#because I have a degree in visual media

[ladybracknellssherry]

Okay so I got a clip w audio of the final 15 Az eyebrow thing I was talking about. The quality is worse than garbage and idk someone is going to have to explain to me how to actually get clips of things bc I’m useless and prime locks out screen recording. If someone can get a better quality and share it’d make me so happy.

I put it under the cut because it's about 2 seconds and watching that flash on a loop against your will is nightmarish.

For the sake of the "somehow Az and Crowley were communicating subversively to each other / Az was trying to communicate something to Crowley" theory...

This definitely gives "Az is trying to eyebrow talk to Crowley." If you want to believe that. Looking out the window from where he's standing in the direction of where Crowley would be / is when he's fashion statue-ing on the Bentley at the end. What's Az trying to eyebrow talk about? Any number of mysterious things. Otherwise he’s just simply making sad eyebrows. Az is obviously stressing and sad and such. But I’m hooked on this right now and me being me am probably looking way too deep.

I never thought anything of it until I realized the soundtrack makes a point of it. "Hey check out these eyebrows - we're going to give a piano trill to emphasize it." Why? Mood? Probably. It just feels ... odd.

Say all you want about how GO would avoid doing something that can give Clues or hints to interpret the massive mysterious cliffhanger of S2E6 ... But they gave a mountain of clues to the body/appearance swap in S1E6 ... All of the time fuckery in S2 and chiastic structure and foreshadowing and parallels etc etc all give Clue. And of course there's the hidden easter eggish fact that Nightingale played in its entirety matches up perfectly with the brief snippet in the Bentley to the final shot in the credits. The final piano trill and that last smile in the elevator that looks a touch unhinged unless you have Nightingale playing. These two bits are the most simultaneously subtle/surreptitious/inscrutable yet very clearly emphasized expressions incorporated into the soundtrack that I've noticed in all of S2. There are other matches. But those are readily legible compared to these.

So, yeah. The eyebrow flex + piano pointing it out/emphasizing it is all more than a bit weird to me. It looks like it could very likely be communicatory. As if asking/saying "all good? all clear?" "all good here. all clear here." "you do the thing?" "now's a good time to do the thing" "understood" etc etc. Reminiscent enough of "Trust me" which was nearly invisible.

Other people have pointed out - what if he's not just looking out the window in those last few glances because he's looking at Crowley trying to make up his mind? What if he's stalling and making sure Crowley is there and giving him a signal? Would might to tie into the time-stop theory which would help to explain that FCKNGK CLOCK. That clock that keeps me up at night.

Why? I don't know why. Does it make much sense? I don't really think so. It could just be a brief sad eyebrow furrow. I'll survive if that's the case. I just can't get my brain to stop thinking about it. It feels so weird to me.

[frankensteinmutual]

Sorry to bother you, but dude. You're so fucking cool. Would you consider sharing your top three favorite books (and why, if you feel like it)? Your aesthetic and taste in media is so fucking *it*

Thank you :)

you're not bothering me at all! in fact you just made me smile like an idiot, so thank you 🫀

I think picking a top three is almost impossible for me, but I can do a top 5:

1. we have always lived in the castle by shirley jackson

this is my favourite book of all time. nothing else has ever made me feel like reading this book did. the prose is so beautiful in its raw simplicity, a childish fantasy stated so matter-of-factly you have no choice but to let go of any sense of reason that might prevent you form feeling the words as having sprung from your own mind the instant you are reading them, and the narrator's intimate inner monologue draws you in so magnetically into her enchantingly morbid world of twisted logic and sympathetic magic – it's the sweetest nightmare you never want to wake up from.

2. house of leaves by mark z. danielewski

what is there still to say about house of leaves? it's as good as everyone says it is. I fought for my relationship with this book – we did not get along at all for quite a while – and it was worth it. I think it might have actually made it even better in the end. i feel like this book knows me somehow, like we have a reciprocal relationship with each other in which we are both active parties. I don't think any other work of art has ever given me that. it's the proverbial abyss staring back into you, luring you into its depths and never letting you go again.

3. autobiography of red by anne carson

autobiography of red is a verse novel, so you could think of it as one big poem, and it's beautifully written. the blurring and blending of myth and reality and continuous shifting of fiction and recollection, impression and perception sweeps you up into a tale both ancient and timeless, tragic and hopeful, about a boy who is a monster, or maybe a giant, with three bodies or maybe six hands, a shepherd or a dragon, a son with a red red heart. also, it's gay.

4. piranesi by susanna clarke

piranesi is a bit as if the house from house of leaves cared for you and was also built by plato. it kind of sneaks up on you gently, dangerously but never with malicious intent. it wants to lead you to a place inside yourself that you've never been to or maybe have just forgotten, and uncover what lies in wait there. most of it is love.

5. frankenstein by mary shelley

and for the last one, a classic. I kind of put off reading this for a long time, because I wanted to like it so badly and was very scared I wouldn't, or at least not to a degree that would satisfy, as is unfortunately often the case for me with these kinds of "important" things. but I was so pleasantly surprised. it wasn't hard to get into or inaccessible at all, it didn't bore or alienate me, on the contrary. it touched me so deeply and unexpectedly I didn't stop thinking about it for quite a while. it truly deserves its status in my eyes.

also because I couldn't resist, a visual representation of nine of my favourite books:

I hope you will find something worth your while in at least one of them!

[autisticandroids]

i've been seeing ai takes that i actually agree with and have been saying for months get notes so i want to throw my hat into the ring.

so i think there are two main distinct problems with "ai," which exist kind of in opposition to each other. the first happens when ai is good at what it's supposed to do, and the second happens when it's bad at it.

the first is well-exemplified by ai visual art. now, there are a lot of arguments about the quality of ai visual art, about how it's soulless, or cliche, or whatever, and to those i say: do you think ai art is going to be replacing monet and picasso? do you think those pieces are going in museums? no. they are going to be replacing soulless dreck like corporate logos, the sprites for low-rent edugames, and book covers with that stupid cartoon art style made in canva. the kind of art that everyone thinks of as soulless and worthless anyway. the kind of art that keeps people with art degrees actually employed.

this is a problem of automation. while ai art certainly has its flaws and failings, the main issue with it is that it's good enough to replace crap art that no one does by choice. which is a problem of capitalism. in a society where people don't have to sell their labor to survive, machines performing labor more efficiently so humans don't have to is a boon! this is i think more obviously true for, like, manufacturing than for art - nobody wants to be the guy putting eyelets in shoes all day, and everybody needs shoes, whereas a lot of people want to draw their whole lives, and nobody needs visual art (not the way they need shoes) - but i think that it's still true that in a perfect world, ai art would be a net boon, because giving people without the skill to actually draw the ability to visualize the things they see inside their head is... good? wider access to beauty and the ability to create it is good? it's not necessary, it's not vital, but it is cool. the issue is that we live in a society where that also takes food out of people's mouths.

but the second problem is the much scarier one, imo, and it's what happens when ai is bad. in the current discourse, that's exemplified by chatgpt and other large language models. as much hand-wringing as there has been about chatgpt replacing writers, it's much worse at imitating human-written text than, say, midjourney is at imitating human-made art. it can imitate style well, which means that it can successfully replace text that has no meaningful semantic content - cover letters, online ads, clickbait articles, the kind of stuff that says nothing and exists to exist. but because it can't evaluate what's true, or even keep straight what it said thirty seconds ago, it can't meaningfully replace a human writer. it will honestly probably never be able to unless they change how they train it, because the way LLMs work is so antithetical to how language and writing actually works.

the issue is that people think it can. which means they use it to do stuff it's not equipped for. at best, what you end up with is a lot of very poorly written children's books selling on amazon for $3. this is a shitty scam, but is mostly harmless. the behind the bastards episode on this has a pretty solid description of what that looks like right now, although they also do a lot of pretty pointless fearmongering about the death of art and the death of media literacy and saving the children. (incidentally, the "comics" described demonstrate the ways in which ai art has the same weaknesses as ai text - both are incapable of consistency or narrative. it's just that visual art doesn't necessarily need those things to be useful as art, and text (often) does). like, overall, the existence of these kids book scams are bad? but they're a gnat bite.

to find the worst case scenario of LLM misuse, you don't even have to leave the amazon kindle section. you don't even have to stop looking at scam books. all you have to do is change from looking at kids books to foraging guides. i'm not exaggerating when i say that in terms of texts whose factuality has direct consequences, foraging guides are up there with building safety regulations. if a foraging guide has incorrect information in it, people who use that foraging guide will die. that's all there is to it. there is no antidote to amanita phalloides poisoning, only supportive care, and even if you survive, you will need a liver transplant.

the problem here is that sometimes it's important for text to be factually accurate. openart isn't marketed as photographic software, and even though people do use it to lie, they have also been using photoshop to do that for decades, and before that it was scissors and paintbrushes. chatgpt and its ilk are sometimes marketed as fact-finding software, search engine assistants and writing assistants. and this is dangerous. because while people have been lying intentionally for decades, the level of misinformation potentially provided by chatgpt is unprecedented. and then there are people like the foraging book scammers who aren't lying on purpose, but rather not caring about the truth content of their output. obviously this happens in real life - the kids book scam i mentioned earlier is just an update of a non-ai scam involving ghostwriters - but it's much easier to pull off, and unlike lying for personal gain, which will always happen no matter how difficult it is, lying out of laziness is motivated by, well, the ease of the lie.* if it takes fifteen minutes and a chatgpt account to pump out fake foraging books for a quick buck, people will do it.

*also part of this is how easy it is to make things look like high effort professional content - people who are lying out of laziness often do it in ways that are obviously identifiable, and LLMs might make it easier to pass basic professionalism scans.

and honestly i don't think LLMs are the biggest problem that machine learning/ai creates here. while the ai foraging books are, well, really, really bad, most of the problem content generated by chatgpt is more on the level of scam children's books. the entire time that the internet has been shitting itself about ai art and LLM's i've been pulling my hair out about the kinds of priorities people have, because corporations have been using ai to sort the resumes of job applicants for years, and it turns out the ai is racist. there are all sorts of ways machine learning algorithms have been integrated into daily life over the past decade: predictive policing, self-driving cars, and even the youtube algorithm. and all of these are much more dangerous (in most cases) than chatgpt. it makes me insane that just because ai art and LLMs happen to touch on things that most internet users are familiar with the working of, people are freaking out about it because it's the death of art or whatever, when they should have been freaking out about the robot telling the cops to kick people's faces in.

(not to mention the environmental impact of all this crap.)

[bitter---wing]

I don't know quite how to articulate this so bear with me, but it feels like there's something about this era of fast fashion and social media that has robbed subcultures of an understanding of their own barriers and pushed people into aesthetic boxes that just aren't "real." I started considering myself goth age 12 because I listened to the music, and I liked the associated aesthetics. I was way too young for goth clubs and shows, and I couldn't dress goth for a variety of reasons. But nobody would've objected to that label to the degree that people would these days. "You don't HAVE to wear x fashion to be part of x subculture but why WOULDN'T you?" seems to be a prevailing idea. Because clothes are affordable now beyond DIY and require no skill and resourcefulness, and subcultures are more 2d and visually tethered to certain images than ever based on social media presences, and... Idk. there is just something depressing about this, you know? there are reasons beyond money why people might not wear certain clothes or wear them regularly. there are reasons beyond money why people might not want fast fashion. there are people who don't even have the money for fast fashion. there are people who have lives you will never understand, who love the same things you do, and shouldn't that be enough?

[physalian]

Humanizing Your Characters (And Why You Should)

To humanize a character is not to contort an irredeemable villain into the warped funhouse mirror reflection of a hero in the last 30 seconds to gain “narrative subversion” points. To humanize is not to give said villain a tragic backstory that validates every bad choice they make in attempt to provide nuance where it does not deserve to be.

