#and anything about nature and southern culture

[heavensmortuary]

do you have interests outside of horror? no hate <333333

i only have old man interests

[tsatsked]

Lore details I've noticed: Farewell Rayashki event

As always that's mostly Russian/USSR/Slavic stuff and some translations, feel free to add anything. I've also made a post about Silver Knot lore details

Obviosly, spoiler warning

Alenka - a USSR chocolate type produced since 1965, they are quite soft and sweet and still popular among kids and adults

The playground is quite typical for the time period. The drawings and sunflowers might be Vila’s and kids’ work. It’s not very clear if the graffiti is made by someone inspired by hip-hop culture or is August’s failed attempt at scribbling out his name, judging by “А” and “Г” as 1st and 3rd letters. The only thing I’d add here is more scraped parts recycled into playground constructions

Ijirak, Kikituk, Qiqirn - creatures from Inuit folklore (as far as I know they are not known in native Siberian folklore). I haven’t found information about Hoituk

The Russian word for “most” means “best” in the phrase “the most “most”” (“самый-самый”)

“It was only by luck that we found the runium. For over 60 years, people here have worked together to make it what it is now” - Vila. If the events happen in 60s-80s (judging by the overall vibe), than the last time reverse was at 1977 and Rayashki started to grow from a village to a town at 1917 or later. It means the town exported runium for all the Soviet years.

⬆️ EDIT: Silver Knot (Windsong's story) confirms it actually happens in 80s-90s

Most of the sighs say “For Better Future”, “Welcome to Rayashki” and “Welcome Zeno’s Military Institute”

The room in which Windsong stays is Soviet af. There are an old TV with a lens, cool bookshelf and tiles that surprised me. They’re common for public and liminal spaces but not so much for the living ones. Maybe they’re chosen because they endure harsh Artic climate better that wood or linoleum

EDIT: the TV looks like KVN-49 model, produced in 1949—1962

“It must be Kikituk! But their closest habitat should be Kong Kalrs Land, hundreds of kilometres away”. Kong Karls Land - a group of island of Svalbard archipelago, Norway. As @vingler-mirror point out in their post, Rayashki is likely based on Pyramiden town owned by USSR on the same archipelago

Природа это числа и черты - “Nature is numbers and lines” Природа это мозаика цветов - “Nature is a mosaic of colours”

“Mutant Kikituk from Olga area! You should be at the Olga Strait, hunting for migrating salmon and whales, not here!” - excuse me OLGA STRAIT!? THE ONE NEAR JAPAN!?

Poneva/ponyova - an element of Russian (Eastern Slavic?) female clothing worn on top of the main skirt of the dress. I believe there was either a mistranslation in Needles and Loaves message where Raisa said “poneva dress”, either she meant the whole outfit

Samodiva - Their name is feminine and can be roughly translated as “self-wonder”, but that’s another word for vila the creature from Western and Southern Slavic mythology similar to Eastern Slavic rusalka/mavka

Other stuff I’ve noticed:

The town seems to have a big arcanist population, if not most of them are arcanists. An arcanist right is applicable to them and all Vila’s known students are arcanists (if the kids are arcanists, their parents and grandparents are arcanists too)

The people of Rayashki seem to come from different places, and it makes sense with Pyramiden's history (EDIT: the workers were mostly from a western region of Ukraine). Pasono’s first name seems to be obscure and I’ve found only a surname mostly known in America. Patrik’s name is more popular name in other countries, and it make me to believe his ancestors might be foreigners. Bogina’s name comes from Southern Slavic languages

Rayashki is very communistic compared to the rest of USSR. Maybe it’s the town’s history, citizens’ temperament, small town’s size, seclusion and big self sufficiency combined. EDIT: the town's athmosphere conctasts with the period of USSR where people start feel more positive about the world around and capitalism with it

[hwatermelons]

unconventional gender neutral terms of endearment ^^

(mostly made this cause my drafts always have "baby" a million times and then i replace them lol)

