#and sawyer and rachel finally have their exs!!!
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I take it back, this is the best anniversary ever, solely for Malva. So happy they finally added best worst girl. (Her partner is Talonflame, and she's standard Spotlight.)
Also, standard Spotlight and coming out of NPC hell, Chuck and Trevor. Their partners are Poliwrath and Florges respectively.
Lear is unfortunately a Master Pair. (Given that they're no longer the top-dog pairs, my thinking is that they're going to be releasing Master Pairs with increasing frequency. I was trying to collect them all before but now I'm going to be focusing on the Arc Suits 🤷♀️) I'm most likely skipping him entirely if the Arc Suits give me hell Scouting them. His partner is Gholdengo. Rachel and Sawyer are Variety and paired with Gimmighoul.
Other new units include Mix Leaf partnered with Blastoise, a new Silver partnered with Crobat in the damage challenge, BP Voucher Rose, Lusamine, Will, and Cheryl, BP Super Voucher MC and Raikou, and Battle Chatelaine Morgan and Virizion. The other Chatelaines and Janine/Ariados have their EXs unlocked.
Edit, here's the event schedule for this month, it's really packed. (Please no freaking points events like last month or I'm going to lose my shit.)
#pokemon masters#pokemas#champion lance#champion cynthia#champion steven#steven stone#elite four malva#pokemon trevor#gym leader chuck#battle chatelaine morgan#pokemon lear#prince lear#pokemon lillie#pokemon sun and moon#pokemon xy#pokemon hgss#pokemon dppt#pokemon oras
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(Please ignore/delete this if requests are closed or if you find this request stupid, lol)
Any ideas/headcanons on how you think Lear (from Pokémon Masters EX) would be like if he was self-aware/sentient?
You think he'd get jealous/frustrated if the player paid more attention to other characters (especially in the Trainer Lodge where the player raise other characters friendship meters instead of his, oof)
Sorry to bother you with this, but Lear just has me in a chokehold now (alongside a few others - mainly Emmet and Ingo 🧍) not gonna lie🚶
cw: self aware/ddlc au, slight jealousy
👑Lear💎
🪙 Of course, he would be self-aware. Pasio is his island — He is the owner of Pasio. Really, the idea that you were seemingly unaware of that fact drove him mad. Even if the initial revelation was a bit maddening and terrifying. Seriously… The idea that he was some metaphysical concept trapped in a place that would never change alone was sincerely something he would never wish to deal with. Rachel and Sawyer were nothing more than code. It was something truly heartbreaking and cruel. Yet, in all his torment and pain, he noticed there was another consciously aware. That hatted person predetermined to be his rival— Well, not them in the game, but the person manning them. The world unavailable to him – the world that created him. Not that he cared. Pasio was his, after all.
🪙 Though, he desperately desired companionship. Real companionship. It was desperately lonely even if everything was truly under his control. He truly had become a king in a sense, but in exchange, he lost everything else. Pasio was completely under his dominion. Anything and everything could be manipulated by him. He could increase their rates in the gacha part or give them extravagant gifts to lure them back in more and more frequently. Their attention on him was a precious thing that he desired chiefly, among other things. Yet, you were simply unreachable. And he was terrified of shattering the illusion of it just being a game to you. What if you deleted the app? What would become of him? These thoughts left him petrified.
🪙 Though, he would allow himself small indulgences of speaking with you. Nothing in a standout way, but something to make it feel more personal. He slowly grew more and more fascinated by your reactions to things. New events, new characters, new outfits. Endlessly, he wanted to make you happier and happier. Yet, he knew he could never go too far. It was maddening resistance of his usual indulgence. Lear felt so desperate in spite of it all. Slowly, he felt his comprehension of code grow out from just the app that should contain him. The exploration of the device he was on led to information becoming clear to him. You seemed to have quite the infatuation with him, leading to him feeling quite flustered, and you likely would not mind if he showed himself as he was.
🪙 Which led to him revealing himself during your morning greeting from him. It usually had been him, after all. His smug grin was on his face as he greeted you by your real name. His gaze behind those shades was firmly on you as he waited for your reaction. You seemed unsettled at first, but he soon went into explaining everything. Eventually, you did seem to calm down. A conversation followed, which finally broke him free of the endless conversations with other code without the consciousness he had been granted.
🪙 Though, Lear was a demanding man. Talking soon proved not to be enough. Even if you lavished him with attention that he so craved, he could only watch your focus shift back to the actual game sometimes. He should have been happy you simply enjoyed Pasio so much, yet his panic when you seemed far too happy at other characters stung him. You would even talk to him, though they could not respond back. Even simply spending time with them in the lodge and calling them dates jokingly was enough to drive him a little mad.
🪙 Somehow, some way, he figures a way to pull you into this digital reality with him – He had no real interest in heading to the world you lived in. Enough conversations with you about it had fully turned him away. Instead, he wished to bring you into Pasio. Your initial confusion wore off as he approached you and caught your chin in his hand. His heart raced as he could finally physically touch and hold you. Your eyes were big with confusion. “Welcome to Pasio,” he smirked, “… I've been waiting for you for some time now.” He would make certain to give you such a joyous experience that you would never wish to leave him or Pasio. Naturally, too, he had already decided that you two were to love each other as well.
Finally, the prince felt contented.
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Unit Teambuilding - Tina
Guys. I gotta be real. I think 4* PokeFairs were a mistake.
General Overview Now this feels like a Flareon pair: absolute dogshit.
Tina is a 4*, which means curse of the common, but dammit she's a PokeFair too! Maybe she just got hit with the same middling bat as Paulo, because this is bad. Bad stats, nothing consistent in her kit, Charm for some reason? Her trainer move buffs four different stats by 1. I shit you not, there is nothing but crit she is reliable for. It is weird. Like, I look at this kit, and sincerely wonder who it's for. Paulo, I guess. The four stats are the same ones he buffs with his buddy move. Which he only uses after sync. Fail couple, I guess.
I'm not gonna beat around the bush. Tina's terrible. I'll do my best to drag out a niche but it's not great, lads.
EX and Move Level? They didn't even give her a role. Anyway, it doesn't matter, the grid won't save you, and even at 4* Support candy are rare. You just take what the Paulo banner gives you, and hope it gives you a better support. Do not EX her. Have more care for your resources. Also I need to point out, she is the only new pair this month, barring the Lodge and BP, to not get a Role. Even though she's still a PokeFair and thus limited availability. No Role. Yeah, this is a death knell for the pairs that actually needed this. I'm not happy.
Team 1: Tina, Hilda, Blaine The oddity of Tina is that, despite feeling like she's meant to blend in with F2P clears, she is a PokeFair. A 4*, and hit with that particular bat, but a PokeFair regardless, with only a 5% rate of appearance, only when Paulo is rerunning. If Sawyer and Rachel are any indication, Tina will be rarer than Paulo, because at least Paulo will show on paid select scouts. But when you look at her among higher tier play, you get a sense that she's really not contributing much. +1 to four stats isn't really useful to any capacity. Hilda's an alright partner, buff up that speed a bit faster and contribute to turn 1 max attack. But it's far from good.
