#bc this is a good story honestly ! imo at least !

[superemeralds]

i think about ur piece with shadow captioned “welcome to the promised land” ALOT… with that, i wondered what your thoughts are on the sonic movies (both the ones that came out and the new one thats coming) in regards to their portrayal of the police/military/GUN.

I’m personally really disappointed in whats been done so far (with Tom being a cop, like cmon man what. and with the goofy portrayal of the military, especially that old general guy in the second movie) and im really nervous about whats coming, with team sonic working WITH GUN (and now Tom and Maddie wearing military uniforms) in the trailers. I have a suspicion that Maria’s death will be an “accident”, like a very MCU style “sometimes the military makes mistakes…” bullshit. itd really suck to see this series become another piece of copaganda, especially since like. its so out of character, like sonic is unique in the way its been blatantly anti military (for the most part) in the games. it wasn’t revolutionary by any means but it is arguably a core part of the original story.

What are your thoughts? sorry for the long ask, I’m a big fan of your writing and thoughts on sonic (huge heart of a monster fan!). Hope youre having a good day!

big same. I've made the comic in question as a response to the first trailer for sonic 3 actually.

the trailer made me feel a LOT of emotions, mostly negative if im honest, and the only thing that I liked from it was the scene of shadow bursting from his tank thing and being sloppin wet that looked like he was standing in the rain. so i went and made a comic of shadow in the rain. and i made it as anti military and anti capitalism as i could.

becasue sonic 3's marketing, in my opinion, especially after the second trailer came out, is a perfect axample of everything wrong with the current western (mostly USA, but the USA influences the entire world so.) society. it exemplifies capitalism, militarism, consumerism, a lack of emotional depth and the infantalization as well as mliking (for a lack of better word; i mean how advertizements are usually heavily marketed at kids because parents will buy anyhting to shut up their crying annoying meat bags and therefore spend money on shit they dont want nor need) of children (that detective pikachu bit was so painful). and let's not forget the fatphobia. it was so painful to go back and watch the first trailer to freshen my memory for this reply oh god.

when sonic 2 came out i was really happy with the movie. i think sonic 2 is miles better than 1 in terms of characters and fun, most obviously because there's more of actual sonic characters in it now then the first. the first felt mostly like a pilot honestly. the second one had much more fantastical details and elements thatreally leaned into sonic's world. Or at least... the environment artists tried with it. I remember being OBSESSED with the fact tehre was a mural of perfect chaos in that labyrinth for like 1 second and theorized about what it could mean. while watching the movie i even speculated it was foreshadowing that perfect chaos was gonna be the secret final boss of the movie as that was only the halfway point of the runtime. having sobered from the hype i understand its a neat detail from the cg department that means absolutely nothing.

the worst thing is that the movie (sonic 3 now) itself might be like. a well made movie with good (enough) writing and good visuals and whatever. sonic might betray the military and go his own way bc here he's a little younger and he's learning (he didnt grow up w military so he might be blissfull yunaware bc hes only been fed propaganda through hollywood movies so far) and him meeting shadow and learning about his fate might change his mind. we don't know yet.

The marketing sometimes is detatched from the movie itself so it'll misrepresent things for the sake of "bait" to get ppl to spend money to watch it (the teenage kraken movie suffered from that bc it was fun imo i liked it). Or even just to get people to make viral reactions to get even MORE news of the movie out and attract more people. Especially when adapting a story that already exists I think it makes them reveal a LOT of the movie (I saw ppl complain they reveal the entire movie in the trailer, i think given the fact we already know all those key moments shown it's fine)

actually. does anyone know if the us army funded this movie? i know it does a lot of movies ever since iron man

idek where im going w this rn im just. eghh.... def not gonna see it in cinema ♥ my money goes towards literally anything else

[sleepy-sham]

omg guys guess who just wrote again for the first time since like. july

[skrunksthatwunk]

finished dante's campaign of dmc2!! it was bad!!! <3 and i can't tell if it's anticlimactic or a surprising show of mercy that it only took around 4 hours

[bunnwich]

Say Bunnwhich, I'm kind curious...

What got ya to love Lil Lion Leona in the 1st place? :3

WHY DO I LIKE LEONA???

Sorry for the long yap as usual but, I feel like every once in a while ppl ask me this very question and I feel like I have been in twst hell for so long it’s like ancient history now. VGBHNJMK

TBH I very strongly disliked Leona's character when he came on screen when I first started to play twst. I found Chapter 2 to be very flat compared to Chapter 1 and I had very little sympathy for him and his backstory. To me, it was clear he was just the "hot, brooding character" archetype and I had no interest in him whatsoever.

HOWEVER, when I became more active in the fandom, my friend @comingyourlugubriousness and others began to ship my Yuu with him as a joke bc of my said dislike. And, yeah I begin to write lil scenarios where they’d interact and challenged myself to make a logical way he would even be interested in my Yuu in the first place? 

THAT GOT ME THINKING and I saw how he used to be characterized in fics and stuff and I really just didn't agree??? Even to this day, I feel like some ppl go in two extremes with him. 1.) Where they wash down his personality in order for him to fit in into this “prince charming role" OR 2.) They make him the worst bastard ever, which can lead into certian problematic connotations.

When I went to write my own fics I had watched all of his vignettes and understood better what his true personality is. The main story does not do much to make him likable to a general audience sometimes IMO. And so I became interested in how and why so many ppl interpret his character so wrong?? (My opinion ofc)

And so my journey began as prob one of the biggest Leona apologists ever.

To answer the question better I guess. What do I LIKE about him?

I like him bc in order to enjoy him you really have to read between the lines and do your own work as a fan to find the intriguing parts of him! It's just fun!

I actually find him very relatable, his burnout and seemingly ultra competitive but still “work smarter” not harder attitude is something I gel with and feels very realistic for someone his age.

YES, I think his design is nice but honestly it's the least interesting thing about him to me. I will always enjoy long hair on men that's no secret. According to some friends I "have a type” but eh.

I like that he uses his sorta rude and grumpy ruse to scare ppl off. I  personally subscribe to the idea that underneath all that sass he's just a lil cantankerous grandpa stuck in a  20 year old’s body, who likes to yap about chess and dead languages. 

He’s a nerd and likes books.

He's a true hater. 💚

I feel like he'd never judge your appearance, for eating too much or being lazy.

I feel like he's a caretaker and would always look out for you.

