#and i can't remember what season/episode

[fazcinatingblog]

Aww Bailey's sick :(((( footy is cancelled this week, I'm so sorry

[dkettchen]

Ok I get the Gojo Geto shippers now I get it now y’all are justified it’s fine I’m fine they’re perfect I understand now I get it now this is fine

[rollforjackass]

okay so i reread the good omens script book trying to look up a quote i remembered and i kept writing down the things that i absolutely loved about it, so here's just a list of all the quotes and moments that rewired my brain chemistry

aziraphale sasses the hell out of crowley about his antichrist birth organization skills

aziraphale saying “oh sugar” instead of oh shit...

first appearance of everyday by buddy holly, we all know how that turned out

aziraphale doesn’t know how an ansaphone works. this was in the book too, but it’s still funny, especially considering how in radio omens he at least knows about caller id

aziraphale brought shortbread for the drive to the convent. did he think it was a date? please say yes

crowley asked aziraphale if heaven wouldn’t give him (crowley) asylum and aziraphale was going to ask him the same about hell

aziraphale says “what the hell” after pointedly not swearing earlier. hypocrite ass

aziraphale is fine with killing the antichrist himself but gets upset about the humans killing each other at tadfield manor....more tasty hypocrisy. he thinks he can only ever do the Right Thing but he knows it's Wrong when anyone else does it

“aziraphale is rather enjoying having the upper hand in the ideas department for once”

crowley says “dude. chill.”

“for a moment his noble better nature rejects the idea out of hand. THEN HE FALLS...”

“aziraphale is softening. they haven’t spoken in a hundred years: he’s realizing they are still friends.” gets me every time i look at it

why was shadwell in prison?? america explain

“i work in soho, i hear things” patron saint of soho confirmed

i still think that the neon halo blinking on and off above aziraphale’s head is the HARDEST that neil gaiman has ever gone and that we deserved to see it in the final cut

"michael: when your cause is just you do not hesitate to smite the foe, aziraphale." i'm thinking thoughts about the s2 finale under this lens; when your cause is just (saving the love of your life) you do not hesitate to suffer for pursuing it

“crowley looks back. he looks at aziraphale. above them, a beautiful starry sky. and crowley softens.”   jesus janthony christ.

“aziraphale is looking for someone. he spies a human statue dressed as an angel, with wings. it’s not him.”   GOD

gabriel about aziraphale: “i’m disappointed in him. not thinking like an angel.”

crowley “looks up, and talks to god, in the classical fashion.” see i really want a script book for s2 because i want to see aziraphale's expressions of faith plucked out a little bit more

crowley in the cinema: “he’s waiting for the end of the world. out of time. out of hope.”

the fact that crowley saw aziraphale walking down the street and left dagon on read is priceless

aziraphale looks hurt after crowley says he won’t even think about him

the music for the gavotte scene was recommended to be “i am a courtier grave and serious” from gilbert and sullivan’s the gondoliers which is PERFECT

“aziraphale is heading down the street, looking harried and as if he is carrying the weight of the world on his shoulders. which he is.”

sandalphon says “you know how we treat traitors in wartime?” to aziraphale and there was meant to be blood on aziraphale’s lips after sandalphon punches him. death to sandalphon

“why would you do this? we’re the good guys.”

aziraphale (resolutely not swearing): you. you B…AD angels.

“seducing women to do your evil will!” “i think perhaps you’ve got the wrong shop.” still the campiest line delivery i've ever seen

we don't need to speculate about crowley being in tears in the burning bookshop because according to the script he is canonically right on the verge of it

“right. i’m done. i’ve had it. i don’t care about any bloody angels or humans or anyone. i hate you all. somebody killed my best friend, and i don’t even care who did it. bastards, all of you.”   😭

when aziraphale is discorporated, his heavenly appearance is all his normal clothes but gleaming white

aziraphale: i have no intention of fighting in any war. “all angels on the floor turn and look at the angel who has said the unsayable.”

aziraphale can’t actually see crowley in the bar scene…he has no idea how wrecked his best friend is

aziraphale doesn’t take sugar with his tea. bastard

aziraphale crosses his fingers under the table when answering shadwell’s nipple question

aziraphale is wearing madame tracy’s pink motorbike helmet in the mirror of her scooter

they describe crowley’s suit in the burning bentley as “interestingly ripped”...........we were robbed of a crowley boob window moment and i'll never forget

aziraphale introduces crowley to madame tracy as “he’s…well, we’re sort of business associates.” you know, like a liar

aziraphale was fully about to murder adam. i don’t think i can stress this enough

aziraphale pokes himself to make sure he’s solid once he’s separated from madame tracy

aziraphale isn’t threatening crowley with the sword, “just making his point that he can do dangerous out-of-character things if he needs to.”