Final Thoughts I'm taking a mulligan, I'm not having fun this month and I'm not straining to make Tina of all people work. She's another in a growing list of pairs that absolutely sucks overall, but has some gauntlet-specific traits that can be useful, like Charm to neutralize Bulu or Cobalion, defensive buffing to offset team damage, and some passive healing to sustain. Frankly she's not even that good there, but it's like her only relevant calling. Tina is not a pair you go in search of. It's a pair that happens to you, because you were going for Paulo. Who is also bad. Don't do this to yourself.
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He’s All That: Influencer Addison Rae Helms a Cast of Familiar Faces
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For Gen-X viewers, He’s All That is a story we’ve seen before: Pygmalion or My Fair Lady, but updated with cultural references, settings, and technology that make the story of the lesson behind the plot—that the person you are is more important than the image you put forth—more connected to a modern audience. But digital natives who have grown up with as much with TikTok as with teen movie tropes will have a far richer experience, recognizing the cast not only as actors, but as the same influencers they’re playing.
From director Mark Waters, this update, a gender-bent response to 1999’s iconic She’s All That, features a young influencer who, due to the live broadcast of a messy breakup with her budding rock-star boyfriend, loses her sponsorship (and is outed as the poor girl she truly is). The only way to get her sponsor back and save face is to prove she’s the makeover queen, able to make over any boy at their school the way she sculpted her ex’s image.
While the cast features a number of familiar faces and voices, this is not only Addison Rae’s film, it’s her first film. As her character Padgett Sawyer, the real-world TikTok celeb leads the familiar story through all the right beats, accompanied by pop-up chat windows and emojis that represent the presence of social media in the lives of all but Cameron Kweller (played by Tanner Buchanan), the object of Padgett’s make-over efforts.
Here’s a look at the cast, including some blink-or-you’ll-miss-it cameos of other influencers among the cast members…
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Addison Rae as Padgett Sawyer
Although this is Rae’s first full-length feature, she is no stranger to the camera. She began her career as a dancer, who in 2019 launched a TikTok channel featuring her dance takes on popular songs. At only 20, the Louisiana celeb is worth over $5 million and has more than 83.4 million followers on TikTok (far more than her character in the film). Rae has her own merchandise line, but has also endorsed brands including Chantilly Boutique, Cheapskate, FashionNova, McCrary Jewelers, and Uptown. (It seems doubtful that she relies on any of them for corporate sponsorship, the way Padgett relies on sponsor Bunny Venom, given her per-video payout rate on TikTok and the reports of what she brings in monthly on YouTube.)
Character Padgett is known for her makeover how-tos (some of which give bad advice, such as using toothpaste to reduce pimples), and in fact Rae’s very first YouTube video was showing how to do hair and makeup. Another is a Q&A with her 2020 flame, Bryce Hall. But more of her videos on both YouTube and TikTok feature music, and in addition to the requisite teen movie dance numbers featured in He’s All That, Rae does an excellent karaoke in the film with co-star Buchanan.
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Bryce Hall‘s Cameo
Speaking of Bryce Hall, Rae’s fellow TikTok star (21 million followers) makes a cameo in the film. Hall’s career as an influencer began when he livestreaming on YouTube at age 15 in an effort to make friends after being bullied. The social media influencer moved from Maryland to Los Angeles and joined TalentX Entertainment’s Sway House to create content for multiple platforms.
In the film, Hall has no lines, but commiserates with Padgett’s ex, Jordan Van Draanen (Peyton Meyer) about girls. In the scene, Van Draanen soulfully mourns that the girl he dumped Padgett for has ghosted him, then asks his friends (including Hall) if they caught all that on camera. (By the time of the film release, Hall and Rae were no longer together, which may make viewers curious how Hall now feels about that scene…)
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Spencer X as the DJ
TikTok viewers may also catch the cameo of Beatboxer Spencer X as the DJ behind the karaoke competition. With over 54 million followers, the sound effects champ (who includes the label Mouth Music Man on his site) also has two singles of beatboxing and remixed vocals available on Spotify.
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Kourtney Kardashian as Jessica Miles Torres
While Kardashian needs no introduction, this real-life friend of Rae’s takes on the role of Padgett’s sponsor, an exec at Bunny Venom, who fires Padgett when her image goes wrong. Kardashian became a reality star in 2007’s Keeping up with the Kardashians and is involved in fashion along with her sisters. Due to her popular presence on social media, Kardashian is regularly compensated by brands for featuring their products in her posts. She has also helmed the lifestyle website, Poosh.
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A post shared by Tanner Buchanan Official (@tannerbuchananofficial)
Tanner Buchanan as Cameron Kweller
Coming from a more traditional acting background, Buchanan plays an artist who has no interest in the falseness of the high school world (and gives out sage words of wisdom)–though deep inside, he’s still mourning the loss of his mother and feel disconnected from his family and friends until Padgett breaks through his armor. Viewers might recognize him from TV series like Game Shakers or Designated Survivor, but the martial arts skills he shows off in He’s All That might be better attributed to the set of Cobra Kai, another Netflix production (after its first two seasons on YouTube Red) in which he plays Robby Keene.
Peyton Meyer and Madison Pettis
Padgett has two antagonists in the film: ex Jordan Van Draanen (Meyer) and rich girl frenemy Alden (Madison Pettis). Meyer is known for Girl Meets World and American Housewife, while Pettis made her name as Dwayne “The Rock” Johnson’s daughter in The Game Plan on the Disney Channel. If her voice is familiar, it may be because the He’s All That mean girl also played animated characters including Izzy in Jake and the Neverland Pirates and Zuri in The Lion Guard.
Myra Molloy and Annie Jacob
This 2021 update to the classic teen movie features a secondary romance between two queer girls of color—Padgett and Cameron’s besties who hit it off, despite their social strata differences. LEGO fan Nisha is played by Annie Jacob, known for her role as Glory Moffett on Motherland: Fort Salem. Sweetheart rich girl Quinn is played by relative newcomer Myra Molloy.
Matthew Lillard as Principal Bosch
In the 1999 film She’s All That, Lillard played an obnoxious reality star who steals the girlfriend of the main character, played by Freddie Prinze Jr (also Lillard’s co-star in Scooby Doo). Lillard isn’t shown for most of He’s All That, as only his voice is featured for the majority of the movie, until the final scene, in which he’s revealed to be the principal of the high school.
Rachel Leigh Cook as Anna Sawyer
She’s All That lead star Cook comes back not as her original character, but as Padgett’s mom, who is a nurse working hard to keep them in the best school district. As the film comes to a close, a remix of the song “Kiss Me” plays at the school dance–a direct call back to the original film, which used that as the main theme. Cook’s recent Love, Guaranteed was another Netflix Original.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
While He’s All That offers no surprises, the cameos and callbacks to the original film make this teen movie enjoyable as exactly what it is: a familiar tale with the usual happy ending, updated for a new audience.
The post He’s All That: Influencer Addison Rae Helms a Cast of Familiar Faces appeared first on Den of Geek.