I think he'd be a good teacher and big brother and a lot of his more amiable qualities remind me of my own S/O who is so, so smart and charismatic and who I love very much! 

I say "I think/feel" on a lot of this bc TBH the headcanons I have made for him over my time in the fandom are probably 80% the reason I like him, yk?

SO, if I had to sum it up that probably why! I could say more but I’ll spare ya’ll. 💚💚💚

[ganondoodle]

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[charbies]

I'm mashing together my review of totk and reactions to random encounters with the masterworks I've had lately into one stream of consciousness

Totk should have had true continuity, not a 6 year time skip that we never get to see, experience, and feel. It's not that hard to bridge 2 games with a 1-2 min cutscene, esp in a zelda game. Majora's mask starts with quick, but meaningful exposition that bridges OOT to MM! The intro to wind waker is a 6 minute long cutscene!! This series thrives with its detailed, intriguing intros, so what happened?? Before I even launched totk the night it came out, I booted up botw and replayed the final boss & ending because I was so stoked to see the transition in story/world and wanted to honor both games. Instead boom, we're walking in a cave w/ no context.

I was so disappointed that zelda wasn't a companion character to link in totk, it was disempowering to her character arc. Really thought this game would build off of botw's snippets of link & zelda working together in memories. The teasers and trailers for totk gave this perception that she would be there (which would also "break tradition" like devs wanted, ffs). When I was on the tutorial island I was fully convinced I'd be finding her and we'd reconvene like "ok what's next." When I realized 20 mins into the game that she was GONE gone, as in will not reappear likely until the end of the game damsel-in-distress-style, my verbatim thought "wait... really? Is this still going to be good?" Which was kinda sad, for a game I waited so many years for :/

I had major pet peeves with the copy/paste nature of the cutscenes with the old sages. The dialogue, bgs, pacing, literally all identical. They just hot swapped the character models for the sages and said that was good enough, wtf!!! I live for cutscenes in games, I have since I was like 5. This felt lazy, and seriously demotivated me from completing the dungeons bc I knew there was going to be nothing novel or intriguing to look forward to

The secret stones were gimmicky af. Sorry. Also stupid name, they couldn't even opt for "sacred?" Ik in other languages they have way cooler names, which would have helped. Link's fucking thanos glove of stones was a stupid gimmick, I cannot believe they didn't think to alter that concept to be more mythical, or creative, or just original. I would have killed for the stones to relate to the triforce in some way, or to do away with the stones and have this game connect to the triforce, since the whole direction of this story was going back to ancient myth & lore.

the Zonai lacked depth, and honestly just felt like a boring distraction even tho they were supposed to be a central focus of this game. I 1000% agree with other folks posts on the take that rauru was a flat, 2-dimensional colonizer. Sonia got sidelined. yikes. ew. no thanks.

^similarly, ganon really was given no character or depth imo. It's like they did a fantastic job making him visibly LOOK scary, so they didn't bother to give him motives beyond "I'm bad, I do what I want."

the cliche "back to normal" at the end irked me. Link could have come out with no arm, keeping the zonia arm, or at least scars w/ the zonai arm pattern and that would be meaningful. Zelda got factory reset from irreversible draconification in a method that for all intents and purposes, could have been done as soon as link got rewind ability. There was no investigation or inclusion of the other dragons, which seemed like a missed opportunity. Actively working on reversing her could have been a main quest in game!! Like 1. Complete all dungeons/get all stones, 2. you can now go round up the spirits of rauru & sonia and reverse zelda yippee, 3. you and zelda go beat the shit out of ganon together. The dragons fighting was beautiful, powerful imagery, but honestly I think too much potential was traded away just to execute that one fraction of the boss fight.

The masterworks book annoys me, which is sad bc I love concept art. I wanted to be a concept artist growing up, I can accept that you'll often see things that never make it into the final cut. I was enamored with early posts abt things like zelda's haircut, char designs, etc.

But more recently I'm seeing the anthology side of the book taking major liberties that it didn't even bother showing us directly or alluding to in the game, and I think that's such a cop-out. They are literally telling us instead of SHOWING us in the game they release a year ago, and spent SIX YEARS making. There was a festival celebrating the return of zelda/defeat of ganon?? Freaking show us that!!! Show us link & zelda acclimate to post-calamity life. Show us imperfect, non-linear healing and resilience. I would have loved a festival scene w/ link and zelda that conveys the nuance of celebration and recognition of their efforts, and the contrasting weight of what they went through. Show me zelda, exhausted after a festival struggling with guilt and indecision about whether to bring back the monarchy with hyrule's restoration. Throwing in a "oh btw imagine if we actually had done this" post-game makes me so irritated and feral. It's like the post-release canon is sidling up to fanon and saying, "hey look we can do that too! look at our fan art" idk if that makes sense, I don't think I'm explaining it well. But it just feels disingenuous.

I'm not a timeline purest, I don't need everything to interconnect, but I don't love how assertions in this book invalidate connections and lore of other games. Also really don't love how this game overwrites and sidelines the sheikah.

I know majority of my disappointment stems from my own, personal expectations of a game that, let's face it, was probably given many mandates and initiatives to appeal to *everyone* in broad, lackluster ways. I still love the world and characters of zelda, if anything, totk reaffirmed what I love and want to prioritize in my art that I didn't see present in this game. Fun fact I used the world of botw to learn a lot about drawing landscapes & composition. It actually inspires me a bit to try to learn to do comics, which has been a longtime goal I've been too busy and/or timid to pursue lol.

mmm anyway if u read this and any of this resonated DM me and lets froth at the mouth and commiserate lol

[impossible-rat-babies]

revising the statement I made in my tags to say the one time grinds for the ShB relics are truly a certain kind of terrible

my friend is the only person who matters here in zadnor (bc they actually rez people)

[young-royals-confessions]

Just pitching in since I see so much discourse about will they or won’t they that I think we kind of lost the essence of the story: I mean yes, Netflix is promoting the whole are they going to be endgame or not, tune in to find out but I think that’s just a generic marketing tactic.I’ve honestly been ignoring it.

Also, Lisa doesn’t strike me as the type of writer that would push only her own personal agenda or politics to a tv show, especially one that has critical acclaim as yr. That’s not what true storytelling is about. Please bear with me (apologies in advance for the long response !) but here’s my v long winded reasoning:

The theme has always been love v. duty & the monarchy is the enemy. Wille is on a Hero’s Journey - he is ultimately the Main Character; the Young Royal. What’s great about The Hero’s Journey is that it’s easy to follow and makes for great storytelling despite its predictability. I think some people here may have touched upon this so I am simply expanding:

As a viewer, we follow Wille and get to know him. He’s a likable character and we easily root for him and feel for him when we learn about the power dynamics in play; specifically how he feels caged as a prince. Then we enter into a Call for Adventure: him falling for Simon and the high stakes he enters when his brother passes and he is now Crown Prince.