To humanize a character, villain or otherwise, is to make them flawed. Scuff them up, give them narrative birthmarks and scars and imperfections. Whether it’s your hero, their love interest, the comic relief, the mentor, the villain, the rival, these little narrative details serve to make all your literary babies better.

Why should you humanize your characters?

To do this means to write in details beyond those that service the plot, or the themes, or the motifs, morals, foreshadowing, or story. These might be (and usually are) entirely unimportant in the grand scheme of things. So, if I wrote lengthy diatribes on pacing and why every detail must matter, and character descriptions and thematic importance, why am I now suggesting go free-for-all on the fluff?

Just like real people have quirks and tics and beliefs and pet peeves that serve our no greater purpose, so should fictional people. Your average reader doesn’t have the foggiest idea what literary devices are beyond metaphor, simile foreshadowing, and anecdote, but they can tell when the author is using motif and theme and all the syntactical marvels because it reads that much richer, even if they can’t pinpoint why.

And, for shipping fodder, these tiny little details are what help your audience fall in love with the character. It doesn’t even have to be in a book – Taylor Swift (whether you like her or not) never fills her music with sexual innuendo or going clubbing. She tells stories filled with human details like dancing in the refrigerator light. People can simultaneously relate to these very specific and vivid experiences, and say “not that exactly, but man this reminds me of…” and that’s (part of) the reason her music is so popular.

What kinds of narratives need these details?

All of them. Visual media, audio, written, stage play. Now, to what degree and excess you apply these details depends on your tone, intended audience, and writing style. If your style of writing is introspection heavy, noir character drama, you might go pretty heavy on the character design.

But even if you’re writing a kids book with a scant few paragraphs of setting descriptors and internal narration, or you’re drawing a comic book – if you have characters you want people to care about, do this.

Animators, particularly, are very adept at humanizing non-human characters, because, unlike live acting, every single stroke of the pen is there with intent. They use their own reflections for facial references, record their own movements to draw a dance, and insert little bits of themselves into signature character poses so you know that *that* animator did this one.

How to humanize your characters.

I’m going to break this down into a couple sections: Costume/wardrobe, personality, beliefs/behavior/superstitions, haptics/proxemics/kinesics, and voice. They will all overlap and the sheer variety and possibilities are way too broad for me to capture every facet.

Costumes and Wardrobe

In the film Fellowship of the Ring, there’s a blink-and-you’ll-miss-it moment where, after Boromir is slain by the Uruk-Hai, Aragorn takes Boromir’s Gondorian vambraces to wear in his honor, and in honor of their shared country. He wears them the rest of the trilogy. The editing pays no extra attention to them beyond a split second of Aragorn tightening the straps, it never lingers on them, never reminds you that they’re there, but they kept it in nonetheless. His actor also included a hunting bow that didn't exist in the book because he's a roamer, a ranger, and needs to be able to feed himself, along with a couple other survival tools.

Aragorn wears plenty of other symbolic bits of costume – the light of the Evenstar we see constantly from Arwen, the Lothlorien green cloaks shared by the entire Fellowship, his re-forged sword and eventual full Gondorian regalia, but all those are Epic Movie Moments that serve a thematic purpose.

Taking the vambraces is just a small, otherwise insignificant character moment, a choice made for no other reason than that’s what this character would do. That’s what makes him human, not an archetype.

When you’re writing these details and can’t rely on sneaking them into films, you have to work a little harder to remind your audience that they exist, but not too often. A detail shifts from “human” to “plot point” when it starts to serve a purpose to the themes and story.

Inconsequentiality might be how a character ties, or doesn’t tie their shoelaces, because they just can’t be bothered so they remain permanent knots and tripping hazards. It might be a throw-away line about how they refuse to wear shorts and strictly stick to long pants because they don’t like showing off their legs. It might be perpetually greasy hair from constantly running their fingers through it with stress, or self-soothing. A necklace they fidget with, or a ring, a belt they never bother to replace even though they should, a pair of lucky socks.

Resist the urge to make it more meaningful than “this is just how they are”. If I’m using the untied shoelaces example – in Spiderverse, this became a part of the story’s themes, motifs, and foreshadowing, and doesn’t count. Which isn’t bad! It’s just not what I’m talking about.

Personality

In How to Train Your Dragon, Toothless does not speak. All his personality comes from how he moves, the noises he makes, and the expressions on his face. There’s moments, like in the finale, when his prosthetic has burned off and Hiccup tells him to hold on for a little bit longer, and you can clearly see on his face that he’s deeply uncertain about his ability to do so. It’s almost off the screen, another blink-and-you’ll-miss-it moment. Or the beat of hesitation before he lets Hiccup touch him in the Forbidden Friendship scene. Or the irritated noise he makes when he’s impatiently waiting for Hiccup to stop chatting with his dad because they have a giant dragon to murder. Or when he slaps Hiccup with his ear fin for flying them into a rock spire.

None of those details *needed* to exist to endear you to his character or to serve the scenes they’re in. The scenes would carry on just fine without them. He’s a fictional dragon, yes, but these details make him real.

Other personality tics you could include might be a character who gets frustrated with tedious things very quickly and starts making little inteligible curses under their breath. Or how they giggle when they’re excited and start bouncing on their toes. Maybe they have a tic where they snap their fingers when they’re concentrating, trying to will an idea into existence. Or they stick their tongue out while they work and get embarrassed when another character calls them on it. They roll around in their sleep, steal blankets, drool, leave dishes in the sink or are neurotic with how things must be organized. They have one CD in their car, and actually use that CD player instead of the phone jack or Bluetooth. They sing in the shower, while they cook, or while they do homework, no matter how grating their voice.

They like the smell of new shoes or Sharpies. They hate the texture of suede or velvet or sticky residues. They never pick their socks up. They hate the overhead light in their room and use 50 lamps instead. They hate turning into oncoming traffic or don’t trust their backup camera. They collect Funko Pops and insist there’s always room for more.

And about a million others.

Beliefs, Behaviors, and Superstitions

*If you happen to be writing a story where superstitions have merit, maybe skip this one.* Usually, inevitably, these evolve into character centerpieces and I can’t actually think of one off the top of my head that doesn’t become this beyond the ones we all know. A few comedic examples do come to mind:

The Magic Conch in “Club Spongebob” and the sea-bear-proof dirt circle in “The Camping Episode”

Dean Winchester’s fear and panic-driven actions in “Yellow Fever” and “Sam, Interrupted”

The references to the trolls that steal left-foot socks in How to Train Your Dragon

I’m not a fan of wasting time writing a religious character doing their religious thing when Plot Is Happening, but smaller things are what I’m talking about. Like them wearing a cross/rosary and touching it when they’re nervous. Having a specific off-beat prayer, saying, or expression because they don’t believe in cursing.

The classic ones like black cats, ladders, broken mirrors, salt, sidewalk cracks can all be funny. Athletes have plenty, too, and some of them, particularly in baseball culture, are a bit ridiculous. Not washing socks or uniforms, having a team idol they donate Double Bubble to and also rub their toes. A specific workout routine, diet, team morale dance.

Other things, too. A character who’s afraid to go back downstairs once the lights are off, or fear the basement or the backyard shed. Or they’re really put-off by this old family photo for no reason other than how glassy their eyes look and it’s creepy. They like crystals, dreamcatchers, star signs, tarot, or they absolutely do not under any circumstances.

They believe in all the tried and true ways of predicting the weather like a grizzled old sailor. They believe in ghosts, vampires, werewolves, witches, skinwalkers, doppelgangers, fairies. They talk to the cat statue in their kitchen and named it Fudge Pop. They whisper to the spirit that possessed the fridge so it stops making all that racket, and half the time, it works every time. They wear yellow for good luck or carry a rabbit’s foot. They’re not religious at all but still throw prayers out to whoever’s listening because, you know, just in case. They sit by their window sill and talk to the moon and the stars and pretend like they’re in a music video when they’re driving through the city in the rain.

Haptics, Proxemics, and Kinesics

These are, for all you non-communication and psych majors out there, touch and physical contact, how they move, and how they move around other people.

Behold, your shipping fodder.

Two shining examples of proxemics in action are the famous “close talker” episode of Seinfeld (of which every communication major has been subjected to) and Castiel’s not understanding of personal space (and human chronemic habits) in Supernatural.

These are how a character walks, if they’re flat-footed, clumsy, or tip-toers. If they make a racket or constantly spook the other characters. If they fidget or can’t sit still in a seat for five seconds, if they like to sit backwards or upside down. How they touch themselves, if they do a lot of self-soothing maneuvers (hugging themselves, rubbing their arms, touching their face, drawing their knees up, holding their neck, etc) or if they don’t do any self-soothing at all.

This is how they shake hands, if they dance while they cook or work. It’s how much space they let themselves take up, if they man-spread or keep their limbs in closer. How close they stand to others or how far. If they let themselves be touched at all, or if they always have their skin covered. If they always have their back to a wall,  or are always making sure they know where the nearest exit is. If they make grand gestures when they talk and give directions. If they flinch from pats on the back or raised hands. If they lean away from loud voices or project their own. If they use their height to their advantage when arguing, puff their chest, square their shoulders, put their hands on their hips, or point fingers in accusation.

If they touch other characters as they pass by. If they’re huggers or victims of falling asleep on or near their comrades. If they must sleep facing the door, or with something solid behind them. If they can sleep in the middle of a party wholly uncaring. If they sleepwalk, sleeptalk, migrate across the bed to cuddle whoever’s nearest with no idea they’re doing it.

If they like to be held or like to hold others. If they hate being picked up and slung around or are touch-starved for it. If they like their space and stick to it or are more than happy to share.

Do they walk with grace, head held high and back straight? Or are they hunched over, head hung, watching their feet? Are they meanderers or speed-walkers? Do they cross their arms in front or lace their hands behind them? Do they bow to authority or meet that gaze head on?

I have heard that Prince Zuko, in Last Airbender, is usually drawn sleeping with his bad ear down when he doesn’t feel safe, like on his warship or anywhere in the Fire Nation, or on the road. He’s drawn on his other side once he joins the Gaang. In Dead Man’s Chest, just before Davy Jones drives the Flying Dutchman under the waves, two tentacles curl up and around the brim of his hat to keep it from blowing off in the water.

When they fight, do they attack first, or defend first? Do they touch other characters’ hair? Share makeup, share clothes? Touch their faces with boops or bonks or nuzzles and eskimo kisses? Do they crack their knuckles and necks and knees?

Do they stare in baffled curiosity at all the other characters wholly comfortable in each other's spaces because they can’t, won’t, or don’t see the point in all this nonsense? Do they say they’re happy on the outside, but are betrayed by their body language?

Voice

Whether or not to write an accent is entirely up to you. Books like Their Eyes Were Watching God writes dialogue in a vernacular specific to its characters. Westerners and southerners tend to be written with the southern drawl or dialect, ripe with stereotypical contractions. Be advised, however, that in attempt to write an accent to give your character depth, you could be instead turning off your audience who doesn’t have energy to decipher what they’re saying, or you went and wrote a racist stereotype.

Voice isn’t just accent and dialect, nor is it how it sounds, which falls more solidly under useful character descriptions. Voice for the sake of humanizing your characters concerns how they talk, how they convey their thoughts, and how they become distinct from other characters in dialogue and narration.

If you’re writing a narrative that hops heads and don’t want to include a big banner to indicate who’s talking at any given time, this is where voice matters. It is, I think, the least appreciated of all the possible traits to pay attention to.

First person narrators have the most flexibility here because the audience is zero degrees removed from their first-hand experiences. Their personality comes through sharply in how they describe things and what they pay attention to.

But it’s also in what similes and metaphors they use. I read a book that had an average (allegedly straight) male narrator going off and describing colors with types of flowers, some I had to look up because I just don’t know those off the top of my head. My immediate thought was either this character is a poorly written gay, or he’s a florist. Neither (allegedly), the writer was just being too specific.

