#and now it's property

[katierosefun]

cannot believe i’m studying for my property exam by telling my landlord that hey, buddy, did you know by doing X, you are actually breaking the law. tenant rights to quiet enjoyment of the premises!

[macbethz]

Well I like it but it’s not very well written. Also it’s a visual mess. The plot doesnt make any sense and the creators suck and its politics oscillate from mildly problematic to frankly baffling. I wouldn’t recommend it to anyone. However. the character

[felixeis003]

Almost forgot to post this here!

[rollercoasterwords]

i hate u female rage i hate u divine feminine i hate u female gaze i hate u feminine energy i hate u gender essentialism poorly repackaged as progressive or revolutionary or in any way subversive....

[exercise-of-trust]

not pictured: the six brothers who showed up to portrait day covered in ink, mud, soot, or all three at once

[puppetmaster13u]

Prompt 131

Okay, so first of all Dan would like to say it’s not his fault. Ellie was the one to bring some unknown object into the speeder and Jazz was the one driving. Or had Sam been driving- didn’t matter! It wasn’t his fault, he wasn’t the one shooting at them, he wasn’t the one to break whatever, he was not the one to open a stupid portal, and so it wasn’t his fault! 

So why is he now like, five years old, and why is the speeder crashed in some sort of corn field. Why is everyone- except for Jazz whose now like six- also like three at most?! And- oh fuck the door just opened and… okay that’s a kid. Like, nine at most. 

A kid and an adult, who he hadn’t noticed at first so again, it’s not his fault if he hissed at them and tried to hide his not-siblings behind him. It’s also not fair they’re apparently stuck to ghost speak for who knows how long, but at least they can understand the people. 

“Martha, get some blankets, it’s happened again!” 

[notbecauseofvictories]

I've seen that "the immortal loses their loved one but not their loved one's family; what if the immortal stayed close, followed them down the generations?" post a dozen times, and I understand it's intended to be sweet---but every single time I see it, all I can think is that it's straight-up the beginning of a horror story.

[boudicca]

comics have been going downhill ever since someone in the late 2000s decided that characters should stop being bitches and obnoxious assholes. peter parker is a nice guy. kate bishop is quirky. modern amadeus cho probably wouldn't even tell reed richards to kill himself. where is the bitchery? the cuntism? these days all we have is scott summers

[respectthepetty]

After telling Home he forgave him and begging him to come back to eat the food Peach made him, the last thing Peach said to Home before Home returned to his body was a plea for Home to come back for Pang.

Home isn't just a sugar daddy.

He is Pang's best friend.

When Home and Pang thought they lost their best friend, these normally loud and theatrical characters became quiet.

Because they are the same.

Which is why Home noticed what was happening with Pang even when her own brother didn't.

People mistake Home and Pang's behavior for silliness and dismiss their contributions, but Home and Pang actually try really hard all the time to fix problems even if their approach is out of the norm.

They are besties and siblings.

And Peach knows that Pang has already lost enough family.

So Peach made one last attempt to get through to Home by reminding him that even if he didn't want to come back for Peach, he had to come back for their little sister.

Pang and Home understand each other without having to speak a word.

They get each other when nobody else does.

And Peach knows that.

So even if the boys were actually upset with each other, they don't want to see Pang upset.

She just wants the best for them.

And they want what's best for her.

Pang has two brothers who love her dearly.

So much, in fact, that they both came back for her.

[bonniecupcake]

Zadr but girlies :p

[maybe-boys-do-love]

Peaceful Property went ahead and picked one of my special interests to explore this week. For queer history nerds like me, some of the most prominent questions in the field are whether and how to connect to those in the past who did not have the same conditions and language for queerness as we do in the present.* Forcebook gave us two characters, Phoom and Vicha, who failed to name or live their queer feelings in the past. Instead, they had queer gestures to offer across time. What do these queer gestures and failures offer to the main conflict between Peach and Home, and what do they offer to us as an audience debating whether Peaceful Property is a BL or queer-baiting?

That ghost story spanned and blurred time into a time immemorial. Using the venue of Thai traditional dancing gave the story a sense of deep Thai history and traditions that are kept up to the present, while Phoom's home indicated early twentieth century Western influences, and a television (alongside Phoom's age in the modern-day setting) suggested the beginning of the global information age of the 80s or 90s. Then Force and Book, finally getting the opportunity to show their true acting capacities (let Force be as queer, emotive, and silly as he is in his interviews, GMMTV!!!), took us on a heart-shattering journey that blended those eras together.

In front of the TV, Vicha teaches Phoom the gesture for love before they kiss. It's not a pronouncement, and no one's recording. It's just a movement between two men tucked away in a private place. Vicha records later, but he doesn't put it into words. He carves tallies into a tree waiting for Phoom to return. Then Phoom does, but he's so cold toward Vicha that the latter can't even bear to look as Phoom tries to explain his sadness through dance. Phoom's mother is looking on as Phoom repeats the the move to signify "saddened," in the face of the instructor's demands for "happy."

The dance is interspersed with scenes of Phoom's mother berating him for being "gay"--she uses the English word! and as @absolutebl explains that's important!--across a locked palatial door as Phoom collapses in tears. Edit: @lurkingteapot giving me the Thai language lesson in the notes to explain, “Phoom's mother does not use the English word for gay. she says มีลูกผิดเพศอย่างแก mii lûuk pìt pêet yâang gɛɛ, where the gɛɛ is a familiar term for "you" -- "to have a child who gets gender wrong, like you!" ("gets gender wrong" as in, directs affections/attraction at the wrong gender).”

