#answering questions ig

[999999999inadream]

toby fox needs to add like a bit of narration in deltarune abt kris like "they themmed they/themily down the stheirs" cus i cant go on seeing them constantly get he/himmed in yt comment sections

[frogisanut]

gammastuck au !

au with my friend that goes something like "earth c kids discover glitched version of sburb and the codes goes so wild that caretakers and beta kids are switched so badly that these are completely different versions"

eM - "mom lalonde" mF - "bro strider" eN - "dad egbert" fN - "bec"

[theologyy]

Review: “My Investing Journey and Learning” by Carmen Mundt

Qualifications: I’m a journalist reporting on business, economics, and defense who’s been in the industry for 7 years — the last 3 have been at, debatably, the #1 business publication in the world.

Rating: 2/5 stars

Thoughts: I cannot believe I spent 39 euros on this.

This 39 page ebook provides incredibly basic information that can all be found in this article.

First: while the ebook is about 40 pages, it probably has about 10 pages of actual information in it, interspersed with inspirational quotes from Sheryl Sandberg and Warren Buffet, with some pictures of Carmen in Monaco.

There’s about 1 page of “introduction” from Carmen that talks about her upbringing and journey to university in London. I won’t comment too much on her personal story, but an important thing to note is that she says she came from a “traditional Spanish household” where her father was the breadwinner and her mother had no access to family finances. After the 2008 crash, her family couldn’t afford to send her to college. She moved to London, applied for a student loan, and began studying finance at a university while working part time.

Carmen very, very briefly mentioned her regrets as to her mother’s inability to access higher education, work, and family financial planning; she says she’d never want to be in that position. While literally only one sentence, I think it makes it clear who the audience for this ebook is: someone who has absolutely, positively, no idea about money.

(She also very, very briefly mentions “big changes in her personal life” that made a full-time job in finance “not sustainable,” leading to her move to Monaco. This is her only reference to George.)

The rest of the book very simply explains how to make a budget, set financial goals, invest in the stock market, and mitigate risk. The information was kinda factually correct, and was written in a coherent manner. I think that’s the highest praise I can give it.

Here’s the thing: like other reviewers have called out, I am pretty certain that Carmen didn’t write anything besides the introduction. Whole sections (and indeed the entire format of the ebook) were clearly ripped from the Female Invest introductory courses. (I spent 3 hours clicking through each course so I could find direct wording comparisons to make this claim. I really wouldn’t recommend it.) I do think she edited these sections, and she interjected a few personal sentences; but I believe that’s where her involvement ended.

From an expert perspective, a lot of the information is so simplistic as to be almost incorrect. This isn’t a “first day of Econ 101” ebook — this is a “freshman year of high school home ec class” ebook. (Did anyone else’s home ec classes teach budgeting, or just me?)

Here’s an example. In a section on stocks, Carmen/Female Invest writes: “Investing in stocks allows you to support companies and causes you care about while still making a profit.”

On a basic level, this is correct. Purchasing a stock technically means you’re buying a little bit of a company, and I guess therefore supporting it. But unless a company is IPOing, you’re buying those stocks from another investor — which means your purchase has no effect on the company. So it’s a little disingenuous to claim you’re somehow helping the company. The ebook is rife with this kind of thing.

Carmen pushed in her advertising posts that the Female Invest courses were a key supplement to her book. So obviously, I had to do those too. And holy shit, they were so much worse than the ebook. Some parts were blatantly incorrect on basic information (they claim markets are open 24/7, when most are only open 9am-4:30pm on weekdays) and have some of the most patronizing metaphors I have ever read. (One of the most egregious was comparing your investment portfolio to a pizza because “stocks, bonds, and ETFs” make up different “sizes of slices to make a whole pie”. This isn’t even an accurate equivalent — maybe a calzone, pasta, and pizza make up a whole meal? I don’t even know.)

I would not recommend buying this ebook unless you, too, were barred from even thinking about a stock by your traditional father. Even then, consider free sources.

A Disclaimer on disclosures: So, after @ohblimeygeorge sent me a reddit post also reviewing Carmen’s book that mentioned ad disclosures, I decided to dive into the regulations. In the U.S., influential advertising is regulated by the FTC — in the EU, it’s regulated by the EU Commission, which I believe Carmen would qualify under since she is a Spanish citizen who lives in Monaco. First, I looked at this legal brief on content monetization business models, and concluded that that the ebook likely falls under “affiliate marketing” as Carmen likely receives a percentage of each ebook sold through her link.

