#artland-gallery

[addictedgallery]

Is This Online Art Gallery Legit? Some Handy Tips on How to Spot the Real Deal

☠️ Skulduggery is everywhere! ☠️

Click HERE to learn more...

[yama-bato]

Carsten Beck

[lifefind-blog]

Visual Euphoria 視覚的多幸感

Visual Euphoria 視覚的多幸感、ヴィジュアル・ユーフォリア

「柔らかな朝の光の中の心のやすらぎ」 "Peace of mind in the soft morning light" 「幸福感、多幸感、幸せオーラはこんな色」 “This is the color of happiness, euphoria, and happy aura.”

たとえば雪の中で遊ぶ幼い子供のように、子供にとって遊ぶことは強烈な幸福感と満足感をもたらします。ユーフォリアとは、喜びや興奮、強��幸福感や幸福感の経験 (または感情) です。 有酸素運動、笑い、音楽を聴いたり作ったり、踊ったりするなどの活動は、幸福感を引き起こすことがあります。ロマンチックな愛や初恋も多幸感の誘発に関連しています。

脳内で1 つのホットスポットがアクティブになると、他のホットスポットも活性化されます。 強い陶酔感に浸るという経験をすることもあるようです。

視覚からの幸福感の受容のことを、ヴィジュアル・ユーフォリアと呼ぶことにします。

私は2008年の暑い夏に兵庫で個展を開き、目で涼んでもらうために、涼しげな水場の風景を使った色彩作品を展示しました。写真における「色彩革命」の可能性を自覚するきっかけになりました。このときにヴィジュアル・クーラーという言葉を使いました。

また、2009年の真冬には岡山で個展を開き、寒い中、来てもらった方々に目で温まってもらうために、暖かな色彩を帯びた雪の作品を展示しました。このときはヴィジュアル・ウォーマーという言葉を使いました。

2013年の高知での個展で、美術館の学��課長の方に、多幸感という感想をご指摘いただきました。自分では無意識に作品内部で行っていたことを言語化してもらえたのです。

2014年、南フランスで個展。テーマは「天国感」。サンチマン・セレステ。柔らかな虹色を持った作品群を展示すると同時に、世界中の友人から，色彩豊かなカードを画廊宛てに送ってもらい、そのカードを展示しました。世界中から空を飛んで、優しい心を集めるというコンセプトでした。世界中に友人が居たら、その人が住む国も大切に思います。そういう感情を持つ人がどんどん増えたら、戦争など起こらなくなるでしょう。

そういう趣旨の個展を、その後世界中で行っていく予定でしたが、邪魔が入りました。2014年までは世界が平穏でしたが、2015年の1月に、イスラム国による日本人人質騒動があり、それからテロやおかしな騒動が続発するようになり、2020年には世界中がシャットダウンするような事態になり、2022年には戦争がはじまり、世界が分断されました。今はロシアとは送金や郵送ができなくなっています。友人が居るのにもかかわらず、です。国主導で勝手なことをされるのは困ります。「幸福感と世界平和と伝統的価値観」がどんどん棄損され続けているようなので、作品発表活動を再開します。個展の場所と期日は未定ですが、作品展示に合わせて、トークショーと飲み会をやることだけは決めています。

FUKE芸術の一つの側面では、虹の色相を含む明るい天国のような世界観を持った、現実と天国の橋渡しをするような風景を作ります。現実の風景や植物をもとにして撮影された写真は、FUKEの絵心と芸術によって、現実から離れ、上空に舞い上がった別世界のように見えるものになります。その世界を構成する虹色は、美を追求するための手段となります。

