#bc like it or not that's who's in power. and who's in power would love to stay there

[tabl3cloth450]

Sketch vs final

Tbh, I don't really like this bc I can't flipping color, but it's okay. I've had this au in my head where wukong and Mac are celestial monkies in the literal sense. Y'know where WuKong is actually the daytime sky and sun while Mac is the moon and nighttime sky or kinda like the diety Nyx from Greek mythology (if you know who she is, I love you).

I was thinking of keeping the rest of the crew normal bc one day I want Mac and wukong to leave the sky for a bit and be found by Mk and Mei and they go on adventures together bc WuKong and Mac don't even know what a butterfly is.

So Mk and Mei and the rest of the crew would teach them about "Earth Walkers" (what WuKong and Macaque call the people who live on earth) and basically many other things and it would just be a cute little found family with a bit of angst and a lot of adventure. There are also festivals to celebrate the sky, aka Wukong and Macaque, and they were really touched to find out earth walkers celebrate and appreciate them.

They go by any Pronouns but usually appear more feminine and like more feminine Pronouns(idk of this is weird, sorry). Also, I would like them to be sisters in this au :D.

I don't know what role heaven will play in this bc I really just wanted to make cute sky WuKong and Macaque drawings, but then my brain started making other ideas, and I got really hooked, I was thinking maybe heaven is scared of them and would try to find ways to get rid of them but the problem is that one, they're immortal, and two killing them would pretty much bring an end to all life on earth. Also I don't know if Mk will be a celestial monkey in this au bc half of me just wants to leave him as a monkey demon kinda like the Canon wukong but a lot less powerful than Canon Mk or leave him a as a human idk :').

Sorry for the long rant, but I just wanted to say some ideas I thought were cool :D. You guys could come up with some if you want. <3

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[show-us-kaidenshenandoah]

my tags wasn't enough, i had more than 30 tags worth of things to say about worldbuilding and food (feel free to read said tags in past reblog, aka it's this post's "previous tags" which hopefully you know the process to get to that) but i will restrain myself of truly babbling as much as i really want — for instead the following:

i will repeat that worldbuilding = culture, and culture = food, what are meals here, how many meals are here, where do the ingredients come from, how does seasons impact what you can eat, what do they eat for birthdays, etc + clothes, what silhouettes and types of fashion are here, where do they get these outfits' materials (livestock? plants? dyes?), what special occasion outfits are there or is there any regalia to occupation/type of dancing/age/etc, how do outfits change with seasons + so on and so forth

here is a great youtuber who has a playlist analyzing world-building, and it can include things like food. my favorite video from this playlist is for the show "Ascendance of a Bookworm" (yes, the playlist is linked as part of this video btw) which does specifically go into food (as do other videos within said 10-video-long playlist. another video within the playlist is "Dungeon Meshi" which is very much about food). please watch as much of the playlist as you like! another video of his about worldbuilding, that is not in this playlist, is about "Castle In The Sky"'s worldbuilding as shown in that intro-instrumental bit of the film specifically (a movie my brain farted and called "Nausicaä: Valley Of The Wind" in my tags before, iGNORE THAT)

and here is another great youtuber. his entire channel is largely about "how to write" and various aspects of worldbuilding. but i do want to mention that this conversation is biased towards Hard Worldbuilding, evidentally, and he has some videos that are in support of softer worldbuilding too (which, my memory could be off, but i dont think he gets into food often? but an example of Soft Worldbuilding and food would be how idk how the fuck Chihiro/the spirits has access to food in "Spirited Away", they just kind of begin and end with a vague ✨️magic food✨️ vibe about how these are meals for the dead, but the soft worldbuilding there not including how they source this food is not bad worldbuilding at all). it's best, in terms of mind-set, to have different types of worldbuilding for different projects in my opinion

In Defense of Soft Magic Systems

Hard Worldbuilding vs. Soft Worldbuilding | A Study of Studio Ghibli

and this is in regards to stories outside of fantasy period-pieces as well. like, "Coraline" for example is VERY fascinating to analyze in respects to food. both what Coraline eats, what the Other Mother eats (or rather doesn't eat), what the Other Father eats (he is starving, always), what foods are available to who and when; and that is a story that takes place in modern-day and has some pretty restrained fantasty elements as part of the Other Mother's powers and whatnot

but even things like "this character never cooks, only orders out or eats other people's homemade food or eats leftovers" can say a lot about the individual (doesn't take good care of themself, or doesn't have the time or energy to, may have been neglected as a child from learning this life-skill, could be a lot of reasons why they can't cook), even if the character themself is from a culture that has a rich history with food

i will admit some cultures have a more restrained history with food, like Indigenous Americans' intertribal culture (which, hi, hello, i am one such Indigenous American) has a semi-strained, semi-loving relationship with frybread. bc it's not a "cultural"-food, it's a survival food. it's a food that was invented bc people were starving, forced into bottlenecks of limited, unfamiliar ingredients due to us being forced into reservations and militant forces not allowing us access to trade for other ingredients on these lands that yielded poor crops and limited to no livestock. as a result, frybread is super unhealthy. (though some Indigenous American chefs have worked to make healthier varieties now) but also frybread is a cheap, easy food to make that celebrates that we survived a time when people tried to kill us via starvation, but it also is a symbol of said starvation attempt as it was a food that was only created to help its people survive rather than as an expression of culture. hence, a relationship with a piece of food that is semi-strained, semi-loving. so that is an irl example of how food can be a cultural yet not-cultural yet also a history-informing item