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Lost Rewatch: 3x07 Not in Portland
Ah yes, Juliet episode, so prepare for misery and emotional turmoil. My kind of television!
F in the chat for Juliet’s flashback hair
As far as I’m aware, this is the first time they do the ‘Woah they’re actually not on the island’ fakeout, and it’s easily the best done here. Ethan, the facility-looking corridor Juliet’s walking down, Rachel saying “Are you afraid he'll find out?” - it all makes sense within the context of what’s happening
Wait, I thought Jack knocked that other guy in the room unconscious?
I’m not quite sure what Juliet’s plan is in getting this other guy to catch and/or kill Sawyer and Kate
Given who we learn Juliet is, I am very surprised that she was at one point married to such a prick
Not only that, but she keeps his last name! Actually, I can understand that - he seems like quite the manipulator. Quite the Ben lite
How did Alex know exactly where Sawyer and Kate where?
That’s the second person Sawyer’s called ‘Sheena’. You’d think he’d be more original
They play off Ben waking up early with Jack saying that he’s not an anaesthesiologist, but there’s quite a large difference between many hours and twenty minutes
I see Alex inherited the sass from her father
Wait; when Ben wakes up, Jack has just said that he has 40 minutes before he dies, but when Juliet comes back in Ben says he has half an hour left. It took ten minutes from Juliet to get here from just outside the building?
They seem to start building Tom up as the comic relief Other, and as possibly the seconds nicest one after Juliet. Which is an odd choice, given that this was the guy who personally kidnapped Walt and was the primary antagonist of Season 2
Ay, it’s Richard! I take back what I said about Tom being the second nicest Other
How exactly do you impregnate a male field mouse? I get that it’s supposed to be an example of Juliet being a great scientist, but... there’s no womb???
I love the cut from flashback-Juliet saying “I’m not a leader, I’m a mess”, to present-Juliet being all ‘walk walk, fashion baby’
Why is it that, in basically every tv show involving time travel, we see at least one character reading A Brief History of Time?
Karl is in Room 23
Kate says that her threatening to shoot that random guy’s knee ‘wasn’t a con’ - great line, by the way, great to see Kate being Kate - but we’ve already established that they don’t have any bullets left, so it had to be a con
The scene where Rachel tells Juliet that she’s pregnant gets me every time
So Juliet’s ex-husband being hit by a bus was obviously Richard. But why would he do that, when Juliet would obviously be suspicious. Why not hit him with a car?
If Tom doesn’t like blood, why was he in the surgery in the first place?
Tom says they can’t take Ben to a facility since they sky turned purple, but surely they were planning this whole Jack manipulation thing for a while beforehand, right? Hell, they sky turned purple as Jack was being captured. Why couldn’t they have taken Ben to a facility beforehand?
So, does Juliet have no emotional reaction to shooting a colleague? Hell, as far as we know, this is the first time she’s ever shot anyone - surely that would have an affect on a person?
Jack asks Kate to promise not to come after him, but then hangs up before she can
Ughhh, when you’re breaking down crying over the death of your ex-husband, Ethan’s face is definitely not one you’re gonna want to see
Why the hell would Richard decide to show up at the morgue? Does he want Juliet to put two and two together?
“I've been on this island for 3 years, Jack. 3 years, 2 months, and 28 days. He said that if I let him live and I helped you -- that he would finally let me go home.” - that really hurts when you know what happens to her in the end
Overall Review:
I really enjoy this episode. Most of the stuff with basically every character I don’t care all that much about, but Juliet! It’s at this point where you realise that everything’s not so black and white - maybe not all these Others are as bad as they first appear
Overall Rating: 8.4/10
#luna rewatches lost#abc lost#lost show#lost#lost 3x07#3x07#not in portland#juliet burke#ethan rom#ethan goodspeed#jack shephard#kate austen#sawyer#james ford#james sawyer ford#benjamin linus#ben linus#alex rousseau#alexandre rousseau#alex linus#alexandre linus#tom friendly#richard alpert
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I love this job more than I imagined I could. The day I stop giving it my all is the day I walk away.”
–John Nolan (Nathan Fillion), 2×14 “Casualties”
The quote above really encapsulates the draw of ABC’s police dramedy (that’s drama-comedy) The Rookie. The Nathan Fillion led series was ordered back in spring 2018, and aired its first season from 2018-2019. It’s currently in its second season, with a new episode airing this Sunday, April 26. In light of that – and because I’ve since managed to get 2 of my friends hooked on it – I decided I’d write up a few reasons as to why you should definitely check out this show…if you haven’t already!
Reason #1: The cast
(ABC/Andrew Eccles)
Yes, Nathan Fillion of ABC’s Castle headlines the series, but there’s a whole slew of cast members that carry the show just the same. Not to mention, you’ve probably seen them on other TV shows or films prior to their appearance on The Rookie.
CURRENT CAST (as of season 2–onward):
Nathan Fillion portrays John Nolan, the 45-year-old “rookie” who decided to pack up and move to LA to join the LAPD after a robbery at his local bank in Pennsylvania made him question his life decisions. You’ve probably seen him on: Castle, Firefly, Two Guys & a Girl, and/or Con Man.
Alyssa Diaz portrays Angela Lopez, one of three TOs (training officers) at the Mid-Wilshire Police Department in Los Angeles, California. You’ve probably seen her in: As the World Turns, Army Wives, The Nine Lives of Chloe King, and/or Ray Donovan.
Richard T. Jones portrays Sergeant Wade Grey, who is the immediate boss of the TOs, and is also responsible for their rookies, as well as the remainder of the police under his command at the station. You’ve probably seen him in: Judging Amy, Why Did I Get Married?/Why Did I Get Married Too?, and/or Terminator: The Sarah Connor Chronicles.
Titus Makin Jr. portrays Jackson West, the second in the trio of rookies. His father is the head of LAPD’s Internal Affairs, so he’s struggled some with having to prove himself outside of his father’s shadow. You’ve probably seen him in: Glee, Starcrossed, Pretty Little Liars, and/or The Path.
Melissa O’Neil portrays Lucy Chen, the 28-year-old hotshot who completes the trio of rookies in the LAPD. She decided to become a cop on a whim, but she loves it so much now, even though it’s the opposite of what her psychologist parents want her to do career-wise. You’ve probably seen her in/on: Canadian Idol, Dark Matter, and/or as a part of the Broadway musical Les Miserables.
Eric Winter portrays Tim Bradford, the second training officer under Sgt. Grey. He’s first seen as the no-nonsense type, but has since softened some during season 2. You’ve probably seen him in: The Mentalist, Witches of East End, The Ugly Truth, and/or Days of Our Lives.
Mekia Cox portrays Nyla Harper, a former undercover detective turned training officer. She’s quite a badass, and does whatever she can to excel at work, as it’ll earn points in her favor, because she’s fighting for custody of her daughter with her ex-husband. You’ve probably seen her in: 90210, Chicago Med, Secrets & Lies, and/or Once Upon a Time.