This, then, propels the story forward, given the stakes are stacked up and it’s not looking good for Wille, especially after he/we find out August was the offender for sex tape leak.

After that, we enter into The Refuse to Call for Adventure; i.e, the hero (Wille) realizes he must face the challenge. We also step into the Meeting the Mentor, which is Boris, who helps Wille learn how to stand up and ultimately fight for himself (and Simon). While I see others thinking that W might push everyone away, including skipping his appts with Boris, I do not think that’s the case. Boris was set up to be the Mentor that W needs to realize the challenge he’s been facing and we may continue seeing him open up to Boris.

This will then allow W to “Cross the Threshold” and reinforce the central theme and conflict of the story - if W continues to stay with the monarchy and his obligations as Crown Prince, he cannot choose Simon. Love or Duty? Which will prevail?

S3 crosses that threshold and produces tests and obstacles that would make the fight for his relationship w S so much more complicated (basically everything we saw in the trailer). This stage in the Hero’s Journey is meant for the audience to doubt the Hero - Wille. It’s already a testament as we are debating if W is going to denounce his title or not just from the 2 mins of what we saw from the trailer. It’s intentional. We need to doubt in order for the central theme to drive home and also portrays the monarchy to be the overarching enemy of this story, without Lisa forfeiting her own political statement.

We enter the next stage of the Journey - which is the Cave - meaning the Hero and protagonists need to regroup and prepare for a counter attack (generally speaking) because the tension is continuing to rise and there are outside forces that wish to disturb the Journey (in this case, public opinion? paparazzi? Hillerska shutting down?).

Next, we enter the Ordeal - which makes the Hero break down bc he enters a mental barrier and is pushed to a corner. However, the Hero, typically comes out stronger after this stage in storytelling.

Ultimately, we reach the end: The Reward. The Hero makes the “attack” or choice and defeats the enemy/antagonist.

Imo, with how everything is set up, I do think it’s set up for W and S to be together in the end at least the end of the show (everything else after is obviously left for the audience member to interpret).

I have no doubt that W & S are going to come up on top and still be together in the end bc like some people mentioned - what would be the point? It was never a question whether they would end up together. The question is if Wille, our Hero in this story, would make the final choice and choose between love or duty. I think Wille would choose love. What better way of making history, especially with everything that’s been happening in real events, then choosing love? That would make for a strong ending.

[sgdlr-asdfghjkl]

Link Click Musical update 125

(backlog, the most 🫣😳💅✨photos with the actors you requested)

Disclaimer??: I'm asexual, and call people 'hot' mostly as a joke. Honestly, I don't have a good feel for what's attractive in people, so sorry if you expected more (I tried my best to feed you) ><

On the other hand, I promise this post has no intent to objectify the actors and is just to appreciate them 🌟 I'm sure it was a given for you, but since the musical involves real people I'd rather be extra careful to be respectful :>

⬆ Wang Minhui ✨People seem to like his dancing moves (and arms, especially the arms. fair)

⬆ Teng Chunpeng <3

⬆ Shu Rongbo (the first photo? he posted it on his weibo >>)

⬆ Ji Xiaokun (Quarri I'm sorry there's so little, I'll add more next time)

⬆ Wu Yihan (@saelterlude sent me a cute clip with him, so check the replies for a link to click)

And finally, an extra treat ^u^ My darlings, I present you Wu Yihan as Florence from 桑塔��琪亚/Mio Fratello musical 💅✨It took an immense brainrot and luck to learn about the existence of this character. And a lot of time to find at least one picture of her 😤 Huge thanks to @chocolatexiaoshi for help with researching 🙏

I went down this rabbit hole and thought it may be interesting for my fellow Wu Yihan enjoyers 💕 Sorry for the huge offtop ><'

About 'Mio Fratello', it's a long term musical with small cast (like LC play), in that case 3 actors. It's a story about Italian mafia combining the present with flashback elements?? Wu Yihan actually plays the mafia boss, Sonny Boy. That is his main character:

Florence is a different character from the past memories/flashback part. So Wu Yihan plays her bc they only have 3 actors. The reason it's so hard to find pictures of him in this costume, despite him still performing in Mio Fratello, is that Florence appears in the main plot. And as we've learned with LC musical, we only get to see the encore recordings😞

But I saw people praise his depiction of Florence, saying it was 'really visible (he) studied carefully what is a cute girl like' yet there were 'no common stereotypes for female characters' 🙏 imo? another reason to love this guy 💙

*Oh, trivia! Currently, Zhao Muzhi also plays in Mio Fratello. And Shu Rongbo used to as well (he doesn't anymore). They did different characters.

k byeee 🏃‍♂️💕

[lovelenivy]

you know what hate crimes md enjoyers, idk if this has been done before but i wanna start like a little tag game: i wanna know your favorite seasons in order, what you think is the best episode each season, your personal favorite ep from each season, any honorable mentions if you have them, and your least favorite/worst episode in your opinion. i'd also like to have you sort the main characters/fellows from favorite to least favorite, plus tell me your favorite ship (and optionally, a ship you enjoy and think is underrated)! feel free to toss in any explanations for why you chose what you did. (: kinda long, but oh well – feel like it'll be fun.

i'll go first (so you can see the format) – listing seasons from the best imo, to the worst, and the episodes.

Seasons:

1. Season 3

Best episode: one day, one room (?)

Favorite episode: merry little christmas

Honorable mention(s): cane and able, words and deeds, family, needle in a haystack

Least favorite episode: que sera sera (?)

it was hard to pick the best bc i'm biased towards merry little christmas, but i don't know if it would be the best of the season exactly. as for que sera sera, nothing really wrong with it but honestly i had a hard time picking a least favorite too. great season – to me it's like the classic house season.

2. Season 5

Best: birthmarks

Favorite: under my skin

Honorable mention(s): the softer side, last resort, both sides now, painless

Least favorite: big baby (?)

i literally just barely remember big baby compared to the rest, i think, no matter how many times i see it. amazing season though, honestly so up there with s3 for me that it became a tough choice.

