudly means that they want to attack or that dogs attack unprovoked. In actuality, dogs attack when they feel scared or threatened just like any animal on the planet, including human beings themselves, and dogs are only aggressive if they are not trained properly and/or they’ve been abused. And of course, dog breeds like the Doberman can become scarily dangerous if they are placed in the wrong hands.

Another example is where I mention Casual Geographic (highly recommend you watch him his videos are interesting to watch) who has a bias towards pelicans because when he was a kid, a pelican nearly gouged his eyes out. In his own words, he said, “so yeah, **** them.”

Now like with every bias, because EVERYONE has a bias towards something, it is perfectly normal to have these biases. It is very common to have and bias is an unconscious thing. It is up to YOU how YOU handle those biases you learned that you had.

Judi in Zootopia has confirmation bias towards Nick due to her bad experiences with a bully who gave her a scar on her cheek who also just so happens to be a fox. What she did with the bias next is what ends up peeving off Nick, because she reflexively reached for her can of fox repellent when Nick simply stepped one foot in front of her. This scene hits hard because not too long ago, he told her that he only acted like a sly and mischievous scamming fox because he was muzzled and treated differently as a kid by the Boy Scouts.

In Detroit Become Human, North hates humans in general because of her experiences in Eden Club where she was nothing but a sex doll and she was essentially forced into prostitution just like the other Traci models. Any action that involves sparing a human receives a negative ping. Any action that leads you to the perfect pacifist route will have her look upset and annoyed. I highly doubt that she wouldn’t be hostile and cold towards any humans. In fact, I do not blame her for being this way, in fact I felt the most bad for North. And it also makes sense as to why her Android revolution if Markus dies or is kicked out of Jericho always fails no matter what.

I’d like to think that for North, it would take her a very long time to trust humans.

And that’s the thing with confirmation bias and other types of biases. For certain people it’ll take longer for them to think about their own biases as well as the facts that counteract their views and it will take longer for them to change their mind on things, if they change at all. Everyone has different world views and realities, so that is something to always keep in mind.

[kamiversee]

➶-͙˚ ༘✶ 𝙏𝙃𝙀 𝙁*𝘾𝙆 𝙇𝙄𝙎𝙏

✧.* CHAPTER 42 || The Assumption

[ { SYPNOSIS } ] ➤ A tale in which Gojo Satoru blackmails you into seducing a list of people to clear his debt. Sounds easy enough, right?

[ { CHAPTER CONTENT } ] ➤ language & heavy sexual tension.

[ { WORD COUNT } ] ➤ 4k

[ { PAIRINGS } ] ➤ jjk men x f!reader. gojo x f!reader. geto x f!reader. toji x f!reader. choso x f!reader. sukuna x f!reader. nanami x f!reader.

[ [ chapters mlist } ]

——HOW LONG WERE HIS eyes on yours? Did he see you checking him out? Holy shit you're sweating now. Is this how Ino felt just a few moments ago because as you met Nanami's eyes, chills slithered down your spine and you swallowed hard due to the eye contact.

Nanami opens his mouth and you swear every second is killing you. "I've seen you before," He points out.

And boom, you're a mess already. His voice is so damn sexy you don't think you're going to be able to have a calm conversation like you planned to.

You just nod for a second and then you get the words out, "Y-Yeah, I've seen you before too."

Get yourself together woman.

Nanami narrows his eyes at you, "You were in Mr. Fushiguro's room that one time." He recalls.

Your brows furrow. Oh, that's what he remembers you from? Not the weeks you've been in the same building as him or even the times you bumped into him on 'accident'?

"U-Uh, yeah, I was." You nod again, the motion done slowly as you try to collect yourself.

The sound of Ino snickering nearby helps you snap out of your daze. "Not so confident now, hmmmm?" Ino teases, his words making you turn your head to him.

"Hush," You say with a playful glare.

Nanami raises a brow, his eyes yet to leave you. While you checked him out, he had long since done that from the moment he walked in and saw you chatting it up with Ino.

You then return your attention to Nanami after making back-and-forth silly faces to Ino before his attention is called elsewhere. Now you are alone with Nanami...

You swallow and take a deep breath. You swear you've been rehearsing this moment for months now, "Nanami Kento, right?"

He nods, just barely, "Mhm."

Is he even interested in anything you have to say? What's with the simple hum...?

Turning a decent portion of your body to him, you flash a kind smile, "I've been wanting to talk to you, y'know..."

"Have you?" Nanami asks, stern eyes boring into your own.

You nod your head, "Y-Yeah," God you need to stop stuttering. "I was just wondering if-"

"Sorry but," The man interrupts, almost as if he knew what your intentions were. "I don't sleep with women I've just met."

You blink. Oh, you're just baffled by his words. What the hell does he mean by that? And why did he say it so suddenly?? He can't just know you're talking to him because of Gojo... right?

"Uhm," You scoff, "Excuse me?"

Nanami's eyebrows raise for a moment, "Sorry, am I misinterpreting something?"

"Yeah, actually," Technically, no. But you were going to try to have an actual conversation with him before making any moves so it's almost rude of him to say such a thing to you, "You major in business, yes?"

He's almost thrown off by you and his head nods, now he's embarrassed he made a mistake. "Yeah-, yes, I do." Nanami stumbles over his words a bit.

"Right, well I'm a psychology major and I'm trying to land an internship at our university," You start explaining to him. Everything you're about to say is some bullshit you've come up with to have a conversation about but, you're sure it'll work out. "As of now, I was doing a personal study about which students in what majors experience more stress and I plan to use that data to get this position so,"

And that's when he realized he fucked up with his assumption. Nanami stares and his words come out very slowly, "...You're here to study me?"

"I prefer the term interview but, yes." You hum.

He grows a bit more serious, "I see. Well, I apologize for my earlier assumption, I just thought..." Nanami trails off a little and you watch the way he glances down.

You follow his gaze and look down at yourself. Then, you scoff again, the sound making him tense up in embarrassment and a bit of shame, "Did you assume I was some kinda' whore?" You ask bluntly.

His entire body freezes and he's visibly worried, his gaze flicking right back up to your own as he swallows, "I don't mean any offense by my assumption. It's just... Not that you look like a prostitute but, I get approached like that often and-"

"So, you thought I was a whore?" You repeat. Again, he's nervous and this time he avoids your eyes, the sight of him slightly fearful making you smirk.

"I'm sorry but, yes." Nanami says honestly, "That's my mistake, truly."

"Right..." You say dryly, your tone making him uneasy. "Well, it's a common mistake, unfortunately," You murmur, thinking back to Sukuna who previously joked about it to you, "But you can make it up to me."

Those stern eyes of his snapback over to you, "How uh, how so?" Nanami stammers, clearly again assuming you mean something else.

You chuckle and playfully hit his arm, "By letting me interview you, of course!" Your voice is suddenly cheerful and it makes him relax.

Nanami sighed heavily and then straightened up in his seat, visibly pulling himself together after the little mishap that occurred. "Right, of course." He says.

Your hand goes to your glass, "Did you assume I meant some other form of making it up to me?" You ask tauntingly.

"No," Nanami claims, his voice light, "Of course not."

You have one leg crossed over the other so you subtly move it and make light contact with his shin using the tip of your heel. Nanami's entire body goes rigid but he hopes you don't notice it.

"Of course not?" You repeat, chuckling a bit, "It's okay if you thought I meant something else, y'know."

He swallows, "I didn't." The man replies as he tears his eyes from you, glances down at your foot against him, ignores it, and then goes for his drink.

"I mean," You tip your head to the side and your confidence has returned to you, courtesy of your liquid courage coursing through you, "If you have another way to make up for mistaking me for a prostitute, I'm all ears, Mr. Nanami."

The title makes him swallow again, his Adam's apple seen moving down and then up in a slow manner. "I have no other way in mind, unfortunately." Nanami states simply, flicking his gaze to you for a moment, "Sorry to disappoint."

You grin, "Oh, I'm not disappointed at all. It just seemed like you had an idea in mind so," You shrug.

He stares for a second, thinking for a long moment before taking his eyes off you again, "Are you insinuating something right now?"

"No?" You laugh, "But, although I'm no whore, you are an attractive man so, naturally, I'm curious what you thought I meant when I said you could make it up to me."

Nanami sucks in a deep breath of air and then takes another sip of the drink he's had prepared for him. Then, as he places it down with a light tap to the bar, he turns his head to you, "Is this a part of your interview?" Nanami questions, raising a brow, "Is this some kind of reverse psychology question that'll help you get to know me?"

"There's no reverse psychology in my question at all," You giggle, "I'm being rather direct with you." The feeling of your heel slipping up his leg slightly makes him tense up, "First you assume I'm a whore, and then you think I'd want something naughty from you for doing so."

That statement causes the man to choke a bit, "N-Naughty?" He echoes, following the question with a hefty clearing of his throat and a turn of his head, "What-, I... I wasn't-"

You smile at the man and notice the tips of his ears are shaded the lightest bit of pink, "It's okay if you assumed that, y'know..."

Nanami keeps his gaze straight, "I did not-"

You move, leaning to his ear for a moment, "I'm no prostitute but, the more I talk to you, the more I think you'd prefer it if I was."

A sharp breath of air is sucked in and he doesn't dare to look at you. With a chuckle, you pull away, your eyes never leaving his face. It's so clear you have him nervous now, men like him are rather easy to work around. Show them you're not a whore but you wouldn't mind being treated like one and all of a sudden they don't know what to do with themselves.

The blond turns his head away completely, taking in the scenery of the rest of the bar before then turning back to you, "So what is it you want from me? Be honest. I can't tell if you're here for knowledge or..."

"Or?" You hum, raising a brow.

"Or if you're here to seduce me." Nanami finishes.

You shrug, "Maybe both."

It was like you could see the gears in his head turning, like he was in deep thought as his brown eyes met yours. Then, his brows tense slightly, "I didn't consider both..."

And just like that, you have an idea of where you can take this. "You should've." You reply.

"I am now." The blond responds, weighing his head to the side slightly as he maintains eye contact.

You pinch your brows together, "Mr. Nanami, have you ever slept with someone after meeting them at a bar?"

He freezes but you have him interested, so after a moment, "No, why?" He questions in return.

"Are you open to?" You proceed. And no, you're not trying to seduce him just yet. Instead, your plan here is to have him be the one to pine after you.

Nanami swallows and he's very careful with his words, "Typically no."

You pick up on it instantly, "Typically?"

"I may do something different tonight," Nanami explains, finally turning away from you. He glances past you a bit, watching Ino attend to others further down the bar.

"Yeah?" You grin, "And what's changed your mind?"

The male in front of you keeps his eyes away from your own but all his attention is still on you, "A woman who's intrigued me."

"And who might that be?" You quiz further.

He scoffs lightly, "Obviously, you."

And just like that, you've got him exactly where you wanted him. Now it was part of the next part of your plan where you reverse the flirting and force him into a situation where he reveals more of his thoughts and flirts with you.

You definitely have the alcohol in your system to thank for how smoothly this is going so far, "I'm flattered but, when I asked my question, I wasn't offering to do so."

Nanami grows embarrassed again, assuming he's made some kind of mistake as he shifts his gaze to you, "Oh, I-"

"I'm not a whore," You sigh, "But I do notice that sex-pertained questions always get the best answers out of men so," You shrug. "That was my first."

He catches on and nods his head, the slightest and simplest smirk spreading across his peach-tinted lips, "So... the interview has started now...?"

"It has," You say enthusiastically, "I'm glad you're keeping up with me."

Amusement sparks across the male's expression, "Cleaver woman you are."

"Mhm, I'm aware," You hum, smiling at him cheerfully.

With a sigh, Nanami places every ounce of his focus onto you, "Alright then, what's your next question for me?"

"Don't get too excited, not all of them are about sex." You say with a laugh, "Only the first one was. Y'know, to gain your attention since you already thought I was a hooker."

He swallows, "I really am sorry about that."

"You'll make up for it, relax," You brush off.

Then this 'interview' of yours proceeds and you ask him more mellow questions, questions that are rather simple and just help you get to know him. Such as asking about his age, whether or not he has a job, and what his day-to-day schedule looks like.

You continue the conversation, delving deeper into Nanami's personal life and interests. Asking him about his hobbies, interests, and goals for the future, all of which is done to make it seem like you're actually going to use this information. Nanami opens up more as the conversation flows, his stern demeanor softening ever so slightly.

.　 . • ☆ . ° .• °:. *₊ ° . ☆ .　 . • ☆ . ° .• °:. *₊ ° . ☆

As you engage in the interview, there's this underlying look in his eyes. Perhaps it was the alcohol the two of you consumed but there were definitely some teasing touches and glances throughout all the talking.

Before you realized it, your questionnaire had transitioned into simply just two adults conversing. It was almost as if you'd approached the man naturally. He told you how his major in business was done with the intent of becoming the CEO of some famous company one day.

The surrounding nightclub is almost forgotten with how engaging the conversation carried on to be. Every time you made the stiff man laugh your heart would flutter a bit. You were beyond thankful for the drinking because it was clear that's what was opening him up to you.

Ino was to thank as well, as he had come to the two of you multiple times to offer another round, flashing you a cute smile and a taunting thumbs up to encourage you with Nanami.

Unbeknownst to you, your starting question weighed heavily on the man's mind. Your foot would constantly brush up against his leg and every time you giggled, he felt odd. Not to mention the sultry look in your eyes as you intently watched him speak.

Your eyes were on his lips at one point and your staring made him stammer for a moment before he decided to just point it out in hopes you would focus elsewhere. Nanami leaned in a bit and a gentle hand went to your chin, tipping your face up and trying to force your gaze to his.

"I understand you're interested in what I have to say but please," Nanami's voice is still as deep as ever but it's more relaxed and almost soft, "Keep your eyes on mine."

You're slow to drag your vision upward, "Can you handle that?"

The question throws him off and his brows push together, "I have been all this time, haven't I?"

You tilt your head and lean closer to the man, one of your hands suddenly going to his thigh to hold yourself up, "Not the whole time, no."

"Really?" He hums, ignoring how close your face is to his, "Where else have my eyes been? Hm?"

You giggle and pull your lower lip into your mouth. It's so obvious that you're slightly intoxicated, "Your eyes have been all over me," You say, your voice suddenly dropping into a whisper, "Did you think I wouldn't notice?"

He tenses as your hand starts caressing his thigh, trying to ignore the sensation. "I'm not sure I know what you're talking about. I've kept my eyes on respectable areas at all times."

Another giggle slips out your lips, "I never said you didn't." Again, he freezes and this time you snicker, "You just told on yourself."

Nanami swallows and removes his hand from your chin, turning his head away from you, "You're teasing me again, aren't you?"

Your hand goes up without a second thought and you force his head to turn right back to you, "I wasn't," You murmur, inching closer, "But now I am."

The feeling of your thumb caressing his jaw makes the man's breathing pick up. He's not sure if it's the alcohol or just you in general but his body is suddenly so much more attentive to your touches. The sensation was so soft and small but it was steadily driving him crazy.

"Nanami," You murmur, breaking him from his thoughts.

His eyes dip down to your lips, "Kento," He corrects, "Just call me Kento."

Again, you have him exactly where you want him. "Earlier you said you don't sleep with women you've just met, nor have you ever slept with a woman you've met at a bar before..." You recall in a gentle tone.

He nods, unsure of where you're going with this, "Mhm..."

You bite your lips, "Perhaps we should change that tonight."

Nanami hums deeply, the sound vibrating against his throat as he struggles to lift his gaze from your lips. You're so close to him and your words and entire aura are intoxicating.

"How so?" He whispers in return.

"Take me home tonight..." You offer, soon shifting to the man's ear, "...and fuck me like a slut."

Those lewd words of yours went straight to the man's cock. Of all the things he could've expected from you, that was by far the last thing he expected to hear come out of your mouth. Sure, you flirted with him subtly here and there within the past few hours but...

That sudden offering of yours was entirely different.

There is no way you would've gotten this far without the alcohol in your system. As it is well known by now, you get horny when you're drunk so gradually throughout you and Nanami's conversation, you could feel your arousal building up.

Everything the man had done or said was noticed by you. From his large hand wrapping around the glass as he took a drink, to the way the smooth liquid flowed into his mouth, the way his voice got deeper and more relaxed, and even how he was looking at you now.

You could've never made such an offer if you didn't drink and Nanami would've never even considered it if he didn't either.

The stoic blond clears his throat and you pull away from his ear to meet his eyes, only to be met with a low and lustful gaze that makes your heart skip a beat. A careful brow is raised before you watch the man move out of his seat.

Standing at his feet, your head inclines up as nears you and that wonderful and dizzying scent of his cologne rushes into your nose. Nanami has the face of a young yet hardworking man and simply looking up at him as you are now gives you that urge to want to drop to your knees.

Perhaps the list truly has changed you. Maybe it wasn't the alcohol you drank tonight or the man in front of you. Maybe the problem here was you and your mind. Sure, you used to get horny before but to have the urge to suck someone off just because they've stood to their feet in front of you is...

Well, it makes you feel like the very thing Gojo tells you you're not; a whore.

Breaking you from your thoughts, Nanami leans down and places a hand on the bar beside you. You gulp as his face nears your own and then tense up when his other hand goes to cup your jaw, keeping your head angled up.

The man tilts his head and studies the look in your eyes closely, "You want me to take you home and... what?" He whispers.

You wished your confidence from moments ago had remained but as this man stood over you and held your face in his hands so delicately you could feel your thoughts turning to mush and your mouth going dry.

"Uh..." You mumble, staring back and forth between the man's eyes.

Nanami scoffs lightly, "Don't get all shy on me now," He says, "Tell me what it is you want me to do."

Your voice is small and barely even there, "Take me home..."

"And...?" He urges.

You swallow, "Fuck me..."

Nanami smirks, the reversal of roles here is driving him crazy. You were such a confident woman just moments ago, "Like...?" He murmurs, trying to get you to say the entirety of your initial statement.

You take your eyes off him and even try to turn your head away, "A uh-"

"Eyes on me, darling," Nanami voices out in that sweet yet husk tone of his.

You blink a few times before looking at him, taking a deep breath before speaking, "Like a slut."

He smiles just barely, "See? Was that so hard?" His voice and way of wording things are adding to your arousal for some reason.

"N-No..." You murmur.

Nanami's thumb moves to your bottom lip and his eyes sink to his actions as he swipes over it, "Exactly. And y'know what," He scoffs again, "You really aren't a whore." He says, almost as if he's surprised?

"I told you I wasn't," You whisper, pouting a little bit as he feels your lip against his thumb.

"Right, right," He hums, nodding a little, "Instead, you're one of those good girls who like to be treated like one, huh? Pinned against a wall, maybe with your hands tied up, and taking cock like it's the only thing you know how to do properly."

And just like that, you were soaked. Gulping, your breathing grows noticeably slower and Nanami could tell by your facial expression that you were aroused.

He chuckles, "We spent all this time talking, and yet I'm pretty sure the only thing you've been thinking about in that pretty little head of yours is how you're going to convince me to fuck you."

Your eyes widen and you genuinely don't understand how you let the dominance in the situation flip so quickly, "I-,"

"Don't worry," Nanami moves his thumb and he inches closer, his lips almost on yours as he whispers, "I'm convinced."

Your lips brush over his and your eyes threaten to close, "A-Are you?" Damnit, you need to pull yourself together.

The man nods ever so slightly but what he didn't expect was for you to move his hand away from your jaw and then stand up. You still have to incline your head up but as you stand, you don't miss the way his breath hitches when your chest presses into his.

Despite that, his head tips to the side again as he gazes down at you, "I am." He hums, shrugging a bit after, "I'll take you home and do just as you asked."

You hope he doesn't notice the way your eyes light up, "Yeah?"

"Mhm," His hands carefully go to your hips and you try your best not to tense up because his touch is so rough and yet oddly gentle at the same time, "Consider this my real way of making up for my assumption."

You chuckle, "You're gonna make up for thinking I'm a whore by-"

"Fucking you like one." Nanami finishes for you, even though that's not exactly what you were going to say.

The man suddenly spins you around and he begins to urge to to start walking away from the bar, moving to your ear as he does so, "This'll also help with your 'interview'." He claims.

You scoff and walk with him right behind you, his hands on your hips and his crotch bumping into yours briefly with every other step taken, "How so?" You ask in return.

Nanami stops the two of you from walking for just a second and pulls your body back into his. You can feel the large bulge in his pants pressing up against your ass and it makes your breathing stutter.

The man goes to your ear one last time and his voice is low but direct, "I'll show you just how 'stressed' I am."

GOJO SATORU ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙖𝙨𝙮

GETO SUGURU ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙖𝙨𝙮

TOJI FUSHIGURO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙈𝙚𝙙𝙞𝙪𝙢

KAMO CHOSO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙎𝙚𝙢𝙞-𝙈𝙚𝙙𝙞𝙪𝙢 / 𝙀𝙖𝙨𝙮

ZEN'IN NAOYA ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙭𝙩𝙧𝙚𝙢𝙚𝙡𝙮 𝙀𝙖𝙨𝙮

ITADORI SUKUNA ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙎𝙚𝙢𝙞-𝙀𝙖𝙨𝙮???

NANAMI KENTO ☐ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙃𝙖𝙧𝙙

mlist || previous chapt || next chpt

[brucewaynehater101]

I just want good angst about Bruce desperately trying to parent Tim but realizing he fucked it up

or Bruce realizing he kinda sees tim as a father figure in a weird way

or the bats all realizing how Tim’s been forced to mature quickly so he can take care of them, and he won’t stop trying to be the adult in situations even after the bats try to make it so he doesn’t have to

There are a few fics out there that center around Tim and Bruce's relationship after Bruce realizes how bad he treated Tim. "Grudge (I hold none)" by reinersbigtits. "Just How Much I Love You" by sElkieNight60. Honestly, a bunch of sElkieNight60 fics have Bruce trying to be a better parent. Their fic "Redraw Our Expectations" showcases Bruce trying to parent Tim and the teen finds that strange, weird, and restrictive. They chat about it.

I sadly haven't seen any fics where Bruce considers Tim to be his father. I have seen a few that describe Tim as his closest confidant or mental support, but none about the father hc/au :(

If you want some quick angst about Bruce seeing Tim as a father figure, here's an idea:

Bruce is ruminating on his kids. As he's going through his mental list of the kids (perhaps trying to remember where they all are), he realizes that it's an effort to add Tim to that list. At first, Bruce clocks it as the older man being a horrible parent to Tim or needing more time with his son. Bruce wants to fix this and sets out to do so. He tracks down Tim to spend some time with him.

Halfway through the hangout, Bruce starts to relax. They are both having a good time, chatting and laughing. It only changes when he notices Tim's subtle nods, his slight mannerisms that encourage Bruce to keep talking, and the scrunch at the corner of Tim's eyes that indicate he's proud. It's an errant thought of the older man, but one that rapidly changes his worldview.

Tim acts like Alfred.

Tim acts like a father to Bruce.

Tim has always acted like a father to Bruce.

What has Bruce done?

The comment about Tim continuing to be the "adult" or "mature one" in the situation because that's all he's known hurts. If you add that hc to the one where Tim is constantly told to "be the bigger person" when it comes to being insulted by his traumatized family members, that's painful.

Alright, let's build on this hc/au. I'm going to use subtle canon background clues to create a probable psychological assessment on Tim's behaviors. The reasonings are all hc.

Tim was emotionally neglected and abused by his parents (not nearly to the extent of fanon and his parents did love him, but that doesn't change their emotional distance or the harm Jack did after his coma). One could hc that, due to the limited time he spent with them before they left again, Tim tried to keep the peace when they were there. He wanted to spend the time with his parents not fighting, even if that meant choking down his own emotions/needs, placating his parents, and overall keeping a pleasant demeanor around them regardless of passive aggressive insults (looking at Jack here).

If his parents had marital issues, like fighting and insulting each other in front of Tim, the child might have tried to mend their fights and solve their issues in order to spend more time with happy parents. It's a helpful behavior that could've been praised by Jack and Janet, leading to Tim continuously uptaking a mediator role.

This would morph into a people pleasing attitude that heavily clashed with Tim's independence and lack of authority in his life. This is what enables him to be suited for kicking a depressed, angry Bruce into his healing arc (enables, but doesn't excuse Bruce's reliance on a child nor condone it). Tim would probably insert himself into Dick and Bruce's relationship.

Unlike his parents, Dick and Bruce probably weren't happy an unrelated kid was mediating their relationship or getting in the middle of their arguments. Because of their contant rejection to Tim's efforts, the kid's behavior could morph into a more subtle and subterfuge manner. This comes in handy when Jason and Damian come around (because they for sure would not listen to Tim's advice).

Tim, because he's spent his entire life managing other people's emotions for them, would understand where Damian and Jason are coming from as they hurt him. It is painful, and he may hold some resentment towards them (and a frozen anger), but he's used to yanking back his emotions and shoving them into an overfilled box. That's the easy part.

What's burdensome for him is the family. After realizing the lengths Tim goes to in order to ensure their bonds stay strong, they keep pressuring Tim to release some of his responsibilities. They want the relationships to be more equal.

Tim can't, though. If he lets go of his tight grip on holding the family together, he'll have to face that box of emotions he shoved down. He'll have to work through all the pain, anger, betrayal, grief, and desolation all of his family members gave him. If he accepts that he shouldn't be taking on so much emotional labor, he would have to face that he shouldn't have been subjected to so much abuse (from the Drakes or the Waynes).

Tim can't do that without falling apart.

He can't keep his hold on the family's support beams either.

It's not healthy nor productive for Tim to keep his position. Without releasing the pressure from his back, Tim will collapse and take the Waynes with him. He's too scared to let go, though. Will he survive the break? Will he have a place with the Waynes if he's not holding them up?

[confused-pyramid]

Tell Me Some Things Last | s3

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 23.1k

warnings: canon!typical violence, mentions of abuse, mentions of death, specific episodes mentioned in this part are 3x01, 3x02, 3x03, 3x06, 3x08, 3x09, 3x14, 3x16, 3x17, 3x19, and 3x20

a/n: season 3! The slow burn continues:) This was really fun to write, so I hope you enjoy it! (and I promise the chapters won't keep getting longer, this one just got out of hand LMAO) Title is from Heal by Tom Odell

series masterlist

"Excuse me?"

Section Chief Strauss doesn't falter. "You can't expect me to believe you think Agent Hotchner has done an effective job leading this unit."

"You can't expect me to believe that you think I'd willing spy on my unit chief for you."

She sighs and you want to throttle her. "Agent L/N, I know you two share a history, but this is bigger than that. People have died on his watch."

You have been trying to remain neutral since you were called into her office, but every word that comes out of her mouth makes you see red. Yes, this past year has been tough, but none of it was in his control.

"I think you know my answer," you say coldly, straightening your back in her chair. "I have to go, we have a case in Arizona."

She holds your gaze for a second, before nodding and turning back to her computer. You stand up and leave her office without another word, hastening your pace to a light jog the moment you're out of her line of sight.

You want to talk to Hotch as soon as possible, but by the time you get back to the bullpen, the whole team and their go-bags are gone. Grabbing your own bag, you rush over to the airstrip where everyone is settled inside the jet.

He glances up with a thin smile when you take a seat across from him, and you return it, not wanting to raise his concern when everyone is around.

The Flagstaff police meet you at the airport when you land, and everyone jumps into the awaiting SUVs to get to the crime scene as soon as possible.

The victim is another brunette woman on the college campus, but luckily her body was found after curfew, so students aren't milling around.

You step closer to examine the woman's body as JJ glances down at her hand. "She had her Mace out, but she didn't use it?"

Morgan nods, looking around. "And it's well-lit. He's not afraid of being seen."

A bus stop sign catches your attention and you turn to Detective Griffith. "How often do the shuttles run?"

He answers immediately. "Every 10 minutes."

"Were all the other victims posed like this?" Reid asks, bending over to get a better look. "With their arms crossed."

Griffith frowns. "Yeah. Why?"

"It's a classic sign of remorse," Morgan responds, stepping in to take over the explanation. "The unsub kills the victim then immediately feels bad about it, so he poses them like this, so they'll rest in peace."

"You can tell that just by the arms?"

"It's why you called us here. To build a psychological profile of your killer."

After inspecting the crime scene, Gideon and Morgan leave to talk to the dean of the school, and JJ and Reid go to meet with the students living in the victim's dorm. Hotch is still back at the station, and you haven't gotten a chance to talk to him since meeting with Strauss, but you push it out of your mind as you accompany Emily to the coroner's office.

You're so lost in thought that the drive over is entirely silent, and it's not until you've parked that you realize she didn't say a word either.

When the coroner leads you to the victim's body, you notice how much clearer each of the markings and cuts are. Hotch doesn't assign you to speak with the coroners very often, usually sending Prentiss, because of her incredible attention to detail, but not that you're here, you appreciate the second chance to examine the victim.

"Did the other victims have this much overkill?" she asks, pulling out her camera as you flip open your notebook.

"Death was caused by a single, very forceful stab wound to the heart," the coroner confirms.

You lean in closer to see the insertion point and notice the lumpy discoloring on the victim's chest. "Yeah, it looks like he broke through the breastbone."

"And after that he just lashed out at random," he adds.

Emily hums in agreement before snapping a couple of photos. "Well, no defensive wounds. She didn't even hold her hands up to fight him off."

"The first two victims were the same."

