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#based on a real life dialogue
weirdraccoon · 7 months
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*watching the new live-action Avatar*
Sebastian: I did this test and turns out I'm a water bender.
MC: Hu. My favorite part of water bending is-
Ominis: Healing?
MC and Sebastian: Blood bending!
Ominis *sighing tiredly*: Should've known.
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poorly-drawn-mdzs · 1 year
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Smell Check [Easy: Failure]
MDZS Disco Elysium AU part 1 (part 2 - part 3)
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#disco elysium#MDZS Disco Elysium AU#So sad I didn't manage to get this comic out on the 15th (pd-mdzs's 8 month anniversary and DE's 4th year anniversary) but I'm here *now*#I have a very extensive and detailed MDZS Disco Elysium AU that I am Not Normal About.#I've seen a few other people point out the potential in a crossover (true) but they make the mistake in having it be set in 51!#A true crossover would take place closer to The Antecentennial Revolution!#Disco Elysium did not go that hard on its cool lore for people to only make surface level crossovers!!!#One day I'll write the fic or post my notes. I don't know who would read it but it tickles *my* brain and that's enough.#No spoilers for DE (here or in comments (please)) but please consider....Magpie Wei Wuxian B*) On his way to be an innocent.#I do think there is a good chance a chunk of the MDZS readership would enjoy DE but...it's also not a game I easily recommend#It's more of an experience you have to marinate over. It's dark in ways that are off putting to some people.#It makes you feel like a very bad person all the time. It gets extremely personal if you allow yourself to be honest in your answers#and it's also the game that saved my life. My life was truly forever changed after playing disco elysium.#If I recommend it to people it's a badge of the trust I have in you to appreciate something dear to me B'*)#If you decide to play: PLEASE go in as blind as possible. You will regret spoiling yourself.#edit: this is based on real disco elysium dialogue. HDB has many canon kinks but this is not one of them
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peachieprompts · 2 years
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Dialogue Prompt #257
“You underestimate me.” 
“I don’t think that’s possible.” 
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fingertipsmp3 · 3 months
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Ughhhhhhh I hate writing and I hate not writing and I hate myself
#nearly bought a digital typewriter today. actually i DID buy a digital typewriter today. officially yes i have bought a digital typewriter.#the money for the digital typewriter has left my account but i have emailed them to cancel the order because i can't in good faith buy#a digital typewriter when i don't fucking WRITE#i thought it might help me get back into it. distraction free and while allowing me to not judge my own writing#and be continuously editing while i write and going 'i'm crap i'm crap i'm crap no one will ever read this and if they do they will think#that i'm garbage and that i should feel bad etc etc etc'#but it's too expensive and i have the feeling i wouldn't even like or use the thing once i got it#because the IDEAS! the ideas aren't coming to me. or rather they are but none of them seem to stick#i feel underconfident in writing any of them#and then i have old projects that i've always wanted to get back to like the tennis romance thing but SO much has changed since i first#started drafting it. like i don't even know if i like the main couple anymore. i kind of want to put both of them with different OCs of min#but it'd switch up the WHOLE story if i had a different cast#in fact most of the problem lies in the fact that i have this long-running bedtime story i tell myself every night with lore#and a massive cast of characters that i switch out depending on who i'm most interested in right now and every so often i incorporate new#themes and ideas and motifs and plot points sometimes based on media i've been watching because it's MY bedtime story and it doesn't matter#if i plagiarise in my own brain. but then obviously i can't plagiarise in real life#and none of my bedtime stories are GOING anywhere. sometimes i only get through a scene or two before i fall asleep#all of which means my bedtime story is not so much a sweeping epic novel but a sitcom with way too many characters#most of which are werewolves to be honest and sometimes for my own wish fulfilment one of them will walk out of my head#and take care of my problems for me by lending me £1million or murdering my best friend's ex. in my mind obviously#so it's like. it's a case of getting in there and annexing off the stuff i think i can use#it's like yeah i've definitely written several romance novels in my head in the process of this but does it matter if they're IN my HEAD#to be honest i feel like my main strength is in creating characters. like i have this one family of werewolves i've been slowly but surely#adding members to since i was like 16. maybe younger? no yeah i think i made the first one when i was 12#they're compelling to ME anyway. i care about them. it's just PLOTS. i can't plot#if a book could just be a lot of dialogue and sex scenes and silly moments and character studies i'd be alright#i also can't describe settings. don't ask me to because i can't#and now i'm just annoyed with myself because i sat down at my laptop to try to write and instead i'm here complaining about how i don't wri#and if i had the digital typewriter... i mean i'd probably still be doing this i'd just no longer have £300#i don't have the £300 anyway. i hope to christ they refund my card i'm a fucking idiot
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prompt-of-the-day · 11 months
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Dialogue: #037
"What next?"
"Let me see... One cup of vegetable oil."
"..... Can you repeat that, please?"
"One cup of vegetable oil."
"... ... ... I don't even wanna know if it's you or the recipe, in which case, you found it so it's still you. Go and get your glasses and let me look at that before we end up with an oily disaster."
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thyminell · 8 months
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Tell me yer jag headcannons
Yeah! Of course! Thank you for asking! I’ve had these done for a few days but have been really busy with real life!
Spoilers for both Cattails and Wildwood Story and Jag’s reasoning for coming for the Wildwood
-Part of their love for licorice is due to the fact that one of their parents would occasionally bring them one. It was… an acquired taste to say the least but eventually they grew to love it!
-Arthur would occasionally come and talk to Jag while they guarded. Arthur would try to tell them some grand tale about how they caught the biggest hare any cat had ever seen or something along those lines. Jag did appreciate the attempts to socialize, really, they did, but not while they are trying to protect Arthur and the rest of the Domain
-Arthur and Jag are also cousins but their conflicting personalities and schedules can occasionally result in arguments, typically from Jag
-Jag’s tail is shorter in Wildwood Story due to Ursa, who was a major reason why Jag left the Mountain Domain. Jag snapped at them about how they were a tyrannical leader, leading to Ursa striking back at them. Most of Jag’s injuries healed but their tail became infected so Luna had to remove part of it
-The above action was the last time Jag saw Luna or any other Mountain Domain cats as they quickly left to join the rest of the group leaving to the Wildwood
-Jag and Talon mutually respect one other for both being dedicated to their duties. This means that Krampy wanted to get to know Jag as well. Jag greatly respects the other cat’s ability to heal injuries but occasionally gets worried at the thought of their experiments causing harm to the colony or themself
-Jag doesn’t like Zephyr due to their flashy nature. Additionally, Jag doesn’t really understand why they’re famous
-Whenever a new cat joins the colony, Jag interviews them to see if they are a security risk
Hope you like these! Have a good day and night! ^^
Also a few sketches
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lawyeryuri · 1 year
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ok rewatching season 2. aziraphale IS kindof an asshole isn't he? he keeps cutting crowley off and stuff. tbh it kind of DOES seem like aziraphale sees crowley as inferior in some way. i think that perhaps the divorce scene WAS in character. its no secret that aziraphale doss think heaven is better than hell
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stellamusing · 6 days
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My problem with playing video games is that my hand-eye coordination sucks, and while it's gotten better since I started playing games other than pokemon and the sims, it's still not great and therefore the more active a participant a game requires me to be, the more stressful I find it and the more I find myself planning how I'm going to play the game instead of just playing it
Anyways, I've just finished my spreadsheet of every weapon in Cyberpunk 77 and planning out my future perks on the build planner and now I've gotta get back and finish playing through the prologue lmao
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leonsrightarm · 3 months
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i really like the construction of the talos principle's puzzles but it's another one of those games that suffers from "doesn't want to be a video game" disease. it spends the whole time wanting you to agonize over what purpose the puzzles serve and whether or not you should even be solving them and it's like. "video game i purchased so that i could spend time solving puzzles is raising a lot of questions that could be answered just by looking at the fact that i purchased a video game featuring puzzle-solving."