- pretty (as in pretty girl/boy, but without the gender word attached) - starlight/my star, sunshine - honestly if you put "my" before anything it could probably work as an endearment - animals: firefly (got the idea from sufjan stevens), bunny, dove, mouse, hamster, hummingbird, penguin, monkey ��, kitten (this one's kinda popular) - flowers: tulip, rose, sunflower, a flower that's special between your characters - fruits/vegetables: pumpkin, bean, mango, lychee, kiwi, peach, nectarine, apricot, berry(!!), blueberry, strawberry, raspberry, cherry, etc - sweets! a special weakness of mine is sweets from the person saying the endearment's culture. like if someone who was also indian called me their kaju katli i'd melt (but probably not laddu unless it's clear they're teasing and i get back at them 💀). maybe runs the risk of being cringey tho? honestly as long as it's from the sayer's culture and suits their personality it's fine - examples of sweets that don't belong to a certain culture: cookie, brownie - nature: snowflake, raindrop?? (i guess it works if your character has something to do with water), sprout, sapling

and here's some classic gn terms of endearment if your character's more into that: - darling (i see this as a perfect alternative to princess/prince) - love/my love - lovely/beautiful - baby/babe (can be used in both cute and teasing/suggestive moods) - angel (personal favorite of mine!) - dear (it's so "grown old together" vibes, i'm in love with this one for this purpose) - honey, honey pie, sugar, sweet(ie). honestly if they're used for s/os, it feels kinda old-fashioned. but for parent figures saying it to someone much younger that they care about, children or otherwise? (i'm imagining a southern (from america) beekeeper with no children or spouse of her own who sells her famous honey to buy food for the small army of orphaned children that shows up on her front porch every morning for breakfast. and these are the kinds of things she'd call them. perfection.)

[demaparbat-hp]

I didn't know Katara also had silver marks on the Kintsugi AU. How did you come up with that idea? Is it an in-universe cultural thing? If it is, is it exactly the same as Zuko's or does the Water Tribe have their own beliefs around it?

Sorry if I'm asking too many questions, I just really love how your mind works when it comes to these AUs 💖

Hello, and thanks for asking!

Initially, Kintsugi was a strictly Fire Nation tradition. Something to hold over the rest of the nations, and deepen their own belief of cultural superiority. Zuko hiding his scars played into that idea, since having gold inlaid in your body is a clear sign of Fire Nation blood—furthermore, High Fire Nation blood.

That being said, one lovely anon gave the suggestion that perhaps the other nations also have their own kinds of Kintsugi, and I fell in love with the idea. @ican-fixitbooks went even deeper into the particular philosophies of each nation regarding Kintsugi. I'll be using some quotes from them—watch for the italics.

It was during said brainstorming session that I thought of Katara having a silver Kintsugi scar, and how could it be used to enhance the themes of ATLA, Katara's arc, and this AU as a whole.

But a little background is necessary, I believe.

Kintsugi is a tradition practiced worldwide, with minor differences in philosophy/technique according to each nation.

The Earth Kingdom seal their scars with a substance that resembles bronze, as the mentality of breaking yourself down to build yourself back up better than you were is very central to their culture. It is used as a way to celebrate one's victories, made all the better if damage was taken to achieve it.

The elite have rather different views on this practice. They believe themselves to be above such things. That which is broken must be hidden away, which has interesting connotations when thinking about a certain blind earthbender.

The Air Nomad philosophy leans towards a naturalist approach. Anything natural doesn't need to be "improved" in their eyes. If a scar is there, it is there. Let it be there as a part of you, no different than any other, no need to be "made better", but in fact better to just "be".

Kintsugi is a cultural practice meant to celebrate making something beautiful out of something broken, arguably even making it better than it was. During Sozin's reign and forward, Kintsugi became a way to show the Fire Nation's superiority. Especially as that is essentially their philosophy for war: "Breaking the rest of the world so it can be reforged in fire, made a better, more perfect place."

As for the Water Tribes, there's the healing factor to take into account. The Northern Water Tribe isolated itself from the rest of the world once the war began, so they hold tight to their traditions and beliefs. If something is not broken, then why attempt to fix it? Kintsugi is scoffed at in the North—it is a foreign practice, one that is not necessary when all your wounds can be healed with bending.

However, the Southern Water Tribe has been exposed to the world. They have seen war. They have lived through it. They have suffered, but they are also free because of it, if only in spirit. The South is strong and proud and bold, so it comes as no surprise that silver Kintsugi becomes the mark of their warriors, their hunters, their people.

Katara was wounded during the last Southern Raid. After losing Kya in such a terrible way, Hakoda made sure to seal Katara's wound with the silver of their warriors, so that she would always remember that despite having been broken, she is still strong, beautiful, and proud.