A shudder runs through you as the two of you leave the cold room and emerge into the warm sunlight. "Why is it almost harder to look at the victims when they're cleaned up and no longer covered in blood?"

Emily considers your question for a moment. "Maybe it's because they look less human that way."

You remember Jeff's funeral, how lifeless he seemed in his casket, and how you could barely look at him during the proceedings. It was somehow worse than seeing him at the crime scene, blood everywhere. At least then, you could still see the warmth in his skin. Later, he just looked cold.

"I think you're right," you tell her just as her phone chirps with a call.

She stiffens imperceptibly when she sees the number, but you only notice because of how hyper-vigilant you have been about your own tells since speaking with Strauss. "I need to take this. Give me a second."

She walks away from you and answers the call, her tone hushed so that you can't hear her. You know it could easily just be a personal call about something private in her life, but there's something almost familiar about the look in her eyes when she saw the number.

"Everything okay?" you ask her when she returns, but she just sighs and starts walking to the SUV. "It's nothing."

You haven't known her for as long as the other members of the team, but it's not hard to tell that she's hiding something. She looks distracted as she avoids making eye contact, and when you remember how you did the same with Hotch on the plane, the pieces fall into place.

If Strauss gave her the same assignment she tried to give you, then you need to keep an eye on her. You don't believe that she would sell out the team, but you also know how terrifying you thought Strauss was when you first joined the bureau.

***

The profile leads you to take Nathan Tubbs, one of the campus security guards, into custody, and while Gideon interrogates him, you walk with Reid, JJ, and Emily through the quad to get back to the station.

"Everyone is so much younger than I remember being," JJ says, as you all pass through a crowded part of campus. Word must have spread that the team arrested someone, because you can't imagine why else there would be so many students hanging outside after dark.

"Yeah, it's a weird age," Emily chuckles. "You want to be treated like an adult, but you're still used to someone else solving your problems for you."

"All I remember is trying to figure out who I was."

That makes you laugh. "I had no idea what I wanted to do when I was in college."

"Didn't you go to college with Hotch?" JJ asks, her eyes twinkling. You expect she's hoping for an embarrassing, or at least interesting, story from those years, but your past with him feels almost like sacred territory: something you can't breach when he's not around.

"Not college," you correct, "just everything else before and after."

"What was he like then?" Emily asks, genuine curiosity in her tone. You still can't believe that she would spy for Strauss, but you also can't help your suspicions.

"He was completely different, but also the same." You smile as you think back to the early years of your friendship. "He was kind of a cool kid in high school, but he was just as focused and determined as he is now."

"Hotch was popular?" Reid asks in disbelief.

JJ snorts. "Why can't I imagine that at all."

"He was trustworthy," you shrug, "and kind. Even when people weren't kind to him."

The three of them go silent, and you suddenly feel extremely self-conscious, but you're saved when your phone rings with a call from Derek. "Hey."

"There's been another murder."

***

The case ends in a murder-suicide that a part of you believes Gideon should've seen coming. JJ calls the jet to take off at first light, and everyone looks exhausted when you arrive at the airport. You sleep most of the flight back, but when you step into the field office again, you know you can't ignore the talk you've been avoiding all day.

You go to his office in the hopes of having this conversation privately, but he isn't inside when you look through the open door. You turn back with a frown and are about to head down the stairs again when you see him leaving Strauss's office across the hall.

He spots you immediately, and before you can say anything, he says, "I just got suspended."

Your mouth falls open. "What?"

"Two weeks."

You blanche as you follow him into his office, where he immediately starts packing up his essentials into his briefcase. "Hotch...I have to tell you something. Something I should have mentioned yesterday."

"What is it?" he asks, his voice slightly distracted.

"StraussaskedmetospyonyouandIthinkshealsoaskedEmily!"

He blinks. "Can you say that again?"

You press your lips together, before trying again, slower this time. "Strauss asked me to spy on you, and I think she also asked Emily."

He closes his eyes for a beat, but it feels like years. You can feel the disappointment wafting off of him, but he doesn't say anything, giving you the time to explain in more detail.

"She asked me right before we flew to Arizona," you tell him, your chest aching at the defeated look on his face. "I told her I wouldn't do it, of course, and that you are the perfect leader for this team. But I was watching Emily the whole time we were there, and I think Strauss might have threatened her or made her some kind of offer."

His hands pause their packing and for a moment, you're worried that he's going to be angry you didn't come to him sooner, but then he just sighs, a deeply dejected sound. "I figured she would. It's basically in the FBI playbook."

"You knew?" you say, your voice almost like a gasp.

"I didn't know for sure," he amends, "but I believed so. And I'm usually right about these kinds of things. Anyway, it doesn't matter now. You guys will be fine without me."

You want to shake him; to reach forward and rattle his shoulders until he realizes that this is it. This is exactly why he makes such a great unit chief.

He doesn't get angry, even when he may have cause to be. He trusts his team so wholeheartedly that even under the suspicion of spying to the higher-ups, he still treats everyone the same. He puts the team above himself in almost every aspect, and the intermittent calls you get from Haley when you're in the middle of a long case prove that it may be to his own detriment, but he still does it. Because he cares so deeply, about each of you, and about each victim, and about catching each killer.

"We need you," you say, emphasizing your words as though that will make him understand you better.

"Morgan and Prentiss will be fine," he says pointedly, as though trying to prove a point. "I'm sure they'll even be better off. And Reid and JJ can look to you for guidance. It's practically what they do already."

"Fine," you sigh, throwing your hands up in exasperation. "They'll be okay. But what if I need you?"

He looks at you then, and there's a sadness behind the stern set of his eyes. "You'll be okay."

***

You have to drag yourself out of the house the next morning. The knowledge that Hotch (and most likely Gideon) won't be at the office sucks the motivation out of you, especially because you have no idea what will happen once the team is given another case. Will they assign you a new unit chief? Will they temporarily promote someone on the team?

You push your questions out of your mind as you mindlessly get through security and flop down at your desk. There's a palpable difference with half the team gone, especially since Emily doesn't seem to be anywhere in sight either, and the emptiness of the office somehow feels more claustrophobic.

You finished all of your paperwork the night before, because you couldn't sleep after hearing of Hotch's suspension, so sitting at your desk now, you have nothing to do until a new case arrives.

Reid and Morgan dive into their own paperwork the minute they sit down, and they don't look up except to grab a new pen or refill their mugs.

You can see the tension lining everyone's shoulders, the stress about the future of this team, with its two senior-most members gone.

When you can't take the lack of work anymore, you head over to JJ's office, where she is poring over a stack of case files so tall that you can't see her face until you step in front of her desk. "Hey, JJ."

"Oh, hey," she says, looking up at you. "It's been really quiet out there."

You nod, dropping onto the sofa across from her. "Half the team's gone. It doesn't feel the same."

"I wish I could come out there and sit with you guys, but I have so many new case files to look over."

"Need any help?"

She looks up in surprise. "Actually, that would be great. Can I leave you with a few of them? There's a checklist for what I need you to note down at the top of that stack."

"Of course," you say before she hands you a thick stack of files. "I'll get them back to you soon."

"Take your time," she says, waving you away. "I have like a billion more to go through anyway."

When you're back at your desk, you set down the stack with a small thud and open the first file. You're bombarded with gory images of men who have been brutally stabbed to death, and you read over the case history quickly before opening the next one. This time, the images are of live women, all of whom share a skin tone and hair color, and have been kidnapped in the last week.

You slam the file shut and close your eyes in an effort to keep your head from spinning. You don't understand how anyone could classify these cases. How they could decide that one of these unsubs is worse than another. But there aren't enough teams like yours to cover every case that comes through the door, so someone has to.

You glance up at Hotch's office again, a force of habit, and the darkness in his doorway reminds you of the emptiness in the office. It's the same with Gideon's office, and Emily's desk.

You miss them all.

***

The first week of Hotch's suspension is hell. Gideon still hasn't turned up, and you can see his absence clawing at Spencer, who hasn't gone more than an hour without glancing at his office since he left. Derek doesn't admit it, but you can tell he misses Hotch's leadership over the team.

Strauss has come by periodically to "check in" on your team's work, but with the other units available to take on any new cases, she hasn't assigned you anything. You know she doesn't trust your team, but you're surprised that even with Hotch gone, she's still treating all of you like extensions of him. Not that she's wrong about that.

Without getting called in, you stay at home for the first few days, and even get some use out of your Peloton for once. You've been missing him all week, but it's not until the following Monday that you decide to actually do something about it.

Grabbing the files JJ gave you to look over, you stuff them in your bag and drive up to his house. Both cars are in the driveway when you arrive, and you belatedly realize that you should have called first.

You knock on the door hesitantly, and are surprised to see Jack in Haley's arms when she opens the door. She looks excited to see you, but you still feel bad about just showing up. "I'm sorry, I should have called."

"Not at all," she says, opening the door wider for you to enter. "You know I love seeing you."

"Y/N's here," Haley announces as she leads you into the kitchen and sets Jack back into his high chair. She shoots you a pointed look. "And she's not here to talk about work."

"Of course not," you say with a laugh. "I just wanted to see how the suspension was going. The team really misses you."

He acknowledges you with a small nod, and you take a seat opposite him at the table, where he is feeding Jack his cereal.

"I miss everyone, too," he says, "but it's also been nice to have some extra time at home."

"This suspension has been a blessing in disguise," Haley jumps in, ruffling Jack's hair. You don't miss the way Hotch's jaw twitches.

You aren't sure what to say to that, but Haley just pulls Jack out of his chair and turns to the doorway. "I'm gonna put him down for his nap. It was nice seeing you, Y/N."

"You too, Hales," you say earnestly, before smiling at Jack. "Bye, buddy."

When she's out of the room, you shoot Hotch a look that makes him lean back with a frown. "What?"

"You miss work, don't you."

He huffs, and you take that as an admission. "I've loved being home," he says, his words slightly more emphasized than necessary.

You can hear the candor in his voice. You don't doubt that he loves spending time with his family, you just also know the pull of the job. The fulfillment of saving people from unimaginable horrors, and the desolate ache that comes when you know you aren't doing everything you can.

"You can feel both things," you whisper as he exasperatedly runs his hand through his hair. He got a haircut.

The thought pops into your head against your will, and you glance up at his hair as you realize this is the shortest it's been in a long time. It suits him, but it also emphasizes the hard furrow of his brow.

"Haley doesn't understand that," he says simply, no ill intention in his tone, "but I can't expect her to. I barely understand it, and it's what I'm feeling."

To the outside listener, his words could be construed as complaints, but there's nothing but deep empathy in his voice. He loves her so much, and even though they're having differences about his work life, she loves him too.

You spend the next half hour talking him through each of the cases that JJ left you with, and when Haley returns to the kitchen after putting Jack down for his nap, you pull out a chair for her and tuck the files away.

"We need to have you over for dinner sometime soon," she says as soon as she takes a seat. "I can't believe we haven't done it yet." She looks to Hotch with an earnest sigh. "I guess Jack has been kind of a handful, but I can't believe this is your first time coming to the house since he was born."

"It's been too long," he agrees, draping an arm over the back of her chair. The sight of their casual intimacy is a reminder of what you once had, but the usual mistiness doesn't come when you think about Jeff. Your chest just fills with a liquid-y warmth that feels like melted chocolate and syrup.

"Likewise," you smile, patting Haley's hand. "I don't know if I can handle another night out, even with the mid-evening interruption."

She laughs heartily, and you see Hotch's lips curve up involuntarily. "I think I'm partied out for the year."

His arm slips down to rest against her waist, but she doesn't lean into him like she usually does. You avert your eyes, glancing up at their kitchen wall clock and faking a gasp. "I've taken up too much of your family time. I should go."

"It's okay," Hotch assuages at the same time that Haley says, "I'll walk you out."

They share a small glance, and you suddenly feel intrusive in their home. "I'll see you in a week."

He nods and you follow Haley to the door, where she gives you a quick squeeze and another promise to have you over for dinner soon. The sun starts to set as you drive home, and before you can second guess yourself, you're turning into a local farmer's market that is about to shut down for the night.

You rush through the stalls and stop in front of the flower shop, where you buy a dozen pink carnations. The vendor ties the bouquet with a silky ribbon and you hold the flowers close to your heart as you walk back to your car and start driving.

This time, you're more aware of the direction you're headed. You don't stop your car until you're in the parking lot and you don't stop moving until you're past the front gates and up the grassy hill where Jeff's headstone sits stoically under the waning sunlight.

You take a deep breath as you sink down to your knees, blissfully unaware of the grass stains coloring your slacks. You set the flowers down in front of his headstone, which you haven't seen in months.

                                                 Jeff Adler

                               Beloved Son, Husband, Brother

                                        Until we meet again

The carnations look bright against the gray stone, and you arrange them neatly so that they don't get blown away.

He loved flowers. He knew they were impermanent and likely a waste of money, but he still loved all of the different emotions they symbolized, and how beautiful they could be for as long as they lasted.

He brought you a bouquet of heliotrope almost every week after you got married, and when you asked him what it meant, he insisted that it was something you had to find out in your own time. That time came a quick Google search later, and when the words 'eternal love' flashed on your screen, you knew you had picked the right man.

You brush your finger against the petals of the pink carnations you brought, remembering the rest of what the search yielded. Angelica for inspiration, calla lily for beauty, and pink carnation for gratitude.

You're so grateful you met him. So grateful he loved you as much as you loved him.

"I love you," you whisper, suddenly needing to say the words out loud. There's no one around, and the sun has set far enough that there's barely enough light to see, but your words feel strong as they come out of your mouth. "Thank you for coming into my life. Thank you for giving me 10 beautiful years."

You wipe away the tear that falls from the corner of your eye. "Goodbye."

***

He takes his time as he walks through the halls of the Virginia field office on Monday morning. He hasn't been inside in two weeks, and after he and Haley agreed that he should request a transfer, he likely won't be back again for a very long time.

When he walks past the glass doors of the bullpen, he spots you at your desk, pointing out something to Morgan in a case file. He hastens his pace so you don't see him. He still doesn't know how to tell you that he isn't coming back.

"Good morning, ma'am," he says when Strauss beckons him into her office.

"I was hoping you'd do the right thing," she says, her lips pressed into a thin line. "Have you given any thought to what department you'll request?"

He shakes his head. "I was under the impression that if I left the BAU, I'd have my choice of posts."

"Well, I'll consider it after I fully complete my investigation."

She pauses before looking at him again. "You were a prosecutor. What about heading up a white-collar crime task force? That'll get you home at night at a reasonable hour."

That sounds like exactly what Haley wants for them. They spent hours over the last week discussing what the best path forward would be post-suspension, and after countless late-night arguments, they finally agreed on a transfer. It would be best for the team, and best for his family. So why does he feel so guilty?

"Sorry to interrupt."

Prentiss barges into the office, as though she had an appointment. She glances over at him, and he can't read her expression. "Sir, I've decided to resign from the FBI, effective immediately."

"I don't understand," he frowns, taking in her rigid posture. He remembers your suspicions, as well as his own, but this can't be where it ends.

"I'm taking the foreign service exam. With my connections, I'd stand a good chance of landing in the State Department."

"Prentiss," he urges, trying to convey his understanding in his tone. "I think that's a mistake."

She shakes her head with a sigh. "Well, don't try to talk me out of it. Garcia saw my name on the list, and she already tried."

That makes him pause. "If she can't talk someone out of doing something, no one can."

"Sorry for the interruption, but, sir, it's good to see you back." She turns her gaze to Strauss, even as she continues speaking to him. "The team needs you."

She stalks out of the room after a quick "Ma'am", leaving him alone with Strauss, who looks like she's up to her last nerve. "I'll be overseeing this next case until I can assign your replacement."

"You don't have any field experience, do you?" He doesn't mean for the words to come out so critically, but his emotions are a jumbled mess that he can't decipher well enough to fix his mood right now.

"My job is to protect the Bureau. If I have to hold the team's hand for one case, so be it."

Hold the team's hand. He can't imagine that Strauss will be of much help in the field, but he keeps his mouth shut. He's been around enough authority figures to know when to keep his criticisms to himself.

"Ma'am," he says gently, hoping he can turn his thoughts into useful advice. "In order to function effectively, this team needs stability."

She clasps her hands together on her desk, and he knows it's done. There's nothing he can do to fix this for the team, at least not on this case. "The BAU has some very talented people, and they're Bureau assets, and I believe it's time that they were out from underneath the leadership of you and Jason Gideon."

***

Hotch was supposed to come back today. It's not until you're on the plane that Derek informs the team that he's requesting a transfer.

"What?" you burst out, unable to keep your composure even with Strauss seated a few rows behind you.

"He didn't tell you?"

You shake your head with a forlorn frown, and Derek jumps back in quickly to remediate the situation. "I only found out because I ran into him on the way to the jet. He didn't seem like he was in the mood for talking."

But he tells you everything. At least you thought he did.

"It's okay," you say, forcing your face into a neutral expression. "This isn't about me. I just can't believe he's leaving."

"Yeah," JJ grimaces, "and I can't believe we're stuck with her now. You know, from this angle, she looks almost human."

You all glance behind you, but thankfully, her face is still buried in the case file.

"Emily didn't come in today, either," you point out, turning to the empty seat next to you. "We're down two agents, and Gideon's MIA."

Reid blinks, and you curse yourself for being so cavalier. You know how hard Gideon's absence has been on him.

He recovers quickly and leans in to the center console with a raised eyebrow. "Has Strauss ever even been out of the-"

A chorus of shushes come from Derek and JJ and he shuts up as Strauss walks down the aisle and sits across from you all. "Correct me if I'm wrong, but I believe it's protocol to brief everyone before we arrive at the crime scene?"

JJ turns red and she nods hastily, opening her file. "Yes, ma'am."

Strauss has only been here for ten minutes and you already want to strangle her. JJ explains the case details succinctly, and when the plane lands, you all head over to the crime scene to find Detective Wolynski, who called your team in when the murders got out of hand.

Within minutes of meeting them, Strauss manages to ruin your relationship with the local police by questioning their decision to wait so long to call in the BAU. JJ immediately takes matters into her own hands as she explains that we have to work with them if we want to be included in the investigation at all, but she doesn't seem to care.

You get a call from Penelope as you're heading back to the SUVs, and you step aside to get out of Strauss's earshot. "What's up, Pen?"

"I tried everything I could," she wails. You can hear the distinct clicking of her keyboard in the background. "I tried to convince him to stay, but he's so stubborn."

You sigh, glancing over at the scene, where Strauss looks positively nauseous. You can empathize with her emotions, because you know how hard it was for you to see your first crime scene in person, but this just further proves how unfit she is to understand what being on this team really means. "If he made up his mind, there's gonna be no changing it, unless he changes it himself."

She huffs, before audibly perking up. "I gave him the Milwaukee case file before he went home, and I also, uh, saw that his transfer hasn't passed through the system yet."

You're almost certain she had something to do with that, but your mind immediately starts going through the possibilities of what this could mean. If his transfer isn't in the system, then that means he technically still works on this team...which means him not being here is in dereliction of duty. If there's anything that can convince Hotch to show up, it's duty.

"You've been more help than you know," you tell her, before hanging up and hopping into the SUV.

***

When he arrived at his house with the case file Garcia gave him, he immediately stuffed it in his bag and tossed it onto the floor. He definitely didn't think about reading it the entire time he was changing out of his suit, and making a quick lunch for Haley and himself. When she went upstairs to put Jack down for his nap, he couldn't help himself any longer.

Reaching into his bag, he pulls out the file and flips it open slowly, being careful to angle the gruesome photos away from the stairs in case Haley came down without him noticing. Women taken in the afternoons and killed. Bodies dumped in the morning. Hearts cut out of their chests. The words pop out at him as he skims the page, and he's so engrossed in the material that he doesn't hear her until she's standing over him. "I thought this was over."

"It is," he sighs, closing the file. "I'm just curious." He doesn't know when he started lying to his wife, but he doesn't like it. The bitter taste of it in his mouth.

He can see her gearing up for a fight when their home phone rings. He picks it up and clicks the button to answer, but even after saying 'hello' a couple of times, no one responds. For a split second, his mind flashes back a year to the Fisher King and the secret message left on his home phone, but he pushes the thought away.

He clicks the phone off, looking up at Haley again, but then a shrill ringing sound starts again, this time from her purse across the living room.

An unfamiliar queasiness fills his stomach, and he maintains eye contact with her as her eyes flicker back and forth a couple of times. He promised himself he would never profile his family, but the analyses come before he can shut off that part of his brain. Shifting eyes. Rigid posture. All indications of lying and shame.

"What did the Section Chief say?" she asks, her hands going to her hips. Stance of power to overcompensate for-

He shakes the line of thinking from his head. "She suggested that I transfer to a white-collar-crime task force."

"Would you have to travel?"

"No, I'd have a nine-to-five life."

She nods, and he can see the finality in her stance. "Then, it's a no-brainer."

***

You haven't been able to focus as well as you'd like to with the knowledge that Hotch isn't coming back hanging over your head. When you get a spare moment at the station, you step out of the conference room where all of the evidence has been scattered around and press the first number on your speed dial.

"Hello?" It's Haley.

You stumble over your words as you say 'hello' back. You weren't expecting it to be her who answered. She clearly wasn't expecting you either, because she sighs dramatically when she hears your voice and you hear a quiet "It's Y/N" before the phone is handed over.

You can understand where she's coming from. When Jeff was about to start his undercover assignment, you were so angry at him for choosing to be away from you for so long. But then rationality won over, and you remembered why he was doing it...for the same reason you are.

"Hey."

He sounds guilty. You can imagine.

"Hey," you say simply, waiting for him to fill in the gaps. He owes you at least that much.

"I'm sorry," he says after a long pause, "but you knew this was coming. You know Haley hates what this job turns me into, and you know sometimes I hate it too."

That wasn't really the explanation you were expecting. Not willing to let him off the hook, you turn your face away from the conference room windows to hide your expression and lower your voice. "You should have told me, and you know it. That's why you're hiding behind this false justification...but I guess you know that too."

There's a small rustling sound over the receiver and you can imagine him running his hands through his newly cropped hair. "This doesn't change the fact that I'm leaving."

Sometimes you forget that he was once a young boy with an alarmingly developed moral compass that didn't always point in your direction. It's times like this that remind you.

"Fine." You feel like an irritable teenager again, but you can't contain yourself around him. Even when you want to hide a part of yourself, you can't.

"How's the case going?" he asks finally. His voice has gotten softer and you know he feels bad about how this call has been going, but with neither of you willing to concede, you decide to ignore it for now.

"Well, Strauss just offended the lead detective 45 seconds into her first crime scene."

He chuckles softly. "I'm not surprised."

"This isn't about to get any better, is it?" you ask, huffing out a forlorn sigh.

"I doubt it," he agrees. "I'll keep looking at the file from my end. Any idea how he's getting control of these women? Is he blitzing them or coercing them?"

"So far, we're coming up blank," you admit, glancing back at Morgan and Reid, who appear to be in a productive debate.

"All right. Keep me posted."

***

Another victim turns up and you're not any closer to figuring out who the unsub is. Derek steps away from the group a few minutes after you and you see him pacing the halls of the precinct, his phone pressed to his ear.

A break in the case comes when Garcia identifies school records of children who exhibit signs of perfectionism and co-dependence, leading you to a profile for the unsub. You're all listening to Garcia as she reads off the records when the door opens, with two figures standing in the entrance.

"Look who's here," Morgan grins, shaking Hotch's hand. Emily looks sheepish as she glances over at Strauss, who is downright fuming.

"How fast can you get us up to speed?" Hotch asks without another greeting.

Morgan scoffs. "How fast can you sit down?"

Strauss opens her mouth to say something, but Hotch beats her to it as he takes a seat next to you. You ignore the gesture. "We're only here to help."

She sighs. "We'll deal with this later."

With two more members back on the team, at least for the time being, the SUVs are split more evenly, and you join Emily, JJ, and Strauss in the first one as you head to the crime scene. Strauss is the first one to walk up to the scene, but the moment she sees the mangled body, she breaks down, her face contorting into a sob that she tries and fails to hold in.

You make a move to go and help her, but you're surprised when Hotch is the first to step in. "If you need a second, take a second. This is what it is. Just don't let the public see you break down."

He's so kind to her, even though she's the reason for all of his professional stress. You suppose she's not the only reason, but that isn't something you get to have an opinion on.

The devolution of the dump sites leads to an update of the profile, which gets you an address for a young boy who left school early with the nurse on duty. It doesn't take long to get to the house, and Derek and JJ coordinate some of the local police and SWAT as you strap on your kevlar vests.

After an initial argument about the probable cause of entering a house you don't know is dangerous, Emily pipes up with an idea. "Let me go in alone."

"Wait..." you start but she steamrolls over you, clearly needing to compensate for not being here before. "The boy's in the family room. He's looking for female authority figures. If he lets me in, I can signal as soon as I see anything that gives us cause."

"Technically, you're not even in the FBI," Reid points out.

She nods. "All the better."

Strauss steps in with a frown, to no one's surprise. "She's interfering with a federal investigation."

"Well, if I'm no longer in the FBI, then you have no authority over me." Emily shrugs and turns to Hotch for the approval she actually wants. "I'm just a civilian knocking on a little boy's door."

He nods and she pulls her hair back into a ponytail. Derek hands her his gun, and you suddenly remember that Hotch doesn't have his gun either. Reaching into your other side holster, you pull out your second firearm and hand it to him without a word. He doesn't lift his hand at first, but then he nods at you and takes the gun, his eyes filled with an earnest gratitude, and you know you've forgiven him.

Once she goes inside, you all wait in silence for the signal to breach the home. It takes almost too long, but eventually your earpieces fill with a loud beeping, and Derek yells "Go!"

You find her in a back room, where she's on the floor, her forehead bleeding from a thick gash. You enter just in time to see Hotch leap forward and take Emily's weapon from the little boy, before lifting him up and carrying him out of the house.

"I can't officially approve of how that transpired," Strauss says when you all come outside. You sit next to Emily and squeeze her hand as the paramedics patch up her forehead.

Hotch shakes his head, clearly done with the bureau politics. "The arrest was clean. It would be a mistake to break up this team."

She looks at him pointedly. "None of you will ever move up the chain of command, you know that."

"Why would I ever want to leave the BAU?"

You almost believe him. It's not that you don't think he wants to stay. You know he does. You just also know how much his family means to him, and how thin Haley's patience has worn.

Morgan asks if he means it, and he gives a vague answer that you expect, before turning to look at you.

"Here." He reaches into his waistband and pulls out your gun. "Thanks, I appreciate it."

His hand brushes yours when you take it back, and the warmth of his skin makes you shiver against the slight breeze. "You're welcome."

***

When he gets home, the lights are off.

"Haley?" he calls out into the empty silence. He tries to convince himself that he didn't see this coming, but after her last words to him before he left, it's a futile exercise.

"Make sure to give your son a kiss before you leave."

He left, even when she begged him not to. Now his wife has left, and she took their son with her, and once again, he is utterly alone.

***

Gideon's resignation comes through and you find yourself missing him more than you thought you would. If Hotch is the backbone of the team, he was the stoic foundation. He formed the roots of the BAU as a unit altogether, and you owe your life's work to his intelligence and foresight. But more than that, you can't help but remember the fact that out of all the members on the team, Gideon knew Jeff the best.

He attended countless lectures about past unsubs that Gideon put on at the academy, because he believed understanding why people do things was just as important as knowing how or what they were doing. He even went to Gideon's home for the occasional dinner, and he brought you along once after you got married.

You're not sure what the team will look like without his guiding hand, but you don't have to wait long to find out when JJ calls you with the notice that you're going to Portland.

Spencer is reading a piece of paper over and over again when you get to the office, and when you peek over his shoulder, you see the familiar scrawl of Gideon's handwriting.

Taking a deep breath, you reach forward to put your hand on his shoulder for a moment of comfort, but think better of it and pull back at the last second. Derek sees your indecision and cocks his head towards him.

You walk over to his desk and perch on its edge with a sigh. "I can't believe he would leave just like that."

"I can," Morgan shrugs, his eyes hard with contempt. When you shoot him a look, he softens. "I just mean that he's been showing signs of withdrawal for a while now. It still sucks for the kid, though."

You both look up at Reid across the aisle, where he is still scanning the letter. "At least he got a letter." You try to bring humor into your tone, but it doesn't work.

"It's not about us," Derek says gently, in a show of empathy for the older agent that is unfamiliar coming from him. "He did what he had to do to keep himself sane. We just have to let him."

You nod, just as JJ emerges from the hallway with Hotch on her heels. "We're starting the briefing."

***

"You must be the BAU."

A handsome man with a thick East Coast accent comes forward to introduce himself when you all enter the Portland field office. "Special Agent Bill Calvert."

"Hi, Jennifer Jareau," JJ smiles, extending her hand. "This is SSA Aaron Hotchner. This is Dr. Reid and Agents Morgan, Prentiss and L/N."

He smiles at each of you but his eyes linger on yours for a moment before he takes JJ's hand. "I appreciate your help on this case."

"You're from Boston?" you ask, trying to place his accent after having heard nothing like it since you landed. 

"The accent's kind of hard to miss in Oregon, right?" he grins, before reaching his hand out to you. "Agent L/N, was it?"

You shake his hand, shooting him a thin smile. You can already see Emily and JJ's smirks behind your back.

"We'd like to take a look around Jenny Wittman's apartment," Hotch steps in, moving forward to stand beside you.