i know there have been lots of interesting conversations about the conflict between narrative and mechanics in video games and the places where they often contradict each other creates a really interesting space to play around in, but i feel like if the entire driving force of your narrative is rendered moot by the fact that your player has willingly chosen to play your game and even paid to do so you should maybe rethink your approach.
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bookished · 1 year
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HOW TO GIVE PERSONALITY TO A CHARACTER
Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:
Understand Their Backstory:
Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.
2. Define Their Goals and Motivations:
Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.
3. Determine Their Strengths and Weaknesses:
No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.
4. Consider Their Personality Traits:
Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.
5. Give Them Quirks and Habits:
Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.
6. Explore Their Relationships:
Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.
7. Show, Don't Tell:
Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.
8. Create Internal Conflict:
Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.
9. Use Character Arcs:
Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.
10. Seek Inspiration:
Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.
11. Write Dialogue and Inner Monologues:
Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.
12. Consider the Setting:
The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.
13. Revise and Refine:
Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.
Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.
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aquariversong · 1 year
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Choice Paralysis - A GPOSE Comic
This is definitely not based on real life events.
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imastoryteller · 2 months
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How to Craft a Compelling Morally Grey Character: A Step-by-Step Guide
Step 1: Define the Character’s Core Traits
Identify Strengths and Virtues: List positive traits that make the character likable or admirable. These could include bravery, intelligence, loyalty, or compassion.
Identify Flaws and Vices: List negative traits that add complexity and realism. These could include arrogance, selfishness, impatience, or a propensity for violence.
Step 2: Establish Motivations and Backstory
Create a Detailed Backstory: Develop a background that explains why the character has their particular mix of virtues and flaws. Consider their upbringing, significant life events, and personal experiences.
Determine Core Motivations: Identify what drives the character. Is it revenge, love, ambition, survival, or something else? Motivations should be realistic and relatable.
Step 3: Develop Moral Ambiguity
Set Up Moral Dilemmas: Place your character in situations where they must make difficult choices with no clear right or wrong answer. These dilemmas should challenge their morals and reveal their complexity.
Showcase Contradictions: Allow the character to make decisions that might seem contradictory. For example, they might commit a crime to protect someone they love, revealing both a moral and an immoral side.
Step 4: Create Dynamic Relationships
Construct Meaningful Relationships: Develop relationships with other characters that highlight different aspects of your morally grey character. These relationships can help explore their multifaceted personality.
Use Relationships to Drive Conflict: Relationships can be a source of moral conflict and development. Conflicts with friends, family, or rivals can push your character to reveal their grey areas.
Step 5: Show Consequences and Growth
Illustrate the Impact of Actions: Show the real-world consequences of the character’s morally ambiguous decisions. This adds realism and stakes to the story.
Allow for Character Growth: Let your character evolve. They might become more virtuous or more corrupt over time. This evolution keeps the character dynamic and interesting.
Step 6: Balance Sympathetic and Unsympathetic Traits
Make Them Relatable: Ensure the character has traits or experiences that the audience can relate to or sympathize with, even if they do questionable things.
Maintain Complexity: Avoid making the character too sympathetic or too unsympathetic. The balance between good and bad traits should make the audience feel conflicted about the character.
Step 7: Use Subtlety and Nuance
Avoid Clear Labels: Do not overtly label the character as good or evil. Allow their actions and motivations to speak for themselves.
Employ Subtlety: Use nuanced behavior and dialogue to reveal the character’s moral complexity. Avoid heavy-handed exposition.
Step 8: Test and Refine
Seek Feedback: Share your character with others and seek feedback on their complexity and believability. Adjust based on constructive criticism.
Refine Motivations and Actions: Continuously refine the character’s motivations and actions to ensure they remain compelling and consistent throughout the story.
Example: Crafting a Morally Grey Character
Core Traits:
Strengths: Intelligent, determined, loyal.
Flaws: Arrogant, manipulative, vengeful.
Backstory:
Grew up in a tough neighborhood, witnessing crime and corruption.
Lost a loved one to a gang, fueling a desire for revenge.
Motivations:
Driven by a need to protect their remaining family and seek revenge.
Moral Dilemmas:
Joins a criminal organization to infiltrate it and bring it down from within.
Struggles with the ethical implications of committing crimes for a greater good.
Relationships:
Has a strained relationship with a sibling who disapproves of their methods.
Forms a complicated friendship with a morally upright police officer.
Consequences and Growth:
Faces the legal and emotional consequences of their actions.
Gradually questions their own morality and seeks redemption.
Balance:
Helps the community but uses unethical means.
Shows moments of kindness and ruthlessness.
Subtlety:
Reveals their inner conflict through small actions and dialogue.
Avoids overt explanations of their morality, letting the audience interpret.
By following these steps, you can create a compelling morally grey character that adds depth and intrigue to your story.
---
+ If you find my content valuable, consider Support This Blog on Patreon!
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soaps-mohawk · 8 months
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Cherry Red, Crimson Blood
Chapter 2 - Adjustments
Summary: You're struggling a bit in your adjustment to your new life, and you're finding some of them are easier to get along with than others. Luckily you're not in it alone.
Pairing: Poly 141 x reader
Warnings: Alpha/Beta/Omega dynamics, Alternate Universe, a/b/o typical classism and sexism, military inaccuracies, let's be real this is so unrealistic but it's a/b/o you're not here for accuracy.
Author's Note: I'm so just overwhelmed with the attention this fic has gotten, but not in a bad way I promise! I'm just surprised is all. Thank you everyone that has read and reblogged and commented. I love all of you and so, since I have no self control, here is Chapter 2. Lots more world building and dialogue in this part, but I promise good stuff is coming.
