#and no matter how fun the general game is

[loregoddess]

CotC global tried to make one of the characters who's available in the general guide pool for Japan (Promme) exclusive to in-shop purchases, and my first reaction was to write an entire paragraph complaining explaining why that's a terrible idea in the feedback section

"Feedback" is found by heading to the Other section and clicking on Contact (right next to the button for backing up your data), and then clicking the big Contact button on the screen that pops up, and scrolling down and clicking on Feedback...

y'know, for anyone else who feels like trying to explain to SE why locking random characters behind a paywall who are available in the general pool in Japan is super not cool

[squuote]

the way the broom closet and the infinite hole being nearly parallels to the other in that they are both areas of the game that stanley has immense attachment to but the narrator doesn’t understand why and makes an entirely huge fuss about his confusion for the affection towards these areas. I think what makes the infinite hole just as funny is the fact that despite succeeding in making a new game feature that stanley seems to really enjoy, he’s so much more focused on the fact that stanley is enjoying it the “wrong” way. aspects of the game that go hand in hand with the bucket.

[tethrras]

deciding to headcanon that the lighthouse makes people feel Calm and Docile and Relaxed to excuse the fact that more of the companions aren't as mad as lucanis that ANY of this is happening

[invinciblerodent]

These "ugh the Crows have been sanitized :\" posts that I keep coming across are starting to make me think that y'all maybe didn't feel the alarm bells go off and an icy chill run down your spine when Viago de Riva said to the governor that the Crows are their own oversight.

Personally, I was under the impression that there's a reason most of Rook's allies are deserters, criminals, pirates and renegades (one that maybe even goes beyond "Rook sounds objectively coocoo bananas every time they open their mouths about the purpose of their mission"), and that they simply all go to great lengths to keep their shadier dealings secret, even from the person they're trusting with saving their world.

.... Then again, I'm also still all too aware that Solas in Inquisition was unequivocally an ally to the protagonist, and helping him without asking many questions then, did also turn out to be something akin to a mistake, but that suspicion took like two years to pay off, so, y'know. I'll see.

[scopophobia-polaris]

first female loz director and the gerudo seem to be written fine enough? wow... there ain't no way I thought we were in the worst timeline after totk

Yeah got through the main quest with the gerudo, it wasn't painful! It wasn't even bad! Still got them outfits but for the most part it was like oh cool!

I would say a lot of that oh cool is from the fact they didn't do a lot to even fuck it up to begin with, I'm gonna be real with yall this game is NOT worth $60USD

Edit: lemme say one thing, you know when people were being like damn totk story wasn't dark or mature at all why was this compared to Majora's mask again? And then all the zeldatwt people came out and said zelda is just a kid series domt expect good writing uH

This one feels like a kid's game. That ain't to say it's terrible I would say, hell I'm not far in it if I get something crazy that's like OH FUCK I'll reblog this post and say something but uh.....game for babies I'm gonna be shocked if anyone struggles with any puzzles cuz you CAN CHEESE THEM EASY ITS 🫢🤭

EDIT EDIT: I SWEAR IM NOT EVEN TRYING TO BE A DOWNER..... @ezlo-x HAS BEEN THERE THE WHOLE TIME IVE BEEN PLAYING....THEY KNOW I HAVENT BEEN A PARTY POOPER.....

[darabeatha]

/ I've noticed that at this point I'm not even writing on any blog anymore, I just come and yell about some blorbo and leave. Rinse and repeat my lieges

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki

[orcelito]

For the low, low price of Mom Who Doesn't Care About You, you can get the experience of coming out to her..... twice!

More specifically I came out to her in a letter back in 2020 But Also my sister recently accidentally "outed" me but also not actually because I *already told her* I was gay. But she just forgot

I'm literally so astounded by it that it circles back around to being funny. And she wonders why I dont try to have a relationship with her 😭😭😭😂😂😂

[transmasc-rose]

I was talking to Curtis about how certain aspects of Doctor Who would be treated if they were episodes of Torchwood and/or had that rating leniency of Torchwood (imo the limitations of Doctor Who make for better TV than Torchwood in general, but not always) and when I brought up Amy's Choice, Curtis said I should do an episode rewrite and.

Hm. Hmmm. That could be really interesting. Amy and Rory and the Doctor's dynamic would be so... different in a Torchwood rated show, given the things they do with them in Doctor Who, and if they actually used the Dream Lord as an interesting villain (and they'd actually be able to play into the Doctor's worst traits in an adult show! For better and for worse!)...

However I'd have to actually rewatch Amy's Choice, and also decide how much I want to stay faithful to the episode, how much I want to stay faithful to "what would/could Torchwood have done here, and how much I actually want the result to be. Good.

Because "what Torchwood would do" and "what would be interesting" are not necessarily the same things.

(Accidentally wrote a Novel in the tags also. Whoops.)

[brooklynislandgirl]

ff / rp trope tier list

tagged by: my loves @kylo-wrecked and @nightmarefuele, @retrograderesemblance tagging: everyone {you know who you are}

[kakusu-shipping]

I am once again making a long annoying post but after posting my Overwatch S/I references I kept rattling the timeline of events for them around until I finally sat down and made it

This is the most bare bones way I could write out the current string of events I have, To Be Continued due to current lack of actual in-game story events

[crepusculum-rattus]

i LOVE talking about dnd🩵🩵🩵🩵

[gender-euphowrya]

yay finished four swords adventure yayayay

[suicidemandate]

.

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[kittyfrisk9]

IdeaDpxDc: A nice moment with a sleep demon.

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Dead On Main.