Calvert nods. "I'd take you myself, but I'm waiting to meet her family, so I'll have another agent drive you."

"Thank you." Hotch rushes off with Reid and Morgan, and you stay back with JJ and Prentiss to work the victimology.

"Can we set up in here?" you ask Calvert as you start moving the boxes of case files and evidence onto the conference room table.

"Of course," he says, before leaving the three of you alone.

The first ten minutes of looking through the evidence is silent, and for a second, you nearly let yourself believe the other women won't bring up the elephant in the room, but then JJ lets out an involuntary giggle and they pounce.

"He's definitely into you," she says, making no effort to hide her gaze as she unabashedly stares at Calvert through the window. You want to retort immediately, but after seeing her check her phone about a dozen more times a day than she usually does, you suspect she may actually know what she's talking about when it comes to love these days.

Emily nods, biting her lip. "He couldn't stop looking at you."

"You're profilers," you argue, tossing the file in your hand onto the table. "You notice all kinds of insignificant stuff."

"So are you," JJ points out. "What do you think, then?"

They have you boxed in, and you can't think of any answer that would sufficiently appease them so you just groan.

"She's into it, too," JJ grins at Emily, who replies with, "I can't believe Y/N's gonna date someone from Portland."

Without thinking, you huff. "He's from Boston." All three pairs of eyes widen as you realize your slip in not denying her statement.

Emily laughs. "Ohh, it's so happening!"

***

When the men return from Jenny Wittman's apartment, Hotch instructs JJ to televise a statement warning possible future victims who fit the unsub's victimology. When Emily and Derek later find an ad hung up in a local laundromat that suggests he's been killing for longer than you'd previously thought, you decide to head back to the trail where the first bodies were found.

When you arrive on the scene, a dozen new bodies have been found further down the trail and near the water.

"How did we miss this before?" you think out loud, not realizing that Calvert has come up behind you.

"The trail's 40 miles long."

You jump when you hear his voice, and he apologizes after a small chuckle. "Didn't mean to scare you."

"Special Agent Calvert," you say, your voice slightly airy as you catch your breath. "No need to apologize."

"Okay," he smiles, turning to stand in front of you, "and you can call me Bill."

He's a good looking man, and you don't dislike the feeling of someone showing interest in you, especially as clearly intelligent and qualified as him.

"Sure," you say, returning the smile. "I'm Y/N, btw."

"That's a pretty name," he says, his eyes glinting with mischievousness, before he turns back to the scene before you. "They dug up eight new graves before you got here."

You frown. "So the unsub didn't stick to the pattern."

"Guy had a busy year."

You nod, pondering what this change in M.O. could mean, when Bill interrupts your thoughts. "I'm interested to hear more about how this profiling thing goes."

You give him a quizzical smile, and his lips quirk up. "I took a class in criminal psychology in college, but I don't remember enough to be useful in this area."

"We observe human behavior," you explain, ignoring the subtle smirk Emily is flashing you from behind his back. "Profiling is about making connections and predicting future actions based on history, victimology, and behavior."

He takes a moment to digest your words before huffing out a laugh. "Sounds to me like we called in the right team."

When another agent comes by to ask him about the crime scene procedure, you take your leave and walk up the hill of mulch by the open graves. You are nearly to the SUV when you spot Morgan beelining towards you.

"Not you too," you sigh, rolling your eyes dramatically as you stalk away from him.

He catches up to you easily and throws an arm over your shoulders with a grin. "I'm not gonna give you the giggly girl talk that JJ and Prentiss clearly have covered. I just wanted to say one thing."

You look at him expectantly and he brings you both to a stop by the cars. "You're a catch, L/N." You start to roll your eyes again, but he shakes his head. "You are, so if you want to have a little no-strings-fun, then I'll have your back through and through."

You have no idea what no-strings-fun would look like, but you glance back at Bill, who is speaking animatedly with another agent about the change in digging patterns of the graves.

"I don't know what I want," you admit as Derek drops his arm and turns to face you.

"That's okay," he says, before the corner of his mouth quirks up into a smirk. "But figuring that out can be just as much fun too."

***

He would be lying if he said he hasn't noticed you talking to the Special Agent on the case. Calvert, he remembers as he thinks back to the capture and subsequent suicide of the unsub from the roof of his old therapist office.

They were able to find the final victim before she died, so even with the unsub's death, the case feels like a victory, and the whole team looks light on the way back to the jet.

He has been trying to keep himself light too, but every time he gets a moment to himself, his mind reverts back to the silent darkness of his home after he returned from the last case. The reminder that he hasn't seen Haley or Jack in days.

When he reaches the tarmac, he spots you talking to Calvert again, but the conversation looks different than before. The special agent looks nervous, and he tries to gauge whether you seem comfortable, before realizing how relaxed you look.

When he gets closer, he catches the end of a question that likely started with "Can I have your number?" You smile at the man, and he turns away, trying not to eavesdrop.

He can't tell what he wants you to say. He knows it's been enough time since Jeff's death that real dating isn't out of the question, but he can't reconcile the protective instinct flickering in his gut.

Regardless of the distance he tried putting between you and himself, your voice carries over the tarmac, and he hears you say, "I'm sorry." before the rest of the sentence gets jumbled in the breeze. Something that feels alarmingly like relief settles in his chest and he frowns at the foreign feeling of it coursing through his veins.

He boards the plane and purposefully chooses a seat with an empty spot next to it, knowing you'll choose to sit beside him after he practically ignored you all day. He really wasn't trying to shut you out, he just doesn't know how to broach the topic of separation with anyone, let alone someone who had as stable a marriage as you did.

When you board the jet and take your seat next to him, he glances over at you sheepishly and murmurs, "I overheard the end."

He's surprised when you laugh lightly. "It's okay. Everyone was going to find out soon enough, especially with how excited Prentiss and JJ were about it."

He nods, glad that you aren't angry about his invasion of your privacy. Then, before he can stop himself, he looks at you and asks, "You didn't want to see him again?"

"I don't think I'm looking to just date for dating's sake anymore," you explain, your eyes flitting around the cabin at the sleeping forms of the rest of the team. "I had a true love...I don't want to settle down again for anything less."

He understands that completely, but he can tell there's something else bothering you, and not just because of the rhythmic bouncing of your knee that you don't seemed to have noticed. "What else?"

You shrug, not meeting his eye. "I used to have my usual excuse, but I can't really say it's too soon anymore, can I?"

He frowns as he notices the visible strain on you that this burden has caused. "You get to decide that for yourself."

"I know," you sigh, rubbing your eye with a loose fist. "I just worry sometimes that I use Jeff as an excuse to keep myself closed off." Your knee stills, and Hotch scoots closer, even with the armrest in the way.

"You don't seem closed off to me."

Your eyes crinkle with laughter. "I'm not sure if that means much coming from you. You're not exactly the picture of openness, Hotch."

He knows you're mostly joking, but your read punches him in the gut in a way he doesn't expect. You must see the shock on his face, because you immediately lean in closer. "What is it?"

He shakes his head, trying to delay for as long as he can. If he doesn't say it out loud, maybe he can pretend that he's still a happily married man. That he didn't fail his wife and son by being as absent as he had wished his father had been, early in his life.

"It's not about Gideon leaving, is it?" You scrutinize him for a moment before shaking your head. "No. Hotch, what's the matter?"

"We agreed not to profile each other," he sighs, gritting his teeth against the pain of having to vocalize one of the lowest moments in his life.

"Aaron," you whisper. Your voice is soft and gentle, and he breaks.

"Haley left."

Your mouth parts in surprise, and he looks down at his lap, taking a deep breath. "And I don't know if she's coming back."

***

You've been waiting in the arrivals lot of the airport for almost an hour. You're assuming his flight got delayed, and you're grateful for the time to get yourself ready to see him, but the wait hasn't made your jitters any better.

You haven't seen Hotch since you left for college last year, and with his pre-law internship that he somehow snagged as a first year, it was a lonely summer.

When he called you last week with profuse apologies for not staying more in touch and a somber tone that had to be about more than his regrettable phone habits, you had told him that you would love to see him, but your winter break doesn't start for another month. After a few hushed breaths and a second of thinking, he told you that he had bought a plane ticket out to California for the following weekend.

That's why it's Friday afternoon, and you're still waiting for his familiar mop of dark hair to appear through the exit doors. A boy walks out right then, with the same raven hair and fit stature, and your heart rate hastens for a split second, before you realize it's not him.

You look down at your car's radio and twist the dial to change the station. It's been playing the same Madonna song nonstop, and you shut off the volume when the other stations are no different. Your shift in focus takes your attention away from the airport exit, so you jump in your seat when a quiet knock sounds at your passenger side window.

He's here. Your lips curve up into a bright smile and you unlock the door, letting him get in.

"Hi," you say, your voice weaker than you'd like.

"Hey, Y//N," he replies, pushing his long hair back from his face. The simple motion sets off butterflies in your stomach and you turn back to your steering wheel to keep your emotions off your face. He could always read you so easily. "It's good to see you."

He grins at you and leans forward to give you a quick, awkward hug over the center console. You involuntarily inhale as he pulls back, and the scent of his natural musk mixed with whatever new cologne he's been wearing smells dreamy on him.

You said you were over it, you tell yourself in your head. He has a girlfriend who he's going to marry, and you are his best friend. At least you were.

You don't really know where things stand between you two now. A year is a long time to go without seeing someone, and you're sure college has changed him in similar ways that it has changed you.

"I have one more class today," you say quickly as you pull your car out of the lot. "It's criminal psychology, so I figured you wouldn't mind coming to the lecture with me."

"Sounds fun," he says, before leaning his cheek against the window to watch the scenery that zips by. "God, the weather here is crazy."

"It's definitely warmer than I'm used to," you agree, struggling not to glance over at him. "We never had 70 degree winters growing up."

"Which do you prefer?"

You grin. "Home, of course."

"Of course."

You look at him then, and his expression is one you don't understand. It's the same look he gets when he's in the library and he finds a book he's been looking for.

The drive doesn't take long, and you bring him to your lecture, where he proceeds to pay more attention to the information being presented than you do. The class usually feels too short for you, but today, the time ticks by, because you can't focus.

It's been so long since you've sat next to him in a class, and the sight of him jotting down notes on a scrap piece of paper takes you back to high school, when he was still the more attentive one.

After the lecture, you both grab a quick dinner in the dining hall and settle back into your double dorm room, which you painstakingly cleaned up before he arrived.

"So, how long have you guys been friends?" your roommate, Katy, asks him as he drops into your desk chair. You've been watching her ogle him since he arrived, and if he's still as perceptive as he was in high school, it hasn't escaped his notice either.

"Forever," he says, looking at you with a grin. "We met when we were eight. When she judged my taste in The Beatles, it was over for me."

You can't help the heat that flames in your cheeks, even though you know this story by heart. Katy keeps glancing over at you as he explains how you guys met, and eventually she gets up and flops down onto your bed next to you. "You're bringing him to the party tonight, right?"

Your eyes widen as you remember that was today. "Oh, I don't know. We might just stay in."

"You have to come!" she squeals, shaking your arm. She turns to him with a pointed look. "We already have outfits picked out."

"I guess we gotta go, then," he smiles at her, before looking at me with a small raise of his eyebrow. You okay with that?

You dip your chin into a nod, and he stands up. "I'll head out for a walk as you guys get ready."

"Sounds good!" Katy says, grabbing your hand and sliding off the bed. "We'll see you in an hour."

Once the door closes behind him, Katy turns to you, her mouth agape. "You never told me how cute he is."

"What?" you sputter, your cheeks turning a bright shade of pink.

"You also didn't tell me you're, like, in love with him."

You scoff involuntarily, your usual diversion technique when someone brings up a topic you want to evade. "What are you talking about?"

"Okay," she shrugs, reaching into your closet and tossing you the dress you were planning to wear. "If that's how you want to play it."

You go into your attached bathroom to change into your outfit, but after seeing Hotch, the mini sundress you picked out feels like too much. You hate how much you're overthinking something as stupid as an outfit for a party.

You turn away from the mirror and go back into your dorm, where Katy is applying her signature shade of red lipstick in her little mirror stand.

"He has a serious girlfriend," you whisper, almost too quiet for her to hear you. But she is more perceptive than you give her credit for. "Like eventual marriage-serious."

"Oh, honey," she coos, patting the bench seat next to her. You scoot in until you're side by side and she wraps an arm around your shoulders. "I'm sorry I brought it up."

"It's okay," you shake your head, leaning on her shoulder. "I just need to get over it. It's a stupid crush that I've had since high school, but it's time. Maybe this party will help."

"Yes, exactly!" she grins, turning her head to look at you. "Nothing that a little music and a few shots can't fix."

"A few shots?" you laugh.

She nods. "Each."

~

You down another shot of whiskey before tossing your cup onto the table and following Katy onto the dance floor. She grinds against her boyfriend as you dance beside them, moving your hips side to side with the rhythm of the music.

Being in Los Angeles, the temperature outside is already warmer than it should be in November, but inside the house, your dress is sticking to your skin from the sweat and body heat surrounding you.

You're feeling the alcohol enough to have a good time even in the sweaty throng of bodies around you, and you throw your head back as you close your eyes and feel the thump of the music vibrating the floor boards.

Meanwhile, Hotch can't find you anywhere. He's drunk enough already that he knows he won't be able to find you himself, but he doesn't know anyone else here, so he grabs a half empty bottle from the drinks table and makes his way to the dance floor, where the life of the party seems to be centered.

He's usually a lot more fun at parties, but lately he hasn't felt like himself. Ever since you left for school across the country, it has felt like something in his life was wrong, like he was missing a limb. Then, things started looking up with Haley, and he pushed you away in the hopes that he would forget about any of the doubts he had, but it didn't work. The more he missed you, the worse things got in his relationship, and suddenly he wasn't sure what his life was supposed to look like anymore.

He takes another swig from the bottle and leans back against the counter as he watches people dance against each other in the dim light of the house. His eyes flicker over the mess of bodies until they catch on someone he almost doesn't recognize.

Your eyes are closed and your hands are in the air as you move to the beat. It's not exactly graceful music, but you have managed to find some semblance of a rhythm as you slide your hands down your thin dress, which is sticking to your body in a way he can't take his eyes off of.

He doesn't realize he has lifted the bottle to his lips again until the liquid is burning his throat, and he tears his eyes away from you as his head starts to spin. Maybe he's had enough for tonight. He puts the bottle down just as your roommate spots him. Katy, he thinks, or is it Sadie?

"Aaron!" she calls, stumbling over to him as a man holds her up with an arm around her waist. "Where's Y/N?"

"Not sure," he lies easily, barely conscious of the way his words have started to slur together. "I may head out soon."

"Don't leave without her," she instructs, her voice suddenly getting serious. "I'm staying with him tonight." She pats the man's arm. "So I won't be going back with her."

He nods with a resigned sigh, and slumps down on a couch in the next room, leaning his head back to stop the room from spinning.

~

When you tire of dancing, you push to the back of the crowd and look around to find any familiar face. You can't see Katy or her boyfriend anywhere, but after exiting the room, you spot Hotch asleep on the couch.

You walk forward with a slanted smile and put your hand on his shoulder to shake him awake. "Hotch, get up."

He groans, peeling his eyes open slowly. "I'm awake. Just resting my eyes."

"Yeah, yeah," you tease, looping your arm through his to help him up. "How much did you drink?"

He shrugs and you wrap your arm around his waist to hold him upright as he stumbles forward. "Whoa there. Okay, let's get you back."

You manage to get him out of the house, and once the fresh air hits, he can almost stand up straight on his own. You keep your arm around him just in case, trying to ignore the way his tee shirt is slowly riding up around his waistband.

You make the walk back in silence, and he falls back onto your bed as you lock the door behind you.

"I'm sorry," he whispers when you perch on the edge of the bed next to him.

"It's okay," you say, huffing out a laugh. He looks so young with his hair falling onto his face, and you resist the urge to push it back off his forehead. "Happens to the best of us."

"No, not that." He rolls over with a groan, flopping onto his back and scooting back so he can lay on your pillow. "I'm sorry I stopped calling."

Your heart skips a beat and you tuck your hair behind your ear, needing to occupy your hands somehow as your mind races with a million questions. "It's my fault too."

"No, it's not."

He isn't slurring his words anymore, but you can still hear the earnestness that only comes when one's filter is completely shattered. He was never one to hide things from you, but you also know how truthful people can get when alcohol takes their mask away.

"Haley and I have been having problems for a while," he mutters, making you sigh. So that's why he flew here in the middle of the school year. "We haven't been seeing eye to eye on a lot of things, and we decided to take a break, but I haven't told anyone, because the only person I wanted to tell was you."

You can't look at him. His gaze is too much, his eyes too full of truth and intensity. "Hotch-"

"I miss you so much," he says, cutting you off. "You're the only person I've ever really been able to talk to, but you know that, don't you? It's the same for you, it has to be."

You don't say anything. The air feels thick with tension, and you're afraid that if you say something, the room will explode.

"She's the perfect girlfriend," he says wistfully, his voice tight with an emotion you can't decipher. "I know it's me who's fucking it up, and I hate myself for it, because she's trying so hard to make this work. But every time it feels perfect, and I think I've finally gotten what I wanted, I just remember-"

"Aaron."

You look at him and his eyes are already staring into yours. You have wanted him to love you the way you loved him for years, but not like this. Never like this.

"You can't fuck this up," you whisper, your voice stronger than you expect it to be. "Call Haley tomorrow morning. Tell her you're sorry, and that you love her, because you do. You know you do."

"I love her," he nods as sleep pulls his eyelids down. "Tomorrow..I'll call her."

You watch him as his limbs relax and his breathing evens out, but you don't fall asleep until the sun starts to rise and you physically can't keep your eyes open anymore.

***

"Happy All Hallow's Eve, folks."

Reid pulls his mask off as Derek looks at him with a frightened frown.

"Are you scared of Halloween?" you ask him, trying to keep the grin off your face.

"I didn't say I was scared," he corrects, glancing over at Reid, who drops his mask on his desk and pushes his hair back from his face, "I said I was creeped out."

"What creeps you out about it?" Emily asks, before grinning at you.

"I bet it's the candy," you joke. "Those muscles probably cower at the sight of anything that isn't meat or protein powder."

Emily snorts and Derek frowns at both of you. "It's the masks. I don't like people in disguises."

"That's the best thing about Halloween," Reid chimes in. "You can be anyone you want to be."

Derek grins. "No, I'm pretty good just being me."

You and Emily share a look. "Yeah, why is it that neither of those points of view surprise me?"

"Guys," Reid suddenly calls out, his voice hushed. "He's here."

You turn around to see Hotch walking down the stairs, accompanied by Agent David Rossi, who you've heard a lot about in your years at the bureau. He was one of the founding members of the BAU, and you can't help but wonder what made him want to come back.

JJ introduces him to everyone, before Reid starts spouting off a list of facts from one of the old cases he solved when he was the chief of the unit.

"Reid, slow down," Hotch says with an uncharacteristic smile. "He'll be here for a while. Catch up with him later."

He nods. "Right, sorry."

Agent Rossi doesn't seem fazed. "No problem, Doctor."

This pleasantly surprises you. It's all too often that new people who meet Spencer don't immediately treat him with the respect he deserves.

"Let's start the briefing."

***

The flight back from Texas is hushed. The case went about as well as you could hope, with them catching the unsub and saving the final victim, but the way Rossi went rogue over and over again has rubbed you the wrong way.

You watch him across the cabin as he pores over his little notebook, and you wish you could peek inside his head. You know that the team aspect of the BAU is a newer addition to the unit, but you don't understand how he can keep all of his thoughts to himself.

"What are you thinking about?"

"Gah," you fright, jumping in your seat. "When did you sit next to me?"

Hotch shrugs, his lip quirking up. "A few minutes ago."

"Well, you should really wear a bell or something, god."

"Y/N," he says, giving you a pointed look. He doesn't let you use your evasion tactics anymore. Given your penchant for aimless talking, you suppose that's a good thing.

"I was just thinking about Rossi," you sigh, glancing up at him again. "Lying to the press to get a reaction from the unsub? Taking over that phone call? I don't like how he works, Hotch."

"He's from a different time," he says, even though you can hear the agreement in his voice, "but he worked with Gideon, and if you remember, it took you a while to warm up to him too."

You heave out a breath but it's the only concession you're willing to give in this moment.

"He's used to an older way of doing things, but he's a great agent."

"He clearly has good ideas," you whisper, "but I just worry that you'll have to work over time to keep him under control."

Hotch ponders this, and you think that maybe he knows you're right. Your eyes shift up and you realize his hair has been shorter for a while now, but you're still not used to seeing so much of his forehead. Not that there's anything wrong with his forehead. It's a fine forehead.

"He was the team leader before he retired," Hotch says suddenly. "He may be tough as a subordinate now, but I'm still glad he's back. We needed someone to fill Gideon's spot, we were low on hands."

"Speaking of, why do you think he's back."

He looks at you with a quizzical frown. "Is it really so hard to believe that he may just want to help us out?"

You think for a second, before shrugging. He laughs.

"I don't know," you concede, with a small chuckle. "I think I'm just expecting things from him that aren't fair."

He turns his body to face you. "Like what?"

You press your lips together, trying to formulate your words properly, so you can clearly articulate the tornado of thoughts in your brain. "I know Gideon wasn't a father figure exactly, but he was someone that Reid and Elle latched onto."

Hotch exhales. "I don't know if Gideon is someone I'd want as a father."

You let out a surprised laugh. "Fair enough."

"How is your father doing, by the way?"

You blink in surprise. It's not that he doesn't talk about your family, it's just that the timing is uncanny. You haven't spoken to him in months. After your mom died, you two were almost inseparable, but then you left for school, and you realized how much bigger the world could be when you weren't always bogged down by your grief. "I haven't called him in a while."

"What did he say after Golconda?" he asks, his voice gentle. After Frank, he means.

You close your eyes, guilt flooding your body. "I never told him."

"What?" You don't look at him, but you can see the shock in the stiff line of his posture. "Did something happen between you two?"

You shake your head, your protectiveness over your family flaring up at the concern in his eyes. "Nothing happened. I just didn't want to worry him."

"That's his job," Hotch stresses, scooting his leg over so his knee bumps yours. "If something like that had happened to Jack, I wouldn't know what to do with myself."

"That's what I'm scared of," you tell him, your eyes flitting over to the window, where the clouds are dancing across the horizon. Sometimes, when you're on the jet, you like to pretend that the time up here isn't real. That as long as the world looks like a series of splotches and blinking lights, nothing can really hurt you. "My mom's death nearly killed him. I learned to cook when I was ten, because he couldn't leave his room for a month." Hotch knows all of this already, but he lets you vocalize your thoughts, obviously knowing how badly you need reassurance for the guilt you're feeling. "Then, when Jeff died, I stayed with him for a few weeks to have some company, but...but.. I was so glad when I left, because then I could finally let myself fall apart."

He reaches under the armrest and clasps your hand in his, extending the comfort you didn't know you needed.

"I've never told anyone that," you whisper, feeling your voice tighten with tears. "I love my dad, I love him so much, but I just needed the chance to recover on my own."

"He loves you too," Hotch says, finally breaking his silence. "You know he loves you. I still remember the themed sandwich baggies that he packed your lunch with all through middle school."

You choke out a laugh. "You would always steal the Spiderman ones."

He smiles, squeezing your hand once. "Maybe you just need to give him another chance to be who you want him to be. He might just surprise you."

You know he's right. Somehow, he's always right.

You nod, flashing him a small smile, and lean your head on his shoulder as the clouds float past your window.

***

He glances at his watch for the tenth time since he sat down in his office. The plane landed just over an hour ago, and he sent you home immediately with the instruction to get some rest. He probably should have gone home too, but ever since he got his new apartment, home hasn't felt the same.

He used to be able to look around any corner and see a memory: the couch where he and Haley made love on their first night at home, the soft carpet where Jack took his first steps, the doorframe where he measured his height on his first birthday as Haley held him up by the arms. He also remembers that he wasn't there to see Jack's first steps; he was in Pittsburgh, working a case and thanking his lucky stars that Haley had had the foresight to take a photo as his son stood upright all by himself.

He lifts the picture frame from the edge of his desk, running his fingers over the cool glass and looking at the blue drawing underneath. Jack had drawn his favorite cartoon character and left it for him on the kitchen table, a few nights before his suspension went into effect.

Putting it back down, he looks at the photograph of him holding onto Haley as she clutches newborn Jack to her chest in the hospital. He still has the photo of just him and her on their wedding, but he pushed it to the back, behind the pictures of Jack, and the one of you and him at law school graduation.

A knock sounds at his door and he looks up to see Dave standing in his doorway. "Can I come in?"

"Of course," he says, waving him in. He doesn't sit down, so Hotch stands up too, unsure of how he feels about the power imbalance in the room. "What can I do for you?"

"You said out there, 'The team shares everything.'"

He nods. "That's right."

"There is no 'I'?"

He nods again, not liking where this may be going.

Dave glances down at his desk, where his phone sits next to the picture frame of his family. "Seems a big thing to withhold. Separating from your wife, your child."

He freezes, unconsciously looking at the door to see if anyone heard. "What are you talking about?"

"You used to call Haley 10 times a day," Dave says, his voice not unkind. "We've been together 48 hours and I haven't seen you call her once. You haven't mentioned her, and you're not going home now."

He frowns, feeling his brow settle into place like it's a uniform he wears whenever he's at the office. "What's your point?"

"I guess you're just not used to sharing."

He doesn't say anything, but Rossi seems to interpret this the wrong way. "Or maybe it's something else." He looks out the window at the empty bullpen, but the implication is still clear. "Was it because of...?"

"What?" He doesn't know where this is coming from, but he can't stop the anger that rumbles through him at the connotation. Unable to help it, he looks down at your desk, and Dave tuts.

"I won't say anything."

"Dave," he shakes his head, trying to remain calm. "You have it all wrong. She's my best friend...since we were children. It isn't like that. It was never-"

It was never like that. That's what he's about to say, but that wouldn't be true. Rossi is a good enough profiler that he would be able to spot a lie from a mile away, so he shuts his mouth and shakes his head again. "It's not like that."

"Okay," he accepts, lifting his hands in surrender. "My mistake."

Hotch nods, and Dave leaves his office, but he can't get their conversation out of his head until later that night when his head hits his pillow and his eyes finally fall shut.

***

"Hey, Dad."

You called him when you got home from work that night, and he answered on the second ring. "Hi, sweetheart."

"How are you?" you ask, clutching the phone to your ear as you sink down onto the couch in your living room.

He doesn't answer for a moment, and you can hear him taking a breath. "I'm good, Y/N, how are you? Is work going well?"

"It's good," you tell him. "Really good. We were able to save a woman today, before the unsub could kill her."

"Unsub?"

"Unknown subject," you explain, quickly realizing just how long it's been since you've spoken to him. "It's what we call the bad guy before we know who he is."

"Right," he says, and you can practically see him rubbing a hand over his face, his nervous tic. "I knew that. Anyway, how is everything in your life? Do you still work with Aaron?"

"Yeah, I do," you say with a laugh. "He was actually asking about you earlier today."

"That's nice of him," your dad says, his voice brightening slightly. "He was always a good friend to you."

You tell him about your most recent case, and about Gideon and Elle leaving the team, but eventually you can't evade the topic you've been trying to avoid all night.

You're okay, you think to yourself. Frank can't hurt you anymore.

"Dad," you whisper, closing your eyes as you take a deep breath. In 1, 2, 3. Out 1, 2, 3. "I have something to tell you."

Then you tell him everything, and he just listens, exactly like you hoped he would.

***

"I met this guy." You didn't even see Penelope approach you, but here she is, looking at you like she's about to say something dirty.

"Hell yeah," you grin, trying to match her energy. "Where?"

"A coffee shop," she smirks. "He was having trouble with his computer, so I fixed it for him, and then he asked for my number."

"Look at you," you joke, giving her a side squeeze, "putting your technical analyst skills to good use."

"Thank you," she huffs, throwing an annoyed glance over her shoulder. "That's more of the response I was looking for."

"What do you mean?"

"Derek," she says simply, and you nod, already knowing where she's going with this. You know they have an uncommon relationship, so you're not surprised that he didn't react exactly how she hoped he would.

"He's an idiot," you tell her, patting her arm.

She laughs. "You don't even know what he did."

"Uh, yeah," you say, turning around to face the bullpen, "I definitely do."

***

The case takes the team to Florida, where an unsub has been feeding women their fingers, killing them, and then carving pentagrams in their skin.

The pentagrams suggest a religious element, so you go with JJ, Morgan, and Rossi to the local church to meet with the priest.

"Rossi, do me a favor," Morgan says just before you walk inside. "You talk to the priest, all right?"

You remember his agitation on the jet when Reid prodded him about his beliefs, and given the cruelty of his childhood, a crisis of faith wouldn't surprise you.

"Hi, Father Marks," JJ greets the priest when you enter the church. She introduces all of you to him, before shaking his hand. "We're sorry we have to be here under these circumstances."

"It's good of you to come," he says, greeting all of you. "Abbey's parents are upstairs in my office."

"We'll go up," Rossi says with a nod, "but Agent Morgan actually has some questions for you."

Your eyes flash to Rossi, but he doesn't return your gaze.

"I have some questions too," you offer, and Derek nods gratefully.