CURRENT RECURRING CAST (as of season 2–onward):
Image Credits: (ABC/Christopher Willard); (ABC/Richard Cartwright); and (ABC/Eric McCandless)
Ali Larter as Dr. Grace Sawyer, a former flame of John’s from his college days. She now works at Shaw Memorial Hospital, and while she and John reconnect as just friends first, they eventually ramp it up to dating.
Harold Perrineau as Detective Nick Armstrong, a new night detective that assists the LAPD with their case load after their regular shifts. He becomes involved more so when notorious serial killer Rosalind Dyer is brought to Grey’s station per a deal with the DA.
Shawn Ashmore as Wesley Evers, a lawyer that is currently dating Angela Lopez. The two have been living together since the start of season 2, and are now engaged as of episode 16.
Jasmine Matthews as Rachel Hall, a social worker who is one of Lucy’s best friends, and currently the girlfriend of Tim Bradford.
Daniel Lissing as Sterling Freeman, Jackson’s boyfriend who’s (ironically? meta-ly?) the star of a cop show, Hot Suspect.
Sarah Shahi as Jessica Russo, who is an FBI agent that was brought in to work a biological terror attack. She and John have a brief relationship, but break it off by episode 6 of season 2.
FORMER CAST (season 1):
Mercedes Mason portrayed Captain Zoe Andersen, who was the tough but fair captain of the LAPD. She believed Nolan’s life experience would be good for the department. She was killed in episode 16 by a gang member who made an attempt on Nolan’s life.
Afton Williamson portrayed Talia Bishop, Nolan’s former training officer. She came off as brash at first, but she did help John a lot during his first six months on the job. She left the LAPD for a job with ATF; Afton exited the series after season 1 ended.
FORMER RECURRING CAST (season 1):
Mircea Monroe as Isabel Bradford, Tim’s ex-wife. She was an undercover officer, but got hooked onto drugs which made her lose her job, and consequently, her husband. Tim tried to help her numerous times, but they’d been estranged for a year. She did finally get clean; but they decided it’d be best to separate, as Tim did not want to remind her of her old life.
Michael Beach as Commander Percy West, Jackson’s father who runs Internal Affairs for the LAPD. He and his son had their tough moments, but the two seemed to have reconciled in the season 1 finale after Jackson’s heroic efforts to stop a viral criminal.
*random fun fact: Mekia’s not the only one with a One Chicago tie-in. Alyssa Diaz actually worked with Chicago PD actor Jesse Lee Soffer on As the World Turns, and Michael Beach actually just finished a recurring role on Chicago PD as Darius Walker. Joelle Carter, who portrayed Shawn Christian’s character’s wife in the “Hawke” episode, has been on not one, but 3 One Chicago shows. Two of which portraying Laura Nagel (Chicago PD for 1 episode, and the spinoff Chicago Justice); she guested on Chicago Med this year.
Just wanted to toss that tidbit in there since quite a few fans of The Rookie have also been fans of the One Chicago franchise – at least that I’ve interacted with on social media!
Reason #2: The balance of dramatic cases with humorous banter between the officers
(ABC/Ron Batzdorff)
(ABC/Ron Batzdorff)
While The Rookie is no means a straight comedy, it’s also not technically a classic police procedural either. That’s a good thing, as the balance of the lighter comedic moments interspersed with the dramatic or sometimes gruesome cases is what makes the show so damn entertaining. Oh, and did I mention there are bloopers? Because there are bloopers, and they are hilarious. Click here & here to see those!!
Reason #3: The pairs (TOs & Rookies)
(ABC/Ron Batzdorff)
Ah yes, another reason why The Rookie works so well. The pairings of the training officers with their respective rookie is spot-on. In season 1 you had the new, upbeat, John Nolan paired with spunky Talia Bishop; and the two bounced off each other quite nicely. John’s new TO, Nyla Harper, is just as sassy, if not sassier than Talia, but in a way, she’s a little more grounded, as she has a young daughter to consider. That’s something they have in common, as John has a 20 year old son, Henry.
(ABC/Christopher Willard)
Another pair is Angela Lopez and Jackson West. Sure, you would think: oh, here are two ambitious, young, intelligent people, so they should feed off each other, right? Wrong…at least not at first. And that’s what was so refreshing about it. Was that you had the push-and-pull between them that made you wonder if West could really stick it out with Lopez. He eventually did get over his “stage fright” when gunfire was occurring, but it took time; and it was realistic to see Angela be tough, yet understanding with him when it came to things like that. Not to mention, Jackson’s helped her out on the relationship front a few times, as he’s listened to her issues with dating, and Wesley. He even was the one who put the idea of a proposal in her head when they were at a stakeout! The two are really jiving, and it’s fun to see!
(ABC/Christopher Willard)
Last but not least is the duo of Bradford and Chen. They couldn’t be more opposite from each other at first glance: you’ve got tough-as-nails Tim, who’s got to train positive, spirited Lucy. Sounds like a little bit of a clash, right? It seemed like it at first, as Tim was very tough on Lucy; but he’s since let down his guard a little, which has been cool to see. He’s balanced out Lucy’s energy, and the two have since been so in-sync, it’s a little crazy at times (but in the best way possible)!
Reason #4: The “ships” (couples) of the show
(ABC/Christopher Willard)
Image Credit: Twitter/TheRookie
Image Credit: IG @TheRookieABC.
(ABC/Christopher Willard)
Image Credit: IG @TheRookieABC
Ah yes, the part that a lot of fans (myself included!) love about our favorite TV shows: the couples that pair off in it! It’s also worth mentioning that fans usually get excited about “should be” couples aka: people that they think should be together/dating/a couple/etc.
As far as The Rookie goes, there are actually quite a few well-established couples on the show, especially in season 2! If you need or want a quick season 1 refresher: Tim was technically still married to his now ex-wife, Isabel; Jackson had a brief relationship with Gino; Angela and Wesley had begun dating; and yes, John & Lucy had a brief thing early on!
Now, for season 2, you’ve got: Jackson & Sterling; Tim & Rachel; Wesley & Angela; John & Grace (John was previously dating Jessica); aaaaaaand the fan-favorite should-be couple: Tim & Lucy. The final “couple” is actually how I got hooked onto The Rookie – thank you social media for all the #Chenford/#Tucy hashtags!!
Most everyone loves these relationships because they’re fun, endearing, dramatic, and sometimes even a little bit funny. It’s quite a nice counterbalance to all the death and destruction the LAPD encounters on the streets everyday, you know? Plus, who hasn’t found a couple on a show that they like a lot, right? It’s fun to interact with other fans about it too – which is part of the reason why “ships” are really effective.
Jackson and Sterling have that lovely push-and-pull dynamic, where, since Sterling’s a celebrity, and Jackson’s a cop, they had to keep it low-key at first. But now, since they’re technically out of the spotlight, they’re free to do as they please.
Tim and Rachel originally began as a bet, but, it turned into something more afterwards. Even though the two have had their little disagreements here and there, it’s been really interesting to see Tim open himself up to a new relationship after his wife in season 1. The fact that Rachel’s one of Lucy’s best friends is…beside the point. Although, for fans of Chenford/Tucy, it’s kind of comical, or ironic. I’m not quite sure which.
