Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?
Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).
So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.
Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.
But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.
That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.
The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.
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Writing Prompt #13
"So?" Red Hood asks, arms crossed. "Was I right?"
"Yes," Phantom says, deepening his voice, "this is one of mine."
"One of your what?" Robin growls. Nightwing's hand on his shoulder is the only thing keeping him from invading Phantom's personal space, which, please, continue to do so Mr. Nightwing, Sir.
Phantom would take a deep calming breath if a) he wasn't trying to appear as otherworldly as possible which means no human breathing and b) if that wouldn't so obviously telegraph how uncomfortable he is in the Batcave surrounded by the entire Batfamily.
Next to him Red Hood shifts in slight discomfort. His ties to the spectral realm mean he's picking up on Danny's unease even if he can't fully translate the feeling. Which is good. Danny needs to maintain what little control he has over this situation.
"There's a gh-spirit in my...realm," Phantom says, letting himself drift gently to the other side of Batman's medical table which just coincidentally puts more distance between him and the the rest of the clan staring him down. Black Bat leans forward and he violently suppresses a flinch. "They're known as Nocturne. They wield power over dreams. Their signature is all over this."
And Danny means that literally. Their ecto-signature couldn't be more apparent if they'd written it in sharpie across Batman's suit. This is what Jason—Red Hood, because Danny couldn't have been dealing with a simple civilian case of ecto-contamination, nooo, he's got to have connections to the superheroes Danny has spent the better part of his afterlife avoiding—managed to pick up on, even being the low level entity that he is.
At which point he'd called Phantom in, even though Danny had spent the better part of two weeks trying to intimidate the guy into never contacting him, Ruler of the Spirit Realm (lightning crash!), again, but here is his calling card just in case (thunder and creaking noises!!), but again, you should never use it unless things are very serious, OoOoOoOo~~~
Damn it. It's been like 10 days.
"So how do we fix it, Your, uh, Ghostliness?" Nightwing says, ducking his head in a sort of half-assed supplication when Phantom turns to him. Nightwing glances at Jason for affirmation who shrugs out of the corner of Danny's eye.
"Phantom is fine," Danny says, waving his hand and letting his upper lip curl in an expression of distaste. "Remember, it's like you're Vlad when Dad offers him a glass of eight dollar wine!" Jazz's voice reminds him. Robin growls lowly, likely meaning he's nailing it. He looks away dismissively ("Honestly, it's like you're Vlad, anytime, ever." Sam notes dryly) and thanks god he doesn't have a heart in this form because it would be beating so loud right now.
Beside him, Jason scratches compulsively at the back of his neck. Huh, his anxiety is manifesting physically as an itch. Good to know.
"You can't fix it," Phantom says. "I can."
"At what cost?" Red Robin asks. "Red Hood mentioned you'd want something in return?"
Frick. His other contingency to keep Jason from ever contacting him again. Phantom had lightly hinted his taste du jour was, uh, souls.
Something Red Hood has apparently let slip, because now Robin shakes off Nightwing's hand, puffs out his chest and declares "I will trade myself for my father's safe awakening, Spirit!"
The other members burst into denials which almost covers up Danny floating sharply back and saying "What? No!!!"
Key word: almost.
Danny coughs as they stare at him.
"That is to say, I have no desire for a child," he puts a bit of snarl into it, showing fang. The mood in the room plummets drastically as Nightwing gently grabs Robin by the arm and pulls him back to his side.
"We see," he says. He steps forward more assertively, placing himself in front of the others, all of which are now eying him warily. "Then, is there a gender you prefer?"
It takes a second to click in Danny's head and then he swings his head wildly away from his audience to hide his reaction, nausea and embarrassment turning his face bright green. "Fika Kristo," he mutters in Esperanto as quietly as he possibly can, pinching the bridge of his nose.
He gives himself a moment to settle and game plan before turning back around. "I have no desire for any of you, and it matters not. In this instance, a deal need not be struck. Nocturne is my subject, and they have done this without my permission." Danny blinks, eyes widening. "Not—not! that I would give them permission to do such a thing. In the first place. Ahem."
