#and most of it was just so terrible

[blossoms-phan]

whatever. whatever

[egophiliac]

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

[corpsentry]

pick your battles

[demaparbat-hp]

Izumi (steambaby) sketches.

[onion-orlesien]

Now imagine that you let your best friend's son die because you knew his battle was a lost cause, and you are now seen by some as a traitor to the country you devoted your life to. You try to salvage what you can, resorting to extreme solutions, until you're confronted about it and are about to be executed by the other son of your best friend.

And you think maybe your time has come. Maybe you'll leave your daughter alone and join all these people you lost on the other side.

BUT YOU ARE SPARED. Forced to pay for your crimes with a poisonous duty that will keep you awake at night. And you are so, SO far from home.

Imagine the nightmares getting worse and all your new peers who share them with you are panicking and tricked into serving the enemy, but you stay focused. You find the reason for those nightmares, and you're ready to stay behind and fight and fix it all.

This time there's no escape, you know you will not come back from that and your sacrifice will save many.

BUT YOU ARE TOLD NOT TO FIGHT. Once again you make it out alive and you brace yourself for whatever new draining threat life has in store for you.

Imagine suggesting to the woman you love that she should marry your best friend. Because it's the right thing to do. Imagine hearing, years later, that she died, and your best friend that you haven't spoken to in a long time has fallen into a deep depression, so you go and help him through his grieving, all whole you're still grieving too.

Imagine going through horrors and losing the woman you love, only to meet someone new, and you quickly begin to love her, because she was able to push you out of the rut you'd fallen into and challenge you to be better for the people who were now in your charge. But a part of you is still running from your past, so you often spend time away from her.

Imagine that your daughter goes on to marry your best friends son, the son of the friend who had been lost at sea that you searched for until your daughter forced you to stop, so now you decide to settle down and stay with your wife after all these years of long visits away. You get to live in relative peace. Things are calm, you can actually breathe. You can make up for time that was lost with your wife.

Imagine you have to watch her die after only three years of finally deciding to stay in one place and settle down there with her instead of running. The place you once called home. The place where you rode with rose thorns digging into your flesh and cutting you bloody, all so you could be the one to give those roses to your wife, now just the soil where you wife is buried. And you would never see that place again.

[origami-butterfly]

I think what a lot of j&h adaptations get wrong, is that ultimately, Jekyll is, at heart. A Cunt. Lots of adaptations like to write him as an innocent scientist, who got more than he bargained for when he drank the potion, and unleashed a monster, but in the novella, the only thing the potion really does, is change Jekyll's appearance. He created Hyde, and I think he had the opportunity to make Hyde into something good, but, because he's a cunt, he chose to use his alter ego as a force for evil and chaos. "Edward Hyde was alone in the ranks of evil"- of course he was, you never allowed him to be anything else. And Jekyll is fully aware of what he does as Hyde, he says it himself in his full statement, and he feels no remorse. He didn't create Hyde accidentally, he made Hyde because he wanted to do bad things and get away with it, without damaging his reputation.

Fuck Dr Jekyll, all my homies hate Dr Jekyll.

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[truepsychicbedtimestories]

Having a slumber party in the 2000s stimboard!

💤 / 🎉 /💤

🎉 / 💤 /🎉

💤 / 🎉 /💤

[amphibianaday]

day 1821 - half a decade!

redraw of day 1, 364, and 1000, but with a twist - now it's also my frogsona :D

for now i'll be taking a (maybe permanent) break for at least the rest of the year! see you in 2025!

previous versions for comparison below!

[berryicet]

@flareboi you gave me a bit of inspo

[umblrspectrum]

go read Memento Nori and Like the Stars and What Friends Are For and just generally all of Ad Astra Per Aspera by LadyDaybreaker on ao3

[lucyllawless]

Okay so I was re-watching (for the 100th time) and noticed a few details that could point to Rio being connected to Nicholas in some way. I'm gonna put on my clown nose for minute, so follow me for a second

First we have this shot of Rio.

Followed immediately by the shot of this clock. The mama bear and cub represent Agatha and Nicholas. But then we have the baby bear holding a flower.

And we all know who is connected to flowers/plants.

There's even the little flower/plant motif details on their 70's costumes. And the specific placement on Agatha’s oufit 🧐

And then there's this quick shot of a blanket with a flower print next to the Ouiji board which is spelling out Nicholas' name.

Quick last thing. I googled the meaning of Vidal and this is what came up. It can’t be a coincidence that they chose that name.

We're all 99.9% certain that Rio is death. But wonder if she can also affect life somehow? Life and death do go hand-in-hand as we know. And flowers are synonymous with spring/new life.

This might be a reach, but the writer's/show runners are masters of layered storytelling and don't do things on accident. I mean Rio being Nicholas's other parent isn't that crazy considering Wanda literally had her kids using her magic and sheer will.

[demaparbat-hp]

The Crew is boisterous and loud, full of traitors, inside jokes, and secrets. The scum of the Fire Nation. The forgotten tiles on the Empire's Pai Sho board. The ones who change the game.