The scar itself is long and thin, going from her right shoulder up to her jaw. It loosely resembles lightning.

And despite how she got it, despite all the things she lost on that day, despite it being a constant reminder of her mother's death—Katara loves her scar.

It grounds her. It pushes her forward. You are a warrior, it tells her. You are a survivor.

When Katara arrives at the North, her scar becomes yet another thing the Northerners hold against her. They use it to demean her, just as they do her gender and out-spoken personality.

The North believes a lot of things that Katara always considered natural to be a problem. What does it matter that she is a woman? What is wrong about being passionate? Why should having a scar mean she's broken?

This scar is something they cannot touch. The Northerners try to use it to demean her. To make her small. Self-conscious. Worthless.

They're scoffing at her mother's death.

Her strength.

Her beauty.

Her pride.

Her story.

And she will not allow it.

[cirusthecitrus]

People of the Galactic Horde (the OGs)

Since I'm working on a Horde Prime origin story, it was inevitable that one day I would have to come up with designs for his species aka the original spacebats. And well, it was a fun challenge!

(click/tap to have a better look!) My first attempt at drawing other bats was with the High Priests of the Four Temples - the most influential and powerful people on the planet, also known as Anillis'/Prime's teachers :)

See that last guy? That's the emperor of the original Galactic Horde! Though after his unexpected early death his wife had to become the new Prime. Gladly, Horde World was not left without a future heir to the throne^^

Fun thing is, I never planned on making designs for Anillis' parents, since they never appear in the actual story + even the twins don't remember what they looked like. But idc making fanparents is fun! (In my vision Horde Prime inherited the death stare from his mother and the sly misleading smile from his father >:} )

(I talk more about the characters and worldbuliding in my fic "Violent Youth". U can find the link in my pinned post)

I also had to design tons, and I mean tons of episodic characters of all ages, genders and backgrounds. Now after all this training I'm ready to fill the backgrounds with bats :3

Some general notes on the people of the Horde under the cut

Every spacebat is born with a white face. Any deviations were rare and considered a type of skin condition

Facial markings slowly appear once baby bats hit puberty. When spacebats' white faces were seen as blank canvases, the facial markings were their life journey drawn on said canvases. The markings were seen as the real window to the soul. Having no marks as an adult was simply outlandish, people of Krytis even had a belief that such bats "had nothing behind their soul" and thus could not be trustworthy

Facial markings (as well as ears) came in many forms. In ancient times one could tell in which of the four original provinces a person was born by simply looking at their faces. Nowadays it became nearly impossible to guess someone's homeland this way (mostly everyone are people of mixed descent), but to those curious this is how bats used to distinguish one another by their markings:

North - straight lines across/all over the face (e.g. the emperor)

South - wavy lines across/all over the face e.g. (the High Priestess of the Southern temple)

West - straight minimalistic lines (e.g. horde clones)

East - wavy minimalistic lines (e.g. the empress)

Hair never held much cultural significance on Krytis, so the styling was only a question of one's personal preference and fashion trends. Some bats (mainly from the south) saw no point in having hair whatsoever - those would choose to go bald or shave parts of the head to better show off their markings

Everyone had one set of eyes. Only local deities were sometimes depicted having 3 and more eyes. And yes, their eyes and teeth do glow in the dark

I wanted to make colorful bats to futher emphasise their whimsical and peaceful nature :) Well, if u think about it many poisonous creatures are colorful too...

I wouldn't be myself if I didn't say anything about local fashion. I don't have my own concepts at hand sadly, just references, but my main inspiration for the fashion of Krytis are late 90s-early 00s futurism and cyber aesthetic. Here and there u will also see smth similar to mall goth or streetwear style, but it's mostly something what young blood were into

Some bats like the royal family and council members would wear more classy and regal clothes but still more or less modern looking. Such choice of attire was espeically important to the empress, who, unlike her late husband, stayed far away from religion and magic and made it the main goal of her campaign to weaken the influence of the religious community and push for scientific and socio-cultural progress

If you have any questions about the people of the Horde/Krytis, feel free to ask! I'm always happy to talk more about this AU!

[hussyknee]

This article hits a lot of my discomfort around comparing the LTTE to Hamas, or any of the Palestinian resistance.