Also I promise Soap will get his time soon. He's just the hardest for me to write, and you'll see why in this chapter.
MASTERLIST | <- Previous | Next ->
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“She was lying.” 
Price doesn’t bother looking up as a dark figure leans against the wall next to him. He stares out at the empty space between the barracks and the mess hall, not much traffic between the buildings during this time of day. 
“About how she got to the institute.” 
“Or at least not telling the whole truth.” Price says, turning to look at Simon. “Something tells me she’d talk if we asked.” 
“She’s soft.” Simon says, letting his gaze drift off into the distance. 
“She’s a civilian.” Price counters. “The CIA did a little training, but she’ll need some work. We can’t leave her completely defenseless...” 
Simon turns to face him again. “There’s something else.” 
Price pushes himself off the wall, heading back inside. Simon follows, the two of them making their way down the hall to his office. “There’s hundreds of American military bases across the world, thousands of regiments they could have chosen from, and yet, they sent her to us.” 
Simon closes the door behind him as Price sinks into his desk chair. “You think it was deliberate?” 
Price pulls open one of the drawers, pulling out the file Kate had given him. “Laswell said the CIA has had eyes on her for years.” He slides it across his desk to Simon. “There’s a lot of why's in this situation, and a lot of how’s. Like, if what she’s saying is true, how did a Staff Sergeant get his daughter into FIOT practically overnight?” 
Simon glances up at him over the top of the file. “You think there’s something else going on with this Initiative.” 
Price nods. “I do. I think there’s more than one experiment being run, and we’re the guinea pigs.” 
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You stare at your reflection in the mirror as you run a comb through your damp hair. You look tired, the dark circles that have plagued your face for the last few weeks looking even darker now. It’s been a long day, so long it’s hard to believe it’s only been a matter of hours since you boarded the helicopter in London. 
Your new pack had made themselves scarce after dinner, leaving you to your own devices. You had been left alone after lunch too, and you had spent that time laying in bed, resting after the overwhelming scenting. 
You’d played back the last few hours in your mind. Leaving London in the helicopter, meeting your new Pack Alpha, Laswell leaving, meeting your new pack, the scenting. You had plenty to think about, to stress over, and you had been surprised when the knock came at your door for dinner. You were equally surprised to see Gaz and Soap waiting for you. 
You’d been sandwiched between them again as you walked to the mess. It was busier for dinner, and the eyes weren’t quite so quick to look away with the alphas missing. You know they have to be curious, with an omega on base following around two members of a SpecOps team, smelling like them. You know what they were probably thinking of you, what they were thinking your presence means. 
You’ve begun to understand Price’s rules a bit more. 
Price and Ghost had joined you as Soap said they would, coming in late from whatever they had been busy doing. You had been seated next to Soap, Ghost taking his other side while Price sat next to Gaz. It hadn’t gone unnoticed to you how close Soap and Ghost sat, and you remembered the look in Ghost’s eyes when Soap had approached to scent you. How his defensive stare had turned icy, threatening even, when he’d gotten close to you as if you were capable of hurting Soap. It had been a silent warning. If you tried anything, you’d have him to contend with. 
Ghost is territorial, more so than most alphas. You had seen it just a bit in Price, but only because you had been watching for it. Ghost was silent in his claim, but his gaze spoke of his territorialism. As you sat at the table with them, you slowly felt the stares lessen, the curious alphas and betas around you slowly turning away from your table until you were left in peace. You knew it was all thanks to a well-pointed glare from the second alpha at the table. 
They’d escorted you back to the barracks before disappearing again, leaving you alone. You’d opted for a shower to try and clear your head, exhaustion weighing heavy in your limbs but your mind was racing too much to really get any rest. You haven’t been told what their normal schedules entail or even what they look like, but you expect an early morning tomorrow. Since Price had said at least one of them needed to escort you around base, that likely meant you were going to be constrained to their schedules. 
You know even when they’re not away, their days are probably full of training and briefings, much like yours had been for three months. They’re probably up early, earlier than you’d like to be, and then they go non-stop all day. 
You wonder if they ever get a break. 
Maybe this is a break for them. 
You sit on the edge of the bed after you finish your routine, eyeing the pillows and blankets stacked at the end. They’re military issue, not as soft or as plush as you might have preferred. This is your new normal, though. Comfort isn’t exactly going to be a high priority. 
Tears prick your eyes as you run your hand over the comforter. You know it’s the exhaustion, the stress of the day beginning to weigh on you. You’re worn out, and that’s causing a slip in the tight reins you keep on your mood. Omegas and alphas were both prone to being moody, and those who were unrestrained could lose control quickly. Alphas were quick to anger, while omegas could get depressed very easily. Exhaustion drives both to being grumpy, though alphas will descend into irritability and anger, while omegas will get whiny and weepy. 
You hate it, how easily you can be driven to cry. How easily you can lose control. It makes you feel weak and helpless, but that’s partially by design. It was supposed to be your pack’s job to fix that, to give you that support and take care of you. 
Except you don’t know your pack. 
What would they do if you approached them like this, all teary and needy? Would instinct take over and snap them into their roles? Or would they give you an awkward pat on the back and leave you to take care of yourself? Gaz would help you, you think. He had slipped into that role so easily during the scenting. Your fingers twitch on the bedspread, your mind telling you to seek him out, track him down, even if it’s only to catch a whiff of his scent again.  
Your phone screen lights up where it’s sitting on the nightstand, drawing your attention from the door. Kate had given you the phone just this morning before you left the hotel. It had her number on it, as well as your pack’s. You’d half expected to find messages already from them when you’d turned it on, but there had been none. They had kept that boundary of meeting in person first. 
You pick up the phone, checking the message. It’s from Price. 
Breakfast is at 0700. I’ll take you to see the Omega Specialist after. 
Seven o’clock. It’s not terribly early. You’d eaten around the same time at the institute. You’ll get to meet the Omega Specialist as well tomorrow. You’ve met plenty of them in your time as an omega, but something about the idea of having someone there who knows, who understands is comforting to you. 
You send a reply in acknowledgement for tomorrow’s plan before setting an alarm for tomorrow morning. There’s an uneasy feeling under your skin, a tickling in the back of your mind that you can’t seem to relax. Your eyes are drawn to the desk where the shirts still sit, and before you know it you’re moving to the desk, letting your fingers trail over each one. 
You grab Price’s shirt, taking it back to your bed. You curl up with your back facing the door, holding the shirt against your chest, letting the scent of tobacco smoke and whiskey fill your nose. Silent tears slide down your cheeks, your face pressing into the pillow to muffle your sobs. 
As you try to muffle your tears, you miss the sound of boots pausing in front of your door, the person on the other side standing there for a moment before continuing down the hall. 