The priest answers the few questions Derek spits out at him, and you watch as his eyes wander around the hall, his shoulders raised with tension. You insert a few of your own questions before heading outside with him to wait for JJ and Rossi to finish up with the victim's parents.

"What happened in there?" you ask when he doesn't meet your eye. "Being rude to Father Marks? That wasn't like you."

"You know what happened to me, L/N," he says angrily, kicking his foot out at a loose stone on the pavement. "I went to church everyday, and I prayed for it to stop, but you know what God did? Nothing."

"I know what a crisis of faith looks like, Derek." You stand in front of him, forcing him to look at you. "But Father Marks doesn't know your story. He's not judging you, he's just showing his faith how he knows best."

His shoulders are still tense as his jaw twitches. "Who does Rossi think he is, throwing me under the bus like that?"

"He's an instigator," you shrug, letting the topic slide for the time being. You'll talk to him again later if he still needs it.

"I didn't love the way Gideon did things either," Derek says, his posture going from agitation to annoyance, "but Rossi might just take the cake. Even if he is better with the victim's families."

"I can't help you there," you almost laugh. "I had the same conversation with Hotch after the case in Texas, and he managed to convince me to give the guy a chance. So...if you can't bring yourself to trust him, just think of it as putting your trust in Hotch."

Derek hums, bumping your shoulder with his. "I guess I can do that."

***

The search party for Tracey Lambert only leads to the unsub taking another woman, and suddenly the ticking clock gets a lot louder. By the time you find his lair and the bodies he has been cannibalizing for years, you're already struggling to keep down even the water you've been drinking. When he reveals where Tracey actually is, you feel so sick, you can't breathe.

When the jet lands back in Virginia, you go home immediately, desperately needing some peace and quiet away from the team for the first time in a while. But that doesn't last long.

You're awoken by the shrill ringing of your home phone. Rubbing the sleep from your eyes, you check the number and answer the phone. "Is this payback for the last time I called you past midnight?"

"Y/N...it's Garcia."

You shoot up into a sitting position as Hotch explains what happened. "How bad is it?"

"I don't know."

"I'm on my way."

You change into a sweater and a pair of loose jeans before grabbing your keys and flying out the door.

"She's in surgery," JJ tells you when you find them in the waiting room. She pulls you into a hug before returning to her hunched position in an uncomfortable vinyl chair.

"There's no other word," Hotch adds, giving you a quick hug as well. With his cheek pressed against your temple, he whispers, "Police think it may have been a botched robbery."

"Where's Morgan?" Emily asks, standing up from her chair.

"He's not answering his cell."

Reid nods, stepping away. "I'll call him again."

He squeezes your hand before he exits the waiting area, and you glance down at JJ again. Her eyes are red from crying, and her chin is pressed into her palm as she stares at the floor. You watch as Emily sits next to her and pats her hand, before clasping it in hers.

You don't realize you've been staring at the same spot on the floor until Hotch stands next to you and nudges your shoulder. You okay?

"I will be," you say out loud, barely registering that he didn't actually ask you anything. "As soon as she's out of surgery." When you got the call that Penelope was shot, you had been hit by an intense feeling of deja vu. Only this time, the call didn't come from bureau leadership, because she wasn't killed at the scene. Because she's going to make it.

He doesn't seem fazed as he checks his watch again, his frown lines deepening. "It shouldn't take this long to get an update."

"Where have you been?" Reid asks suddenly. You look up to see Derek walking into the waiting room, his eyes wide with panic.

"I was in church. My phone was off."

"There's nothing you could have been doing here," Rossi assures him, before nodding at Hotch and pulling him aside to discuss something with the deputies outside. You use the momentary lull to approach Derek, putting your hand on his arm as an initial test. When he doesn't jerk back, you pull him into a hug that he returns gratefully.

The doctor walks in a few minutes later and explains that Penelope will be fine, but she needs to rest until the morning.

"David and I will go to the scene," Hotch informs, his eyes fixing each of you with an empathetic look. "I think the rest of you should be here when she wakes up. I don't care about protocol. I don't care whether we're working this officially, or not. We don't touch any new cases until we find out who did this."

When they leave, you pull Derek down into the chair next to you and lean your head onto his shoulder. After a beat, he relaxes in his seat, and lets out a long sigh. "She's okay."

***

Early the next morning, the doctor shakes you all awake with the notice that Penelope's up, so you rush into her room, trying not to crowd her as she blinks awake.

"Hi," she says softly, her voice small. She looks so innocent, laying in her hospital bed with her blonde hair a halo around her head. You can't imagine how anyone would want to hurt someone like her.

"No tears," she smiles as you swallow down your anger. "I'm afraid if I start crying, I'll come unstapled."

JJ presses a kiss to her cheek, before Derek and Emily start gently plying her with the usual questions. When it comes out that the man who shot her was the same man who asked her out at the coffee shop, your anger turns to anguish, and you reach forward to squeeze Penelope's hand in an effort to comfort her.

"I just thought he liked me," she whispers, the pain in her voice breaking your heart.

"We need a name," Emily asks abruptly. You can see her mentally kicking herself at how serious her words came out, but you know Penelope understands the gravity of this situation.

"James Colby Baylor."

She asks you and JJ to stay back for a second as the rest of the team leaves to investigate Baylor.

"What's up, honey?" you ask, smiling at her sweetly as she uses her other hand to take JJ's.

"I feel so stupid," she sighs, her breath turning into a gasp as tears fill her eyes. "Maybe Derek was right about all of it."

"No," JJ says sternly, reaching forward to brush some of her hair behind her ear. "None of this is on you."

"What she said," you echo, nodding at JJ, "and don't listen to Morgan. He loves you, and he's very protective over you, but he's also a man."

She sniffles out a laugh, before pressing her lips together. "One last thing."

JJ blinks. "Anything."

"Please don't talk about me like I'm a victim."

***

The case wraps up back at the office, where Baylor, whose real name is Deputy Battle, was shot in the head by JJ, who doesn't seem as plussed by the situation as you would expect. You tried to talk to her afterwards, but after telling you she was fine, she put all of her attention on Penelope, who has spent the last week recovering at home.

Now, you're sitting in the break room stirring your black coffee, just for something to do. Hotch finds you in there and walks inside, shutting the door behind him.

"It's been a long week," he grumbles, looking longingly at the spot next to you on the worn couch.

You lift your cup and nod your head at the full coffee pot. "That's what caffeine's for."

"We really should sleep at some point," he says, filling up a paper cup and carefully dropping into the spot beside you. The couch you chose is small enough that his thigh presses against yours when he spreads his legs even the slightest bit.

You snort. "Sleep's overrated."

You both sip your steaming coffees in silence as you watch the other agents shuffle back and forth across the bullpen, unaware of your watchful eyes. The break room is the one place in the office to go for a little bit of privacy, but the unobstructed view of everyone's desks isn't unpleasant either. You imagine this is how Hotch feels when he looks out his office window.

Your eye catches on the stapled wood planks that are currently replacing the broken glass door that leads into the bullpen. He must be looking at the same thing, because he breaks the silence and says, "I think we may need to get JJ out into the field more."

His tone catches you off guard and you crack a small smile. "She does seem remarkably well-adjusted, given that it was her first time."

He nods, turning his head to look at you. "Do you remember your first time?" Killing someone, is the part he doesn't say out loud.

"Of course." You take a deep breath and gulp back more coffee. "He was a serial rapist in Texas. One shot to the heart. I wasn't trying to kill him, he just ran at the last second."

"Serial killer in Florida," he responds simply. "Headshot. He died instantly."

"That was your first year at the BAU, right?" He nods and you sink back into the cushions. "I wasn't even in the field then."

He hums, a low sound that you feel as vibrations on your skin. "I worry that I brought you in here too early. Jeff had just died, and I assumed that getting you out of the house and in the field would take your mind off of things, but I wonder sometimes if I made the wrong call."

"You didn't," you assure him, turning your body to face his, even as he doesn't meet your eye. "First of all, you brought me in six months after he died, and by then, I definitely needed an excuse to leave my bedroom."

He sighs, a small concession, and you continue. "The first case I went into the field for after he died, I could barely hold my gun. Every time I pulled it on someone, I would imagine his body...with all of those bullet holes...and I would just freeze up. It took me months to pass my firearm certification again, but I still don't regret it."

"You sure?" he asks, his voice almost timid.

"Positive," you smile, nudging your thigh against his. "Besides, I didn't realize it until later, but it wasn't getting out into the field that helped me through my grief...it was meeting the team. These people became my family in the moment that I needed one most."

You turn back to your coffee and sip it again, though it's no longer as hot as you'd like it to be.

"How are you doing, by the way?" he asks suddenly. "With Garcia, I mean."

An involuntary shudder runs through you as you remember her pale face in her hospital bed last week, but the warmth of the coffee cup in your hands makes it pass quickly. "I'll never get used to it. But she's okay now, so hopefully it'll be easier this time."

***

You're jotting down notes in the margins of a new case file JJ asked you to look over when your cell phone rings. Hotch and Reid are at a nearby prison, interviewing a serial killer on death row for the Criminal Personality Research Project, so you're not expecting a call from either of them. The rest of the team, except for Rossi, is scattered around the bullpen, but you don't expect him to call you either.

After finishing the line you were writing, you check your phone and see a name you haven't spoken to in weeks.

"Haley," you answer after clicking open your cell. "Is everything okay?"

"I know you're busy," she sighs, her voice tight with what you can only decipher as irritation, "but I didn't know who else to call. Aaron hasn't been answering my phone calls."

You get up from your desk and step out into the hallway to get some privacy. "He and Dr. Reid are at a prison right now, interviewing a criminal for this research project. There likely isn't any cell service out there."

"It's not just today, Y/N," she says, her tone getting colder as she inadvertently directs her anger towards the only person she can get ahold of. "He hasn't been taking my calls for days."

"I can talk to him," you suggest, trying to keep your tone light in an effort to keep this conversation from derailing. "I'll tell him to give you a call."

"I appreciate that," she sighs, losing her steam. "I'm sorry for involving you, I just really need to speak with him about something."

"Is everything alright with you and Jack?" you ask her quickly, wanting to make sure that you aren't making the wrong assumptions about why she's calling.

"Oh!" she inhales sharply. "Yes, of course, we're doing great. Well, great maybe isn't the right word, I didn't mean- I just-" She sighs. "You know what I mean."

"I do," you assure her as your heart twists at the sound of her shallow breathing. You know how hard the separation has been on Hotch, but you know Haley too, and she has always been better at hiding her pain that she seems. "Where have you been staying?"

"With Jess," she says, her voice brightening considerably at the mention of her sister. "She's been a godsend. I feel terrible taking up so much of her space, but she doesn't seem to mind."

You smile, remembering the few times you met Jessica Brooks while Haley and Hotch were together. "She definitely doesn't mind. She always loved children. I bet she's already scheming on how to steal Jack from you."

Haley laughs, and the sound is like wind chimes twinkling in your ear. "She totally is."

Her laughter slowly fades, and you both stay on the line for a few moments in comfortable silence.

"I'll tell him to call you," you promise.

"I know," she sighs. "Thank you."

***

The prison was a bust, but Reid got a chance to use his intelligence to get them out of a tough spot without anyone getting hurt, so the day wasn't a total loss.

He is sitting in his office, drafting an email to the project coordinator, when you walk inside and take a seat in front of his desk.

"Thanks for knocking," he says sarcastically before finishing up the sentence he was working on. Once it's done, he saves the draft and turns off his computer. "How was Indianapolis?"

"Good," you say, leaning back in the chair. "Great, actually. Rossi got to close up the case that's been haunting him for a decade, and the three kids are finally safe."

"I'm surprised he wasn't more excited when he got back," he notes, watching your body language. You look wired, but not about this. Something else is bothering you.

"The unsub wasn't exactly the most gratifying arrest," you sigh, rubbing a hand over your temple. "We don't even think he committed the murders intentionally."

He frowns, shaking his head. "Those are the worst kind."

You're silent for a moment before you sit up straighter and look at him. "Haley called me this morning. While you were at the prison."

"Oh?" Something that feels like ice slithers down his spine even though he can probably guess exactly how the conversation went.

All week, he has felt an enormous weight on his chest in the form of a stack of divorce papers that Haley served him with. She had called him right after, with the explanation that they both should have seen this coming, but he really hadn't. He was a profiler, whose entire job was to notice and analyze human behavior, and he truly hadn't been able to let himself believe that this could be a possibility. That his marriage could actually be over.

"She said you've been ignoring her calls."

He had been ignoring them. He knew she would just tell him to sign the papers, and he couldn't bear to hear her say it again. Once was enough.

He reaches into his desk and pulls out the manila folder that he hasn't opened since his initial read-through. He suspects you already know what he's about to tell you, but he also knows that it won't feel real until he says it out loud. And it's about time he came to terms with what his life would be from now on. "Haley wants me to sign the divorce papers, uncontested."

"She doesn't want to involve a lawyer?" you ask, your voice delicate as you walk him through the explanation with clarifying questions. It's the technique they use when interviewing the families of victims, to help them feel comfortable as they talk about the hardest thing they've ever gone through. He's surprised at how reassuring it feels coming from you.

He shakes his head, running his fingers through his hair. It has grown out a bit since he last cut it, but he doesn't think he minds. Haley wanted him to cut it short when Jack was in his grabbing and teething phase, but now, he likes how he can push it back when he wants. "I don't want to sign, of course, but she's adamant that we get this done soon."

"You'll be okay," you say, and he looks up in surprise. "You're a good man, Aaron."

"I'm not," he whispers, heaving out a sigh. "I'm not doing anything right. At home, I was an awful husband and an absent father, and at work, Strauss would replace me if she had even the slightest bit more ammunition. I can't focus in either place. Maybe Haley's right, maybe I'm just selfish."

You lean forward and grab his hand, even as he doesn't look at you. "You're not selfish. You're the farthest thing from selfish. You don't want to sign, but you will. You're giving her what she wants, even though it's the last thing you want."

He nods, but his heart isn't in it. He glances down at the folder again and takes a deep breath as you give him a small smile and stand up.

"I'll see you tomorrow, boss?"

He nods again. "See you tomorrow."

When the door shuts behind you, he flips open the folder, faster than he meant to, but he's afraid if he doesn't do this quickly he'll lose his nerve. Grabbing a random pen from the mug on his desk, he uncaps it and scrawls out his initials on all of the earmarked lines throughout the stack.

When he finishes the last page, he shuts the folder and leans back in his chair, letting out a long exhale. He did it. He supposes he should feel some sort of severing away of his old life, maybe an audible snap as the ties to his marriage get cut, but there's just silence.

His office suddenly feels stifling, and he loosens his tie before reaching forward and lifting the picture frame with him and Haley on their wedding day. Her smile still looks beautiful to him, and his content expression as he gazes at her doesn't make him feel anything different. Their marriage may be over, but he still loved her.

He runs his thumb over the smooth edge of the frame, and then opens his desk drawer, before sticking it inside and pushing it closed.

***

"Thank you for watching him," Hotch says, his voice slightly muffled over the phone.

"Of course," you smile, sitting down on your couch with the pasta you made for dinner. "It was my pleasure. Jack's a total sweetheart."

Jess was out of town for a couple of days, so he had asked you to watch Jack while he and Haley met up to finalize the divorce in front of an attorney. She had been adamant about finishing the process over the phone, but he wanted to ensure that she and Jack would be taken care of after the papers went through.

"Did he eat lunch?"

"Kind of," you say, quickly swallowing the bite you took. "He didn't want a full meal, but I got him to eat some fruit and bread with cheese."

"I'll make him a snack soon," he says quietly, but you can tell he's just thinking out loud. "Alright, I'll see you at the office. Thanks again."

"Always," you tell him, genuinely. "See you."

The phone clicks off and you scarf down the rest of your pasta before doing your dirty dishes and cleaning up your kitchen. You're considering whether to change into your workout clothes so you can crank out a few miles on your Peloton, but then you hear a knock on your door.

You're not expecting anyone, and with Hotch watching Jack, it can't be him. You peek around the corner into your foyer to see who's at the door, and relax when you spot a familiar mop of brown hair.

"I'm sorry I didn't call first," Spencer says when you open the door, his fingers fidgeting with the edge of his book bag. "I just didn't know how to ask you this over the phone."

"Spence, what is it?" you ask, opening the door further to let him in. He doesn't step forward, and a pinprick of anxiety enters your system.

"If I come inside, I won't be able to do this," he says vaguely, before reaching into his bag and pulling out a flyer. He hands it to you and you read the title, the tension seeping from your body as the words sink in: Narcotics Anonymous for Law Enforcement.

"I know it's a lot to ask," he whispers, "but would you drive me to the meeting tonight?"

Your heart feels like it's about to crack open. Only a boy who was never looked after, never given the love and care he deserved, would think that something like this was too much to ask.

"It's not too much," you tell him, glancing down at the address. "I'll get my keys."

When he's settled in your passenger seat, you pull out of the driveway, not commenting on the fact that his car is parked on the street beside your sidewalk. You understand the need for company more than most people.

The drive to the rec center where the meeting is being held is mostly silent, but you don't press him. He stares down at his hands for most of the ride, and when you stop in front of the entrance, he unbuckles his seatbelt and turns to you. "Thank you."

"Of course," you smile. "I can wait, if you'd like."

He gives you a thin-lipped smile. "It's okay."

"You sure?"

He presses his lips together and looks at you, his eyes reflecting the question in yours.

"Go on," you say, patting his arm. "I'll be here."

He nods and steps out of your car, and you pull into a parking space to wait in while he's in the meeting. You turn on the radio and it's the same song they've been playing for the last week, so you turn the volume down low and close your eyes for a few peaceful moments.

You must have fallen asleep, because you're jarred awake by the chirping sound of your cell phone ringing. It's a bureau number, so you clear your throat and answer the call. "L/N."

"Hey, Y/N." It's JJ, and she sounds tired. "We have a case. It's urgent, so we're flying to Texas tonight."

You sigh louder than you meant to. "I can be there in 20."

"See you soon."

The line clicks off and you rub the sleep from your eyes. A quick check of your watch tells you that you were only asleep for about a half hour, but that's just half of the meeting time. You know Spencer will come back when he gets the call, so you turn the radio off and sit up in your seat.

A few minutes later, he returns to the car. You saw him just over 30 minutes ago, but he already looks lighter than he did when he got to your house.

"I'm proud of you, Spence," you tell him as you start the car.

He nods, a quick thanks. "This federal agent gave me his one year medallion after I left the meeting. I've only been clean for 10 months, but he still gave it to me."

"He believes in you," you say simply, glancing over at his confused expression.

"He doesn't even know me."

You shrug. "You don't have to really know someone to care about them, Spencer. You just have to see something of yourself in them."

"Is that what you see in me?" he asks, finally looking at you.

You consider this for a moment. Is that why you feel so protective over him?

"I don't know," you say eventually, not wanting to lie, even by accident. "I definitely wasn't as smart as you were, or as focused. I wasn't all that driven in high school at all, to be honest. I was lucky to have Hotch. He gave me the push I needed to get out there and focus on school."

He's silent for a minute and you worry you may have said something wrong. Then: "I didn't have anyone in school." He pauses for a beat, before speaking again, his voice quieter this time. "I was in the library one day, and this girl comes up to me, and she tells me that Alexa Isben wants to meet me behind the field house. Alexa Isben was, like...easily the prettiest girl in school."

You frown, already not liking where this story is going. "Did she not show up?"

"No, she was there." His voice sounds almost resigned, but there's a note of something darker underneath. Something raw and painful, that likely still hurts after all these years. "But so was the entire football team. They stripped me naked and tied me to a goal post. So many kids were there, you know, just watching."

"No one stopped them?" you ask, trying to keep your voice steady.

"I begged them to, but they just...they just watched. Then finally they got bored and they left." He clears his throat, and the sound is small, like a little boy's. "It was like midnight when I finally got home. And my mom didn't...Mom was having one of her episodes, so she didn't even realize I was late."

"You never told her what happened?"

He shakes his head. "I never told anybody. I thought it was one of those things that I thought if I didn't talk about it, I'd just forget. But I remember it like it was yesterday."

"You don't need an eidetic memory for that, Spence," you whisper, trying to stay focused on the road even as his words swirl into your memories and create an agonizing hurricane of emotions. "I was only ten years old when my mom was killed, but I can still remember every moment of her funeral."

The field office comes into view and you push forward as you scan your badge and slide into a parking spot below the upper garage. When the car is in park, you undo your seatbelt and turn to him. "I know how hard it can be to push away the painful memories, but there's something more important that I need you to remember."

"Remember what?"

He looks at you then, and you reach forward to squeeze his hand. "You're not alone anymore."

***

"Is it always this hot?" You look up at the beating sun through your shaded sunglasses and fan your face with both of your hands.

"Every day, all day," Emily huffs, running her fingers through her bangs to unstick them from her forehead.

Everyone is sweltering in the Miami heat, but then Derek gets off the plane with a wide grin, his skin glistening in the sun, and you resist the urge to throw your bag at him. "South Beach, baby."

He immediately shuts up when he spots the stunning Miami PD detective who called your team in for the recent string of murders. JJ shoots you a smirk before introducing her to the team. "Detective Lopez. We spoke on the phone."

"Tina," she corrects, before shaking her hand. "Thank you for coming down so quickly."

"Hey," Emily says from beside you, making you turn to see what she's looking at. "Isn't that..."

You spot the person she's referring to, and your face splits into a big smile. "Detective LaMontagne!"

"He's here to ID the cop they pulled from the bay last night," Tina explains.

You don't miss the flush in JJ's cheeks as she shakes his hand. "Detective, good to see you."

"How are you?" you ask, giving him a quick hug that he returns.

"Yeah, Charlie Luvet and I worked together for seven years."

Derek frowns. "Sorry for your loss, man."

Tina looks confused, and you don't blame her. "So, you all know each other?"

"Professionally," JJ is quick to add. Will whips around to look at her, and you turn to Emily with an eyebrow raise, feeling like you're intruding on a private moment. You aren't sure why she won't just admit that they've been together since New Orleans, but that's her business.

***

You join JJ and Will at the IDing of Officer Luvet, and you keep your distance as he glances down at the body and affirms the report.

"Yeah, that's him."

JJ looks like she wants to comfort him, but instead she sticks to the professional approach. "If you need help making arrangements, liaising with families is part of what I do."

Will nods, his voice choking up slightly. "I might just take you up on that. Excuse me, I'll be outside."

When he steps outside of the coroner's office, you can't help but notice the longing look on JJ's face as she watches him go.

"Let's go," she says to you softly, her eyes still on the door. You follow her outside, but by then Will is nowhere to be found.

"It's okay, you know," you blurt out. You weren't really planning on talking to her about this, but sometimes your mouth takes over before your brain can catch up. "I know you worry that being around a band of profilers all the time makes you vulnerable."

"I'm not sure what you're talking about," she says simply, not quite meeting your eye.

"JJ," you say seriously, trying to convey your pure intentions. "If you keep trying to hide it, you'll lose him."

She purses her lips, and you squeeze her forearm, hoping you aren't pushing past her boundaries. The whole team is sparing with details about their personal lives, but you like to think that you're someone people feel comfortable sharing things with.

"I know you, hon." You flash her a knowing smile, feeling a shot of satisfaction as her lip twitches. "I know that it's enough for you to know that you care about something, but it's not enough for everyone."

She exhales, tucking her hair behind her ears. "He's upset with me, but I don't know what to do. I'm still scared."

You sigh, understanding her predicament, but still wanting her to push past it. "You can let yourself be happy, JJ. You won't always get hurt."

She nods before glancing around the room again, searching for Will even though he's long gone. It's an instinct you recognize.

Later, when JJ finally acknowledges their relationship by pulling him in for a kiss at the police station, you can't help but take it as a win.

***

Your house feels emptier than usual when you get back from Miami. Seeing JJ and Will find each other again reminded you of how much you miss having someone to share your life with.

Deciding to take a night to yourself, you pop open a bottle of red, and pour yourself a glass, which you swirl around before taking a sip. It's drier than you tend to go for, and when you check the label, you realize that's because you didn't buy it.

How can you drink this stuff?

It makes me feel sophisticated.

Jeff would break out the fancy glassware every chance he got, because he didn't believe in special occasions. He used to say that people waste precious moments of their life waiting for the right occasion to come around.

The memory feels warm in the back of your mind, and you take another sip of wine before walking over to your cupboard and grabbing the fanciest wine glass you can find. You pour the rest of your wine into the new glass and place the other in the sink, before swirling it around again. No time like the present.

You bring the glass to the couch with you, where you turn on the television and skip through the first few channels. As the wine in your glass depletes, the loneliness sets back in. You're about to pour yourself another pity glass when your phone buzzes with a call from Hotch.

"Do your television channels suck as much as mine do?"

You smile, muting the television and pressing the phone to your ear. "Definitely not."

He chuffs. "I guess I'm not used to the new tv controls."

Right, his new apartment. After the papers were finalized, he gave the house to Haley and moved into a new place ten minutes away.

"We can share mine," you say, listening to the sounds of his breath over the receiver. "I also have wine."

That gets a laugh. "I'll be there in 15."

You hear a knock on your door exactly 14 minutes later. When you open it, you're greeted with the sight of Hotch in a tee shirt and jeans. "A little underdressed, aren't we?"

He snorts, taking the wine glasses from your hands and following you into the family room. "What are we watching?"

"You're the one with the broken tv," you grin, flopping down on the couch and taking your glass from him. "What do you want to watch?"

He thinks for a minute, before his eyes sparkle with an idea. You cut him off before he can suggest what you already know he will. "We are not watching Top Gun again, Hotch!"

"You asked," he shrugs, hiding his smile behind a sip of wine. "What do you want to watch, then?"

You can see him watching you over the rim of his glass, so you blurt out the first name that comes to your mind. "Footloose."

He looks at you blankly for a moment, before his brow twitches, and your jaw drops. "You haven't seen Footloose?!"

"It came out when we were in high school," he groans, taking one of the throw pillows off the couch and stuffing it behind his back. "Terminator and Dune came out that same year. I remember because you tried to get me to watch it then too."

"It's an amazing movie!" you exclaim, standing up to go dig through your movie cabinet. "We're watching it right now."

He groans and sinks back into the pillows as you find the DVD and start the movie. You've seen it at least a dozen times, mostly because it makes you nostalgic for your teenage years, but the opening still gets you excited.

As the movie plays, you keep glancing over at Hotch, trying to see if he's enjoying the scenes just as much as you did on your first watch. To his credit, he watches the movie faithfully, without checking his phone or straying from the television screen.

"Enough," he grumbles suddenly, startling you.

"What?" you question, whipping your head around to face the screen.

"I'm watching the movie," he huffs, fixing you with a pointed look. "You don't have to keep checking."

You frown, hugging a pillow to your chest. "I wasn't checking, I just like seeing people's reactions to my favorite movies."

"Either way."

You groan, reaching out to thwack his arm.

"Eyes on the screen," he berates you, pointing at the TV. "The dance scene is starting."

You sip your wine bitterly as you try to resist the urge to glance over at him. Eventually, the movie takes over your attention and soon it's the final town council scene where Kevin Bacon gives a speech to the whole town.

"'There was a time for this law'," you quote along with the movie, "'but not anymore.'"

The movie comes to an end, and you click the remote to turn off the television. When you turn to Hotch with an excited grin, you're surprised to see that he has fallen asleep.

His head has fallen to the side, resting on the armrest, and he looks so peaceful with his expression completely neutral. His characteristic frown is nowhere to be seen as he snores quietly through his nose.

Your lips curve into a smile as you stand up and grab a blanket from a basket beside the couch. You drape it over his body, being careful not to wake him, and take the wine glasses to the sink before heading up for bed.

***

"That's because you pick horses the same way you practice law."

You hold your breath as he glances into the crowd for a brief second.

"...by always taking the long shot."

Emily snickers under her breath, and you see even Reid crack a smile as the lawyer starts floundering. The rest of the day in court goes by quickly and you all wait for Hotch in the hallway of the courthouse as he finishes up inside.

"That was impressive," you grin, nudging his shoulder as he walks alongside you. "I can't believe that was my first time seeing you in full prosecutor mode."

"Hardly," he says, rolling his eyes lightly. "I was called to give testimony, it's very different."

"I'm just surprised that prosecutor is still walking after how hard you hit him." He shoots you a look and you raise your hands in surrender. "Metaphorically, of course."

"That was a straight knock out." Derek comes up behind you and throws an arm around your shoulder as he spins you both to face Hotch. "The crowd practically cheered when you cleaned the floor with him."

"Thank you," he concedes, flashing his eyes at you. "Now let's get back to work. We still have to get more evidence for the rest of the trial."

And just like that, everyone switches back into work mode. Derek drops his arm and jogs forward to catch up to Rossi and Spencer, while Emily calls Garcia to get the latest update.

Using the moment of solitude, you bump his shoulder again. "Do you ever wish you were still a prosecutor? Your life would certainly be a lot simpler."

He shakes his head, the answer coming quickly and firmly. "I couldn't do it then, and I still couldn't now. Seeing the murderers come in after they've finished killing...I needed to know I could stop them before they were done."

His sentiment sounds familiar. Your mind flashes back to the little boy who took matters into his own hands, because no one could stop the pain for him.

You blink and it's present day again. You loved your best friend who fought his own battles without asking for help, and, even though he's vastly different, you love your best friend as he is now.

***

"Five shootings in two weeks."

"It's about time we got the call."