3. Season 6

Best: help me

Favorite: wilson

HM(s): the down low, broken (part 1 & 2), baggage, lockdown

Least favorite: epic fail, remorse (?)

help me is such an amazing episode, it always makes me cry. epic fail is extremely annoying tho and idk why, like after i watched it more than once or twice i started having a hard time rewatching it. and honestly every time i watch remorse i get pissed off on thirteen's behalf and it's just not a fun feeling. not a bad episode though. i know a lot of people don't like s6 but i love it.

4. Season 2

Best: euphoria (part 1 & 2)

Favorite: no reason

HM(s): skin deep, distractions, hunting, clueless

Least favorite: sleeping dogs lie

i recently rewatched euphoria and it's so fucking good i legitimately cried. sleeping dogs lie isn't a bad episode, it just is frustrating to watch for many reasons. another classic house season.

5. Season 4

Best: house's head/wilson's heart

Favorite: house's head/wilson's heart, 97 seconds

HM(s): mirror mirror, you don't want to know, frozen, living the dream

Least favorite: the right stuff

nothing really wrong with the least favorite – it was honestly a tough choice. also i couldn't pick a favorite, it was so tough. i honestly really like this season despite how short and different it is.

6. Season 1

Best: detox

Favorite: detox

HM(s): three stories, histories, control, mob rules

Least favorite: heavy, everybody lies (pilot)

the pilot being orange just makes me laugh the whole time so it's hard to watch, and chase's insane fatphobia in heavy is just disturbing, which is the only reason it's a least favorite. for the best i was torn between three stories and detox, but i think detox is better. s1 is ranked so low bc of general weirdness.

7. Season 8

Best: the c-word, everybody dies

Favorite: the c-word

HM(s): dead & buried, twenty vicodin, nobody's fault, post mortem

Least favorite: we need the eggs

we need the eggs isn't bad, the case is just ??? weird and kinda sad tbh idk. i haven't rewatched the c-word yet but i remember it fondly, so i couldn't really choose a best episode. is picking the finale kinda dumb? maybe, idk. i like a lot of episodes from season 8 surprisingly, like most of them, but it's so different from the previous seasons with cuddy absent and the late addition of two new main characters that it can't be any higher for me.

8. Season 7

Best: after hours

Favorite: after hours, out of the chute

HM(s): unwritten, bombshells, the dig, moving on, fall from grace

Least Favorite: two stories

god i really can't stand rewatching two stories. idk what it is but the fucking kids that house gets stuck with in the principal's office are so annoying ??? probably my least fave episode in all of house. but despite how s7 is at the bottom, it did have some great episodes. just wasn't my favorite season at all, especially as someone who isn't really into huddy.

Characters:

from favorite to least favorite of the main characters ��

1. House (of course)

2. Wilson

3. Thirteen

4. Cuddy

5. Chase

6. Foreman

7. Kutner

8. Cameron

9. Amber

10. Taub

11. Park

12. Adams

13. Masters

favorite ship: hilson (house / wilson)

underrated ship: thirteen / cameron, or chase / foreman

Tags:

anybody that wants to participate! i know it's kind of long so no sweat if you don't want to do it. i'm also indecisive so i had trouble picking episodes lmao

[aemondsbabe]

We need your thoughts about the alicent and crispin scenes because I had to pause to scream into the ether myself

hello my love!!

my thoughts on alicole are… complicated to say the least haha

on the whole, i’m not quite sure how i feel about them yet because we just haven’t seen much? i hope they give us some background as to how that actually began happening bc that’s something i’m very curious about. but i’m fairly neutral overall.

honestly, i’m just happy alicent is getting off? the poor woman deserves it, she put in her dues with vizzy, so good for her lol

what i’m not happy about is the writer’s decision to have helaena walk in on alicole after blood & cheese. i don’t understand what that adds to the story or why alicent couldn’t have simply been in bed asleep or doing literally anything else.

i believe that was added for shock value only, which…. is not a good enough reason, imo. i don’t think it added to the scene, if anything i think it detracts from an innocent child being horrifically murdered and i just don’t see a good reason for having it. once the “oh shit!” shock moment wears off… what are we left with? it only deadened everything else.

[outmakingmoonshine]

(Some of) my hopes (and some theories) for S3

The number 1 thing I want is a scene after Nat's had her baby where Carmy sees Syd holding the baby and his entire world stops bc that's all he wants for his future 😭 If Sydcarmy kiss or something I'll be happy and I'll reblog every single gif of it like a normal person BUT if we get a Syd holding the baby scene I'm gonna be uncontrollable on every social media platform available. I might even post it on Reddit and watch the meltdown! This is where the bar of my expectation is for S3. If we get this (or anything remotely like it) I'll be so satisfied, any other good thing that happens between Sydcarmy will be a bonus for me.

We know we're getting a Syd x Pete scene and I want a Carmy x Pete scene where Pete's talking about how great Syd is and Carmy can't help but warm to him a bit more. The potential relationships between Syd x Pete and Pete x Carmy are so important to me 🥹 my three awkward, anxious lonely babies (Pete's not lonely now but I think he probably was once upon a time and the Berzatto men singling him out of the family must make him feel lonely and not good enough :( I love Carmy but I will fight him for Pete's dignity and honour!)

Putting the rest under a cut because it's mostly just my musings and ramblings

I want Nat to say something to Carmy about his relationship with Syd. Nat saw their dynamic before Claire came, she saw Syd's reaction to Claire, how sydcarmy's dynamic changed when Claire was around and how Carmy ditching her made Syd feel. She didn't witness all of that for nothing. Someone's gotta tell Carmy how he's been (unintentionally) making Syd feel and I doubt it'll be Syd.

I need to see Richie start respecting Pete at least a little bit. Carmy's already kind of made a step towards respecting and even appreciating Pete for who he is a bit more but I need to see it from Richie too because I'm pretty sure he's the one who leads that little mob mentality against Pete. Even if it doesn't actually happen this season, I need to see it heading in that direction because Pete doesn't deserve all this slander 😭 I need Richie and Carmy to start seeing that the only difference between them and Pete is that he's mature and confident in who he is. They're both not confident in who they are so their only way of feeling like they're above him/better than him is to make fun of him for it. (IRL grown adults with this infantile mentality get on my last nerve so I need to see them come to a realization soon.)