so, if you want to read me praising the fuck out of Hard Worldbuilding including meals and how the implications even of something as simple as "this culture eats lots of beef" can be unfolded, read my past reblog's notes. but also, Studio Ghibli does really Soft Worldbuilding masterfully, and also mentions food here and there throughout their films, while not always explaining where it comes from (i think "Howl's Moving Castle" is one such example, as Sophie goes to a market to buy food for said moving castle's residents at one point. but, again, where the spirits import food (besides pigs, i guess) into the bathhouse for its workers, guests, and Chihiro to eat is beyond me). and neither worldbuilding method is superior than the other, i just have more to say about the One That Inherently Requires More Self-Questioning than the other, evidently. but food is an excellent way to show, not only culture (or survival) within said worldbuilding, but an individual's personality (eg. the Can't Cook aforementioned example), relationships (eg. aforementioned "Coraline" example), or emotional state (eg. in "Spirited Away", when Chihiro cries while eating her food because it's the first moment she has been able to safely process what has been happening to her, and the food tastes so good and was a kind gift, and she us just so overwhelmed and sad), and so much more

i think, overall, it is best to have stuff match. as in, if you have a hard magic-system, then you probably should map out and source your food in similar levels of detail for your own reference, even if it may never show in the narrative, just so you can be consistent. and then, if you have a soft magic-system, it'd be wise to have a similarly soft worldbuilding relationship with food. your audience expects hard worldbuilding with hard magic-system, and soft worldbuilding with soft magic-systems. i cant think off the top of my head of any examples where we get a juxtaposition of hard/soft that ends up with a well-polished story audiences love. and if you dont have a magic-system for the worldbuilding to reflect, then have the worldbuilding reflect similarly to what your story does examine. like, "Pulp Fiction" is soft towards what is in the suitcase, and similarly has a soft worldbuilding and explatory attitude towards its cast of characters, and it's also pretty soft about what the characters eat and drink being sourced from where (the most famous is probably the coffee lol), which fits as it's in contemporary LA and you assume most food there comes from similar places as your food does irl but no one knows for sure, but there's still an interesting relationship to food to follow within this film and whatnot

edit: i finally thought of a story that does a mix of Hard as well as Soft Worldbuilding, and luckily enough the example includes food in its story and that would be "Over The Garden Wall" (spoilers ahead). it has a ridiculously heavy amount of research put into it, from the fashion and architecture to the very doorknobs, and it does both explain and not explain its world as the Unknown is both real and not as it was a type of limbo of "Dante's Inferno" that Greg and Wirt experienced when they were almost drowned to death. it is the only story i can think of where arguably what happened within it was "just a dream" yet that ending doesn't make people unhappy this time around; i think because there is a real feeling of "they could've died if they didn't escape the Unknown, so the stakes were real, they had an arc, this story still matters". and, to me, i think the Hard Worldbuilding is the reality within the world— like the fashions, doorknobs, Wirt and Greg's hometown, as we later see evidence of characters in the Unknown having tombstones and the like in the Wirt and Greg's hometown, there is pieces of reality that carried over beyond death and into the Unknown— whereas the Soft Worldbuilding was the fantastical elements, like the anthromorphic animals, Adelaide's magic, the bluejay curse, the Beast, the pumpkins and skeletons, the lantern, and so on that do not have a real-life equivalent. and one thing that does have a real life equivalent is food, almost all the food in this show is real, even if i wouldnt personally wish potatoes and molasses on my worst enemy. i'll sooner slurp a turtle, like the dog and Auntie Whispers. but also Endicott's food and the tavern food looks so good. but, yeah, we really don't know anything about where these real-life meals are sourced other than that they are real foods you could theoretically make yourself (like Endicott is not eating mashed potatoes, gravy, peas, and some kind of sliced meat like ham), but the one fantasy meal that is those turtles has soooo much mystery surrounding them that it is nigh-infamous how much the creator dodges questions about those lil turts lol so!! if you do want to mix Hard and Soft Worldbuilding, just do so thoughtfully and have there be a consistent and clear line. for OTGW, that's putting a ton of hard-research into real-life, historic equivalents within the Unknown to Wirt and Greg's hometown juxtaposed with extremely soft fantasy elements of the Unknown unexplained as there is no magical equivalent in Wirt and Greg's hometown. consistency, consistency, indeed lol

anyway, hope the free resources help ✌️ thanks for letting me yap about why you should let your characters eat and also maybe pay attention to what they eat lol

Is this anything

[theoldkyokodied]

If you follow my main you had to know this was coming… anyway. Enjoy these bloodweave doodles :)

[puppyeared]

(guy who has never played cotl) haha au time

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[demon-country]