With just one chance to return to the dance studio that she believes to be the cause of his queerness, all Phoom can do is subtly cue Vicha about his queer experiences through dance. Jose Esteban Munoz says in Cruising Utopia: The Then and There of Queer Futurity,

"Queer dance is hard to catch, and it is meant to be hard to catch--it is supposed to slip through the fingers and comprehension of those who would use knowledge against us. But it matters and takes on a vast material weight for those of us who perform or draw important sustenance from performance. Rather than dematerialize, dance rematerializes. Dance, like energy, never disappears; it is simply transformed. Queer dance, after the live act, does not just expire. The ephemeral does not equal unmateriality. It is more nearly about another understanding of what matters. It matters to get lost in dance or to use dance to get lost: lost from the evidentiary logic of heterosexuality.

Phoom's mom, the representative of compulsory heterosexuality, watches on, but she either can't see the coded evidence, or she recognizes its ephemerality and bears it knowing its lack of impact. Even then, she ends Phoom's dance before Vicha can look up and see the queerness that might affirm his own queer feelings. Phoom fails to live as a representative of queerness, unable to resist the pressures of heterosexuality.

With Phoom locked away, Vicha can't bear the loneliness. Queer suicidality has been haunting Peaceful Properties since the first episode, and the reason Peach keeps his blinds closed in his apartment returned this episode if we didn't recall. But we've had other subtle references, too. Vicha's death, though, was visceral and vivid as he slit his wrists with the same tool he used to count down the days until the return of the person who could affirm his queer feelings. Then, he documented his feeling in poetry with blood. While, Phoom failed to materialize his queerness for others, Vicha could only materialize his queerness through tragedy.

Much of queer history and fiction has focused on these tragic queer figures. In fact, they've been quite productive political tools for advancing queer goals. In the past ten years or so, the culture has turned on tragic queer figures and their narratives, though. Emotionally, I feel like that's for the better, but there's a fine line I'm always attentive to between welcoming empowering histories and turning our backs on those who don't or can't achieve them. It's also a fine line between welcoming ensured happy endings for queer characters and refusing to engage with those creators past and present who use other narrative tools to explore queer themes.

Relatedly, using a branded pairing for Peaceful Property while not advertising it as a BL, nor committing to that status even by episode 7, seems intentionally designed to invite the conversations about whether its queer-baiting or a BL. It feels so old-school to engage in the kind of queer subtext reading that much of the fandom is doing currently. Sure, people do fantastically detailed metas about body language, color theory, and everything else you can think of for BL series. When queerness is not a given, however, the analysis of queer subtext serves the purpose of liberating the characters and the text from the binds and blinds of an otherwise heterosexual context.

There's a generosity in that work. It certainly can't erase the failures to fully live-out one's queerness, nor the problems and behavior that suffering and suppression can lead one to commit. However, sometimes you absolve people out of empathy rather than anything they do to make-up for their harm and futility. Sometimes people are transformed by that initial love, mercy, or understanding, whatever you want to call it, like the ghosts in the series finally being seen. The basic tenets of humanism, a philosophy so disruptive to the rigid class structures the show's simultaneously exploring, and Buddhism, the Thai beliefs which the show's been explicitly exorcising the ghosts with, depend on understanding people at that level, beneath the trappings of social status, symbols of wealth, and even language.

Peaceful Property has taken us on the journey for Home and Peach to understand each other at this level. They, like the audience, have been looking beneath the cloaks of class and patriarchal defensiveness that separate them for the meaningful ephemeral queer gestures that can offer them release from the endless cycles of grief and guilt they're stuck in. That the series keeps finding ways to find peace for these ghosts suggests that the we'll also find peace and love from the alienation haunting Peach and Home. They just need each other to perform that exorcism on their hearts.

*Thailand, specifically, is unique site for queer historians and anthropologists--like director P'Jojo!--because of this question. Its one of the few places that maintained a non-binary gender system into the present, whereas many others were suppressed by Christian colonial law or influence.

[soup-of-the-daisies]

obnoxiously loud marauders fanon is turning me into a snape stan actually and i’m a snape-bullied-harry-for-no-reason truther. what do you mean regulus is the poor badass morally grey meow meow with an horrible family life who got pushed into voldemort’s violent little cult through societal pressure but was secretly a good guy all along? hello? that’s literally severus snape put some respect on our dungeon bat’s name

[mikonez]

I’m playing with your Oscar and my Arthur like dolls and I’m making them kissy kiss (technically no sweeter innocence fanart but also I just think it’s funny we picture each other’s Oscar while reading it lmao)

Mikonez and Potatolord crossover blindfaith moment

OH MYGO D SEEING OUR GUYS TOGETHER FEELS LIKE I WON THE LOTTERY ON CHRISTMAS

he!! could do!!!! dinner!!!! 🗣🗣‼️ @lighthouseshepard look what you have done to us

naturally I read it again for the *cough* time and this time only pictured your guys (for enrichment) and.

big fan >:)

[pigglepiephi]

Honestly, their breakup was gayer than 70% of the BLs out there!!!

And of course Home’s soul would immediately go to Peach. He’s his unfinished business 😭😭😭

[yuri-puppies]

that's because it was his fault, hope this helps!

[jaynuu]

FrUK if they did the couple portrait challenge