crowley: what if the almighty planned it this way all along? from the very beginning aziraphale: takes a drink from the bottle of wine

aziraphale looks like he’s going to cry when crowley reminds him that the bookshop burnt down 😭

aziraphale-as-crowley looks depressed 😭 he still thinks his bookshop is gone

the angels kidnapping crowley-as-aziraphale zip-tied his hands those dickheads

aziraphale-as-crowley: my friend! they’re kidnapping my friend!

the hit hastur gives aziraphale-as-crowley would have killed a human 0/10 wahoos

“the van with [crowley-as-]aziraphale in it drives away, and [aziraphale-as-]crowley tries to crawl after it.”   HEY NEIL I JUST WANT TO TALK

crowley-as-aziraphale says “what fun. i love a barbecue.”

i am literally ENRAGED that sandalphon was like “hell yeah you can hit aziraphale” to the minor demon who brought the hellfire i WILL throw hands

uriel calls it a barbecue too those fuckers

in the script uriel and sandalphon have their flaming swords drawn, so it wasn't going to be as insidious as expecting aziraphale to walk into the flame of his own volition. but they didn’t end up including it in the show, so it is that insidious after all

aziraphale-as-crowley keeping his socks on for the bath was such a choice

“he doesn’t actually have a newspaper and a cigar, but damn, he’s enjoying himself in his bath” 

i've seen so little talk about how absolutely ice cold aziraphale is in the bath scene with the whole “so you’re probably thinking, ‘if he can do this, i wonder what else he can do’? and very, very soon, you’re all going to get the chance to find out.” BECAUSE THAT SHIT IS TERRIFYING

aziraphale-as-crowley: michael. duude.

crowley and aziraphale both get out of their own elevators and meet up to walk out together which is poetic cinema

PIGBOG AND THE OTHER MOTORCYCLE IDIOTS THAT HUNG OUT WITH DEATH WERE GOING TO BE INCLUDED i miss them

[8cfc00]

i love relistening to podcasts to the point where relistening to any episode becomes incredibly boring because i already know what happens

[madegeeky]

Hannibal (the TV series) seasons in one sentence:

Season 1: The least amount of police procedural you will ever see in a police procedural.

Season 2: Reins are off now, fuckers, let's do some goddamn character work!

Season 3: Wherein the first half is Hannibal writing fanfiction and the second half has completely new main characters.

[pisoprano]

Trick or treat!!

Why hello! Here, let me get you some candy! I’ve been saving this in my cupboard for… five or six years? That’s still good, right?

Oh, I remember like it was yesterday! Season 2 of the Ladybug show was starting to be released and our little fan community had come up with the idea of Chat Noir becoming akumatized—“Chat Blanc” we called him! Such a delightful idea! I wonder if the creators of the show ever learned about him…

[youraveragecatastrophe]

Can you imagine what it must all have been like for Gray though?

Like. Picture this. After getting badly injured on your job, you get out of a long, long hospital stay. We're talking months. You don't remember any of those months. You don't even remember the accident.

So you get back to your boring little life. It's the same as it was before, but after brushing so close to death you do have a better appreciation for it. Or you try to, anyway.

And then you meet this weird young woman for whom you feel an inexplicable fondness. You talk for about 4 minutes. Later, instead of meeting you again as promised, she slips away. You think you'll never see her again. Well.

A few months later, she appears out of thin air again and says she seeked you out specifically to help with her job. You want to help, so you say yes, and you fly to New Zealand. There, everything seems straightforward until it- doesn't. It looks like you've been tricked, but for what? Then you find yourself into a situation more sinister and dangerous than you thought possible, yet you're not scared. When someone threatens the woman (your friend? It feels weird to call her a friend when you barely know her, but you feel close to her), you don't recognize the voice even though it evokes contradictory feelings in you. Happiness, fear? When you're in front of that weird bomb-like device, you don't know what it is but you know how to disable it, instinctively, confidently, like muscle memory.