(An additional disclaimer: obviously, I don’t know the details of the deal Carmen has with Female Invest, but I’d think it unlikely that she isn’t getting paid for their collaboration. She mentioned in an Instagram story under her Female Invest highlight that she “tried purchasing equity but they were already too big for what I could afford” but “did buy a bit of their crowdfunding.” Since she doesn’t have equity, i.e. doesn’t own a piece of the company, it’d be weird if she was doing this for free.)

Back on topic. I next looked at this legal brief on advertising disclosures. It states that affiliate marketing must be disclosed: “you need to make sure your audiences understand that it’s advertising.” Disclosures can include hashtags and “mentioning” advertising in the caption. Carmen has not disclosed advertising in any of her Female Invest posts, and appears to be violating this regulation. (Interestingly, her only posts that follow disclosure requirements are her Tommy posts.)

It’s apparently not uncommon. An EU Commission study showed 80% of influencers in the EU do not properly disclose ads.

So, there’s that too.

[itty-bitty-sunshine]

You're missing something. Surely it wasn't that important, was it?

Full pieces under cut

(Warning for blood and just overall nightmare horrorish. Slight gore?)

Surely not.

[lazylittledragon]

personal questions

[mysterycitrus]

Clearly you’ve got a lot of opinions abt the characterisations of the batfam in fandom /pos

Can you elaborate on your interpretation for all of them? /gen

it’s called caring too much — and it’s incurable! wrt my personal interpretation, that's a long and complicated answer, so ill just focus on the internal character of the waynes (specifically bruce and his five canonical kids).

bruce wayne is a control freak, we know this. his parents were killed for being in the wrong place at the wrong time, and he has literally never ever been able to truly process it. the degree to which he is controlling - firing robins, survelling his allies without their consent, compiling personal information from others, disregarding others feelings in favour of his own - is all about trying to achieve the best possible outcome. everything he does is justified, because if he's in control then he can stop bad things from happening. it is all in favour of the greater good. it's the logic of an eight year old who's just lost everything and hasn't grown up.

if bruce's trauma manifests control then dick's manifests personal perfectionism. he holds himself to such an absurd standard because he's a flier - when you're catching someone on the trapeze you quite literally have to be there, always, ready to take their hand. if you don't, they fall. if there's no net, if dick isn't the net, then they die. he’s always swinging back out and in again, waiting for the next person to slip through his fingers. he does not fear falling, only what will happen when he hits the ground. he’s a born performer made to be an atlas, carrying an unbearable weight that anchors him to the earth.

jason after death is a tragedy of his own creation, and dc's worst crime is trying to justify the terrible decisions he makes. jason isn’t right, because what he wants is not about protecting other kids from his fate or being a better batman. he wants to be personally vindicated, even though he knows it's impossible. jason rejected himself, bruce, everything, in order to transform into a weapon to enact violence. deep down he's so angry, so hurt, that he'll go after other children - tim, damian, mia - and still decry bruce in the same breath. killing the joker, killing bruce, killing dick, killing every robin before or since won't take him back to who he was before. you cannot go back. you can never go back.

cass sees everything. she can't unsee it, she can't ignore it, nothing in the body can be truly hidden from her, but like bruce that doesn't mean she's always right. she killed a man and witnessed his death, and thus will never take another life. she is all knowing, but she was not born knowing herself. she's jason in reverse — she turns from steel to flesh and bone. she will do whatever it takes to be good. she has made herself real.

tim chose this life in the most literal sense of the word, and then kept choosing it. it’s his duty, it’s his honour, it has hollowed him out and left nothing behind. his tethers to the world snap one by one — janet and jack and darla and dana and steph and kon — and suddenly it’s much harder to extricate himself from the black. robin, dick grayson, is his guiding north star, but his north star is only human. he knows he is capable, he knows this is his choice, and he knows he has long since lost the chance to unchoose.

damian is raised in the shadow of the bat. he is born of blood. he knew death before he knew his father. he is a child. he is ancient. he is a killer. he only wants to do good. he loves his mother. his father is gone before he learns to love damian. damian loves someone else who wears the bat but does not carry wayne name. everything he knows about himself is questioned — robin is given to him, and suddenly he can decide his own fate, make his own family. he wants to be the best, but he doesn’t know what he wants that to mean anymore. he wants the chance to find out.