視覚的多幸感、ヴィジュアル・ユーフォリアというタイトルの個展をいつか開こうと思っています。

Selected solo exhibitions 2016 NIKE Kagawa Japan curated by FUKE 2016 SAKKIES Kagawa Japan curated by FUKE 2014-2015 Galerie de Gajac, Villeneuve sur Lot, France 2014 Imants cultural House Latvia 2013 Gallery Graffiti, Kochi, Japan 2013 Art Gallery MAYDAY, RIGA, Latvia 2010 Soothingness of the Snow, Konobu, Anan tokushima, Japan 2009 Soothingness of the snow : FUKE, Nagi museum of contemporary art, Okayama Japan 2008 Soothingness of the water : FUKE, Idutsuya, Ikuno Hyogo Japan 1994 Photographs and paintings : Fuke, Artland gallery Marugame Japan 1991 Sunless flags : Fuke, ZEIT-FOTO SALON, Tokyo Japan 1988 Weatherings : Fuke, Photo Interform, Osaka Japan 1988 Offerings : Fuke, ZEIT-FOTO SALON, Tokyo Japan

「幸せオーラ」というタイトルの　詩　by FUKE 2024/8/12

日常的な風景や花の中にある天国感を見えるようにした作品

幸福や天国はすぐそこにある、そのことに気づくことから得られるもの

魂が宿る場所は、生きたその人が知らないどこかではなく、ここ

大好きだったあの子にまた会える場所も、ここ

争いやもめ事が起こらない場所

嫌いだった誰かと仲直りできる場所

許せないと思うのではなく、許すことができる仕組みを作りたい

その逆のことをしている人を知っていますか？

恐怖や怒り、心配を取り除き、心を安定させるためにできること

分断と対立、敵意を取り除き、その理由と煽りを中和するためにできること

その逆のことをしている人を知っていますか？

幸せオーラを見たことがありますか？

幸せオーラの出しかたを知っていますか？

幸せオーラを出しまくる子たちと一緒に居ますか？

幸せオーラと一緒に暮らしたいと思いませんか？

心配事が一つずつなくなり、この子たちに託せる未来を用意してあげたいと思いませんか？

何かの目標を持った、満足した毎日を過ごしていると、身体にもプラスの効果が起こるようです

その逆のことをしていた人を知っていますか？

「あんな人たち」という言葉を使ってはいけませんね

あの国のあの人と握手をし、二人だけで2時間話をしたのは誰でしたっけ

[citylifeorg]

The Brooklyn Museum to Open New Toby Devan Lewis Education Center on January 27

The Toby Devan Lewis Education Center at the Brooklyn Museum, January 2024. (Photo: Alexander Severin) Three studios will offer expanded access to art-making and learning for all ages, and a dedicated gallery will host rotating family-friendly installations, kicking off with Artland: An Installation by Do Ho Suh and Children On January 27, 2024, the Brooklyn Museum will welcome visitors to its…

[a-paz]

Photographer Research #2: James Van Der Zee

James Van Der Zee is an artist who was most prominent during the Harlem Renaissance in the 1920s and 30s. In this era of art, Black Americans began to put themselves out into the artist world, looking to make a name for themselves and to showcase the talent and culture they had at the time. Van Der Zee’s work followed these ideas, but he also aimed to show the world what black culture was. He aimed to uproot stereotypes by taking pictures of special occasions where the black community would celebrate just like any other people in America. He showed off pictures of the community in their best clothing, showing they too were involved in things that were considered out of reach for them at the time. They too could enjoy luxurious things and hold positions of importance. He was a very important staple of the Harlem Renaissance, and his photos are held in high regard because of it.

I personally really love the historical significance of Van Der Zee’s work and the window it captures of the past. I also love that he decided to use his talent to photograph subjects of the time that were not considered popular or even important. He took a risk by focusing on Black Americans since it was a subject not many had delved into at the time. His compositions are simple, but I appreciate how much he focuses on the subjects of his photographs. It really makes them pop more than if they had a particularly detailed background. I noticed that while his photographs are carefully posed, they are not in completely perfect form. They do not feel so carefully constructed that they lose their personal touch. I think his photos are a great reflection on the people of the past, and I love how he captured his time period well.