Do they have crutch words they use? like, um, actually, so…, uh

Or repeat exclamations specific to them? yikes, yowzers, jeepers, jinkies, zoinks, balls, beans, d’oh!

Or idioms they’re fond of? Like a bat out of hell. Snowball’s chance.

Do they stutter when they’re nervous? Do they lose their train of thought and bounce around, losing other characters in the process? Do they have a non-Christian god they pray to and say something other than “thank God”? Are they from another country, culture, time period, realm, or planet with their own gods, beliefs, and idioms?

When they describe settings, how flowery is the language? Would this grizzled war hero use flowery language? How would he or she describe the color pink, versus a PTA mom? Do they use only a generic “blue, green, red” or do they really pay attention with “aquamarine, teal, emerald, viridian, vermillion, rose, ruby”?

How do this character’s hobbies affect how well they can describe dance moves, painting styles, car models, music genres?

This mostly matters when you’re head-hopping and the voice of the narrator serves to be more distinct, otherwise, what’s the point of head-hopping? Just use third-person omniscient.

If you really want to go wild, give a specific narrator unique syntax. Maybe one character is the ghost of Oscar Wild with never-ending run-on sentences. Just be sure to not go too overboard and compromise the integrity of your story.

In the book A Lesson Before Dying, a somewhat illiterate, underprivileged and undereducated minor has been given a mentor, a teacher, before they face the death penalty. At the end of the book, you read all of the letters they wrote to their teacher. There’s misspellings everywhere, almost no punctuation, and long, rambling sentences.

It’s heartbreaking. The subject matter is heavy and horrible, yes, but it’s the choice to write with such poor English that has a much bigger impact than perfect MLA format.

How to implement these details

Most of these, in the written medium, need only show up once or twice before your audience notices and wonders why they’re there. Most fall squarely under character design, which falls under exposition, and should follow all the exposition guidelines.

These details exist to be random and fluffy, but they can’t exist randomly within the narrative. If you want to have your character be superstitious, pick a relevant time to include that superstition.

Others, like ongoing speech habits or movements, still don’t overuse, especially if they’re unique. A character might like to sit backwards in a chair, but if you mention that they’re doing it every single time they sit down, your audience will wonder what’s so important and if the character is unwell.

And, of course, you can let these traits become thematically important, like a superstition being central to their personality or backstory or motivation. These all serve the same purpose of making your character feel like a real person instead of just a “character”.

Just think about tossing in a few random details every now and then and see what happens. One tiny sentence can take a background character and make them candidates for the eventual fandom’s fan favorite. Details like these turn your work from “This a story, and these are the characters who tell it” into “these are my characters, and this is their story.”

[hopefull-mindset]

Design Analysis: Kouyou Ozaki

Have you ever wondered why everyone has assumed Kouyou to be a courtesan or brothel owner when there has been no specification in the main series?

First, there is the fact she refers to herself using “wacchi” (わっち), a pronoun that had been used by Geisha and Oiran alike in the Edo Period. Second is that, while she doesn’t have as many layers or hair ornaments, her large Obi is still tied at the front, and wears a Uchikake over her kimono. An Uchikake by itself is not an indicator, but I would think she has it to accentuate what she’s meant to resemble.

An Oiran is a general term for a high-ranking courtesan who has taken up some traditional arts and refined in their entertainment skills, putting them above the common prostitute. The term “Oiran” (花魁) means “flower leader”. It was said to be used by Kamuro and Shinzo to refer to the older courtesans and eventually became their title. It is theorized to come from the phrase "oira no tokoro no nēsan" (おいらの所の姉さん), but there is no exact and official origin of why they’re referred to as such.

They are exclusive because of their price ranges and the highest ranking had a degree of choice in who they had in their company. They get confused with Geisha often because of their similar skill sets and when you don’t know what you’re looking for visually, but in addition, this is mostly the fault of the Occupation of Japan with many coupling both of them into what they’d call “Geesha Girls” and mistaking Geishas for prostitutes. Many even called themselves a Geisha to bring in business, but Geisha’s legally couldn’t promote sex (that didn’t stop them though sometimes if they needed the cash). They are not distinctive only because one of them can practice sex work and the other cannot. Besides my previous comments on accessories, layering, and their distinctive Obi, Oirans have more extravagant coloring and designs on their clothing.

Not to be confused with the Tayū, whom Oiran had taken after in their clothing. Tayū are not as relevant in pop culture, so do not worry about trying to tell the difference in fictional media because they’re 100% going to be an Oiran unless specified. If you would like to learn more about Tayū and not look at confusing wiki pages, I recommend reading these: Karyukai Workers and Roles, The Look of Oiran Versus Tayuu, and this nice video about a modern day Tayū.

While Shinzo are the new debuting girls late into their training, a stage before that is the Kamuro. Kamuro are young girls sold by their parents to either pay off debts or have fewer mouths to feed, and some were even born into it. On the surface, the deal of their daughter becoming someone so luxurious was desirable and made it easier for them to give her away, but not all of them got that life and had to fight for that position. Kamuro were put under the care of senior courtesans who would teach them the skills they’d need while Kamuro did their chores for them. Kamuro were also considered a social marker of how rich the courtesan was to be able to provide for these girls, but they were limited to only caring for two. It was an exploitative and abusive industry that groomed them into this life. These girls can’t leave because they’re stuck to a never-ending contract that they need to pay off in their work because of the costs of their living, so competition for the top spot wasn’t only for the idealized life promised, but to get a higher paying customer to pay off their contract to escape.

Kouyou’s backstory is heart-wrenching in this context. We don’t have details of how she ended up there or the rest of what happened, but you can’t deny the resemblance between the life of a young girl in the red light district trying to escape her conditions with a man who has promised her freedom and Kouyou wanting to live in the light outside of the Port Mafia’s unlivable darkness with someone who wanted to show her that. Along the same lines, Kyouka can be seen as a Kamuro that Kouyou has taken under her wing and wanted to leave herself. Granted, using sexual favors is manipulation 101 and she could’ve learned this anywhere, but it would make sense if she had learned this from Kouyou as a courtesan. Kamuro weren’t ignorant of what their “Older Sisters” did.

There are many differences between the life of these girls and the bloody one Kouyou had lived in the Port Mafia, and it’s not as if I’m implying she had lived the life they did as we don’t know much, but the similarities can’t be just coincidence. As for “brothel owner”, the Yakuza unsurprisingly stick their nose into the sex work business, so it wouldn’t be too hard to assume Kouyou was looking over these things.

Side comment: “Ane-san” is old-fashioned, so the only time you’ll see it be used instead of just “Ane” or “Onee-san” is in a historical context, or with the Yakuza to refer to the upper echelon female members.

(I refuse to use something not from mayoi, bones art… is ugly)

Kouyou’s crimson hair comes from her name “紅葉”, which can be translated to “Red (Autumn) Leaf”, or roughly “Crimson Blade”. It’s referred to as crimson in the light novels, but we all want to call it deep pink. Either way, both colors are deep-seated in love and she wears it all over. Her uchikake starts light at the top and deepens the lush cherry blossom pink into a bloody red where it drags at the floor with trailing bellflowers (or some type of thin petaled bellflower). Her inner kimono is pure black, except at her shoulder where only a piece of pink is left, and at the bottom are prominent red spider lilies. Their color is emphasized with a transitioning dark shade of purple.

Red spider lilies are infamous because of their connotation with death, but there’s more to it. They’re considered “hell flowers” and could lead the dead to reincarnation. Used in funerals, legends say that seeing someone you will never meet again will have these flowers bloom in your path. They’re flowers that bloom in autumn and the meanings they have are: painful memories, abandonment, passion, independence, giving up, longing, and “never to meet again”.

Kouyou is a mournful soul whose past has never left her, especially in the face of confronting Kyouka’s choice. For these flowers to appear in the inner darkness of her design is significant to how deeply his death had affected her, but also the abandonment of what she regards as her “born nature”. That man had wanted to show her light but had only contributed to the growing darkness that she wasn’t allowed to escape. She had died that day with him, and could only keep walking in the flower field of death she had created. It’s only the piece of light on her shoulder that is left of her past self.

Now, the bellflowers on her uchikake can mean: Loyalty, gratitude, faithful, unchanging, honesty, and discipline.

If the Port Mafia had once been a place of terror and misery, then Mori had changed that for her and made the Port Mafia her home. She is forever grateful for what he has done to make this life livable again and dawns this flower gracefully with light colors. She chooses to wear these light colors over her kimono because even if she resents the hypocrisy of the people who can live in the light without criticism, she still wants some semblance of that dream after her soul has been blackened to that gain. Harukawa, when designing these characters, keeps in mind what organization and type of person they are when color coding them. It’s also with the understanding of what shades will appear darker and lighter in the manga style. Harukawa says that she made sure to give Kouyou light colors and kept her eye from being dark to signify that she’s a good person.

In the manga, her outfit is slightly different from the anime’s design. Her uchikake is paler and does not have any flowers on it, and the flowers on her kimono are much more... vague, so if there are better candidates than my guesses, then be my guest and throw me a bone. From the silhouettes, I will assume that the largest visible flower is a water lily and/or lotus and the flowers growing on the branches are sakura blossoms and/or plum blossoms. It’s fitting considering she is introduced with sakura blossoms falling around her, but they could be plum blossoms too as “花魁” can refer to them in some cases.

Water lilies and Lotus flowers are very recognizable, and I’m sure most of you have seen them around. Their meaning of “purity of heart” comes from how wild water lilies will usually be white. Similarly, lotus flowers are seen as pure because they can bloom in mud without staining themselves. Other meanings water lilies are given are: Rebirth, trust, faith, and kindness. With lotus flowers, they are: Rebirth (again), “to change someone’s mind”, “eases suffering (of the heart)”, and resilience.

Ignoring the meaning of faith and trust since we had already gone over it with the bellflowers, both possible flowers emphasize her good nature and the renewal of life that Mori had blessed her with. Mori had eased the mindless suffering caused by the old boss and changed her mind about what the Port Mafia was to her. She pushed through the muddy waters of the old boss’s darkness and stood her place well in her strength.

Sakura blossoms and plum blossoms introduce two different meanings in their symbolic usage. Plum blossoms bloom in the winter cold in the signal of spring coming, showing the prosperity of life in the hardest of conditions, while sakura blossoms remind us of life’s impermanence and that its beauty can only last for so long. Plum blossoms also can mean: elegance, nobleness, patience, loyalty, hope, and renewal. If these are Sakura blossoms, then they can mean: renewal (again), violence, and hope (again).

In the context of these flowers appearing on her kimono, they mean something different than the renewal of a new era Mori had brought. The remark at the beginning of chapter 17 gives us a personal meaning for Kouyou to what sakura flowers are to her. They are the blooming hope of a girl’s wishes, but they eventually have to drop not long after growing up and facing their reality. Remaining a bud is impossible, so Kouyou, in defiance of this eventual fate of this girl, sees slashing the girl’s heart to be more merciful than the long, doomed drop they all have to face. Kouyou is a bloomed Sakura flower who has already dropped, and her change had started there, not when she bloomed. Even if a part of her had died, she still clings with no real hope.

This is the only image we have of her kimono without anything covering it. This is right at the end of the Guild Arc where they are celebrating their accomplishment. Kouyou sheds her outer bright colors because there is no room for that in this setting and trusts Chuuya and Mori enough to shed any pretenses. They’ve all dressed casually, so she would too. The leaves are meant to be red maple leaves that also show up in the flashback of Kouyou of you look carefully. As I’ve said before, these have to do with her name. The vague firework-like design that shows up are either enlarged spider lilies or chrysanthemum flowers. Assuming these are the white kind, they mean: truth, loyal love, admiration, and sincere heart. However, the yellow kind can mean “slighted love”.