#wiggles hands #i personally think that stolas had it wrong because even before blitzø started yelling #stolas thought blitzø didnt feel the same and immediately ditched as opposed to like?? giving him a fucking minute to process?? not cool??? #like yes the trauma response about being yelled at and setting boundaries and all that. thats fine #but Why stolas did you Immediately leave it wasnt even a rejection he just didnt Understand #give him a Fucking SECOND!!?? #which is smth blitzø also yells abt in full moon iirc! bc like DUH!!??? #and there IS power imbalance in the way stolas just tosses blitzø outside via teleportation. #it DOES imply he thinks little of blitzø In That Moment bc hes 'seeing his abuser' #but like... he would not teleport stella outside like that. even when he asserted his boundaries w her he NEVER did that shit #it WAS disrespectful to blitzø. it was. and the immediate dismissiveness the next morning obv didnt fuckin help #cuz blitzø immediately went on the defensive and like yeah he said horrible shit but FUCK DUDE he didnt instigate it! #like yeah stolas doesnt have to sit there and take it EXCEPT HES THE ONE WHO FUCKING INITIATED THE ISSUE? SO YES HE KIND OF DOES HAVE TO#HEAR BLITZØ OUT AND SIT THERE?? #puts my head in my hands. #and all the ppl talking abt ou well its stolas' house so he gets to portal blitzø out! #you are a fucking dick? you cant spring a huge relationship change on somebody and then run off and act the hurt party when they havent even #processed it yet! and then KICK THEM OUT when they understandably get ANGRY at you dismissing them? and HELLO. STOLAS DISMISSES BLITZØ.#HES NOT ONE OF YOUR SERVANT IMPS DUDE! HELLOOOO?????? #idk idk idk like stolas was definitely going through it but HOLY SHIT you guys cant be serious when you say it was equal on both sides #when theres a very obvious clear systemic power imbalance. like youre FUCKING WITH ME?? you cant be serious rn.

Wow. This... sure is a lot of extremely bad faith misinterpretations of those scenes. I'm going to address all of this step by step, I guess, because my dude, you are wildly off the mark on basically everything you accused Stolas of. So I hope you're ready, because this reply is going to be very long.

"#i personally think that stolas had it wrong because even before blitzø started yelling #stolas thought blitzø didnt feel the same and immediately ditched as opposed to like?? giving him a fucking minute to process?? not cool??? #like yes the trauma response about being yelled at and setting boundaries and all that. thats fine #but Why stolas did you Immediately leave it wasnt even a rejection he just didnt Understand #give him a Fucking SECOND!!?? #which is smth blitzø also yells abt in full moon iirc! bc like DUH!!???"

Yeah no, Stolas had every right to walk away, and was 100% justified in doing so. Maybe it wasn't entirely fair to Blitz, because on his end of things it looked totally different, but you already seem to understand what it looked like from Blitz's pov, so since we're talking about whether they equally fucked up or not, then I want you to step back from that and think about how it looked to Stolas, too.

Blitz did not respond to Stolas' confession with "hold the fuck on" or "what the fuck?" or "what do you mean?", nor did he do literally anything at all to suggest that he was confused or needed a moment to process what Stolas was saying. Blitz's immediate, snap reaction was to go "ohhh, okay you're fucking with me! This is an interesting roleplay, never done this one before but I can get into it. 'Ohhh, Stolas, I'll stay with you~! I love you sooo much~!'"

Perhaps you've never experienced this, but let me assure you that it is soul-crushingly awful to confess something important to you to someone you trust, only for them to completely write it off as a joke and/or make fun of you for it. It's extremely humiliating and feels like a deep betrayal, because you trusted them and were vulnerable with them, and in return all you got was mockery.

I've asked a number of real life actual people who have all, without fail, said that if that happened to them they'd end the conversation right there and walk away. Most of them, including me, said they'd leave just so they could go cry in private, and one said that they'd basically say "fuck you" and leave because they were pissed off. Stolas was the former. Take a moment to really, genuinely think about what your own reaction would be to having someone you love and trust make fun of you after you confess something important and vulnerable. It doesn't have to be a love confession, mine certainly wasn't, but do you honestly think you'd want to stick around after that?

So Stolas would have been justified in walking away just from that. He was very kind as he took his leave too and tried to bow out as gracefully as he could without causing a fuss, which is made all the more impressive because Blitz unintentionally triggered Stolas' trauma with the roleplay bit. Stolas has lived with Stella for 18 years at this point in the timeline, and part of how she abused him was humiliating him and mocking his feelings. He hides it decently well with Stella, because he's had decades of practice at this point, but we see in Ozzie's that being humiliated, especially in public, is a trauma landmine that Blitz tripped right onto. Yeah, he's going to leave, and it's not a fault that he does.

Moreover, you'll notice that Stolas doesn't kick Blitz out here or tell him to leave. He walks away further into the house, and yes he's probably expecting that Blitz will take it as an opportunity to bounce, but he does not tell him to go. Blitz could have waited as he took the moment he needed and thought things over, and then talked and asked whatever questions he needed to after Stolas came back. It was his bedroom and it was midnight, it's not like Stolas wasn't going to come back within the next couple of hours. Or Blitz could have left, thought things over, and come back. Instead, he followed after Stolas, which wasn't a great feeling for either of them, because Stolas was only barely staving off a breakdown and Blitz was getting hit in that abandonment trauma all over again, but Stolas walking off scared him so he acted on the impulse to not let Stolas get away. 

And he started off fine! Even though he was basically chasing Stolas, he wasn't angry or anything. He asked "wait, you were serious?! Hold on now, Stolas. What the fuck?" and Stolas did his best to answer even as he kept walking, rather than telling him to go away or kicking him out. His answer was poorly worded though and it set Blitz off, which is when we get to your next point.