The whole team, plus Garcia, flies up to New York, where an unsub has been shooting people around the city, seemingly at random.

"Kate Joyner heads up the New York field office," Hotch explains, glancing down at his cell phone. "She's running point on the case and called me directly."

You have heard of her, which isn't too surprising, but all you know is that she's British and seems to be very good at her job.

"You know her?" Morgan asks him, echoing your thoughts.

Hotch nods. "We liaised when she was still at Scotland Yard."

They liaised. You don't know what that implies, but you also know that he and Haley didn't take a single break during their relationship after graduating college, so it can't be anything too personal.

JJ and Emily share a look, but you don't engage with them, instead looking back at the case file and trying to focus on any of the words that aren't 'Kate Joyner'.

***

"Kate."

A pretty blonde woman approaches you all with a smile only for Hotch. "Aaron. How have you been?"

He nods. "Well, thank you. This is my team." He introduces each of you to her, but you don't miss how her eyes linger on you when he mentions your name.

"Thanks for being here," she says, before walking you all through the background of the case. Shootings in different precincts, seemingly random, FBI only brought in after the fourth murder.

After explaining the details and introducing you to the local detectives on the case, she pulls Hotch aside for a private word in her office. You turn back to the team, trying not to let your gaze linger on them as they walk away.

The NYPD doesn't seem happy that SSA Joyner has taken over their case, but even though she comes off as a bit brusque, you can tell she cares about catching this unsub just as much as they do.

"What's your partner's problem?" Reid asks Detective Cooper, the only local officer who has made an effort to meet any of you.

"We're glad the FBI was brought in," he explains with a heavy sigh, "but all of a sudden Joyner's taking meetings with the mayor and calling in you all without us knowing anything about it."

You can understand his hesitation, but you also need his cooperation if you're going to get anything done here.

"We're only here to help," Emily tells him as you turn around to find JJ.

"Has Garcia gotten settled in with the New York tech analyst?" you ask once you find her staring at a map of the various boroughs. She doesn't answer immediately, so you nudge her shoulder. "JJ?"

"Huh?" she startles. "Oh, sorry, yeah. She called a few minutes ago, she's all good."

JJ is usually the focused one who brings you back on track, so you're surprised by how distracted she seems. You nod in acknowledgement, scrutinizing her expression for another second, before heading back to the team. Your eyes involuntarily dart over to Kate's office, and you notice how close together she and Hotch are. You're about to avert your eyes when their body language becomes a bit clearer: each time she leans in to say something, he subtly pulls back.

The dynamic of their relationship is suddenly apparent, and you mentally kick yourself for daring to assume the worst when he first mentioned her. You can't say the same for your opinion of her, though. He's still wearing his ring, for God's sake. Based on how little you've heard about her from him (nothing, you mean), you doubt she even knows about the divorce yet.

Derek and JJ head out with the detectives to check out the last crime scene, while you stay back with Emily and Spencer to build the anti-geographical profile. When another victim is shot, you head to the new scene to see if you can build a working profile.

"It's a different borough again," you sigh after getting out of the SUV and joining Hotch, Kate, Derek, and JJ in front of the body. "Prentiss and Reid are back at the office still working the profile from a geographical angle. We're starting to think maybe we should get officers out onto the high-traffic intersections, and maybe even get some of us out there too."

"Uniforms are rounding up witnesses," Kate jumps in, ignoring you. "It doesn't seem like anyone got a clean look."

You see Derek glance at you out of the corner of your eye, but you don't entertain the look. If she has some issue with you that you aren't aware of, you won't give her the satisfaction of letting her get to you. "The unsub's probably gone before anyone even realizes it's happening,"

Hotch nods, turning to face Kate. "Is this what it felt like during the Son of Sam."

She returns his gaze. "First we realized that if the violence was truly random, there was almost no way of stopping it. Seems like these people have figured that out."

You look up, trying to see if there's anything in the vicinity you can use to ID the unsub. Your eyes catch on a security camera outside one of the delis directly behind you. "From the placement of that camera, odds are the only view they're going to get is the back of his head."

She frowns. "Let's not be too quick to decide what we do or don't have."

This time it's both Derek and JJ that glance at you, but you turn to Hotch, who is avoiding meeting your eyes. Kate steps away to speak with the detectives at the scene, so you grab his arm and pull him aside. "What is her problem?"

He exhales, rubbing a hand over his face. "FBI brass has made it clear to her that if she doesn't bring this case home, she's going to be reassigned. And you are at the top of the list to replace her."

"Replace her?" you echo, trying to process what he's saying. "I haven't even been in the BAU that long."

"It's not about field experience," he says, angling his body so that you're separated from the others. "You've been with the bureau longer than I have, and your work speaks for itself. It's not a surprise that they'd want to promote you."

You still can't wrap your head around the fact that you could be leading a unit yourself, or that you may have to leave the team you love, so you focus on what you do know. "I thought the bureau was proud of the fact that they stole her from Scotland Yard."

"I don't know," he shrugs, glancing back at her. "Politics here are different."

***

After finishing up at the crime scene, the whole team heads to the hotel to get some rest for the night. You feel more alert than you usually do after a long day of building a profile, and you adjust your bag strap on your shoulder as you dig around the side pockets for your room key. You don't plan on going to bed for at least a few more hours, and you might as well use the time to work on the case, but you need your key if you're going to get any sleep at all.

When your fingers finally catch on the thin plastic card, you look up to see a familiar face that you've been seeing more often than not, as of late. "Wait, isn't that..."

JJ looks up with a start, and she doesn't look distracted for the first time all day. "Will."

He gets up from the lobby chair he was lounging in and approaches her. "Hey, I took a shot and flew to D.C., but when it didn't work, I figured a train ride to New York was only a few more hours."

"Detective." Hotch reaches out and shakes his hand, before glancing at you with a frown that says, Did you know he was coming?

You shake your head imperceptibly and turn back to Will as he looks longingly at JJ. "Look, I'm sorry for showing up like this. I know you're working, but I can't stand you being on this case and me not being near." He pauses for a beat. "Not with what's going on."

That makes you frown too.

Hotch echoes your thoughts. "Is there a problem?"

JJ takes a deep breath and turns around to face all of you. "I'm pregnant."

Oh my God.

"Oh, my God," Emily exclaims, pulling her into a hug, the first of you to regain her bearings after hearing the news. "JJ, congratulations."

"That's amazing, JJ," you grin, hugging her next.

You don't miss how stiff Hotch is as Will shakes his hand. "I've asked JJ to marry me."

"Will," JJ says tightly, a warning in her voice.

He chuckles. "Well, we're working out some kinks."

"We'll give you both some privacy." Hotch turns away from them, his face falling the moment she can't see him anymore. You know he's hurt that she didn't trust him with this information, but you're surprised by just how downtrodden he seems.

JJ rushes after him. "Hotch-"

"JJ, you could have told me," he says softly, his voice both confused and stung.

She looks down. "I know."

"Because I understand if you need to take some time."

"No," she shakes her head, without a look back. "I want to be here."

"Okay," he nods, not looking at any of you. "7:00 AM."

You try to catch his arm as he walks off, but he either ignores it, or he doesn't feel you reaching for him. You choose to believe it's the latter.

***

You all deliver the working profile to the police officers first thing the next morning. While you're explaining an alternate possibility, Garcia calls with an update that a possible unsub was caught on camera shooting someone on a subway platform at one of the intersections you suggested that your team patrol yesterday.

"We could have had that guy," you say, your voice fuming with anger as you turn to Kate with a glare you haven't used in ages.

She doesn't falter. "Even if we were on that platform, odds are he would have moved onto someone isolated."

"Maybe, but it was worth taking a shot."

She fixes you with a stare. "I had every available man on the street."

"And I suggested to you that you use this team." You can't believe that her decision to ignore your advice yesterday might have just cost someone else their life. You can see the rest of the team looking at you with some blend of concern or indignation on your behalf, but you don't care. You just need Hotch to back you up.

Instead he just looks at you. "L/N, second-guessing doesn't do us any good right now."

You're so angry, you can barely see straight. Emily reaches for your arm, but you shake her off. "Hotch, how are we supposed to look these cops in the eye and tell them that we're actually here to help them, if she won't let us do our job?"

"We're here to present a profile," he says simply, not quite meeting your eye. "That's what we need to do."

You gape at him, your back straightening as you get ready to stand your ground. You don't disagree on things like this often, but when you do, it's usually a civil conversation that gets resolved quickly. You've never felt this angry about his handling of a case before, but then again, he's never not had your back before. "We've got seven bodies, Hotch."

He looks at you then, and you can't discern anything from his expression. It's a blank slate that sends a shiver down your spine. "It's not your place to have this discussion."

"Screw you."

You spin around, shoving away Derek and Emily as they try to talk you down. You stalk past them and out of the field office, where the cool evening air fills your sinuses and clears your head for a moment of silence. You stand on the sidewalk for a few seconds, waiting, and when he doesn't follow you out, you just manage to convince yourself that you're not disappointed, but relieved.

***

You're sitting at the hotel bar when Rossi finally finds you. You only ordered a lemon water, still feeling like you're on the clock, even if there's a good chance Hotch won't let you back into the investigation.

"I know," you huff when he takes a seat beside you. "I was out of line."

"You got too emotionally involved," he says, turning to face you. "I know you and Hotch are friends, but that doesn't mean you get to be unprofessional."

You sigh, your body deflating as all the fight leaves you. "I just felt like he was taking her side. Like he didn't have my back."

"There are no sides here."

You nod. "I know."

"And he does have your back." You look at him then, and he flashes you a small smile. "That man will always have your back. Right now, he's just worried about how Kate is holding up, with the word on the street."

That surprises you. "You know about the promotion?"

He nods. "People talk. But if she were to get fired, it would be because we didn't solve this case."

You frown, lifting your hand in defense. "Rossi, I hope you're not saying you think I want her to fail."

"Of course not," he shakes his head. "I just hope you know what you're doing."

"I lost my head for a second," you acknowledge, taking a sip of water. "I think I just needed a minute."

"And you got it," he says simply. "But right now, I see someone who wants to get back on the job. Or is there another reason why you ordered a glass of water at a bar?"

You set your glass down, letting out a surprised chuckle. "Where is everyone now?"

You both stand up, and he leads you out of the lobby. "Joyner took your advice. We're spreading out across the city."

***

"Emily, what happened?"

You rush forward to where she is standing over the dead body of a young man. Detective Cooper was taken in an ambulance to a nearby hospital after getting shot, and you only just arrived on the scene.

"He was strangely calm," she whispers as Derek and JJ come up behind her. "It's almost like suicide by cop."

"Why?" JJ thinks out loud. "Why would he do that?"

Derek looks at you. "We need to walk back through this profile."

Hundreds of thoughts are swirling through your brain, but based on the look on everyone's faces, you can tell they're thinking the same thing you are: terrorism.

After the crime scene officials arrive, you head over to your SUV to get back to the field office. Derek heads out to brief Homeland Security, and Reid leaves to talk to the Port Authority police, while Hotch and Kate call with the update that they will be going to speak with the mayor's office.

You start your SUV and pull out into the street when a loud explosion goes off a few streets behind you, the plume of smoke and fire large enough that you catch the high end of it in your rearview mirror.

You screech to a stop, just as your phone starts to ring.

TAGLIST: @citrusiove, @sanayikes, @yiiiikesmish, @mdanon027, @alice-w0rld, @beata1108, @bakugocanstompme, @raely-study, @himboelover, @hermionegalathynius, @rousethemouse, @calif0rniadreamin, @tolerateit13, @delusional-13s-blog (message me to be added!)

[shadowxamyweek]

What The Fuck Do You Mean They Gave Amy Rose an Eating Disorder

Alright. I said I’d talk about why I think Amy has an eating disorder, and so here I am, ready to throw down.

Disclaimer! 

Let me explicitly say- there’s nothing wrong with exercise and there’s nothing wrong with going on a diet. Not intrinsically, anyway. If you’re being smart and healthy about it, you’ve got good people supporting you or you’ve got your own good mental supports to make sure you’re not hurting yourself, that’s awesome. I am not saying these things are evil. What I am saying is there exists a very dark and obsessive undercurrent to *any* sort of health choice due to cultural expectations that, if a person is not careful about, they can get sucked into.  

Trigger warnings!

This is very 'Dead Dove, Do Not Eat.' We're gonna be talking about eating disorders and self harm. It's right here on the tin. If you don't think you're gonna be okay reading this, then don't. I want you to be safe. I believe I've tagged this appropriately, but if I've missed something, please let me know.

What even is an eating disorder? 

Broadly speaking, it is any behavioral condition characterized by abnormal eating habits. Some eating disorders stem from physical difficulty with eating that becomes psychological, while others originate due to psychological issues themselves. There are eating disorders that occur because people just wish to be in control of something, those that originate due to side effects of medication, those that occur due to side effects of other psychological conditions like anxiety or depression. 

This is to say- not all eating disorders are due to an obsession with body image. 

However, it cannot be understated just how many people develop an eating disorder because they are obsessed with body image. 

I am of the opinion Amy falls into the latter category, that she is obsessed with body image and, due to that, has an eating disorder.

So what’s going on with Amy? 

Let’s look at Sonic Battle (2003). It’s a PVP fighting game for the Game Boy Advance, picking up the plot directly after Sonic Heros and introducing us to Ermel (who would die and come back as Germel). Much like the previous games, you would have a singular plot that was divided into sections. We will be focusing on Amy and Cream’s chapters within the story. 

Amy Rose (X)

Cream (X)

Battle is what introduces us to Amy’s boxercising. Originally, she started it to get stronger, Cream citing Amy’s desire to keep Ermel safe after briefly getting kidnapped. However, once she realizes she can lose weight via this method, she becomes obsessed. Cream talks about it, seeming visibly uncomfortable with Amy’s fixation on losing weight, but we don’t really get much in the way of details until we actually fight Amy and see this weightloss obsession in action. 

In the Amy chapter of the story, she takes Ermel back to her apartment to train. They set a goal of 5 KOs, then 10. Amy feels faint, citing lightheadedness. Ermel leaves her alone in her apartment.

The next time you see her, only a few moments later, Cream is there. Turns out Amy was so lightheaded she had to go for a liedown. Cream says she’s worried about Amy. Specifically, she says she’s ‘burnt out,’ from overworking herself. Amy promptly comes back from her short break, stumbling into the room, to which Cream exclaims they can’t keep going because Amy can’t walk straight. Amy tells Cream she’s fine, and proceeds to start another goal of 10 KOs.

After that, Amy wants to keep working out, but she’s reaching her limit. She’s unable to speak more than a word or two without gasping for air. Insisting she can keep exercising, she tries to excuse herself to ‘change tactics’. When Cream follows her, it’s revealed that Amy’s been wearing excessively heavy weights on her arms and legs during this entire training spree.   

Amy says to go for another goal of 10 KOs. Cream, visibly upset, says that Amy has lost her focus on training. Still, you fight her anyway.

After this, Amy collapses. 

She is able to pull herself together after a second, rushing off with Ermel to keep fighting in search of the Chaos Emeralds. Cream seems relieved that Amy’s alright, saying, ‘she’s the strongest woman I know.’ 

The relief does not last long. After you finish Amy’s chapter, you switch to Cream’s. It opens up post boxcercise with Amy congratulating Ermel on getting strong. Cream noticeably stays very quiet during the exchange. 

Then, Amy asks, ‘how much did I lose today?’ 

Ermel tells her that she’s burned 1000 calories during their workout session. If she wants, she can lose a kilo/2 pounds-ish per three days if she is able to keep this up, but she will have to eat only 700 calories a day max and drink 4 liters/ 1 gallon-ish of water a day. Amy gets very excited. She also says she’s going to purchase some ‘super diet-machine.’ to further her progress. She thanks Ermel for helping her get closer to her goal. 

After a bit of a back and forth, Cream says to Ermel that Amy is really getting into this dieting. When Ermel asks, ‘Is getting thin good?’ Cream explains that Amy wants to be thinner so that Sonic might like her back. Ermel, understandably, doesn’t get it. Cream replies that, sometimes, a person will do anything for someone they love. Ermel stays silent, and Cream says that one day, they may eventually understand. 

(I swear there’s an additional dialog option if you go back to Amy’s place to talk to her where Ermel suggests she eat nothing but lettuce leaves, but I have misplaced my own copy of the game and cannot verify this. As such, I am not going to use it as evidence, but I do ask that if anyone DOES have the game, fact-check me on this place. I’d like to know if my memory is correct or if this is just a fabrication due to… everything mentioned above.) 

So okay, that’s the beats of the story. Now let’s talk about dangerous exercise and diet culture:

Exercise and Eating Disorders

Boxercise feels like a direct parallel to stuff like Jazzercise (60s-80s) or Zumba (00s-10s), which is just normal exercise with a twist of some sort that make it palatable for mass engagement/marketing. These different fun and exciting methods (and they can be- they can be fun- I’m not even gonna lie.) of workout were often sold as methods of both gaining strength and losing weight, but the losing weight often becomes their focus. This game even calls out the ‘this will make me stronger’ to ‘this will make me thin and desirable’ mental pipeline that can happen in the culture surrounding these sorts of exercise methods, unfortunately fostered despite whatever intentions their creators or individualized mentors had. There is nothing wrong with any of these styles of exercise. However, overexercise can be a hallmark of an eating disorder, and a culture of obsession that can surround fad exercises promoting extreme weightloss is dangerous. (X) (X)

It’s not new. The culture around these fad exercise methods might create a special sort of vortex, but look closely, and you'll likely pick up a few people with the same mindset at any old gym. ‘If I just keep pushing, if I just keep going, if I ignore the pain, I’ll be who I want to be.’ That’s how people get permanent injury, from Jannet going way too hard at pilates to Keith pushing far too much weight. 

Speaking of weights- We are lead to believe that Amy has been wearing weights this entire time. I don’t just mean for the fight mentioned above. Think about it- she takes them off during that massive workout/fight, but when did she put them on? We don’t see it. We’ve been with her nearly the entire time. This reads to me that she has had them on the entire day, not just for her exercising. 

It should be noted that wearing weights in this manner for an extended period of time can lead to damage (X) . As an aside, I have found no studies on the matter, but at least half of the people I know who have also had an eating disorder at one point or another intentionally weighed themselves down in some manner thinking they could burn more calories by doing whatever it was they were doing. This includes wearing training weights all the time, overfilling backpacks and carrying them around, and other things.

It’s not the exercise that is bad, it’s not the method that is bad, it’s not most of the community that is bad, but there is (and has always been, and will always be, unfortunately) a portion of it with this dangerous mindset that a person can get sucked into if they are not careful.

Due to the evidence above, it seems clear to me that Amy has gotten sucked into this mindset. 

That’s just a part of it though. The restricted eating is where it gets really solidified for me. 

Diet Culture and Eating Disorders

Now, obviously I’m going to be going off of human numbers, so if you wish to counterargue that ‘oh well they’re smaller/different species of course they’d need less calories’ that’s fine- feel free to do so- but just understand I personally don’t think the text was written with that sort of calculation in mind. 

The average human body, even if it is a body largely at rest, needs about 2,000 calories a day to help maintain good health (X) (PLEASE ignore BMI it's a bullshit method of measurement). Various fad diets or crazes have come and gone across the centuries, with focuses on trying to achieve whatever body type was popular in that moment. 

‘This will make you sexy. This will make you wanted. This will finally make someone love you. Before, you were unlovable. After, maybe you’ll have a real chance.’ 

Noticeably, in the fad diets of the 90s into today, the focus for a lot of people attempting to lose weight has been ‘restrict your caloric intake.’ That’s not a problem until you start cutting out foods with nutrients the body needs to survive and/or getting to under a 1,000 calories a day (X). 

Despite what a lot of popular caloric or generalized eating restriction diets will tell you, if you keep your body from energy, it will go into protection mode. Protection mode is where your body acts like it is starving, because it is, thus slowing down its stash of burnable energy. Your average caloric burn then DROPS. This causes it to become harder and harder to lose weight the longer you starve yourself, which creates a vicious cycle.

Furthermore, if you are both working out and dieting, you need good caloric intake when working out in order to help facilitate building muscle. If you don’t eat properly while working out, you don’t build the muscle you should and, in fact, you can lose muscle or cause permanent damage since your muscles won’t have the tools/energy to repair themselves after workouts. 

Crash diets/workouts like this are also not sustainable. There have been dozens of studies on how losing weight too quickly can be bad for the body, but beyond that, the mental tax of trying to maintain a non-maintainable lifestyle of limited eating/ overworkout often ends in a massive rebound (a rubber-banding if you wanna call it that) due to lethargy or mental fatigue (not helped by the lack of food.). That plus a brutalized metabolism will cause people to gain the weight they lost back, make it more difficult to lose, and might ultimately result in the person gaining more weight than they had previously. Again- vicious cycle. (X)

But the dieting industry, the diet culture doesn’t really care about that. It largely doesn’t care if its product or concept or whatever hurts you. Its job is to make money. 

Because here’s the thing- Most people have a part of themselves, however small, that would love to change. Most people would like to be liked, to be needed, to be desired in some capacity. Due to this, a person's self worth is often tied up in some part of themself, often something that is visual, often something that, if given the opportunity, they’d change. 

How does continued hunger relate to mood? 

The concept of being ‘hangry’ is pretty well known. (X). Be hungry long enough, you get physically unwell, and you can unlock a special sort of anger that only comes with being hungry. 

Not just that, but being hungry for extended periods of time can also cause issues with mental clarity (X).

It goes just beyond hangry though. Food and nutrition have long been understood to affect mood and mental well being, though not to the scientific degree able to be achieved today (X) . To summarize as simply as possible- your gut biome, which is dictated largely by your diet, directly impacts mental and physical wellbing. If your gut biome is maintained as it should be, then you overall will have a healthier mental state and overall feel better. If your gut biome is poor, due to undereating or lack of intake of needed nutrients, your biome will start to wither. This will directly impact your mental and physical wellbeing. (X)

I’m not going to dwell on this for terribly long, but I want to bring it up in correlation with the previous two sections because who amongst the Sonic crew is often labeled as being emotionally unstable and prone to moodswings? 

Amy Rose. 

Who is often fingered as having outbursts of volatile anger? 

Amy Rose. 

And who do we see starving themselves in game and working themselves past the point of exhaustion? 

Amy Rose. 

Listen, I confess this one is a bit of a stretch. It’s more of a continuation from the two other points that I sort of wanted to point out. If you can understand the previous arguments for her overworking and underfeeding herself, then this one feels like a natural third component in that and, as such, I felt it should be at least mentioned. 

What I Personally Have Seen in Regards to Eating Disorders in Media while Growing Up.

Thank goodness so much has changed. I remember eating disorders taking up whole episodes in television series, whole issues in comics, whole books in novel series, and it has largely evaporated. The problem is still around, because of course it is, but it is far less of a joke now than it use to be. 

When I was growing up, there were a lot- and I mean a lot- of stories that said, ‘Oh, if you were just a little better, someone would love you. Someone will notice you. If you were prettier, cooler, thinner, buffer, whatever- people would notice you. Someone would love you. Maybe even that specific person you wish could love you back.’ 

‘If you just tried a little harder, maybe it’ll happen.’

And you saw this in the real world, in the marketing, in the fashion, everywhere. Advertisements pushed that if you didn’t fit this very specific, narrow, palatable concept of beauty, then you weren’t worth anyone’s time. 

When this was portrayed in media, it often manifested directly into characters doing insane things to change themselves. Sometimes it was their style of dress, or their personality. Oftentimes, it would manifest in them trying to get buff or be thin.

With a lot of stories, the character often came to the conclusion of, ‘Hey, just be you. You’re good as you- don’t do things to impress other people. Don’t be who you’re not because you feel you have to.’ 

But it was a coinflip as to whether or not the story would prove that to be wrong or true. 

Worse still, even if the lesson was still ‘just be you,’ the whole ordeal was often portrayed as a joke. 

Specifically, women- girls- working out to exhaustion, starving themselves, was portrayed as a joke. 

If the goal of the story was for comedy, and the end had the character revert back to who they were previously, it can usually be put into one of two categories: 

‘How could you be so stupid? How could you believe you ever needed to change? How dumb are you to fall for social pressure like that?’ 

or-

‘How could you be so stupid? How could you believe you could change? You’re not strong enough to change. You’re too you to ever be liked.’  

On that note, let’s back up and return to Amy.

I’m the sort of person that’s got a narrow focus when it comes to Sonic properties. Specifically, if it’s not game canon, it’s not canon to me. 

However, in understanding that other canons exist, other properties within the Sonic universe exist, I won’t ignore them. Even if I don’t think they’re canon, if there is a throughline within, I cannot help but to notice. 

So it’s with this in mind that I ask you: Do you know of Sonic Spin and Dash?

It’s a manga. Put out in the early 00’s, it was a little series of comics that focused on Sonic, Tails, Knuckles, Amy, Shadow, and Eggman having arbitrary interactions. They’re largely cute and lighthearted. I couldn’t tell you officially what the official age demographic would be for them, but I’d have to guess something fairly young. 

Volume 6 is titled, ‘A Maiden's High-Tech Diet.’ In it, Amy freaks out about having gained 3 kilos/ about 7 pounds. Despite the fact that she’s a growing girl, this deeply upsets her. She asks Tails and Sonic not to eat (in front of her? At all? Unsure.) while she’s trying to diet. Eggman shows up and offers her a solution- a diet machine that will help her achieve the weight and look she wants so deeply. 3 days later, Amy approaches Sonic again. 

She’s emaciated. Wobbling in from off-stage, unable to even speak a sentence without pausing, she asks Sonic if she’s looking thinner. 

Let me rephrase- she’s asking if she looks ‘thin enough’.

Eggman, via his dieting ‘robot’ which really is just a mech he’s hiding inside, asks Amy and co. to perform more insane tasks to weaken them and cause them to be too exhausted to fight him. However, even during this, Amy has other ‘slimming’ products that she’s bought which she uses to defeat Eggman.  

In the end, everyone exhausts Eggman, causing him to give up his scheme and leave. By the end of all of it, he himself is looking thin, having worked off much of his weight in this charade. 

It’s just played off as a joke. 

Alright, but that was early 00’s. How’s Sega been about Amy now? 

Well, this hasn’t really come up in games again, thank goodness. I reiterate- times have changed, and I’m very glad about that. That doesn’t mean this sort of thing is entirely gone, however. This image is from Sonic Channel in 2022 (X).

The image is accompanied by this caption:

---

“Otome Straight!” Emmy is passionate about boxercise , saying it's perfect for dieting

Indoor training on rainy days is perfect! Bouncing the punching bag and working up a good sweat with Emel's support

"Mom, do your best. Ato Sukoshi."

 Let's keep a healthy body with training for the rainy season !

---

Once again, we have this focus on dieting and food reduction. Again, not a bad thing- perfectly normal- but the reason I take pause is because of the crossed out icecream picture. 

@mysuperlaserpiss - I hope you don’t mind, but I wanted to bring up your comment on that initial post I put out.

…Yeah. Yeah, I 100% agree. 

So when conversations around eating disorders comes up, one of the first things to discuss is, ‘what is your relationship to food?’ Essentially, it boils down to: do you see food as fuel and that it is a normal thing to have, or do you see it is something you have to earn/avoid? (X)

Amy beating the shit out of a punching bag sporting a crossed out picture of icecream, talking about dieting, smacks of, ‘you see food as something you have to earn/avoid,’ to me. It’s as simple as that. This appears as though she’s beating the desire for certain foods out of herself. Simply put, that’s not healthy. 

Okay, so what? 

Man, I don’t know.  

I don’t know, alright? I don’t know. 

I’m biased. I was inundated with the idea of ‘you need to be better’ from a young age from all angles. I am strong, but not appealingly buff. I am not what I'd call heavy, but I'm most certainly not appealingly slim and doctors have always bitched about my BMI (which again- terrible system to work off of). Not that long ago, I was hiding weights under my pant legs even in the dead of summer thinking the extra weight on me when I moved about my day would help me burn calories. Not that long ago, I was walking around 30km/18 miles a week on top of doing several hours of intense exercise a week, all while only taking in around only 500 cal a day.  I am constantly combating the idea that i need to deserve to eat, but if I eat, I won’t be loveable. Yeah, I’m doing better- significantly so- but I am a biased, untrustworthy source to write about this and I recognize that. I am biased because I’ve been through it. I am biased because I have lived this very specific, isolating nightmare, and no matter how much better I am now, there are still days where all I can manage is a couple hard boiled eggs and maybe canned low-sodium fish. 

I don’t know what to tell you. All I know is what I’ve been through, and when I look at Amy, when I look at her storylines through the games, I see a portion of me that I never would ever want to see in anyone else.

I see someone desperate to be wanted. I see someone disoriented and angry from lack of food. I see someone hurting themselves thinking it's normal to do so. I see someone trying and trying and trying so hard to fit this idea of ‘perfect’ and falling short.

There’s a lot of conversation right now around Amy’s character. How she was presented in early games vs now is significantly different, so of course it would be a subject of conversation. Sega seems to be trying to bring the characters into a new age, both in terms of the 2020’s and in terms of the characters' age themselves. There are those that say that Amy’s new presentation is due to her becoming older and more mature, while others argue that she’s become a shadow of her former self.  

I can see both sides of the argument. Of course I can- I’ve been with this characters since almost the beginning. Still, when I look at the changes in Amy Rose, when I look at how happy she is, how energetic and content, my knee-jerk reaction isn’t to start wagging fingers. 