She is sincere inside and out, even if some of that sincerity isn't as pretty as what it looks like from a distance. “A flower that blooms in the dark can only survive within the dark” is a sentiment she lives by after all. If it is a yellow chrysanthemum, then its meaning is what you’d expect from her lonely heart.

Bonus round

Welcome if you have read this far, this is where I stray from her main outfit and talk about outfits that only appear once. This first kimono is what she wore when staying put in the Armed Detective Agency’s capture so that Kyouka would be able to live out a dream she can’t bring herself to live out. The white kimono is covered with columbine flowers. They can mean: risk-taking, good fortune, faith, folly, hope, and specifically for white columbines, “I’m concerned for this person”. Negative/inverse meanings include: The emblem of deceived lovers, ingratitude, and faithlessness.

What this means in Kouyou’s overall situation shouldn’t be too mind-boggling. She is in this room for Kyouka’s sake and is fairly concerned about how this plan of many risks will play out, but has faith in Dazai’s abilities. She is her most stripped version of herself and works with good intentions with Dazai under this idea, so she only wears light. Kouyou though is only left to her thoughts, her own past in that room. She is glad for Kyouka, but it only leaves fear that Atsushi won't be able to live up to something he promised so she ensures that he is committed to helping her into the light and strong in a way that man wasn't able to be. 

The second one is from the chapter art with Kouyou and Mori leading Soukoku away from each other. It’s an outfit that reflects her mindset during her time with the old boss, an inverted palette from what she’s currently wearing. She hasn’t fully embraced her environment yet. Unfortunately, almost all of the flowers and plants are a bit too vague for me to point out. There is only one flower I think I recognize on her right sleeve that looks like a bird, and it is called an Egret Orchid. The only meaning of significance here is: “I think of you even in my dreams.” Some sources will say, “My thoughts will follow you into your dreams”, but I think this made more sense in this context.

This sentiment is regarding that man who had told her such an innocent lie. She not only hid her sorrowful, pure yet broken heart inside the guise of flowering darkness but weaponized this sorrow in her violence and climbed the ranks of the Port Mafia. He is a source of regret, hate, and sadness. He is her only semblance of what hope and love could resemble, and it has become a corrupted and negative thing to her in his death. Pure darkness is the only thing can trust for people like her… but she still ponders what that life will be. His influence had never left her, whether it was for better or worse. 

—

Alright um

I don’t typically do analysis like this as I don’t find clothing all that interesting to look into, but there is merit to thinking about what a character is wearing even on a surface level. It can be a show of their social rank, their job, their interests, their personalties, their culture, etc. but there isn’t always a deeper meaning to their clothing on a theming sense and I can’t find it in me to usually be interested in doing it myself. In most media, the clothing only indicates the era the characters are from and how marketable they can be.

Luckily, BSD is one of those stories that do put heavy consideration on what the characters are wearing and how their clothing changes overtime for some. Obvious examples include Harukawa’s color pallet consideration to indicate what type of person they are and what organization they are from, Dazai’s clothing swap when he leaves the Port Mafia, Chuuya’s many outfits as show of his growth in belonging to the Port Mafia, the coat passed down from Mori to Dazai to Akutagawa, and the Yin-Yang coloring of Atsushi and Akutagawa that stays consistent even in Beast where they swap.

When doing clothing analysis you’re almost expected to overanalyze and stray into your own interpretations of what certain things mean, when sometimes there isn’t any intended meaning. None of that is a bad thing though! You don’t have to rely on an author or artistic word to analyze a thing, but I tend to have a hard time with just making claims like that. So I picked this concept for Kouyou because I have my own ideas for the thought process behind her design that felt right and find it intriguing enough to share. I had actually asked a friend if I could take her from their hands since they had been planning to do their own clothing analysis, but got stuck. So thank you for letting me steal it!

I’m not a historian or whatever, but I do like sharing what I do know about certain topics! Unexpectedly, this took more out of me than I thought. I’ve written more in a shorter time, but I got stuck with having to write about one certain topic than the character entirely. I will probably never do something like this again, at least not with flower meanings. Who knew how much work it was to actually explain what they mean in context in such a big bunch?

The day I finish that Odasaku analysis is when I’ll read The Golden Demon.

[oneslimybastard]

There might be a cultural difference/translation shenanigans/general romance writing tropes that is the cause of this, but I think it's nifty that both Towa and Akira from their respective horny gay visual novels kind of read as acearo. Akira is a deadringer (sex doesn't exist to him to the point where he doesn't realize the "slaves" Arbitro breaks and peddles in his little tag shop are a sex thing, romance also does not exist to him), Towa is more debatable since he does get dicked down on the regular but it's clear from his internal monologue that it's nothing that really interests him beyond maybe cashing in some stimuli to make his turbo-depression let through at least 1 dopamine. Neither really express attraction, ever, even when they're like 3/4ths through any given route with a guy, sexual and romantic attraction from their end is just non-existent. It mainly culminates in "we're ride or die now. I guess I don't mind it if you tickle my prostate in passing." rather than "I love you and want to husband you" which is oddly perfect to my partly romance repulsed aro brain.

Towa especially is pretty detached to a degree that almost becomes comical. The closest he gets to being romantically invested I'd argue is with fucking Madrame. Because ofc that's how his brain would operate. Otherwise he's just like "yeah ig we can hang and do monogamy if ur gonna be this into me." and the narrative is so real for never making a problem out of it. Or maybe it does bring attention to it at the end of lawyer guy's route buuut Iiii haven't finished that yet ooooopppsss. In so much romance media, one party never dropping the "I love you" would be framed as a Problem milked for Angst which always makes me shrivel and die a bit, so it's soothing when these twinks are never vilified for being romantically unavailable on an emotional level.

Aoba meanwhile i dont think is ace i just think he's kind of a no-homo brained bimbo. Oh no Clear's dying wish is that i get bouncing on that dick, guess i have to!! Oh wow gee, Noiz feels nothing in the body? I'm bouta disprove that big time, get your peanits out brother and we will see about those nerve endings!! My dog is a man in my brain who wants to boink me? Well I'll be darned can't argue with that--

I think about nitro+chiral games too much

[cardboardheartss]

NEWJEANS D1 Chart Analysis

NEWJEANS! In their D1 Chart these girls have a Bharani (Aries) stelium in their 1H. Rahu, Mars, Uranus and Moon. This major stellium obviously makes the girls nakshatra be in Bharani aka Venus Nakshatra. This all makes sense because all of the member have their own unique beauty, they don’t need a visual hole in the group!

Bharani’s are known to represent “breakthrough” and in musical terms we can reword it as “breakthrough artist.” NEWJEANS honestly had one unique debut and the achievements they’ve been having ever since… it’s honestly mind-boggling.

Mars in astrology represents dancing as well, and mars is in Aries. Aries represents intensity/energy and I believe we have all seen NEWJEANS choreography. I noticed that people with Aries stelliums, Rahu/MC, and Vertex are also good dancers, and I picked up on this by looking at Jam Republic members' D1 and D10 Charts.

Back to NEWJEANS, i checked out all their charts and what actually shocked me was how they all have major aries placements in their personal D1 charts! I won’t share too much because i don’t want to spoil their charts yet lol!!!

NEWJEANS have an aries moon at 16 degrees, which is a cancer degree. The girls may seem very firey and bold on stage, and when they’re on stage they truly look like they want to be there and are present in their moments. The cancer degree really showed out this month with the whole Min Hee Jin vs HYBE fiasco. The sunbaenims of the industry really went out and showed their support to NEWJEANS, majority of the idols/celebs supporting NEWJEANS were females too!

NEWJEANS Aries Uranus also makes sense, the girls had an unconventional way of debuting as i had mentioned in the beginning. We did not know one member or actually the group overall! NEWJEANS concepts are also what make them stand out the most, we’ve seen every era, they bring out something different that sets them apart from this industry. The collaborations, merchandise, dancing, music material and etc.

NEWJEANS have Ardra and Punaravasu (Gemini) placements in their 3H. The planets/placements consist of Venus, Lilith, and POF! The 3H represents the VOICE (singing), texting, social media, coworkers and etc. On the one hand, I will have to mention that people, in general, enjoy NEWJEANS music, the girls are really talented vocalists and they all individually get praised for their live vocals as well! Thanks to ador, we actually get to see the members sing live on By Jeans!

and NEWJEANS are also quite active on an app called Phoning, and doesn’t phoning require you to talk to someone/people and they have luck with that app because they have structured rules and regulations you follow to avoid chaos on that app.

Gemini also represents the youth, and remember majority of us who are young enjoy texting… Gemini also represents a connection, and that is how NEWJEANS connect with Bunnies, through “calling” or “texting” them.

Since Gemini represents two sides, now I have to go onto the negative part. Lilith, the Lilith placement here makes sense. The cyberbullying these girls will have to go through will surely be difficult to deal with. Remember how I mentioned how Gemini represents youth, guess what people always bring up in NEWJEANS fan-wars? Their ages… every single time. What is also so ironic is how today, there is more drama surrounding NEWJEANS again…

Their Sun and Mercury are in Pushya (Cancer), and it is in their 4H. One thing i would like to mention is how much Hanni and Danielle always talk about their life back in Australia.

The girls all share their childhood memories to a certain extent and one thing i would also like to bring up is how the members always thank Min Hee Jin, who in this case was their mother figure for a while, and also not to mention how NEWJEANS biological mothers also fought and protected their daughters while their debut was being delayed.

The 4H represents home/native land/country, and the Sun and Mercury emphasizes how much NEWJEANS are loved and cherished in South Korea. Which is why they’re called the “Nations Daughters” “Nations Princesses” “Nations Granddaughters” and etc.

Have you also not noticed how much the rest of the industry has shown love to NEWJEANS for the past month too?! Once again… majority of the celebrities who spoke up about NEWJEANS and shows love to them were female celebs!

6H Hasta Virgo, these girlies know how to work practically and are also very hard workers. They know how to stick to the routines, and this makes sense because they share schedules and had/have to still spend at least half of their lives together. Since they are also dancers, Virgos always look to make something perfect, hence why their moves may be different in one choreography they still have really good synchronization.

Now for their Dhashnitha Saturn in their 10H, astrologers always say saturn is in a good place here and they’re right… in a way lol! We all finally know the truth about NEWJEANS delayed debut, and i guess that delay gave them the upper hand to plan and train together, because i mean look at the end result of that situation. They are talented and are also great performers and i truly applaud all the members for that, i believe it was not easy for them to almost not acheive their dreams and to see how much they have a achieved despite that obstacle makes me proud!!

Now for their last planets in Pisces Neptune, Purva Bhadra, Jupiter Uttara Bhadra, and Chiron Revati. The girls could go through a lot behind the scenes, in terms of their bond as a group and the overworking in the industry.

Some members could get injured a few times during their career, like Hyein with her foot.

Luckily, for NEWJEANS, they have Jupiter in their 12H, and 12H in Vedic represents abroad travel/faraway lands, and its ruler, Sagittarius is in the 9H of foreign land, higher courts, and media. I almost forgot to mention how much love NEWJEANS receive internationally!!

Welp! That was A LOT of writing… looking foward to posting more analysis soon!!!

[lalalian]

futuristic dr ideas pt.1 : jobs

date: march 24, 2024 (technically march 25, it's 2 AM rn)

If you're interested in more futuristic dr things, I posted a video on tiktok with more futuristic stuff

A lot of this stuff is inspired the things I've read in cyberprep books!

disclaimer: none of my ideas are made by AI, sometimes I may be aided by AI to get inspired (especially with civilizations). If I do use AI somewhere in my ideas I’ll be sure to let you guys know!

World Acclimatizer

Also known as an ‘Acclimaitzer’

These help people move to other planets by aiding them in adapting to either living in space or living on different planets. World Acclimatizers often work closely with primary care doctors, and are extremely well-versed in non-earthly sicknesses and the effects space has on the human body. Realtors from other planets will always refer their clients to an Acclimatizer if the house is located on another planet.