#and there IS power imbalance in the way stolas just tosses blitzø outside via teleportation. #it DOES imply he thinks little of blitzø In That Moment bc hes 'seeing his abuser' #but like... he would not teleport stella outside like that. even when he asserted his boundaries w her he NEVER did that shit #it WAS disrespectful to blitzø. it was.

???? How on earth did you reach this conclusion?? Of course Stolas would never teleport Stella outside like that. That's not respect, that's fear. It took everything he had to stand up to Stella the way he did, which we know because he collapsed as soon as she was gone. He was terrified of her; he was backing away while she approached and knew she was about to hit him. He was fighting back, yes, but you can tell from her reaction that he almost never has in the past. It had nothing to do with respecting her, because his normal response seems to be either standing there silently taking the abuse or shrinking in on himself while trying to placate her.

As for what happened in the ballroom, Stolas was triggered for the second time in just a handful of minutes, this time by Blitz slamming open the door and yelling. It says absolutely nothing about how much Stolas does or does not respect him that these actions triggered a trauma response in Stolas. Trauma doesn't work like that. Anyone doing that to Stolas would have made him panic, because when you're experiencing a traumatic reaction, even if you're somewhere safe with someone you implicitly trust, your brain freaks the fuck out.

It was in no way disrespectful to kick Blitz out, it was just Stolas going into extreme Flight mode. Blitz wasn't letting him leave and at the end even ran towards him (to apologize, but Stolas had no way of knowing that and Blitz was already half out the portal before he started to say sorry and didn't even finish it. Also, you hear Stolas very faintly saying he's sorry before the portal closes), of course he's going to force Blitz out! He didn't want a fight with Blitz like he had with Stella, because he wasn't angry, he just wanted to be alone.

"and the immediate dismissiveness the next morning obv didnt fuckin help #cuz blitzø immediately went on the defensive and like yeah he said horrible shit but FUCK DUDE he didnt instigate it! #like yeah stolas doesnt have to sit there and take it EXCEPT HES THE ONE WHO FUCKING INITIATED THE ISSUE? SO YES HE KIND OF DOES HAVE TO#HEAR BLITZØ OUT AND SIT THERE??"

No, he really, really does not have to sit there and hear Blitz out. Stolas made it very clear in actual words that he did not want to see Blitz right then, because he was feeling too raw so soon after everything and Blitz was not giving him any space to breathe. And Blitz, once again, did not leave. He also, you'll notice, didn't force Blitz to leave, he just asked him to go, because this time he wasn't outright panicking. And even then, he kept giving Blitz chances to talk things out with him, showing that he wasn't dismissing Blitz.

Also, you're really telling me that you think a victim of domestic violence should be forced to stick around when someone is yelling at them? It doesn't matter if he "initiated things", that doesn't mean he's going to okay when someone starts grabbing and yelling at him. If Blitz was being calmer about it, and wasn't continually intentionally mocking Stolas and his feelings throughout that conversation (which, again, big trigger for Stolas, he's just hiding it better now because he was braced for it. Note that he's reacting a lot like he did when Stella was mocking him at the party) then I might agree with you. If Stolas had actually instigated the garden scene by telling Blitz to come over and then refused to listen while Blitz tried to explain, that'd be super fucked up. But Stolas didn't ask Blitz to come over, explicitly told him to leave because it hurt to much to talk to him right then, and Blitz was not being calm. Blitz was self-destructing and was being both clingy and aggressive, because he was scared of losing Stolas but was even more terrified of being vulnerable, and he habitually masks his fear with anger.

"#puts my head in my hands. #and all the ppl talking abt ou well its stolas' house so he gets to portal blitzø out! #you are a fucking dick? you cant spring a huge relationship change on somebody and then run off and act the hurt party when they havent even #processed it yet! and then KICK THEM OUT when they understandably get ANGRY at you dismissing them? and HELLO. STOLAS DISMISSES BLITZØ."

Buddy. Dude. Stolas didn't actually spring this on Blitz. Blitz literally says at the beginning of the episode that he's been avoiding Stolas because he knows Stolas wants to talk, and he doesn't want things to become complicated. He knows things will change as soon as he actually talks to Stolas and that freaks him out, because in his mind it can't possibly be something good, and this fear is exacerbated by what Loona told him. He literally tells Fizz that Stolas does things to show he likes him, and multiple people have flat out told Blitz that he does, and Blitz can't believe that for multiple reasons, but this entire thing has been building up for months and he knows it. 

Stolas also did not spring his "feelings bullshit" on Blitz either, despite what Blitz claimed. It might have felt like it, because up until then he was in complete denial of those feelings being genuine, but Stolas has not been subtle, by any means. He has, in his and everyone else's minds, been showing Blitz that he cares about him at the very least as a friend, since this whole thing started. Even in fucking Loo Loo Land, despite him awkwardly trying to flirt with Blitz a couple of times, he doesn't actually try to start anything while they're there. He doesn't even seem to expect something sexual to happen between them at all, because he says he wants Blitz and his employees to come and immediately offers to pay Blitz with money, rather than sexual favors like Blitz anticipated. He's using it as an excuse to hang out with Blitz - because he's an idiot who didn't think about how uncomfortable it'd be for literally everyone involved, especially Octavia - and Blitz even knows that because he knows Stolas doesn't actually need one bodyguard, let alone three.