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You let out a groan as your alarm pulls you from sleep. You had drifted in and out for a few hours before finally managing to get a couple precious hours of sleep. You’d woken when the others got up. You knew they were trying to be quiet but you had heard them shuffling around, talking quietly amongst each other. You’re normally a fairly deep sleeper, but in a new place you always struggle. 
A new place surrounded by almost complete strangers. 
You turn off your alarm, sitting up and rubbing your eyes. They’re burning a bit, the exhaustion still weighing heavy on your shoulders. You pad to the bathroom, splashing cold water on your face to try and make yourself at least look more alive than you feel. The last thing you need is them getting worried about you. That’s attention you’re not sure you want right now. 
You blink sleepily at your closet, trying to decide what to wear. Were you allowed to wear anything? You didn’t have much besides the basics, since the only thing you had been allowed to wear at the institute was its uniform and the clothes they provided. Then when you were with the CIA, they had provided clothes for you to wear as well. The things you have now had been bought by Kate before you left D.C. 
Everyone on base wore similar variants of the same uniform. You’re not military, though, so you don’t think those rules apply to you. No one had said anything about your state of dress yesterday. You opt for comfort, knowing you’d likely find out soon if you were going to be forced to dress differently too. 
You’re tying your shoes when the knock sounds on your door. You had heard the others moving around, footsteps in the hallway, opening and closing doors, quiet voices talking and Soap laughing at something. You know it’s one of them, yet the nervous tickle at the back of your head is back. 
Soap is leaning casually against your doorframe when you open the door. His face lights up in a smile as he sees you. “Morning, bonny. Sleep alright?” 
“Yeah.” You shrug. “Tossed and turned for a while.” 
“We didne keep ye up did we?” He asks, his smile faltering just a bit. 
You shake your head. “No, I never sleep well the first few nights in a new place.” 
“Well, our beds are always open if ye need something more comfortable.” He winks at you playfully. 
Your face warms at his words, the double meaning not lost on you. You were right, Soap was going to be the one to push your boundaries the most. 
Gaz elbows him in the ribs as he passes. “She’s been here a day, mate, don’t go scaring her off now.” He leans on the other side of your doorframe, giving you a smile. “Morning.” 
“Morning.” You say, your face still warm from Soap’s teasing. 
“You hungry?” Gaz asks. 
You nod. You do feel hungry this morning, likely a side effect from your emotional night last night. You step out of your room, the two betas stepping back to give you space as you close the door behind you. Ghost is leaning against the wall next to his door, his eyes watching with the typical cautious disinterest that seemed to be his default setting. 
Gaz and Soap sandwich you between them again, close enough their arms brush yours as you walk. It was almost as if they could sense your inner turmoil, the neediness still tugging at the back of your mind. If Ghost hadn’t been trailing the three of you, you might have been tempted to give in and grip their sleeves, or slip your hands into theirs. How would Ghost respond to such a bold move? The mental image of your body flying through the air as he punted you into next week almost makes you laugh. 
Price is already seated at a table frowning at his phone over a cup of coffee. Gaz and Soap load up your tray for you, something you’re getting used to rather quickly. It was expected from the alphas, or at least Price, to coddle you a bit, but it seemed the betas were more than happy to get in on it as well. 
The thought makes something flutter in your chest. 
You’re seated between Gaz and Price again once you reach the table, Price greeting you with a tired smile. “Morning. Sleep alright?” 
“Not really.” You say honestly. “New place and all. I’ll settle in eventually.” 
“Maybe the Omega Specialist can give you some ideas to help.” He glances at his watch before looking at you as you spoon a heaping spoonful of porridge into your mouth. “Take your time. We have until 8.” 
You listen to the conversation at the table as you eat, Gaz and Soap talking about a football game that’s on tonight. You feel eyes on you, your skin prickling a bit. You glance up, half expecting Ghost to be glowering at you again, but his gaze is focused on his eggs. You cast a quick glance around the mess, turning slightly to look behind you. 
Three tables over, you find the gaze of some soldier focused on you. You haven’t paid much attention to anyone else on the base, but then again you haven’t had much time or reason to yet. You can’t read the expression on his face as he stares at you, but you feel a shiver run down your spine as your eyes meet his. 
He stares at you for a few seconds before his gaze moves slightly past you, quickly dropping back to his plate. You turn around, finding Ghost staring just past your head. His eyes are narrowed, his scent coming off stronger than it had been. You can practically see his hackles raised, the warning clear in the air. You feel the urge to curl in on yourself, the threatening aura radiating from him makes you want to cower. 
It doesn't go unnoticed by those at the table either. 
“Easy, Ghost.” Price says calmly, Gaz turning to follow his line of sight. 
“Bloody wanker.” Ghost grumbles before rising from the table. 
You turn back around, but the soldier that had been staring at you is gone. 
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You nervously pick at your sweatshirt sleeves as you sit in the plastic chair next to Price. You’re still on edge a bit from what happened at breakfast. It wasn’t so much being stared at that bothered you. After now three meals in the mess, you’ve almost come to expect it. It’s Ghost’s reaction that has your mind still reeling. 
“I’ve always hated the medical center.” Price says with a sigh as he leans his head back against the wall. “It smells too sterile. Makes my nose burn. Reminds me of too many close calls.” 
His words jar you a bit. You hadn’t even thought about that aspect of his job. He’s used to getting shot at, to getting into fights, running head first into danger that would send most running the other way. You wonder how many times he’s been the one with the close call, and how many others he’s had to watch have their own. 
You wonder how many times he’s had to make that trip to tell someone’s family. 
You’re pulled from your thoughts as the door across from you opens. Price pushes himself to his feet, and you follow as a kind looking woman steps out. You breathe a quiet sigh of relief. You don’t have anything against male Omega Specialists, but you were already surrounded by men. Sure you have Kate, but she’s half a world away. 
She’s tall, dark hair pulled back into a ponytail. Despite being a doctor she’s dressed casually, no white coat or gloves to be seen. Her eyes are light green and crease in the corners when she smiles. 
“Hello, I’m Dr. Keller.” She introduces herself, shaking Price’s hand. 
American. You think, silently breathing another sigh of relief. Kate really had pulled some strings with this one. 
“Captain John Price.” He says. 
You introduce yourself when she turns to you, shaking your hand. Her voice is soft and gentle, the scent of beta coming off her in waves. 
“Come on in,” She says, leading you into the office. “Sit anywhere you like. Make yourselves comfortable.” 
Her office isn’t what you expected either. Instead of the harsh fluorescents, the lighting is softer, warmer. There’s paintings and posters all over the walls, along with several plants. There’s a desk covered in books and paperwork in one corner and a bookshelf with several books packed into it in the other. There’s a couch on one wall, and a couple plush looking chairs on the other. 
You move to one of the chairs, sinking down onto it. It envelops you in softness, and you feel as if you might sink into it and never be able to get out. After a day of hard plastic and stiff blankets, it nearly makes you weep. 