Do I believe in Tamil self-determination? Yes. Should they have a sovereign state? Yes. Should they have won the North instead of the SL military? Absolutely. Does any indigenous Tamil or Muslim person in the North and East have the right to armed resistance against majoritarian rule? Also yes. Was the LTTE rank and file fighters resisting annihilation and the SL military to a man was committing murder? Yes.

Do I believe the LTTE as an organisation and Prabhakaran as its head actually stood for anything but replacing the Sinhalese ethnostate with a Tamil one of their own choosing? Fucking no.

Navaratnam, after splitting away from the Federal Party, also published a newspaper, Viduthalai. I read the paper in the 1970s, when it often compared Tamils and Jews in terms of cultural character—including a supposed predisposition for intelligence and entrepreneurship—and argued that they were similar. (This line of thinking survives to this day: I know of Tamil nationalists in the diaspora who invoke the establishment of Israel as an example for their own goals, and see similarities in the Tamil and Jewish struggles.) Viduthalai also serialised Exodus, a popular 1958 novel by the American Jewish writer Leon Uris, which was translated by Navaratnam and published in Tamil as Namakkoru Naadu—A Country of Our Own.

Exodus presents a factually inaccurate but heroic account of the Zionist project to establish Israel as a Jewish nation state, and follows a group of Jewish arrivals in Palestine after the Second World War. It makes no mention of the mass dispossession and ethnic cleansing of Palestinians by Zionist forces in 1948. Edward Said, the Palestinian activist and intellectual, has highlighted how the novel dehumanises Arabs. Said has also argued that, when it comes to Israel, “the main narrative model that dominates American thinking still seems to be Leon Uris’ 1958 novel Exodus.” The British journalist Robert Fisk once described the novel as a “racist fictional account of the birth of Israel” in which Arabs are “rarely mentioned without the adjectives ‘dirty’ and ‘stinking’.”

Velupillai Prabhakaran, who established the LTTE in 1976, was a supporter of the Self-Rule Party as a young man. He would also have been a Viduthalai reader, and was inspired by Exodus. I was informed by a former LTTE member that the organisation also separately translated Exodus in full in the mid-1980s, and that it was widely distributed among LTTE cadres and supporters. Two prominent members of the organisation told me separately that the film adaptation of Exodus was also screened to LTTE cadres at camps in both Sri Lanka and the southern Indian state of Tamil Nadu.

Following long-term disillusionment with the LTTE, and seeing no democratic space to raise my concerns with the organisation’s autocratic leader, Prabhakaran, I quit the LTTE for good in April 1984. Many others also left, both before and after me, with the same concerns – among them the one-man leadership and complete intolerance for political discussion or difference. Some of them were murdered by the LTTE for leaving. One tragic example is Patkunam, one of the group’s founding members, who was murdered by Prabhakaran sometime in or around 1977 with the agreement of the appointed central committee of the LTTE. Prabhakaran suspected that Patkunam had been influenced by EROS’s leftist ideas and wanted to leave the LTTE. The LTTE had a policy that those who wanted to leave and join another group or establish another organisation would face capital punishment.

...

As it increasingly gained control of the North and East of Sri Lanka, the LTTE arbitrarily declared itself the “sole representative” of the Sri Lankan Tamil people. On this basis, it targeted Tamil activists from leftist and progressive organisations, killing or otherwise silencing them. The leadership of the TULF, the Tamil parliamentary party, was also wiped out. From as far back as the mid 1980s, the LTTE also suppressed other Tamil militant organisations such as TELO, PLOTE and the EPRLF. Eventually this meant targeted killings and massacres of both cadres and leaders from rival groups. Sections of EROS were forcibly absorbed into LTTE ranks. The LTTE also killed numerous EPRLF and PLOTE cadres who had received training from the PFLP in Syria.

...

In 1990, the LTTE executed a plan to ethnically cleanse Muslims from territories under its control in the North of Sri Lanka. The entire Muslim population of the Jaffna, Vavuniya, Mullaitivu, Mannar and Kilinochchi districts, numbering approximately 75,000 people, was evicted at gunpoint. This demonstrated the LTTE’s desire to establish an ethnically exclusive Tamil state, much like the Jewish state of Israel envisioned by the Zionists. The LTTE’s entire ideology was based on exclusive Tamil nationalism; its idea of a homeland and a nation meant treating Muslims and other minority communities in Tamil-dominated areas as second-class citizens at best. In this, it had uncomfortable similarities with the Zionist outlook on Palestinians and Muslims.

