#anyways i'm balancing this one

[weathrs]

        she's  leaning  against  the  wall  of  the  rickety  old  theater,    the  weight  of  the  day  heavy  on  her  shoulders  as  she  catches  a  glimpse  of  the  artifacts  from  the  numerous  ghostface  killings  over  the  years  out  of  the  corner  of  her  eye.    silence  is  interrupted  by  a  creaking  floorboard,    but  gale  knows  who  is  approaching  without  needing to look.    a  dry  laugh  falls  from  her  lips  as  she  turns  to  look  at  randy.    "    not  sure  that  was  worth  taking  the  red  eye  for.    that  fucking  sucked.    "    she  looks  away,    disturbingly  real  sketch  of  dewey's  bloody  body  burned  into  her  memory.    "    you  okay?    " 

@vanstabbed

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[storytellering]

Look at me when I'm talking to you, son.

[lizardkingeliot]

i've barely written anything since sunday for obvious reasons but i'm reaching the point where i no longer feel like myself because i'm not writing and that's only making me feel *more* miserable than i already do so everyone keep your fingers crossed for me while i attempt to make some words happen lol

[redeemed-wren]

I am thinking about. Jamie and the Second Doctor.

Because out of all the incarnations of the Doctor, Two is arguably the one who uses manipulation and disguises the most. He thrives on using people's intelligence against them, on tricking people, on bluffing and his bluffs working. He has a different disguise every story pretty much and is constantly playing some kind of role.

And then you look at Jamie, and some of Jamie's most front and center traits are his loyalty and his honesty (and protectiveness, but less applicable). Jamie is loyal to a fault and extremely trusting of the Doctor. He's honest and straightforward and deeply caring.

And Jamie is the one who sticks by the Second Doctor for as long as he physically can--and you'd look at those two characters, one who is manipulative and cunning, and one who is loyal to a fault, and you'd think the Doctor would easily be able to take advantage of Jamie, that Jamie would just be a tool for him but he's not, they're on equal footing. Jamie pulls the Doctor down and reminds him what being human is all about.

[many-a-hues]

Oodles of doodles 💁✏️

[39oa]

Jason Robertson for ESPN’s The Point

I have a lot of kids and... people who come up to me and [are] like, "Oh, you're Jason Robertson," and they're Asian and they want a picture. Or I remember going to a game, during the season, and I saw a Filipino flag.

[ruvviks]

Vitali kept cutting and cutting and cutting, tears dripping down onto his tank top and into the sink. He accidentally scraped one of the scissor blades past his finger- and his tears rapidly mixed with a few drops of deep red blood. He loved his hair. He had always done so- but his mother too. She had been obsessed with it, and when he had decided to bleach it she had been livid. But for some reason she had still allowed him to do it as many times as he wanted, as if she believed it would at least stop him from cutting it short, even after he had come out as transgender. And it had worked, somehow. He had never even dared to think about picking up a pair of scissors. Vitali let a single scream leave his lips as he threw the scissors down into the sink, gripping the edge tightly again as he nearly lost his balance. He was out of breath; shaky, shallow inhales providing him with just enough oxygen to not pass out, and he slowly looked back up at his reflection. And in that split second of realization, he regretted it. All of it. A sudden clarity washed over him and his sobs faltered, deafening silence washing over the bathroom as he carefully brushed his now neck-length hair out of his face. It was uneven; some strands barely even reached his chin. He looked different, now. Could barely recognize himself. — From Chapter 12: The Mother; read the full fic here

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed

[writeouswriter]

Reading a fic that's so well written I wish I could close my eyes and just let the descriptions and atmosphere wash over me, but the dilemma with closing my eyes is, well, I then would not be able to continue reading this fic, now would I.

[justafriendofxanders]

was thinking about leverage dnd classes and i think the obvious choice for sophie is bard, but i don't think that's quite right, because her whole thing is that she's NOT a very good actor. she's not an Artist, she's a grifter. i think one of the reasons why sophie struggles with acting is because then the goal is art/self-expression/a desire to communicate with and be seen by the world (something she has a whole crisis about) while the goal of grifting more readily aligns with her own (facilitating a con). like bards are ultimately a class that's about supporting/"inspiring" others through creative endeavors (getting stronger by improving your craft), while other charisma casters like warlocks are about power and ambition (getting stronger by selling your soul); but i think sophie's talents are closest to those of sorcerers, whose powers are more innate and something to be learned to be controlled. sophie's struggle isn't that she's not good enough at her job, but that maybe she's TOO good at it to the point she doesn't know who she is, and that her powers may in fact hurt others. if anything, she's a sorcerer carrying around a lute and charming her audience into clapping for her when her performance flops

[frenchy-and-the-sea]

There is a very exquisite agony in playing a game you love so so so so so much, and realizing that one of the other players is trying to play a totally different game than you.