Back in Sydney, you still don't get all the answers you want. The woman disappears again, but it's okay. You think this won't be the last you've seen of her. And maybe then you'll get your answers.

[reachermori]

I continue to break my tumblr hiatus for this show because I'm so annoyed with this stupidity and feel the need to put my thoughts into words.

Apologies for the rant. It's a little all over the place, but I tried to put it in a coherent order. It mostly focuses on hating James and on how I think Ted and Jamie's relationship and arcs were wasted, especially in relation to one another.

If the ending scene is indeed Ted's dream, I think it's even worse in regards to Jamie and Beard. Essentially Ted's "happy" versions of them have them close to their abusers, who have done nothing to deserve it.

The idea that Ted's happy ending for Jamie is him reconnecting with his father, who seems proud of him, is pure projection. That's what Ted wants for himself, but he's also inserting his own good relationship with his father. (Which, if we were getting more episodes I might be okay with as it would be interesting to explore.)

The first two seasons really built up Jamie and Ted to have a good relationship, or at least be important to one another, and I still think they could have had a really powerful impact on one another.

While Jamie has grown a lot and that had a lot to do with Ted's influence, I think he could have had that talk with Ted instead of Roy about how having a positive male influence is important to his continued growth. Ted however, could have learned through Jamie and his struggles with his father's toxicity that it's okay to let go.

I have always been happy with the idea of the show ending with Ted returning to Kansas, because I thought it was important for Ted to learn that it's okay to leave and move on. Ted's biggest internal conflict is his inability to quit things, and I really wanted him to accept that quitting isn't inherently bad. Maybe even have an arc with Henry in a toxic situation that he's sticking with because he knows his dad never quits anything to reinforce to Ted how problematic that mindset is, and decide that it's okay to quit Richmond to be with Henry where he clearly wants to be. (Also I disagree with the idea that Ted has nothing in Kansas besides Henry. I doubt Ted Lasso of all people has no one. He built a community in Richmond in only three years. He'd been in Kansas the entirety of his life up until then, there's no way he has no one. Also, even if he didn't, his relationship with his son is more important and I don't fault him for prioritizing that)

This is where I think Jamie could have helped Ted's arc. They could have had parallel journeys in deciding their father's actions do not have to define them, and I think Jamie could have reached this point first and be the one to impart wisdom on Ted for once. You could even keep the "forgiveness" talk Ted gave to Jamie, and then have Jamie come back after the game and say something that conveys "fuck forgiveness, he doesn't deserve that. But I do need to let go of the pain or I'll just hold myself back from growing. Because I'm done letting him have any influence on who I am."

Instead of getting anything with any nuance or something different than every other abuse plot in any show ever, we just had the ghost of Ted all season. He was barely in this season! Especially with relation to the players. We only had one scene of Ted and Jamie talking as people (instead of talking about football strategies or Zava when the coaches just assumed Jamie was jealous instead of concerned about the team dynamics) and connecting, and it was for Ted to tell Jamie about the importance of forgiveness.

Sorry but abuse isn't something you should just forgive, especially since James isn't making amends. He's getting sober, and we don't know if it was his choice, it could have been court mandated for all we know. Also I said this in my previous post, but addiction doesn't just make you abusive, and it especially doesn't make you facilitate your child being sexually assaulted. So I don't see any world where just getting clean makes James worthy of forgiveness. More importantly is that Ted and Jamie don't know that James is even in rehab when they have this conversation!

It's bad enough that we had to deal with the cliche "forgive him for you" perspective, but now we know it either leads to reconciliation, or at least Ted hopes/thinks it should. I'm not sure which is worse, but Ted thinking they should reconcile when he lacks a lot of knowledge about the depth of abuse Jamie endured is just insane.

I really wonder if Ted knowing about Amsterdam would have changed how he handled everything, since that is - in my opinion - the worst thing we know James has done to Jamie canonically. (Or if he knew about him trying to murder Beard...) Though knowing this show and how this season was written, if there was any discussion about this they would mess it up even more. Like I can just imagine a tangent about how many sex workers are disadvantaged, and how they may not have had a choice either, and diminishing Jamie's trauma AGAIN!

However it shouldn't matter what he knows, it's not like Ted is ignorant to the abuse, he's witnessed it twice. The first time he just walked away, something else I wish the show addressed at any point. Ted only saw what James was willing to do in public, and doesn't seem to have ever considered it being worse in private or when Jamie was younger. Bringing up the first Man City match would have been a good way for Jamie and Ted to fully open up to one another and relate to each other regarding their trauma and how they've let it hold them back.

For a show that emphasizes the relationship between father and sons, they really decided to abandon all the father figure relationships they had, especially Ted with Jamie & Nate.

I actually think it works with Nate, since it's clear Nate and his father's biggest problem was that they just could never be on the same wavelength, and while they can't fix the past, they can now create the bond they always should have had. His father actually acknowledged his wrong doings and apologized, and that level of accountability is missing from James' "redemption". Also Nate's father had a good relationship with his wife and daughter, so it makes it more obvious that his and Nate's issues are due to a disconnect and not out of malice. James never had a single good character trait until they decided to redeem him out of nowhere in the last two episodes. If we at least had Jamie say something like "my dad was great before drinking" it would have at least made the rehab stuff seem a little more like redemption. But we only have Jamie and his mother talking about how James has always been like this, and will never change.

Just changing a few things to make Ted and Jamie's relationship pay off in this season for both of them, would have done a world of good.

Anyways this has been a little all over so I'll leave it here, but suffice to say, I disliked the finale...

[bansheeheart]

I'm rewatching ouat and I forgot how fucking insane this show was and that's saying a lot bc I already remembered it being insane

[unproduciblesmackdown]

billions is really on one constantly like you gotta love how there's the wordless presentation of This Man & This Woman as like an image of epic power couple &/or pr for the Wholesomeness of this man to have the Family Values in having a wife & possibly even kids, and being fictional media, most of the time this comes up as Staged Material from actors for this Media, especially given that generally both parties will be preexisting Roles With Dialogue. and then when it comes to winston & their granting us their clearest most elevated least questioning/critical exercises in "this is Telling you that winston is inferior" in a) successful violation &/or b) successful-violation-born information that they recognize as Inferior & expect you will too....really a moment's pause sometimes remembering that since they couldn't be bothered to stage anything for winston & instead we got a) photos provided from will roland of himself from his real life or b) pics they didn't need to get rights to, in this case they show us selfies from a real-life-and-by-then-married-couple, and it's This that gets "well so of course this is another Recognition Of Inferiority presentation" and not "well isn't that nice, epic, &/or wholesome, or even just matter of fact" like. really unbelievable of them and steph wessels gets to cameo as someone who Of Course dumped this guy because [well just look at him we're right back to exactly 4 seasons prior in 3x03 where we're supposed to know winston isn't epic b/c if wags is there you're supposed to be projecting on him, thanks, & when the one thing you can take issue with being an apparently accidental misgendering, there's Nothing to take issue with in that in the face of this it's crickets from wags who's otherwise dying to kill winston already. awesome. but i mean. well just look at him. we Hate winston.] like and billions is off the rails like "b/c he's so bad at sex" like yeah i think nothing says Good At Sex like the nexus of "has never tried learning anything about sex" & "has never been told their sexual partners might benefit from their learning about sex" Hell yeah. but only those born with the good bodies (winston wasn't! btw! which we all Knew 500 thinking emojis) deserve to have sex and this is also an extremely epic thing to say in this zero critical lens Celebration of killing the autistic guy for not sufficiently staying an exploited object kept silently shut away in your possession but out of sight & mind.