I want Donna to make amends and start finding peace. I know she's technically an antagonist in this story but it really bothers me the way people dismiss her as if she's some monster like we aren't watching Carmy treat the people he loves the exact same way she does. If we can empathize with a man for his toxic behaviour we can empathize with a woman who was going through her own trauma and loss while she had 3 kids (plus Richie) to look after. Any parent who welcomes another person's child into their family unit for years and makes them feel like part of the family despite whatever she's going through, isn't a monster imo. I know she traumatized her kids but honestly, most parents do that and have no remorse about it. Donna has remorse for her actions and the effect it had on her kids. And what is Carmy doing to Sydney's self-esteem and confidence right now? He's definitely not helping it! l If I can forgive Carmy because he's acting on his trauma and I understand he's not just a horrible person by choice, I can do the same for Donna. I know some ppl just don't like JLC because she's pro-zionist (idek I just saw this online somewhere?) which I understand but at the same time, the actress is seperate to the character. Donna's favourite person in the world is gonna be her beautiful black daughter in law! She's gonna love and appreciate Syd so much.

I want Donna's story to end with her starting to heal so people watching this show know that even late in life when you've made all the worst mistakes and inflicted your pain on others you can still heal and try to right those wrongs. It's never too late to start being a better person. This wasn't meant to turn into a rant about Donna but I think the way some fans talk about her character is so unfair and narrow minded because they don't keep the same energy for Carmy.

Some of my theories for S3

I know no one wants to hear this but I think 3x09 Apologies will be an apology to Claire where Carmy finally comes clean about why he gave her a fake number and why he can't be with her, putting an end to romantic Claire/Carmy for good. If we see the end of Claire in the first few episodes I'll be happy but I doubt they'll waste the "suspense" of Claire/Carmy vs SydCarmy by ending it 3 or even 4, 5 episodes in. I don't think she'll be in all 9 episodes leading up to it tho (please no, I love Molly but that's way too much of Claire.)

JAW said during awards season "Claire deserves an apology" which seemed random to me at the time because no one asked him that, he just brought it up and we all know Syd is the one who deserves the biggest apology from Carmy. Idk if they were filming S3 yet when he said that but he already knows where the story is going. Actors don't just play character's "blind" without knowing something about where their story is leading, especially main characters.

I think they'll do the Syd/Claire switcheroo and make it seem like Carmy's going to apologize to Syd (because it will be glaringly obvious he needs to) but it'll be him telling Claire the truth and ending things with her. Idk if Syd will get an actual apology (it would mirror 1x08 where Marcus got the actual apology and Syd didn't even though she probably deserved it more) but I think we will get some kind of super intimate heartwarming/heartbreaking scene from sydcarmy in that episode, just like 2x09.

Also Ayo said something like sydcarmy fans won't get what they want in S3 and it's the one time I actually believe her.

I think we're going to get some amazing sydcarmy scenes in S3 but I don't think it's going to end well for them. I think S4 will mirror S1 and build their dynamic up again back to what it was before Claire came in 2x03. I think S4 is gonna be THE sydcarmy season.

I'm in two minds about whether Syd will sign the contract or not. I'm leaning towards no because despite it meaning Carmy can't just leave again, going off to do whatever he wants with "wHoEvEr" and she'll have his full focus, I just don't think she wants a legal contract to be the basis of why they're committed to working together. Syd's never tried to tie Carmy to her so I don't think she'll appreciate him doing it to her. Carmy's doing this out of desperation, not out of purely wanting to collaborate with her and Syd will sense that. I think Syd wants him to want to work with her. That's why she never actively tried to get him to stay and work with her in S2 and she could've been way more direct and harsh than "I need your focus like you need mine", Lord knows he would deserve it but she isn't trying to force him. That's why she never made him feel bad about being with Claire either even though he ditched her for Claire right when they were getting closer. She doesn't want to guilt trip him or make him feel like he owes her something, she wants it to be his own decision. She wants him to show that he wants it just like she does. And he does...but he just doesn't know how to show it in a healthy way and toxicity raised him so I can't blame him.

Idk what's gonna happen between Syd & Marcus or Syd & Luca but I don't think it actually needs to be romantic to make Carmy jealous, especially if he and Syd aren't seeing eye to eye. I don't think it's necessarily gonna be romantic for Syd either, even if they see her that way. Just like Carmy didn't really see Claire romantically (in present day anyway) and I will die on that hill. That man had zero romantic interest in her despite literally kissing and having sex with her. It was more like he was just going through the motions of a "normal" relationship than it being something he genuinely wanted. Why does he show SO MUCH want and desire for Syd but not a single iota of the same for Claire?!

Seeing Syd get close to any other man is going to bother Carmy regardless, especially if he knows the man is attracted to her. But I feel like Syd is a 'connection before anything else' kinda girl (Carmy is too, that's why having sex with Claire literally sent him into a spiralling panic attack the morning after) but Syd doesn't have the exact same issues and trauma that Carmy has so I can't see Syd being with or sleeping with someone she doesn't feel connected to like that. I could be wrong but I can't see her changing her mind about Marcus and suddenly dating him at this point. She seems like someone who knows what she wants and won't settle for less just because it's available. (Not that Marcus is "less" than anyone, my sweet little cherub.) I could see her feeling a connection to Luca though, he's basically a calm version of Carmy that pays attention.

Ayo basically saying in an interview that Will Poulter pays attention to her instead of his phone was such a random piece of info imo. I get it made context in the story she was telling but it just seems like such a deliberate pointed thing to bring up knowing right now in the show Syd doesn't feel appreciated or listened to by Carmy. She could've answered the question without mentioning Will at all tbh, and even if she did mention him she didn't need to mention all of that, give us a whole backstory and everything, idk. This might be a reach but I'm pretty sure they give out of context clues like this in interviews, they definitely do it in the show so I wouldn't be surprised.

I think it was a clue about the dynamic between Syd and Luca in S3 and the difference between Carmy and Luca is Carmy's unfocused and makes Syd feel like he doesn't listen to her but Luca makes her feel like he pays attention to her. I still don't think this needs to be in a romantic sense but I'm happy for Syd to get some TLC from a hot blond guy with tattoos before Carmy sees sense.

Idk we'll see how that story plays out in S3 but if the fact Luca pays attention to her is a plot point (even a subtextual one) I'm taking that story from Ayo as an out of context spoiler.