"Okay...so you'll do this for free?" Jason asks. "Seems like a bad business practice since you also fixed me up for nothing—"
"What he means to say, Your Majesty, Phantom, is thank you!" Signal says in a rush as Nightwing starts, "Wait, Hood, what do you mean—"
"Enough!" Phantom says loudly (nearby bats take off and Jason's itch migrates to his forearms) "I have little time," read: he has a test tomorrow and he's only one-third of the way through the study guide "And I grow tired of this...dilly-dally." Frick! Is that an old-timey word?
"Of course. Thank you again, Phantom." Nightwing says stiffly, eyes still narrowed in Hood's direction.
"Wait, sorry, Phantom, Majesty, I'm Spoiler by the way," the purple-caped vigilante Danny already knew was Spoiler says. "How do we keep this from happening again? To any of us? Is there a way to defeat this Nocturne?"
"Moreover, why Batman?" Red Robin asks. "Why would a spirit from another dimension want him asleep?"
Phantom sighs. "Nocturne was trying to send a message. To me. Through you," he says, nodding at Red Hood. "They...how do I put this. They like attention. Being the spirit of uh, dreaming, they don't receive that attention. And you were in my realms for quite some time. And they wanted...attention."
The lackluster explanation sits for a moment before "They were jealous? Of me?" Red Hood asks skeptically.
"It's more complicated than that. Your...physiology," Danny puts it as delicately as possible, watching regretfully when Red Hood still stiffens at the mention, "Is particular. You gather attention in our realm. And having my attention is...special. But not!" He says to the group at large, a touch panicked, "Romantic!"
Jesus, he's never gonna hear the end of this from the others.
"Anyway, I will ensure it does not happen again."
"By paying them attention," Spoiler says under her breath, wiggling her eyebrows at Black Bat, Red Robin shooting them both a glare. Nightwing ignores them in favor of staring at Red Hood and Phantom. Danny is unsure what Red Hood has disclosed about how he knows Danny, but now he feels confident the answer is close to nothing.
Before Nightwing can ask whatever uncomfortable thing he's about to ask, Phantom disappears. Invisibly, he hovers over Batman's sleeping body and silently apologizes for the intrusion before intangibly slipping into Batman's REM realm and finding the man...oh...
Probably thirty minutes later he reappears to the group, who all perk up at the sight of him. Their eyes bounce from him to Batman; who does not move, to the monitor; which shows no change in his brain activity.
"I'm going to need your help," Danny says to Jason, getting to the point.
"Why? What can I do?"
"It's easier if you come with me," Danny says, grabbing his arm.
"Come with—"
Danny wastes no time in turning them both invisible and flying them into Batman's mind.
"What the—" Red Hood twists and turns, taking in the hallways of the manor. From afar, they can hear the tinkling of a piano. "You, I had your word—"
"This isn't where you think it is," Danny says hurriedly. "We're in your—Batman's dream." He walks quickly down the hallway, towards the music. Jason follows.
"What?"
"The way to break a dream spell is to wake the dreamer. You can't do that externally so you do it internally. Usually you wake the dreamer by turning the dream into the nightmare, scaring them awake."
The hallway stretches on longer than realistic, the dream attempting to divert them. But it can't outrun Danny. His power seeps into the halls, ice creeping along the paneling and freezing the way behind them.
"Batman, however, is hard to scare."
"So you want me to do it."
"What? No." Phantom shoots him a confused look. "Why would I—Ahem, The other way is to convince the dreamer they are dreaming. They break the dream themselves."
"Alright..." Jason says slowly, now keeping pace with him. His breath forms a cloud as he speaks. "And you think I'm the person to do it? I'm not the one he listens to you know, that's more Nightwing's schtick, or hell, anyone other than me."
"This isn't just Batman's dream, Jason," he says. Hood's eyes narrow at his real name, but now the truth is necessary. "This is The Dream. The perfect life. Everything he could ever want."
They're approaching an opening on the right side of the corridor. A bright light emanates from it, alongside the noise of stumbling piano keys and laughter, deep and male and unrecognizable. The Dream.