...

The LTTE was a right-wing organisation, with a statist approach to popular struggles. Prabhakaran made it clear that the LTTE would not interfere with “domestic issues” in other countries. I know this because, while I was with the organisation, he did not want to have any links with Marxist-Leninist parties in India as he did not want to antagonise the Indian state. The LTTE’s international network consistently aligned with Western governments and lobbied for their support. Although the LTTE was deemed a terrorist organisation and proscribed by the United States, the United Kingdom and the European Union, these governments’ notices stated clearly that the LTTE had no intention of targeting Western interests.

The LTTE leadership was a corrupt bunch of autocrats that ethnically cleansed and killed anyone that got in their way, including their own people, having solidarity with no one and led by a personality cult not so different from MR's. Nurturing Karuna and Pillayan at their breast while they massacred Muslims, conscripted children and killed and disappeared Tamil activists and journalists, and then crying foul when they defected to get away with their loot? Nah son. Just like the SL government, the LTTE didn't care what they were doing as long as they didn't do it to them. Because in their ego-driven ideology, Tamil self-determination began and ended with them. Even now, it continues to obstruct the Tamil struggle because, since the LTTE made itself and its own nationalist project the sole representative of Tamil freedom, their defeat in 2009 makes the Tamil resistance itself look like it's dead in the water. Tamil Eelam's generational legacy of varied ideologies, factions, alternative enterprises and coalitions that preceded them all erased by this one failed cadre.

Hamas is far from perfect, but there's a continuity to its evolution, a devolution of power within their ranks, a willingness to work as a coalition with other resistance groups, and a generational network of anti-imperialist, anti-colonial solidarity and diplomacy behind them. The LTTE was just cut from the same post-colonial ethnonationalist cloth as the Sinhalese majoritarian state. Freire spoke truly when he said that the oppressed see their model of manhood in their oppressor. As long as we continue to identify with the powerful instead of the powerless, we will never be anything but pawns in the imperial project of coloniality.

*I do wish the author hadn't just...glossed over the horror that was the Indian Peace Keeping Force. Those freaks somehow managed to commit worse massacres and rapes than the Sri Lankan military. Absolutely heartbreaking because so many Tamil people believed they would be their allies. It says a lot that both the government and LTTE had enough of their shit within two years that they came together to kick them out. This alliance also came in useful because it allowed the government to crush the JVP's Marxist insurrection in the South without having to fight a war on two fronts. By that I mean Premadasa was grand chums with the LTTE while his forces killed over 60,000 innocent people in the rest of the country. At least right up until the LTTE killed him. Lol. The late '80s was their trollface era.

[crumblinggothicarchitecture]

Hi, I absolutely love the way you breakdown tswift songs, and I just wanted to clarify something, that's been bothering me. In 7 she mentions this part "we'll move to India forever" at first I was just like yeah, but the more I listened to it, the more I was like what kind of fucking colonist/white mindset is that? You'll never tour to India but you want to move here?? LIKE??? NO!!!! Don't!!! We've had enough of you white people exploiting us without ever actually ever caring for our country.

Feel free to vent about whatever Taylor Swift lyric you hate. I literally love it. :)

Because you're right, I always saw the line "we'll move to India forever" in the most charitable light. I remember thinking to myself, when I first heard it, that maybe she just loves India.

It made sense to me- because during the pandemic I fell into reading a BUNCH about India's culture, religion, food, anything. (My interest was mostly a result of linguistic interest into how India has shaped the English Language over time). Despite English only being present in the region due to colonialism, India has had a remarkable impact on shaping the Language itself! I emphasize post-colonial theory in my real job- and while I don't write much on India's relation to English Linguistics, I enjoy reading on the subject. So that's why I find it so interesting- because it really speaks to human ingenuity and perseverance. You know? The linguistic diversity present in India alone is so cool- and I really could talk about it forever.

So, I heard the line, and my first thought was like "yeah, okay maybe she just loves India?"

I think I was being too kind with that initial response.