[tabithatwo]

What do you think about the scene in ep1 where Shauna masturbates on her daughters bed while looking at pictures of her boyfriend? Maybe I'm reading too much into it, but I found it disturbingly similar to younger Shauna sleeping with Jackie's boyfriend

Oh hey, so this response is like perhaps over a year late but someone else asked me about this and I remembered I had 3/4 of this response drafted so hi I’m here now lmao

Anon, I do NOT think you’re overthinking this scene. I actually think there is so much room to think about this scene that a thesis could be written on it. It’s so layered and an incredibly bold choice on the show’s part to include it. It is our introduction to adult Shauna, and I think that the creators of the show clearly felt that it was very important.

This scene made me so uncomfortable as a first time casual viewer that I actually tried to rationalize it away. I remember saying aloud to the person I was watching with “No, that has to be her own childhood bedroom, right? She must be, like, visiting her aging parents?” Clearly I was ignoring the very ridiculous set design of Callie’s room entirely lol, but my mind wanted to find a different explanation. And it took me a while to come around to really loving Shauna as a first time viewer of the show, in part due to how much that scene shocked me.

All that to say, it is absolutely reasonable to find yourself very uncomfortable when thinking about that scene, as many people say that they do when they’re proclaiming that they wish it didn’t exist in the show. But I don’t think that means the scene should be ignored by any means. That discomfort is the point of the scene. Shauna is such a fascinating character, because she swings back and forth from shockingly depraved and cruel, to heartbreakingly kind and loving. She draws both the audience AND the other characters into this unpredictable back and forth with her, and it is easy for us AND them to forget what she is truly capable of when she is in one of her sweeter moments. That is what makes her one of the most fascinating characters of all time to me.

Okay, now we can get into my personal interpretation of this scene. I have always felt it was about Jackie. I think that was clear early on, but, after s2 aired, having more information about Shauna’s relationship with Callie did impact my interpretation of the scene and solidify some suspicions I had.

Shauna clearly does not see Callie as her daughter in any traditional sense. She tells Lottie as much, that she never could fully believe Callie was real and hers. And we see, with increasing clarity as the show goes on, that Shauna views Callie as a peer more than anything. Shauna has both stunted development and difficulty expressing affection. We see her tell Callie that it would’ve been easier if she HAD just had sex with the cop. That’s a very strong indicator of their dynamic. Shauna just doesn’t have the capacity to mother Callie.

That is important context because, with the scene in Callie’s bedroom, Shauna is recreating the thing she used to do when she was young and Jackie was alive. I don’t think she is even thinking about the fact that it’s her daughter’s boyfriend or bedroom, because she doesn’t even really think of Callie as her daughter much of the time. It’s so complex and muddled and, you guessed it, uncomfortable!

In my opinion, people are NOT ready for the intricacies of the ways Callie is a Jackie proxy for Shauna to be developed further. Like the show is establishing it pretty heavily, and I think in a very compelling way, but if it goes down that road more explicitly I have a feeling that people are not going to be able to separate the WAYS in which Shauna sees Jackie in her, if that makes sense.

I think s2 did have some compelling threads of this. Shauna caring for the Jackie corpse doll and getting frustrated and “hurting” her with the ear coming off scene. Shauna not being able to protect her, initiating and endorsing the consumption of her, then hinting at having fears that she’d hurt the baby when she was pregnant, losing the baby, worrying that they’d do to the baby what they did to Jackie, twisting it so much that she can’t help but believe they ate the baby too.

She associated the baby with Jackie very heavily. And in doing so, I think she parentified herself to Jackie in a really fascinating way, like Jackie was her first failure.

If she couldn’t care properly for Jackie, who loved her so much (and became an actual martyr and saint to her), and she couldn’t care for her children who were absolute innocents, then she must be the epitome of horrible and she should squash those caring instincts bc clearly they aren’t actually Good, type shit. That’s how I feel like Shauna spirals into her destructive behavior.

So what happens here, imo, is that Shauna doesn’t really see any of her relationships clearly. I don’t think she consciously thinks of Jackie as The Girl She Was In Love With, and I don’t think she consciously thinks of Callie as her daughter most of the time. Shauna just thinks of them both as people she has loved and failed, as well as people who piss her the fuck off and make her feel trapped in a life she doesn’t want.