But most importantly—they're a family. And no matter how much they complain about their boss (teenage menace that he is), they'll do anything for their Prince.

Anything.

.

The Crew is the heart and soul of my fic For the Spirits. No one really knows just how important they will be to the story...how important they already are.

[cable-salamdr]

Did you know Cole asking “are you departed?” to Wu’s spirit thing and Wu not answering was actually my roman empire of s2p2 (or at least one of the many)

[halorvic]

The danger is clear and present: COVID isn’t merely a respiratory illness; it’s a multi-dimensional threat impacting brain function, attacking almost all of the body’s organs, producing elevated risks of all kinds, and weakening our ability to fight off other diseases. Reinfections are thought to produce cumulative risks, and Long COVID is on the rise. Unfortunately, Long COVID is now being considered a long-term chronic illness — something many people will never fully recover from. Dr. Phillip Alvelda, a former program manager in DARPA’s Biological Technologies Office that pioneered the synthetic biology industry and the development of mRNA vaccine technology, is the founder of Medio Labs, a COVID diagnostic testing company. He has stepped forward as a strong critic of government COVID management, accusing health agencies of inadequacy and even deception. Alvelda is pushing for accountability and immediate action to tackle Long COVID and fend off future pandemics with stronger public health strategies. Contrary to public belief, he warns, COVID is not like the flu. New variants evolve much faster, making annual shots inadequate. He believes that if things continue as they are, with new COVID variants emerging and reinfections happening rapidly, the majority of Americans may eventually grapple with some form of Long COVID. Let’s repeat that: At the current rate of infection, most Americans may get Long COVID.

[...]

LP: A recent JAMA study found that US adults with Long COVID are more prone to depression and anxiety – and they’re struggling to afford treatment. Given the virus’s impact on the brain, I guess the link to mental health issues isn’t surprising. PA: There are all kinds of weird things going on that could be related to COVID’s cognitive effects. I’ll give you an example. We’ve noticed since the start of the pandemic that accidents are increasing. A report published by TRIP, a transportation research nonprofit, found that traffic fatalities in California increased by 22% from 2019 to 2022. They also found the likelihood of being killed in a traffic crash increased by 28% over that period. Other data, like studies from the National Highway Traffic Safety Administration, came to similar conclusions, reporting that traffic fatalities hit a 16-year high across the country in 2021. The TRIP report also looked at traffic fatalities on a national level and found that traffic fatalities increased by 19%. LP: What role might COVID play? PA: Research points to the various ways COVID attacks the brain. Some people who have been infected have suffered motor control damage, and that could be a factor in car crashes. News is beginning to emerge about other ways COVID impacts driving. For example, in Ireland, a driver’s COVID-related brain fog was linked to a crash that killed an elderly couple. Damage from COVID could be affecting people who are flying our planes, too. We’ve had pilots that had to quit because they couldn’t control the airplanes anymore. We know that medical events among U.S. military pilots were shown to have risen over 1,700% from 2019 to 2022, which the Pentagon attributes to the virus.

[...]

LP: You’ve criticized the track record of the CDC and the WHO – particularly their stubborn denial that COVID is airborne. PA: They knew the dangers of airborne transmission but refused to admit it for too long. They were warned repeatedly by scientists who studied aerosols. They instituted protections for themselves and for their kids against airborne transmission, but they didn’t tell the rest of us to do that.

[...]

LP: How would you grade Biden on how he’s handled the pandemic? PA: I’d give him an F. In some ways, he fails worse than Trump because more people have actually died from COVID on his watch than on Trump’s, though blame has to be shared with Republican governors and legislators who picked ideological fights opposing things like responsible masking, testing, vaccination, and ventilation improvements for partisan reasons. Biden’s administration has continued to promote the false idea that the vaccine is all that is needed, perpetuating the notion that the pandemic is over and you don’t need to do anything about it. Biden stopped the funding for surveillance and he stopped the funding for renewing vaccine advancement research. Trump allowed 400,000 people to die unnecessarily. The Biden administration policies have allowed more than 800,000 to 900,000 and counting.

[...]

LP: The situation with bird flu is certainly getting more concerning with the CDC confirming that a third person in the U.S. has tested positive after being exposed to infected cows. PA: Unfortunately, we’re repeating many of the same mistakes because we now know that the bird flu has made the jump to several species. The most important one now, of course, is the dairy cows. The dairy farmers have been refusing to let the government come in and inspect and test the cows. A team from Ohio State tested milk from a supermarket and found that 50% of the milk they tested was positive for bird flu viral particles.

[...]

PA: There’s a serious risk now in allowing the virus to freely evolve within the cow population. Each cow acts as a breeding ground for countless genetic mutations, potentially leading to strains capable of jumping to other species. If any of those countless genetic experiments within each cow prove successful in developing a strain transmissible to humans, we could face another pandemic – only this one could have a 58% death rate. Did you see the movie “Contagion?” It was remarkably accurate in its apocalyptic nature. And that virus only had a 20% death rate. If the bird flu makes the jump to human-to-human transition with even half of its current lethality, that would be disastrous.