Planetary Humanitarian

Planetary Humanitarians promote natural and peaceful development in other planets. These people typically advocate for limited human interaction with other life, some even going as far as to never stepping off earth. Planetary Humanitarians tend to dislike Civilization Examiners.

Cybernaut

Cybernauts work with techspace (technology relating to space) engineers to test out products. These people are often pretty popular in the media sphere because, as I mentioned earlier, many engineers are inclined to sponsor them. Cybernauts can frequently be seen in AR Gaming hubs and Cyber parkour arenas (more about those in the tiktok linked to this post)

Cybernetic Designer

Cybernetic body parts are designed by these people. These parts are not designed to look realistic like the prosthetic parts we see today. Most designers specialize in a body part, the most popular one being the left arm. Cybernetic designers are not licensed in creating full body AI androids, but they can create parts for androids.

Android Engineer

Android Engineers obviously do have some sort of license to make androids, but there are different tiers to an android making license:

Limited 2D Design: Very similar to character ai or j.ai bots, these bots do not have a physical form and can only be spoken to through text. They may have voices or a 2D body.

AR Immersive Experience: Like love and deepspace but with AR, you can feel, hear, and taste the android only through AR goggles. Some android engineers make their own goggles to allow their customers to feel a more personalized experience with new features. Why is this a completely different tier from 2D design? There's more room for corruption both mentally and digitally (hacking). The AI that makes the bots act so human can make the bot become too sentient, which could make them want to break free from the simulation.

Small Non-Human Physical Design: Most people with this license make android pets. Dogs are obviously the most popular, but jelly fish and vampire squids are popular these days. This license requires more training than the AR experience degree because these androids exist in the physical world.

Non-Human Physical Design: Designers with this license are not always involved in the abstract or purely artistic sphere. Many make hyper realistic android animals to blend in with the environment to either monitor species development, observe other planet-life in a non-invasive way, or encourage certain behaviors in animals. Even if the creature is not considered large, designers who plan to enter this field of design must earn this license because of this job requires complex AI design and ultra realistic visuals.

Non-Interactive Human Design: Designers with this tier do not create androids with crazy complex AI models. These androids are often displayed in museums, and are no where near sentient enough to even speak outside of a few lines, if that.

Life-like Interactive Human Design: This is the highest tier. People with this license often advocate for equality amongst humans and androids. Anyone with this license should exercise caution when making their androids, as talented designers can make androids that are so indistinguishable from humans that they become acknowledged as civilians rather than 'product'. Reports against designers with these license are taken extremely seriously.

Civilization Examiners

I'm planning to have a DR with this job kekekeke. I'll tell y'all storytimes if I can get myself to focus on shifting instead of scripting 😞

There's two kinds of civilization examiners: public or non-public. Public examiners assist journalists and researchers after living for days, weeks, months, or even years on a different planet. They collect data like plants, animals, environmental samples, and most importantly, get as much information as possible about other civilizations. Civilization Examiners are required to be at least semi- decent artists because they need to be able to draw what they see. They are required to come back with information about the civilization's culture, religious customs, traditions, language, fashion, appearance, parenting style, government, and more importantly, alliance potential.

edit: I forgot to talk abt non-public examiners 😭 non-public examiners work for the government and are apart of the CIA. Public examiners research about alliance potential, but not nearly as intensely as gov examiners.

istg more shifters need to talk about their futuristic drs :(

[centrally-unplanned]

I'm curious, how do you feel about harem tropes in anime and vns as a straight (for now, we will get you one day!!!) poly dude? Does the "genre" hold any appeal to you, and are there any standouts you would point to to say "yeah they really nailed what I like here"?

Look someone has to be a straight guy on here, affirmative action to ensure we get a diverse community! Overall I think they are fine as a concept - essentially harem is too "basic" to have like any one opinion on it, right? It can take on a million different forms, some will work and some don't.

For me most of the time they don't work, primarily because the typical deployment is in some weird asexual abeyance state where the protagonist has a dozen girls who are into him but they never cross the threshold. It is essentially a piece of media with no progression that substitutes in lateral quantity of girls for interesting narrative. Even this can work though, if the work is a sufficiently silly or weird sex comedy - those don't need any progression, right, the fun is in the jokes. The key for me is to make the lack of progression actually part of the humor. Few land this honestly, but while I am cheating because here the MC *does* date all the girls, The 100 Girlfriends Who Really Really Love You is a good example - he has to date all the girls or THEY DIE because God fucked up their destinies. Totally stupid, great premise for a comedy. Or My Next Life as a Villainess, where the heroine is isekai'd into an otome is obsessed with not being murdered like in the game, so fails to realize that she has dodged that bullet so successfully everyone wants to bone her (that show isn't good for its own reasons alas).

The other path is the "ancillary" harem, where the story has some other primary plot going on, fantasy wizard war or w/e, but the main character also has 4 hotties in the crew who are in various degrees of thirst over him. Normally still dumb ofc but this is less offensive because it isn't the main story, so it can have more logic. Additionally, you can use their role in the main story to make them cool/attractive, such that you have more investment with them. "I want to date you" is not a great pitch for why someone would want to date you, after all. Still, it is all better if you get like Mushoku Tensei and actually date them, since then you can have very interesting multiple-relationship arcs that intersect the main story. At the rare peaks this is authentically great, and never seen in TV outside of anime.

Visual Novels, funnily enough, are not that commonly harem! Because of split-routes you set up the harem "premise" at the beginning, but then you "choose a route" and the other girls fade away and it becomes a mono romance. Obviously they do exist, but VNs just typically have other genre conventions - and the ones that do exist I just tend to have not played. Maybe some out there do cool harem stuff! I am open to recs.

Being poly honestly effects this very little, because most harem anime just isn't poly. It is too far divorced from any level of "poly rep" for my own life experiences or w/e to come up beyond the occasional joke. Which makes sense - the audience isn't poly! Very similar to how the average yaoi is made for women, not gay men. And just like gay men enjoying yaoi, I can still enjoy a good harem even if it isn't For Me in that way.

[my-mt-heart]

Believe it or not, I was already going to make a post about the shipbaiting today, but thanks for the scarring visual aid I guess, AMC. I’ll start by saying that I see how the new teaser tries to center the story around Daryl’s and Carol’s anticipated reunion, but you know what? It doesn’t make me feel better because once again, their fans are expected to dig and dig for some subtle hint of the story they want while ageist and misogynistic EPs happily throw a painful image in their faces—one that simulates sex between Daryl and a nun—and for extra shits and giggles, they use an anti-Caryl media outlet to do it.

The 206 sides that were leaked a couple of months ago tell us the beat in the teaser is Isabelle’s ghost appearing to Daryl while he thinks he’s dying, so those of us who follow spoilers know that it’s “not as bad as it seems.” Caryl fans have had to sing that song for years now, and clearly AMC thinks this time won’t be any different. Not sure what that means for all of the fans who aren’t active online.

Despite fans shouting about it for over a year, AMC still doesn’t understand that shipbaiting of any degree does irreparable damage. It doesn’t matter that Isabelle dies. It doesn’t matter that Daryl leaves with Carol. The how and why is what matters. Character integrity fucking matters. For example…

Scenario 1: The scene in the teaser plays out exactly how it reads in the sides. Daryl thinks he has nothing to live for despite reuniting with Carol, he sees Isabelle’s ghost, there’s face touching and closeness, she gives Daryl hope to keep going, he meets back up with Carol and then treats her like a complete stranger.

Scenario 2: The scene in the teaser plays out, but when Isabelle tells Daryl to bet on hope, he has memories of Carol. That encourages him to get up and when he finds Carol again, he holds her tight, not wanting to let go.

Scenario 2 is still shitty for a number of reasons, but the shading keeps Daryl in character and positions Caryl as the romantic unit, not Isabelle and Daryl. Daryl in scenario 1 is a douchebag James Bond wannabe who takes Carol for granted. Daryl in scenario 2 is a loyal man who knows where his home is. He's the only Daryl I recognize and the only Daryl I want to watch. I wonder which version we’ll get. Or rather, which version Gimple, Nicotero, and Zabel will let us have because apparently they’re allowed to run amuck whenever they feel like it. (Notice how the vast majority of panelists for NYCC are non-cast members? What are you promoting, AMC? The show or the EPs?)

How does releasing a Carol poster—that reverted to the old logo by the way—make things better after a really disturbing teaser? That’s like kicking us in the teeth and then handing us a bandaid afterward because you still want us to watch. That’s unethical and abusive. I don’t want insignificant consolation prizes. I just want a fucking good story for my favorite characters, but that’s never going to happen as long as AMC keeps letting those EPs ruin everything. Will they even blame them if the season doesn’t do well or will they predictably try to blame it on the woman?

Melissa deserves 1000x better and so do her fans.

[stealingyourbones]

Same person who sent you the piñata message here 👋. Bit of a continuation on the knowing canon vs knowing canon since I read your message about it and saw the reblogs. Have more allegories about source media knowledge.

I think making something from a piece of media can be a bit like when you have to take apart something to fix it or clean it. I theoretically know how a blender works and how to safely handle a blender, but I don’t know what it looks like inside. Some people are fine with just knowing how a blender works, but other people will pull up a video or manual on what motor or blade type makes it work. Some people what to know if blenders are the only things a company makes so they can see about buying or not buying a toaster made by them. Or looking at different blenders available on the market before investing in one specific blender.

Some people are cool with the basics of a media source, some people like to know more details, some want to know the detailed history sounding it, and some people want to know what different versions of that media exist.

I think one of the reasons source based people get frustrated with a lot of fan born interpretations is to them it’s like they’re using a blender without a lid. Not really physically harmful, but messy and hard to clean up if it gets everywhere. (How head canons can spread and become synonymous with canon even when they are opposites) Or in extreme cases like reaching into a plugged in blender, dangers of Schrodinger’s degrees.

Another example is people tend to mix up the terms macaron and macaroon, not a big deal in most cases. The word sounds similar. The word looks similar, desserts visually are different, but it can be confusing. However if you’re selling macaroons and you have them labeled macarons, you’re gonna have to deal with complaints and people telling you you’re wrong. It’s OK to be mad sometimes but you also have to understand that maybe the person is complaining because they’re deathly allergic to coconut and you have that mislabeled, so they have a right to complain.

I like knowing things myself because I like to have that knowledge when I create. If I don’t plan on making anything for that media I don’t do genuine research. When it comes to a lot of fan made transformative works I tend to view them as, taking terms from comics here, their own unique runs. Although as an individual I have my own opinions on how transformative is too far and becomes just a different character or an OC entirely.

Hopefully that makes sense, not sure blenders and desserts make as much sense as piñatas. 

Homeboy this is the absolute best way I’ve ever heard comic focused fandoms views described. I just have no words. Just awe.

[misscammiedawn]

50 Days of HypnoKink - Day 49: Hypno in Media

My heavens... we made it to the finish line. Tomorrow is the final day.

I wanted to save an obvious one for the end because I do so enjoy MC in fiction so very much. So much, in fact, that I made a Twitter thread with 110 recommendations and never even came close to emptying my resources.

I know so many of these scenes, both that Twitter thread and this page are skimming the surface.

I'll be using some of those recommendations here but let's divide by category:

Film

So let's get the obvious out of the way. You have

Trance

A Danny Boyle thriller with a terrible plot and Rosario Dawson as a hypnotherapist trying to get hidden information from James McAvoy's mind. Silly movie but one that doesn't get brought up a lot. Dawson learned hypnosis to get into the role.

Candyman

Horror movie in which the director literally hypnotized the actress so any time she was being stalked by the titular killer she looked completely entranced. Link above is an interview discussing this.