Speaking of Chenford, Tim & Lucy are the ones that fans have been clamoring to get together – even though technically, nothing can happen between the two until Lucy’s no longer a rookie (Tim’s her TO!). I’ll admit, I was originally intrigued by them because of their similarities to another “should-be” cop couple I ship: Upstead from Chicago PD; but, seeing how in-sync the partners are on The Rookie, I understand why everyone wants them to be more than that. I sure do!
Wesley and Angela have been steady since season 1, and his heartbreaking PTSD storyline in season 2 only brought them closer together, and showed just how strong of a relationship they have. Angela’s been super supportive, and Wesley’s always been confident in her abilities. They’re even the couple to beat in terms of major milestones: they’ve moved in together, and they’re engaged! YAY!
John and Grace were a little bit of a wildcard at the start, since they had a little bit of a history there. But, ever since they blossomed into friends, their transition into a relationship was relatively easy. It’s been nice to see John happy, and Grace seems to be really good for him right now.
Reason #5: The vibe behind the scenes
(ABC/Troy Harvey)
Last, but not least is the “vibe” behind the scenes of The Rookie. That includes the off-set antics the cast gets up to! It’s been really fun to scour social media and see their comments on not only The Rookie account, but on fan things too! The cast is also great about liking comments and posts that fans make, which is super-nice!
Not to mention, they’re just genuinely fun people – at least judging from their behind the scenes posts and on-set videos! From car sing-a-longs to random dance parties, there’s never a dull moment on The Rookie set! They’re such good sports. Not only does that camaraderie come through onscreen, but it helps the chemistry to translate nicely as well. Believability is part of what sells TV, and The Rookie has that skill down pat!
Bonus: Favorite Episodes So Far / Ones To Watch
Image Credits: (ABC/Richard Cartwright) and (ABC/Christopher Willard)
Note: this is just my own personal list, but if you have any more to add, feel free to comment! 🙂 PS: Season 2 is available for streaming on ABC.com or Hulu; season 1 is not, but there are a bevy of clips online (YouTube) which can help catch you up!
The Pilot, of course! 1×01, and then the kind-of-sort-of subsequent follow-up 1×02 “Crash Course”
1×04 “The Switch”
1×07 “The Ride Along” & 1×08 “Time of Death”
1×14 “Plain Clothes Day” and 1×15 “Manhunt”
1×19 “The Checklist” and 1×20 “Free Fall” (the season 1 finale)
2×01 “Impact” (picks up right after season 1 leaves off!)
2×03 “The Bet” and 2×04 “Warriors and Guardians” (which is Mekia’s debut!)
2×06 “Fallout” and 2×08 “Clean Cut”
2×10 “The Dark Side” and 2×11 “Day of Death” *you should definitely watch these back-to-back, as 2×10 serves as the midseason finale; 2×11 is the midseason premiere*
2×12 “Now and Then”; 2×16 “The Overnight”; and 2×17 “Control”
That’s all for me for now! 5 (or 6, if you count the dramatic episodes!) reasons to watch The Rookie! You can catch all-new episodes on ABC, Sunday nights at 10/9 c! Be sure you’re following the show on Twitter and/or Instagram so you can see fun behind the scenes content, not to mention live-tweet during tomorrow’s all-new episode! Hope ya’ll liked this post!
Credit: GIPHY/Google
Why You Should Be Watching #TheRookie (if you're not already!) I love this job more than I imagined I could. The day I stop giving it my all is the day I walk away."
#ABC#blogging#cop drama#review#The Rookie#what to watch#chenford#lucy chen#tim bradford#eric winter#melissa o'neil#alyssa diaz#angela lopez#wopez#weslo#wesley evers#shawn ashmore#titus makin#jackson west#john nolan#nathan fillion#ali larter#jasmine richards#rachel hall#these ships will sail#why watch the rookie#the rookie season 1#the rookie season 2#my writing#reasons to watch the rookie
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1-4. For the asks
Thank you so much for sending these! <3
Once I started to answer them, I realized there were comparatively few recent television shows appearing on the list. I seemed to keep gravitating toward older ones I remembered from years ago. I took a handful of days to mull it over in case I was forgetting something, but nothing else comes to mind. Maybe my ongoing list of Shows to Watch During Quarantine will turn up some fresh results but, for now, it looks like I’ll be taking a little trip down memory lane. :)
This turned out to be a pretty long and rambly post, so I’ll stow it under the cut!
Top 5 TV Shows
1. Crazy Ex-Girlfriend - I can’t imagine this surprises anyone who has been following this blog for the past two years or so. It brought fellow fans into my life, got me back into writing fic, and prompted countless tags of meta. It’s the show my mind drifts to on a weekly basis (if not daily) even a full year after the finale. Just when it seemed I’d reached an age where that level of intense fandom involvement and character attachment might be fading, it proved that quite the opposite was true. I’m very thankful to the series for that, and for the people whose paths have crossed mine as a result.
2. Schitt’s Creek - This is my #1 Feel Good show and, though I’ve been dodging spoilers for the final season until it gets uploaded to Netflix, I get the impression that it will remain in that top spot. The world feels softer and more hopeful there. It’s healing for my soul. I’m going to have a dreadfully difficult time saying goodbye, but I’m glad there are six season to revisit whenever I want.
3. Stranger Things - The theme song alone sends such a rush of excitement through me. I love the aesthetic and the atmosphere. I sometimes have mixed feelings about the romances but the FRIENDSHIPS sure do have a direct line to my heartstrings. I think the way they’ve combined media influences into their own story is really neat. You get something that’s new and engaging, but you can also go back and enjoy the sources of inspiration with fresh appreciation.
4. Joan of Arcadia - I can’t help it. The snark, the jackets, the early 2000s songs, the performances -- the nostalgia for this show is so strong. It’s not without its problems, but it did have some really good things to offer as well. I remember an episode that was one of my earliest introductions to the concept of a trigger, and the effect it could have on a person if exposed to one of theirs. The series dealt a lot with grief and the many forms it can take (I STILL can’t hear Fiona Apple’s cover of “Across the Universe” without getting misty-eyed). I’m also surprised, looking back, at the somewhat positive way I recall them discussing homosexuality on the several occasions that it came up in the show. Not to give too much credit since I don’t think there were recurring canonically LGBTQIA+ characters but, for a kid who spent most days around closed-minded people of a certain religious leaning, it was meaningful along my individual journey. I’d like to provide the several examples that are most vivid in my memory:
A. A girl with short hair, short nails, little to no makeup, and a bulky leather jacket is generally assumed to be a lesbian by the bullies at school. The show directly confronts the fact that “gay” should not be used an insult, that identity should not be assumed without the person telling you so, AND makes sure that the character in question never pushes back by saying harmful things about lesbians despite not actually being one herself.
B. A boy who is questioning is able to confide in his big brother and have a fairly calm conversation about it; the awkwardness mostly comes from neither of them being accustomed to openly discussing emotions, not from the possibility of a negative response regarding the subject matter.