She sees a lot of Jackie in Callie, and she acts out in really horrifying ways throughout the entire show to try and gain control, and this scene is one of them. Shauna has always used sex as a way to reclaim control, even when it is absolutely insanely inappropriate, and often when it isn’t at all about actual pleasure. We see more of this in s2, when she BRINGS JEFF TO THE ART STUDIO OF THE MAN SHE KILLED AND FUCKS HIM THERE (that was fucking INSANELY risky and destructive). With masturbating on Callie’s bed, looking at a pic of her bf, Shauna is acting from the same place she was when taking Jeff from Jackie in a way, and I get why that’s uncomfortable to watch. It makes me incredibly uncomfortable, it is SUPPOSED to!

But I think that we are viewing it with so much more logic and thought than Shauna is capable of applying. We draw conclusions from it that are based on a sane person, and Shauna is far from that. I think Shauna is briefly recreating multiple feelings and motivations that drove her to sleep with Jeff as a teenager. The sexual side of things is so wholly Jackie driven, she is constantly seeking ways to feel the way she felt when she was creating that proxy sexual connection with Jackie that she verbatim discusses with Jeff (which is so crazy btw not over that scene). But the side that relates to Callie is driven purely by the frustration and anger. Again, I don’t think Shauna has consciously thought about ANY of it, but if I had to interpret the driving emotions, then I think those would be the most likely.

And I think what it says about Shauna is that she is not living in reality in the slightest. You can not overstate the lack of conscious thought that goes into her actions when she does these things. She is acting on pure impulse, and without any certainty that anything is actually real.

She breaks my heart and this convo about the masturbation scene is so interesting to me because YEAH, that was a ROUGH introduction! and it took me rewatches to allow myself to dig into her character and that’s the point tbh.

On instinct, people either see the actions clearly and hate her, or obscure them to the point of forgetting they happened and love her. But it’s much harder to reckon with them and dig in and come out still loving her.

(I truly can’t believe I have to say this, but I was recently introduced to the fact that yj incest shippers exist, so disclaimer: this is NOT meant to be taken as a romantic or sexual interpretation of Shauna and Callie’s relationship at all. In fact, when I say that I don’t think people are ready for detangling the WAYS in which Shauna sees Jackie in Callie this is exactly what I mean. I just assumed people would wrongly assume it was That and be horrified. I didn’t consider the opposite, and I would like to continue not considering the opposite, so I will prob block anyone who engages with this in that way simply bc I do not want to see it and this is my social media lol)

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[pigeonmilk-216]

I know nobody asked, but I just spent an hour of my life researching this, so have it ig?

To the best I can figure, here’s a very rough timeline of the interesting points in House’s life, leading to S1:

1991: Wilson and House meet at a medical convention in New Orleans

1994: House meets Stacy in a game of paintball with Lawyers v Doctors

1995: House gets the Esther case (on wiki the exact words are “in or around 1994” and I like to think that this case, which kinda screwed with House a bit, was a stepping stone in the Stacy/House relationship

1996: House is hired at PPTH by Cuddy

1996/1997: Wilson is hired at PPTH through a suggestion by House ( Wilson could have actually been hired basically at any point after House was hired until S1, 2004, but me thinks this is just the prime time for Wilson to be hired bc then within the two years, he marries Bonnie and spends his entire time with House after the infarction)

1999: The Infarction and Stacy’s leaving

2002: Chase is hired onto the House team after a call by his father

2004: 6 months before the start of S1, Cameron was brought into to the team and three days before, Forman was hired.

[dukeofthomas]

Do you see my vision

[swallowtail-ageha]

"And what about all these orcs? By the end of the war, Sauron is gone but all of the orcs aren’t gone – they’re in the mountains. Did Aragorn pursue a policy of systematic genocide and kill them? Even the little baby orcs, in their little orc cradles? The war that Tolkien wrote about was a war for the fate of civilization and the future of humanity, and that’s become the template. I’m not sure that it’s a good template, though. The Tolkien model led generations of fantasy writers to produce these endless series of dark lords and their evil minions who are all very ugly and wear black clothes. But the vast majority of wars throughout history are not like that."