Price takes the chair next to you, Dr. Keller sitting on the couch across from you. The office smells good, a light, neutral scent in the air aside from the pure almondy scent of beta. 
“Alright,” She says, holding a tablet and a stack of files in her lap. “I always like to start by introducing myself and telling you a bit about me, then we’ll get into the important stuff.” 
She jumps into telling you about herself. Where she grew up: California. Where she studied: UC Berkeley. What institute she did her residency at: West Coast Training Academy. Where she worked last before Kate called her in: some poor inner city institute in LA. 
“Now, on to the more important stuff.” She says, turning on the tablet. “I got your medical records yesterday. You’re quite the healthy girl.” 
“Yes ma'am. I have good genes. That’s what my mom used to say.” You respond. 
Dr. Keller smiles. “Hardly even been sick. Your heats are all normal, too, correct?” 
“Yes, ma’am.” You say. “Except for a three month stretch two years ago.” 
“Yes, the heat sickness epidemic that hit America.” She says. 
You nod. “FIOT locked down completely and everyone was supposed to quarantine, but I heard a rumor that it was one of the beta food workers. She snuck out to see her alpha boyfriend and brought it in with her. We only think it was her because she disappeared not long after the first omega got sick.” 
Dr. Keller hums. “I know not everyone was so willing to take it seriously. You made a full recovery, though. No lasting side effects, I’m sure thanks to the state of the art medical facilities that FIOT keeps.” 
“Yes, ma’am. We were lucky it was just a mild case.” 
“That is lucky.” She flips through something on the tablet. “Your lab results all look phenomenal. I like to do checkups monthly, just to ensure everything is working as it should. I know the CIA gave you quite the cocktail of vaccines while you were with them.” She turns her gaze to Price. “Captain Price, I’ve sent in a request for your team’s vaccination records as well. I’m sure you’ve had everything under the sun, but I’d like to ensure there’s no risk of any accidental exposures.” 
“I don’t see a problem with that.” Price says. “If RAMC gives you any trouble, just let me know. I’ll get them for you myself.” 
“Thank you, Captain.” She says. “One last bit in this part and then we can move on. I see FIOT issued an implant before you left, as is standard practice.” 
You nod. “Yes, ma’am.” 
“Good. You’ve had more than enough time for it to take effect so we won’t have to worry about any accidental slip ups during your next heat.” 
Your cheeks warm at her words a bit. You’ve been trying to avoid thinking about that inevitable side of things. 
“And your next heat is roughly six weeks away.” She says, looking at the calendar. “Don't be surprised if it comes a little earlier now that you’re being exposed to alphas again.” 
Your stomach twists nervously at that thought. It was common for heats to be triggered early after exposure to alphas, especially after such a prolonged period without exposure to them. It wasn’t likely to start tomorrow, but you knew it could jump a week or two due to the natural pheromones alphas put off, and the instinctual call for the alpha/omega bond. 
“You’re planning for the claiming to take place during the heat?” Dr. Keller asks. 
“Yes, that’s the plan.” Price says. 
“That is the most natural time for it.” Dr. Keller says. “Of course, it is always up to omega preference in the end.” 
You don’t miss the way her eyes dart to you for a second. 
“Now that that’s over with,” She says, putting the tablet to the side. “If it’s alright with you, I’d like to do this next part with just the two of us.” 
A beat of silence passes before you realize she’s asking you. Her eyes are on you, and so are Price’s. She’s asking you. She’s asking you what you want. 
“I-I guess...yeah.” You stutter over your words, not quite sure how to answer. Is there a wrong answer? Would Price be upset if you said yes? Would Dr. Keller be upset if you said no? Your eyes turn to Price, trying to gauge his reaction. 
“It’s up to you.” He says softly. “We’re here for you.” 
You sit up a little straighter at his words, nodding your head. “Y-Yes. That’s okay.” 
Price pushes himself to stand up. “I’ll be right outside.” 
The air inside the room seems to lighten as he leaves, Dr. Keller reclining back on the couch as the door clicks shut. She pulls out a stack of papers and a pen before she looks at you. Your palms are sweating, and you’re starting to think you’d like the chair to swallow you whole. 
“This next part can feel a bit personal, but I just want you to know that everything you say in here is as confidential as you’d like it to be. Captain Price is right. I am an Omega Specialist, I’m here for you. I’m not just a doctor, I’m here to help you in all aspects of being an omega. I know FIOT teaches a lot, mainly obedience and compliance. I want to make it clear that you can be honest with me.” She holds up the stack of papers. “No one is going to see these papers but me, alright?” 
“Yes, ma’am.” You nod. 
“You don’t have to be so formal with me.” She smiles. “You can call me Dr. Keller, or Doc. You could even call me an evil bitch if you want, it won’t phase me any.” 
You can’t help the small smile that forms on your face. 
“I’ve got some questions I’d like to ask you. They’re a sort of tracker to measure how well you’re settling in and bonding with your new pack. I’d like to meet once a week until your next heat just to see how well you’re settling in. After that we can meet as often as you’d like. Sound good?” 
You nod in approval. It sounds like a lot, but you also know you’re going to have a lot of downtime, even with your pack on base. 
“Alright, let’s get started. How are you settling in? I know it’s barely been a day, but I want to know how you feel here.” 
Your heart begins to pound in your chest. How do you feel here? How do you feel after being pulled from the institute and taken to a training facility where you found out you’d be moving halfway across the world to be a military pack’s omega. 
This wasn’t what you had expected when you reached the age where you became an available omega. Most omegas at FIOT came from rich, powerful, important families and your purpose there was to be groomed into the perfect omega to return right back to that world. 
You thought you would be chosen quickly. You had expected it. With your scores and your high ratings and your status, you were what most alphas dreamed of. Yet, the years had passed and though there was some interest, nothing had ever come of it. You weren’t alone in it. There were others like you, those who excelled at being an omega, but then seemed to stall in the selection once they came of age. 
Of course, now that you look back on it, you can’t help but think it might have been done on purpose. The Omega Initiative was new, you had been told during your first briefing explaining why you were taken to a remote building somewhere outside of D.C. and greeted not by your new pack, but swathes of CIA agents. Military packs were nothing new, but they wanted to utilize the naturally formed packs and make them stronger and more stable by adding in omegas. 
Only highly skilled omegas were considered for the program, but of course you had no say in whether you were going to partake or not. They chose the omegas and they decided where you would end up. 
It wasn’t that dissimilar from being chosen from an Institute. At FIOT there was a screening process packs had to go through to be determined eligible to have access to omega files. Then the pack would have to send a neutral emissary, usually a beta, to meet the omegas in person and choose on behalf of the alpha. Most institutes don’t have that strenuous of a process, and some don’t have a process at all. In some, alphas themselves could walk in and choose an omega without even so much as a background check. 