But dude- she's never even toured in India? Like she just refused to go? She's never once talked about India in a positive light at all. So then why would she write that line? Like she will go to any random country in Europe, go to any random state in the USA, and go to couple of select places in Latin America, but it seems like she outright ignores Southern parts of Asia? Except Singapore- because they gave her a boatload of money, I guess. So, why write that line? Why write all of "Karma" is she has no genuine interest or respect for the people from which that philosophy comes?

In combination with her obvious pro-colonialist imagery in her other work, like the "Wildest Dreams" music video, the line in "Bejeweled" about reclaiming the land, and the latest line in "But Daddy I Love Him" about how she wants to win the West, I now believe her line about moving to India to be pure Orientalism.

Plus, the whole issue with the "Karma" song in which she is denigrating the philosophical concept of Karma and making it seem like nothing more than a shallow idiomatic ideal on revenge.

I think she's just an idiot who wants to mention "India" like it's some fantastical realm far away from "reality" (Eg), to her, the USA, as if India is not a real place with a real history and real culture. This is what I mean when I say she offers India no respect or appreciation- you can't liken a place to a mystical realm removed from reality without removing it from its history, culture, and people.

If the whole line is "Pack your dolls in a sweater/ We'll move to India forever/ Passed down like Folksongs" ("Seven" 2020).

She is intuitively linking the concept of moving to India with that of a childhood fantasy- with the word "dolls"- one childhood fantasy which will be ultimately unfulfilled. Thus, I support the argument that her line about moving to India is only in reference to the fact that it's like an unreal fantasy- worlds away from reality.

In literary theory, we call this process of subjective reality removal, and fetishization of the East as a fantasy realm, Orientalism. Orientalism is the act of creating a fantasy of the East, in this case India, that is often full of stereotypes or predicated solely on the myopic lens of western perspective.

Naturally, this facet of literature was mainly popular during the height of British Colonialism in India- in the 19th century. So why is Taylor Swift negotiating Orientalist attitudes in a song in the year of 2020? WHY! Uh- (because she's a fucking Racist with no respect for anyone who's not White and from USA). I've been blind- I fear.

It's such a rude oversimplification of such a diverse and interesting place- and all of her many nods towards Colonialism are so disgusting - I'm actually pissed off about it.

Anyway- That was my long-winded way of completely agreeing with you. You're right it's a shitty colonialist attitude and she should not be getting away with it.

[rotten-corpses-blog]

Slasher men with a southern reader

Hey! so something is up with my tumblr, I started writing someone's request, saved it to drafts and now its gone...

So I wrote this, because i'm a little southern girlie (Help i'm dying down here) If, you aren't southern, or are and don't have the same experience as me, that's ok. I'm writing this from what I delt with as a kid living in the Southern United States.

Characters: JD, Billy Loomis, Stu Matcher..... Content Warning: mentions of bigotry, and republicans, poverty and food insecurity mentions

JD

 JD is actually from Texas, so I don’t think he would really have a problem with any accents or anything of that nature.

 Depending on where you are from in the south is also important, he understands Texas culture… not any other parts of the south. (yes there is different culture depending on where you are, some parts use different words and phrases than others, food is also different) 

He would be understanding about family who have… different political opinions and all that.

He gets the poverty and food insecurity, because he saw that stuff traveling around from place to place.

Billy

Billy is from California, he grew up with none of the stuff you did so he’s not going to get it, he’s not an asshole, you just have to explain it.

He probably won’t understand any type of southern accent, even if you feel it’s mild, he still can’t understand you sometimes.

After awhile he will pick up on some of your speech patterns and start saying y’all and ain’t

If you grew up in poverty, he will kinda be weirded out. He’s a rich kid from California and has never experienced, or maybe ever saw poverty.

If your family is anything like mine, they will bitch and moan about him being from California. He doesn’t see it as a big deal, it’s not like they have to learn a new language.

He will be kinda shocked when he meets them. “Y/N… your uncle is crazy!” “No, he’s just like that, don’t worry Billy.”

Stu

If you thought Billy was bad, Stu is worse.

Not only will he not understand anything, he most likely grew up thinking all southern people were cowboys or farmers.

He grows to love southern food and will ask you to make him something almost everyday.

He’s even richer, so he seriously thought for a while that everyone had houses like his and designer clothes. 

Again, he’s a Cali boy. You couldn’t pay him to set foot on a farm or anything like that. “Y/N, we pay people to do our yard work, That’s why it looks so good!”