National Gallery of Art Exhibition

Artland Magazine

[4eternal-life]

Roxann Poppe Leibenhaut (American, b.1952) is a representational artist known for her en plein air paintings of beach scenes and small-town life. She was primarily Influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s.

Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. The multicultural and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic heart of the generation. Street art started to appear as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in proving that their artworks could subsist at the same time in art galleries and on city walls. Driven by graffiti art, street art from its earliest days showed that it could endure in a unceasing flux of self-transformation, endlessly shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre. All over, various movements defined the 1970s. Amongst others, feminism and the new radical philosophies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, prominent artistic pillars of New York city started to embrace painters and sculptors from Latin America. The Arte Povera movement, which appeared in Italy, received international acknowledgement in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were praised. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.

Night Bus - Roxann Poppe Leibenhaut , 2013

American , b. 1952 -

Oil on canvas , 6 x 6 in.

[vanehernandezblog]

Project 2- Research

What is Digital Art?

After I established the background of digital media, I wanted to now define what Digital Arts and what does it encompass to complement my ideas.

Digital Art is whatever creative practice that used digital technology as part of the process. This field offers 'multiple mediums and styles that artists can use to express themselves' (Artland Magazine, Unknown); there´s just so many disciplines to choose from and experiment with: photography, digital paintings, video editing, AI, VR, AR, computer graphics, and many more.

And not only does digital art provides us with a vast list od mediums to create art, but it also gives us a whole new way to distribute our art.

It´s a fact that Digital Arts are revolutionizing the way we used to see and think about art. In the past, it was always necessary to be represented by an agent and you had to lean in having a venue to display your art, like museums and galleries. Now at days, art can be distributed in so many ways; it can be seen in the TV, cinemas, social networks, internet. This has, in many ways, empowered artists to create their own careers; we now have so many ways to make our art seen and spread into the world.

Although this is an amazing tool for artists, it also has its downsides, cause I think this is actually hurting art too. There´s just too many content created day by day that at some point, art is just ephimeral; it "dies" so quickly cause people just want to keep consuming and consuming new content, so nothing really sticks with them, specially when we are talking about social networks like Instagram, which many times is used by artists to publish and spread their art to the world.

References:

Bravic, Lucija (Unknown) A Short Story of Digital Art: Between New Technologies and Innovative Artistic Practices. [Online] Available at: https://magazine.artland.com/digital-art/#:~:text=Placed%20under%20the%20larger%20category%20of%20new%20media,as%20an%20essential%20part%20of%20the%20artistic%20process. [Accessed: 9 October 2023]

Dewdney, A., Ride P. (2014) The Digital Media Handbook. 2nd Edition. Oxon: Routledge.

[promotion-jessicaward]

Website Research

I wanted to look at a few of the well know galleries to me and their websites to see how each institution approached it. Each Gallery had their own approach to promoting and style. The fruitmarket i particularly liked as it was clean and pulled me in. I wanted to immediately find out what this image was and what it was about. Jupiter Artland had a video going which was dynamic and clean. I was surprised at how simple the Tates was. I like using the website for Tate as it is super easy to navigate, but in comparison to the others it is the simplest and least designed. Goma's was my leats favourite as it is just a picture of the building, this building could be anywhere, i dont know what its about or what is in this building of that it is a contemporary art gallery. I think for looking at advertising for the degree show, if we were to use the college website etc it would be important to consider asthetic qualities and have it be easy to use with clean easy to find details, but tease enough to get people excited and draw them in. I think all these details are also important in designing my own website. A website should be exciting, easy to use and tease just enough to get someone interested in, you as an artist and their work.

[mlittinfineartstage2]

Carl Freedman Gallery

LINDSEY MENDICK:

SH*T FACED

15/07/2023 - 01/10/2023

Jupiter Artland is delighted to announce Lindsey Mendick as the artist for their 2023 season. Having previously collaborated with Jupiter at their acclaimed Jupiter Rising festival, Jupiter is thrilled to host Mendick’s first solo show in Scotland, which will be presented across all of Jupiter Artland’s galleries.