I love Marcus and I adore Lionel BUT I just can't see Marcus and Syd being together. Their vibe is so brother/sister to me that it would just be weird at this point in the show imo. The same way sydcarmy ending the show only ever being "platonic co-workers" would give me weird inappropriate vibes about their dynamic throughout the show. The romantic dynamic between sydcarmy and the platonic dynamic between Syd x Marcus are kinda set in stone imo, especially after S2. It'll be very difficult from a literary standpoint to drastically change those dynamics in a believable way and keep the quality of storytelling and integrity of the show intact at this point. It's not impossible, I just don't think it's likely at all.

I'll be honest, I'm not looking forward to Marcus's storyline in S3. My mum died when I was young so seeing kids (even if they're adults) attending their mum's funeral on shows/movies always makes me emotional, especially when it's a character I care about. (If we get a flashback of Syd at her mum's funeral I might actually die of sadness bc I'm not ready for that! I've had enough time to accept I'm gonna see Marcus's mum's funeral but if they spring Syd's mum's funeral on me too it might actually break me idk.) I am looking forward to seeing him be supported through it though and other than his mother's funeral storyline I'm excited to see where his story goes in S3. I feel like Carmy's gonna be an asshole to him if he starts getting closer to Syd and while I love the angst and jealousy of SydCarmy he better not hurt Marcus's feelings or be too hard on him. I can't wait for some Marcus x Luca scenes too.

I nearly forgot the loml, Tina! I'm so excited to see her story in S3, idek what to expect other than her backstory episode that Ayo's directing 🙌🏽 but I'm sure I will love it. Liza does so well in this role at making me feel things (all of the cast do tbh but Liza as Tina just plucks my heartstrings on a different level.)

If you read this far, thank you I appreciate you 💛

[ixiot-ghostrebel]

Yk Back At The Random Ghost Rebel Stuff

A straight up ramble but does anyone feels this retching feeling in their hearts whenever they think about the High Cloud Quintet and its lore and go like "Dang, if only we COULD change what had happened bc this crap is dark and sad as hell" because that's what I feel like right now

And lemme tell you: It's not a good feeling bc I don't even want to think about how they're all just old and tired grannies and grandpas. The only person that has proper solace in the High Cloud Quintet is flipping Baiheng bro—poor Yingxing got turned into Blade bc yk—he's the beloved of that one relic set story.

Dan Flipping Feng becomes Dan Heng and even as Dan Heng he doesn't get a single drop of solace bc now the former-artisan-now-maniac dude is chasing him all across the universe bc of the sins of the past and it's just so heartbreaking bc Dan Heng isn't Dan Feng and Blade is only the shadow of Yingxing (this concept with Yingxing and Blade heavily reminds me of Makoto and Ei—Ei was the shadow of Makato and the shadow of the light is all that remains ykyk)

And then there's Jingliu who just straight up asks her student to kill her if she ever becomes mara-struck and in the end she still lives somehow and then she decides to go full-traumatizer with Blade back when he was the Unnamed that wandered the place—as if he needed MORE trauma and honestly her weak grasp over the mara which in turn makes her insane is so upsetting bc in the end she ends up having beef with a 14 year-old lieutenant who's trying to do his job and protect the Luofu (though, I have to admit it: as much as I want to protect my child Yanqing, his methods were kind of flawed—) even if he doesn't know who Jingliu is.

And ofc we got the last man standing Jing Yuan who just sees ghosts in everyone around him. Istg I feel like bc he sees ghosts, he can't move on from the past, and when he can't move on from the past, it's honestly a red flag bc it might mean that his present relationships with everyone are (sometimes) only just one-sided or something. Like, take the relationship between Yanqing and he: Yanqing trusts the General with his life bc he raised him as a baby. But the fact that he calls Jing Yuan "General" and not some sort of parental title says that Jing Yuan is being unnecessarily secretive due to his fear of vulnerability. I mean—literally in 1.2 Story Quest, Jing Yuan quite literally just left Yanqing on the island alone after he got beat up by two men that have beef with one another, practically leaving him in the dark with no explanation. And even before that, Yanqing was still left in the dark. Jing Yuan doesn't open up easily bc of the crap he's been through, which is understandable, but his lack of explanation backing up his highly meticulous moves—that's not really healthy. In the end, it just leaves a gap of mistrust, be it intentional or not, between Jing Yuan and Yanqing. In some cases, and this one (imo atleast) is one of them, if you don't explain your actions, it pretty much just leaves the person that's been left in the dark with their waves of emotions, which might cost said-relationship between the two people in the long run.

It also seems like (based off what we know of, at least) at least half of Jing Yuan's choices are also connected to sentimental reasons and seeing ghosts in people. I think he sees a ghost in Yanqing (idk who tho—ppl say it's Yingxing bc of his obsession over the sword), he sees one in Yukong (definitely Baiheng), he sees one in Dan Heng (obvious reasons, very evident throughout the game) and possible Bailu (because she's technically being hailed as the next Imbibitor Lunae after Dan Feng's sin), and it could possibly go on. This old grandpa really is comparing the present with his past and that's honestly a little heartbreaking, bc there is a chance that that might mean that Jing Yuan found more happiness (serotonin work hardcore fr) in his past than he does in his present. He should at least be happy enough of the present to not be this sentimental of the past, but he's really suffering of the incidents like bro—

The High Cloud Quintet is like The Five Yakshas from Genshin Impact but with more lore (that we know of) and more angst twists (that we know of) to it fr. It's so heartbreaking and angsty, I both love it, hate it, and cry about it.

Like bro, look at these two groups. It's always a group of five sobbing.

They're all fine as hell too like CMON

[piya-re]

imo there’s no greater divide (culturally, mentally, socially, etc) than the one between desi women and desi men, and sometimes i feel like we’re delusional bc of it. we love our heritage, our scriptures, our worship of shakti, and our tales of brave warriors and gods protecting women (and punishing those that hurt us), and hope that our men are the same. we hope that at least some of them share the same values as us. desi women are being taught to strive for education and a good career and that we’re our families’ lakshmi’s. meanwhile, what the hell are the men being taught???? that they can brutalize us, put us “back in our places,” and that we’re all just objects they have free reign over? it’s ridiculous, and honestly at times it feels like we aren’t even from the same planet. when we were told about draupadi’s disrobing and sita’s abduction, the moral was that any person who aids or abets in the violation of women deserves to be destroyed. what morals did the men take away from these stories? what did they hear instead??

while we women are looking towards a better future and shedding our shackles, we honestly hoped that the men will do the same. we hoped that they’ll wake up and realize what we already learned: women are to be respected, and any society that cannot do that is doomed. unfortunately, they haven’t and may never will bc they simply want to regress! i’ve always personally set the bar higher for desi men bc of our upbringing but, GOD, they have made it their life’s mission to lower it. i cannot handle another brutal rape case from india, especially from the supposed devbhumi or stronghold of shaktism.