He invited all of them to the harvest moon festival because he thought it'd be fun, again with no expectation of anything sexy happening. He came to rescue I.M.P. with no ulterior motive, he just wanted to help them. He didn't ask for or suggest that he wanted sex in return for the save either, he just asked for a thank you in a very pouty voice because none of them thanked him, and Blitz turned things sexual, which he was happy to follow the lead on. He was super excited for the date, dressed up super fancy, proudly walked into Ozzie's holding Blitz's hand, tried over and over to talk to Blitz because he thought it was a real date, stood up to defend Blitz from Verosika (which Blitz didn't see and which he didn't get to follow through on, because Ozzie took that chance to go on the attack and publicly humiliate him), and even after that disaster he still invited Blitz in solely to hang out and maybe cuddle a bit.

He would ask Blitz to stay the night after they were done having sex instead of just kicking him out, which we see in the memory fragments. He called Blitz on the regular just to talk about his day and was frequently interacting with him on social media, both for approximately a year and a half. He was oblivious to how condescending his attempts at flirting were and had no idea how demeaning it was for Blitz until Blitz finally showed him how much all that hurt him (after Ozzie's), but he only was acting like that and talking that way because he genuinely believed that it was what Blitz wanted and was into, based on their first night together (doesn't excuse it, of course, but it was another way he was desperately trying to show how much he wanted Blitz).

For close to two years by the time The Full Moon rolled around, Stolas has been trying very hard and kind of ineptly to show Blitz he likes him, and at the very least wants to be real friends with him (that also have sex). Literally everyone who has seen them together knows how much Stolas likes Blitz, including Blitz despite him being in denial of it. He has tried again and again and again for nearly two years to show Blitz he cares about him and wants him around, and Blitz - for understandable reasons given his own trauma, history, biases, and hangups - has rejected him time and again. That's why Stolas was expecting Blitz to reject him following his confession. He expected Blitz to tell him to fuck off or to just take the crystal and run without looking back, but he didn't expect to be (unintentionally) mocked. He didn't expect Blitz, who he trusted, to humiliate him. Even without the trauma he has surrounding that, after all the other rejections of course Stolas is going to take Blitz mocking him as another rejection. He didn't think Blitz was confused, because he thinks he's made his feelings pretty damn clear for ages now, and that's why he said he had his answer and was trying to leave before he started crying - which most people hate to do, because crying in front of other people is often a mortifying experience.

"STOLAS DISMISSES BLITZØ.#HES NOT ONE OF YOUR SERVANT IMPS DUDE! HELLOOOO?????? #idk idk idk like stolas was definitely going through it but HOLY SHIT you guys cant be serious when you say it was equal on both sides #when theres a very obvious clear systemic power imbalance. like youre FUCKING WITH ME?? you cant be serious rn"

He wasn't dismissing Blitz. He super fucking did not. He wanted to be alone so he could go cry his guts out, and Blitz was scaring him by getting angry and slamming open doors. That's not dismissing someone, that's going into panic mode. He wasn't treating him like a servant, if he was he would have been bored and unaffected and told him to go. He. Was. Scared. He was hurt and humiliated and scared and Blitz was chasing him down and yelling at him. It's not playing the victim to be scared and it's not playing the victim when your feelings get mocked and you want to get away from the person who just stomped all over your heart.

Blitz's reactions make sense from his end, and absolutely he was being triggered too - he was in fact the one triggered first, though that too was by accident. Yes, his anger was justified and he had every right to express it when he felt he wasn't being listened to. Yes, he wasn't intending to scare Stolas. Yes, Stolas has messed up and hurt Blitz in numerous ways over the course of the series. But my god, that does not mean that Stolas' feelings and reactions are any less justified and reasonable.

It was equal on both sides. They both equally fucked up. They both accidentally hurt and triggered each other. They both were scared. Stolas sending Blitz away was the only thing he could think of to de-escalate the situation, because Blitz was actively trying to pick a fight and Stolas had no idea that Blitz would stop just because he started crying (you think anyone else has ever stopped just because he cried? We literally see both Stella and Paimon mock him for it, and Stolas isn't exactly in a rational sort of mindset here).

Are you really, honestly, truly telling me that you would be fine just standing there and letting someone who just hurt you scream at you in a way that reminded you of both your domestic abuser and the person who recently tried to murder and mutilate you? Are you kidding me? You have completely misinterpreted everything Stolas has said and done in those two episodes by refusing to look at it with any amount of sympathy or compassion and immediately jumping to the worst possible scenario.

"Stolas shouldn't have portalled out Blitz during Full Moon" this and "Stolas should have stuck around and listened to Blitz in the garden during Apology Tour" that. Do y'all not realize how it sounds to demand that a domestic abuse victim stick around when someone is yelling at and insulting them? And on the flip side of that, do the other half of y'all not realize how it sounds to demand that someone, particularly someone from an oppressed group, never get loud or demonstrably angry just because it might scare someone?

Like Blitz had every right to air his grievances in Full Moon, and being angry when you're treated poorly is a perfectly normal, reasonable response. It's not inherently abusive to yell and stomp when you get mad, and it's completely unreasonable to say that Blitz is just because he did. But at the same time, Stolas does not have to sit there and take being yelled at when he's already had to suffer though someone doing it to him maliciously for at least 17 years. He does not have to take being grabbed, being screamed at, or having his clearly stated boundaries ignored either, like at the beginning of Apology Tour. Him getting upset when someone does that to him, when he's only just gotten away from his abuser and was almost murdered for it, is not some failing on his part or him playing the victim.