literally unironically Extremely Normal of them where "normal" is expected to be synonymous with a [neutral to good] context, as it "normally" is lol, but we Do have a critical lens out here. just like amazing you brought his real life then even all the more recent marriage into things held up for us as more fodder for Why We All Hate Winston & Want To Kill Him which also always hinged on "well just look at him" which necessarily hinges on a real life person's form to be looked at (or heard, given that we know people don't always react to his speaking voice as "neutral" and this is just another aspect of people's bodies) while meanwhile it's like yeah delightful stuff actually. or who cares b/c the Context doesn't have to be "does this role seem personally appealing?" for the Question that doesn't need to be "do we want them dead or are they someone who can do whatever they want or someone who has to forever endure and support the previous and can do whatever they want that doesn't conflict with this" and then 500 zillion words to say about this actor who was only supposed to be Quant Kid 2 Who We All Hated & Killed for one scene in one ep getting a recurring role (to still only ever be hated & killed as far as the writing was concerned, for the overwhelming Mostly) b/c of this je ne sais quoi & of course still Acting as though this role is as much a person as any of the other roles, wow, can't believe this was found to be so Talented & Delightful & Essential despite still only seeing the role as [guy we hate & kill] & having no intention of like giving him an arc ever but we really want more of this. and then inevitably be really preoccupied about his dick like not in a "haha. pwned them in turn b/c that's gay" but like of course in being Superior it's like yep preoccupied with the inferior parties' sexuality & your own being superior too. his dick is bad and he's not tall enough and well just look at him, no wonder he was dumped [shows you an image from actually having good times with his eventual wife] like obviously. billions with their autistic character like how do we step it up from the episode where some guy yells the r word at him amidst like the threats and harassment and assault? well more of that plus surveillance and even more personal intrusion but also someone says he's effectively a child and then we enjoy validation of our eugenicist presumptions i guess about his sexuality and body and most like random details of personality (never stop pointing out that somehow that He Likes Puns is more evidence for how Objectively Hated he is) and this episode has no other point than revelling in all of this and considering this to also be like "yes this all makes wags look Epic, which is worth an episode ever, all the more so as 1/12th of a series finale season"

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[youremyonlyhope]

Me: *Feels slightly good about something in my life* Life: Hmm. Nope. *Reminds me of things I should have been a part of but aren't* Me: ...Thanks.

[mymycorrhizae]

Daniel's memories of Alice being memories of Armand

Daniel first mentions Alice in episode 2 of season 1. He's served a dessert that he mentions he ate after asking his first wife Alice to marry him in Paris (a city significant to Armand). Why are Louis and Armand serving him something that would remind him of Alice? Hmm. He goes on to describe a unique physical trait she had:

I remember finding this a weird detail when I first watched this scene. But after the scene of Armand taking off his contacts to reveal his vamp eyes, I feel like it could be a reference to that. This still felt like a stretch but the proposal scene from today's episode convinced me.

Louis asks Daniel what Alice said when he proposed to her and Daniel suddenly has a memory of Armand from the past.

The timing of this memory as he's being asked about Alice can't be a coincidence. He looks at Armand in confusion. And when he finally admits that she said no. It's ARMAND who replies that she wanted to say yes.

Why would Armand know this? Why would he feel the need to tell Daniel this after seeing him looking wrecked by the memory?

And then there's Louis' remark about Daniel feeling more comfortable holding Alice's hand in Paris than in America:

Earlier in the episode, Louis talks about Paris being less racist than America. I think this line is about him thinking Paris is also less homophobic than America.

It's not the first time Louis hinted at Daniel being bi or gay.

I don't think this memory is about Daniel literally asking Armand to marry him. But pretty much the equivalent when you are a human in love with a vampire. He probably asked Armand to turn him so they could spend eternity together and Armand said no.

[eloquentornot]

This reminds me of something someone once said about how the best logical way to win a life series would be to hide the entire time, and how they play it for entertainment and make decisions they wouldn't if not for...

Wait.

They really are doing it all for the Watchers, aren't they?

one of the most fascinating things about the secret life tasks to me is this:

you don't have to do them.

oh, if you roll a hard task, that's different--you'll lose hearts if you don't do the task. and if you're low on health, yeah, sure, doing a task probably feels better than not doing a task. but the thing about the tasks is this: there is no consequence for not doing them. there is no consequence for going "i'm on high health, i won't risk playing in a really bizarre way that often could get me hurt worse than if i just played normally". there is no consequence for going "nah, i'm not gonna."

...and yet.

the thing about the secret tasks is that you don't have to do them. and yet,

[nightingale-prompts]

Wrangling Batboy

First | Previous | Next

Dick already knew Danny was taking his nap. Just like he expected he found Danny hanging from the trapeze.

Dick looked up at his son as the boy wrapped his wings snuggly around himself chirping in his sleep. Dick would be worried about how he'd get down but Danny had finally mastered gliding. They still weren't sure he'd ever fly at this rate.

Dick pulled out one of Danny's favorite fruits. A pomegranate. Dick didn't know why but Danny goes crazy for these things.

Dick cracked it open and waited. Even in his sleep, Danny could smell the fruit and his eyes immediately opened. The bat let go of his perch and free-fell until he spread his wings and dived for the treat.

Danny ate the pomegranate in an almost gore manner. The bright red juice almost looked like blood and it stained the boy's fingers pink.