[team7-headquarter]

I'm kinda curious about the period of time when Minato was Hokage, because there's so much you could say about Konoha depending on it. It could be that I don't remember what the manga says about it too, but anyway.

We know that before Minato was Hokage, the discrimination towards jinchuurikis was high. We know it from Kushina's story. After Minato, the jinchuurikis discrimination was not exactly as bad as it could have been (and the bar is soooo low) in physical terms, but the level of sheer isolation was ridiculous. Sure, Kushina had guards and she lived in a tower with a perimeter drawn around it, one that she couldn't surpass. The difference is that Kushina knew why she was being isolated, there was someone willing to teach her about it right from the start, a family member even if distant, someone with the same experience.

All Naruto knew is that he was unwanted. He had no family, no one was willing to guide him. No, not even Iruka. I'm talking about before in the manga, before Iruka realized how much Naruto needed him and did something about it.

If that was before and after, how was it during the time Minato was Hokage?

Did Minato push for Kushina to become Hokage? Was the idea rejected? Did he get angry? It was her dream after all. Or did they realize it would be impossible so they pushed Minato to go for it? Were they sad about the idea of Kushina having to live her dream through Minato, because they wouldn't let her go for it? When did Kushina give up and change her goal in life?

Did Minato tell anyone about his plan on how to get rid of the jinchuuriki discrimination? Did he talk about it with Kushina? We know that they planned Naruto's birth and tried to make it as safe as possible. When the time to seal Kurama within Naruto came, they both knew how Konoha would treat Naruto. Minato wanted Naruto to be viewed as the son of a hero, but his wishes were thrown aside as soon as his body was cold enough.

With no law to protect the jinchuuriki of the kyubi, I wonder how bold the people of Konoha were in their discrimination against Kushina while Minato was Hokage. Times were different, Minato was highly respected and feared, but how many times did he have to tell someone to mind their words? How many times did he catch Kushina avoiding a certain restaurant or a street? Did he ever feel a slight of resentment against his home for the way they treated his wife? His pregnant wife?

Were there rumors of the child being a monster for being the son of a jinchuuriki? It could be that some Konoha parents telling their kids to not play with the little Uzumaki/Namikaze was a thing before Naruto was even born?

From what I've seen, Konoha has no gentleness for kids of prestigious lineages. Being a child of a powerful shinobi makes your life worse, in fact. A million times over: it happened to Sasuke, to Neji, it happened to Kakashi in the generation before them, it happened to Itachi in the in-between.

I don't think that being the son of the hokage would have saved Naruto for being mistreated by the village. Not when his mother was a jinchuuriki.

It just makes me wonder, you know?

In the time he had, how did Minato try to change things to protect his family?

Was it a matter of needing more time? Or there wasn't a plan at all?

[fiercynn]

high school patpran who goad each other into an argument about who's a better kisser but instead of testing it out on each other, pat claims they need an "objective" third-party arbiter

pran is hurt that pat doesn't want to kiss him and annoyed at himself for being hurt and tries to hide it (meanwhile pat genuinely thinks this is a competition and that it has to be "fair"), so he shoots back "well i don't like girls, so kissing the same girl isn't a good data point"

pat is briefly surprised but then shrugs and says "fine, we'll find a guy to both kiss then" and then pran is surprised but isn't able to think of any other excuses. so they find a guy who is willing to be their guinea pig and they both take turns kissing him

teenage pat's kissing style is a little sloppy, but in a good way; he likes to kiss with his whole body, and the dude's hair is all messed up when he's done. (pran is obviously trying his hardest to both watch and not watch while they make out and it is doing DANGEROUS things to him)

when it's pran's turn, his style is different: slow, controlled, like he wants to take his time with it. the guy shivers a little and leans into it. (pat has...some feelings about watching pran kiss someone. bad feelings? his stomach kind of hurts. it's probably just nerves, worrying that pran will beat him. even though he doesn't usually feel nervous like this, usually competing with pran amps him up)

the dude, who has been to school with both of them for years and absolutely knows what's good for him, says what he's been planning to say the whole time: "you're both so good, it's a tie!" and flees with the candy they promised him for refereeing

and they are left staring at each other, both realizing they should have expected that outcome. pran rolls his eyes at pat. pat smirks and says, "well, i guess we're the only ones who can decide this, huh?"

and then they make out and fall in love and compete with each other for the rest of their lives the end.

[sainz100]

a few Carlos moments from the 2024 Azerbaijan GP