"Thomas Wayne," Jason breathes. "You want me to convince Bruce it's worth walking away from the center of his universe? It'd be easier if I put a bullet in their chests."
Danny stops abruptly before the doorway, turning to face Jason.
"You know, I fixed you," he says, head cocked. "Those feelings you felt, you shouldn't be feeling them anymore."
"I...I don't."
"Then why do you act like it?" He lets himself drift up, reaching beyond their planes of existence and extending a metaphysical hand to Jason's spirit. It shivers away. "You don't have to hide behind what was."
"I'm not hiding! And I don't have to explain myself to you!" He tries to move forward but Danny puts a hand out and he cannot move past it. He growls in frustration.
"I'm grateful to you, but with or without the Pits I'm fucked up. This is just who I am. This is just what he made me."
"You've never asked why I look like this. But did you know my form is malleable?" Phantom says, letting his legs shift into a tail, letting two eyes become three. "What I believe is what I am."
And then he takes several steps back, putting the doorway between them. "From here on out, the Pits can't tell you how to think or feel. Your decisions are wholly your own. Starting with this one."
Jason stares at the doorway, then Danny.
"I won't make you," Danny says simply. "And if you desire, I will retrieve Nightwing instead."
Jason scratches at his arms, grits his teeth, and stomps through. The light resolves into the sitting room, massive windows letting in sunlight so bright it streaks yellow-white across the room. Bruce sits on the maroon versailles couch next to Cassandra, who sits cross legged, excitedly watching Alfred pour her a cup of tea. To their right, in the open space, Damian barks instructions at Tim on handling a katana. Stephanie and Duke sit on the ground besides the coffee table, homework sheets sprawled across the surface, suffering their way through a calculus problem.
Bruce, smiling softly, looks across the room to where the atrocious playing is coming from. Red Hood follows his gaze.
Sitting at the piano, trying to play while Dick distracts him with a pair of chopsticks, is Jason. He puts a hand on Dick's face and shoves, both of them hitting the wrong keys.
"Get—away—dumbass!"
"No, see, it's a duet! Jay!"
"That's not why it's named—" and Jason Todd-Wayne tips his white-tipped head back and laughs.
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you know what. i've always been hesitant to describe my anaphylactic food allergies as a disability because "it's just allergies" but if you look at the numerous ways this has affected my life as an adult (because everybody only talks about kids having anaphylactic allergies):
no restaurants or fast food
no store-bought food from small companies (less accountability/resources to prevent cross-contamination)
no candy or desserts (unless they are 100% homemade, which takes a lot of time and energy if you have other disabilities like i do)
no hand-washing dishes (every place i live in has to have a well-functioning dishwasher)
no kissing people on the mouth/lower half of the face
other people cannot kiss me/put their mouth on me
no allergens in the house (really difficult to enforce with non- immediate family members!!)
always having to cook my own meals/bake my own treats/desserts
no sharing drinks/food with other people
no food cooked in other people's houses/kitchens
always having to bring my own "lunchbox" to family events, work or school, all-day events, or any other situation in which i could THEORETICALLY need to eat or drink something other than bottled water
calling food manufacturers to verify label information on new/changed foods
and none of this is counting the avoidance behaviors i developed with obsessive-compulsive disorder around age 13 in response to the panic attacks i'd have remembering about the anaphylactic shock i experienced at age 10.
i was taught to read labels at age 5. i was taught how to use my own epi-pen at age 6. my parents and i have always been careful and responsible about my allergies. it's not "i just don't like this food", it's "if i eat this my throat will swell up and block my trachea AND i'll go into shock from low blood pressure." as inconvenient as it might be for YOU, you can learn these things too and save a life. happy disability pride month; stop being a dickhead
i don't usually talk about my allergies because it gives me a LOT of anxiety but i felt this was important to share, because most people have no idea what being an adult with allergies is like. life went from "everyone at the birthday party gets a cupcake but me and i'm sad" to to "if i want to kiss someone i like, i have to make sure she hasn't eaten anything i'm allergic to in the past few days" (which is like. hugely awkward to ask of someone holy shit) or "i have to turn down the meal from my friend's mom even though she has the best of intentions and now she thinks i'm an asshole"
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