Hypnotic

HORRIBLE movie on Netflix but Sleepyhead and I have hosted a number of watch parties and let me tell you, this is the PERFECT movie to watch with a bunch of rowdy hypnokinksters. The therapist is unethical to a laughable degree and his office looks like it's inside of the Death Star. He's a living breathing red flag. The movie does have a really hot freeze scene, a good ragdoll and the dollification sequence. It's just enjoyable because it's terrible. Check CWs first though, this movie has a bunch of things that can make it an uncomfortable viewing experience.

The Great Hypnotist

This is a Not For Daja movie. A Chinese movie that doesn't get brought up a lot. Like Trance above it is a thriller with some twists and turns that I don't really want to spoil.

Stir of Echoes

A visualization of a dissociation induction designed to make a person view events on a screen so they are separate from the memory. It's a remarkably well done scene.

Now You See Me 1/2

The hypnosis in these movies is STUPID and I love it. The first movie has a punchline that every time Mark Rufallo's character makes a frustrated comment people who Woody Harrelson has hypnotized will start acting as if they're in an orchestra. Second movie has a twin Woody Harrelson as an evil hypnotist and he uses a pizza box as an evil induction. It's amazing.

Sherlock Holmes Woman in Green

This induction is one of the coolest I've seen in a film and I try my hardest to channel the energy of this when I am doing a relaxation focused scene.

TV

Charlies Angels

This is bar none my favorite hypnosis scene in any fiction. The typewriter induction is amazing, the hypnotist has such a smooth voice, the entranced gazes are lovely. It's just perfect. Heck, the link above is "hypnosis scenes" from the episode and is 26 minutes long. From a single episode of television.

Doctor Who

Sarah Jane gets hypnotized so often that I could make a list purely from her.

Legion

I just wanna link this one as it's one of those scenes that works so much better without context and the aesthetics are incredible. Plus who doesn't like Aubrey Plaza?

Quick Bonus Animation Round

Carmen Sandiego (Neflix) has a ton of mind control including the bad end to the interactive movie.

Totally Spies is a meme for a reason

And this one is a reason many of us are here <3

Comics

DC vs Vampires

I think the page speaks for itself. "Hypnosis isn't lying, Diana. It's speaking to your vulnerability."

Korra

This sequence of Asami, brainwashed to hate the avatar, being deprogrammed is so good that someone on AO3 did an incredible fan-fiction which may well be one of my favorite hypnokink stories of all time.

Super Mario Comic

I bring this one up as it was one of my earliest moments of "...oh... this is kind of making me feel some kind of way."

Video Games

A note that a full directory of video games featuring Mind Control can be found at mindcontrol.fun the MC Games Wiki, run by @soveryverytired

Nyx Gaming (Featured game: Enthralled)

Nyx do incredible games which are designed to hypnotize the viewer and their consent practices are wonderful. They recently teamed up with Secret Subject to release a vampire enthrallment game and let me tell you, there is not a single word in that synopsis that doesn't make me happy.

Mind Melting Massaging Machine

The best tool for VR hypnosis. Upload custom files and program spirals, subliminals and chose between static spiral or headtracking. I have had so much fun with this over the years. There's a desktop version too but VR is optimal for this experience.

Spiral Clicker

It's such a simple concept. Click on the character and watch their will go away. Spiral Clicker is backed with a fun little universe, fun characters both original and community sourced, amazing art and a clever little gameplay loop that is quite addictive. Careful, the game features a constant spiral, you may find yourself falling in to trance. Don't worry. The game will wake you up. You can even ask the game to include suggestions for you :)

The sequel is being worked upon now and I cannot wait <3

Music Videos

Anna Soares - Hypnodoll (NSFW)

Straight up just a song and music video about hypnokink. If you click anything in this thread, click this one.

Little Big - Hypnodancer:

Silly antics but a fun music video.

Pharrell Williams - Hypnotize U

It's just Pharrell hanging out in a mansion with his hypnotized harem.

Grimes - We Appreciate Power

It's dronekink baby.

Andamiro - Hypnotize

Maid hypnotizes their employer.

I could do so many more in all areas. But the point is, media is hypnohorny. I never went over advertisements (UK ones especially), books, musicals (Phantom and Next To Normal for instance), anime (Sailor Moon) or manga.

But I write about a bunch more in my Twitter thread.

---

Day 48: Stealth Inductions

FULL SCHEDULE MASTER POST

FINAL Day 50: Presentation

[sneezemonster15]

What do you think of this?

I was oddly disappointed when I came across this.

I honestly feel sorry for anyone who couldn't see what this story was all about. They missed out on so much, they missed out on emotions and feelings that could have been their unraveling, a catharsis, something that could have led to a more accepting heart, a more sensitive mind, a sharper intuition, a keener emotional intellect.

This story is about Naruto and Sasuke and their bond. A bond that changes their current corrupt and chaotic shinobi world for the better. That they were fated and are soulmates is not a SNS headcanon, it is an intricate part of their dynamic, their portrayal. It's literally canon. They are supposed to be yin and yang, they are fire and wind, sky and earth, they are light and darkness, sun and moon, they make each other stronger emotionally and physically, they are the main act. This is all literally text.

The point of this story is that true love transcends all constructs made by humans. True love is a greater motivator than hate and revenge. True love is the solution that will bring the world together, that will finally break the cycle of revenge and hatred and bring about peace. Even if this concept has its own problems, the point is, that's what Kishi wanted to portray, at least till chapter 699.

What would even be the point of this story if Sasuke was shown to not love Naruto? Like apart from all the symbolic and literary elements, the larger narrative itself will be cancelled out if Kishi meant to show only Naruto as obsessed with Sasuke, no?

So why do these fans think this way? Denying the narrative, denying the story, denying the visual imagery, denying the characterisation of the hero and the anti hero, denying the major themes that make this manga, denying the whole point of this manga?

Projection and/or they are almost incurably dumb.

Like I don't know how many lies they have had to tell themselves to believe in their wacky theories. Their sense of comprehension is worse than a tween's. And given that a lot of them are adults, it is so embarrassing for them. Like if I were in their shoes, I would go back to school. I would burn all my degrees in the society bonfire. I would spend all my savings to relearn about the world.

Like if 700 exclusive freaking chapters of Sasuke and Naruto's bond weren't enough for them to get this story, they should maybe burn all their books. Apologies, I doubt they read. My bad.

One really doesn't need to be a media expert to get that they love each other. All they have to do is to be open minded and read the story for the story itself. Literally, one doesn't have to put any extra effort. Leave the extra effort to the bloggers and analysts who write about the literary, socio-political, narrative and visual influences and such. Just do your part. Just be the reader. Follow the story for the story's sake. That. Is. All.

But you know...fans will be fans. They find a character hot, so they would project, self insert, be dumb, deny, whine and cry, fight uselessly, embarrass themselves on public platforms, reveal themselves to be raging idiots of the first degree, etc.

Anyway.

Thesis statement of this answer : Naruto loves Sasuke and is surely obsessed with him because - Sasuke inspires it in him. Sasuke is equally obsessed with Naruto, and one would think it is subtle and it certainly is as compared to loud Naruto, but objectively, not subtle AT ALL.

At. All.

Sasuke is so in love with Naruto, is so damn crazy about this funny, cute, earnest, raw and determined little urchin, that his brain practically turns to mush when he sees him.

You know why Sasuke wanted to kill Naruto in Shippuden? He keeps saying that Naruto is his closest friend, his one and only.....friend, which is why he needs to kill him. Why?

Because Sasuke is so in love with this boy, that he self-sabotages his goals when it comes to Naruto. It has been a damn pattern with him from DAY ONE.

Naruto is Sasuke's WEAKNESS.

Sasuke trains so hard, resolves to accomplish his goals so determinedly, promises himself to be strong, but when it comes to Naruto, all of it goes right down the drain. And it is a BIG problem for Sasuke. A practical problem. Because how is he gonna accomplish his goals if Naruto keeps coming in his way, distracting him, making Sasuke's knees weak, his heart thump, his eyes tangle with Naruto's gaze, his mind completely focused on Naruto's every move?

Team seven formed. Naruto and Sasuke hadn't even spent much time together exclusively. Naruto had just been an ass to Sasuke, kissing him in public and embarrassing him (Why didn't you beat him up Sasuke? You clearly said you would lol) then tying him up, gagging him and impersonating him, but what does Sasuke do when he sees a perennially hungry Naruto? This.

Even though he very well knew that he would be disqualified and wouldn't be allowed to train as a shinobi which is required for him to get stronger so he could one day, kill Itachi.

#self-sabotage

Sasuke goes on his first important mission with the team, and ends up protecting Naruto from the bad guys like a damn romantic hero on the way to land of waves country, tries to match his pace with Naruto while blushing, worrying for him, training with him at all hours of the night while everyone else including Sakura is resting, and he is having fun at it too, asking him for help and not Sakura who is 'supposed' to have better chakra control (only because she has a very small amount of chakra as compared to Sasuke and Naruto), and then out of nowhere, freaking sacrificing his life for him. He really was totally prepared to die for this boy at age 12. For love.

#self-sabotage

His "Body moved on its own."

Naruto couldn't believe his eyes. Naruto was still oblivious as to how Sasuke felt for him before this point so he was flabbergasted at Sasuke's sacrifice. But Sasuke can't actually tell him he loves him, that would be so embarrassing for him. Lol. Hence the awkwardness later.

But Naruto now knows Sasuke really cared for him. He valued him. And so what happens?

Sasuke inspired this in him. It didn't come out of oblivion. That's not how it works.

Then comes the forest of death arc. And we see how much Sasuke and Naruto work in close partnership, how much they know each other, how their instincts are so attuned to the other, especially Sasuke. Sasuke is certainly an observant person but his knowledge of Naruto is just too accurate. Not just his appearance (and why wouldn't it? Just see how much Sasuke stares at Naruto throughout, because it's too difficult for him to escape that 'gaze' of his lol) but his mannerisms, his insecurities and weaknesses.

His laser sharp focus on Naruto is so evident. And it's not only that, he goes OUT of his way to protect Naruto.

These fans should really ask themselves if this was really needed. Naruto was being flung around by a transformed Gaara left and right before this. And Sasuke was already injured and completely out of juice. Naruto would have gotten bruised at most here. Why would Sasuke go so out of his way to cushion his fall? And why would Kishi make Pakkun point it out too? Sasuke doesn't do this type of thing for ANYONE else. Absolutely no one. So what impression does it make? How exactly do these fans read this scene? Or they just conveniently ignore whatever doesn't satisfy their agenda? That's how denial works lol.

Sasuke retrieval arc. Not only is it remarkable that the entire arc is about Naruto trying to protect Sasuke, to bring him back so that his life isn't jeopardized at the hands of Oro, but just the sheer amount of space and footage Kishi gives to vote 1. Eight freaking chapters. A world famous manga where every single panel counts, eight chapters were devoted by Kishi to make sure that their bond, the intensity of that bond, their intimacy comes out clearly. Why? Is Kishi dumb? Like these fans are? No. He wanted to make sure that absolutely no stone was left unturned for the reader to understand what their bond is really about and how freaking intense it is. The whole point why Naruto simply couldn't digest the fact that Sasuke would actually be trying to kill him, was because Sasuke, at every point, SHOWED Naruto how important he was to him.

Naruto simply couldn't compute that Sasuke would do this to him. And this is exactly why Naruto was pushed to say - Can you kill me calmly, Sasuke? in a big ass panel. So much build up man. Like goddamn. Kishi put so damn much emphasis on it because of this. Why?

Because it was contradictory behaviour. Naruto couldn't believe Sasuke would even consider killing him because of the kind of insane lengths he went to, to protect Naruto. Even at the cost of his own ambition and freaking life. Why would Sasuke do it for him? Why would Sasuke jeopardize everything that is important to him, killing Itachi and restoring his clan's honour ie, for someone he doesn't care about? Does this look one sided?

I mean if even after all this, one feels so convinced that Sasuke doesn't care about Naruto in this manga, maybe go back to reading Archie? lol.