It’s just, ‘Ah. Good. She’s eating.’ 

[starry-bi-sky]

DPxDC Masterpost

Almost all of my DPDC posts have the #Danny Fenton is Not the Ghost King tags, barring perhaps my earliest aus like my Thomas Wayne Au (which will be included in the post). This tag includes art i've made, asks i've answered, and non-fic au posts I've created. This is my main tag!

DPxDC posts under the main tag that don't have their own tag: Danny's Life-Changing Cross-Dimensional Roadtrip with A De-Aged Batman Danny is also Bruce Wayne (Starry goes back to their middle school roots) Danny being the first batkid (if i can get the creative juices flowing I will expand on this. mark my words) There is a Damian clone LOOSE in Amity Park. Oh wait, Danny's got him.

My Biggest DPxDC Aus #Danny Fenton is a Clone: all my posts talking about clone!Danny.

Clone Danny Masterpost: previously my pinned post. A no-powers au where Danny is also a clone of Bruce Wayne, also includes some clone^2

#Clone^2: Clone Damian + Clone Danny au combined, explores themes like identity, found family, and growing into your own as a person. Starting post Here.

#Childhood Friends Au or #Cfau: A childhood friends dead on main au that explores grief, how it may change a person, and how growing up in Crime Alley changed Danny. Contains heavier themes like smoking and mild violence.

#Danyal Al Ghul Au: Mostly contains my au where Danny is not Damian's twin, but his older brother! An excuse for me to delve into the psychological effects that growing up in the League would have on Danny that I don't really see in other DAG aus. Putting the 'assassin' in 'raised by assassins'.

My Minor DPxDC Aus Danny Fenton is Thomas Wayne: an oldie but a goodie! An reveal gone wrong au where Danny decides to go by his middle name 'Thomas' shortly after the events of TUE, and leaves Amity Park two years later. He finds out that Vlad cloned him again and finds an infant in the lab. Danny takes the baby, names him Bruce, and ends up adopted by the Waynes.

#Danny Fenton is Jason Todd au: An au where Danny is Jason Todd! He was adopted by the Fentons shortly after the events of the carjacking.

#Older Brother Danny: contains all of my aus where Danny is an Older Brother. This currently includes only my DAG posts but it's not limited to Danyal Al Ghul.

#Changeling Danny: a half-ghost? oh, wait, no. that's a changeling. even worse! Danny's got latent fey blood from a Fenton getting freaky with a faerie some dozen generations ago, and it reactivated with a fervor when he had his accident! Instead of a halfa, he became one of the Fair Folk.

#Blood blossom au: currently the name for the time being. A Nightingale/First Batkid au where Vlad poisons Danny with blood blossom extract, and it results in Danny running to Batman! Currently only one post, but it has a lot of branching pathways in the reblogs. Batdad centered!

#tales of the passerine: the official au name for my "Danny being the first batkid" post! This au is what inspired changeling Danny. It's the idea that Danny was the first to be adopted by Bruce, and features me favoring batdad over "lmfao Danny goes fuck you bruce and adopts the other kids" au. Because I want batdad.

(Nightingale is, so far, the official vigilante name for the Eldest Batkid Danny concept on my blog.)

#mother of monsters danny: specifically its mother of monsters dan but i digress. I was messing around with my fem!Danyal au and boom! Her evil timeline self is Layal, the terrifying Mother of Monsters who raises any manner of monstrous beasts. I love her <3

Bonus Excerpt: a ficlet I made in response to a DPxDC Dead on Main prompt! It's not under the main tag as I didn't make the post, however it can be found if you search #fem danny fenton on my blog. I actually really love this idea so I may make it its own tag in the future.

[billwidoll]

Sweet as Cherry

Summary: You reject yourself to be with Rafe and when he finds out about this, he was ready to make your life hell Until you get a date

Warnings: for over 18s, verbal violence, physical violence, psychological violence, Toxic and aggressive relationship

Author's Notes: This story is a little heavy and if you don't like it, don't read it

✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥

It all started on a normal Thursday afternoon, you were at college waiting for the next class to start. It turns out that there was only you in the room, you were like the nerd in the room, so you were always the one He arrived earlier. but incredibly Rafe Cameron was there too And it didn't take long for him to talk to you

"Hello... you and Y/n?" Rafe says smiling at you

You were surprised by Rafe's greeting, he was the popular one in college and a bad boy, obviously you didn't like these types of things or these types of Boys

"Oh hi...I'm Y/n" you say with a friendly smile at Rafe

And he smiles with his smile

"Aren't you going to ask who I am, doll?" Rafe speaks with a disgusting smile

You laugh at this comment causing Rafe to hiss in confusion

"For God's sake, who doesn't know who Rafe Cameron is?" You say smiling and that also makes Rafe laugh a little.

"okay... so I'm famous to you?" Rafe speaks, sitting on a chair that was next to them.

"and...like that. But it doesn't fit that much!" You say in a joking tone.

In reality, you didn't even know why you were being so attentive to Rafe, you knew what he was like and how he treated people. Maybe he was just trying to be nice to you to just copy the homework he didn't do.

When Rafe was about to say something else, the teacher and some other students arrived at the time, interrupting them.

It was obvious that Rafe was frustrated, he was winning you over, he was feeling it. Rafe had his eye on you for a long time, but never tried anything, so he decided this was the time

You sat at a table you always sat at, but this time Rafe was your tablemate and you didn't understand because he always sat in the back, far away from you.

"ae! Y/n! How about you meet me at my house at 5pm? I have a surprise for you" Rafe says in a whisper because of the teacher

"Sorry Rafe...but I'm going to study today" you say giving him a friendly smile, you weren't lying you were really going to study

"Ah, come on? This is a chance for us to meet, don't you think?" Rafe speaks with a hopeful look

"how about another day, hun?" You speak last, turning your attention back to the books

And Rafe couldn't deny that he was very upset and sad about it, you were the first girl to not accept an invitation from him. But he wasn't going to give up

Fourdayslater

✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥

After two days, Rafe couldn't stop and think about you. He was always stalking you on Instagram or any social network, He was always going to the coffee shop you worked at.

You were at work on another normal day and Rafe ended up showing up there, you thought he had just stopped by to say "hi" but Rafe's intentions weren't like that.

"Hi Rafe! What are you doing here?" You ask, giving a friendly smile from behind a counter.

"Ah...I came to see you.” Rafe says giving you his best smile and it ends up leaving you embarrassed

"Well... I won't be able to pay attention to you now because I'm working..." You say, your cheeks turning red.

"what's your problem with y/n? Always avoiding me, always making an excuse..." Rafe speaks frustratedly to you and that makes you angry

"I'm sorry if I'm too busy a girl for you!" You shout, but then restrain yourself because you are at your workplace

"okay... and so?" Rafe says it like you and he were having a lovers' fight

"Rafe...What do you want from me, hun? I would do anything for you to leave me alone now!"

You talk already stressed to him

"A date!" Rafe says simply

"a date?" You repeat and he nods

"Yes! Me and you in a restaurant, what do you think?"

Rafe speaks, approaching you and increasing a smile on your face.

"no, I don't want to go on a date with you, Rafe"

you say, lowering your head, you've never turned down a date. But going out with Rafe was too much for you, you didn't want to be another prize in the His

When you refused Rafe's invitation his physiology simply fell, Rafe's eyes quickly darkened, he was starting to break out in a cold sweat

"what? Are you saying you won't go out with me?" Rafe speaks sounding like a robot that was about to attack you and you were scared there

"and that's right Rafe, I don't want to go out with you now or ever, okay?" You speak harshly, ready to serve the next customers, leaving Rafe alone and angry.

Fourdayslater

✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥✥

After you didn't want to go out with Rafe, he decided to make your life hell. When you woke up he was there somewhere watching you and you knew it, he was making fun of you From you somewhere in college, he kept treating you like a slave when he went to his work place. But the worst part is when he followed you on the street or when he sent you gifts and love letters or Threatening

You were already tired and fed up with everything Rafe was doing to you, but the worst was going to happen on Wednesday night.

You were in your apartment with the doors locked and the windows too. Everything was calm, so you went to the bathroom to take a shower, going there you ended up taking off your clothes and getting into the hot, bubbly bathtub.

You lay down in the bathtub and closed your eyes, resting. But out of nowhere you end up hearing a voice behind you

"so beautiful...it's a shame it's not mine" Rafe says standing in the doorway smiling, this makes you get up quickly showing off your naked body

When you realize it, you immediately grab a towel that was close to you.

"What are you doing here Rafe?! Can you leave me alone!" you say, screaming desperately, covering yourself with the towel

"no, honey, don't cover yourself, I was seeing a beautiful view" Rafa says walking slowly towards you

"Rafe...please...leave me alone...please" you said with tears in your eyes and slowly moving away with each step Rafe took

"Leave you alone? Why would I leave the most beautiful girl alone?" Rafe speaks with his threatening voice and dark eyes

Now, finally you and Rafe were face to face. Looking deeply, Rafe looked at you like a predator, but you only knew how to be afraid

"...what do you want from me?" You speak with the tears slowly coming down

"I just want a date, my doll" Rafe says almost in a whisper, running his hands over your red face

"Okay, okay. And I'll go out with you, okay?" You say accepting almost desperately

"Do you understand? It's so easy to accept being my girlfriend" Rafe says, smiling like he's crazy and holding your face

"What? Rafe...and just a date, I'm not your girlfriend." You say amazed and Rafe shakes his head no

"Yes, you and my girlfriend yes, and then you will be my wife" Rafe says smiling but squeezing your face, Making you have tears in your eyes even more

"You don't want to make me angry, right? You know what I do when I'm angry." Rafe speaks clearly threatening you

Soon after, he kisses you desperately and madly, the kiss had fear, passion, love, aggression, all emotions flowed from that kiss. Now you were definitely Rafe's

[leighsartworks216]

I Come With Knives

Astarion x gn!Tav/Reader

I am not tagging anybody in this because this fic deals with very heavy subjects and I don't want to force anybody into that unexpectedly.

Title comes from "I Come With Knives" by IAMX

Warnings: blood, injury, blood drinking, mentions of past abuse (not explicit), mentions of emotinal/psychological abuse, mentions of (emotional) manipulation, self-inflicted injury (somewhat vague in description), trauma, slavery mention, angst with a dash of fluff here and there

If I need to add more PLEASE let me know

Word Count: 2,025

Main Masterlist

First Baldur's Gate 3 Masterlist - Second Baldur's Gate 3 Masterlist

I Come With Knives Masterlist

AO3

Tag List Form

The moment you laid eyes on him, you knew what he was. Even in the sunlight, those crimson eyes, the fangs, the bite marks. There was no denying it. But he never said anything about it, never brought it up, nor did he eat in front of you - so you let it lie.

You weren’t a vampire, fortunately, but unfortunately you’d been… a slave… to one. You toss and turn at night, imagining you’re back in her arms. Writhing under her, light fading as she drinks too much in her anger. How she coos and cuddles you afterward, urging water and fruit into your mouth as you cling to her. You wake up nauseous and panting, cold sweat sticking to your skin.

“Bad dream?”

You whipped around, the dagger you kept under your pillow aimed at the owner of the voice. Astarion chuckled, hands raised to show he was unarmed. You sighed and dropped your weapon.

“A really bad dream, then, or are you always so quick on the draw?”

You stay quiet and wipe the sweat off your brow and upper lip. There was a stream nearby… but the thought of being alone out here at night terrified you. Sleeping out in the open with another vampire mere feet away was bad enough.

But there was nothing else you could do now to distract your mind. Her eyes, her smile were burned into your every thought, taunting you, beckoning you back to her.

“I dreamt of my master,” you admit. His eyes squint with intrigue. You feel bile in the back of your throat. “She haunts me every time I close my eyes. I can’t get rid of her.”

He hums, contemplative. “When you say ‘master’...”

You hum, thinking you knew precisely what he was going to say. “She’s probably not too different from yours.”

All at once, he shuts down. The playful, charismatic aura about him turns to stone in a heartbeat. His voice is sour and sharp when he speaks, like a snake’s hiss. “I don’t know what you’re talking about.”

“Then pretend I said nothing, but you’re not exactly trying to hide what you are.”

He opens his mouth, fangs prominent, but the conversation is cut short when someone shifts in their bedroll. You both watch, waiting for the still silence to return. Even once it does, he says nothing.

“Goodnight, Astarion.” You tuck your dagger back under your pillow and lay back down, tugging the blanket up and over your neck. He catches a glimpse of puncture wounds before they’re hidden away once more.

-

It’s almost noon the next day when he brings it up. Shadowheart and Gale forge ahead, chatting idly about their goddesses. When he sidles up beside you, you wait for him to speak.

“I thought I was being subtle.” It’s light, almost a pout. He doesn’t want to scrape past the surface just yet.

“The fangs and eyes could be excused, if you weren’t an elf. But I’d recognize a scar like that anywhere.” You look at him from the corner of your eye. “And the jokes were a little on the nose.”

His lip quirks up. He looks at you appraisingly, sizing you up. “You have the same scar,” he pointed out. You looked straight ahead again. He looked too… pleased with himself for noticing. “No wonder you wear a high collar - it looks deep.”

“I…” you swallow. Thinking about her makes you so flustered. It’s hard to find words when just thinking about it placed a boulder in your gut. “I was her personal blood supply. Every night, she…”

You don’t see the way his face softens. Haughty superiority replaced with a sort of sorrow. Empathy.

“I’m sorry. I can’t talk about it.”

Leaves brush up against each other around you with the coming and going of a cool breeze. The only other sound besides the conversation up ahead was the sound of boots stepping on dirt and over branches. You focus on it all, desperate to distract your mind.

Astarion clears his throat. “Your form is lousy, by the way.”

You turn and stare at him as though he’d sprouted a second head.

He pretended to study his nails. “When you threatened me last night, your grip was sloppy. And you’d never be able to land a solid blow, not without breaking your wrist first. Threatening an enemy is only as good as your ability to act on it.”

“So my form was like an empty threat?”

He grinned at you like you were a child grasping the alphabet for the first time. “Precisely.”

“And I assume you’d be the one to teach me how to improve?”

“Darling, there’s no one better. I would be willing to give you a pointer or two. If you ask nicely.”

You smiled despite yourself. And later, back at camp, you said please and he showed you everything you needed to know to defend yourself.

-

The stars glisten overhead. Each twinkle is a secret shared between them. A whisper of gossip. You can almost imagine what it would sound like - the tinkling of bells, the soft clink of porcelain.

Astarion purposefully makes his steps louder so you don’t startle when his face pops into your vision. The bags under his eyes seem deeper. His cheeks more hollowed than usual, skin sickly white instead of simply pale. He nudges his head toward the forest, and waits impatiently as you stand to follow.

Long strides carry him quickly through the underbrush, you’re nearly jogging to keep up. And suddenly he stops, ways enough from camp that talking wouldn’t wake anybody up.

He paces, almost frantic. “I don’t know who else to come to for this. The others already don’t trust me - they’d kill me before showing an ounce of kindness.”

“Astarion, what are you talking about?”

He groans and comes to a stop in front of you. His eyes are crazed and starved and apologetic. “I’m hungry,” he finally quietly admits. He takes a step back when he sees the microexpressions in your face. The way your eyes become distant and sharp. At the same time as your mind wanders to your master, you were searching him for any signs of danger. “I know what you’ve been through, but I can’t keep slinking off to eat squirrels and boar - it’s not enough, not if I have to fight. I feel so… weak. I’m open to suggestions, darling, really. I’d much rather not latch onto an old scab.”

When he says it, you turn your head away to hide that side of your neck. You don’t even realize you’re doing it. He can hear your heart racing in your chest. He’s worried for a moment that you’ll pass out. But he waits, as patient as a starving vampire can be, while you think. He makes no move forward, no efforts to reach toward you or grab you.

If eating animals couldn’t satisfy him enough, then only bigger prey would. Your mind jumps to shout “HUMAN” in your ear, but then you’re reminded of the bodies left in your wake. With each encounter, all manner of unsavory types were abandoned, left to rot and decay.

“T- The goblins? Could you eat those?”

He huffs, frustration seeping into his tone. “Well, yes, but there’s a startling lack of them for at least a mile down the road. With your permission, I’d be more than happy to eat my fill after a fight - even during, should it come to that. But if I have to fight tomorrow like- like this,” he gestures to himself, but his voice chokes before he can describe what may happen. He sighs.

The moon watches silently as you struggle against yourself. The stars whisper vitriol to each other, giggling as you clench and unclench your fists. You could do it. You could help him, right now. But just thinking about his mouth on your neck-

You swallow. “I may have an idea. I- I don’t know how well it’ll work, but…”

“I’m all pointy ears, darling.”

You stumble over your words, trying and failing to explain your thoughts. Eventually, you huff in annoyance with yourself and tell him to wait there, before disappearing back in the woods towards camp. You grab your dagger from beneath the pillow, an empty bottle you found, and a roll of bandages.

He frowns when he sees what you’ve returned with. “What are you doing with all that?”

You shove the roll of bandages towards him and he takes them, unwilling to upset you further when your face was set with such determination. You hold the bottle under your arm and steady your blade against your hand.

“Darling, what-”

The smell of blood hits him like a tidal wave. He can’t tear his eyes away. Something animalistic inside of him wants to lunge for a drink; it takes every ounce of his willpower not to.

You uncork the bottle with your teeth and line the dripping blood up with the whole. With a squeeze and a whimper, blood begins to fill the container. The drip slows when the bottle is halfway full. Even for a small jar, it’s impressive. You hold it out for him to take, a slight tremor in your fingertips. “Drink it.”

He can’t argue. He can barely form the words to say anything. All he can think about is the sanguine fluid presented to him. He licks a stray drip trailing down the side of the bottle with a sigh. So sweet. So warm. Thick and rich, not some watered down rancid rat’s blood. He’s groaning as he tips it back, gulping every last drop down.

In his distraction, you pull the bandage from his hand. It takes no effort at all. You wrap a section around your hand.

Astarion sighs long and low when he finishes. His eyes are closed, savoring the taste on his tongue. “That was…” He huffs with a smile, fangs bared and tinted with your blood. When the daze of hunger passes, his eyes find you.

You tried repeatedly to hold the bandage in place, pinning it between the back of your hand and your stomach, trying to hold onto it with your fingers, even trying to use your teeth. It falls each time. You’re careful not to let it hit the ground. You had enough to worry about - best not add infection to the list. Pale hands stop you before you can try again.

You startle away at first. His fingers barely wrap around your wrist, making no effort to hold you in place, only to hold you steady. His other hand takes hold of the bandage.

“May I?” It’s deep, almost seductive. He has a smirk on his face again. Already his skin is gaining the slightest tint of color; his eyes don’t look as tired. “It’s the least I could do.”

Everything inside of you tells you to run away. He’s too close. One quick movement while you’re off guard and he could drain you dry. He could hurt you. Your dagger is abandoned on the ground, dirt sticking to the wet blood along its edge as it waits to be cleaned. You’re defenseless.

With the barest nod, he gets to work. Nimble fingers wrap the cloth securely and tie it off on the back of your hand, out of the way so you can still hold onto things. He guides your hand to his mouth and you’re scared he’ll tear the bandage off and dig his teeth and tongue into the cut, but all he does is place a small kiss over it.

“This is a gift, you know,” he whispers, eyes half-lidded not with lust - but something reminiscent of it. A poor imitation. “I won’t forget it.”

He lets go of your hand. With a smile - too devious to be genuine - he slips back into the woods.

Her eyes don’t haunt you in your dreams that night. Her mouth doesn’t curl around contempt and honeyed words. All you see is him. His eyes staring through thick lashes into yours as his lips place a feathered kiss on your hand.

[firewasabeast]

Carry the Burden

read on ao3 or below. 7.6k, tags: emotional hurt/comfort, mentions of past abuse, emotional/psychological abuse, depression, mentions of suicide, mentions of vomiting, love, care, no major character death

Summary:

With Buck, Tommy was an open book... mostly. There was one particular, very important chapter that he kept closed. He didn't bring up his childhood. Didn't mention his parents much. That was a part of his life no one but he and his therapist needed to know about. But a surprise visit from his father changes all that, and sends Tommy spiraling down a path he'd fought so hard to shun away.

They were on the couch, Buck laid out with his head on the arm rest and legs sprawled over Tommy's lap. Tommy had his own legs crossed and stretched out on the coffee table. Buck barely registered Tommy's phone buzzing as he reached and pulled it out of his pocket.

“Hm. Dad's in town.”

Tommy had been so nonchalant with his words that Buck was pretty sure he heard him wrong.

“What?” He asked as Tommy laid the phone beside him.

“My dad's here, apparently.” He didn't even look away from the TV as he spoke, keeping his focus on the basketball game.

They'd been sitting there for nearly half an hour now, Tommy watching the game while Buck did a deep dive on the history of mummification. It wasn't his first time researching the subject, but it was always good to get a refresher.

“Are you... are you going to see him?” Buck asked.

Tommy was an open book with Buck, mostly. It helped that Buck was always more than willing to share stories from his own past.

Tommy would talk about how he was a chubby kid growing up and got made fun of a lot for it. How he took up wrestling in high school. How he joined the military at seventeen, mostly to show his classmates just how strong he was. He'd go into detail about the missions he completed in the army, and the way it impacted his life to this day. He didn't shy away from who he was when he first became a firefighter. How he followed along with Gerrard because it was the easy thing to do. He made no excuses for himself.

Tommy talked about part of him wanting to stay at the 118 once Bobby came, but his past loomed over him like a dark cloud and, even though Hen and Chimney forgave him long ago, every time he walked into the station he was reminded of who he was and not who he wanted to be.

He talked about his first few weeks in therapy. How he went through three therapists before he found one he liked. How hard it was to come to terms with so many aspects of his life.

He still went to therapy, once a week, always on a Tuesday. That was one of his regular days off, and Buck knew there would always be a couple hours of radio silence from him then.

There was one aspect of his life that Tommy never really discussed in detail.

His parents.

It wasn't that he never mentioned them. Buck knew that his dad was not a good man, and that his mom died when he was young, but that's all Tommy had ever really said.

The scoff Tommy let out at Buck's question told him all he needed to know. “No, I- I will not be seeing him.”

Buck pushed himself up into a sitting position, bending his knees close to his chest. “How'd you find out he was in town?”

Tommy didn't have siblings. Didn't really have any extended family. None he was in regular contact with anyway.

“He texted me,” Tommy answered simply.

“I didn't even know he had your number.”

“Oh, he has it,” Tommy managed to look over at Buck and give him a grin that didn't quite reach the eyes, “he just rarely uses it.”

“But he is now?”

“Apparently.” Tommy turned back to the game, but Buck reached over and squeezed his forearm, regaining his attention.

“Hey, Tommy, use your words. I've never heard you mention your dad calling or texting you, but he suddenly is now? Is there a reason?”

Tommy sighed. He reached for his phone, unlocking it before handing it over to Buck. “That's all it says. He's not a man of many words,” he said, before mumbling out, “or many good words, at least.”

Buck read over the text:

In town. Let's talk. Stuff to figure out.

He handed Tommy his phone. “Are you gonna answer him, at least?”

Tommy shook his head. “No, I am not.”

“Aren't you a little curious...”

Buck's voice trailed off as Tommy reached for Buck's hand, gently tugging Buck towards him. Buck maneuvered himself until he was curled into Tommy's side, his head resting just below Tommy's shoulder. Tommy wrapped his arm around Buck, pressing a kiss to the top of his head. “I appreciate the concern,” he spoke quietly, “but this,” he added, lifting his phone, “is not happening.”

Buck understood issues with parents. He'd told that to Tommy so many times before. He'd gone over his life story time and time again, and Tommy always listened with the utmost care and consideration. He always seemed so happy for Buck too. Happy that he was able to, for the most part, work things out with his parents. They may not be on the best terms, and they'd probably never be what others considered a “close” family, but they were better. And that was good enough.

Still, Buck could tell that Tommy was done with the conversation, so he let it go.

“How much longer until the game is over?” he asked, changing the topic for Tommy's sake.

Tommy let out a laugh, shaking Buck slightly. “About ten minutes.”

Buck closed his eyes, settling further into Tommy's side, “Wake me up when it's over.”

*****

They'd been together six months now, had exchanged keys a couple months in, but Buck still felt a thrill every time he walked into Tommy's place knowing Tommy wouldn't actually be there yet.

Something about it just felt so domestic. And Buck loved that feeling.

They'd already discussed moving in together. If they both had a night off, they were never apart, instead switching between each place depending on what errands they had planned for the next day.

Buck had another two months to go on his lease, so they decided to hold out on actually moving in together until then. There was no reason to deny him getting his security deposit back, or being forced to pay rent for an apartment he was no longer living in.

Still, Buck preferred Tommy's house. It was an older place, and not very big, but it had a nice garage for working out and a good kitchen that Buck enjoyed cooking in.

Which was why he came to Tommy's today. Tommy was working, but he'd be off by six, and Buck wanted to have a good dinner ready for him to come home to. Bobby had given him a recipe for something called Marry Me Chicken, and well, who was Buck kidding, that was the ultimate goal.

They would be the first to admit they were a bit unconventional. Besides swapping keys two months into their relationship, they had discussed whether or not children were in their future on date number four.

Tommy never really let go of the fact Buck invited him to his sister's wedding after one failed date.

They had sex on Buck's balcony before they had it in his bed.

They said I love you for the first time in month three, when Buck was deathly ill with a stomach bug and somehow got vomit in his hair. Tommy got him in the shower, letting Buck rest all of his body weight on him as he cleaned him up. Wrapped in Tommy's arms, head resting on his chest, eyes closed as water and soap flowed down his body, and the taste of throw up still on his tongue no matter how many times he brushed and used mouthwash, he uttered out an “I love you” to Tommy. He didn't even care if Tommy said it back, but Tommy did. He pressed a kiss to Buck's temple, dragging a wash cloth down his back, and said, “I love you too, Evan. So much.” That wasn't just the day Buck knew he loved Tommy, it was the day he knew he wanted to marry Tommy.

And, no, the chicken wasn't going to be a proposal. That wouldn't be happening until after they had officially lived together for a while- which had been a discussion during date number six.

But the name of the recipe, the words marry me, made Buck feel soft in a way that almost felt ridiculous, especially since it was literally just a recipe for chicken breast.

Buck had just placed the chicken in the oven when there was a knock on the door.

He rolled his eyes. Tommy often came home with his hands full, opting to carry most of his items separately instead of placing them in his duffel.

“One of these days I'm not gonna answer,” Buck called out as he neared the door, “just to teach you a le- Oh.”

The words died out on his tongue when he was met at the door by an older man that was very much not Tommy.

This man had thirty or so years on Buck, and was a few inches taller too. He was broad- really broad. Like Tommy, but on steroids.

“Uh, sorry, I- I thought you were someone else,” Buck began after he collected himself. “Can I help you?”

“Is this Thomas Kinard's place?” The man's voice was gruff. The kind of voice you get after smoking a pack a day for years on end.

“It is.”

“You're not him.”

“I'm not.”

“Where is he?”

Well, this conversation was going swimmingly!

“I- I'm sorry, who... are you?”

“Right,” the man held out his hand, although the scowl on his face remained. “Charles Kinard.”

Buck couldn't hide the surprise on his face after hearing the name. He shook Charles' hand, which held on a bit too tightly. “Oh! Oh, you're Tommy's dad.”

“'S'what it says on the birth certificate.”

Once Charles let go, Buck moved out of the way, allowing him to come inside. “Come in. Sorry, I was, um, not expecting anyone. I'm Evan Buckley, um, Buck, by the way. Sorry.”

“You apologize a lot,” Charles noted as he walked farther into the house, eyes drifting around the place.

“Yeah, I- I know. Sor- uh, Tommy should be home pretty soon. He's been working. Was he... Did he know you were coming?”

He cringed at the question, knowing it was an odd thing to ask. He was still trying to catch up with what was going on. Tommy hadn't mentioned his father since three days ago, when he got the text he never answered. Maybe he had ended up answering and just never said anything to Buck, but that wasn't like Tommy.

“Not really,” Charles answered, finally turning to face Buck. “Who are you?” he asked, eying Buck up and down. Buck wasn't really sure if Charles was looking at him, or his apron, which he now remembered said, 'I like my meat rubbed, jerked, and pulled!'

Buck untied the apron and unceremoniously pulled it off of him, crumpling it up in his hand. He realized in that moment that he had no idea what Tommy's dad actually knew, or didn't know, about him. “I'm his friend,” he settled on, “from work.”

“You work together?”

Buck nodded. “Sort of. Different stations, but, yeah, um, yes we're both firefighters.”

“Mm.”

“Uh, why don't you have a seat,” Buck suggested, motioning toward the living room as he stepped closer to Charles. “Tommy won't be too much longer now.”

Charles moseyed into the living room, glancing around at the décor before taking a seat on the couch. “You come over and cook for your friend while he works?” Charles asked as Buck returned to the kitchen.

He wanted to text Tommy, or call him, and let him know what was happening, but he knew he couldn't. He couldn't exactly talk about his dad while he was right in front of him, and Tommy wouldn't check a text when he was driving.

“I, uh, I like to cook,” Buck started, trying to think of an explanation that didn't sound too ridiculous. “And he's got a good kitchen, so I come over, um, sometimes to cook. I- I pay with food.” God, he was an idiot.

