currently thinking about the shot parallels between the big church scene in the pilot and the loustat dance in the finale. during the church scene at the end of the pilot, we get a close up shot of lestat looking directly into the camera - essentially proposing to louis to be his companion for all of eternity and convincing him to become a vampire. this direct eye contact kind of swallows you whole; you can't focus on anything else. louis, on the other hand, gets the same treatment but at first is not exactly looking directly at the camera. he is the one telling the story, so we are going to get a more direct view of what he remembers seeing (lestat's face), but he then eventually makes direct eye contact with the camera - specifically when lestat says that he loves louis and louis is loved which is what he's been craving. when louis is convinced, we are convinced; when louis allows himself to feel all of these emotions he's been trying to suppress, we are allowed to feel them with him.
during the dance, we get a similar kind of close up shot of lestat looking directly into the camera. again, this direct eye contact swallows you whole; you can't focus on anything else. louis gets the same treatment again, but his eyes are looking less directly at the camera. we know louis remembers the mixed feelings he felt that night because he knew he and claudia were going to try and kill lestat, but louis was losing the thread of the current plot in that moment because "i was his, and he was mine" thus looking slightly off to the side. we again feel what louis feels when he feels it because of he's the one telling the story and immersing us into his world (as he wants us to see it because we love an unreliable narrator).
the pilot church scene is them officially coming together, and they both understand that in the moment; the finale dance scene is them unraveling "for good" (for now... we shall see how the other seasons play out), and they both understand that in the moment
don't even get me started on the setting differences too - the church scene occurring when they're technically alone but the eyes of God/religion are theoretically present; the dance scene occurring when they're surrounded by so many people but they feel like it's just them until claudia breaks their dancing apart. ugh delicious!
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Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:
Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public!
The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭
Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much.
Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great
Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit.
One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed
Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it.
The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here.
Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people.
SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!!
The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly.
Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go
Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this
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How do we feel about Beach wear Noritoshi....
Everyone thinks he'd go covered head to toe wearing those wet suits divers use, but no. Noritoshi isn't the type to want to attract attention to himself when it's not needed, so he'd try to blend in. Emphasis on try.
He's the guy wearing a covering or some shit. I think you'd have to fight him to wear a translucent one. (if you splash him with water, you'll acheive the same effect thoughahahaha) even though it's a beach, he's trying to find an appropriate way to cover up, hes just like that. yes to sunscreen ofc. I can see him in a sun hat, but it's not his.. maybe he took it from one of the girls
HIS HAIR WOULD BE UP BC ITD BE TOO HOT AND THE SUN HAT WOULD HELP HIM FROM GETTING OVERHEATED H.H....H IS FACE WOULD BE FLUSHED BC OF THE HEAT AND. AND. AND.. he's like the beach babe on the shore, soaking up the sun and reading a book or smth. if you splash him with water, i can see him trying to get you back. then boom bam, hes in the water with everyone else.
OH FUCK that's even IF he goes to the beach. it's like seeing God in the flesh, idk man I'd go blind........... hed probably come along when he realizes theres hot people at the beach. he cant have you looking at people in that state, hold on hes going. give him five minutes..!
EXTRA
[untied covering version under the cut. like his booefjehsaf are out aha.]
ahahahahahahahahaa *froths at the mouth*
mf dont even begin to look at me like that
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That reminds me!
My birthday is September 29th, and I made a birthday wishlist on Amazon.
I have a lot of big changes coming up soon, and I'm... No-contact with my family for the moment. That's making this birthday (40th!) really difficult for me.
I don't need THINGS. I can do without everything on this list.
I actually would prefer... A digital snapshot of something in your town/city/living space that you think is neat, and a birthday wish (I'm a sucker for something historical)! But I wouldn't say NO to the things on this list!
If you're thinking you wanna help with the upcoming upheaval, money is always cool. But I'm a sucker for history and a sentimental doof. I would... Honestly prefer the photos!
Send 'em to... Hm. Which email gets used the least?
I'mma reblob this in queue a few times bc... I want digital postcards, OK?!
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Evolution of my awful guy from scarlet hollow, his name is sly and he's a keen eye/street smart build barely registering things are not nearly as bad as they could be
Spoilers / blood under the cut! Bestie please don't look there are genuine spoilers
Explaining design time wahoo! Morning vs evening for each day too
+ our very failed attempt at 'i can fix him'-ing that ended in matricide . oh my god . we're not immune to tortured artist but holy fuck
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