People often parade the "what was aragorn's tax policy" as a famous grrm quote, but often ignore this one which follows, which is way more interesting and reflects better the priorities of George as a writer. And it's even more interesting how the man himself proceeded to answer to this question with Elden Ring, specifically with Marika's backstory and her subsequent genocide of the Hornsent.

Marika herself seems to be the character that's hero whose journey has long ended, the little girl whose village got razed and came back for vengeance against the evil, demonic looking overlords who killed her family and stuck them in jars. But, this time, we are shown full on her vengeance, she did pursue a policy of genocide, she had pacific churches that had nothing to do with the jarring of shamans, cause old women to be imprisoned and battered t best (and at worse SA'd if you intepret the Grandam's lines in that way), and have baby hornsent in their little hornsent cradles (as the Hornsent dialogue that plays if you don't summon him for Messmer says). We are fully shown the length that the hero's "rightful vengeance" and "reconciliation of the land", and by lord above if it isn't an awful, brutal one

[luxaofhesperides]

Ghostlight!

"You came?" "You called."

Danny in trouble, Duke to the rescue! (Or it can be reversed!) Maybe they've been online friends or met in person once and bonded over both having all these unexpected powers. Slightly angst.

There was never a point when Danny thought he would need the panic button Duke gave him.

It was a sweet gesture, a way for Duke to show that he cared for Danny and wanted him to be safe. Never mind that Danny can take care of himself, heals quickly from most wounds, and has been the protector, not the protected, ever since the Accident. If it makes Duke feel better, than Danny was more than happy to keep it on him as a token of affection.

The cultists, however, caught him off guard. 

Danny would be embarrassed about being nabbed off the streets so easily if the people who took him weren’t cultists lead by the daughter of a GIW agent, one who disapproved of the scientific approach the GIW took towards ectoplasmic entities and had turned to mystic arts as a way to defy her father. Which, usually, Danny would be all for striking out against the strict expectations of parents and their unwillingness to listen to their kids in any serious manner, but not this time. Not when it ends with him slowly waking up after they chloroformed him, curled up in some magic circle, surrounded by black candles and blue flame, and something in the air that smells of blood blossoms.

There are voices speaking, but he can’t make out what they’re saying over the pounding in his head, his heartbeat stuttering in his chest with each gasping breath he takes. 

Whatever they’re doing, whatever’s got him bound in the circle, makes his blood feel like its been lit aflame, agony coursing through his veins. He tries to grit his teeth and bare it, but it doesn’t become any more manageable.

No, it gets worse the longer he’s awake.

Danny tries to move, tries to get to his feet, but all he can do is curl up tighter, a sob forcing its way out of his throat.

“I know you’ve got some connection to Phantom,” he hears someone say, both by his ear and so far away he can barely make out the words. Danny whines, trying to insist that they’re wrong, he’s got nothing to do with phantom, but the voice continues. “Come on, cooperate with us and this will end sooner for you. You can’t lie about this; you wouldn’t be feeling anything if there was no connection.” 

A hand brushes against his forehead, burning hot, and Danny turns his face towards the ground trying to move away from it. 

“I knew ghosts had to have some tie to the living world. And a living anchor would make the ghost stronger… If only dad would listen to me.” The voice sighs, and the words help him put the pieces together and realize this is the daughter of the GIW agent that came closest to finding him when he first ran to Gotham. 

It’s been close to a year since then. He thought they’d stopped looking. 

Really, he should have known better.

The hand leaves his forehead and he hears the leader bark out an order. Voices surround him, chanting, as they rise out of the dark. 

A red glow begins to fall on everything, enough that Danny can see it through his barely open eyes. A shudder runs through him, and he feels his transformation try to begin.

NO, he thinks desperately. He tries to force it down but it fights against him. It’s agony, pain on a molecular level, the feeling of dying over and over and over again.

NO, he thinks, STOP I DON’T WANT TO DIE SOMEONE PLEASE HELP ME.

And then, unbidden, a single word rising in his mind. Duke.

Duke will help him if he knows Danny needs help. Duke has been kind and welcoming and helped Danny find his footing in Gotham, never judging and always quietly offering a hand in support. He’s the person Danny’s closest to in Gotham, someone dear to him, a light in the dark. 

He gave Danny a panic button.