Another grunt like sound came from Charles, and Buck was about ninety percent sure he didn't buy it.

Buck wasn't sure how to communicate with the man. He was usually pretty good about stuff like this. He could make up random things to talk about with anyone, whether they wanted to hear it or not. But this was his boyfriend's father who didn't know for sure that Buck was Tommy's boyfriend, and all the questions that were coming to Buck's mind were only questions a significant other would ask their partner's parents.

“So, Mr. Kinard,” Buck began, beginning to slice a cucumber. He wasn't even planning on using a cucumber for anything tonight, but he needed something to do.

“Charles.”

“Charles, um, what... are you visiting LA?”

“Yeah.”

“Oh, good. That's... that's good. I'm sure Tommy will be happy to see you.”

Yet another grunt. This one almost sounded like a snort. Buck leaned over slightly to get a look at the man, who was staring straight ahead, eyes fixed on the turned off TV in front of him.

“You should stay for dinner,” Buck suggested, hating himself as the words left his mouth. “There's gonna plenty.” That was true. He always made enough for leftovers.

“Okay.”

This truly was a man of few words.

Buck was just about to tell him he could turn on the TV and watch something when he heard the sound of keys jiggling in the doorknob.

The door opened before Buck could get to it.

“Oh my God, Evan, what smells so good? I could smell it from outside,” Tommy said, walking inside. Buck met him at the entryway.

“Just chicken. Um, Tommy-”

Tommy dropped his duffel at the door, “I even put my stuff in it this time,” he said, wiggling his eyebrows as he grabbed at Buck's shirt to pull him in for a kiss. Usually, Buck would've been thrilled. Told him it was about damn time and asked if he could take a picture to remember this moment forever.

Instead, he quickly pulled away from the kiss and unwrapped himself from Tommy's touch.

“We have a visitor, Tommy,” Buck said when he was met with a confused face. “You do, I mean.”

“I was wondering who's car was out front,” Tommy replied. “Figured the neighbors were having another party or something.”

“No, um, it's...” Buck's voice trailed off. He could tell Charles was somewhere behind him now. Could see that Tommy's eyes trailed from looking at him to looking at his father. Whatever was left of the smile on his face disappeared, his skin paling.

Part of Buck wished he could disappear. Just melt into the floor and turn into a puddle of goo.

The other part of him had the urge to stand between the two men forever, making sure Tommy was protected from whatever pain his father had obviously caused him.

Buck had never seen the look on Tommy's face before. It looked like fear and sadness, mixed with rage.

“What are you doing here?” Tommy asked as Buck stepped to the side to get out of the way.

“Well, hello to you too, TJ.”

TJ? That was new.

“Don't call me that. What are you doing here? How'd you find my house?”

The problem with where Buck was standing, was that he couldn't move toward the kitchen without walking directly in front of the two men, and he wasn't sure this was a good moment to move.

“I'm not an idiot. You own the place, I looked it up. I texted you when I got to town.”

“I know you did.” Tommy shrugged off his jacket, dropping it on top of his duffel bag. “Thought you'd get the hint when I didn't answer.”

“You know how I am with subtleties.”

“Not answering a single one of your texts for three years is not exactly subtle, Dad.”

Buck could not do this any longer. He could feel Charles' eyes on him and, if he was going to be Tommy's friend, he couldn't exactly go into protective-boyfriend mode.

“I'm gonna,” he pointed toward the kitchen, “just go over there.”

Tommy waited for Buck to be out of the room before continuing. “You need to go,” he said, staring his father dead in the eyes.

“Hm. Thought you wanted to know what I was doing here?”

“Decided I don't care.”

Charles smiled. It didn't reach his eyes the way Tommy's did. There were no laughter lines, no scrunched up nose. Just a meaningless smile. “You're lookin' good, TJ. Lower BMI than the last time I saw you. That's good.”

Buck wasn't sure if he was hearing things correctly. Who says that to their kid after not seeing them for years?

“And you're looking me in the eyes. You always struggled with that before.”

“It's easier now that I'm too big for you to hit.”

Buck sucked in a breath. It was impossible to not overhear the conversation. With the open floor plan, Buck could still see Charles, although he didn't have a view of Tommy.

Charles laughed. A deep, guttural laugh that made Buck feel uneasy. “You're never too big for that, T-”

“You need to go. Now.”

“Hang on a minute,” Charles said, waving Tommy off. “I gotta talk to you about my will.”

“I don't give a damn about your will.”

“I've got fifty acres of land in Colorado, TJ. Been in the family for generations.”

“You've got a double wide trailer on that dump of land and couldn't get rid of it if you tried. I don't want it.”

Buck could hear shuffling, so he quickly picked up a knife to make it look like he'd been chopping away at that same cucumber from earlier.

Tommy entered the kitchen, washing his hands at the sink before turning to Buck. “Need help with anything, Ev?”

“N- No, um, no, I'm good.”

“I'm not getting any younger, TJ.”

Tommy placed a hand on Buck's lower back. It was as though it was an anchor for him. Something to keep him steady.

He glared over at his dad. “You're still here?”

“Don't be dumb, Thomas. I'm not leaving until we talk about this. Besides, your friend here invited me for dinner.”

The hand on Buck's back stiffened, before being removed completely. He turned his head toward Buck. “You did?”

“I- I thought you two might, um, might want to catch up.”

He hoped Tommy could read between the lines. Hoped he understood what Buck was really trying to say.

“I felt like I had no other choice. This was really awkward, even for me, and I panicked. Please, don't hate me.”

“That's kind of you, Evan,” Tommy replied, his attention returning to his father, “but we don't have anything to catch up on.”

“Hey! Don't stand there acting like I'm the problem,” Charles said, crossing the room in three steps. Buck could feel Tommy stiffen beside him. “You're the one who left, not me! I've been the one contacting you. You can act like I'm a terrible father all you want, but I'm the one that helped you be something!”

“You didn't help me! I ran from you! I was seventeen years old, Dad, joining the army to get away from you!”

Buck wanted to say something. Wanted to kick the man out of the house, or at least hold up his bowl of finely chopped cucumber and ask if anyone wanted a bite.

But, this wasn't his house. Not yet, anyway. And, somehow, he felt responsible for this whole debacle. He couldn't stop thinking about how he should have done things differently. He shouldn't have let Charles in the house. Shouldn't have attempted to make conversation. Shouldn't have invited him to stay for dinner. Should have figured out a way to call and warn Tommy. Should have texted him anyway; maybe he would have read it before getting out of his truck.

“You know, I really should have known better,” Charles said, shaking his head. “Should have known you wouldn't want to help your old man out.”

“Help you out?” Tommy asked, exasperated. “I have done nothing but help you out for years! I bailed you out of jail three times. I paid your gambling debts for you. I took a second mortgage out on my home so I could pay your back taxes! If I didn't stop answering your messages, I'd be living on the streets! And now you want to come talk about a will? On property that you've nearly foreclosed on twice? I'm surprised you even have that place any-” he stopped mid sentence. Buck glanced over at him, worried something had happened.

“You're about to lose the property, aren't you?” Tommy asked. That made much more sense.

“Now, just listen-”

“You're really here to have me buy the property, and give you the money, so you can go blow it on booze and steroids and hookers and whatever else you feel like.”

“This is what family does, TJ,” Charles said, pointing at Tommy as he eyed him down. “They help each other when they're in need.”

“When have you ever helped me, Dad?” Tommy asked. His voice was different now. Resigned, almost. “Never.”

“I don't need to stand here and listen to these lies in front of your friend!”

Tommy scoffed. “I think you know he's more than a friend.”

“Yeah, I do know. He's been bumbling like an idiot since I got here.”

Buck could feel his face turning red. He wasn't embarrassed by Charles' words, more surprised by the man's lack of filter.

“Get out.” Tommy demanded. “Now!”

Charles moved even closer, a tight fist placed on the countertop of the island. “You owe me!” he spit out through gritted teeth. “The embarrassment you have caused me. Being the way you are, having to answer questions from my friends! I have been trying to knock sense into you for years!”

“Maybe I was too busy lying to doctors in the hospital for the sense to really get knocked in there!”

“Pathetic,” Charles said, before mumbling out, “like your mother.”

“Get out.” It was Buck's voice this time. It no longer mattered to him that this wasn't his home. He didn't care if he was overstepping. Tommy could be mad if he wanted.

For as little as Buck knew about Tommy's family, he did see the way Tommy's eyes got red and glassy when he mentioned his mom. How he'd clear his throat and say she was a good woman, a great mom, gone too soon. From what he'd pieced together on his own, it was a suicide.

Tommy had never said as much, but he came to Buck's after a particularly bad shift. Buck hadn't even been expecting him. He showed up at the door, eyes blank, mind somewhere far away. He'd even forgotten he had a key of his own.

He'd curled into Buck the second the door opened, arms tight around Buck's waist and head turned into the crook of his neck.

Buck squeezed him back just as tight. Asked if he was okay, accepted the silence in return. They stayed there for a while, until Buck was finally able to convince Tommy to move to the couch.

Tommy snuggled up to Buck's side the second they sat down. He laid his head on Buck's chest, one arm curled between them and the other resting over Buck's stomach. They'd rested like this before, but this was the first time Buck ever thought that Tommy looked small. Not physically, obviously, but the way he acted was like a child in desperate need of comfort.

So that's what Buck did.

It was the longest thirty minutes of silence before Tommy spoke. “I worked the ground today,” he explained through a shaky voice, making no effort to move off of Buck. “We were short-staffed. There was a call. A kid found... he found his mom. She was in the bathtub. She was already,” he swallowed down a sob, “she was gone already. He was freaking out. I waited un- until his dad got there to be with him.”

“That's terrible, Tommy,” Buck said, running a soothing hand up and down Tommy's bicep.

“It just... it reminded me-” he cut himself off, took a deep breath, “I like being in the air.”

Buck wasn't dumb. He could put together a puzzle that was missing half its pieces. He knew better than to press the issue. Knew what Tommy needed right now was simply to be held.

So he held him.

He held him until Tommy's breaths evened out and the sun had long set.

And now, with Charles in front of him, it was all Buck could think about. That moment replaying in his mind as Tommy's father spewed venom from across the counter.

“If you're not out of here in ten seconds, I'll call the police for trespassing, and you seem like the type who has warrants waiting for them.”

Charles opened his mouth to speak, but Buck grabbed for the phone in his pocket.

The older man held his hands up in surrender and, without another word, turned and left the house.

There were a few beats of silence before Buck spoke. “Tommy, I-”

“I need to go for a walk.” Tommy's voice was stoic.

Buck didn't like that. He followed behind Tommy as he headed for the door. “Do you want me to come with you?” he asked.

Tommy picked up his jacket and slipped it on. “No, I'm fine.”

“Tommy, I don't-”

Tommy stopped in the open doorway, hand still on the knob but halfway out the door already. “Evan, I'm fine,” he repeated. His voice wavered this time. Only slightly, but enough for Buck to catch it. “I just need a minute.”

Buck nodded, pursing his lips together. “Yeah, okay.”

He stood there long after the door had closed.

*****

A cool breeze filled the air as Tommy walked down his street. He stuck his hands in his jacket pockets as a chill came over him.

He was tense. He kept trying to make sense of the thoughts in his head, but everything felt all jumbled.

He'd been doing so well. Therapy had helped him work through so many of the issues he had with his dad. Had helped him cut off contact. He stopped enabling the man and set himself free of him.

The only reason he didn't block his dad's number was because he knew, one day, a police officer or one of his dad's deadbeat friends would be calling to say he was dead. Even if he cared nothing for the man, he'd still like to know when it was all over.

There were times Tommy would sit and think about the things he'd say if he ever came face to face with his dad again. He had a list. All the ways his dad had screwed him over throughout his entire life.

And then the one time he actually did come face to face with the man after all these years, he didn't say a single damn thing he'd written down.

He knew he'd never get the chance again.

Knew his dad wouldn't really care anyway. He never cared about the pain he caused, even when Tommy was a little kid.

His jaw tensed. He could feel the sting of tears in his eyes, but he didn't let them fall. He didn't want to cry anyway. He wanted to be mad.

That's what his dad always got angry at him for. Tommy would get upset, and he'd cry. His dad would yell, and he'd cry. His dad would hit him, he'd cry. His dad would hit him harder because he was crying, he'd cry even more.

Kids at school would make fun of his weight.

His dad would make him run laps until he'd puke.

He'd avoid eye contact to try and not be noticed.

He'd cry.

He'd cry.

He'd cry.

Not now though. Now he could hold it in. He finally learned that as a teenager. Perfected it over time. His therapist helped him with that too; taught him not to hold in his emotions. For the most part, he didn't anymore, he'd let himself feel whatever he was feeling. Right now he needed to control something, and this was the something he could control.

So he didn't cry.

But he let himself be mad.

Because he was so damn mad.

Mad at himself.

Mad at his dad.

Mad at him showing up to his house, invading his safe space, a space that had been free and clear of the trauma of his youth.

Now, every time he'd step in that house he'd see his dad there.

He hated that.

As much as he hated to admit it, a part of him was mad at Buck too.

No, mad wasn't the right word.

Envious, maybe.

Every time Buck talked about his parents, a twinge of envy sparked inside of Tommy. He knew it was stupid. He didn't even particularly like Buck's parents. He definitely didn't like who they used to be, how they used to treat their son.

But, to their credit, they had been trying now.

And that's where the envy came in.

Because Buck's parents went to therapy with him. They started showing up, being there for their kids, through good and bad, even when they weren't comfortable.

And yeah, they were a little late, and not all wounds ever completely heal. There were still problems, and they were always a bit on edge when Tommy was around, but they were there.

They still put on a smile for Buck, however forced, and corrected themselves when they called him Evan.

They'd never hit their kids. Sure, they were a little too busy ignoring them, but Maddie and Buck never had to be afraid of their parents.

“We were invisible,” Buck had told him once.

Tommy didn't say it, he'd never speak the words out loud, because he knew how much being invisible hurt Buck. But, the first thing Tommy thought when he heard that was I wish I could've been invisible too.

Even thinking something like that made Tommy feel like a bad person. Actually, he often felt like a bad person. A terrible, terrible person who was so undeserving of any forgiveness, happiness, and love. He'd think about who he became in the military. Closed off, angry, ruthless at times. He'd killed people. He didn't think about it. Just dropped the bomb on whatever target he'd been told to hit. They were just targets. Living, breathing targets. He'd hear reports of kids getting hit with missiles, innocent casualties who were in the wrong place at the wrong time. But that was war, and you didn't get emotional with war. Until you got home and you had to reason with who you'd become.

Then he'd think of who he became when he got hired as a firefighter. More closed off, angrier, trying to make up for what he'd done by saving lives instead of taking them. But, no matter how many saves he got, it didn't make up for the kills. And you could get close to people, but you'd probably lose them just like you did in the military, so why have a friend if they're just gonna die anyway?

Plus, there was Gerrard. Gerrard, who was so much like his dad in so many ways. A crass bastard who didn't care who he offended or how he mistreated people. Tears were a weakness, emotions were a weakness, and Tommy was tired of people thinking he was weak. So, he made sure he wasn't.

The difference between his dad and Gerrard was that, if you fit in with Gerrard, he wouldn't bother you as much.

His dad bothered him regardless.

Tommy was not a good person when he had Gerrard as a boss. At first, he blamed Gerrard. Healing came when he took responsibility for himself.

Even with the healing; with leaving the 118 and starting over. With getting therapy and changing his mindset and forgiving himself, there were times when he felt like the biggest fraud in the world. Because he may have forgiven himself, but he didn't deserve the forgiveness of the people around him.

He didn't deserve the friendship of Howie or Hen. He didn't deserve Eddie, who was always excited to hang out. He didn't deserve weekly dinners with Bobby and Athena, who would ask him about his week and listen to his stories. He didn't deserve Maddie, who was ready and waiting to watch The Bachelor each week with wine and a cheeseboard.

He definitely didn't deserve Evan.

Evan.

Who was always there, no matter what. Wore his heart on his sleeve, would do anything for anyone, Evan.

Evan, who was a soft kiss after a hard day. Who's body fit with Tommy's like two puzzle pieces that were finally placed together. Stubborn, smart, bold, unafraid, open, honest, loving, kind, adorable, Evan.

He'd talked to his therapist about it one day. Things were going too well, his life felt too good, and that nagging voice drudged its way up from the back of his mind to repeat over and over you don't deserve it, you don't deserve it, you don't deserve it.

Then his therapist asked him a simple question. “When you hear the voice, is it your voice, or is it your father?”

After thinking about it for a while, Tommy answered, “A morphing of the two. Starts as him, ends as me.”

A nod. “Let's dissect that.”

They did.

It sucked.

But it helped too. It didn't make the feeling go away, but it did help him recognize that what he was feeling didn't just stem from the choices he made as an adult, it started all the way back when he was a child. When he was told, time and time again, how he didn't deserve good things.

Oftentimes, Tommy felt like his mind was a cruel joke that liked to play, well, mind games on him. As soon as he'd push through his feelings of being undeserving, his brain would laugh and tell him he was pitying himself. Making himself the victim when, in the majority of the things he did as an adult, he was in fact not the victim. This would, in turn, make him feel undeserving of feeling undeserving.

“My mind is a very screwy place,” he said on a particularly grouchy day at therapy. “Truly can't believe they let me fly an aircraft.”

“It sounds kind of like you're torturing yourself for not being perfect.”

“I feel like the more I try to learn and grow from my past, to- to move on from it, it throws itself right back up in my face. I try. I really, really try to let it go, but I can't.”

“I know it's a sensitive topic for you, Tommy, but-”

“No.” Tommy knew where this was going. “No, it's not that.”

A sigh. “Tommy, how old are you?”

He was not in the mood for this today. “Forty-one.”

“And how old was your mother when she passed?”

“Forty-two.”

“I know you've mentioned before how she held onto her guilt. She felt hopeless. Worthless. Let it eat away at her. Your words.”

“I'm not like that. I'm not... I wouldn't do that. I don't feel that way.”

“I'm not saying that you do. I'm saying, sometimes, the reason we feel certain ways stems from our parents, grandparents, etcetera.”

Tommy uncrossed his legs, picked at a string hanging from his jeans. “Can we change the subject? Evan and I have a date tonight and I don't wanna be bitchy when I pick him up.”

*****

Tommy continued down the sidewalk, the only light from the street lamps above him. Occasionally, he'd hear a dog bark or a bird chirp but it was mostly quiet.

He was a couple miles from home now. He knew he should be heading back. His anger had mostly died down to something else by now. Something he couldn't really explain.

Emptiness, maybe?

Yet another word he'd used to describe his mother before.

But, he wasn't like her. He could always get out of bed. He didn't have problems brushing his teeth. He didn't let himself go. He never lost his appetite. He never felt like downing an entire bottle of pills on a regular Sunday afternoon. Would never think of risking his future child walking in the room, excited to tell him about winning the little league game, and instead find him on the floor, long gone.

“I'm the complete opposite of her,” Tommy said at his next session, still annoyed from the previous week. “I don't call out of work, I take extra shifts, I always have something planned when I'm off. I'm in a stable relationship which, yeah, I've only been in for five months, but it's been the best five months of my life. I manage everything fine. Sometimes my mind is just a dick to me.”

“Depression is different for everyone,” his apparently all knowing therapist replied. “Some people have all the symptoms, some have a few, none are exactly alike. There's levels to it, different kinds.”

Tommy slumped back on the couch, sighing as he stared out the window. “Well, that really sucks.”

He tried to be open with Evan. He'd told him so much about his life, about who he was. Evan knew everything about Tommy's time in the military. He knew what Tommy was like when he worked under Gerrard. He knew all the ways Tommy had struggled with himself and his sexuality. He knew all the bad parts, and he loved him anyway.

“I've made so many versions of myself, Tommy,” Buck told him one day, “I think I lost count at 5.0. They're all still me though. I wouldn't be here if I was never there, and I really, really like being here. Sometimes the crappy stuff makes you better in the end.”

Maybe it wasn't as well spoken as something his therapist would have said, but Tommy understood. No matter what, Evan wasn't going anywhere. He wasn't scared off by Tommy. Didn't judge him. He loved him. They loved each other.

Still, as Tommy walked the desolate street, he couldn't help the new voice inside his head. This one was his alone. It was telling him that, as open as he'd been, he'd still closed off a huge part of his life to Evan. It wasn't even necessarily intentional, it was just easier. Easier to avoid the topic altogether. However, it wasn't exactly fair.

He could hear his therapist in his mind, asking him the questions. “Why do you think you've closed that part of yourself off to Buck?”

He'd answer, “I don't exactly like revisiting the subject.”

“Do you not trust him with that part of your life?”

“Of course I do! I trust him with every part of my life.”

“Then why don't you tell him?”

“Because...”

“Because?”

Tommy would feel like pulling out his hair at this point. “Because I have spent so many years letting those parts of me go!”

“Have you really let them go? Unless you hit your head and get amnesia, is that even possible? Wouldn't it be easier if you let your partner help carry the burden when it gets hard for you?”

“He doesn't need to carry my burdens.”

“Don't you help carry his?”

On the street, Tommy stopped in his tracks. He groaned, staring up at the sky as if his therapist was some ethereal being. “I hate you,” he mumbled, before turning around and heading back home.

*****

He opened the door expecting to be hit with the ghost of his father standing there just hours earlier. Instead, he was met with the sight of Evan. Straight ahead at the kitchen table. He plopped his phone down on the table and stared up at Tommy, eyes wide and wet.

“Hi,” Buck said softly. He eyed Tommy carefully, trying to gauge the mood.

Tommy let out a shaky breath. “Hi,” he replied, shrugging off his jacket and, once again, placing it on top of the duffel that hadn't moved.

“I was worried about you. You didn't take your phone and I- you were gone a long time.”

“I'm sorry. I didn't realize.” He really hadn't. He forgot he had ever put it in his duffel in the first place, usually opting to keep it in his pocket the majority of the time.

“S'okay.”

Tommy walked over to the table, pulled out the chair next to Buck, and sat down.

“I'm sorry, Evan,” Tommy repeated, for a different reason this time. “I shouldn't have left like that.”

“You don't need to be sorry.” Buck sat up straighter, splaying his hands out on the table. “I'm sorry. I had no idea your dad was like that. If I did, I never would have let him in your house.”

“Our house,” Tommy corrected. “Soon enough, anyway. You don't need to be sorry either. You didn't do anything wrong.”

Buck smiled at him, turning one hand up for Tommy to take. “Can neither of us be sorry instead then?”

Tommy held onto it, Buck's touch relaxing him in the way it always did. “Sounds good to me.”

“Are you hungry? I left the food in the oven on warm, just in case.”

Tommy nodded. “Yeah, I am actually. I'll get it though, you relax.” He squeezed Buck's hand as he got up. Before walking away, he leaned down, pressing a kiss to Buck's temple. When he began to pull away, Buck held onto his shirt, turning his head and giving him a real kiss. He moved his hands up to Tommy's face, stroking his thumbs along his cheeks as he did his best to project all his love into the kiss.

Tommy looked dazed as they parted. “I think I need to go on walks more often.”

Buck rolled his eyes, swatting at Tommy's butt as he walked off. “Ass.”

“And you love it.”

“I suppose I do.”

“So, what'd you make?” Tommy asked, putting on some oven mitts before pulling the dish out of the oven.

“You're, uh, not allowed to laugh at the name. It's a recipe I got from Bobby, but he got it from the internet or something.”

“Oh God, did you make that goat in the boat dish again?”

“It was toad in the hole, and you loved it!”

“Mm,” Tommy hummed. He got out a couple plates and started plating the food. “What's it called?” he asked again.

“It's... It's called, um, it's Marry Me Chicken.”

After a beat of silence, Buck looked over to see Tommy staring at him, an eyebrow raised. “Evan Buckley, are you proposing to me over a chicken dish?”

Another eye roll. “Absolutely not.”

“You know the saying, the way to a man's heart is through his stomach.”

“And all this time I thought it was through his ass.”

“Aye!”

Buck laughed, resting his chin on his hand as he watched Tommy finish up in the kitchen. “There's also some very finely chopped cucumber in the fridge if you'd like that as well, but it's not part of the dish.”

“Still a delightful addition to any meal,” Tommy replied, grabbing the bowl out of the fridge. He balanced it on his wrist before picking up the plates and bringing them to the table. “This looks amazing, Ev.”

“I hope it tastes good.”

“I'm sure it will.”

As Tommy and Buck both began to cut up their pieces of chicken, Tommy glanced over at his boyfriend. “So, um, tonight was... it was a lot.”

“Yeah, it was.”

“I wanted to...” Tommy's voice trailed off, unsure of how to articulate what he wanted to say. He put down his cutlery and focused on Buck. “I was thinking on my walk about how open you've always been, talking about your mom and dad. Even the hard stuff, the uncomfortable stuff, you share it all. I- I haven't done that with you, Evan. That's not fair to you.”

“I've never felt that way,” Buck assured him. “I understood.”

“Still, I- I've always shared everything with you, besides that. It's not even the worst parts of me, really. I know... I know that stuff, when I was a kid, I know none of that was my fault. I think part of me felt like if I ignored it forever, it would eventually go away.” He shook his head. “It doesn't go away.”

Once again, Buck held out a hand for Tommy to take, connecting them on top of the table. “I'm here. Whenever you're ready. Now. Ten years from now. Whenever.”

Ten years from now. Those words hit him hard. He could feel his heart swell.

They were forever. Evan was his forever.

He took a deep breath, his residual anxieties melting away. “There's a lot about my parents you don't know.”

“Practically everything,” Buck agreed.

Tommy let out a laugh. “Well, I'd like to change that,” he replied, sharing a soft smile with Buck.

“Are you sure?” he asked. “Because we don't have to right now, if you're not ready.”

“No, I'm ready,” he answered. He squeezed Buck's hand tighter. “There's a lot to talk about with my dad,” he started, grabbing up his fork with his free hand to pierce a piece of the chicken, “but I think I want to start with my mom. She was... She was a lot like me.”

Buck nodded, smiling gently. “I love her already.”

[sleeplessdreamer14]

oooooh you should do a little piece on 1A & midoriyas twin in the support course. i think it would be cute

fandom: my hero academia

summary: both midoriya twins are attending UA, one in the hero course and the one in the support course

contains: mentions of the deku fan club, implied ururaka, iida, and/or bakugou x reader

a/n: if this gets enough notes I’ll do another one where it’s the other way around 🔄 divider credit goes to @cafekitsune

while Izuku wanted to become a pro, you wanted to be a support hero

all throughout grade and middle school, the two of you would constantly imagine what it would be like to work as heroes together

and then high school rolled around and Izuku got ofa from All Might (yes he told you everything) and you frankly lost your sh!t

thank goodness your mom wasn’t home yet because it took a solid 15 minutes for you both to chill tf out

never had there ever been such pure delight in that apartment

anyway, you both got into UA and you wound up buying a pair of noise canceling headphones so that Hatsume’s projects wouldn’t blow out your eardrums

it took a little while but you eventually learned to tune her out a bit so you could focus on the gadgets you and Izuku had come up with in junior high

the first time Iida and Ochako formally met you was in episode 14 when they stopped by your department you had to yank Mei off of Deku and tell her to stop feeling up your brother

the brunette almost immediately saw the resemblance and honestly thought you were pretty cute in your work outfit

Iida greatly appreciates how much calmer and more cautious you are than your pink-haired classmate, wishing he had come to you for help sooner

he also found you pretty easy on the eyes

during the sports festival, you two kept an eye out for each other

and just when you thought you couldn’t be prouder of him, you saw him fly through that faux minefield and couldn’t suppress the beaming smile on your face even if you wanted to

in the next round, you had no time to focus on the scratch in your throat as you tackle hugged Izuku without a care in the world about which place you came in

your laughter was contagious as he hugged you back, double high-fiving you as you parted

talk about supportive family, right?

although you don’t interact as much as he and Izuku, Toshinori has a lot of faith in you and holds you in high regard

also, in regards to the Deku Fan Club™

when he introduced you to the rest of his class, their title was officially changed to the Midoriya Fan Club

honestly, sometimes he stops by your department with some half-baked excuse just to see you cuz he misses you

oh-ho-ho and just picture the day that you feel a tap on your shoulder while you’re working and you take your headphones off and find Bakugou of all people standing before you, asking for your assistance

you were a little tempted to poke and prod at him a little, but ultimately decided to just help him out

you’ve waited this long for him to simply talk to you, might as well not try your luck

ever since you got into UA, he had been hesitant to talk to you but finally decided to bite the bullet (after Kirishima used some good old reverse psychology on him)

as you tinkered with his support items, you stole a couple glances over at him, smiling to yourself as you noticed the differences between him and the guy you knew back in middle school

you’re consistently over at the 1A dorms, especially while Izuku was under house arrest, and you like to have little meet ups with the rest of the class so you can come up with concepts for support items

sometimes Aizawa forgets that you’re not in his class with how often you hang around

I’ve said it before and I’ll say it again; look out world, here come the Midoriyas

I hope this shall suffice

[detrahere-se]

-VENS RESPONSE

jesus christ i need a hobby but GOD this response was full of shit.