He loves your conservative relatives, he thinks they are so funny. I mean, we all love a good conspiracy theory on and again.

[asksythe]

MXTX Interview with Risa Wataya for Subaru Magazine P.1

INTERVIEW WITH AUTHOR MOXIANG TONGXIU IN JAPAN ON May 6th 2023 ABOUT INSPIRATIONS for MDZS (P1)

(Risa Wataya is a very famous novelist in Japan)

Risa Wataya: "Mo Dao Zu Shi" is very famous in Japan. When the Japanese version of the novel came out, I was so excited that I waited in line before the bookstore opened. This work is a "Chinese-based fantasy novel", so there are also some settings that I am not familiar with, but by consulting the material, I feel I gained a deeper understanding of the work. This makes me feel very happy. In addition, because Japan also uses Chinese-like characters, the image of places and names can be communicated directly, making the worldview easy to understand.

Ms. Mo Xiang, when this work also became popular abroad, how do you feel?

Mo Xiang: I never thought my work would be well received by foreign readers. I was very happy and also very surprised. I was also surprised to hear my friends say that Wataya likes it. Thank you very much.

Risa Wataya: For Japanese readers, the fantasy world of China is refreshing, with long-haired characters hovering in the air by manipulating celestial arts, sometimes displaying stunning moves or engaging in fierce power struggles. Environments like hidden lands, dignified palaces, and haunted houses all make people excited. Why did you choose such a fictitious setup?

Mo Xiang: Because I love traditional Chinese culture very much. If I have to describe it, I prefer old palace gardens, natural mountains, and river scenery to modern high-rise buildings. Compared to modern costumes, I also prefer the character in Hanfu with flowing hair.

Risa Wataya: Is there anything that’s exclusive to the fantasy genre?

Mo Xiang: This classification is very liberal. Anything can be written. For example, a beautiful woman that does not age for a hundred years, does not die in a hundred years. Or a monster that cannot die for a few hundred years. Imaginations that cannot be exercised in the real world can be used here.

 Risa Wataya: So it turns out. What is special about Chinese fantasy novels, compared to other countries' fantasy novels?

Mo Xiang: It can feel different to describe traditional emotions (*) that only Chinese people can understand. For example, other countries may have different views on blood relations between family members.

(*: can be understood as intrinsic social and cultural values and customs)

Risa Wataya: Indeed, it is rare for Japan to feel such deep house/clan ties through novels, so this work of Magic gives people a very refreshing feeling. On the contrary, what do you think is the reason why this novel is also famous abroad?

Mo Xiang: Maybe because everyone focuses on the characters and their feelings, not the setting and value system of the work.

Risa Wataya: I understand. The character concept here is great.

Mo Xiang: It could also be because my own setting is relatively simple and easy to accept. For example, when I was writing, I was obsessed with the southern and northern Wei Jin dynasties.

Therefore, I have read a lot of related literature, and the power structure mentioned in the work also mentions some Wei and Jin regimes. But when it comes to actually adding these elements to the story, I need to make it shorter and easier to understand. I didn't want the context to be too complicated, because I basically just wanted to describe the story of great Houses, so I thought of using a context like "The Hundred Cultivator Houses". For example, if you are familiar with magicians riding on flying brooms, understanding the setting of flying swords should not be difficult.

Risa Wataya: This is the first time I read the scene of exchanging jindan (golden core) and flying swords. Both are very cleverly interspersed in the story, which is a great setup indeed.

Mo Xiang: The concept of jindan can be a bit confusing for people from other countries. The jindans that appear in my works are a little different from the jindans that appear in other Chinese works. Readers consider it to be "exchange of spiritual energy in the body". In the novel there is also "The so-called jin dan is a ball of qi that forms in a cultivator's body after cultivating to a certain level. It is used to store and circulate spiritual energy." This kind of description, my friends told me: "Treating spiritual cores like an organ transplant. I have never seen such a ridiculous setting."