[corvuserpens]

Alright girlies, I just came back from watching The Crow (2024) and

I'm sorry babes, but it's better than Wicked Prayer. Not better than the 1994 original -- but better than Wicked Prayer. This is your obligatory 🚨🚨 SPOILER ALERT 🚨🚨 don't say I didn't warn you.

To everyone who recently followed me for Black Sails, we'll get back to that soon, just lemme dump my thoughts on this movie bc The Crow was a game changer for little nine-year-old me back in the good ol' 90's. It's the movie that turned me into a baby bat.

So first things first: the cinematography. Gorgeous. Nice sets, great lighting. Mood always on point. Aesthetics to die for.

Second of all: score. AWESOME. They had Joy Division's Disorder playing while Eric and Shelly were escaping the rehab center and when that first beat started playing, I almost screamed in the mostly empty theater and started tapping along to it. Immediate B- for the movie just for that. But the rest of the music was just as good imo, it slapped so hard that now I have to look it up and play it non-stop. Surprising amount of goth and darkly-inclined music in there, which I was not expecting given the overall appearance of the lead characters.

The story, as I already expressed in a previous post, was generic but at least it had some themes to it that I found interesting. I couldn't really relate to the lifestyle these characters were leading, and honestly, the whole "oh they had a fucked up childhood and it led them into a life of crime/bohemian lifestyle that will be their end", y'know, "live fast, die young," is kinda old for me. I've seen it too many times for it to be edgy anymore. I get this is a reality for many people and I feel or them, obviously. I just don't think it's original anymore. Or maybe it's just not my kind of tea, which is fine. If it is for someone else, more power to them!

Anyway, where was I? Oh, right. Themes. I may not relate to the lifestyle, but I do relate to the whole "loving someone so much you can't imagine yourself living without them" which is what spurs on the whole conflict. From the very beginning, the movie doesn't hesitate to tell us "these two are doomed by the narrative so all the happy times they have won't last." And I will say, FKA Twigs and Bill Skarsgard have insane chemistry. Eric and Shelly's story is very brief and their relationship is only a speck in each of their lifetimes... but they sell the genuine love between them SO well, which lends an extra bit of flavor to the whole tragedy. They only knew each other for such a short amount of time, but the love was there. The connection was there. The threads of a future were just beginning to weave together, and then they were all cut away in the blink of an eye.

In the original movie, the tragedy of Eric Draven and Shelly Webster mirrored James O'Barr's own loss: they had their entire future set up in front of them, all these plans. They were on the eve of their wedding, and then they were brutally murdered. The tragic element in the new movie isn't lessened. It's just different. And I enjoyed that.

One thing I didn't really enjoy was the whole hell premise and the villain who made a bargain with the devil for eternal life in exchange for innocent souls. First of all, that's not how Satan works and this is slander of the highest order. No, I'm not a Satanist, but I respect the guy. Second of all, it's another tired old trope that needs to be put to rest. I find it much more interesting when human characters do evil shit because they act upon their evil impulses, which we all have, NOT because "the devil made them do it." Just... ugh. No, I loved Top Dollar in the 1994 movie because he was some fucked up little dude who lived for mayhem and death and had impeccable taste in Victorian fashion, who happened to dab in the occult along with his half-sister whom he liked to fuck. He was theatrical and extremely Edgy for the time and that's why he's so iconic and memorable. I don't need a villain who sold his soul for eternal life. Let him be evil for evil's sake, you don't need to sell your soul for that, damn. Not to mention Roeg felt flat and uninteresting. The connection to predatory men in high positions of power who prey on the dreams of young women artists was there, but they made it so on-the-nose that it sucked the interest out of it. Eh.

Now. The whole abandoned train station as a liminal space between life and death and the mysterious man who may or may not be an angel (or the skeletal cowboy from the comic book). There's an interesting concept. And the whole using puddles of dirty water, and rivers or other bodies full of liquid (a tub at some point) as a portal to and from that space? Simple, yet effective. Reminds me a little too much of the meme of the girl on the swing who jumps off into a puddle and disappears through it, but regardless. I think Eric jumps to and from there a bit too often and it breaks the mysticism a bit, but whatever.

I did enjoy the fact that Eric doesn't get his full powers immediately after dying, and I DID like the detail that, as long as his love for Shelly remains pure, his body will always heal because, as the Mysterious Man points out, the death/corruption/undoing of love (can't remember his exact words) isn't hate; it's doubt. As the story progresses and Eric finds out Shelly's Big Dark Secret™, his love for her falters, so his body begins to fail. It ties perfectly to the end of act one, when Shelly asks him to promise that when she becomes hard to love, to love her harder.

Which brings me to Shelly's backstory. It wasn't bad. I can understand the whole "your mom pushed you too hard when you showed signs of great artistic potential and it led her to manipulate you, abuse you and expose you to things a young girl shouldn't be exposed to" so she had to escape from her clutches, but the things she saw fucked her up and she turned to drugs and alcohol to cope.

But at this point, when she reveals she has this Big Dark Secret™ that she can't tell Eric about or else he wouldn't love her anymore, we already know that the villain made a bargain with the devil, so he has the ability to reach into the darkest parts of a person's soul and force them to act on it. And that kinda spoils the moment when it's revealed that Shelly killed someone. Because y'know, her soul is Pure and Good and she would never actually kill anyone because if she did, then she'd really deserve going to hell! Just... No. That's not how women work. That's not even how people work! People are imperfect, that's what makes us human. It would have been so much more interesting if Shelly had in fact killed that random girl, like, I dunno, over money, over drugs, over blackmail or something random and stupid that made her act out and then had it haunt her for the rest of her life, I don't fucking know! But no. She killed her because Roeg made her, exempting her from the blame and the consequences instantly. Boring. Let Eric learn all the fucked up things Shelly did and love her anyway. Let her get a little redemption for her bad choices by earning his full, unconditional love because that's all any of us wants, isn't it? To have someone see how rotten we are and say we are enough for them despite it all. Goddamn.

Okay, what else. The comedic timing. The stupid pun when they first meet, the opera music playing over Eric going ballistic in the hall, the fact he got stabbed with his katana in the back, but two minutes later, somehow the katana flipped around so Eric can pull it out of his front?? That was such a 2000's era movie mistake, lmao. Very charming.