Contrary to popular thought, Danny isn’t an idiot. He knows Duke is the Signal. A few too many incidents where Duke had disappeared and the Signal appeared to save him tipped him off. It didn’t help that Duke acted the same in and out of costume, and he always, always grabbed Danny first at the elbow, then slid his hand down to his wrist. 

Besides, who else gives panic buttons to their friends? Danny would have done the same to Sam and Tucker if they weren’t always attached at the hip. He’s a (former) teenage vigilante too, he knows how being involved in this kind of thing invites trouble into the rest of his life.

Duke can help him. He’s a hero. He’s saved Danny before.

He’s his friend. Danny trusts (wants to trust, so badly) that Duke will help him even when he’s not fully human, fully alive.

With trembling hands, he reaches into his jacket, to the panic button. It’s a simple necklace with an unassuming metal rectangle dangling off of it. It’s flat and thin, but the top gives way to a button that Danny clicks three times in quick succession. 

He waits a moment, trying to breathe through the pain, and clicks it three times again.

Please hurry, Duke, he thinks, hand falling limply to the ground. 

“Let’s try this, instead,” the leader says, and the chanting falls to a quiet murmur to give way to her voice as she begins reciting something.

It starts at his feet. They cramp up suddenly, then pain crackles up his bones like lightning, digging deep into him. It feels as if a thousand knives dig into his abdomen, cutting in deep and twisting.

Danny chokes on his breath, then screams, trying futilely to scramble away. All it does is make him writhe on the ground, back arching enough that he can feel the strain of it on his spine, but it doesn’t matter because he’s forcing down his transformation again, smothering Phantom as much as he can.

His breath mists out before him. His fingers go numb, frost spreading across the floor.

Tears slip down his face as Danny pants for breath.

It hurts. It hurts like nothing has ever hurt before, but he refuses to give in. If they find out he’s Phantom, they’ll only do worse. 

Please, he thinks again, deliriously.

As if hearing him, a window shatters above him and the cultists break off in screams. 

Forcing his eyes open, Danny squints through he tears and watches as the shadows around them rise up, roiling, and crash against the cultists. The force of it knocks them down, leaving them to claw desperately at their faces as the shadows cover their nose and mouths, cutting off their air. The leader is yelling, rage clear in her voice, shooting out magic spells at the Signal.

The Signal is usually a friendly figure. He’s safe, something whose meer presence makes people feel safe. His smile means everything’s alright and when it’s directed to Danny, he feels like nothing bad can ever happen to him again.

The Signal isn’t smiling now. 

He’s furious, expressionless and stone cold, bashing away the spells with shadows or light, advancing on the leader like an avenging angel come to deliver justice. 

He takes her out with hard hits, striking methodically. It’s not quick. She doesn’t get the kindness of being knocked out; no, he snaps a wrist, breaks her nose, slams her down on the ground and cuts off her air with a knee until her struggles die off and she’s left limp on the floor. 

When he rises, surrounded by shadows still moving restlessly, illuminated only by the flicker blue flames of the candles, he should look terrifying. 

All Danny feels is relief so sharp it worries him that his chest was cleaved in half without him noticing until now. He shivers against the floor, too weak to reach out to the Signal.

It’s a good thing he doesn’t have to. 

The Signal picks him up with careful hands, checking him over for injuries.

“Duke,” Danny murmurs, slurring a bit. The torture is definitely at fault for it, but the sudden absence of all that pain doesn’t help him sound any more coherent. “You came.”

“You called,” Duke says, “Of course I came. I’ve been looking for you for hours. You never showed up for our study date and I know you always try to reach out if you can’t make it. I’m just sorry I didn’t find you sooner.”

“S’okay, ‘m not mad. Was scared, but you made it better. The panic button…”

“It’s how I found you. I’m so glad you were wearing it today.”

Danny tries to smile, but the most he can manage is a twitch of his lips before his head tips forward to rest against Duke’s armored shoulder. “I always wear it.”

Duke’s grip on him tightens for a moment, then he begins walking, taking Danny away from the magic circles and the prone bodies of the cultists who had watched him be tortured and decided to keep going. Danny shudders again, his entire body aching. His transformation is still fighting to come out, but it’s not as strong anymore. 

“Let’s get out of here,” Duke says into his ear. “I’ll take you to the hospital.”