(depending on what time people see this post without seeing the original, i have copied all of the text from the doc is anyone wants it.)

i’m gonna talk about this briefly because i don’t wanna put so much time into this, but Ven EVER SO clearly admits to being manipulative, even if their wording doesn’t make it seem like that, they don’t apologize for BEING manipulative to the other ‘victims’. if anything, Ven made other people by making some of them go into an episode or similar and purposefully twisting people’s ideology and perception of their interactions with alex.

and which that is quite literally PSYCHOLOGICAL MANIPULATION. which was not apologized for! all was said about that was how they wanted to take accountability for it. uhh ven! apologies are the second stage of accountability!! “If my actions are construed as manipulative and sociopathic, then they should not be blamed for speaking out when I influenced them by starting this entire discussion in the first place. I want to be the one responsible for this.” (paragraph 16) this!! this does not seem like real accountability!!

ven does apologize for being trans misogynistic, but it seems so un-genuine that it’s crazy and my only, but best, reason for thinking this way is that when ven crumpled up the excuse as outing alex for being trans because alex groomed them, but then TOOK IT AND RAN. baby was a WHOLE ASS track star with how far they drove this idea into the ground. as a transgender individual myself, i do not forgive ven, but its not my place to give either way. it’s alexs’.

“Again, as hard as it is to believe, I was fearful that you could’ve taken your life during any of this. And I know that doesn’t make any sense because I made your worst fears come true.” (paragraph 21) god, do i really need to explain how bullshit and ignorant this is? or do we all have enough common sense and iq above the average 7th grader to understand how this is bad?

so, i’m gonna leave this off at here. i really hope alex is getting better and will continue to make content and understand their misdoings. i’ll try to answer some questions if anyone has any about the document.

[scrubbinn]

Mimic HRT: 20 months “Broken patients”

“Ah Ms.Mulberry… I, er, didn’t expect to see you. This early I mean. Making use of that outside privilege we worked so hard to get you. Of course you would. We managed to set the standard that all of your kind will keep their citizenship status until their crossroads, rather than at the start of their treatment. But, we’ll need to make sure this doesn’t happen again. Why don’t you- Ah, already taking a seat I see. So then… How are we feeling today? You seem… yourself.”

“...”

“Well, let’s see, what we can expect now is a few more days in court just to settle things, make sure the government is satisfied with the arrangements we all agreed upon. We’ll also need a few weeks to determine if this therian support group is actually reputable enough that this will count towards your psychological evaluation. Recently there have been some rumors about the manager being a bit unsavory, so that will cause a delay, if not entirely set you back some time. Really now, you must have realized finding a professional therapist would have been a much safer move… Excuse me, Ms.Mulberry, can I inquire why-

“You will not. Now keep talking.”

“Ms.Mulberry you seem rather upset, perhaps-

“You’re wondering why I decided to not use my mimicry to disguise a face for myself today. Oh believe me, I would have loved to walk in here a mass of sludge with eyes and teeth all over but it turns out human society doesn’t really like that too much. Having a head with no eyes to look at is a courtesy I am giving you. It’s more than you deserve. What the fuck is all this talk of we? You weren’t even at the last fucking meeting. Our lawyer wasn’t even at the last fucking meeting!”

“You’re clearly distressed, you should leave the premises immed-

“SHUT UP! YOU DON’T GET TO TALK!... Just shut up and listen. There is no we. As far as I am aware, this bullshit lawsuit against your clinic is the most roundabout way to specifically get me into a criminal court considering this incident didn’t even take place in hyper city. The lawyer I was given is somehow less competent than you are! Do you know how much time I’ve spent these past two months learning, specifically, Hyper city legal jargon? How overly complex a nexus point’s laws have to be to account for literally anything! And you left us to sink or swim! I could pass the fucking bar exam here if I wanted to at this point! And the worst part, oh my god the worst part. It cost me everything. I can’t so much as afford a hot dog on the way back home now. Because you’re some blinding asshole who thinks I should have to pay for everything! Well you know what? Perhaps you should be the one paying now! I am going to drag you down into the mud with me. Do you really think I don’t know why you never showed up, why I had to do everything? Because what's one experiment to you? Scape-goat, lab-rat, guinea pig, a mimicry of something human no longer. The second your clinic was in the clear, you left me to fend for myself. I can't believe I had an ounce of pity for you. When you comforted my decision to stop at my crossroad I actually thought you cared about me. That there was someone that could understand my fears!”

“Mayday that was what I was doing! I saw someone in pain and I did my best! I-

“Your best?! Oh my. Ha. Hahahaha. You don't even get it yourself do you? No you idiot! You comforted us because you saw the last shred of our humanity and told us to never let go of it. You're not clever Theodore. Inside that mind of yours whether you admit it or not, the second we start this treatment, you see all of us as inferior and beneath you. You self-righteous bastard. You know what, how about I let you talk. Won't cut you off this time. I want you to explain to me what your goal is. Why do you help us when you could simply refuse? Why put yourself through this? 

“And if I don’t feel the need to justify my actions to someone threatening me? What if I were to call security to drag out a crazed patient? What would you do then?”

“What would I do? I'll know the second you push that panic button, and we both know what we can do to a human body. Don’t make me go through that again.”

“Right then, I suppose I'll have to give you a truth that will satisfy you in this clear state of psychosis brought about by a clear lack of sleep and several stressors.” 

“We both know you're nowhere near trained to be a psychiatrist. Stick to working with hormone levels Mr. endocrinologist.”

“You want the truth? Fine, How's about this? Some witch had weird friends and made a promise of a lot of money if I sold her magic as a medicine. Happy? No? Of course not! That's not what you're asking you frea- No. I won't let you get the better of me. You want to know why I stuck around. Why after all these years I haven't retired… I really could, couldn't I. There are other doctors, for over a year I haven't been the only one supplying this stuff. I've had my fair share of attacks both verbally and physically from both sides of this city. I'm not sticking around because I have to, I've made enough breakthroughs and connections to create my own hormonal formulas without the need of the witch who dragged me in this business in the first place. There are so many reasons to retire and let my legacy live on in the scientific textbooks of all worlds. But no. The truest reason I fight for this clinic is to see people who walk through these doors happy! I see dozens of brilliant and kind souls walk through this door, ones who had the unfortunate fate of being born in the wrong body! I am giving my time, life, reputation, and money to help people because that is its own rewar- Stop growling! You said no interruptions!”

“Well you're clearly lying to yourself if you actually think seeing us happy is your end goal. Or were you not paying attention when I had to remind you that you abandoned me in a court case that shouldn't have even legally happened. They spent half their time trying to get the victim, my god damn girlfriend, to indict me as a crazed lunatic. If their goal was to crush me mentally and physically then they succeeded. Otherwise it was just a waste of time. I can’t even fathom how much time they must have if spending it going after an otherkin that slightly bothered them is possible! There is one thing that I got out of it though. There is one glimmer of light in this forsaken tunnel. Because that useless lawyer let me get a look at all the documentation of this clinic. Maybe the reason for this case was just for them to get a look at it. Find something to pin you with. Either way I guess everything you do is legal since they never went after you about it. But still, getting to read everything you’ve ever done has been quite the eye opener. Every experiment and procedure you’ve ever done.”

“And? As you already said, everything I’ve done is above the board and… Wait, you couldn’t possibly think of leaking those to the general public? You shouldn't even have them anymore. Making copies like that is illegal! If you leak those documents then you’ll go down with me. This is all a bluff to you.”

“Erian, you should know better than anyone how well we can disappear. Or how well we could make you disappear. Besides, for the record, I never said I made copies, but perhaps I might have. I just want you to know exactly where we stand. You hurt me, but I’m not so petty as to hurt you back. Instead you’re going to give me a job here. As an assistant.”

“This might be the worst job interview I’ve ever held. You do realize blackmail makes an awful resume don’t you? But I can’t exactly decline now can I. Tell me Mayday. What happened to the young woman who came here scared yet excited for a better life? You once said you wanted to work here before, but resort to this kind of behavior. Why even take a job here? It would make your bargaining chip even worse for you than for me?”

“Look, despite everything. What you’ve done to us, what you’ve done to others. Everything I learned. I, don't hate you. It’s not in my nature. I am quite literally doing this because it is my only option to not starve. And despite my attempts to hate you this whole confrontation I can't hold onto it for long. I get that what you think you're doing is some greater good for therians. But you're not the misunderstood hero you think you are. You're just seeking attention. Doesn't matter if it's good or bad you just end up making awful problems for everyone in the name of research that at best, will only ever appear in a science textbook, and you know that. Look, it's ok, I get what it’s like to seek that sort of validation. I could help you. Please, just give me the job.”

“You are wrong about me Mayday, you consider me obsessed with my image of a hero but perhaps your delusions about me are simply your obsession. I don't have a choice in giving you a job. I suppose I'll find something for you that's out of the way. I can’t say I'm excited to work with you. But perhaps you'll make a good legal advisor for now if you're as well versed in law as you say you are. No, trusting you with that would be a mistake, we’ll start you off as a janitor perhaps, I’m sure your body’s makeup should help you in that field. Besides, janitors are already basically invisible to everyone else, I’m sure your mimic mind would prefer that.”

“Oh no, we are not ending this conversation like that. Legal advisor? Janitor? Are you trying to make us angry again? No, I'm staying as far away from those kinds of positions as possible! You'll be paying for my degree and I'm working directly as an assistant. This isn't something you can negotiate!”

“I think you’ll find that it is! Because as far as I’m concerned, you’ll settle for any job. You don’t have the power to demand what position I find for you. The second you have this job, it becomes too valuable to destroy. You will accept this role or you will sink us both. Do I make myself clear?”

“I- I could attack you. You know a bite from me could kill you! I’ll do it!”

“You’ve already played your hand Mayday, I know most of this conversation was just a bluff from you anyways. Be thankful that, if I feel generous enough, I’ll forget this little incident when the time comes that I can secure this clinic’s future without fear of your threats. I do see many brilliant souls walk through this door. It’s a shame you weren’t one of them. But, I’m someone who cares about my patients despite your attacks on my character. I’ll give you one last chance to convince me why I shouldn’t give you the worst possible job I could find.”

“I- You’re right. This is just a bluff. I can’t even call it a roar, this is just my last whimper before I lose everything. I don’t. There’s nothing left after today. Abi can’t afford to take care of me. Going back home is what caused this mess in the first place. Theo, I’m here because you are my last lifeline. You can decline my employment if you want. I never actually copied the evidence I saw. I’m just a mimic of empty threats. My last echo before I disappear. I’m just scared. We lost.”

“Mayday… You are certainly good at trying my patience as well as heartstrings. Fine then, I’ll overlook these threats of yours as brought about by desperation. You will never state to the public what rumors they might have claimed as evidence, and you will be worked down to the bone- er, tooth, as an assistant. Do I make myself clear?”

“Oh my stars thank you!”

“Please do not mention it.”

------------------------------------------------------------------------------

Start - Prev - Next

Mention list: @a-shramp, @calliecwrites, @be702, @respectfulevil, @hyacinthdoll1315

@aster-is-confused, @bloodandbrandywyne, @glitchgloop, @nyxthewary, @lunadook

[andypantsx3]

do you have any tips or advice for being more confident about your writing / avoiding the comparison trap on here? /gen

Hello my love!! Oh my gosh, I have a zillion and one thoughts on this subject. Please excuse how disorganized this is but I am so happy to word vom at you lmao.

I think to start with, it depends on what you're comparing: whether it's the work itself or the metrics surrounding it! I will start with the work itself, and move on to talking about metrics if that's cool.

Your Story

In terms of the quality of your work, there are a couple key things to remember!! Firstly, think it's easy to feel like so many tropes and story lines have already been done, why would anyone want to read mine? But you can circumvent this quite intentionally in your writing by thinking about what new thing you can bring to that trope or story line. And make no mistake, there is always something new, whether it's a plot twist, a unique motivator, a different character's perspective, etc.

For example, I've read and loved several merman Shouto fics, and I also wanted to write a merman Shouto fic. In the development of something in the water, I sat down and thought about what things I'd read about merman Shouto before, and how could I add to that, outside of rehashing what I'd already read. I discovered I wanted to expand on mating rituals, spend some time on the cultural differences a human and merman would inevitably have, and linger in the feeling of a tropical island because at the time of the fic's conception it was like, the dead of my winter LOL. And I do think that something in the water has turned out pretty distinct for that effort; as far as I am aware no one has written merman Shouto being wheeled into a tropical bungalow in a wheelbarrow to watch The Little Mermaid lol.

So you can always bring something new to the table! And it will make your work feel standout to you, as well, as you will be very aware of all the things you did that were unique!! You will not feel like you're just rehashing something that has already been done, you will feel like you're adding!

Also in terms of quality, I think it's helpful to look at fic writing like a growth opportunity rather than a permanent, established skill set. The "quality" of your style is not fixed, it something you actively develop by reading, digging into other people's styles, seeing how they make their writing work, and trying out some of those elements for yourself. Maybe someone has a really rich descriptive style that you find beautiful, maybe someone writes dark psychological fics that thrill you; if you spend time looking at the words they are using and how they use them, you can replicate those techniques in your own writing. You can quite literally make your own writing look more like the writing you admire by reverse engineering authors' techniques.

Conversely, writing as a growth opportunity mean you do not have to be perfect. The process of writing is the process of figuring out what works, mechanically. It's not a reflection on you at all. You don't have to write anything "good," you can publish something you had fun with, see what people react positively to in it, and turn around and take those elements forward in your next story, while abandoning the things people maybe did not love or had questions on. And rinse and repeat over and over until you do end up with something you'd term "quality."

To me at least, that thought is a huge relief. Because I can just have fun, let people say what they say, and do something different in my next story if needs must. It's like any skill set, I think. It takes time to hone but no one would call, like, Van Gogh untalented because he once started with rough and heavy pencil sketches, right?

It's the knowledge that I'm building up my future self's skill set that gives me confidence to publish, even if I'm not quite where I want to be currently! And I really hope this helps you the way it does me; the knowledge that you can do anything, write like anyone, but that it's all part of an overarching process to learn to enjoy writing like you!

Which brings me to:

The Metrics

I am just going to say flat out that you should try to ignore metrics as best you can. In my experience, metrics are absolutely no indicator of a work's quality. Some of the work I am proudest of is what anyone would consider a "flop" by note count, whereas I think some of my most trite & banal works would be considered by some metric quite "popular." And I think that way about some of my favorite fics too, one of my absolute fave fics of all time only recently broke 100 kudos on ao3 after being up for years!!

I especially think this is true on tumblr, where a work's packaging and digestibility seem to be the key elements in gaining notes (ao3 does not allow the same level of customization). Fics with elaborate headers, cute & small fonts (I am guilty of loving these), and eye-catching graphics all naturally draw attention more easily in the sea of other fics, so it makes sense why more people would tend to look at those, and subsequently like or reblog them. I also think bullet-pointed headcanons or single/short paragraph works tend to skyrocket in notes here because they're quick and easy; and that makes sense too, right? If it's easier to read of course it's likelier to be read more!

But those things mean absolutely nothing about the quality of the work within. And you can take reassurance from the fact that you too can replicate those elements if note count is what you are truly after here! You can make a video header with any of the premades on Canva! You can try different font arrangements or cool graphics. You can even write a paragraph and tag it with a bunch of different characters for maximum exposure. There is no reason to get jealous, I think, if you can do it too!!

I also think you have to be conscious of different factors at play with authors. Some authors have been around since the inception of the fandom you're in, and naturally will have had more visibility for longer than you, but that also says nothing about the quality of their work. I've been around in the BNHA fandom for four years, and by a mixture of luck and timing ended up getting to publish a lot of my work during the pandemic when more people than ever were getting into BNHA. But does that make me better than some of the newer authors joining the fandom just now? HELL no lol, if anything maybe I could be getting complacent!

And this goes for the size of fandoms and the popularity of certain characters as well!! A Shouto fic is not going to do as well as a Bakugou fic because Bakugou has like, three times the stans. A Shinsou fic is not going to do as well as a Shouto fic because Shouto has like, five times the stans lol. And a Kaiju no. 8 fic is not going to do as well as a JJK fic because the fandom size (and therefore potential audience pool) has a significant discrepancy! Don't gauge your fic's success against someone else's in a different fandom or for a different character (or honestly even at a different point in the source material's storyline because sometimes a character has a moment where they are most popular but that drops off - think BNHA Hawks in 2020/2021 vs now lol).

There is a huge variety of external factors at play that determine your exposure and audience, but absolutely none of those can ever say anything about the quality of your work. So I hope you can try to distance yourself from the need to compare your metrics to anyone else's, because quite frankly they do not mean shit.

TLDR, think the best way to overcome the comparison trap is to write a story you love and feel is unique, something you are proud of. Because no one is ever going to tell a story quite how you would, and therefore no one can ever be compared. & I hope this was helpful and addressed whatever specific area of concern you have!! But let me know if not and I'm happy to discuss more!!

[kaijuparfait]

I saw ur tags about indulging in the body horror aspect of the Symbiote/Host dynamic and im just here to say: do it >:3

YES.

GOD. ok so. I've always enjoyed the concept of body horror, not all the way, but it looked cool in art! But! Recently Symbrock (and Venom as a whole) has turned that up to 100- both in a "Wow! Cool alien creature biting people's heads off! >:D" way, but also in a "The goo is in his organs, his tissue, his cells... how romantic!" way.

And, if you'll excuse me, I'll only be talking about my (limited) knowledge/headcanons with Symbrock because I haven't read all the comics yet so this is all with Eddie and the Venom Symbiote in mind-

Firstly, I don't think I've ever seen anyone mention how the Symbiote can enter/exit it's Host's body through their skin, without damaging the Host. There's no wounds, just the easy slide in between layers of cells, Venom can be as solid as they want but can also come together so seamlessly, its like watching someone fold a deck of cards.

Even on a psychological standpoint, the idea of actually being "Venom". Singular. Not "We" are Venom. But the idea of two beings, from different sides of the universe, coming together perfectly as one being, one mind, one consciousness. A bit of an OC ramble, I have this OC that goes into this idea of acting as one being and I'll talk about them later but WOAH is it fun. The sheer intimacy of it.. not losing your own self, but simply combing it with another to create something- someone new.

Ok onto the actual body horror-

I am not normal about the Symbiote literally being in Eddie's blood. Blood is everywhere in the body, anywhere you poke, blood will come out- and in that, the Symbiote, ready to heal the wound.

Speaking of healing wounds, and also this post because I keep rereading it, it makes me ill, the Venom Symbiote truly sees it's Host as it's home. and that does something to me. The way it keeps the body healthy, like how you would clean your house, no longer having to worry about illnesses or infections; how it heals any injuries, like fixing a broken wall, repainting it, like there was no damage in the first place.

Knowing it's home so well, able to know what's wrong and how to make it right. Complete and utter devotion to it's beloved home, the one that keeps it safe, willingly, lovingly let's it- wants it inside to keep it safe. To know that something that could tear apart planets if it so wanted to, something that bares it's rows of teeth as a natural expression, something that has destroyed countless lives- to know something like that gently rests in the space between your organs because it wants to. And how much you want it to too.

And this goes both ways too! When they're Venom and get hurt, they way the Symbiote peels away from the body is.. its amazing that the Symbiote can be torn away from it's Host. When Eddie gets hurt, the Symbiote comes out, from inside- When Venom gets hurt, instead of blood or organs, it's Eddie at the center, but he acts as the same anyways. Eddie is the Symbiote's life, he is it's heart, carefully tucked away and protected.

Even though Eddie doesn't particularly enjoy eating people's brains, he comes up with a compromise for the 2 of them anyways, he buys tons of chocolate for it to eat too, and that adds up for a guy that is living in a one room flat. and AND AND I will never get over how, in LTBC, Venom leaves all the red m&m's, because the red dye is said to be harmful to humans in large amounts, so even though it's one of the few things it needs to live, it refuses it to keep Eddie- it's Host- it's home safe.

and, I mean, Venom totally could eat Eddie if it so wanted to, in the first movie, Eddie's literally going through.. several organ failures- but Venom puts him back together, back better! and i am suddenly ill-

excuse my weird ideas but hhhhhh Eddie being torn apart and put back together..... yeah. how much trust is needed for that? how much love is shown from letting it consume his flesh and bones, from it eating the thing it loves the most, from it knowing every ridge and curve of every organ and cell to put everything back where it was?

how much love is needed to destroy something, to be destroyed, and come back together?

also Trust Exercise is a dang good fic, i need more of this. please. or i'll start making it myself (i'll do it anyways)

This, too, can go both ways, I am a big fan of swapping how Eddie and Venom and portrayed, both in canon and in fanon, just for the fun of it- and I'm just saying... let Eddie tear apart the Symbiote! maybe Eddie wants to rip it apart with his teeth and bare hands! Let them fight and rip each other apart, but with love <3 (oh fight/sparring scenes between friends/lovers, how i love you so)

you can't really see it well, and i'll make a better show of it later, but my design for (movie) Eddie has sharp teeth and that isn't for no reason. I.... ADORE the idea that, after being Venom for so long, Eddie starts adapting parts of them into his "normal" body- sharper teeth, clouded eyes, maybe even some of his skin is pitch black too, just because it makes him feel like Venom in his everyday life, even a little bit.

ough i need to lay down after that but- THANK YOU so much for asking me this, this was such a treat to let out, it's like a weight has been lifted off me lmao

i'll probably have more on this topic later on, but i'll probably use those ideas for art/writing, i love thinking about them :3

EDIT: ALSO ALSO ALSO the way the Venom Symbiote literally goes against it's very nature to love Eddie, it goes against what every other Symbiote does, it betrays it's entire race and planet- JUST TO BE VENOM WITH EDDIE <3

[slasher-male-wife]

hello! Can I request hannigram yandere hcs about they finding out their darling's partner has been cheating on them. And how would they deal with it?

Thanks you for reading this request (⁠ ⁠◜⁠‿⁠◝⁠ ⁠)⁠♡

Oh I have such a great idea for this. I love this idea a lot and I've been looking for an excuse to write for Hannibal and Will. I hope you enjoy this anon, and thank you all for the sweet messages that I've been getting. I really appreciate the love.

Yandere Hannigram's reaction to their darling's s/o cheating on them

Warnings: Yandere behavior, manipulation, murder, threats, cheating, stalking and drugging

Oh boy when they find out that your partner has been cheating on you they're going to go blind with rage. Will wants to outright kill him with no plan but Hannibal convinces him not to. From here they get their plan in motion. 

They initially found out because they were looking for any reason to get you to break up with your partner and this is a great one to use. They were stalking you and them for a while. 

They get you to catch them cheating on you in your house and make sure you go straight to Hannibal's house. Once there, Will and Hannibal are going to comfort you and make sure you know that you shouldn’t tolerate that kind of behavior from your partner. They also make sure to keep tabs on your partner and the person they were cheating on you with. 

They leave the house when you fall asleep and fall into step two of their plan.

Hannibal is the one who kills your partner and he makes it slow and brutal for them, making sure to save a few organs here and there. Will gets together all of their important documents and pack a suitcase full of their belongings, being sure to set out a letter “from your partner” detailing that they’re leaving the country with the person they were cheating on you with and to not try and contact them ever again. 

Will goes to the other person and makes serious threats against them, forcing them to take a plane to some far off country and to never return. Going as far to say he’ll kill everyone they love and then them if they ever return or tell anyone about what happened. 

They end up returning to the house before you wake up and when you do they’re there to comfort you the entire time. Hannibal making remarks about how they showed signs of being a cheater and being a bad person but he didn’t want to say anything in case it wasn’t true. Will simply agreeing with him. 

Hannibal insists you go get your things and stay with them for a while for “psychological reasons” and they take you over to your house. You open the letter “from your partner” and understandably start to cry. They’re there to comfort you again while you cry and help you pack up whatever else you want. Later they’ll talk to you about moving in with them, but now they’re onto step three, making you become more dependent on them. 

Because you’re so close to them and they made sure that you cut off your friends long before this, you’ll only have them to rely on. You won’t be leaving the house for a while. Hannibal and Will take care of your every need and desire. 

If you start to fight them on this Hannibal will offer you some medication to “help you relax” when it’s really a sedative to make you more compliant. If you refuse he’s giving it to you anyway. You’re theirs now Y/n. You’re theirs forever. 

[authorred]

Yandere Spencer Reid heacanons because I was inspired |Part 1|

Preface: It’s hard to imagine the upstanding, moral Spencer Reid as an obsessive, compulsive lover who would do anything and everything for your love. Lucky for you, I’m here to help you imagine.

Yandere!Spencer Reid is chefs kiss. Exactly what I need (and want awooga)

Part 2 here Part 3 here

Warning(s): Mentions of violence, stalking, kidnapping, psychological abuse, (un)willing reader (depends on if you fw this imagine), spiral into pure criminality

He is first horrified when he begins to feel the obsession or possession

When he first meets you is when he first begins to get those feelings

Tries his absolute hardest to logic his way out of it, or to control it, or to seek help

Tries his best to communicate to you as a healthy, normal person would, but he can’t help but find those thoughts creeping in again

He believes it’ll be better if you’re away from him, but his thoughts and feelings change to hardcore yearning

Knows it’s not love he’s feeling, and is potentially dangerous to you

Might spiral down into a breakdown (or a few) because of it

Will genuinely think of himself as a horrible person who thinks he can’t get help

If you try to help him he’ll vehemently decline it and will tell you it’s a bad idea

Others at the BAU try their hardest to help him, but the thoughts are still there

If Reid sees you interacting with someone who seems interested in you, his mind will implode

Will be constantly trying to justify the person’s ‘disappearance’ to himself for hours whilst alone

Will come up with the excuse that the person is dangerous to you, or has the potential to be (his calculations will be slightly skewed)

At first, he’ll ask Morgan or Hotch to help him ‘deal with’ the person, but since the person is literally innocent, they can’t do anything

He gets frustrated but brushes it off as paranoia

Spencer starts to find himself hovering near where your house is just to ‘check in’ on you to see if you’re alright

To him, he’s just being protective over you. He wants you safe

But he also knows if he springs all of his thoughts and worries on you, you’ll hate him

Whenever he thinks about you hating him he feels like he can’t breathe

He needs you to like him--love him, even

As weeks and months go by, he doesn’t fight his impulsive thoughts as much as before

Whenever you’re near, you have 100% of his attention. He barely looks away from you if you’re within his line of sight

He’s a nervous wreck when you talk

He’s scared he’ll mess up and say something that’ll fuck your friendship up

He’s not good at mincing words, so he has to carefully curate his sentences

When you smile or laugh at something he says, he feels high

When you mention someone who’s not a part of the BAU, that high disappears instantly

It’s replaced with a cold disinterest in whoever it is you’re speaking about

He tries to manipulate the conversation to see if he can pull more info out of you about the person

He takes advantage of his access to FBI equipment and software to find the person

He makes sure to cover his tracks thoroughly and will not rest until he’s sure any audit trail or history or whatever isn’t linked back to him

When he finds the person’s personal info, he finds himself ‘checking them out’

Will take walks in front of their house, or follow them

Does this for every person who’s not an overt threat

He will, however, drop whatever stalkerish shit he’s doing if you call or text him

If someone does ask you out, or you mention going on a date, or talking to a person of interest, haha

Someone’s going to die

Once Spencer gets the necessary information, he’ll stalk the person out

He might have a conversation with them, profile them, and then talk about their relationship to you

He’s more than likely not strong enough to physically overpower a person of above-average strength, but he’s got the brains to make the odds even

Will create an elaborate plan to get the person to come to him instead

Whenever he does manage to kidnap/isolate the person, he won’t kill them immediately

He’d have a genuine heart-to-heart with them

He’d say you’re his. He’ll say he’s yours, and whoever tries to take you away (be it romantically or otherwise) will be met with a steep response. He’ll say he loves you, and will do anything to be sure you’re with him, and only him

Probably kills the person by slitting their throat. A bullet is too easily identifiable

He’ll comfort you if you’re saddened by your date’s/person of interest’s disappearance

When you hug him, his entire body goes hot

He hugs you tightly (probably a bit too tight)

He verbally comforts you as best he can, and assures you you’ll go on other dates (hopefully with him)

He’ll gently rock you if you’re hugging for a long time

If you pull away first, he’ll try to keep you in the hug, but will let go if you push him away

He’ll let you sleep on him, and he’ll stare at you while you do

He’ll think to himself about how beautiful you are, and how you deserve everything, and how much you deserve him especially

He gets a lot pushier after that, especially when it comes to you getting close with others

Will physically hover closer to you

Will glower at anyone who looks at you a certain way

Will never let you privy to these thoughts and habits and behaviors of his until he’s sure you can handle/accept them

He will definitely try to gaslight you and/or emotionally manipulate you if he thought it’d make you like/trust him more

You’d trust him, most likely. He’s Spencer mf Reid, why wouldn’t you

He wouldn’t psychologically manipulate/abuse you that much, and wouldn’t physically put his hands on you unless he had to

He notices the obsessive and compulsive thoughts calm when he’s around you, so he wants you next to him almost 24/7

Gets very disenchanted and uninterested when you’re not around

The team believes him to be down bad

They think he’s a puppy in love with you and find it adorable

Will mention you often to get him engaged

Sometimes he’ll just push through a case due to the thought of seeing you after

If he gets injured on a case, his first and only thought would be his desire to not die and leave you behind. Anything else comes secondary

If you’re a mother figure, or give off ‘motherly’ vibes, that’ll make this worse

If you initiate any form of physical contact, he will beam

Literally treats you like an actual god(dess) (aside from the occasional emotional manipulation but yk)