Enjoying looking at her ceramics which were then created into large full installations there not to my aesthetic taste but in looking at this artist it's giving me some new ideas of how you can showcase your ceramic work and the forms and unusual shapes she has created.

[ryujikamiyama]

👀 “Dejavu” 覗いてみてください🙏 #Repost @maisonozmen with @use.repost ・・・ Surprise VR Solo Show reveal ! You thought Maison Ozmen's year was ending with Socko's show ? It isn't the case ! We are announcing our second collaboration with the very talented Ryuji Kamiyama @ryuji_kamiyama This will be our final show of the year and will be held through the Artland VR Space @artlandapp This new solo show will be the occasion for the gallery to introduce the artist to its collectors through 15 new works ! All colorful and the epitome of the artist's art Maison Ozmen will reveal the January and February shows in an hour stay tuned ! We are excited to close 2023 with such a show. #vrshow #maisonozmen #soloshow #ryujikamiyama #japanesecontemporaryart #artland #asianartist #contemporaryartcollectors #virtualreality https://www.instagram.com/p/CmcxsPESxwC/?igshid=NGJjMDIxMWI=

[addictedgallery]

We're excited to share that João de Castro’s “Let’s Give Them Something To Talk About" has made it onto ArtLand's "Top Exhibitions" list.

João's fine art photography transcends mere sexuality, capturing moments where power seamlessly shifts from photographer to subject, epitomising liberation and authenticity.

In this exhibition, João's lens reveals women in their most intimate and raw states—naked, alone and seemingly unaware of the viewer's gaze. These high-contrast black-and-white images, characterised by dramatic lighting and striking composition, celebrate the subject's uninhibited self-expression. João's unique relationship with his models fosters a safe space where they can explore and unleash their true identities without judgment.

If you haven’t visited yet, it’s not too late. Simply click HERE

[takahikohayashi]

D-10.Apr.1991 mixed media peinting/wood cut monotype print, collage, painting 32x95cm HAYASHI Takahiko 林孝彦

[lifefind-blog]

自己紹介－3

They sometimes exceed the fence of the field of the expression that somebody decided long ago. When it touched the heart of many people, it is handed down and is over the times. The people who adopted the way of this thinking are touching a foot step in the place where they were born and raised well and come to watch the distance with their hearts. It does not let people and a local difference be outstanding and it weakens a difference. I want to make such something. "

FUKE芸術における色彩革命とは（モネ - ゴッホ - ムンク - シーレ - FUKE） FUKEは日本のアーティストです。普通の生活の中で、隠れていて普通には見ることができない未知の美を探求しています。穏やかで優しい、あるいは時には 強い感情を伝えるために、カメラとデジタル技術と独自の「絵心」を使って新しいタイプのデジタル芸術を美術館永久保存の前提で制作しています。 FUKEのイメージを通して何かを見るとき、多くの人々は今��で感じたことがない新しい不思議な感覚に接するよう��す。FUKEは、デジタル表現に自分自身の個人的な 感情や感覚を付加するという、写真芸術の世界ではまだ誰も自覚的に深く踏み込んだことのない未知の領域に挑戦し、写真芸術の色彩表現の分野で最も進歩的な 先駆者の1人の自覚を持って活動を続けています。FUKEより前の芸術写真には、色彩のなかに個人的な複雑な感情や感覚が持ち込まれていません。ア ナログフィルムでは色彩を自由に操ることができなかったので、表現上の限界点が低く、現実的な色彩を再現することが精一杯で感情表現にまで到達できなかったのがその理由です。また、その後のデジタル写真の大半がアナログ時代の現実再現性重視の考え方をそのまま継承し、デジタルになってからの特徴は修正や補正が容易であるという程度の扱いが大半です。そちらの世界感では写真の色彩は本来客観的なものと考えるのが常識で、主観的なものを安易に持ち込んでもそれは写真としては失敗作とされました。実際、CG加工写真のようなものは美術館で永久保存するレベルの芸術的価値がない、雑誌掲載止まりの低次元の遊びのようなものしかありませんでした。そういった初心者レベルのCG加工写真のは深まることなく飽きられ、芸術としての オーラにまで到達したデジタル写真芸術はほんの少ししか先例が無かったようです。