Blitz's trauma doesn't care that Stolas wasn't actually going to abandon Blitz, and it doesn't care that that the hurtful things Stolas has said and done have come largely from a place of ignorance rather than a lack of care. He's protecting himself the only way he knows how and is blinded by the sheer intensity and longevity of his self-loathing, but frankly it was a good thing for him to finally speak up about how some of the things Stolas does makes him feel, and it's a very good thing that he's actually trying to fight to keep Stolas rather than just booking it and throwing a grenade behind him on the way out.

Just like Stolas' trauma doesn't care if he knows Blitz is different than Stella and wouldn't actually hurt him, and it doesn't care that Blitz's anger comes from a hurt, scared, and traumatized place as opposed to the pleasure Stella took in hurting and scaring him. Stolas hasn't had any time to even begin to heal from the damage she did to him, and frankly if he's scared and breaking down like in Full Moon it's actually a step up if he's removing himself from whoever is triggering him, even if it wasn't fair to Blitz who was, in his own way, attempting to work things out.

Neither of them is the bad guy here, they're just very reasonably upset and having clashing trauma responses. You can be compassionate and understanding of both sides without saying that either of them should have to just sit there and take it when someone is greatly upsetting them. It's normal to get angry when you're scared and upset, and it's normal to cry and run away when you're scared and upset, and neither are wrong or bad just because in the moment when emotions were running high they each did several things that accidently set the other off, especially when they had no way of knowing it was a trigger beforehand.

None of this is say that the way things shook out was great or productive, and they definitely need to work on healing so that they're not letting their fear and trauma control them. If they're going to get to place of real understanding, then at some point these two need to sit down with the intent to talk things out and have an honest and open conversation with each other, without Blitz yelling or Stolas running or either of them letting their preconceived assumptions and biases get in the way of actually listening. Blitz needs to not self-sabotage and Stolas needs to not shut down, and that's going to be really fucking hard for both of them, because that's how they've been coping with their trauma for literal decades.

And to his major credit, Blitz got it right at the end of Apology Tour, the only thing he got wrong was the timing because Stolas was so drunk that I'll be honestly surprised if he remembers most of it in the morning. He wasn't in any state of mind to listen or pay attention, but at the same time, to his credit he's already been reflecting on what Blitz has been saying to him and trying to figure out where and how he fucked up and hurt Blitz. And also, he kept saying things like "right now", which means he will be ready to talk things out eventually if he's just given a little bit of space to put himself back together and think about things.

And guys, please. Just because some people will start crying to try to manipulate and guilt trip those around them whenever someone gets upset at something they did, doesn't make that what Stolas did. He was trying to get away so Blitz wouldn't see him cry. And just because some people like to fly off the handle and rage at every perceived infraction, doesn't make that what Blitz did. He had justifiable cause to be angry and in Full Moon he didn't think Stolas was listening, so he tried to make himself louder and bigger in an attempt to make himself be heard and his hurt be acknowledged. If one of their reactions made you uncomfortable, that's fine, there's nothing wrong with that. But the story isn't about those kinds of people, it's about two fictional demons who aren't trying to hurt or manipulate each other, they're just struggling to juggle trauma, ignorance, and the desire to be together. They're not able to yet, but that's what character arcs are for.

And just to head off any comments on it: no, the narrative is not villifying Blitz and it's not babying Stolas or trying to sweep any of the shit he's done under the rug. Blitz being angry and self-destructive doesn't make him a villain, and Stolas crying a few times and still being pretty ignorant of how he's come across doesn't mean they're trying to say he's done nothing wrong.

[autismsupersoldier]

a non-exhaustive list of my dunmeshi cast headcanons, as well as a fun exercise in censoring genitals in creative ways. below the cut you can see a list of notes and explanations. hope you enjoy as much as i enjoyed watching the anime!

important to preface:

now, lets get into it.

thanks for lookin! here are some sketches too:

some more falins because shes my favourite!

[the-random-phan]

Ectoberhaunt Day 13

Isekai: Old Hero New World

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[meat4meat]

One note was all the Prompting I needed.

HOUSE PLACEMENTS

MEL: 3rd House all the way, but 2nd house born.

The third house is most known for its opulence and as a hot bed for political intrigue. I'm 100% convinced she could necro politik with best of them. And given the tension between the 3rd and 2nd house wre know exist thanks to the 1st book, Ambessa sending Mel as a sort of ambassador sets her apart as an outsider both to her home on the second and her peers on the 3rd.

Given her big reveal as a sorcerer in the finale I think she'd be a lay necromancer, maybe even with ties to the Blood of Eden that she isn't aware of.

Jayce: 6th house

Initially I thought 5th house, but I think given his main ambitions involve using knowledge of magic/science to better other lives, yes I might be drawing a handful of parallels with Palamedese, having him come from the smarty pants house feels natural. Especially because one of his core motivations for his pursuit of knowledge is to help people.

Viktor: 7th house. King of dying and coming back wrong.

His entire shtick has 7th house written all over it. Having him be a necromancer of the 7th feels appropriate because of the tension it would create between his very powerful will to survive and the fule for his abilities being the thing that's killing him. I'm gnawing at the bars of my cage.