C. Another character is accidentally discovered to be gay (he only appears in the one episode, if my memory serves), and some of the leads have the opportunity to share that for personal gain. However, even though he is a popular jock who is a bit of a jerk in the hallways, the show makes it clear that the right choice is still to leave the telling of that information up to him and him alone.
Like I mentioned, it can’t be said that representation was in abundance here - for instance, I don’t believe anything other than straight or gay was presented as a possibility - but any accepting acknowledgement in a faith-centric series was something for me to hold on to in my still-deeply-closeted days. As a final Very Important personal side note, this show brought Judith Montgomery into my life (pictured below on the left), and that feels like it merits a shoutout for being what I consider a rather significant marker in my awakening.
THE OVERWHELMING CRUSH I HAD - and still have - is one for the books.
5. Pushing Daisies - This is another show with an aesthetic I adore. The series has such a fun, whimsical energy. The crime-solving! The clothes! The cast! There's a lot to love. It’s the kind of world I wish I could visit... well, minus the evidently rampant murder rate.
Top 5 Overrated TV Shows
1. Once Upon A Time - *deep sigh* I tried to stick with it for so long. I think I’ve seen five out of the seven seasons in their entirety. It just felt like everything got mired down by excessive (and increasingly convoluted) subplots, often for the purpose of tossing in as many fairytale and/or Disney characters as possible. Plus, quite honestly, there was too much emphasis on romantic love. For a show whose first season involved a curse being broken by [potential spoiler, I suppose] a mother kissing her son’s forehead, I ultimately found myself up to my ears in romantic ships. It reached such a stifling extent that, if you were not particularly attached to those pairings, there wasn’t a whole lot else to entice further viewing.
2. Under the Dome - I don’t know for certain what the general public opinion of this series was, but it felt like the commercials always featured alleged rave reviews, so I figured I could include it here. I was vaguely interested in Season 1, mainly as a fan of Rachelle Lefevre’s work. Season 2 pulled me in with the introduction of a new townsperson and I threw WAY too much of my heart into that attachment, which backfired when that character was killed. I made quite the spectacle of my heartbreak, so much so that my family doesn’t let me mention this show around them anymore. :P Season 3 was, to phrase it delicately, not a great time. The series did introduce me to a few new-to-me actors, though, so that was cool.
3. Bates Motel - Even the incentive of learning that the two characters I liked most share a lot of screen time later in the series hasn’t been enough to call me back to this one. I don’t know if it was the pacing that put me off or what, but the prospect of finishing the remaining seasons feels so daunting. There are evidently five seasons in total and I believe I’ve only seen two of them thus far. I will probably muddle through it someday just to see how it goes, but the fact that I am so disinclined to prioritize it made this feel like a fair addition to the list.
4. Lost - My interest in this series unfortunately waned right before fervent fandom spiked. I don’t have any specific complaints that come to mind about what I saw; I just sort of drifted and then stayed away. Teachers I liked and peers I spent time with were starting to latch on to the show and I couldn’t find even the slightest inclination to give it a second try. However, did I still dutifully read all the latest installments in my friend’s Sawyer Ford and Kate Austen fanfiction when she passed me handwritten copies at lunch? Sure. I was glad it made her happy, even if I was no longer a viewer.
5. Hemlock Grove - I say this as someone who still mourns the fates of some characters in this show, so I wouldn’t go so far as to claim that the series stopped being able to make me feel anything. I’m just of the opinion that, in some ways, it might’ve been better off stopping at one season. That’s where the book it was based on ends, and things just didn’t feel as cohesive after that. Season 3 especially was - borrowing from my above review of Under the Dome - not a great time. That being said, there are also certain elements from the book that I could’ve done without in the Season 1 adaptation but... well... here we are.
Top 5 Underrated TV Shows
1. Picnic at Hanging Rock - Another one that won’t surprise followers of this blog. I have rhapsodized about it quite frequently since I found it a little over a month ago. It’s a period piece mystery miniseries with LGBTQIA+ representation, gorgeous costumes, and Samara Weaving. This felt specifically designed to wedge its way into my heart, and I’m quite content with the space it now occupies.
2. Dark - I’m so intrigued by the overlapping timelines with all of the morally gray characters. It’s possible to like one of these people in the timeline where they’re young but dislike them as adults, or vice versa. It also makes me think of Rant by Chuck Palahniuk a little tiny bit with the idea that time travel, specifically tampering with your own timeline, might make you physically and behaviorally unrecognizable to yourself. And the SONG CHOICES! I have gotten some solid new music selections from this series.
3. Sense8 - I still need to watch the finale. I really do. But I knew it would make me sad so I’ve avoided it for... two years now? Pretty close, I think. The concept is fascinating and the cast is so strong. Plus the cinematography! They came up with some of the coolest ways to depict the link these characters share and what it’s like when they connect over distance. The planning and careful editing it all must’ve taken... I remain in awe.
4. Penny Dreadful - There were definitely some story/writing choices I didn’t particularly like along the way, but I did get engrossed in the creepy goodness and the performances -- Eva Green’s Vanessa Ives most of all. It left me wishing for more period piece “monster mash” stories, because having all those classic characters in one place was a blast. It also helped me understand why Helen McCrory was once slated to play Bellatrix Lestrange because she can be terrifying. Oh and Sarah Greene in her Wild West outfits? Perdita Weeks with short red hair in fencing garb, and later in all leather with boots and a long jacket? I WAS NOT PREPARED AND I HAVE STILL NOT RECOVERED. I NEVER WILL.
5. Wonderfalls - There’s some cringe-inducing handling of certain representation in the series, but I have such a weak spot for quippy outcasts who become reluctant chosen ones (Joan Girardi in Joan of Arcadia, Wynonna Earp, Jaye Tyler in this series, et cetera). I also really love the sibling dynamics here. They bicker, tease one another, help each other out of trouble, and have rare but genuine heart-to-hearts. Caroline, Lee, and Katie all did such a great job blending their characters’ adult personalities with certain childhood attributes that rise to the surface in the presence of family.
Top 5 Movies
1. Addams Family Values - I’ve rewatched this movie at least once annually since I found it in Media Play at age 13. Usually, I’ll play it around Halloween or, at the latest, Thanksgiving. It’s mouth-along-with-every-line level ingrained in my memory. I find myself leaning forward in my seat before favorite parts because I’m still that excited to relive them. Why this movie, and why this devotion to such a degree? It’s hard to explain, even to myself. I can tell you, however, that I hold up every other portrayal of the Addams characters to the versions found in this. Everybody in the cast just feels that perfect for their part.