“No! No hospitals, please. I can’t let them know… they’ll find me…”

Duke shushes him soothingly, tucking him more securely against his chest. “Alright, Danny. No hospitals. But I am going to call Batman for a pick up to get you to one of the people we trust for medical care.”

“But Batman doesn’t work in the day.” Danny’s too exhausted to sound confused, but it must go through anyways. Duke laughs lowly, and the sound helps unwind the last of his nerves coiled up tight in fear. 

“Danny, it’s well into the night. You were gone for hours. Longest hours of my life.”

“Sorry,” he mumbles, 

“Don’t be, it’s not your fault. Hang on, Batman’s nearly here.”

In any other circumstance, Danny would be excited to meet another hero. Especially Batman, one of the original heroes of the modern age. But all he wants is to go somewhere safe so he can curl up and cry, then sleep for three days before he pretends to be a normal human again. Ideally, he’d stay with Duke until he felt safe again, but he doesn’t want to take Duke away from the city that needs him.

His ears perk up a bit when he hears the smooth rumble of an engine stop in front of them. A door opens with a click without Duke needing to grab the handle, and then Danny is carefully being deposited in the back seat.

“Wait,” he says, trying to grab for Duke’s arm only to have his fingers fumble and grab nothing. Duke doesn’t move away, though, and instead grabs Danny’s seeking hand. “Stay? Please? I just—” his voice shudders, cracks, fractures apart. “I just want to feel safe.”

There’s a pause, a stillness in the air, before Duke says, “Okay. I’ll stay.” And then he’s sliding into the backseat, pulling Danny in to lean against him, curl into his embrace.

“Signal,” Batman’s low, gravelly voice says. There’s something in his tone that makes Danny tense up, prepared to take off, and his transformation pushes at his skin, ready to come out.

“He knows who I am, B,” Duke replies. “He’s trustworthy. Besides, just because he knows me doesn’t mean he knows you.”

“We will be discussing this later,” Batman says, dark promise in his voice. It’s just how he talks, Danny’s sure, too used to years of making himself the scariest thing in the dark. That doesn’t change the fact that Batman can be terrifying, and Danny can’t imagine he’ll take kindly to the fact that Danny knows Duke’s identity.

Fear slithers up his spine, and he can’t stop the transformation this time. The rings of white light flash over his body in a second, leaving Phantom in his place. 

Danny lets go of his legs first, glad to be free from their aching weight, and without a body made of flesh and bone, the hurt begins to fade away until it’s just an unpleasant memory. 

“What—” Duke starts to say just as Batman says, “Signal—”

They must have some sort of silent exchange. There’s only a heavy tension in the car and the barely audible rumble of the engine as they drive towards their destination, whatever it may be. Danny sinks into Duke some more, sighing in relief as a hand comes up to card through his wispy white hair. 

“Danny,” Duke says, “What’s this?”

“It’s why they hurt me,” he mumbles against Duke’s chest. “It’s why they keep hunting me down. I want them to leave me alone. I’m tired.”

Embarrassingly, his voice cracks on the last word and more tears fall down his cheeks. He hears Duke move, and then hands, bare and gloveless, wipe his tears away with a gentleness that makes his heart ache.

“They won’t be able to hurt you again. You’ll be safe from now on, Danny, I swear it.”

“S’okay if I get hurt,” he says, “It always happens. Promise to save me if this happens again?”

“I’ll do whatever I can to make sure it doesn’t happen again. But if it does, then I promise to always save you. I gave you that panic button, didn’t I? As long as you keep it, I’ll always find you.”

“You’re a good person, Duke,” Danny says, voice falling quieter as his exhaustion catches up to him. “I’m glad I met you.”

He thinks he feels a soft touch to the top of his head. A kiss, maybe, though it’s not likely. But he wants comfort, and he’s endured a lot a pain so he allows himself to hope and be delusional. With the warm that spreads through him from Duke’s soft kiss to his head, Danny gives in to the siren call of slumber.

“Get some sleep, Danny,” Duke says, voice hushed. “I’ll stay with you as long as you need.”

I know, he doesn’t say, too tired to open his mouth again, You’re always here. Thank you, thank you, thank you.

He falls asleep easily after that. There’s nothing in the world that can hurt him while he’s in Duke’s arms. He’s never been safer.