世界中の多くの人々は、FUKE作品を初めて目にしたときにその特異な色彩の扱いと絵画的完成度の高さに驚きます。そしてしばしば、写真か絵か判定できないとか、普通の写真ではないと言われます。写真の範疇を越え、否定的継承という本来の芸術の属性を備えた写真以外の 何かなのだろうと思います。FUKEは、2007年からデジタル表現における色彩革命の可能性を自覚し、デジタル芸術写真のなかで個人的な感情を表現要素として使い始 めました。クロード・モネ、ファン・ゴッホ、エドワルド・ムンクとエゴン・シーレらは、かつて絵画芸術の歴史の色彩革命の中でそれを意識し、これこそが否定的継承という属性を備えた本物の芸術だと自覚し実践しました。 彼らはあの時代、絵画に強い感情や微細な感覚を付け加え始めたのです。 彼らは、「こんなものは、絵画の冒涜だ」などと、しばしば言われました。彼らが作ったものは当時の常識の範囲内の普通の絵画でなく、それ以外の何かつまり 「歴史を動かす偉大なうねり」だったのです。FUKEは、絵画の流れを汲む写真芸術の歴史のなかで、このことに気付き自覚的に感情や感覚を写真に持ち込み、絵画化しているのです。

2011年10月に大きな転機がありました。あるショックがFUKEを襲い、数か月の間それまでのソフトで軽い色彩感覚を失ってしまったのです。重く悲しみを帯びた色調のものしか作れない時期を実際に経験しました。その後、絵心とは何かの本質により近づくことができたように思っています。

2011年11月記

私が作ろうと思うものについて 語りかけるもの 高い山に登り遠くを眺め、広い視野を手に入れた自分を想像してみよう。志の高い表現物は地域を越える。それが特定の狭い場所で生まれたものであったとしても、ほかの場所でも好まれたりする。それは、誰かがいつのまにか決めた表現の分野の垣根を、ときどき超える。それが多くの人々の心に触れたとき、語り継がれ、時代をも超える。 それは、世界共通のひとつの考え方を提案する。世界のすべての人々が均しく共有できる歴史に、それまでには無かった、これこそが必要なものだと思われるような何かを付け加える。時代や場所に左右されたり、ある特定の集団にかたよったりせず、みんなに語りかけようとする。それは、人々や地域の違いを目立たせるのではなく、違いを薄めたり、ひとつにまとめたりする。そういうものを私は作りたい。　 2012年11月10日　　　　FUKE

FUKE biography 1957 born in Kagawa Japan 1976-1980 studied at university of Tsukuba : majored in print art 1980-2015 lives and works in Kagawa Japan

Selected solo exhibitions 2016 NIKE Kagawa Japan curated by FUKE 2016 SAKKIES Kagawa Japan curated by FUKE 2014-2015 Galerie de Gajac, Villeneuve sur Lot, France 2014 Imants cultural House Latvia 2013 Gallery Graffiti, Kochi, Japan 2013 Art Gallery MAYDAY, RIGA, Latvia 2010 Soothingness of the Snow, Konobu, Anan tokushima, Japan 2009 Soothingness of the snow : FUKE, Nagi museum of contemporary art, Okayama Japan 2008 Soothingness of the water : FUKE, Idutsuya, Ikuno Hyogo Japan 1994 Photographs and paintings : Fuke, Artland gallery Marugame Japan 1991 Sunless flags : Fuke, ZEIT-FOTO SALON, Tokyo Japan 1988 Weatherings : Fuke, Photo Interform, Osaka Japan 1988 Offerings : Fuke, ZEIT-FOTO SALON, Tokyo Japan