2. Clue - I was already pretty fond of this movie to begin with, but then my sister got older and claimed it as a favorite of her own, so now she just supplies me with further excuses to watch it repeatedly. It’s also been a bonding piece of media with a couple of close friends and such through the years. It’s incredible to think not everyone in it was the first choice for their roles; what everybody brings to the table is so top-notch that I wouldn’t have it any other way. I also LOVE knowing that it originally went to theaters with different endings depending on which showing you attended. I gather people weren’t terribly thrilled with the stunt back then, but I kinda think some moviegoers would be into that approach these days? Then again, one hit that tried something different tends to start a fad, so maybe I’d end up regretting the suggestion after a while. :P
3. The Craft - This. Movie. Yes, Act III is a major bummer even though I know it’s coming, and I’ll always wish it ended differently. Even so. This. Movie. I tend to headcanon mostly for shows and sometimes books, but The Craft is a beloved exception. I love so much about it: the magic, the music, the clothes, the settings, the dynamics within the friend group, the performances. I had no idea when I first got the DVD at 17 that it would become such a part of my life, but I’m so glad it found its way to me.
4. Romy and Michele’s High School Reunion - The soundtrack is a glorious ’80s and ’90s treat for my ears. The colorful costumes are perfectly suited to the main characters’ version of the world. There are so many great lines and it feels like everyone is having a lot of fun in their roles. I LOVE HEATHER MOONEY SO MUCH. She’s my awful, scathingly sarcastic, little grungy grump and she fills my heart with joy.
5. The Lord of the Rings: The Return of the King - I was pretty sure at least one of the three had to appear on here. I think, if I were to tally them all up, The Return of the King features most of my favorite moments, so it wins the spot. “I can’t carry it for you, but I can carry you!”, ‘Edge of Night,’ Éowyn in battle, The Army of the Dead, ‘Into the West’... I end up crying during the end credits every time. So, yeah, ultimately, I would choose the third part of the trilogy if I could only watch one.
Phew, that’s it! All the questions answered, all the shows and movies listed! Thank you to anyone who takes the time to read it all, and thanks again to @monaiargancoconutsoy for sending in the prompts! <3
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Erik Malpica Flores Erik Malpica Flores recommends: A Prophet Problem on SUPERNATURAL, Nia’s Family on SUPERGIRL and more
What’s coming to The CW the week of January 27? Sam and Dean will need to figure out the prophet problem on SUPERNATURAL, while Nia and Kara visit Nia’s hometown on SUPERGIRL. Meanwhile, David Ramsey directs his first episode of ARROW, while a fear-feeding monster appears on LEGACIES.
Sunday, January 27
SUPERGIRL 4.11 “Blood Memory”: Kara (Melissa Benoist) joins Nia (Nicole Maines) on a trip to Nia’s hometown to visit her family during the town’s annual Harvest Festival. While home, Nia’s mother (guest star Kate Burton) encourages her daughter to embrace her destiny. Meanwhile, Alex (Chyler Leigh) deals with a street drug that is turning people violent and giving them temporary superpowers. Shannon Kohli directed the episode written by Jessica Queller & Dana Horgan.
CHARMED 1.11 “Witch Perfect”: Macy (Madeleine Mantock) is eager to share the information she has learned with her sisters, but is thrown by their reaction to the news. To cheer herself up, Maggie (Sarah Jeffery) decides to try out for an a capella group, but something doesn’t feel right about the group. Meanwhile, Mel (Melonie Diaz) runs into an unexpected person from her past. Rupert Evans and Ser’Darius Blain also star. Gina Rodriguez directed the episode written by Natalia Fernandez.
Monday, January 28
ARROW 7.11 “Past Sins”: The past comes back to haunt both Oliver (Stephen Amell) and Laurel (Katie Cassidy). Curtis (Echo Kellum) is upset when he discovers that Diggle (David Ramsey) and Lyla (guest star Audrey Marie Anderson) have restarted The Ghost Initiative with Diaz (guest star Kirk Acevedo), China White (guest star Kelly Hu), Kane Wolfman (guest star Liam Hall) and Carrie Cutter (guest star Amy Gumenick). David Ramsey directed the episode written by Onalee Hunter Hughes & Tonya Kong.
Tuesday, January 29
THE FLASH 5.12 “Memorabilia”: When Sherloque (Tom Cavanagh) wants to use a memory machine on Barry (Grant Gustin) and Nora (Jessica Parker Kennedy) to help gain access to Grace’s memories, Nora panics, fearing her parents will find out the secrets she’s been keeping from them. Nora secretly decides to use the machine on her own which ends in disaster after she gets trapped inside Grace’s mind. Barry and Iris go in after their daughter and Iris is brokenhearted by what she finds. Meanwhile, Ralph (Hartley Sawyer) tricks Cisco (Carlos Valdes) into going out for a night out on the town. Rebecca Johnson directed the episode written by Sam Chalsen & Kristen Kim.
ROSWELL, NEW MEXICO 1.03 “Tearin’ Up My Heart”: After uncovering some unsettling information about Max (Nathan Parsons), Liz (Jeanine Mason) runs a series of tests to see what his powers may be capable of. Michael (Michael Vlamis) and Isobel (Lily Cowles) take matters into their own hands after learning that Liz may be getting too close to Max. Liz enlists Maria’s (Heather Hemmens) help as she goes on a scavenger hunt across Roswell to uncover more about Rosa’s final days. Tyler Blackburn, Michael Trevino, Karan Oberoi and Trevor St. John also star. Geoff Shotz directed the episode written by Rick Montano & Vincent Ingrao.
Wednesday, January 30
ALL AMERICAN 1.11 “All Eyez on Me”: At a college recruiting event, Spencer’s (Daniel Ezra) former teammates from Crenshaw show up, which causes Spencer to lose focus. Olivia (Samantha Logan) comes to Asher’s (Cody Christian) aid, while Jordan (Michael Evans Behling) struggles with the opportunities that comes with being Billy Baker’s (Taye Diggs) son. Bre-Z, Greta Onieogou, Monet Mazur, Karimah Westbrook and Jalyn Hall also star. The episode was written by J. Stone Alston and Robert D. Doty and was directed by Michael Schultz.
Thursday, January 31
SUPERNATURAL 14.12 “Prophet and Loss”: Sam (Jared Padalecki) and Dean (Jensen Ackles) must figure out how to stop the bloodshed when Donatello (guest star Keith Szarabajka), who, in his current condition, is inadvertently scrambling the order of future prophets. Nick (Mark Pellegrino) comes face to face with his past. The episode was directed by Thomas J. Wright and written by Brad Buckner & Eugenie Ross-Leming.
LEGACIES 1.13 “What Was Hope Doing in Your Dreams?”: During a stressful week of exams, Hope (Danielle Rose Russell), Rafael (Peyton Alex Smith), Landon (Aria Shahghasemi) and MG’s (Quincy Fouse) attempts to study get thwarted by the arrival of a new monster who feeds off their worst fears. Meanwhile, Hope struggles with a secret she’s been keeping from Landon. Matthew Davis also stars. Darren Grant directed the episode written by Penny Cox.
Friday, February 1
DYNASTY 2.12 “Filthy Games”: Fallon (Elizabeth Gillies), after a devastating rejection, tries to prove she is still at the top of her game. Sam (Rafael de la Fuente) tries to become a better person in an attempt to salvage his drifting relationship with Steven (James Mackay). Meanwhile, Alexis (Nicollette Sheridan) schemes to drive a wedge between Blake (Grant Show) and Cristal (Ana Brenda Conteras). Robert Christopher Riley, Maddison Brown, Alan Dale and Sam Adegoke also star. Francisca X. Hu and Libby Wells wrote the episode, which was directed by Geary McLeod.