---

Danny accidentally absorbed some of Nocturn's powers (like in the Vortex episode), and now, with these new temporary abilities, why not take advantage of them? Like a kid with a new toy, Danny (or should I say Phantom: with a new design) has fun every night going from dream to dream.

The dream world is so strange! Without the constant threat of a dream entity trying to take over the world and all that. Now he has fun exploring the most unusual parts of his classmates' subconscious, or anyone's in general.

Even though he knows he shouldn't be doing this (after all, he's a responsible adult now), spying on other people's dreams isn't exactly something a mature person would do.

On the other hand, Danny is the responsible adult; Phantom is the one who uses his new powers recklessly. Plus, no one in Gotham knows who Phantom is, and at the end of the day, he's not hurting anyone. Point in his favor!

It was all fun and games… until he felt it: the unpleasant taste of a nightmare, distressing and desperate. Phantom knows he has to intervene, because, unlike Nocturn, he does not delight in the suffering of others.

So he goes. And what he sees shocks him.

Resonant laughter of a psychopath, the constant pain of flesh being beaten, and the devastating reminder that no one came to help. Phantom doesn't just see it, he feels it. Gross. What is this? Why would anyone be hurting a child? Then he understands: this is not just a nightmare, it's a memory, and someone is suffering from reliving it.

He absolutely will not allow this nightmare to continue.

...

Jason hasn't been having good days lately, mostly because instead of going to therapy, he's chosen to sweep his trauma under the rug and aggressively throw himself into crime-fighting. He's not good at dealing with his emotions, especially when he's been tormented by the same damn nightmare over and over again.

He knows the script by heart, he knows how it will end, but he still feels the same fear as the first time.

His head hurts.

"No, not again," he thinks in terror. Once again, he's tied up, unable to move or call for help. It's colder than he remembers. The walls have a grotesque tint, with laughter written in every corner. But the worst thing is the silence… until the sound of clashing metal begins to resonate.

Everything is a thousand times worse. He's sure the original scenario wasn't like this, but his terrified mind refuses to accept it.

The metallic sound resonates louder, each crash rumbling in Jason's chest. His breathing quickens, and then he hears it: that laugh.

A deep, distorted echo of laughter that seems to come from every direction. The laughter snakes around the grotesque walls, filled with the same letters that repeat his agony. “Ha… ha… ha…” fills the air, louder with each invisible step that approaches.

Then, he appears.

It’s not the Joker he remembers from that fateful night. This one is worse. Bigger, more deformed, with a smile that seems to tear at his own face. The colors of his suit are darker, more twisted. It’s as if his mind has amplified him, made him more monstrous.

“My, my, how little Robin has grown? But… something remains the same, doesn’t it? No matter how many times you live it, it always ends the same way. And to think that you were my greatest work of art!”

His voice is mocking, but behind the mockery is pure cruelty, a wicked amusement that lights up in those crazy eyes.

The Joker leans towards Jason, his face invading the small distance between them. The sound of metal continues to echo, and Jason knows what's coming next.

"Oh, I almost forgot…" he says, pulling out of nowhere an iron crowbar that gleams in the dim light of the nightmare. "It wouldn't be a good memory without this, would it?"

That's when the pain begins. Jason doesn't want to scream, and he won't. Even though that abominable creature is just a representation of his killer, he won't give him the luxury of listening to him suffer. The blows continue, and Jason bites his tongue. It's just a nightmare, it's not real… it's not real.

It's not real.

It's not real.

It's not-

"Hey… Are you okay?" he hears him ask. His shocked gaze turns to where the clown should be and discovers that he's gone. In his place, there's a handsome young man: short, slightly messy black hair, expressive purple eyes, and a body almost completely shrouded in dark shadows.

The mysterious man had a cosmic air about him, surrounded by a mix of special effects of stars and galaxies. Something magical.

And new.

Jason honestly doesn't know what he's seeing, or why he's seeing it. "What?" he says, unable to find another word to describe his situation.

The entity laughs at his stunned state, a reassuring echo very different from the joker's laughter. Then he snaps his fingers, and suddenly he's no longer in that ugly room. He's now in a field of flowers, beautiful and vibrant, looking out at a starry sky.

Okay, this is the part where he asks his brain how he went from being in a nightmare to being with a handsome guy under the stars, hands free and untethered.

"Relax, you're not crazy," the being says as he lies back in the grass. “You were in pain, and I didn’t like it, so I got you out of there. Don’t worry, that abomination won’t bother you again.”

Jason blinks twice, bewildered, not understanding anything. “You… saved me?”

“You could say yes.”

“Why?” He shakes his head. “No, wait, that’s not the question. Who…?” Looking back at the being, he decides to change his question: “What are you?”

He seems to have taken the being by surprise.

It clasps its hands together as it looks up at the sky, trying to act normal. Jason narrows his eyes. “You can call me Void.”

“Did you just make up that name?”

The being looks away, seemingly embarrassed at being found out. “Yeah…” And suddenly exclaims, “Ah, ancients! I'm not supposed to be doing this, much less with one of the bats."

That last sentence had given away more than it should have.

"Hey, how about we admire the night view and then pretend this never happened?" Void suggested with a hopeful smile, turning to Jason.

Maybe it was the soft scent of the flowers, the calm atmosphere, or just the tiredness after so many nights of endless nightmares, but Jason, without thinking too much about it, walked over, lay down next to Void on the grass, and said, "No."

He needed a break.

...

And that's how Jason befriended a dream demon. And how Danny pretended to be a dream demon until Nocturn's powers wore off. He couldn't let the bats find out his identity.

After that, they spent more time together, fell in love, there was drama and there was closure. In the middle of all that, Danny started having tea with Alfred in the dream world, and at other times, he had fun bothering the other bats in their dreams.

But that's another story.

---

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Part 2