#and yet they're an audience

[gayofthefae]

"How will they convince people of Mike's feelings" my guy literally all they have to do is have them have a normal conversation then linger looking at each other for just a little too long afterwards.

[elaboration but you can stop here if you should be asleep right now. Yes, you. I caught you. Go to bed.]

It's platonic to look at your friends, and even look at them when they aren't looking, but it is notoriously not platonic for a TV show to SHOW us.

That is literally ALL they did in season 4 with Will btw and you believe him. He literally just looked at Mike. He said a couple of coded things but I would argue still quite deniable until that talk in the junkyard got more specific. The bulk of the weight being pulled was - not even lingering looks, just lingering ON looks. Lingering the shot.

In the sweetest way - and including myself - audiences are dumb. We don't need much, really. Boy look at boy too long when he not looking equal romance. Telling love stories actually is not complicated AT ALL.

[vaguely-concerned]

if we get a scene with varric in the fade somehow (listen if just bleeding a bit in the general proximity of the ritual was enough to soul-hook rook into the fade, population: solas district for the foreseeable future, what the hell is going to happen to varric after having the whole dagger buried in his chest?? I'm scared) where he lifts his head as if he heard a voice no one else can perceive and just goes "...hawke?", it'll be over for me

[souenkun]

I had a nice talk with @teriiblog about my aokabu being married fic, and although we got kabu's hand placement wrong in our excitement, it still got me thinking: what if, after aokabu got married, kabu changed his battle pose by laying his left hand (with his wedding ring on!) over his heart, instead of his right one (which showed the galar league symbol on his glove)? It could become a way for kabu to show his devotion for larry, even if they could still live in their respective regions after tying the knot? 😭💖

Kabu could keep this very same battle pose, just that he'll exchange his right hand over his left one! 🥺🥺🥺 the galar league might not mind it too, especially if this change in kabu's pose takes place in leon's leadership! 💗

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[dimdiamond]

Part 2 is dedicated to all the Dancing Queens out there!

Part: 1 / 2 / 3 (Speech bubbles in alt text)

[total-drama-brainrot]

total drama horror au where after the "contestants" were chosen, chris kidnapped them and dumped them on an island to compete in death games against each other whilst broadcasting it to the masses livestream style. they're forced to comply with their "host" or else their food/living accommodations are stripped away and they're left to fend for themselves in the forest, but participating in the challenges is arguably more dangerous.

each elimination ceremony is taken to it's literal extreme, as the voted out player is just straight up executed on the spot.

the audience think it's some sort of ARG type deal at first, with the campers being actors, but eventually- probably by the first on-screen death- people catch on to it being Very Real.

(chris funds this little 'project' himself mr beast style using his vast amount of tv star wealth, so there's no network/producers that he has to answer to.)

[cathymee]

maybe it's to maintain a sense of tension & turmoil that would eventually reach an explosive peak, a sense of tug-of-war, a back-and-forth to hammer home the ideals they want to deliver and for the viewers to chew on, but although these arguments regarding hiroshi & his stance as a man torn between his loyalty for his country & the loyalty for his Filipino friends and lover is of course important, how they write these scenes & the points they present from this week alone is getting too repetitive...? literally the argument scenes from last night & tonight between adelina & hiroshi is basically the same; the ideas were the same, the dynamics were the same: the aggressive, radical adelina, bristling rage and fear over the injustices she's seen thus far, and the cautious, inspiriting hiroshi, all hopefulness and reassurance one moment as a lover, defensiveness and sternness as a japanese soldier in another. this debate will be ever-present ofc, it is one of the series' biggest conflicts, but it is unfortunately so easy to tell when it is a.) being pulled up as a main topic to move the plot along / be a necessary conflict for character development/introspection / be the conflict to deliver the morals & messages the writers want to send to their viewers, or b.) when it is being pulled up only for the drama and filler to pass the time. like watching the characters sit down to argue for 10 minutes, do other things for the plot for 2 minutes, then sit down again to argue for the next 20 minutes. lol.

[skrunksthatwunk]

yusuke's big ol doe eyes

bonus (SICKENING!!!!!):

[radarsteddybear]

I have so much fun writing little whump scenes completely divorced from any sort of larger story

But then sometimes I go back and reread them and want to punch my past self in the face for not including more of the aftermath XD

[iniziare]

Fandom: Seele is a lesbian. Her interactions with Bronya prove it, she picks on her all the time, and then also sticks around longer than she has to, yadda yadda... Me: Have you seen her fuss over Luka in his SQ? I'd suggest taking a look at it. You guys ship M/M ships for barely even being in the same trailer.

[july-19th-club]

favorite type of villanous characters are the ones whose motivations boil down to

like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction

[frantic-babbling]

no thoughts, head empty except for darry and paul being heartstopper in another universe and time period

and in their version they of course don't work because duh... like it would definitely not be like heartstopper at all because we're turning all the angst, darkness, drama, and homophobia up by 100 and taking away all the hearts, leaves, and sunshine but like i'm kind of envisioning some very wonky and wobbly parallels?

thank you heartstopper season 3 for coming out while I'm drowning in the outsiders and gay.

[korrasamibottles]

That different people can engage with the same piece of media and come out of it with wildly different interpretations is a testament to the evolutionary miracle that is the human brain. It is also very annoying.

[me-sploh-rada-imas]

staying so calm over this

[impishtubist]

My theory is that the people who turn Sirius and Remus into OCs want to still be in this fandom because of the big audience. If they admitted they're writing/drawing OCs, they wouldn't get the attention they crave

Honestly? That's definitely a thought I've had before. Since coming back to fandom/fanfic writing full-force in 2020, I've noticed an increased emphasis on writers wanting to write marketable fics, being interested in going viral, marketing their fics on Twitter and TikTok (even Instagram!) like they're books....it's super fucking weird. Fanfic isn't about the number of views/interactions you get, it's about writing something weird and cringe for the 10 people who go feral for your words!

[mommyashtoreth]

Okay goomenheads. Question: