#and if it does you might like some of the other resources and writing about the platonic/romantic binary that i've gathered

[doberbutts]

"No research ass resource" ah yes. Because the lengthy amount of description of it varying between states and the fact that much of it is DIRECT EXPERIENCE means you clearly don't know what you're talking about. Wonder why a trans man of color might be particularly thorough about legality.

Honestly it's not even that it's just like.

Yeah I pretty much flat out stated that in my country, DIY T is not legal and thus I wouldn't be talking about it. However if someone wanted some advice for legal access to T, the post was just to clear up some misconceptions about how difficult it is to source legally (answer: depending on your state, varies from "easy" to "annoying but doable" to "not possible if you are under 18 and live in a state that restricts it for minors") and what to do if you encountered pushback while following the legal path.

To then accuse me of fear mongering when talking about my direct experience, and give a link to a website that more or less says the same shit I just said but does give a quick guide for DIY (while also cautioning that it is not legal in various countries including my own) is just sort of... weird.

Like I didn't make a guide to DIY deliberately on purpose because I made a guide for "what to do if your pharmacy or insurance have decided to be annoying about it but your doctor is willing to play ball". That's sort of. The opposite of DIY.

Sorry if that's "no research" and "fearmongering" but these are common problems I hear from other trans guys who experience interruptions getting their T legally so I figured I'd write out all the stuff that I've found that has helped either them or me 🤷‍♂️🤷‍♂️🤷‍♂️

[aeolianblues]

do people like. Not realise that it is possible to be critical of two things at once or

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[dreamsofanenbysapphic]

becoming queer

read about this project on my website

view on my website (srsly check it out i figured out how to make the cursor trail sparkles)

when i started this project i was planning to write about gender, but i was surprised to find that most of what i've written about has been the platonic/romantic binary and how it doesn't make sense to me. there's also a theme here about not fitting into labels & the pressure to find the "right" one(s). (and i want to be clear that at this time i don't really like to use labels & don't want suggestions) but most importantly, there's a theme of love-your-friends-and-stop-worrying-about-being-too-gay. highly recommend

full text below:

Monday, March 29, 2010 So yesterday I found out what "lesbian" means I don't understand how girls think guys are "hot". I don't think girls are "hot" either. 5/10/11 part of me has already accepted the idea that I don't like boys and I kinda like girls part of me insists I'm not attracted to either but I don't think that part is right I might be asexual though September 2011 "it's fine if you're asexual I'm just against lesbians but I'd still be your friend if you were one" 11/17/2013 3:08 PM what qualifies love from love if gender is out of the question? [separate, undated entry] And then suddenly I started liking this other girl and now I like the two of them equally one is like anti-gay have no interest in ever having a boyfriend..... I don't think I get crushes on either boys or girls (if someone would define "crush" for me that might be helpful.) Fears 11/16/13 why do I have to fit under a label what if it's wrong? what if this is all in my head and I really am straight and I just haven't found "the right one" yet? 2/16/14 there is no coming out for me me without my definitive label 3/24/2014 2:04 PM It's hard for me to Find an identity When I don't quite fall Into your straightened categories We all know I am not male, But I am not a "woman" I am just I The artist, architect of words 7/7/2014 2:07 PM just because you know my secret on a legal document does not give you the right to change my identity 7 May 2014 Without the gender binary, or the belief that there are only two genders, gender becomes a very abstract concept and is difficult to define. 8 December 2014 I have been completely fascinated with gender socially constructed March 17th, 2015 what is romantic love? do I love this person romantically or platonically? maybe I was just too scared to be a lesbian, Now I'm like, I'm asexual but I just do not know what romantic love is and that is why I think I might be quoiromantic. What is in between? i don't know what my romantic orientation is because i am not romantically or platonically attracted to people but somewhere in the middle for a lot of people and what do i do 15 December, 2016 And if gender is permanent, how do we explain people whose gender changes throughout life? September 10th, 2016 you once said that you didn't think anyone would ever love you and i almost said that i already did September 12th, 2016 why can't everyone just be polyamorous? October 18th, 2016 11:11pm # internalized homophobia being Out. i'm not out. i love girls, okay? being misgendered constantly. it's so exhausting. i don't have the energy to have the gender 101 talk every. single. time. no one fucking cares about my special snowflake gender i think some people think i do it intentionally to make my life harder. i just want to be myself and i have so much dysphoria December 4th, 2016 i think i could be polyamorous March 4th, 2017 and i stopped saying 'no romo' because i still have so much internalized homophobia April 22nd, 2018 it's not just a level of how much I love someone but also how emotionally connected to them I feel, and how much I want to spend time with them.. and how much I trust them I don't know if I can categorize this as romance but I definitely want it to be equivalent in importance to a romantic relationship, and I just feel like too many people think my experience isn't real June 13th, 2019 I feel like I'm starting to understand a reality where I don't need to assign everyone into two categories because they are just social constructs I feel romantic toward my friends because I love them, but that doesn't mean that we're going to be Married and Monogamous I don't know if I am also polyamorous or if I only think I'm polyamorous because I feel so disconnected, experiencing the world this way, but I think it opens a door to a whole new world to allow myself to fully love my friends

[copperbadge]

I'm getting depressingly good at identifying the formula for Pop Academic Books About ADHD.

Regardless of their philosophy it pretty much goes like this:

1. Emotionally sensitive essay about the struggle of ADHD and the author's personal experience with it as both a person with ADHD and a healthcare professional.

2. Either during or directly following this, a lightly explicated catalogue of symptoms, illustrated by anecdotes from patient case studies. Optional: frequent, heavy use of metaphor to explain ADHD-driven behavior.

3. Several chapters follow, each dedicated to a symptom; these have a mini-formula of their own. They open with a patient case study, discuss the highly relatable aspects of the specific symptom or behavior, then offer some lightweight examples of a treatment for the symptom, usually accompanied by follow up results from the earlier case studies.

4. Somewhere around halfway-to-two-thirds through the book, the author introduces the more in-depth explication of the treatment system (often their own homebrew) they are advocating. These are generally both personally-driven (as opposed to suggested cultural changes, which makes sense given these books' target audience, more on this later) and composed of an elaborate system of either behavior alteration or mental reframing. Whether this system is actually implementable by the average reader varies wildly.

5. A brief optional section on how to make use of ADHD as a tool (usually referring to ADHD or some of its symptoms as a superpower at least once). Sometimes this section restates the importance of using the systems from part 4 to harness that superpower. Frequently, if present, it feels like an afterthought.

6. Summation and list of further resources, often including other books which follow this formula.

I know I'm being a little sarcastic, but realistically there's nothing inherently wrong about the formula, like in itself it's not a red flag. It's just hilariously recognizable once you've noticed it.

It makes sense that these books advocate for the Reader With ADHD undertaking personal responsibility for their treatment, since these are in the tradition of self-help publishing. They're aimed at people who are already interested in doing their own research on their disability and possible ways to handle it. It's not really fair to ask them to be policy manuals, but I do find it interesting that even books which advocate stuff like volunteering (for whatever reason, usually to do with socialization issues and isolation, often DBT-adjacent) never suggest disability activism either generally or with an ADHD-specific bent.

None of these books suggest that perhaps life with ADHD could be made easier with increased accommodations or ease of medication access, and that it might be in a person's best interest to engage in political advocacy surrounding these and other disability-related issues. Or that activism related to ADHD might help to give someone with ADHD a stronger sense of ownership of their unique neurology. Or that if you have ADHD the idea of activism or even medical self-advocacy is crushingly stressful, and ways that stress might be dealt with.

It does make me want to write one of my own. "The Deviant Chaos Guide To Being A Miscreant With ADHD". Includes chapters on how to get an actual accurate assessment, tips for managing a prescription for a controlled substance, medical and psychiatric self-advocacy for people who are conditioned against confrontation, When To Lie About Being Neurodivergent, policy suggestions for ADHD-related legislation, tips for activism while executively dysfunked, and to close the book a biting satire of the pop media idea of self-care. ("Feeling sad? Make yourself a nice pot of chicken soup from scratch and you'll feel better in no time. Stay tuned after this rambling personal essay for the most mediocre chicken soup recipe you've ever seen!" "Have you considered planning and executing an overly elaborate criminal heist as a way to meet people and stay busy?")

Every case study or personal anecdote in the book will have a different name and demographics attached but will also make it obvious that they are all really just me, in the prose equivalent of a cheap wig, writing about my life. "Kelly, age seven, says she struggles to stay organized using the systems neurotypical children might find easy. I had to design my own accounting spreadsheet in order to make sure I always have enough in checking to cover the mortgage, she told me, fidgeting with the pop socket on her smartphone."

I feel a little bad making fun, because these books are often the best resource people can get (in itself concerning). It's like how despite my dislike of AA, I don't dunk on it in public because I don't want to offer people an excuse not to seek help. It feels like punching down to criticize these books, even though it's a swing at an industry that is mainly, it seems, here to profit from me. But one does get tired of skimming the hype for the real content only to find the real content isn't that useful either.

Les (not his real name) was diagnosed at the age of 236. Charming, well-read, and wealthy, he still spent much of his afterlife feeling deeply inadequate about his perceived shortcomings. "Vampire culture doesn't really acknowledge ADHD as a condition," he says. "My sire wouldn't understand, even though he probably has it as well. You should see the number of coffins containing the soil of his homeland that he's left lying forgotten all over Europe." A late diagnosis validated his feelings of difference, but on its own can't help when he hyperfocuses on seducing mortals who cross his path and forgets to get home before sunrise. "I have stock in sunburn gel companies," he jokes.

[atlantic-riona]

@an-spideog

That's a really great question. I do have a fondness for O'Siadhail's Learning Irish, mostly because that was the one used to teach me when I was a child. I like that he includes a lot of grammar, I like the fact the exercises have you translate from Irish to English and from English to Irish, and I like the audio. I don't like that the grammar can be confusing as an independent learner—I was very confused for a long time about several grammatical items and O'Siadhail's explanations were very technical and difficult to wrap my head around, even as an adult.

I've tried the Gaeilge gan Stró series as well. I like the dialogues, but the set up of the chapters themselves can be a little confusing? It seems to jump around a bit.

I like the Buntus Cainte series, from what I've seen of it on archive.org, but it looks like it's very light on grammar explanations, and focuses more on speaking and hearing and seeing. Which is fine! But it seems like the kind of book used best in a classroom, with a teacher to help provide those explanations.

I've tried a lot of textbooks, online programs, etc., and I feel like my problem with most of them is that they focus extensively on reading/writing, not enough on speaking and listening, and they either do too little grammar or too complex grammar in the beginning.

I could just be really picky. I don't think there's a perfect language book out there for any language, but it seems like other languages usually have new and updated textbooks coming out, and a lot of the heavily recommended ones for Irish are from the 1960s. This is probably because Irish is an endangered language, and it seems like most "newer" textbooks are aimed at Irish schoolchildren (which is great! I want the focus to be on reviving the language in Ireland).

But it is kind of frustrating sometimes to see the same problems in every adult learner course for Irish. I've taken German, Italian, and Japanese classes, and none of them were perfect either, but maybe because there was more available to choose from, it felt less frustrating to work around?

I think my ideal Irish course would be like the Tobira Japanese textbook course, which I absolutely adore. They have audio for all the vocabulary, dialogues, texts (including repeat audio where there's space left for you to repeat the word or phrase). They have a two spread page before each chapter with all the vocabulary, and then another spread with all the same vocabulary next to pictures. Each chapter opens with three dialogues that cover the vocabulary and grammar that will be used in the chapter. Then each activity works piece by piece through each point of the lesson. I loved that the first chapter was all about correct pronunciation - it broke down every sound made in Japanese, and had audio of the sounds so you could repeat them and have better pronunciation, rhythm, and tone. There was a workbook that had additional exercises, and also writing exercises - I would love an Irish book that focused beyond simple translation to things like spelling or other writing needs. I also loved that it was so visual - there were pictures and cartoons everywhere. For every activity, you could do more than one thing. So for example, if you had a "telling time" activity, you would have the various characters shown doing different activities in front of the clock or calendar. You could progress from "it is 9:00" to "Naomi is swimming at 9:00" to "Naomi swims in the pool at 9:00." It was really helpful for building on previous lessons and tying concepts together. It was repetitive, but simple, so you grew more confident and were able to tackle the more complex ones later. They have a website, and I'm sure it's used in courses, but I did it as a self-study course/refresher before I went to Japan and it was very helpful.

when you want to try learning Irish again but all of the adult learner textbooks make you want to scream

[schoenpepper]

A Little Birdy Told Me~

Intro: You have two admirers, and someone spread the news that you're in a relationship with the other. How does it go?

Warnings: bad writing, awful grammar, not proofread, super rushed, one french word idk, main cast minus ortho and lilia

A/N: Super random idea. I spun the wheel of names and paired them all up and thought, huh, what if they were love rivals? Here we are. Super rushed so it didn't make it to my WIP, too lazy to get to that Jamil songfic.

Masterlist

Silver (Vanrouge) vs Jamil Viper

Silver thinks you’ve made a great choice. Jamil is his peer, and he knows that the other will treat you well. He’s responsible, smart, good with- you’re not together yet? But whenever he sees you two, you always seem so happy with each other. Just friends? …Really? Don’t give him hope. Now that he knows he has a chance, he’ll do as a knight should do and fight for the right to court you, after all, his father taught him to go after what he wants in life, and he craves for your affection. So chivalrous and gentlemanly, he’ll have you swooning when he sweeps you off your feet without even realizing it. If you choose him, everyday that you’re together is another day that he treats you like the royal you are.

Jamil won’t fall for rumors that quickly, if at all. A student from Scarabia should uphold its core values, and that means he’ll find out the truth from you without even seeming too interested. Oh, you’re just friends with Silver? Hm, interesting. He’s saying this because he’s a little worried about your reputation, but someone’s been saying that you and Silver are dating. You should clear up the news, right? Hope you’re hungry, because he just happens to have too many leftovers every meal, everyday. Hey, if you’re struggling with that subject, you can come to his tutoring sessions with Kalim, one more person wouldn’t make a difference. If you choose him, you’ll be each others’ reprieve, his oasis in the desert.

Epel Felmier vs Azul Ashengrotto

Epel is shocked, flabbergasted even. Ya’ sure ya’ want that nasty two-faced (omitted bad words)? He’ll come up to you looking like an absolute mess, demanding the truth. He thinks there’s two ways the rumor could’ve happened in the first place, a) that slimy octopus spread it himself, or b) people are just straight up blind, clearly Azul is no good for you. He’ll amp up the antics now because he wants a fair fight, between real men! Y’know, his grandma taught him how to bake a real mean apple pie, you wanna try it? You have class together, he’ll walk you, and even carry your books for you! All that stuff about how beauty and charm can be power too, don’t be surprised when he uses it on you. If you choose him, he’ll make sure to cherish you always.

Azul is panicking. He’ll make an attempt to verify it of course, but oh what if it’s true and you’re actually together with that little—it’s not true, okay yeah he never believed it for a second—stop laughing, Jade! He doesn’t see Epel as competition for your heart, so he might be a tad bit more confident than he should be. That doesn’t mean he won’t further his efforts though. Fancy candlelit dinner for two where he’s both the chef and the person paying? Foolproof notes for your potionology exam? You need a new set of kitchenware for Ramshackle and you can’t afford it? Gosh, all your problems are miniscule, dear. As for repayment, how about you sign on the dotted line? If you choose him, he’ll put up the suave debonair facade before slowly letting you meet the smart, diligent, resourceful, and sensitive little tako in the tako pot.

Vil Schoenheit vs Idia Shroud

Vil doubts its authenticity right away, by the seven, you wouldn’t really choose Idia of all people, would you? While his reasoning is rather condescending, he finds that he’s not wrong at all, it was just some rumor spread by those with nothing productive to do with their time. If you think he’d ever find Idia threatening in a romantic rivalry, you’d be horribly wrong. Might be a little too sure of himself, but he does as he always has. He sends you products he swears are just extra from PR deals (they’re homemade don’t believe him), takes you shopping because potato, your outfit just isn’t it. He even strings you along to some gigs he has every once in a while. Feel honored, he doesn’t do that for just anyone, he’s a world famous model and actor, after all. If you choose him, you’ll always be pushed to be the best you that you can be.

Idia gets it, really. Anyway, how is he to compete with the sparkly and strict Pomefiore housewarden when Vil is practically perfect or whatever and Idia’s—what’s that, Ortho? You did some digging and it was just fake news? Lol, of course Idia didn’t believe the rumors lmao he’s not some normie who just up and believes lies, information literacy and all that, you know? Plus, he’s a genius, so he’d never ever fall for something like that. Doesn’t leave his room even after everything, but you know that gacha you like? Yeah, you have like a bunch of currency in it now, don’t worry about it. Does your daily grinding and in-game events with you, and if you really insist, then maybe he can go out with you to that movie adaptation that just came out the other day. If you choose him, he’ll let you chill with him whenever wherever (plus his wifi’s nuts).

Ruggie Bucchi vs Cater Diamond

Ruggie is confused, or maybe more nervous. Is it true? He goes about his day and pretends everything’s the same as it’s always been. Hey, Cater’s a real good guy, so you lucked out by snagging him, you know? Haha…it’s not real? Oh thank the seven (no he wasn’t about to cry). That threw him for a real loop right there, and it only forced him to own up to the feelings he’d desperately tried pushing back. So uh, if you need a guy to help out with chores, Ruggie’s real good at getting his hands dirty. Plus, if anything needs repairs, he’s never had enough money to call professionals, so he’s gonna be a dab hand it whether it be the pipes or the wires or the gas. If you choose him, you’ll get a lifetime of laughter and smiles.

Cater skips the ‘everything is ok’ thing and gets right to the ‘crying in his room’. He’s good at covering up his feelings, but he really does like you a lot, so spare him if he’s a little sensitive about this, ‘kay? He’ll be back to normal in no time! Anyway, Ruggie’s nice, if not a bit too clever about the wrong sort of things. So Cater hopes that you two are happy…or whatever. Trey needed to barge into his room to break the news because he wouldn’t leave, and there’s just so much relief, like he can breathe freely again for the first time in a long while. He’s bringing you to all the most cammable spots in town, doing things ‘besties’ do while posting all about it constantly. The guy to share memes and try the newest crazes with. If you choose him, you’ll always have fun at the forefront of the most popular things.

Leona Kingscholar vs Deuce Spade

Leona doesn’t even bat an eye. So? Who cares? As if his herbivore would ever choose that blue-haired little punk. He’s correct in his assumption, but also kind of a jerk about it. Another one to not see the rumored person to be competition at all, but hey, it’s Leona, he’s just smug like that (and way smarter than he’s given credit for). While you do deserve a proper courting and all that jazz, he’s not exactly good with words, so his wallet will have to do as a love language. What, you got a problem with that? Of course you don’t, Crowley never gives you anything nice, but Leona’s a prince, you know? 100% uses you as a pillow whenever and wherever he naps, as long as you’re near, you’re cuddling him and falling asleep in his arms. If you choose him, you’ll always be secure, both financially and in his love for you.

Deuce drives down to the beach, and when he thinks he’ll start shouting in anger, he may or may not break down in sobs instead. But it’s a good choice, he admits, because Leona’s tough and he’s got power and money, and Deuce can only really claim one out of those three things. Almost shouts in happiness when you deny the rumor to his face. So like, you’re single? Then how about studying together? He’ll make you proud by showing you a perfect test score, promise! So cute when he tries to impress you by lifting stuff for you, or opening doors for you, or buying you snacks from the cafeteria when the line’s horribly long. Even offers to introduce you formally to his mom (tell him it’s too early). If you choose him, he will literally protect you with his life.

Riddle Rosehearts vs Jade Leech

Riddle believes the news to be preposterous (he almost chokes on his tea). But, he prefers it to be verified before he takes any sort of action, and when you clear up the air during a tea party he’d invited you to, he feels uncomfortably happy. Jade isn’t anything bad, don’t get him wrong, he rather likes the polite and well-kept young man, but Riddle’s a better option, yes? Suddenly, you have your own exclusive throne at unbirthday parties. What did he hear about you struggling with a subject? He’s an outstanding housewarden and NRC student, so he’ll lend you his freshman notes if you wish for it. You really enjoy certain snacks and a specific kind of tea, you say? It just so happens he enjoys them too, so you can expect your favorites during tea time everytime. If you choose him, a structured and dignified life awaits you.

Jade smiles. What, you don’t seriously think he’ll believe rumors, hm? He keeps tabs on you, of course he knows your relationship status. Riddle is no threat to him or his feelings for you and thus he was never worried for a single second (lying liar who lies). Starts to scope out your possible feelings for him after the incident, also a small (big) possibility that he comes up with some overly elaborate scheme for you to confess to him instead of the other way around. Will fool you into thinking you fell first, and will definitely make you think you fell harder. Dinner dates, hikes, camping—he’s prepared for anything and everything, you don’t need to worry, dear. If you choose him (you will, he’ll make sure of it), prepare for a life of adventure.

Jack Howl vs Ace Trappola

Jack is rather despondent; tail hanging sadly and ears flat on his head. He’ll overthink this, and maybe go for a run to clear his head. Well, you and Ace have always been close, but he thought he had a chance. He genuinely hopes you’ll be happy with Ace. All this directly translates to an ecstatic wolf beastman once the fake news is cleared up. There’s no way he’s letting this chance slip through his fingers, not when you’re right there! Do you need help with carrying that? Do you want to work out with him tomorrow? What, you think it’s too early? No problem, he doesn’t mind pushing the hour back, as long as it means he can go with you. If you choose him, every day will be (leg day lmao) another day of bettering yourself and living to the fullest.

Ace is one hundred percent ready to sabotage you. Yes he loves you, and yes Jack’s his friend or whatever, but there’s just no way in hell he’s giving you up. He’s your first friend in NRC, your best friend too! What’ll happen to him when you’re all lovey dovey with Jack? He’s thankful when you tell him it’s fake (that means he doesn’t have to break you guys up haha), and he tries to hint his affection for you through…interesting means. He’ll do things for you but claim you “totally owe him back” (you never asked), he’ll give you random stuff because he just “found them lying around”, and he gets so clingy and touchy but covers it up with friendship. If you choose him, every day will be exciting and new.

Malleus Draconia vs Kalim al Asim

Malleus is upset. Al Asim is a rather cheerful individual, so perhaps that was the kind of person you preferred to court? He’s not quite well-suited to that, but he will try if he must. When Lilia informs him that it was all a hoax (lightning strikes down whichever poor soul started it), he calms down and gets remarkably happy. You are unattached to any individual romantically, child of man? How lovely. He’s princely and noble in all he does; holding your hand on late night walks while talking about anything and everything, giving you bouquets of your favorite flowers upon every meeting, and what he enjoys most of all, is dancing with you under the gaze of the stars above, even with no music involved. If you choose him, the throne of Briar Valley awaits.

Kalim straight up bawls when he hears the news. You’re with Malleus now? Really? If it makes you happy, then he’s happy (he is not, he is miserable). Malleus is a good guy. But, Kalim is also good, you know? Continues crying when Jamil tells him the good news, but this time from happiness. Well, it’s Kalim, so of course he’ll absolutely lavish you in wealth and luxury beyond your wildest dreams, gold and diamonds and gems galore. He throws banquets in your honor and teaches you how to dance and sing to traditional songs of his hometown, and he hand feeds you bites when he can. His favorite activity with you will always be a magic carpet ride, it’s just so fun, so free and romantic. If you choose him, Scalding Sands will be waiting with open arms and a parade of elephants.

Sebek Zigvolt vs Trey Clover

Sebek doesn’t care. Why would he care that you, an annoying human, is dating another human? All that matters is…Malleus…and he needs to convince himself more that you don’t matter to him, not in that way. He can begrudgingly befriend a human, but he can’t… He tries not to react when someone tells him it’s fake, but he can’t help the beating of his heart or the shaky nerves. Suddenly, you might notice that Sebek is around more often. He will reluctantly help you if you struggle with certain subjects, or even help you carry things even when you seem perfectly capable of doing it on your own. He’s bright red when his hand just barely brushes against yours in the halls. If you choose him, he will be your knight and your protector forevermore.

Trey is mostly confused. He’s hesitant to believe it because Sebek is loud, a little arrogant, and perhaps a bit obnoxious—the complete opposite of Trey. His disbelief is proven right, and he takes a big sigh of relief. He really doesn’t know what he would’ve done had it been real. Hope you like sweets, because now you’re invited to every tea party ever in Heartslabyul, courtesy of their vice housewarden. He’ll bring pastries and cookies and puddings and cakes to you every other day, as mama said, the way to the heart is through the stomach, right? He might also give you a set of toothbrushes and his preferred brand of toothpaste in order to make sure that your teeth are unharmed by his sweets. If you choose him, he will be your safe haven in the chaos.

Rook Hunt vs Floyd Leech

Rook is very happy for you, after all, what else is more beau than young love? He’ll clasp his hands together and spout some lengthy poem about intertwined hearts, but no one will ever notice his own as it breaks. Floyd is a very interesting person, Rook is glad you’ve found your one! But it doesn’t take long before he finds out the truth, and when he does (he’ll hunt down the source), best believe he’s skipping over to you and doing his best to serenade you with nothing but his bow as an instrument. He’ll teach you how to use it too if you want, perhaps a kiss will be enough as repayment? Just on the cheek. An arrow will fly through your window everyday with a scroll filled with words praising your beauty and kindness, so you better keep it open. If you choose him, you’ll learn how to see the beauty of the world even if it all seems dark.

Floyd is ready to fight! You, or that weird seagull, or whoever told him the news, everyone’s in for a real good squeeze. He’s pouty and annoyed and his mood is at an all-time low, beware all those who cross his path. He’ll find you to hear the news directly from you, so you better deny it quick before his squeeze breaks your ribs. Eh? It’s a lie? That’s so boring (he’ll hurt the source of this news for sure). Now you have a clingy eel always by your side, if he was clingy before this whole thing, he’s inseparable from you now. He’ll cook you something nice at the lounge if he feels like it, and you’re automatically invited to basketball practice whether you like it or not (please come, the team is begging you). If you choose him, one thing’s for sure, you’ll never be bored again!

[livelaughlovesubs]

Nini, what about vampire Fyodor x vampire hunter reader (〜^∇^)〜 like you’ve been assigned to hunt down and bring the head of Fyodor Dostoevsky to uhh.. a king idk.

So you track Fyodor down and instead make a deal with him. You won’t kill him and actually let him feed off you and he lets you fuck him (ゝз╹)

At first he’s hesitant. A well ranked hunter coming to him and proposing a friends with benefits arrangement sounds pretty suspicious, but hearing the offer that you let him feed off you makes him agree since it’s an easy meal and he was planning on betraying you later on.

Thats until he’s bent down on all fours and being pounded like wild animals in heat. The vampire is so touch starved that he can’t handle the pleasure and tries biting anything he can (let’s just say you were left with a bunch of bite marks) After that experience he traps you in his manor and begs you to stay with him, maybe he turns you into a vampire as well

-🍮

I had so much fun writing this haha, and I had to brainstorm trying to fill in some plot holes

Dom!reader x sub!vampire!fyodor

Warning: teasing, pet name (lil’ vamp), pegging (I use dick), a tiny bit of dacryphilia, biting, hierophilia (blood), vampirism, contract sex

Edit: I think I’m based towards fyodor, this ended up so long again-

You were a mercenary, one specified in hunting down those bloodsucking monsters known as vampires. Your name was infamous among the humans and vampire race, known for your amazing methods and efficient execution. Though you don’t care much about fame, the only good things about it is it lands you many missions. Which is why you’ve been summoned to the castle of a faraway country, one that resides close to a forbidden forest.

These mysterious forests are strictly forbidden due to vampires living within them. It’s always dark and quiet in those places, befitting their taste. So you might think it’s alright if people just don’t go into the woods. Sadly something like that can’t be prevented. There are many valuable resources beneath these trees, and everyone is dying to get their hands on those. The price for material from the forest is also really high, and sometimes that’s the only hope for the commoners.

Even though it’s been agreed upon that humans shall not disturb the vampires for they own safety, your client, the king, wanted to raid the forest. He had his eyes set on the wood planted around the mansion of the monster, it had a beautiful dark colour and was very sturdy. Yet out of fear for the power of the entity, he didn’t dare set a single foot into the woods. That’s when you come into the spotlight, he wanted you, the most famous vampire hunter, to take care of this. Once the vampire is gone, he won’t be breaking any rules, right?

This was a common case for you, everyone used you to do their dirty work. That’s the life of a mercenary, disposable and self-destructive.

You walked through the lavish halls of the king, meeting him in his throne hall. He didn’t spare you more then one glance, shouting loud enough for his voice to bounce off the walls, “y/n, vampire hunter. I have an honorary task for you. I want you to bring me the head of the demon Fyodor Dostoyevsky and for that you’ll be greatly rewarded.”

Despite it sounding grandiose and imposing you knew how to stand your ground, asking for the exact amount you’ll be rewarded and an advance payment. The king on the other hand refused to answer, saying he doesn’t want you to run off with the money. What a joke, your previous feats aren’t just for show after all. There was no helping it, that’s life. You swallowed your anger and left, rolling your eyes as you prepared to set off.

The home of that demon was grande, almost as huge as the castle, he sure loved luxury. You circled around the house to secure your escape route before heading inside, the door opened with a climatic creak. What a cliche, does vampires not know how to take care of their home? Without sparing it too much thought, you stepped inside and called out for that monster, wondering why the ruler knew his name. They must have a long history between them.

“Fyodor! Heyyy, come out, do me a favour and make this easy.” You yelled, and soon enough, a shadow emerged from behind you. Before you got the chance to turn around, he mumbled with grace and elegance, “Y/n, the vampire’s greatest enemy. The one who pulled out the fangs of Dracula with your bare hand, and forced him to drink the blood of his comrades.” A shiver ran down your spine at his voice, it was low and pretty, enough to stir something inside you.

“That’s an exaggeration, I never did such things.” You turned around and chuckled, staring into his purple eyes. Before you stood a black haired young man with a puffy shirt and fitted pants. He wore many silver accessories, tons of necklaces hung around his neck. His appearance was very eye-catching, pretty features and pale skin, sickly so. “…but I may have a record of flirting with the enemy.” After seeing how beautiful he was, you decided to indulge yourself, flirting with him.

He didn’t pay your words any attention, instead he continued with his speech, “Mortal children strived to be like you, while we use your stories to scare the kids.” You stopped, a sense of pride engulfing you from the inside. “My, I am quite famous after all.” Fyodor furrowed his brows, as if he’s agitated, then he relaxed his expression and said, “I knew you’d come for me one day. And, I’m dying to try out your blood.” After saying that, he licked his lips before covering his mouth with his hand.

You laughed, catching him off guard. The sound of your voice was annoying, he felt like you were mocking him. Then you teased, “dear, do you really think you can touch my blood?” That was clearly a provocation, you looked down on him. He clicked his tongue, glaring at you. The moment you blinked, he rushed over to you, planning on taking you out with one swoop attack. You dodged him with ease, commenting, “not bad, but is this all?” And he ignored your remarks once more.

Seeing how serious he was, you’ll have to stop the joking soon as well. To be honest you weren’t in the mood for fighting, which is why you suggested, “How about this, fyodor-” “I didn’t give you permission to use my name.” He snapped, showing his fangs. “…then, lil’ vamp it is.” You chuckled, noticing how that pet name annoyed him further. “How about a deal? I’ll spare your life and you can have as much of my blood as I’m able to give you.” His pointy ears perked, intrigued by this proposal. It sounded enticing, but there’s nothing for free in this world.

“And what do you get out of this?” Fyodor asked, keeping his distance. He wasn’t going to heed the rules of a deal anyway, especially when made with a human. “Allow me to be a bit crude, but I want you to sell your body to me.” The boy froze in place, eyes widened in shock and disbelief. Were you aware of the implications of your own words? Was this another one of your mockery, your way of insulting him? “What makes you think I’d agree?” He questioned you, staring at your face with his scarlet eyes, trying to read you.

“I’m simply proposing a deal, you can decline or agree, it’s up to you.” Somehow you managed to sound unbothered and cheery despite the situation. No matter how fyodor wanted to decline, he knew this was his chance. If you fought with him seriously, he would eventually lose. Now, with you giving him new opportunities, he had to take them and put it to good use. “I’ll accept this for now, so, show me how sincere you are.” The demon demanded, and you answered with, “my pleasure, please show me to your room.”

Who would have known a day like this would come, where he got shoved into his own room, pinned to his own bed and humiliated in front of a human. It didn’t take long until you got him bend over on all fours, face pressed into his soft pillows. Any of his attempts to overpower you were futile, because you were physically stronger than him. That allowed you to pretty much manhandle him, denying him access to your neck. Once you got him into this vulnerable position, you didn’t held yourself back, asking him one last time if your deal still stands. After he nodded, you went all in.

Now you were breathing heavily while slowly entering his hole. His rim was tight and didn’t allow you any entrance, but you stayed stubborn, gently pushing your way in. “You are so tight, lil’ vamp.” You muttered, occasionally glancing over at him to see how well his reaction is. “Nghhh…! S-slow down, it hurts!” Fyodor groaned, cheeks flushed red as he realized the situation he was in, and that he never shared such intimate moments with anyone before. “…if I go any slower I wouldn’t be moving anymore.” You tried to reason with him, leaning down to press your body against his.

“HnnGh… t-then pull out…” He snarled, glaring at you while he felt your skin against his back, pressing him down, reminding him of your presence. How did things turn out like this? Why was he participating in such vulgar acts with his greatest enemy…? “Do you want me to? Then you won’t get my blood as well.” You whispered into his ear, licking his earlobe and the earring he wore. “Ha-haahhhH…! No, d-don’t.” The boy gasped, and you weren’t sure what he meant. But he seems to be enjoying himself, so you continued.

His hands gripped the white sheets with all the remaining strength he had, his ass reddened as he struggled to take you whole. That poor guy’s entire body was shivering, shaking as he tried to get used to this pressing sensation inside him. He could feel you stretching him apart, rubbing against his squishy walls. You smiled as you observed his efforts, one hand clasped over his hand as you intertwining your fingers with his. He had sharp nails, you could even call them claws. So you were worried that he’d poke holes into his sheets.

Your other hand explored his body, trailing down his spine with your fingertips, brushing over his body as if you were caressing a flower. “Hmm..! Uh-uhhng..! It f-feels weird..” It tickled him, yet it wasn’t uncomfortable, at least he thinks it wasn’t. Next, you stroke his silky hair before grabbing his hip and mumbling tenderly, “you are doing good, don’t worry I plan on being nice for today.” What do you mean for today…?

Soon, your hips met with his, and you stopped moving until you were sure he was alright. “Good job.” You said, rubbing his blushing cheeks slightly. Then you held your wrist right in front of him, inviting him to bite you, giving him your approval. Without any once of hesitation, he sunk his teeth into your flesh, sucking viciously. He was feeling so weak from your actions, he needed that replenishment. Since he was distracted, you took that chance to start moving again, making sure to take your sweet time. Well, he looked like he’d break if you weren’t gentle with him. He had such a slim and frail physic after all. Just look at his waist, it’s so skinny you fear you could accidentally break him into two pieces.

Fyodor suck on your wrist, mind getting cloudy from the taste of your sweet blood. It tasted amazing, and it made him feel all foggy inside. As if he was getting drunk on it, addicted even. He made sure not to waste a single drop, lips pressed against your skin while he gulped down more and more of your vitality. Apparently he was so distracted he didn’t notice you pounding his cute ass, not until it was too late. You fucked him slowly but roughly, each time you’d thrust yourself as deep inside him as you could, feeling him clench around you so sweetly.

“HnMnh, nghh…” the vampire only whimpered meekly as he sipped your blood contently, feeling pleasure blossom everywhere inside him. You eventually quickened your pace, now rutting into him without any care in the world. It was instantly met with his mewling, a high pitched noise as he screamed in ecstasy. Fyodor couldn’t pull his thoughts together, tongue hanging out as some tears rolled down his face.

Then you pulled your wrist away from him, saying, “that’s enough for now. If you want more, you gotta work hard.” His eyes bore such a pitiful look as he begged you for more, face melting as he moaned around you, some of your blood sticking to his lips. “Ahhh… it felt so good, I-i don’t wanna stop..” he admit, hands shaking underneath you, his primal urges kicking in, infesting his desires and hunger.

“What is it that you want, fyodor?” The way you voiced his name made his knees go weak, tremble even. He panted heavily, trying to fill his lungs with air, to keep his composure. “I-I want more blood… I want your blood.” You smiled, seeing him so desperate fed into your own desires. And you felt like if you denied him any longer he was going to cry, considering his eyes were getting watery already. “Then come here, lil’ vamp.” You told him and wrapped your arms around his waist, pulling him closer to you as you sat up, positioning him in your lap.

His first response was to whine as he arched his back forwards, legs turning into pudding as his hands shakily let go of the sheets, now clutching your thighs. “Ah-nGhh.. it’s so- so deep inside me.. it’s so foreign..?” Out of nowhere you turned him over, and he wanted to immediately bite your neck, but you covered his mouth with your palm. “Not yet.” As soon as he understood what you wanted, he wrapped his arms around your neck, bouncing up and down your dick like he was in heat. Your hand was still over his lips, so his moans all got muffled as they seeped through, “mHhnff, HnnGh, hmm…!!”

He rode you with fever and need. On one hand because he needed you and your blood on a carnal level, on the other hand due to him starting to enjoy getting fucked by you. After a while you took your hand away from him, now squeezing his waist with both hands, guiding his movements. Fyodor nuzzled against your neck, pleading with you, hoping you’d let him have some of that delicious red liquid again. “Y/n.. ah-huuHhn~ l-let me fed off you..? P-please..♡♥︎～?” You giggled to yourself, entertained and delighted, duty all pushed to the side as you said, “go on, take as much as you need.”

Needless of say, you two shared a long night together, and somehow, both of you ended up in endless love bites. Ops, what’s this? Oh no, his door is stuck! It must be because it’s so old~ oh no, seems you’ll have to stay at the mansion longer than expected… and his impending heat is coming up ♡

My friend send me this after I told them what I was writing haha

[lovelyyandereaddictionpoint]

Hello this is my first time doing an ask. Would you be able to write Trey, Ruggie, and Jamil. (Maybe Azul if you can) Reacting to there darling cooking dinner and having obviously less food than them.

I'm sorry if this makes no sense. Also I love your writing. 🐙💜 Octo heart <3.

A Giving Reader | Yandere Twisted Wonderland

Money is tight for an otherworlder and it’s a beautiful chance that you get a roof over your head at the very least. Maybe a small but oh so generous allowance is enough for one student at Night Raven. But you weren’t a student on your own–you were only one half of the puzzle. And you’re allowance doesn’t exactly understand that Grim’s lack of control doesn’t stop past the doorway of Ramshackle. It’s not all Grim but expenses pile up and sometimes you’ll make the ultimate decision to maintain the reserves you do have. And just because you’re struggling doesn’t mean the friends you cherish should suffer…it’s just that some sacrifices are meant to be:

Trey Clover

“Hey Trey I just wanted to thank you for all the sweets you give me, so here’s a lunch I made!”

“Wow thank you (Y/n)! That’s so nice of you. Guess that’s why you told me not bring lunch today…(Y/n)?”

“Yes?”

“Where’s your lunch?”

“Oh don’t worry about me! I’ll be fine!”

“I’m buying you lunch…and dinner.”

He’s annoyed 

Because you didn’t rely on him in the first place

He was sure that by giving all the sweets he did it would convince you he was perfect to share all your problems with

But it seems your selflessness knows no bounds

And luckily neither does his love

He’s happy the science club will finally be of use to him

He just needs something that will compel you to tell him all that’s going on

Sure he can talk to Grim but then that might get the monster to start talking with others

“But I don’t need–”

“Yes you do. I have to make sure your eating! How else are you going to live long enough to be my spouse.”

Ruggie Bucchi

“Thanks for helping me roll our jerseys, (Y/n).”

“No problem! Hey I also made you dinner I left it on the table for you!”

“T-t-thanks..”

“Yay! Dinner!”

“(Y/n)...aren’t you eating too?”

“I’m actually going to keep at it! So enjoy dinner.”

“...”

He knows exactly what your doing

He’s seen his grandmother do that same thing 

He hates that you do that

He hates how much you remind him of himself

And he knows you’re too much of a goody two shoes to do whatever it takes to survive

Good thing he isn’t 

Guess he better fill up your cabinets more often 

And have Leona pay for more of your meals

Until then he’s got no problem hazing and stealing from whoever to make sure you’re eating

“I’m not going to let you go hungry. Laugh with me!”

Jamil Viper

“You really didn’t have to cook for me, (Y/n).”

“Seriously Jamil don’t worry about it, it’s the least I could do. You’re always cooking for us when we go to Scarabia.”

“...(Y/n) is that really all you want to eat?”

he refuses to let such a thing go 

He almost finds it insulting that you serve him without feeding yourself properly

Especially since he knows just how much you can eat

He pays attention

He’s peeved because he has access to all sorts of resources as Al Asim’s servant 

And he knows Kalim would shower you if he even caught wind of it

He knows just how little you want to share

You’re so gullible and naive he almost feels bad that he has to take control from you

Not really

“Tell me what you’d really like (Y/n)? And I want you to believe that only I can give it to you.”

[4-the-l0ve-0f-art]

I might or might not be thinking about the LADS love interests 24/7 so here are some of my random thoughts/notes on their personalities and relationship with the MC (not spoiler free):

I've seen a lot of people across platforms comparing zayne and sylus and stating they seem very similar even though that's not true at all.

On the surface, both of them do seem reserved and cold, but when you really analyze their characters and play through various stories it's evident that they're quite different. Even on the surface, Zayne, whether considered cold by his colleagues and interns or not, is popular and respected for both his research work and extra care towards his patients. Sylus, on the other hand, is feared and envied due to his power and control over the N-109 zone. He's known to be merciless and difficult to work with.

In terms of how they are with MC, both of them joke around with her and show their love in their own ways, just like the rest of the LIs. Zayne tries to make her laugh with his dry humor and shows his affection for her by being extra careful about her health and daily schedule outside of their doctor-patient relationship, but in a more "boyfriend" way like reminding her to sleep and eat on time (which MC does for him too) and offering to cook delicious yet nutritional meals to eat together. He also tells her he loves her through his words but in a more subtle/indirect way rather than outright stating it; saying "The moon is beautiful tonight, isn't it?" on multiple occasions like the Abyssal Chaos special ending for him and some chats and event dialogues. He also likes to make time for her whenever he can, especially on the weekends, like the implied pottery workshop date from his affinity card. They're also physically intimate with each other like MC casually sitting on his lap in the heartbreaker rythm event, or Zayne patting her head on multiple occasions. In short, his preferred love language most of the time is acts of service, quality time, and physical touch.

Meanwhile, Sylus is playful and challenging towards the MC. He's bold and straightforward with his words; "I adore you." from an audio story or "I'm never annoyed when we do things together." from a claw machine voiceline. He also likes to buy things for her, like the gun he gifted her, custom clothes like a dress he mentions on his homepage voiceline at night (and the outfit you see MC wearing in his main storyline auction), a limited time plushie from a voicecall that the MC really wanted but couldn't get. He also gives MC access to the resources he accumulated over the years as the boss of Onychinus. His safe houses, armouries, and the base itself in the N-109 zone. Grand gestures like setting up fireworks outside her workplace as she clocks out and dinner date somewhere private for their anniversary is also something he does.We also know from his midnight secrets that they like to cuddle while sleeping or he likes to hold her hand or have a hand around her waist (from the main storyline chapters). In short, his preferred love language is words of affirmation, buying gifts, and physical touch most of the time.

Something random about Zayne and Sylus:

Zayne and MC like to write love letters and notes to each other (from the heartbreaker text you get after 3 starring the final bounty, I'm pretty sure.) Zayne also leaves some of his clothes at MC's place at times (a tie from an audio story). He also keeps mementos or items that remind him of MC in his hospital office (like a cup they made together in pottery class or the notes/letters MC writes for him.)

Sylus likes to show off when MC wins something at the claw machine (we know this from his voiceline about announcing it to the N-109 zone but we don't know if he actually does it) or gets a rare meow badge (from a moment post). He also has set of clothes ready for MC at his base and mansion (from an audio story). Sylus also likes to take MC on rides on his bike (I can't recall the source for this :sadface:). They also exchange music recommendations with each other.

Some of my notes on Xavier's personality and relationship with the MC:

Xavier and MC go on spontaneous food dates whenever both of them are free and hungry. They also read books together on a routinely basis (we know this from his birthday event) and also go on study dates sometimes to the library (this is from an audio story where MC was studying for her Hunter's exam in the library and Xavier was doing his own thing beside her)

Aside from how Xavier is with the MC, he doesn't seem to interact with people much and only keeps in touch with Jeremiah and some bookstore owner who he's friends with and spends most of his time either sleeping, fighting wanderers, or with MC. This is probably because he has had to change his identity alot while staying on Earth since he doesn't age.

Xavier isn't necessarily interested in botany but has a lot of plants in his apartment which also attracts birds of all kinds. The plants also seem to be thriving even though he doesn't go above and beyond to take care of them (I don't remember where this is from.) The reason he has alot of plants in his apartment though is because it was originally Jeremiah's apartment (from one of his anecdotes).

Xavier and MC like to people-watch together from their balconies. Xavier likes to text her when he sees something interesting (like the text about a cat outside their apartment or him spotting MC doing something). They also have a specific chat where they decide to people-watch together from their balconies though I can't remember the rest.

Xavier is an avid reader and has been following certain book series since their release (from an audio story where MC runs into him at a bookstore). He also lets MC borrow books from him (from a claw machine voiceline).

Some of my notes on Rafayel's personality and relationship with the MC:

Rafayel likes to spend time with MC and keep her around under the excuse of her being his bodyguard. Sending her on errands like buying art supplies for him and attending exhibitions and PR events with her (mentioned in multiple chats and moments). Thomas also likes to make use of this by having MC check on his painting progress occasionally and keep an eye/spy on him when he looks like he's going to do something suspicious (from an audio story where MC tails Rafayel on Thomas's request).

Rafeyel and MC go on beach dates and walks together often (This is from multiple texts, moments and stories). They also collect seashells for each other. I personally really love the whole ocean theme/symbolism Rafayel's character revolves around due to his Lemurian origin and connection with the sea. His love for his culture and his connection with anything sea related comes out in so many things related to him, from the location of his studio at Whitesand Bay to all the fish related jokes and comparisons he makes. His artwork from what we have seen in the chapter 1 end and the memory where he teaches MC how to paint also uses shades of blue commonly. (I think I like him so much because I love art myself LMAO)

Rafayel can cook seafood really well. Him and MC cook together sometimes and go on seafood dates (we know this from some of his audio stories and midnight secrets).

Rafayel and MC go diving into the deep sea together. Rafayel even showed her a whale whistle from his childhood that he kept in a Lemurian ruin (from an audio story where MC wanted to find a whale).

Rafayel does makeup really well and also has a certain knack for perfumes. He was invited to a perfume exhibition with MC in an audio story and did her makeup for her in another.

Aside from visual arts, Rafayel is a man of many talents. He can sculpt (from an audio story where he restored old sculptures), can sing and play many instruments, speaks multiple languages, has performed in Operas before, has good photography skills, and is well-versed in history and tradtions of many different cultures.

Rafayel and MC go to concerts and other performance dates together. He even keeps himself updated on MC's interests like live events of an artist she likes or following game updates of a game she plays (this is from their chats about concerts and game updates).

From what we have seen in world underneath stories or his anecdotes, Rafayel is cold towards people aside from MC and keeps everyone at a distance. His personality with MC is very open and carefree compared to people who approach him on their own like reporters or other lore related characters like bounty hunters from Ever group. He also seemed to be travelling to many places alone before he met MC in the main storyline and had Opera or other performances under a hidden identity.

All the LIs have killed someone for some reason or the other according to their lore.

Sylus' kills are the most obvious due to the nature of his work and him quite literally being a wanted criminal. From his first interaction with the MC in the main storyline to his anecdotes about raiding planets, we don't even have to expand on this.

Xavier and Rafayel have both killed people in their anecdotes right before the main storyline takes place, either to protect themselves or MC. Xavier was killing people from his home planet who were after him and Rafayel killed a bounty hunter. Interestingly so, both of them have huge bounties on their heads (Xavier's Lumiere identity has a bounty on it that we see put up in The Nest in one of the chapters). Rafayel, on the other hand, had an anecdote where he kills a bounty hunter from Ever who was after him. Another interesting thing is that Rafayel, Xavier, and Sylus all three seem to be connected to The Nest in some way or the other. Rafayel was at the Nest with MC in the main storyline, Xavier went there to gather information, and I'm not sure how Sylus might be related but I have a suspicion that he is LOL

Zayne's kills are the least obvious. Zayne, from what we know, hasn't killed anyone on purpose in the main timeline so far aside from his colleague William who turned into a wanderer at Mount Eternal. All of his kills have been in a different timeline even in his Anecdotes. Dawnbreaker does mercy killings in his world and the Foreseer has been implied to have killed the people who entered his tower.

This got surprisingly long LMAO

I might make a myth version on a seperate post for their individual myths once I play through them. And I'll probably be adding more onto this post if I have any other things I want to note down

Aside from that this is all basically just word vomit about the shit I think about related to them 😔

[perpetual-stories]

Eight Strategies for Improving Dialogue in Your Writing

Well, hi! Oh my… wow! It’s been a long time since I’ve posted! I’ve been very busy and I am genuinely sorry to all my followers, but that doesn’t mean I’ve forgotten about this account, but here is one final post for the year!

Hopefully next year I become consistent with it again!

Let’s begin!

One of the best ways to help a reader connect with your writing is by crafting excellent dialogue. Use these tips to learn how to write dialogue that showcases character development, defines your characters’ voices, and hooks readers.

Why Use Dialogue?

Good dialogue performs all sorts of functions in fiction writing. It defines your characters’ voices, establishes their speech patterns, exposes the inner emotions, and showcases their character development. Beyond mere characterization, effective dialogue can also establish the setting and time period of your story and reveal information in a way that doesn’t feel overly expository.

Authors use lines of dialogue to reveal a character’s personality and express their point of view. For instance, an archetypal football coach might speak in short, terse sentences peppered with exclamation points and quotations from famous war generals. By contrast, a nebbish lover with a broken heart might drone on endlessly to his therapist or best friend, speaking in run-on sentences that circle around his true motivations. When an author can reveal character traits through dialogue, it cuts down on exposition and makes a story flow briskly.

Eight Writing Tips for Improving Dialogue

The first time you write dialogue, you may find it quite difficult to replicate the patterns of normal speech. This can be compounded by the concurrent challenges of finding your own voice and telling a great story overall. Even bestselling authors can get stuck on how a particular character says a particular line of dialogue. With practice and hard work, however, lackluster dialogue can be elevated to great dialogue.

Here are some strategies for improving the dialogue in your own work:

Mimic the voices of people in your own life. Perhaps you’ve created a physician character with the same vocal inflections as your mother. Perhaps your hero soldier talks just like your old volleyball coach. If you want to ensure that your dialogue sounds the way real people speak, there’s no better resource than the real life people in your everyday world.

Mix dialogue with narration. Long runs of dialogue can dislodge a reader from the action of a scene. As your characters talk, interpolate some descriptions of their physical postures or other activity taking place in the room. This mimics the real-world experience of listening to someone speaking while simultaneously taking in visual and olfactory stimuli.

Give your main character a secret. Sometimes a line of dialogue is most notable for what it withholds. Even if your audience doesn’t realize it, you can build dynamic three-dimensionality by having your character withhold a key bit of information from their speech. For instance, you may draft a scene in which a museum curator speaks to an artist about how she wants her work displayed—but what the curator isn’t saying out loud is that she’s in love with the artist. You can use that secret to embed layers of tension into the character’s spoken phrases.

Use a layperson character to clarify technical language. When you need dialogue to convey technical information in approachable terms, split the conversation between two people. Have one character be an expert and one character be uninformed. The expert character can speak at a technical level, and the uninformed one can stop them, asking questions for clarification. Your readers will appreciate it.

Use authentic shorthand. Does your character call a gun a “piece” or a “Glock”? Whatever it is, be authentic and consistent in how your characters speak. If they all sound the same, your dialogue needs another pass.

Look to great examples of dialogue for inspiration. If you're looking for a dialogue example in the realm of novels or short stories, consider reading the great books written by Mark Twain, Judy Blume, or Toni Morrison. Within the world of screenwriting, Aaron Sorkin is renowned for his use of dialogue.

Ensure that you’re punctuating your dialogue properly. Remember that question marks and exclamation points go inside quotation marks. Enclose dialogue in double quotation marks and use single quotation marks when a character quotes another character within their dialogue. Knowing how to punctuate dialogue properly can ensure that your reader stays immersed in the story.

Use dialogue tags that are evocative. Repeating the word “said” over and over can make for dull writing and miss out on opportunities for added expressiveness. Consider replacing the word “said” with a more descriptive verb.

[cripplecharacters]

Hi! I was actually wondering if you all could do a really in-depth post specifically on canes versus forearm crutches. I’ve noticed a couple of the recent asks pertain to it, and I think I myself still have one in the queue related to it, but in all of the posts y’all link us too in your answers to those asks, I have found the information is still very sparse and doesn’t directly compare the two in a lot of detail. I would really really love to see a specific dedicated post that breaks down the differences Between them directly, and goes into a lot more detail about what kind of person might prefer a cane and what kind of person might prefer forearm crutches. Differences in conditions, pain levels, fatigue levels, location of issue on their body, other symptoms, examples of disabilities that might more commonly default to one over the other, all that stuff. I’ve looked through basically all your posts on the subject I can find, and still feel like it’s really only scratching the surface, so if there’s a way y’all would be willing to do one big post on this topic specifically, I know at least I would really love it and I think others would as well! Most of the existing posts are a little too broad and surface level, and while I have found them super helpful as a starting point, I would love to see one that zooms in just on these two mobility aids rather than a broad overview of all types of mobility aids being compared like most of the existing resources y’all have. Seriously love what you all do and I would be extremely grateful for this!

Hi anon, just for you:

On Writing Characters Using Canes vs Crutches

[large text: On Writing Characters Using Canes vs Crutches]

This is a writing advice post that doesn't cover every single possibility because that's too impossible to try and do. It's simplified (!!!) to be coherent for writers who have little to no experience with these sorts of mobility aids, and I encourage anyone who wants to write a character using either of these to treat this post as a small part of a larger research process. This post will contain generalizations for the purpose of me wanting to actually finish it. This is writing advice, not medical information, nor something you should be applying to real life.

Please keep in mind that a lot of the disability examples will only be shown in a single category because otherwise this would be a comical block of text. So yeah, I know that a ton of conditions outside the "chronic pain" category also come with chronic pain, but I want this list to be actually easy to look through.

This will compare the cane (singular stick) to crutches (two sticks). Differences between a singular crutch and two canes will be at the end.

Canes

[large text: Canes]

The most primitive mobility aid that's out there. A wrist-height stick with a handle. You hold it in your hand (at a rather natural angle) and that's mostly it - it's meant to follow a standard (left leg forward, right arm forward) gait and be a support meant for generally milder mobility issues. A cane can take up to 25% of body weight, so like half of what a leg does.

As a TLDR, here's what they could be:

One leg unable to bear the entire weight (but not completely unable) - this could be a result of a problem anywhere from the bottom of the foot all the way to the hip.

Milder balance problems - largely neurological, so either a condition that affects the brain, the spinal cord, or the nerves in the leg. There are also some autoimmune, respiratory, and cardiovascular causes as well, plus a few more.

Back/trunk problems, most commonly pain.

To use a cane you need two legs, most people who use canes for leg reasons will have a “good leg” and a “bad leg”. If this is the case, you'd typically hold the cane on the good leg side, as that redistributes the weight - and pain - between the bad leg and the cane.

The good leg needs to be able to bear the whole weight comfortably, the bad leg needs to be able to bear, at the very least, half of the weight. If the disability affects legs to the point where either:

both have problems weight-bearing;

one can't bear weight at all (e.g., amputation, flaccid paralysis, pain too severe);

then two crutches (or other mobility aid, like a wheelchair) would be the move. The cane doesn't replace an entire leg and is meant to be a minor support.

Examples of what would cause someone to use a cane:

Monoplegia or hemiplegia that is spastic (rigid) in the leg. This could be a result of stroke, traumatic brain injury, cerebral palsy, multiple sclerosis, nerve damage, Brown-Séquard syndrome, polio, encephalitis, transverse myelitis, progressive multifocal leukoencephalopathy, alternating hemiplegia of childhood, hemiplegic migraines, or being a hemispherectomy survivor. And many more things.

Chronic pain; arthritis, hypermobility spectrum disorders, chronic patellar instability, h-EDS, neuropathy, peripheral artery disease, past injuries (e.g., broken foot that healed incorrectly), systemic lupus erythematosus, joint replacement, chronic bursitis, and a lot more.

Relatively minor fatigue - most fatigue disorders will be on a wide spectrum, and people's symptoms often vary a lot. But a cane could help with fibromyalgia, Charcot Marie Tooth disease, POTS, scoliosis, severe kyphosis/lordosis, COPD (and other respiratory conditions), or milder forms of CFS/ME. Someone undergoing chemotherapy (or taking some other fatigue-causing medication) could also use one.

Muscle conditions, which are an even bigger spectrum. Spinal muscular atrophy type 3 and 4, early Limb-Girdle muscular dystrophy, tibial MD, Becker MD, or early myotonic dystrophy type 2 can all be reasons to use a cane. Keep in mind that these have drastically different presentations from person to person, and it's not entirely unusual for two people with the same kind of muscular dystrophy to use very different mobility aids (e.g., a tilt-in-space powerchair vs ...no aid at all). These are just the ones where I'm aware of a person who 1) has it, 2) uses a cane, even if it's not the most common aid.

Prosthetic leg on one side; usually below knee (high level amputees will more often go for crutches, even if they use a prosthetic).

The second biggest reason why people use a cane is balance. For this the cane can be held in either hand; some people have a preference, generally for the non-dominant hand for convenience - although many people with balance problems will also have a coordination disorder that might make using their non-dominant hand too difficult. Some people will switch the side they hold it on.

For a lot of people with balance problems, a cane might be the aid they use at home, and use a rollator or a wheelchair outside.

A good cane for balance purposes is a quad cane - it has four legs at the bottom and offer more stability than the single point equivalent. However, the larger base might also mean that for some people it can be easier to hit it with their foot, which ranges from annoying to dangerous.

Examples of disabilities that affect balance;

Many of the things included in the first section - primarily those that directly affect the brain or nerves.

Conditions that cause vertigo - again, many of the same things as before because a lot of them tend to originate in the brain. So other than aforementioned meningitis or stroke and the like: Ramsay Hunt syndrome, migraines, basically any sort of brain damage, POTS, Meniere's disease, labyrinthitis.

Respiratory problems, like chronic obstructive pulmonary disease, severe asthma, or lupus.

Coordination disorders - again, a lot of overlap with aforementioned disabilities, so I'll skip to things I haven't mentioned yet. Ataxia could be caused by a lot of things; some include the Chiari malformation, ataxia-telangiectasia, Friedrich's ataxia, Parkinson's, brain tumors, or Niemann-Pick disease. Dystonia is usually a primary condition rather than being caused by other things (although it can be!). Dyspraxia is also a coordination disorder generally milder than ataxia, and canes can be potentially helpful for it as well.

As mentioned before, some coordination disorders will affect the upper limbs as well, and it might be too difficult to use a cane. For disabilities like Huntington’s disease, or ataxia that significantly affects the hands, rollators and wheelchairs tend to be more helpful.

Anything that causes the person to fall. Fall risk is the primary reason people use canes.

A cane can also be used for back/trunk issues. One can lift off some weight of the body from above the Problem by putting the weight on the arm instead. I have really severe kyphosis as well as (partial) trunk muscle atrophy/coordination problems and quite literally can't straighten my back for more than a few minutes at most - my cane allows me to do that more easily and without needing to think about it as much.

Examples of some conditions that cause that include;

sciatica;

degenerative disk disease;

past spine injury;

scoliosis or severe kyphosis/lordosis.

In my experience, you need fairly good arm strength to use a cane comfortably. For people with more significant weakness in upper limbs, rollators tend to work better.

Grip strength is also important; there are canes designed to mitigate this (the platform cane/crutch comes to mind) but they're not the most common because often (not always!) when someone has this issue they already require a larger mobility aid.

Canes are often a "starting" mobility aid, i.e., a person starts using it at first but later transitions to using something else as their disability progresses (or they realize that it wasn't adequate in the first place, it mostly happens with slowly progressive conditions - when they decide to get a cane, it's often just too late). A cane can be useful at the very start of an onset of amyotrophic lateral sclerosis, but it's basically worthless beyond that.

Similarly (kind of), a cane can be the "smaller" mobility aid for someone who uses multiple of them at the same time. Someone dealing with fatigue could use a cane at home, but need a rollator for going out, or a wheelchair for longer trips. Another person could use a cane when going out with a prosthetic leg on, but use a wheelchair or crutches at home when not wearing the prosthetic.

Crutches

[large text: Crutches]

These are more complex and provide more help. Crutches directly affect your gait depending on the exact disability, and take away both hands. They can potentially take up to 100% of body weight for parts of the walking cycle if you have good upper body strength and balance, and 50% otherwise (so, one good or two half-good legs still required).

Crutches are used for a lot of things (realistically too many to cover here) so I'll just go with the main categories that encompass most of them.

A) Both legs can't fully bear weight;

The same things as in the cane section, but present on both sides rather than one.

Hypotonia; can be caused by thousands of things. Some include Down syndrome, Tay-Sachs syndrome, achondroplasia, being born prematurely, brain damage, and congenital hypothyroidism.

Paraplegia that's low-level and/or incomplete, or quadriplegia that's incomplete. Quadriplegia is a huge spectrum as well, and it will depend on the amount of strength and flexibility that the individual person has in their arms and hands.

Bilateral amputation with prosthetics. (Someone who can bear weight no problem but has a milder balance problem could use a cane instead.)

B) One leg can't bear any or a lot of weight;

The same things as in the cane section, they're basically all on a spectrum, so some people choose a cane and others choose crutches.

Unilateral amputation, or congenital limb difference.

Limb length discrepancy where it doesn't touch the ground or barely does so.

C) Significant balance issues;

Same things as for canes, but either more severe or just someone's personal preference.

D) Back/trunk pain;

Same as C).

Additional note based on things I have seen: you can't use crutches if you have no legs and no prosthetics. You can't walk literally just on crutches. You need at least a single leg or prosthetic.

(Yeah I'm aware that there's probably a guy somewhere who does tricks where he does exactly that for a short video. That's Crutches Georg and he should not be counted because 99.9% of crutches users won't be doing that ever.)

Crutches will provide much more stability and relieve more pressure than a cane, but there is a wide range of the amount of support depending on how they are utilized.

What the disability is can actually present itself in the person's gait - there are a few main ones that are associated with crutches;

Four-point. The two legs and two crutches work as four different points of support, and three of them are in contact with the ground at any time. A lot (not all!) of people who use it will use crutches full-time and/or not be able to stand without them. The most stable and the slowest out of all of these.

Three-point. Probably the one most people have in mind when thinking crutches? The crutches both move at the same time, along with the bad leg, then the good leg follows. This is the "broken leg in a cast" way of walking.

Two-point. The closest to how non-crutch users generally walk. It's like having a cane on each side; left crutch forward, right leg forward. Fairly fast.

Step-to. The crutches work as one point of contact, and the legs as the other - both of each will move forward at the same time. In the step-to, a person puts their feet at the crutches' height. Fairly fast as well.

and step-through. I'd say the most difficult, least stable, providing the least amount of support. The same as in step-to, both crutches go forward before both legs, however here the legs get swung through them while the person is only holding up on crutches. This is the fastest that it gets, and can definitely be faster than an abled person walking. You can run quickly like this.

If you have issues visualizing them, there are a lot of great demonstrations on YouTube that you can look up for clarification.

There are a lot of subtle differences in which one people end up using, but as a rule of thumb, the more balance they lack, the more points of support they need. To provide some examples;

a person with quadriplegic cerebral palsy might lack balance and coordination, so they might use a four-point gait.

A person with one-sided tarsal tunnel syndrome can walk with a three-point gait, as it can be used to mitigate weight-bearing fully or partially - if the pain gets worse, they can just... not touch the ground with that leg.

A person with incomplete thoracic spinal cord injury could also work with a three point gait, though they would put both legs on the ground. If someone has good strength in the arms and trunk, they can get both crutches in the front along with one leg, then try to get the second one to go forward as well. This is how a lot of crutch users with a disability affecting two legs, but with decent balance and upper body strength, walk.

A person who had a traumatic brain injury and now experiences balance problems but not as much leg issues could opt for a two-point gait. It does help with weight redistribution, but primarily provides a lot of balance.

Both step-to and step-through are primarily used by single-leg problem havers (like unilateral amputees) in my experience, but I've seen people with diplegia or incomplete low-level spastic paraplegia use it too. You need very good balance and good upper body strength. I've seen dudes do backflips and ride skateboards on crutches like this. You can run as well and be way faster than you think.

The same as canes, crutches require arm strength. The more you're looking to take away from the legs, the more will go to the shoulders. If someone doesn't have the needed arm strength, a rollator will be more helpful. Walkers not so much as they still require some strength to turn.

More Direct Comparisons

[large text: More Direct Comparisons]

The differences between pain and fatigue levels might be somewhat evident from comparing the sections above - to generalize the subject as much as possible: the bigger the pain or the fatigue, the higher possibility of using crutches over a cane is. They provide more relief for both, as well as providing more balance.

Now, there's always exceptions. Someone might not be able to use two sticks, because of a disability affecting one of the arms - hemiplegia is a common example. In this case, the person could prefer to use a single crutch rather than two. They could opt for platform crutches, which don't require as secure of a grip. They might need a rollator instead. They might have a powerchair that they operate with their good arm.

Another thing is that some people will use crutches even if a cane would work just as well. Some people like the grip more, or find them easier to use. They could also like that crutches are seen as more medical than a cane, which could be seen as a fashion accessory. Maybe they can be faster on crutches than with a cane (e.g., if their disability is limited to a single leg, getting it out of the walk cycle might be more convenient) and that matters to them.

And to go with this, some people just don't like crutches! I personally don't like the forearm cuff because I tend to swing my wrist around with my cane rather than hold it perfectly straight, so the cuff seems annoying. For someone else that could be more than a preference, e.g. if they have a limb difference that affects the length of their forearms to be much shorter - a person like this could prefer two canes.

As to what mobility aids are better for which disabilities, it's highly individualized, but to heavily generalize again: canes tend to be more helpful for relatively milder disabilities, and crutches for relatively more significant ones based on the amount of support they provide. But that's an oversimplification so simple that it's not really useful.

Someone with neuropathy in parts of their foot might find a cane completely sufficient, but it wouldn't be as useful for someone with nerve damage that caused flaccid paralysis from the hip down; they would probably prefer crutches. But then again, someone with mild vertigo could use crutches because they prefer them (even if a cane would work just fine) while someone else might have incomplete C6 quadriplegia and use a cane with leg braces over crutches because they enjoy having a free hand.

For more similarities between the two; overuse injuries can happen to both cane and crutch users, generally in the shoulder(s). They're not very common unless you're putting more weight on them than you're supposed to. They're very annoying because it drastically tanks your mobility until they get better (unless you can walk without them just as much that is), but they're treatable with physical therapy.

Now for the two canes and a singular crutch. Let's start with the fact that the latter is infinitely more popular than the former. It's basically the same as a single cane but more supportive; it's good for people who need more balance than a cane provides but can't use both hands. Two canes is very rare and I can't tell you what the actual pattern of choosing them over other options is outside personal preference because I have no idea.

The general conclusion of the post is that crutches and canes really aren't that different, and are more of a spectrum of usable sticks by the amount of support they provide to the user. That's why often you'll see canes and crutches listed as the same thing when it comes to "management of XYZ disability" type resources - for a lot of them they're rather similar in practice, especially when compared to rollators, walkers, scooters, or wheelchairs.

I hope this was more in depth and therefore more helpful, if this still leaves you with some unanswered question feel free to reach out again.

mod Sasza

[thewriteblrlibrary]

Random writing tips that work strangely well #3

This was an accident.

But in my attempt to create a character that overthinks so much that reality happens in the background/through a very heavy lens....

I ended up following a lot of writing advice, it improved my writing, and I have an overthinking character! (Although this works for pretty much every type of character, just edit the writing style to your needs.)

In essence:

Give your character a lens with which they view the world. For my character, they are a storyteller and will make a story about the clouds and the wind. For a character that has a deep knowledge about... physics and statistics for example, might make metaphors to that and notice such things more often

But don't stop it at just interests! If you can combine the lens with the internal conflict (desires, fears, current perception of the world) It has a whole layer of depth.

~What does this new information mean to the character? ~

For example, you can have the musician character notice the sounds of everyone's voices, and that will reveal what the musician character thinks of others.

You can have a character that's analytic try to decode their sensory perceptions and try to figure out what they are feelings and why. They may spend a lot of time trying to figure out their past and what specific moments made them the way they are, and they might do the same for others. This will reveal that the analytic character cares a lot about knowing everything and they might be scared to leave things up to chance/unexplained.

Jealous characters will see other people's achievements and either downplay those achievements or try to imagine themselves surpassing them. (The 'smart child' that's slowly falling behind anyone?)

AND MY BEST ADVICE IS TO PRACTICE WRITING THIS BEFORE YOU START INCORPERATING IT INTO YOUR WIP! For me, I would plot like crazy then... kind of go off the rails in my actual writing. Then I'd get upset that my writing didn't match my ideas.

And it's okay! Getting to know your character takes time.

What works for me is to write some loose notes down, then I'll do some practice snippets. Random ideas with no coherent structure or events... it's just practice for the character.

Backstory also helps! (and it doesn't necessarily have to be tragic... just informative to the character on how they should navigate the world)

If you have your character reacting and analyzing what is happening to them and what they are going to do about it, then pretty much every type of paragraph (scene description, describing another character, actions etc.) are going to be a lot more fun to read and write!

And as always - the best writing methods are the ones that work for you, take what you need, modify it for your wip, or make something up on your own. There's no need to take advice as the end all be all!

Additional resources under cut

[findmeinthefallair]

God I never showed you guys how I would've written case notes for our boi's therapy sessions.

Here are some examples I drew up for a very early stage session with him, since I need to put down this info before I can create and write more scenes and screenshots.

Basic SOAP notes template:

Subjective is what the client shares and reports.

Objective is what the therapist can see, based on what's called a Mental Status Exam that we must conduct for any session.

Assessment is reporting whether you think the client is getting further away or closer to the goals they set for therapy, framed through the theoretical orientation that the therapist uses. In my past experience, I have used a blend of the Satir Model and Internal Family Systems theories, both of which are systemic theories i.e. we believe that a client's life has been shaped by their family background and environment.

It's important that Hunter's therapist would have to use what's called a non-directive approach to give him lots of space and autonomy to explore his thoughts and feelings. Systemic theories and others such as Narrative Therapy, Acceptance and Commitment Therapy (ACT) are all non-directive, whereas approaches such as the more commonly heard Cognitive Behavioural Therapy (CBT) are directive and most likely a poor fit for him because it would enable his extreme rule-following tendencies.

Plan refers to the course of action that both therapist and client could take, and seeing how the rapport between them is building up.

----------------------------

A piece of homework I might give him is a log like this, to track how he's doing and feeling through the weeks and months:

The percentages shown are him rating how intense his experienced symptoms are. This table can be discussed in each session too.

----------------------------

Lastly, disclaimer for the next one: I've not trained in the EMDR (Eye Movement Desensitization and Reprocessing) modality but had a peek at how EMDR therapists write their case notes, since I also spent two years going for EMDR sessions as a client. But it might look like this for the boi based on what I found online:

EMDR is about replacing harmful beliefs about self with positive ones, and involves a ton of subconscious work via something called "bilateral stimulation" (to really simplify, when you go for a walk you shift between putting your left and right feet in front while moving: this contributes towards you most likely feeling better afterwards). EMDR does something very similar with eye movements, or playing alternating sounds in headphones between the left and right ears, or alternating between tapping your left and right knees with your hands.

While this left-right-left-right stuff is happening, you are instructed by the therapist to mentally replay an image from a traumatic memory. One single traumatic memory is processed at a time, and a mental "safe place" and emotional resources must be set up first across many initial sessions before the actual processing is even carried out.

Anyway, the therapist most likely would not dive into the worst memory of him being possessed, because that would be too much, even if a safe place and resources are first set up. The most likely memory to be addressed first could be when he received his notable facial scar, or whichever was the earliest traumatic memory he remembers.

In the screenshot above, the "VoC" section is how strongly the client believes in the new positive belief, on a scale from 1 to 7. The number would obviously be very low in the beginning; the goal of EMDR therapy is to bring the number all the way up to a 7 across the months ahead.

The SUDs section is about Subjective Units of Disturbance, used to measure how much distress the client feels about the image of the traumatic memory on a scale of 1 to 10. The hope is to get the number down as low as possible over the months.

I picture him having various breakthroughs with the help of this technique at different points of his healing, such as before Grom Night, before he can even imagine himself carving Waffles...overall being more and more okay over time with a world with no Flapjack in it.

It's amazing to picture the work that the boi would put in until he can feel calmness and even a blooming sense of purpose handling the pieces of palistrom wood he'd be working with in the years to come, instead of pure distress about the best friend he played a part in slaying. Thanks for attending my spontaneous TED talk lol

[merakiui]

OHSHC AU where reader breaks a precious arrifact from one of the dorms maybe all but instead of repaying the huggeeee debt with hours of labour she has to pay with her body and can’t refuse :)

every kink in the book is used as she’s pleading with the dorm leaders for mercy, crying about forgiveness but all they can hear is that her mouth is very wide open and needs to be replaced with a cock or gag </3 poor reader doesn’t have time to take birth control! and none of the students at nrc know what condoms are oopsies!! imagine savanaclaw in their heat … oh boy rip her pussy! she’ll never know a peaceful day until graduation but even then one of the dorm leaders might take her with them to spend forever with them

Omg yes,,, ohshc au, but it's freaky and full of sex because those scheming boys now have a girl in their debt and that opens so many possibilities. Their methods in dealing with you would all be different, of course, but in the end you're probably getting dicked down either way. <3

I think Riddle's punishments are probably more old-fashioned. If you can't fix whatever it is you broke, then you will write lines stating that you will be more careful, that you won't break anything again, etc. Or he'll make you write an essay detailing why exactly you're sorry, why you ought to be forgiven, etc. T_T really, these are just punishments his own mother gave to him in order to push him to do better in his studies. Riddle doesn't know any better.