And even after the fight, the crazy power ups, what with breaking out hidden strengths with Sharingan evolution and kyuubi chakra and kyuubi cloak and curse mark transformation, they fight and fight, their faces incredibly pained at hurting each other like this, and Sasuke manages to overpower Naruto with SO MUCH effort........all for this.

Sasuke hovering over an unconscious Naruto. This scene has so much tenderness, so much emotion, so many panels were drawn to highlight this emotion. The clouds finally breaking through to give way to a beam of light that centres on Naruto's face and then gently fades away, while Sasuke is standing atop Naruto, looking down, at his face as he lies there unconscious and injured at the hands of Sasuke. As rain patters down on Sasuke's face, he says with such anguish and emotion - Naruto, I.....

But then dramatically falls down on his knees as the aftereffects of his curse mark make themselves known and ends up right over Naruto's face, looking at his closed eyes with so much pain and longing.

What was that about? Is Kishi stupid? Are all his editors stupid? What about the publication house? So these fans are the only smart ones in the universe? That must be it. Lol.

Think about it.

Sasuke was planning to kill his closest friend at Itachi's suggestion because that would have given him access to Mangekyou Sharingan and he would have come much closer in strength to Itachi, right? Naruto was completely disabled, right at Sasuke's mercy. Sasuke had the PERFECT opening. Sasuke was one second away from gaining that power. Something he battled hard for. Like hard hard. But what did he eventually decide? He decided not to.

Why? Do fans not see the contradiction in Sasuke's behaviour? Why would Sasuke have abandoned the perfect opportunity of gaining the power required to kill Itachi, someone he was absolutely ITCHING to kill, in favor of training with Oro, a man he despises, a man he very well knows has evil intentions towards Sasuke, for THREE fucking years when he could have skipped all of that here by killing Naruto in a matter of seconds??

Why?

Because he loves Naruto. Sasuke decided if being powerful enough to kill Itachi meant that he would need to kill his most precious, his usuratonkachi, then he would rather come up with his own way to become stronger. Even if it took him waaaay more time and effort, even if he could taste the desire to kill his brother on his tongue like blood, even if it meant giving up his body to someone like Oro, he would do it if it meant Naruto would still keep living.

#self-sabotage

During the reunion, he tells Naruto that he would give his body to Oro over and over if it meant he would be able to kill Itachi. So all of THAT is acceptable to Sasuke but not killing Naruto. Sasuke is not Itachi. Sasuke is his own person, and he would make his decisions based on his feelings, he will not pander to his brother. Because he is him and he loves Naruto.

But that didn't stop him from being entirely devastated at being separated from Naruto. Crushed. Heartbroken. As he is shown having left Konoha and entering the darkness, his face, paralleled with Naruto's own as he is carried away by Kakashi, shows his true feelings about separating from his most precious person. Someone with whom he feels like family.

During their reunion, Naruto asks Sasuke why he left him alive? Why he didn't kill him off? Naruto knew Sasuke had the best opportunity to do it. But he didn't do it. Naruto knew very well that Sasuke didn't kill him for the same reason he protected Naruto all those other times. Because Sasuke really cared for him, he valued Naruto.

Sasuke deflects. He tells him he doesn't need to explain it to him. Naruto looks skeptical. Then he says he left him alive on a whim. And of course Naruto doesn't believe him. Naruto knows Sasuke is lying. Is Sasuke a person who would do things on a Whim? Is that how he is characterized in the manga? What other thing did he do on a whim? Sasuke says that even Oro was not powerful enough to take on Itachi, let alone himself. He could have made things so much easier for himself if he had killed Naruto and gotten MS, but no. If Naruto didn't mean so much to him, what was stopping him to kill Naruto? Even when the stakes were so damn high?

When Naruto asks him why he let him live during the reunion, Sasuke is actually struggling to answer him. He feels vulnerable. Look at his face when he says that emotions weaken a person, causes confusion. He knows this from experience. Because he couldn't kill Naruto. He again sabotaged his own objective, like always, because he just cannot bear to have Naruto hurt. He just cannot. Someone who couldn't even let Naruto be freaking bruised by a tree trunk, who cannot even let Naruto go hungry for a mere few hours even at the cost of his own freaking disqualification, can he kill Naruto so easily? Heh. The narrative is doing its work. Sasuke is a simp for Naruto man. Even if Sasuke isn't able to say what he feels due to self preservation and his own tsundereness, the reader knows the truth. How? Because we aren't blind or stupid. We know how to read. We enjoy stories and storytelling.

The crux of it all was that Sasuke wasn't able to kill Naruto even though it would have had been really really advantageous for him in reaching his goal. But. At what cost? By killing Naruto? No way in hell. Heh.

Honestly, Sasuke says everything himself. No one has to look anywhere else. He knows Naruto is his weakness. He simply cannot help himself when it comes to Naruto. That's why he says he needs to cut him off in vote 2. As long as Naruto is alive, and keeps getting in Sasuke's way, Sasuke would never be able to help himself. Everytime Naruto comes along, Sasuke's objectives and goals take a backseat, in fact, go right out the window. Sasuke is defined by love, led by love, motivated by it, inspired by it. Itachi taught him how to hate. But Naruto was the one who caught his nerve, who reached his heart, who made him warm and fuzzy, who taught him to love, to accept love, to let himself be loved. By Naruto.

Sasuke says he will be the darkness, and live on by eating the ashes. He needs to be the darkness to be the true hokage, that's his goal. But how can he be the darkness if Naruto, the light incarnate, fills him with the light of his love? With his warmth and care and affection?

Sasuke's actions towards Naruto are often contradictory. During the reunion, Naruto is urged by Kurama to draw on his power, but Naruto resists and then Sasuke (who just couldn't stop staring at him throughfuckingout) enters his mind space and makes the kyuubi retreat. Why should it matter to him? Why should he even feel the need to be there? He already knows that Naruto has a special power. So he glided down like an angel, hugged Naruto (which he really really didn't need to do), whispered in his ears (why are you here Naruto when you could be out there training huh? huh?), and then was so damn focused on him that Yamato found the opening to attack Sasuke even though Sasuke is a person thoroughly anal with being on guard all the time?

#self-sabotage

And I only mention this because Sasuke's character is already established as someone who is not a touchy feely guy. When a character does something out of character, it registers itself in the reader's mind. You simply cannot deny it. Kishi put so much effort in writing and drawing him, do these fans think all this comes out of oblivion? No thought, no idea behind it? So if Sasuke is made to do something out of character, there must be some reason for it, no? Except when it comes to Naruto, it is in character for Sasuke to do something he doesn't rationally intend to. Because love is not rational.

Sasuke was already reminded by Sai of Naruto. Sasuke is told that Naruto is still looking for him. And then Sai proceeds to disparage Naruto, and how does Sasuke react? He genjutsues his ass. Lol. Don't you think it is a disproportionate action for Sasuke to do this if he didn't care about Naruto?

Like when fans are used to big actions, big gestures and big reactions, which are typical of shounen, they often miss out on more subtle actions and reactions. But just because they don't see them doesn't mean they aren't there. I am sorry (not) but SNS fans cannot be blamed for other fans' ignorance and incompetence at media comprehension.

This might be subtle by shounen standards but it's not that subtle. These fans would certainly benefit from watching a wider variety of media. Learning more about how narrative and visual language works. If they can't see that Naruto and Shippuden are a love story, it's a problem, for them. Because what a waste of their time and energy.

Sasuke looks at the Great Naruto bridge and smiles fondly. Why do you think Kishi put this panel here? Why was it needed? What purpose does it serve? Every panel counts right? When Sasuke is told of Naruto defeating Pein, he smiles like he is proud of Naruto. Why? What was even the need to do that? If Kishi means to tell the audience that Sasuke wants to kill Naruto because he hates him or doesn't care, why the hell would he put these panels there so strategically that give exactly the opposite impression to the viewer, and the impression that they give is completely consistent with how Sasuke acts with him in part one? I seriously cannot fathom the amounts of denial these fans must need in order to simply erase and sweep these multiple moments, scenes and dialogues under the rug.

What is even the point of reading this manga? And what exactly makes them so righteous about it too that they have the audacity of criticising SNS fandom for shipping the boys? Who told them they could do it? Who the hell are these people to say shit like this? Who told them they had the qualification? Because the comprehension that they show indicates they should still be reading nursery rhymes. Like learn how narrative works, learn how imagery works, learn how a scene works, learn how mise en scene works, learn what an arc is, learn how characterization works, learn how literary tools and tricks work and THEN talk about it if you are so sure. But hell, if they actually cared to learn all that, they wouldn't be saying this shit. Hell, don't do any of it, just be honest with yourself. That is enough. But no. They are way too precious for that. Learning is beneath them. Lol.

Ignorance breeds more ignorance.

Sasuke saves Naruto during the war arc over and over again, even when it wasn't needed or doing it with so many extra measures, they were unnecessary, so much so that even Naruto is taken aback by it. Why? What impression does it give to the reader? Isn't it reminiscent of part one, when Sasuke saved Naruto from the evil tree trunk? Because he is just so damn protective of his precious boyfriend, his one and only........friend. Lol. This is how narrative works man, psychological and emotional manipulation. That's what storytelling is all about, and talented writers/storytellers/creators understand the concept of perception very well. Perception of text, visuals and sound effects.

Think of the story as a patchwork rug that is patched with complementary coloured pieces of fabric stitched with connecting threads that bring out the brilliance of the rug. An audio-visual story or a film works the same way, where the visuals/scenes are thoughtfully edited and joined together with strategically placed complementary visual effects, text and sound effects to bring out the messaging and impact that the storyteller wants to convey to the reader. The talented a writer/creator is, the smoother and believable the narrative is, the more perceptive he is, the more his intent comes out and makes itself known to the reader, the greater its impact on the reader.

Kishi wrote them as the main act. That is the truth. Everything is intentional.

During vote 2, Sasuke is so damn emotional fighting with Naruto. He climbs on his lap and punches him senseless, and Naruto takes it. It's obviously a parallel to vote one when Naruto climbs on Sasuke's lap and punches him senseless and Sasuke takes it. Does this look like a normal fight? Where else do players fight like this in the manga? Any other example?

No.

It's an emotional fight. They are not fighting for political reasons or to prove a point. The fight is emotional. Just like vote 1. Both are nerve wracking. Emotional overload. Mind short circuits. Lol. Here are two characters who are experiencing them and I can't even read about it without curling on my bed and holding my torso tight because it's just too much man. And I am not easily affected. I have seen all sorts of melodrama and I thought I was immune. Fortified. But damn Kishimoto, he just wrecked me. Sigh.

This sort of reaction doesn't come out of oblivion. Fans who say shit like the one in this ask, have no idea how much effort and thought and emotion it takes to write something like this.

Sasuke didn't show this type of emotion even when he was battling Itachi. He was composed and in control. But with Naruto, he loses it. Why? Because he is doing something he doesn't want to. Not in the heart of his hearts.

Killing Naruto is a requirement for him because for him, Naruto has become an emotional liability. He loves Naruto despite his better judgment. He loses all perspective when he is with Naruto. No matter how strong his convictions are, Naruto makes his heart flutter. His resolve weakens. That is why he left Konoha in the first place. He says to Naruto - Did I get stronger playing around with you?

Hatred towards Itachi was his motivation to get strong enough to kill him. But if Naruto kept making him fall in love more and more, how would he kill Itachi?

The whole reason Orochimaru separated them was because Naruto was changing Sasuke, meaning, he was healing Sasuke.

Naruto and only Naruto, had the power to do that. If Sasuke had completely given over to his feelings for Naruto, no way he would have been able to carry on his revenge plans. A heart filled with love cannot hate. Unless that love is taken away forcefully, then the love transforms into hate.

Naruto tells him he simply won't let him be alone. Naruto understands why Sasuke wanted to kill him. To be alone. To be devoid of love. Love would have been a hindrance to his goals. But it would have meant unending loneliness for Sasuke. Darkness. Pain. Misery.