Omegas never got a say. As soon as you were handed over to an institute, the ability to choose was taken from you. Whoever your caretakers were as a pup signed over their rights to you and the institute became your legal guardian. They dictated your life up until you joined a new pack. 
You had hoped it would be someone rich. If nothing else, you’d get to live a cushy life and you’d never have to worry about anything. When they told you what was really going to happen to you, you had almost cried. You did cry, late at night curled up in your bunk after hours of training and briefings. 
Kate picked you for this pack specifically because she knew them and she knew you could handle them and their world. 
Maybe if you had been worse at being an omega, things would have been better for you. 
Or maybe they would have been worse. 
“It’s...different.” You finally say, picking at your sleeves again. “But in a lot of ways, it’s similar to The Institute. It always takes me time to settle somewhere new.” 
“Me too.” Dr. Keller says, writing some things down. “And with the time change, it’s just so much harder. I feel like I should be in bed right now, but it’s 8 AM. Have you started nesting?” 
You shake your head. “No. I don’t even feel the urge to.” 
“That’s fine.” She says, writing something else down. “In truth, I’d be more concerned if you were.” 
Your eyebrows raise a bit. “Why?” 
“During an adjustment period for an omega, especially in a new pack, there can be something that happens called false instincts. The sudden urge to nest, a drive to bond with pack members too soon, false heats. It’s usually brought on by a sudden change in environment, like when omegas are taken from a place where they’ve spent sometimes years with no exposure to alphas and are suddenly thrown into a space with a lot of alphas. It’s more common in larger packs where you have alphas, betas, and other omegas.” 
“Could it happen in smaller packs?” You ask. 
“It’s possible, though rare. It can cause some serious issues down the line when those instincts are actually supposed to begin to show up, like adjustment sickness. I’d say if you’re starting to feel the urge to nest or bond before the first week is up, then come talk to me, alright?” 
“Yes, ma’am.” You nod. 
She smiles, turning the page. “How far have you gotten with the bonding process?” 
“Just the scenting yesterday.” You answer. 
“And how did that go?” 
You pick at the loose thread on your sweatshirt. “Fine. It was...overwhelming.” 
“They can be.” Dr. Keller says. “The new members of your pack, how are you getting along with them?” 
“Fine, I guess.” You shrug. “I like Soap and Gaz. Price, he’s...he’s nice, and Ghost...” You trail off, not sure how to answer. If she’d asked before breakfast you might have said he doesn't like you. He doesn’t want you to be part of his pack, but after what happened at breakfast...
You can’t be sure he did it for you. He could have thought that soldier was staring at Soap or Gaz or even Price. He could have thought the soldier was staring at him and was annoyed with it. He had scared off the stares at every meal you’d eaten together, but how often did they get stared at? You couldn’t know if that was a daily occurrence and he was just growing sick of it. 
He could be annoyed with you because you’re drawing in the stares. 
“I don’t know what to think about him yet.” You answer. 
She writes something else down, going through a few more questions with you. How is your appetite? How are you sleeping? Are you taking care of your needs? Do you have any concerns? 
Before you know it the hour has passed and you’re walking out the door into the fluorescent, sterile hallway of the medical center. 
“Remember, you have my number. If you need anything, I’m here for you.” Dr. Keller says as you part ways. 
You walk with Price out of the medical center, glad to be out in the fresh air. It’s not particularly warm, and the sun is hidden behind a layer of clouds, but it’s better than the medical center. 
“What do you think?” Price asks as you follow him back to the barracks. 
“I think it went well.” You say, mind still reeling from an eventful morning. You’re beginning to feel your restless night. 
“Do you like Dr. Keller?” He asks, probing a bit. 
You nod. “Yes, sir. She’s nice.” 
“Good.” He says, opening the door to the barracks for you. “I have to leave to oversee training for the next few hours.” He glances at his watch. “One of us will come get you for lunch.” 
You nod. Of course you’d find yourself alone again between meals. You’re beginning to notice a pattern. “Yes, sir.” 
His hand is warm as it settles on your shoulder, squeezing gently. You’re surprised by the touch, as small as it is. Were they too fighting the urge to get close to you, like you had this morning? 
You can still feel the warmth of his hand even after it’s disappeared and he’s gone. You head for the rec room, deciding to avoid the constricting feeling of being shut in your room for the time being. 
The TV is on when you enter, but the room is empty, playing some morning talk show. You move to the bookshelf against the wall, letting your eyes scan the titles. There's a surprising lack of military-based books shoved into the packed shelf. Of course there's a handful of old manuals and handbooks, nothing that you're particularly concerned about needing to read. You let out a sigh, standing on your toes to reach a Brandon Sanderson novel. 
You look around the room but the remote for the TV seems to be missing, and it’s too high on the wall for you to reach the power button, so you leave it on, curling up on one corner of the couch as you begin to read. 
You’re not sure how much time has passed when something moves in your peripheral. The sun has come out briefly, shining in through the windows. You look up from the book, suddenly feeling very small under Ghost’s gaze. His eyes are narrowed as he stares down at you, a thousand things flashing through your mind. Are you in his spot? Is this his book? Had he come to the rec room hoping to be alone and here you are infringing in his space? 
“Come on.” He says, his voice rougher than it had been this morning. “Lunch.” 
He’s already turned and heading out the door as you scramble up, leaving the book on the coffee table as you hurry to catch up to him. His steps are quick and wide, and you find yourself having to almost speedwalk to keep up with him. 
Your thoughts are jumbled as you follow him out of the barracks and off towards the mess. Why would they send him to get you? Was he the only one available? Yesterday they had time before lunch to return to the barracks, or had that only been because of you? Or were they perhaps hoping this might offer a chance for the two of you to bond a bit? 
Or were they entirely blind to Ghost’s disinterest in your existence? 
Perhaps they were used to it. After so long together, perhaps they just thought it was normal. If you were brave enough to bring it up, would you get a “oh that’s just how he is” in response? 
You can’t see the others as you enter the mess, Ghost leading you to the line. He stands behind you like a hulking shadow, his scent covered by the smell of gunpowder and sweat. You fill your own tray for the first time, grabbing things that look appetizing. You’ll have to get used to it eventually, even though the others insisted on doing it for the time being. When they’re not here, you’ll have to do it yourself. 
Ghost leads you to an empty table, and you opt to sit across from him. You begin to eat, taking big bites to avoid the need for conversation, not that you really thought Ghost would strike up a conversation with you. Your eyes flicker around the room nervously, glancing over the entrances time and time again, waiting for the others to arrive. 
“Stop twitching. They’re on their way.” 