[kindahoping4forever]

Ash IG Story

[thegracefulwillow]

Pandora Hearts Month day 20: Pocketwatch

@i-prefer-the-term-antihero

[littletealights]

What makes you think that Arthur is a person of color? :0 just curious.

gladly.

so, at first, i thought it was me projecting but i think the first clue i got was eddie. yall might think i’m being dramatic but eddie was…suspicious from the get-go. in a normal situation like this, there’s actually 0% chance that it turns out the way it did for arthur.

but that’s beside the point. eddie knocks on the door and receives an unhurried response. he walks away to do.. whatever it is he was doing. arthur comes to the door, opens it, looks around and picks up some trash, muttering to himself. suddenly eddie has urgent business inside the office with a. flimsy excuse at best. strike one.

we, as the audience, know that arthur is being shifty because he’s just killed a man. eddie has been told, quite convincingly, that arthur was moving… boxes or something (im looking at the transcript, arthur just says ‘not furniture’ so…). and that arthur is working with sensitive documents. not sure if you know this but private detectives have to work with proper authorities to be allowed to operate legally. that means they work with the police and the courts. when a PI says a document is sensitive, they mean legally. they mean eyes only. they mean ‘come back later or i could lose my fucking license because you got the wrong look at classified documents.’ a building manager, especially their building manager, should know that. strike two.

he also asks for arthur’s partner, peter yang (who is, i can only assume, an east asian man). i should hope that i dont have to remind you that this is massachusetts in the 30’s we’re talking about, and what that means logically. but i will. america hated asian people the most they ever did until COVID in the 30s through the 60s. the only people they hated more were black and brown people. no matter how shifty and suspicious arthur was acting, eddie would’ve been… let’s just say ‘incredibly unlikely’ to ask for peter instead of the white man. strike three

there’s some little bits about subvocals and tone that i could say, but it’d be a lot and i don’t fully understand it enough to explain well why eddie set off alarms for me. because i dont have to. it takes 5 minutes (from 11:48-16:09 on spotify, so nearly exactly) for eddie to go from inconvenient, to annoying, to suspicious, to violent. and he ends the conversation with a very real threat of violence that essentially boils down to ‘don’t come back to the building again.’ eddie is a maintenance man. he did not have the power to evict anyone. unless, of course, they were a poc. so why was arthur worried about eddie when sneaking back into the building?

but, like i said, i thought i was projecting. projection and being-on-the-lam can easily explain arthur’s hesitance when delivering the baby and asking for a ride. or the gunshop in part 6. but the lighthouse? no, what really solidified it for me was the end of part 8.

here’s what officer collin knows so far: a visibly disabled man has stumbled, confused and upset, away from a lighthouse and a body that CANNOT have been killed by a human; and it is dark outside. that’s it. using this knowledge, he then proceeds to beat said man. brutally. repeatedly.

in part 9 they learn he is blind and when that timid little fucker (mitchell) expresses doubt, collin says this

this is something we like to call coerced confession. arthur did not kill that man (the lighthouse keeper). officer collin knows that arthur didn’t kill that man. (dont play, he knows.) but because it is convenient to say that he did, they’ll threaten and torture him until he says that he did.

now, friends, i’m not going to lie to your face and say that white folk are safe from the cops, youre not, i know. but what im also not going to do is pretend like there os any world in which this happens and arthur is visibly white. not in the thirties, not in america. despite being forgotten or unmentioned they are in the midst of the great depression, the exact last thing these small-town cops need is the arrest of a blind white man on their hands. regardless, i have never ever heard of a cop speaking this way to a white person unprovoked. i, on the other hand, have been spoken to this way myself.

this is already quite long and it doesn’t even cover the sheer magnitude of people who feel comfortable calling arthur (at his grown ass age of visibly-an-adult) ‘boy.’ or the wicked and downright racist way that larson says it, (genuinely. it sounds like he’s a middle school boy who discovered the word ‘fagg*t’ for the first time the way he says it. i couldn’t tell you how many times that word (boy) drove an ice pick through my fucking skull this season.) but i hope you can at least get the picture.

original post is here

[annabellelupin]

(rwarb spoiler)

Queen Mary: well what about heirs???? you have to have kids youre a prince for fucks sake

Alex: kids? oh yeah we're totally having kids not at all a problem we'll surely make it happen

Henry: .... we are?????

Henry: wasn't at all aware of that but alrighty then

Alex: I mean in my mind we have like 3 kids, 2 dogs, and a cat so-