Caitlyn: 2nd house born necro, 4th house enlisted.

The second house is more associated with Cohort leadership and bureaucracy while the 4th is the actual infantry. Given how Cait joining the enforceres in cannon is seen as a step down from her station I think her being born into an influential cohort family on the second and chosing to join the 4th would be thematically appropriate, and it gives her a wonderful opertunity to meet-

Vi: POW and vassel of the 4th house, formerly Blood Of Eden.

Vi would be lowest on the rung and enlisted against her will with the promise dangled over her of eventually (never, really. This is the 9 houses) earning her freedom. Her hatred for the institution she's bound to and her grief in being forced to fight people she loves (Boe, other rebles, ect) feels like it aligns with her backstory. I think Cait would seek her out both because she's a skilled fighter and because she's also an outsider, seeing someone impartial to Cohort politicking and a fresh set of eyes. I think she'd pull whatever weight she has to get Vi assigned to her as her Caviler, much like she did getting Vi out of prison in canon. Lots of parallels with Gideon's initial arc in the first book, but other people have pointed out theor similarities already.

Last house placement bc I think it fits.

Singed: the 9th house, necromancer.

It's so easy to see him holed up in the 9th house as one of the 9th house faithful who came to lay his daughter to rest in the ossuary and just never left. Especially with a double motive in being close to the Locked Tomb in order to reaserch its wards, hoping to break them and maybe use whatever is inside to revive his daughter, even if it means dooming the whole world. Also former BOE.

BLOOD OF EDEN MEMEBERS

So because of the nature of the conflict in TLT and Arcane both featuring major aspects of class struggle and war, im assigning most of the Zaun aligned characters to the BOE in some way or another.

Ekko: BOE, most visible rebel to the people.

Definitely a 3 times refuge of the houses. At his core he's a community leader, so I think he'd be most busy building grassroots resistance to the 9 House empire and direct community action. The necessary but unglorious work of things like food distribution, health outreach are all his sphere. His direct work with the BOE always goes towards things like sabotoging Cohort supply lines, equipment sabatoge and the like.

He comes into conflict with other BOE because they open civilians up to too much risk and sacrifice. In his eyes protecting people from the houses takes priority.

Sevika: Silco's former right hand and defacto leader of BOE after his passing. She's inherited all of the irons Silco had in the fire and is struggling to turn them into an offensive against the houses in his absence.

Vander and Silco: BOE, both dead. Their conflict and death lead to a power vacuum and a loss of organization within the BOE. Ekko and Sevika both represent the philosophical split between them in the org.

And ofc,

JINX: AWOL BOE, princess of dying and coming back wrong.

Just like how Singed revived Jinx in s1 in this instance I think Silco would have enlisted him to revive her, despite the BOE opposition to necromancy. Jinx gets to see her sister torn from her by the empire that's made her entire life suffering and refashioned into one of its agents, be saved by the morally bankrupt magic of the empire, and see her family devolve into infighting. I genuinely think she'd be a free agent outside of the BOE.

This is the most ever written in years the finale genuinely has me ill.

Shluld I assign Arcane characters Nine House placements just to feel something? That ending has my mind churning.

[sincerely-sofie]

Thinking about @gehtsis’s children and how terrifying it would be to get their team assigned to help you escape from a mystery dungeon.

If these are what my heroes look like I'm 99% certain I'd be screaming and running the other way. Menacing cryptid-looking grim reaper and cursed psychic clay doll. I love them.

[namtanlovesfilm]

I've just seen someone describe the trainee as a 'slow burn'... slow burn? babe it's been three episodes. they're co-workers. there's a power difference within the company. one ended up with the internship by lying in his interview & the other is a try-hard, speaks (aggressively) his mind, loner. I would've been more surprised if anything remotely romantic had ALREADY happened. I feel like recent bl shows have cooked our brain by feeling the need to have the characters kiss/fuck/get together as early as possible so that the audience feels satisfied. bring back getting the first kiss at ep 8 like in not me or ep 10 like in theory of love, that's the offgun formula AND I LOVE IT THAT WAY <3

[sylvancastor]

Writing out my preferred way the battle at Rook's Rest should have gone because why not.

The beginning mostly stays the same. Criston signals for Aemond and Vhagar, but Sunfyre arrives first. Aemond sees him fly overhead and is pissed, but he doesn't wait to follow him into battle because he's not an idiot and as much as he wants the crown, he's aware of the intensity of the blow losing Aegon would be to their cause.

Still, Vhagar is slow and has to launch herself off the ground, so Aegon gets their first and has an initial fight with Meleys but Vhagar's quick arrival keeps Sunfyre's injuries from being quite so intense. The two of them attack Meleys side by side, but due to her speed and Rhaenys's expertise, she manages to keep evading them with fairly light damage.

Meleys takes off high into the clouds and Aemond and Aegon follow her. No one can see them from below. Aegon urges Sunfyre to engage directly with Meleys and the two dragons become locked together. Instead of intervening this time, Aemond simply watches as Sunfyre is injured and Aegon cries out for his help. Aemond only watches.

We can see the anger in his eyes. It would be so easy to allow Meleys to kill Aegon and Sunfyre. He could say he did his best, but that Aegon refused to battle carefully. He would be honored after he died and Aemond would become king. Aegon doesn't notice the inaction, too focused on saving Sunfyre and himself. In a desperate move, Aegon unclips one of his restraints to grab the dagger at his side and drives it into Meleys's eye as Rhaenys screams in shock and fury.