The words cut straight through you and you snap your head around to face Ghost. He’s got his mask pulled up to his nose, your eyes immediately drawn to the exposed pale skin. There’s light stubble on his chin. You remember how that had felt on your own skin when he’d scented you. He’s blonde, you think, or at least has light hair judging by the color of the stubble. There’s a scar on his chin, almost hidden by the stubble. 
Your face warms as you realize you’ve been caught in your nervous fretting. Of course, you should have known he would take notice. There’s not a lot they don’t notice, you think. Though, when your survival depends on noticing even the smallest detail of anything or anyone...
You jump as a tray is set down next to yours, your eyes snapping up to see Gaz with a smile on his face. You turn back to look at Ghost, his mask pulled back down but you see a slight shake to his shoulders for a second.
Was he...laughing at you? 
Your attention is drawn from him as Gaz takes a seat next to you, sitting close enough his arm is almost brushing yours. Price and Soap taking their usual spots as well. You’re beginning to pick up on the patterns that existed around them, and their own patterns. Perhaps that will make it easier for you to fit yourself into their lives. You knew from the start they weren’t going to change to fit you into their lives. They couldn’t. You were going to have to find a way to fit into their lives. 
Gaz walks you back to the barracks after lunch, abnormally quiet as he watches you warily. He walks you to your door, leaning on the doorframe as you step inside. 
“You alright?” He asks, big brown eyes shining with worry as he looks you over. 
“Yeah.” You nod, shifting on your feet. “Just tired. I think I might take a nap.” 
He nods, and you’re sure he doesn't quite believe you, but he doesn’t press any. “Alright. Happy napping.” 
You close the door as he leaves, sinking down onto the edge of the bed with a sigh. It’s been a long day and it’s only lunch. Between the probing questions from Dr. Keller and the few minutes you had spent alone with Ghost you feel exhausted. It was good to know you weren’t entirely broken in your lack of nesting instincts, and perhaps your turmoil with belonging in this place wasn’t quite as abnormal as you thought. 
What to do about Ghost.
He’s said more words to you today than he did in the entirety of the previous day. In fact, you think today might be the first time he’s spoken to you at all. You know he doesn’t approve of you, and you’d go so far as to say he doesn’t like you. You can imagine he fought the hardest against you being added to the pack. They were fine without you. It didn’t take a genius to see that. 
You’re an outsider. A civilian. A risk. 
An unneeded disruption to their lives. 
You pull your phone out of your pocket, staring at the dark screen. You know Ghost might never accept you. He won’t want to claim you, he won’t mate you, but...perhaps you might just get him to tolerate you. 
You unlock your phone, sending a quick text to Kate. 
“Can you get a book for me?”
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You regret your decision momentarily as you step into the rec room. Gaz and Soap are lounged on the couch, beer bottles open on the coffee table. The TV is playing ads, their attention on each other. You almost feel as if you’re infringing upon a private moment as they laugh, half tempted to race back to your room and hide until your hunger draws you out or someone breaks down the door to get to you. 
“Hey!” Gaz’s face lights up when he sees you, Soap turning to look at you.
“Hey, bonny!” His face lights up with a smile. 
“Do you mind if I join you?” You ask, shifting nervously on your feet. 
“Not at all.” Gaz says, patting the empty spot on the couch next to him. “You want a beer?” 
You shake your head. “No thank you. Never could get past the taste.” 
Soap throws his head back as he laughs, slapping Gaz’s shoulder. “I keep tellin’ ye!” 
“Yet you keep drinking it!” Gaz attempts to defend himself. 
“Cause it’s th’ only thing we got!” Soap argues, leaning around Gaz to stare at you. “So, ye a football fan, bonny?” 
“Well, I watched the World Cup a couple times as a kid.” You say. “My household was more of an American football and baseball household. Two of my older brothers played soccer, though they never were very serious about it. Mostly just did it to fulfill my dad’s physical activity extracurricular requirement.” 
“What did you do to fulfill that requirement?” Gaz asks as he takes a sip of his beer. 
“Softball. I was...not good at it.” You laugh. “I could catch and throw, but I don’t think I hit the ball a single time I was at bat.” 
Both of them chuckle, turning back to the TV as the ad ends. “Don’t worry, we’ll turn you into a proper football fan yet.” Gaz says. 
You watch the game with them, and it doesn’t take you long to realize they’re rooting for opposing teams. They explain things to you here and there in between yelling at the TV and each other. Despite how loud they are, you find yourself relaxing further and further, the tension from the last two days easing away, even as the two betas yell at each other over a soccer game. 
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Gaz tenses for a second as he feels a sudden weight on his shoulder. He turns his head slightly, noticing you’ve fallen asleep, your head drooping onto his shoulder. His lips quirk up in a smile as he gently nudges Soap. 
“Wha?” Soap asks, turning to look at him. 
He jerks his head to the side, leaning back just slightly so Soap can see. A grin breaks out on the younger man’s face and he pulls out his phone. “Aww, look a’ that. Think we should wake ‘er and get ‘er tae bed?” 
“Nah.” Gaz says. “Let her sleep for now. She probably needs it.” 
You sleep soundly through overtime, Gaz not moving until the post game is over, letting you sleep as long as possible. He knows you have to be tired, after the last few days and the time difference. You looked tired today, with dark circles and droopy eyes. He hates to wake you, but he knows you can’t sleep on the couch. 
He nudges you gently, trying to rouse you. “Hey.” He nudges you again, your head finally lifting off his shoulder. 
You blink sleepily, rubbing at your eyes. You make a quiet sound in protest of being awake, eyes drooping closed again. 
“Come on, love.” He says, keeping you upright. “It’s time for bed.” 
You cover your yawn with your hand, blinking at him sleepily. “Bed?” You murmur sleepily, Gaz smiling softly at how adorable you are in this state. 
“Yeah, you’ll be more comfortable in bed.” He pushes himself to stand, hands on your arms to pull you up. 
You make another sound in protest, nearly falling against his chest when he gets you on your feet. He wraps an arm around you, letting you lean on him as he guides you back to bed, Soap cleaning up the mess they had made. 
You’re more awake once you get to your door, blinking up at him with bleary eyes. “‘S fun.” You murmur, rubbing your eyes. “Should do that more often.” 
“You’re always welcome to join us.” He says. “Get some rest. You’ve had a long week.” He leans forward, pressing a kiss to your forehead. “Night, love.” 
He waits until your door is closed before heading back down the hallway towards the rec room, a small smile on his face. 
NEXT ->
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3K notes · View notes
slayingfiction · 6 months
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Mastering the Art of Dialogue
Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:
1. Listen to Real Conversations
The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.
2. Each Character Should Have a Unique Voice
Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.
3. Use Dialogue to Show, Not Tell
Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.
4. Keep It Concise
In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.
5. Read Your Dialogue Aloud
One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.
6. Use Subtext to Your Advantage
Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.
7. Balance Dialogue with Action and Description
While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.
Conclusion
Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.
Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.
2K notes · View notes
evasive-anon · 8 months
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Jason Attacking Tim at Titans Tower
Fanon vs Canon
We've all seen the versions in fanfiction but I'm not so sure everyone's seen the original so if you're one of those batfam fans who doesn't want to read the comics (regardless of reasons) but you are curious about how it actually went this is for you.
What I'm addressing:
What does Jason actually say to Tim during the attack?
Did Jason drug all the other Titans?
Did Jason really wear a Robin costume?
Did Jason slit Tim's throat or call him replacement?
Did Jason actually break Tim's bo staff?
Was Tim crying or scared?
Did Jason write a message on the wall in Tim's blood?
Did Jason's eyes glow green?/Did he follow pit rage mechanics?
Panels and details below. This is a LONG one.
What did Jason actually say to Tim during the attack?
Dialogue in fanfiction during the Titans Tower attack varies based on what kind of fic you're reading but usually its either 'time to clip Replacement's wings' if its staying a beatdown whump 'or oh no precious lil bby why is no one watching you' if its an accidental child acquisition. Not judging either option, but this ain't about them its about the real shit.
Look at these opening lines:
Hey, Tim. I was here first.You're the Red Hood. You've been cleaning up Gotham the easy way. Easy? What do you know about easy, Tim? You had a father that looked after you. You went to a private school, right? You slept in a bed. I slept on the streets, I lived in the alleyways in Gotham. Trying to survive. Until Bruce took me in. I trained as hard as I could. I did whatever he asked. . . at least at first. But it didn't matter. They said I wasn't tough enough to be robin. But today, they say you are. Show me, Tim. Show me what you have that I didn't.
Jason really puts himself out there in all of his dialogue in this encounter, the struggle of having to fight for anything and everything he got in life, even the things that came to everyone else for free, and then being told he wasn't even good enough for the things he fought for.
There's a trope in fanfics that if Jason knew Tim stalked Batman and forced his way into being Robin that it would change how Jason felt about the situation but that's even addressed in this comic:
You were a kid, worried about how Batman was spiraling down into darkness. You spent weeks tracking the dark knight. Solving a mystery no one else could. You discovered who he was behind that mask. Millionaire Bruce Wayne. You were so pleased with yourself, I'm sure that you forgot who you were really dealing with. I know Bruce Wayne. And let me tell you, Tim if someone was trying to find out who Batman really was. If someone was stalking him for weeks. He'd know about it. You can't be that good. I am. He let you find him. And I bet he said the same thing to you as he did to me, didn't he? That you had a talent to make a difference in Gotham. That he needed someone he could trust in war on crime. That you were one of a kind. The light to his darkness. Robin, the Boy Wonder.
Tim saying 'I am' is really such a moment that doesn't come through in text because he is right that he really did do that but I also completely understand why Jason wouldn't believe it.
TBH my favorite part is how done Tim honestly sounds with Jason thoughout all his trauma dumping. Like imagine a grown man who used to work the same part time job as you breaking into your house, dressing up in your work uniform, ranting about how much the job ruined his life while he beats your ass??? God, and he probably had to write a fucking report about it after. RIP Timmy.
What do you want? Do you want to be Robin again? Is that it? You... want to take it away from me? Why in the hell would I ever want that? Don't you get it? When I died no one cared! No one remembered me. Are you completely insane? No one could forget you. I've spent my entire career wearing this mask under your shadow. I had to convince Batman to let me try this. All because he'll never stop blaming himself for what happened to you. You ask me, that's the only reason he hasn't taken you down. He's holding back. But me? No freakin' way. That's the Robin I wanted to see. Still. You do realize the whole idea of training a teenager to fight against something he'll never eradicate is a mistake. It didn't even surprise anyone when I died. When I failed. I failed-- but I'm still beating you. Do you think you're that good now?! Do you really, Tim? Yes.
Tim bashing Jason across the face as he says 'no freakin' way'? *chefs kiss*
Jason drugging the other Titans to knock them out?
Little bit true, Kory was actually just already away from the tower and BB and Cyborg were about to bounce because of the drama going on with Donna's return but Jason like super tazes them and then drugs Raven who he thought already went through enough shit without him knocking her out violently.
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Note: Jason says in the text here that he never rolled with Cyborg or BB but like he actually did in some comics so?? The continuity is lie I guess idk.
Did he show up in Red Hood gear or a Robin costume?
Both tbh but he spent most of the time in the Robin costume but bro actually made a stripper rip away version of his Red Hood gear so he could dramatically reveal the Robin costume underneath. I can't believe no one ever includes that in their fics its so fucking funny.
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Does he call Tim 'replacement' or slit his throat?
No, this came from a Batman comic with Hush not Teen Titans. That incident takes place in a graveyard not Titans Tower and he calls Tim pretender not replacement.
Does Jason break Tim's staff?
Tragically, no. The bo staff snap would have been iconic. Instead he just takes Tim's staff and beats Tim up with it and breaks stuff. BUT!! He uses it to bust a statue in the TITANS MEMORIAL ROOM which is a place in Titans Tower just for having statues of dead previous titans and Jason is rightfully pissed he didn't get one. Like Tim is correct in saying no one forgot him still but like I would be hurt too if all my friends made cool statues of friends that died and then just left my zombie ass out, like wtf.
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Note: I am seriously losing my shit that I have never seen someone bring up the memorial room in a fanfic. That is so much angst material. 😭
Tim crying/ being scared?
Hell no. He's a fucking Robin you know he's being a sassy boy the whole time, even towards the end when he's about done he's still saying he's her and I love Tim for that.
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Note: There are a few different times where Tim does a flippy Robin move and then Jason just fucking copies it like flexing that he can do it too, and its just so petty and stupid he's trying so hard to be better than an actual child. 💀I get why in the context of the situation but its still so ridiculous.
Message on the wall in Tim's blood?
TBH I really don't know for sure on this one?? Like its implied that he did but Tim isn't bleeding all that much throughout this beatdown and like we don't see Jason do it just the Titans reacting to seeing it after. It could be Tim's blood, it could be red paint, and it could even be that Jason packed an actual bucket of blood to bring with him to write a message with after he finished. TBH the world is your oyster on this one.
Note: If anyone can find another comic where this event was brought up where they actually clarify it was Tim's blood hmu and I'll update this but I couldn't find any.
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Pit rage/ glowing green eyes?
Fanon only at this point in the comics. Jason is seems to be himself and even thinks Tim and his friends are pretty cool at the end, and he's just like reflecting on if he had good friends if he would have turned out better as he leaves.
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prompt-of-the-day · 1 year
Text
Dialogue: #020
"I'm doomed."
"What happened?"
"I went to the mall today and do you know what I got excited for? It wasn't make-up or clothes or jewellery... It was tupperware!!!
My youth is gone!"
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