And Naruto wouldn't have it. No way siree bob. Not on his watch. Naruto loves Sasuke. Beyond comprehension. Just like Sasuke loves Naruto. He simply WON'T let Sasuke be alone because Naruto understands what it means to be lonely. That was the point of their intersection in the first place. Naruto won't let Sasuke be alone because he cares for Sasuke's well being. If Naruto is obsessively in love with Sasuke, and he IS, and proudly too, it's because Sasuke simply won't be swayed with anything less. Naruto had to have immense amounts of love for Sasuke to counter the immense hate in Sasuke. If you want to call it obsession, fine. But the more appropriate term is - Devotion. Something that Kishimoto himself uses when he makes Yashamaru explain love to Gaara. It's called context building.

Sakura? Can she even compare? With Naruto? Bah. She was prepared to kill him in kage arc when Naruto was preparing to lay down his life for him shinjuu style.

She made every confession to Sasuke about herself. Naruto made it about Sasuke. If it weren't the case, Sasuke wouldn't have listened to him in the kage arc. Sasuke was bent on killing Sakura and Kakashi, drunk on power and grief, but he calms down when Naruto confesses to him. And accepts Naruto's proposal. Are these fans telling me Sasuke is shallow and stupid enough to fall for it if he didn't care? Will they not give Sasuke the agency to make the right decision for himself? What he wants to do? Will these fans take away from his intelligence by saying shit that goes against his characterisation and arc development? So Kishi is wrong and these fans are right about him? Lol. The levels of delusions.

When Naruto tells Sasuke that he hurts when Sasuke does, that he hurts so much, he cannot stand it, look at Sasuke. Why would he be so taken aback? Why? Why is he so affected if he didn't care for Naruto? When Sasuke asks him why he goes to such lengths to save Sasuke, Naruto tries to distract him from it and Sasuke gets triggered. Is Sasuke really a person who would get triggered like this if he didn't feel for Naruto? Sasuke asks Naruto with such delicacy and hesitance - But what does friend mean to you? Why does he want to know? How does it matter to him if he didn't care?

Why would Kishi write this stuff in this conclusive chapter? Is it meaningless? Does it not say anything about Sasuke's character? Like I know people twist it and twist it some more, but really, the simplest explanation is always the right one. It might not be as direct, but if you really gather all the data and compute it without prejudice, you can and definitely will see it for yourself. Storytelling can be layered you know. Why be as bad as those dudebros? Even dudebros call him Susgay. Because even if they cannot comprehend much more than that, they can feel it. Why? Because that's how Kishi wrote him. That's how storytelling works.

Dang, when Naruto assures him of his love for Sasuke and his trust in him, Sasuke cries. Fucking cries man. Is Sasuke a person who would emote meaninglessly? The only other person who affects him enough to make him cry is Itachi. Are these fans saying that Itachi meant nothing to Sasuke?

Notice how at peace he looks when he says - I have lost..

Why should he feel at peace? Why? Because he finally accepts love. He is convinced of it. Naruto reminded him of his bonds with his family, something he always wanted, something he missed deeply when they had gone. But now, he can let himself feel it again.

Kishi had already thought of this ending back in 2009, or even before. Not a retcon. Regardless, if these fans had any sense, they could tell it from the story itself.

In conclusively significant chapter 698, in Sasuke's monologue, it is finally revealed that Sasuke, after all that he did to and with Naruto, had always had an eye on Naruto. He had had always felt weak for him. He felt warm and fuzzy. He resonated with Naruto's loneliness. Every little thing that he did for Naruto, all his sacrifices even when the audience couldn't really find commensurate with their dynamic back then in part one, were revealed to be Sasuke's acts of love for Naruto. Because this boy had been loving him since then, since they were eight years old, even when Naruto had no clue. He didn't ask for anything back, nothing in return, he just LOVED. As he knew how to. Not with big declarations of love and guilting the other party, like Sakura or Hinata for Naruto, but with actions and genuine heartfelt emotions. Because that's what unconditional, genuine, devotional, true love is all about. Isn't it? Naruto's zeal, spirit and desire to connect made him think about his bonds with his family, the centre of his emotional core. And it grew more and more as they trained together and fought together being part of the same team. Naruto had reached the core of his heart when Naruto was not even aware of it. Naruto's own acts of love came much later. But Sasuke's were just there, even when the audience couldn't clock it out. This is how Kishi wrote Sasuke. THIS is Sasuke's character. His stans think they really get Sasuke, think he should be a single man and get rid of annoying Naruto. They DON'T get him AT ALL. Sasuke is about love, that he had been giving Naruto unconditionally all this time. Without asking for any thing in return. Because that's who Sasuke is, because that's how strong and selfless his character is. Because he is a fucking legend of a person. He learnt something at age 8 that takes people a lifetime to learn, despite all the odds he faced. Despite Itachi's every attempt at filling him with hate, Sasuke knew how to love. Sasuke IS LOVE.

If these fans don't wanna see it, it's one thing. But don't come for the SNS fandom. This story is a love story. About them. There are more than a dozen literary romantic references, drawn from Asian media and symbology, very evident to people who know about it already. So all of that is wrong and these fans are right who can't even fucking read right? Do I give them a badge of honour? Yep, bravo. Lol.

I have done a lot of cringey shit in my life, but fortunately for me, there's no evidence left except in my own memories. Sad thing is these fans will potentially grow up one day and see it all differently. And mark my words, they will cringely cringe at their cringeworthy behaviour and takes. Which is all DOCUMENTED for everyone to see. Lol. Nothing much they can do about it. But they can always learn. To be better.

Conclusion -

If Naruto is, as they say, obsessed with Sasuke, it's because he learnt from the best of the best. Sasuke. 😏

[respectthepetty]

I've been wondering for a while- how did you start getting into all the colour stuff?? I would love an origin story <3 what got you into your passion for deciphering colors and how did you figure out what they mean??

sorry ik it's a lot but ever since I started following you I see colors everywhere and I'm curious of where you started noticing them ((: it's so fun and intriguing to me! I'm usually more of a "foaming at the mouth for the lighting" girlie but it's been a heap of fun figuring out colors with the lights ^^

thanks for everything you do to show us your eye for color btw ♡♡ your blog is so fascinating and I love reading all your theories and notes

@overrgrown, never apologize for asking questions, but I've actually been asked this before by bengiyo. You can find my write up HERE, but the short version of that post is I've always seen colors; therefore, I've always attached meaning to them, even if the meaning was not valid.

TLWR: Appreciate the artists who work on these shows, not me.

In bengiyo's ask, I stated that when I was younger, I thought the colors were showing me what was good and what was bad. That's it. In my defense, I was a kid, so everything really was good or bad in my book with no in-between.

Even though I've always seen colors, and it comes very naturally to me, the meaning I attached to them when I was younger was very much based on who I was rather than what was being shown to me. Five-year old me thought if someone was dressed all in red that they were the devil. Adult me now knows that isn't always the case. Adult me also knows that red in American (United States) culture means something different than other cultures.

Not a flex, just a fact, but I have several degrees in languages, linguistics, and rhetoric. What they are in is not super important, but, in general, a formal education has greatly helped me infer meaning from what I'm visually seeing in the media I consume. My degrees are not in film or communications, yet I've taken undergrad and grad-level courses like Visual Media, Multimedia and Visual Communication, Language of Film, Digital Narratives, Cinematography and Lighting, Film Theory & Criticism, Queer Cinema History, Spanish Film & Feminism, and many more all because under this great big academic umbrella of rhetoric and composition lies storytelling.

And that's what this is really about - How do we tell a story? Regardless if that story is a simple flyer for a school bake sale, a 30-second commercial advertising cleaning wipes, or a 12-episode BL series, how do we get the message across? We can't just rely on ONE thing! We have to use as many things as possible! So when I'm watching a BL series, I'm just not paying attention to the words being spoken or the acting alone. No, I'm paying to the background noise. What do the clothes tell me about the character? What does his apartment tell me about him? And what do the colors mean?! All of it is important!

I've mentioned this before but I serve on a screening committee for a queer film festival. I actually got involved with the film festival as an undergrad because of one of the film courses. This has allowed me the opportunity to speak to several filmmakers about their process, and all of them have confirmed that the colors were intentional. People who deal with props and costume design have spoken to me about trying to find very specific items that reinforce the story being told. Oh, and theater is a whole different level. Because of the nature of the stage versus film, if it is on the stage, it must have a reason for being there.

Basically, people who work in visual media work really fucking hard, which you probably know since you love lighting. Most times, 12-hour days are the average, if not longer. This video does a good job of briefly covering the work that goes into costume design, and I timestamped it to begin at the part that covers colors.

I love seeing colors. I love deciphering them. I love the story they tell.

But they wouldn't be there if the hardworking people behind them didn't do their job, and those are the people who I appreciate.

So, as always, I'm thankful that you let me know I'm helping you see the beauty is in the details, but I'm really just here to admire the beauty with you.

[seaofreverie]

Sparkstember Day 28: The Sparks Brothers

I'm not a movie person... So when I do actually rewatch a movie (I mean, even watch it, at ALL, haha) it must really mean that something is up. I mean, well, it also IS a thorough, highly enjoyable and visually appealing movie about a band that I've been so incredibly invested in for the past several months. So maybe it's a surprise that I don't watch it more often actually. Because one beautiful side-effect of seeing it each time was getting an unexpected and very strong surge of motivation to keep on going towards the things that matter to me the most, despite any and all obstacles that could appear on the way. Another side-effect of it is being happy and joyfull and being filled with warm feelings and thoughts for the whole following day at least. Usually up to 3 days afterwards actually.

But ok, of course, what I'm getting at is that the Maels' story is so incredibly inspirational. Seeing how they persevered through all those years and NEVER lost their spirit or their vision, never gave up... is not only moving but also something that reminds me that wow, so much *really* is possible. I spent so many years fully convinced that there are things that I'll never be able to achieve. And sure, some of them are indeed pretty unlikely to happen. But if you told me from even one year ago that I'd be making art daily and not dreading being so much as perceived anywhere in the great world (so, including the internet)... well, I would have not believed it at all. I really mean it when I say that I used to believe that there are things that I'll just never be able to do. It's like it was simply not meant for me to be able do it and have those experiences. And yet...!

There's a lot I owe Sparks and this is one of the biggest things I'll always be grateful for. They really changed my life for the better. Truly nothing else before them reaches the same degree of how much it helped me. And well, I'm saying this on TSB day because this is where this feeling of gratitude and feeling SO lucky becomes the strongest. And the beautiful thing about it all is that they were always just themselves. They had their vision, they knew what they wanted to do and didn't care about how it would be received. Which is such an important and meaningful message to me, I can't even express how huge it is to me to see these two people who only really had themselves and their endurance and got exactly where they wanted to be.

Alright, some less grandiose observations now. Well, let's start with the fact that this was by no means my introduction to Sparks but it still really cemented my love for them even more. I loved being reminded of their whole journey and learning more about it, and even moreso I loved being able to see more of their beautiful brotherly bond and their wonderful personalities. Truly no other people in this whole world make me as happy as them currently. And the brothers' sense of humour hits super close to mine, so this is also a time filled with genuine laughs (I die laughing at the absolutely true Sparks facts at the end EVERY TIME). And since I'm a huge fan of animation and mixed media art and such things, this was simply a joy to view for my more artistically-inclined side too.

And damn, those two hours and 15 minutes really fly by so fast. When I have to arrange a huge timeslot to watch it all in one go, because that's the only way to do it for me, and then it feels like no time has passed anyway. And even with so much being said there, it feels like there's still so much more to get to. But it's still enough to lift my spirits completely for a pretty long time. And to make me cry a lot of the time too... Absolutely impossible to not shed a tear by the end of it all. It's moving, it's funny as heck, it's super fun and it's absolutely beautiful and truly lifechanging. 💖