Meleys wails and lets go of Sunfyre, dropping out of view. Aegon is triumphant and turns to his brother with a smile. Aemond isn't smiling. We watch as he follows Meleys's descent and decides he's safe for now. He returns his attention to Aegon. It would be so easy to do the deed himself and blame Meleys. He contemplates it only for a split second, but Aegon's face goes from smiling to horror. We think he's understood what Aemond plans to do, but in fact, his eyes are fixed on a sight behind him. Meleys has darted up from behind, mouth open and poised to burn Aemond in his saddle.

Aegon doesn't hesitate. He urges Sunfyre forward and as Meleys breathes out a wall of fire, he throws himself and Sunfyre in front of it to protect Aemond from the blast. Before Aemond can react, Meleys sinks her claws into Sunfyre's chest and pulls him out of sight.

Aemond pursues, but it's too late. Meleys has bit into Sunfyre's wing and Aegon can barely stay in the saddle with his one remaining restraint. Meleys rips her head back breaking off part of Sunfyre's wing and the king and his dragon fall through the air, landing in the forest.

Similarly to the show, Aemond is able to defeat Rhaenys and Meleys on his own after Aegon's fall.

Later on, we learn the only reason Aegon was able to survive was the one remaining restraint held him to the saddle but allowed him to slide off to the side enough to evade some of the dragonfire. He's still burned and in pain. He sacrificed himself for his brother and Aemond can't betray him now. Not when he owes his brother a life debt, not when he's seen how deeply Aegon loves him. He becomes Prince Regent and reconciles himself to forever protecting his brother from this point forward.

[thewistlingbadger]

Things I loved about season 2 arcane

Jinx slapping Vi. Oh man was that shit deserved

Ekko and Jayce interaction. I love that they let them interact, especially since they're who started it all. Ekko's tip led to everything.

Jinx and Viktor interaction. I prayed for times like these and we got it.

The scene with Sevika's arm was so much fuckin fun

Jinx's reaction when she saw that Vi was an enforcer. The fact that she couldn't pull the trigger.

The return of Jinx's episodes

The interactions between jinx and Sevika, and jinx Sevika and Isha. I wished we got more of their dynamic they were a highlight

The music and animation of the final moment of the show. That shit was mind-blowing

Mel's new design and her power was the moment!

Seeing Kino!

Certain moments with Jinx and Silco. That opening in ep2 S2 had me sobbing. It's so tender and sad and God can you tell she loved him. Every moment she returned to his office was incredible.

Seeing Vander and Silco's hideout. The jackets. The fucking letter. Oh it hit me like a train.

Jayce mother fuckin Talis. He is everything. I love the focus he got in this season. I loved everything about him this season as well as his arc. This man kept getting more and more attractive as we saw him on screen.

The relationship between mel and jayce. They were so sweet and soft with each other. And in the end they parted on such beautiful and respectful terms.

Certain phrases and vocabulary. "Inextricably Bound" "you will never be a passenger" "you are the wolf" Felicia's monologue and Jayce's final monologue

Seeing grown up Mylo and Claggor was cool.

Jayce's reaction to seeing Viktor after the explosion was heartbreaking

Jayvik, Jayvik, Jayvik. Man did they steal the show for me. Seeing Jayce worry about Viktor, "it should have been me," their first hug, their first separation. All the way to that beautiful finale. Oh man it was everything.

Renni was an amazing addition at the start of the series. Her design, her weapon, and her ability to thrill the audience was amazing. That scene where she was looking for jayce? Chilling. The fact that she landed a back injury on him was crazy

The conclusion to act 1 s2 had my jaw on the floor. The reveal. The presentation. The music

Singed's whole storyline was awesome. I loved getting more information on him

The opening of act 2, with Jinx looking directly into the camera as a match announcer. That was so fun.

The blisters and bedrock flashback. I so wasn't expecting that and I was flailing about when I first saw it. Yeah it has its flaws but I loved seeing it. It recontextualizes everything for better and worse and I love that we have it even though it causes problems

Jinx's reaction to seeing everyone rally behind her. Babygirl needed that

Seeing more Sevika was nice, same with seeing more of the undercity as a united front

Designs just went hard this season. Ambessa, Caitlyn, vi, etc.

Ekko saving the day with his Z drive was epic

In ep1 s1 it was really sweet to see the way Caitlyn relied on Vi

The caitvi kiss was pretty cool

The Caitlyn betrayal. I wish they would have done more with this bc it was cool

Maddie saying "I appreciated the warmth." That line was COLD.

The Jayvik fight sequence in the council room

LEST!!

Some of the humor in this season was really funny

I love how they really said without Silco, everything falls a part

Please tell me what you loved about Arcane season 2. What parts really resonated with you on the most fundamental level? What made you feel with your whole soul and body? What parta made you think about the show for days after as you stared at the nearest wall?

The more I think about it, the more I just see the things I disliked about it, and I really really want to love it as much as I see others do, and as much as I loved it when I first watched it

[waspgrave]

Solas fans will write the most amazing meta on him, wax poetic about his mythologies and tragedies, talk about his foils and what it means for someone like him to realize and atone for his mistakes, and then go ‘anyways the Veil should’ve come down and ancient elves should come back’