Selected group exhibitions

2019 Flower and art exhibition, Okanoyama Museum of Art, Nishiwaki curated by Hitoshi Yamazaki 2019 Gonesse Photo Biennale Belgium Musées Héritage de Goesnes-5353 Belgique curated by Dany Kohl 2016 Zeit-foto Salon Tokyo Japan 2016 Galerie Vivant Tokyo Japan 2012 Landscape dreams Kobe curated by Hitoshi Yamazaki 2012 Artintheflat Paris 2012 La Notte 900 lab Rome Italy curated by Viviana Guadagno 2012 Rising Love Rome Italy curated by Francesca Pietracci 2012 Brisky galerie Stuttagrt Esslingen Germany curated by Mickey McCooper 2012 Howard salon Taipei Taiwan 2011 Water-Aid, Cooper Union The Great Hall New York USA 2011 Lungotevere Vittorio Gassman Rome curated by Francesca Pietracci

[callumogden]

The Light Pours Out Of Me

Anya Gallaccio

"The Light Pours Out Of Me' is a contemporary folly or grotto, a nod to the great tradition of British landscape gardening developed in the 18th century. This is a sculpture, but it's also part of a garden. I would like it to be unsettling for people when they first encounter it. I’d like them to question whether they should enter the gate or not. Then, when they come into the space it is very formal, quite grandiose but intimate, a quiet place for one or two people."

Walls covered in amethyst crystals, August 2017

[k00254063]

as soon as i saw this painting by enrico robusti i immediately fell in love with it. the sheer despair and terror reflected on the woman's face in contrast to the bright colours of a spring setting result in an incredibly unique composition. the brushstrokes on the flowers are reflective of dainty petals and the sky kind of looks like sand that you've drawn swirls into with a stick.

robusti has a talent for pinpointing an exact emotion in his works in crass yet elegant ways. we often see paintings of the seasons spring and summer in peaceful, hazy landscapes. robusti turns this on its heels, encapsulating a fish-eye look while exploring the relationships between different characters in his paintings.

His work is strange, surreal, and not only has me fixated, but also inspired.

[sparklermun]

Hey there everyone! Welcome to night twenty-nine and the final night of the ninth annual Wreck-it Ralph Pin Post Month!

For our last pin of the month, we’re got the Artland, Wreck-it Ralph, Ralph and Vanellope, Wreck-it Ralph pin. LE 125.

This limited pin was sold and displayed on the Pulse Gallery, a European company that creates fine art pins inspired by different sources of media. Unlike with Loungefly pins, this Artland pin is actually an official Disney trading pin, and can be traded at official Disney event. However, due to how limited it’s release was, a certificate of authenticity must accompany the trade. This is actually one of the rarer pins created for the animated film Wreck-it Ralph, though it is also a fairly new pin as it was released only a few months ago in May of 2021.

What does it take for a pin to be considered fine art? This amazing pin right here is an example of how beautiful art can be in any medium. Even those one wouldn’t consider to fall under the category of fine art such as a pin. Though this pin is certainly a work of art to be admired. From the fine details such as the stitching in Ralph’s overalls, to the inclusion of shading on a pin. The different streaks of color to add depth to Ralph’s hair, and then the use of glitter in the paint of Vanellope’s kart. Giving it a sugary shine as it positively sparkles under the light. Of course we can’t forget about Ralph and Vanellope themselves, recreated in an entirely unique art style from any other pin released so far. A style that honestly fits the two of them, and doesn’t render them unrecognizable in anyway. This was an amazing pin to add to my collection, which was why I chose to end the month off with it. A beautiful pin depicting a scene between two friends. One driving along the track as the other clutches the spoiler of the kart for dear life. What a wonderful pin to end off on.