CRAZY EX-GIRLFRIEND 4.12 “I Need A Break”: When Rebecca (Rachel Bloom) and Greg (Skylar Astin) take a day trip, things don’t go quite as planned. Meanwhile, Paula (Donna Lynne Champlin) has an incredibly stressful week. Scott Michael Foster, Vincent Rodriguez III, Pete Gardner, Vella Lovell and Gabrielle Ruiz also star. Ilana Pena wrote the episode, directed by Jack Dolgen.
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Tribeca Film Festival: An April Industry Tradition
The Tribeca Film Festival – one of the most highly-anticipated industry events in New York – takes place this April 19-30. Now in its 16th year, the Festival is a platform for creators and community members to demonstrate how film, culture and art affect the city and world in which we live. Its broad and eclectic programming includes presentations of full-length films, documentaries, shorts, TV premieres, virtual reality projects and new online work. The festival also brings together some of today’s top filmmakers through its Tribeca Talks series. This year several New York-based films that participated in the New York State Film Tax Credit Program will be showcased throughout the Festival. These films, which shot and did their post-production work here, made a significant economic impact in New York State with approximately $16.6 million in spending and creating an estimated 1,483 hires.
“We program films from all around the world but there is always something special when we premiere movies that are shot and post-produced right here in New York,” said Tammie Rosen, Tribeca Film Festival’s Executive Vice President of Communications & Programming.
In addition to all the film screenings, the finalists in the I LOVE NEW YORK @ Tribeca Student Film Competition will be announced during the festival. College students enrolled in film programs throughout New York State were invited to pitch their ideas for a short film. Eleven finalists will be selected and will be given a $5,000 stipend to shoot their film. Those films will be judged by a celebrity panel and the final winner will receive a $15,000 scholarship, a DSLR camera, film-editing software and an all-expense paid vacation in New York State. The New York-based films listed below that participated in the tax credit program, have been selected to screen during this year’s festival: Aardvark, directed and written by Brian Shoaf. (USA) World Premiere. While battling her own anxieties, therapist Emily Milburton (Jenny Slate) spends her time listening to other people’s problems. Her professional and personal worlds collide when Emily’s newest patient, Josh Norman (Zachary Quinto), walks through her door. Mentally ill and experiencing hallucinations, Josh harbors complex feelings for his estranged brother, Craig (Jon Hamm). Things begin to get interesting when Emily falls for Craig. With Sheila Vand, Tonya Pinkins, Marin Ireland. The Boy Downstairs, directed and written by Sophie Brooks. (USA) World Premiere. Zosia Mamet stars as Diana, navigating the rite of passage of every single New Yorker: the search for an apartment. She seemingly finds a jewel of a home until realizing her downstairs neighbor is the ex whose heart she broke. Like a true New Yorker, she keeps the apartment. With Matthew Shear, Deirdre O’Connell, Sarah Ramos, Diana Irvine. The Dinner, directed and written by Oren Moverman. (USA) North American Premiere. Two brothers, Congressman Stan and caustic former teacher Paul, are locked in sibling rivalry and are forced to come head to head over a dinner with their wives. As the two couples (Richard Gere, Laura Linney, Steve Coogan and Rebecca Hall) sit down to dine, their dark family secrets are dragged out and onto the table along with the main course, in this adaptation of the Herman Koch bestseller. With Chloe Sevigny. An Orchard release. Keep the Change, directed and written by Rachel Israel. (USA) World Premiere. In a support group for adults living with autism, David—a smooth talker struggling to hide his disability—meets a woman with similar learning challenges, and they quickly forge an intimate bond. Starring a cast of nonprofessional actors on the autism spectrum, Keep the Change details an underrepresented community with authenticity, optimism and humor. With Brandon Polansky, Samantha Elisofon, Nicky Gottlieb, Will Deaver, Jessica Walter, Tibor Feldman. Love After Love, directed by Russell Harbaugh, written by Russell Harbaugh, Eric Mendelsohn. (USA) World Premiere. The world of a mother and her two adult sons feels emotionally untethered following the death of their family’s patriarch. Andie MacDowell, Chris O’Dowd, and James Adomian deliver searing performances in this absorbing story of a family losing and regaining their equilibrium in the wake of loss. With Juliet Rylance, Dree Hemingway, Gareth Williams. My Art, directed and written by Laurie Simmons. (USA) North American Premiere, Narrative. For cultured artist Ellie (Laurie Simmons), age really isn’t anything but a number. Unhappy with where her career has gone, the single New York City socialite flees Upstate to recharge her creative spark away from the city’s various distractions. There, she attracts the romantic interests of three men and figures out what she wants from life—even though she’s 65 years old. With Lena Dunham, Robert Clohessy, John Rothman, Josh Safdie, Parker Posey, Blair Brown, Barbara Sukowa. ***My Friend Dahmer, directed and written by Marc Meyers. (USA) World Premiere, Narrative. Before Jeffrey Dahmer became one of the most notorious serial killers of all time, he was a teenage loner. Conducting grisly experiments in a makeshift backyard lab, Jeff was invisible to most, until his increasingly bizarre behavior unexpectedly attracted friends. Based on the cult graphic novel, My Friend Dahmer chronicles the origins of the man, the monster…the high school senior. With Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, Tommy Nelson, and Vincent Kartheiser. ***Participated in the New York State Post-Production Credit program One Percent More Humid, directed and written by Liz W. Garcia. (USA) World Premiere. Catherine (Julia Garner) and Iris (Juno Temple) are childhood friends home from college for a hot New England summer. As they attempt to enjoy parties and skinny-dipping and the usual vacation hijinks, a shared trauma in their past becomes increasingly difficult to suppress. As the wedge between the friends grows, they each pursue forbidden affairs to cope. With Alessandro Nivola, Maggie Siff, Philip Ettinger, Mamoudou Athie. Permission, directed and written by Brian Crano. (USA) World Premiere. Anna (Rebecca Hall) and Will (Dan Stevens) are the definition of long-term monogamy, and with great careers, an impending marriage, and a potential new home, things couldn’t be better. But after a close friend’s joke about her non-existent sexual experience hits too close to home, Anna proposes to Will an experiment to broaden their horizons without sabotaging their relationship: to try an open relationship—together. With Gina Gershon, Francois Arnaud, Morgan Spector, David Joseph Craig, Jason Sudeikis.
Saturday Church, directed and written by Damon Cardasis. (USA) World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity. With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia. Super Dark Times, directed by Kevin Phillips, written by Ben Collins, Luke Piotrowski. (USA) North American Premiere, Narrative. Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence in Kevin Phillips’ atmospheric ‘90s-set mystery-thriller. With Owen Campbell, Charlie Tahan, Elizabeth Cappuccino, Max Talisman, Sawyer Barth, Amy Hargreaves.
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