"Guess where we're going today?" Dick said eating the other half of the pomegranate.

"Nowhere hopefully. The Hex High marathon is on later." Danny said suspicions of Dick's next words.

Hex High is a show Danny had gotten obsessed over recently. Its a about a group of monster girls at a school for monsters. It's a high school drama with lots of love triangles, broken promises, and scheming but every week the girls make up and are friends again. Expect for season finales where there is as a huge shift in the dynamics.

Danny refuses to miss an episode. Especially since Stephanie and Cassie watch it too. Damian pretends not to watch it with them.

"Actually, we are going to Titan's tower. You're going to meet the Teen Titans. Exciting right? You'll meet other metas finally." Dick hoped Danny would be more excited about meeting the Titans than seeing the season finale of his show.

"But its the season finale today." Danny whined.

Yep, that was exactly what Dick expected.

It was not any easier to get Danny to go. He chose to protest by shrinking like he always does and turning as furry as possible and becoming more bat like. Wings, claws, tail, elongated ears, and fuzzy white collar of fur.

"Calm down baby Nosferatu. You know you can't get in the car this small. I don't have a car seat." Dick sighed tilding Danny.

"Oh, no. Guess we can't go." Danny smirked.

Dick instead pulled out his phone and ordered a car seat.

"Remember we're rich Danny. And still part of the Wayne family." Dick laughed smugly and within 10 minutes the car seat arrived and Dick set it up.

The drive to the tower and the quick change of clothes went smoothly. As smoothly as it can be with a raging toddler.

Dick rolled Danny into a blanket and took the elevator up to the living space.

"Remember Danny, you brought this on yourself." He said ominously.

Danny huffed his ears flicking as they scanned for sound.

As the doors opened Dick held the boy up.

"I brought the baby!"

[impactrueno]

it helps me to remember when i get sad about how annoyed lydia gets in s4 is that she’s fourteen at that point so she is ACTIVELY going through puberty. and we’re all kind of annoyed with the world at that point, even the people we love.

that's very true. she's also known him for years at that point, and he can be uhh a lot. he can't get away with displaying his huge flaws as often as he used to, lydia doesn't allow it, and when he DOES get away with it, the episode ends with lydia disappointed and even outright mad at him. Midnight Scum in particular is so hard to watch, you can see her losing respect for him as the episode progresses and...then it ends. episode over. beetlejuice is horrible, what did we expect?

but yeah season 4 is. whoof man.

sure, you can chalk up part of it to teenage hormones making her more irritable, but i really do think she's just like, at her limit sometimes. i can't blame her, i too want to strangle him a lot of the time and i'm not even the one putting up with his shit, babysitting him or having to deal with the consequences of HIS actions.

this isn't Critter Sitters anymore, she is simply not having it and she won't make a cute little excuse for him "oh he makes me laugh and eats bugs hee hee"

season 4 lydia reacting at his jokes like 😒🙄

she's probably heard that one a thousand times by now. beetlejuice is a static character; he doesn't change, he doesn't go through character development, he doesn't learn his lesson (outright refuses to) but lydia DOES change. and she will continue to change as she grows older. and i KNOW this is a sad theory but i can't help but think that, as she grows and moves forward, she's just...gonna leave him behind.

it'll be hard for her not to. not only is she starting to make her own life and will continue to get busier and busier and not having time to hang out with her ghoulish best friend...she's also maturing. something beetlejuice has never done, and seemingly never will. and as she grows more mature, those puns and pranks and hijinks will become less funny, and his lying, clinginess and refusal to grow will become more evident. season 4 has lydia expecting better of him and being let down, constantly. if it's exasperating for us imagine how it must be for her.

at what point does it become too much? how often has lydia sat and thought about this kind of thing? considering how intelligent and sensible she is for her age, probably more than a few times. this dead guy inadvertently saved this depressed little girl by becoming friends with her and giving her the confidence to be herself and make her own friends. does she know that though? beetlejuice does, he saw it when they showed him the reality in which lydia never meets him. but lydia has no idea (and he will never tell her) so sometimes i wonder if she's missing that key aspect of why he's so important in her life. it's possible she might've come to the same conclusion herself; but even then, these things can be hard to remember when you're having to, once more, clean up after him and the messes he gets them into because his chaotic impulses are always stronger than him. you can tell she's very tired of this. and she will become even more so as time passes.

best friends forever though.

...

...right?