He thinks differently when someone like Ace or Cater offhandedly and jokingly remarks how unlucky you must feel. Good thing their Housewarden isn't some pervert, otherwise he could totally force you to give him blowjobs whenever he wanted all under the guise of "repaying your debt." Riddle is appalled. He would never stoop so low! This is Heartslabyul, not Octavinelle. >:( still, the basic concept is just a little appealing. So maybe he's got a small crush on you, and maybe it would be easier to get you to spend time with him if you had no other choice. He makes you join him for tea parties in the gardens, for games of croquet, etc. His hope is that you'll warm up to him and not feel so rigid around him. orz

Leona probably doesn't care as much about the artifact as someone like Riddle might. It has no sentimental value to him personally, so why should he be worried? Besides, it was pretty old anyway. But that doesn't mean you can get off completely innocent. You're the reason he's got more work on his plate now, what with having to deal with the Headmage squawking at him about it. He allows you to choose between two punishments: either you become Savanaclaw's errand girl and do much the same work Ruggie does around the dorm, or you spend every night literally warming his bed (i.e. let him use you as a pillow if you're going to be good and still and quiet). If you want an easy way out, you'll choose the latter. Besides, his bed is comfortable, big enough for two. And as long as you aren't a pain, he doesn't mind. (You are definitely going to be warming his bed in other ways. The innuendo in his words is not lost on Leona.)

Azul...... of course he's slimy and sleazy about it. Oh, you poor soul. How is he ever going to get over this dear, priceless artifact that you have so carelessly broke? Jade is there to oh-so-helpfully inform you of its market price and what it could currently go for if sold. And Floyd's there to poke fun at the unfortunate predicament you've found yourself in. But Azul is a resourceful octopus. He makes a grand show of contemplating what he should do with you just to watch you squirm nervously, as if he hasn't already planned it out from the very beginning. He'll capitalize on your being a girl and have you work the floor in the lounge. There's always an increase in tips and sales when you're serving the customers, and why wouldn't there be? A cute, helpless girl in a school full of boys is an appealing sight.

He's irritating, but he isn't callous! Jade and Floyd are there to look out for you in case any of the patrons get it in their heads that they ought to appreciate you through touch instead of simply staring. Your uniforms change with every new event Mostro Lounge holds. Azul knows his target audience well because he also fits into that same group LOL. So maybe the sight of you in frilly uniforms is appealing. Sue him. >_< he wants you so badly, and luckily (with you being indebted to him) he has you all to himself. :) after hours are a very fun time at the lounge.

Kalim doesn't see what the issue is. He's not mad, so please don't cry!!! 🥺 you'll make him cry if you're not happy... Jamil is just about ready to pass out while he calculates just how bad this is. And here Kalim is, not caring in the slightest! T_T but Kalim is more sympathetic towards you, not the vase you broke. Besides, he can just get another one. :D no harm done at all! There really isn't any punishment to be had. If you insist on repaying your debt, Kalim tells you it's all water under the bridge.

Jamil is the only one who insists this is a good idea, and if Jamil thinks it's fine then Kalim agrees. So now you're sort of,,, there in Scarabia. Jamil puts you to work when Kalim isn't around, but when Kalim is there he spoils you rotten. The complete opposite of a punishment. There's definitely dubious shadows to this, though. For all of the delicious foods and alcohol you consume, you wake with hazy memories, only ever recalling you looked into the eyes of...something before you fell. Was it a snake? Maybe... but Kalim is always there in the morning to smother you in affection, so maybe it's not so bad.

You are Vil's newest pet project. He goes in with metaphorical fork and knife and cuts into you with his criticism, all of which is completely valid. You were clumsy when you broke that artifact. You weren't paying attention to your surroundings. You were completely oblivious, so in your own world. Epel would feel bad for you, but finally he gets to relax just a little bit now that Vil's eyes are mostly off of him and centered on you. Vil is going to put you through a reformation of sorts. You will come out of it your best, most elegant self! A wonderful improvement from your earlier carelessness. Only then will he forgive your previous transgression.

You and Vil get on like oil and water. That is, you don't mix at all. You are subjected to curses left and right because Vil is so strict. Suddenly, you can't eat certain foods and if you try to sneak them you find they've all been cursed (courtesy of Vil). If you try to slack on the work he has you do, even when you know he's not around, somehow word gets back to Vil. That creepy hunter always seems to know everything you do even when you're alone. It's troubling. Vil likes to think his heart is an iron fortress, so it's impossible to fathom when he falls for you first (and so hopelessly, at that)!

Idia doesn't put as much value in that artifact as he does in his own anime collection. If you broke something from his collection that was limited edition, he'd be far more upset (and then proceed to pull out the second one he got as back-up for this very specific moment). But this is an easy fix, really. He has the technology to make it good as new and, if that can't be done, he can always build a new one. Upgrades are important and necessary in some cases, especially when things get too outdated. It's a little awkward having a real 3D girl in his room all the time, though. >_< kick his ass in the twst equivalent of Smash and he's looking at you in a completely different light (hearing you trash talk him is so arousing; he's never been more hard).

Let's say the thing you broke in this case was a gargoyle. You're not sure how it happened, but it's headless now and Malleus is just staring silently at you. You can't read the emotions on his face, but with the way Sebek is shouting at you to get on your knees and beg for forgiveness you think you're about to be burnt to a crisp. It's so uneasy and awkward, and all you can do is apologize profusely, insisting you didn't mean to break it. It's Lilia who comes to your rescue: "Now, now, Malleus. You'll scare the poor child if you keep frowning so. Mistakes happen, do they not?" Silver also comes to your aid, adding that it wasn't your intention to break this gargoyle. It was an accident.

So now here you are, the second member of the Gargoyle Studies Club, accompanying Malleus for club activities while he teaches you all about gargoyles so that you can gain a better appreciation for them. It was Lilia's idea in the first place. He is Malleus's unofficial wingman. One way or another, you're going to find yourself alone in the woods with Malleus while Lilia is in the bushes belting out "romantic" love ballads from the old ages. T_T someone put peepaw to bed... at the very least, it lessens the awkward tension between you and Malleus, and it even gets the both of you laughing.

[mariacallous]

A woman without biologicalchildren is running for high political office, and so naturally that quality will at some point be used against her. Kamala Harris has, in the short period since she emerged as the Democratic candidate for US president, been scrutinised over her lack of children. The conservative lawyer Will Chamberlain posted on X that Harris “shouldn’t be president” – apparently, she doesn’t have “skin in the game”. The Republican vice-presidential candidate, JD Vance, called Harris and other Democrats “a bunch of childless cat ladies miserable at their own lives”.

It’s a particularly virulent tendency in the US, with a rightwing movement that is fixated on women’s reproduction. But who can forget (and if you have, I am happy to remind you of a low point that still sticks in my craw) Andrea Leadsom, during the 2016 Conservative party leadership election, saying that Theresa May might have nieces and nephews, but “I have children who are going to have children … who will be a part of what happens next”. “Genuinely,” she added, as if the message were not clear enough, “I feel that being a mum means you have a real stake in the future of our country, a tangible stake.”

It’s an argument about political capability that dresses up a visceral revulsion at the idea that a woman who does not have a child should be vested with any sort of credibility or status. In other comments, Vance said that “so many of the leaders of the left, and I hate to be so personal about this, but they’re people without kids trying to brainwash the minds of our children, that really disorients me and disturbs me”. He appears so fixated on this that it is almost comical: a man whose obsession with childless women verges on a complex.

But his “disorientation and disturbance” is a political tendency that persists and endures. It constantly asks the question of women who don’t have children, in subtle and explicit ways, especially the higher they rise in the professional sphere: “What’s up with that? What’s the deal?” The public sphere becomes a space for answering that question. Women perform a sort of group plea to be left the hell alone, in their painstaking examinations of how they arrived at the decision not to have kids, or why they in fact celebrate not having kids, or deliberations on ambivalence about having kids.

Behind all this lies some classic old-school inability to conceive of women outside mothering. But one reason this traditionalism persists in ostensibly modern and progressive places is that women withdrawing from mothering in capitalist societies – with their poorly resourced public amenities and parental support – forces questions about our inequitable, unacknowledged economic arrangements. A woman who does not bear children is a woman who will never stay home and provide unremunerated care. She is less likely to be held in the domestic zone and extend her caregiving to elderly relatives or the children of others. She cannot be a resource that undergirds a male partner’s career, frailties, time limitations and social demands.

A mother is an option, a floating worker, the joker in the pack. Not mothering creates a hole for that “free” service, which societies increasingly arranged around nuclear families and poorly subsidised rights depend on. The lack of parental leave, childcare and elderly care would become profoundly visible – “disorienting and disturbing” – if that service were removed.

“Motherhood,” writes the author Helen Charman in her new book Mother State, “is a political state. Nurture, care, the creation of human life – all immediate associations with mothering – have more to do with power, status and the distribution of resources … than we like to admit. For raising children is the foundational work of society, and, from gestation onward, it is unequally shared.”

Motherhood, in other words, becomes an economic input, a public good, something that is talked about as if the women themselves were not in the room. Data on declining birthrates draws comment from Elon Musk (“extremely concerning!!”) . Not having children is reduced to entirely personal motivations – selfishness, beguilement with the false promise of freedom, lack of values and foresight, irresponsibility – rather than external conditions: of the need for affordable childcare, support networks, flexible working arrangements and the risk of financial oblivion that motherhood frequently brings, therefore creating bondage to partners. To put it mildly, these are material considerations to be taken into account upon entering a state from which there is no return. Assuming motherhood happens without such context, Charman tells me, is a “useful fantasy”.

It is a binary public discourse, obscuring the often thin veil between biological and social actualisation. Women who don’t have children do not exist in a state of blissful detachment from their bodies and their relationship with maternity: a number have had pregnancies, miscarriages, abortions and periods. A number have entered liminal stages of motherhood that don’t conform to the single definition from which they are excluded. A number extend mothering to various children in their lives. Some, like Harris herself, have stepchildren (who don’t count, just as May’s nieces and nephews didn’t). A number have become mothers, just not in a way that initiates them into a blissful club. They experience regret, depression and navigate unsettlement that does not conform to the image of uncomplicated validation of your purpose in life.

But the privilege of those truths cannot be bestowed on creatures whose rejection of the maternal bond has become a rejection of a wider unspoken, colossally unfair contract. Women with children are handed social acceptance for their vital investment in “the future”, in exchange for unrewarded, unsupported labour that props up and stabilises the economic and social status quo. All while still suffering sneeriness about the value of their work in comparison with the serious graft of the men who win the bread.

On top of that, women have to navigate all that motherhood – or not – entails, all the deeply personal, bewildering, isolating and unacknowledged realities of both, while being subject to relentless suffocating, infantilising and violating public theories and notions that trespass on their private spaces. With that comes a sense of self-doubt and shame in making the wrong decision, or not being as content with those decisions as they are expected to be. It is a constant, prodding vivisection. That, more than anything clinical observers feel, is the truly disorienting and disturbing experience.