No officer Albrecht or Sarah as a human stand-in for Eric's moral compass or to remind him of Shelly or all the other people they loved and who he will have to leave behind when all's said and done? Bad.

For a movie titled The Crow, there was a sad lack of crow influence in the movie. Eric isn't connected to his crow in any way. No more whole "you kill the crow, you kill the man" anymore, which is bullshit. Bill Skarsgard doesn't even get to have a crow perching on his shoulder??? What is this??????????? Big boo. The crow was the central focus of all the other movies bc it was the protagonist's link to the land of the living. It was a constant presence to remind us that, when all the wrong things have been set right, the crow would lead him back to the land of the dead to rest. As it were, in this installment, the crow was a prop and nothing more. If it hadn't been there, the story wouldn't be affected in the slightest. This is where this film fails to be a The Crow movie to me: one of them is still alive by the end when that's not what The Crow as a franchise is about.

The original comic book was an expression of tremendous grief and loss over a loved one, by how untimely and unfair it was. In the end, the protagonist, whomever they may be, dies so that they can be with that person they lost and they can be at peace in whatever comes after life. Don't get me wrong, it's still pretty compelling to have Eric learn Shelly is going to hell and offers to trade his soul for hers, and it is okay that in the end, Shelly is brought back to life while Eric remains dead. I mean, the whole bit with the mysterious man being a first responder and telling Shelly that Eric fought hard over her? Heart-wrenching. In a different movie, I would be all about it, but this is supposedly a The Crow movie and it broke the precedent imposed by the previous installments, both in comic book and movie format. So... Yeah, that's a no from me. Themes of grief and loss? Never heard of her.

To wrap this post up 'cause it's getting too long: I liked that the Marion character seemed to have a thing going on with her body-guard or wtv he was? You know, the one who killed Shelly? That was a nice little side detail I noticed. The themes were nicely established, but didn't tie up too well, I think. Too many loose ends or things left unexplored. I was glad we didn't get the schmuck happy ending in which the Universe or Entity or what have you deemed Eric's love for Shelly pure enough that he wouldn't go to hell in her stead and they were both brought back to life and lived happily ever after. But we also didn't get to see Eric getting dragged to hell in the end either, that was a missed opportunity to really let the consequences of his choices sink into the audience and make us all leave the room completely horrified. Would make for a much more impactful credit roll. Or maybe I'm just fucked in the head, idk.

The defeat of the villain felt unsatisfying. Did like the whole "you corrupted her (into killing that girl)" "you can't corrupt what's not in there already" thing, but if at the end of the fight Eric had gotten a little monologue about how "it's not about whether the corruption is in there or not, it's your choices not to act on it that really matters" before shoving Roeg into the jaws of hell, that would have helped matters along, me thinks. Hate that the movie has to hand-hold the audience through making connections between what's said at the beginning of the story and when later the characters mirror it with actions. I get we went through covid and all our memory and attention span got royally scrambled for it, but come on. We're not little kids. Let the setup/payoff ratio stand on its own, I promise people will remember.

All in all, hour and half well spent, I wasn't bored and my eyes had a feast with the visuals. I'll give it a 6/10👍 Would have been better as a stand-alone action flick instead of being advertised as a new The Crow installment (and really, it's trying to be a more faithful adaptation of the comic book? Even Donald fucking Trump couldn't make up a lie this blatant), but I enjoyed myself and that's what matters.

[ganondoodle]

I honestly find it impressive how totk managed to fuck up so bad as a sequel. But truth be told, good gameplay aside, botw already was a whole lot of nothing as far as story and lore were concerned. I just feel like amnesiac Link going out into the world to save some voice is not a good premise, even though botw Zelda has an interesting personality. Idk, I guess botw felt like an experiment that was supposed to pay off in totk, but totk being a disappointment makes botw kind of feel like a waste of time as well

yes and no to that (in my opinion .. just gonna add that to be sure)

what hooked me in botw was less the story that was told and more what was implied, bc it seemed to imply so much, there was so much design that felt intentional- like an introduction to a world with subtle hints towards much much more that would be perfect to dive deeply into in an expansion or second part- just like you said

i personally am a sucker for big environments with enviromental storytelling more than direct dialog in your face- it might be a small detail to some but for me the choice of music, or how little and broken there was really spoke to me (in part bc i am very noise sensitive, id gladly spent hours in botws hyrule field, but id want to get out of twilight princesses hyrule field bc it would get unbearable to me after a while)

but mainly .. it was the world, botw made me feel like no other game has before, it felt so real to me, that this is a world with deep history, most of which unknown, so much mystery and things that existed with no explicit explanation (like man do i love botws dragons ...... and i will not forgive what totk did to them lore wise)-- like with the ancient shiekah especially, they were, or seemed, so drenched in lore you can only guess but yet it felt so intentional, or how calamtiy ganon was this strange being like a force of nature and the gerudo having had no king in so long it was basically forgotten it was ever a thing?? so much to speculate and think about, so much you could do with all those things; you probably didnt aim to get this kind of talk from me but when i talk i talk unfortunately, and botw is my second favorite zelda game (grinding my teeth to dust trying to ignore what totk did to its lore)

if you look at just whats told to you, botw isnt that special either (though at least coherent in itself lol) but its the world and design and mystery that got to me, that i care about so much, care that got almost utterly destroyed by totk bc it made me realize that there .. might have been no intention behind anything, it didnt mean anything actually

its a thing that hurts me so much to know, to think about, that totk cannot be separated from botw, they cheapen each other, people think its just botw+extra, when imo its more like .. botw again but worse, or them saying that botw was jsut a tech demo to the grand game that is totk (i couldnt disagree more to that wtf, totk is more of a tech demo for ultrahand tbh)

i cant even decide whats worse to me, the fact that botw isnt gonna get that deep lore dive in a second part that got me so excited like i never was before after the first trailer, that everything i cared about in it isnt gonna have a follow up ever, the knowledge that there might be no intention and no meaning behind anything in their games, that the next games might be like that too, that its inseperable from totk in the worst way, or that they only damage each other, botw functions better on its own than totk does, but together it worsens both

(i basically just said what you said in long form .. sorry- though i do feel more positively about the amnesia thing in botw, theres tragedy and emotional weight in it and helps immensely to let you and link explore the world like for the first time- plus its a drawback to an otherwise pretty overpowered piece of tech/magic- unlike some other things in a certain other game)