To Be Continued (The article is quite long) 

Translation by me: Sythe / NPD Khanh

[roseinyoursaltwater]

REVISED WEREWOLF HEADCANNONS

WEREWOLVES

    ◦    MUTTS

CAUSE: There are three ways to become a werewolf in this universe. The first being the most obvious, being born one. Werewolves are born into a tribe, each tribe being slightly different in appearance as well as culturally. The second way being a potion, while rare, few still have these potent potions and their reversal, seems to be nonexistent. These potions are so old, mostly everyone alive has no idea what's in it. A high enough dosage may also kill someone.  The third being a bite from a werewolf. While only working when a wolf is in their form, their saliva is similar to the potion, permanently turning someone into a wolf or if it is severe enough, killing them.

APPEARANCE: always varying, there are some similarities. Human appearances are dependent on what region their live on, as are their wolf forms. However, there is a basic standard. Werewolves are four legged in their wolf form, they're about five feet tall at their shoulders. Their coloring is dependent on the region. (Ie the southern wolf tribe is a light brown and white color) their teeth are a couple of inches long along with their claws. Eye color is also varying (the southern Wolfe tribe having a yellowish car). They're very strong, while they're faster than humans, compared to other occult they're slow (especially when compared to Meif'was and shadow knights)

PERSONALITY: Werewolves overall are friendly within their tribe. While there is a hierarchy system, they still care about each other. Toward outsiders, werewolves are an unfriendly species in general. However, they're very caring toward their young and probably spend the most time with them compared to humans especially and other occults. They value teaching and tradition, passing down everything they can to their young. While they don't act the most joyful, doesn't mean they aren't joyful - they just mask a lot of emotion. 

LOCATION: They're located in every region it seems, in variation. Ru'aun has probably the largest amount of wolf tribes compared to the others. They're considered higher class in Ru'aun compared to their Tu'La region counterparts. Mostly in the rockier and colder regions of a place.

CULTURE: culture is also similar between tribes, they value hunting, nature and being a community. They value guiding their children and eating large meals together as a community. They have fires together and ceremonies. Birth of a pup is also a very important moment which involves many ceremonies. While it is a male dominated society, some women still have a large influence with tribe. However, women will have one partner while men seem to have multiple. They're pretty accepting of same sex couples. (As are most of the occult)

FIGHTING: in their human forms, they do hand to hand combat. Though sometimes having daggers or spears with them. In their wolf forms, anything goes. Claws, teeth - anyway they can harm someone or something is done. When hunting, these use weapons on small prey like rabbits however, they hunt big game in their wolf forms.

WEAPONS: daggers, spears

LORE: werewolves as mentioned are big doers (no pun intended) of polygamy. While they'll have one spouse, sleeping with others is pretty okay. The more wives you have, the higher status in the pack you have. They have longer life spans compared to humans, usually outliving them by 10 - 15 years. Marriage is usually done in their late teens and a big feast will follow, depending on their status in the rank will decrease or increase the quality, amount of food and guests as well as how many days it goes on for. This is the same for ceremonies for when pups are born as well birthdays. High ranking pack members receive quite large birthday celebrations. Funerals are also large events depending on the ranking of individuals. However, wolves in the Tu'La region bury their culture. Barely turning into their form - they try to mask themselves within the region to not be sensed by Meif'was. Werewolves are low class citizens over there and can be and will be executed if found.

REWRITE LINK BELOW

[jewishvitya]

I just saw this video about how the West projects its own antisemitism on Palestine. And I think it seems like an important look at how things are entangled here, and somewhat a counter to the post I made and apologized for.

I still think Israel wants to own Judaism and Jewish symbolism and Jewish trauma. And I still think it's evil to do and I don't want that to be successful. Part of the goal was to reiterate that Israel shouldn't be seen as speaking for all Jews, and Jews as a whole shouldn't be seen as its agents, which is the image Israel tries to project. I still feel strongly about the importance of separating Israel and Judaism, and not mistreating Jewish culture in diaspora, including to counter Israel's narrative. But I think my way of talking about it on that post was wrong.

Especially for Palestinians, having negative feelings about Judaism and Jewish symbols isn't the same as antisemitic sentiments we see in the West. It's much more similar in nature to the discomfort a lot of Jewish people have sometimes with Christianity, but newer. Any Palestinian who is uncomfortable, I can only blame Israel and the torment they suffered under it. And beyond Palestinians, Israel had a traumatic impact on several countries that border it.

I was thinking of Jewish diaspora who are an oppressed group and keep getting associated with Israeli atrocities, now seeing people from their countries refer to their cultural symbolism as a hate symbol - when I, especially being an Israeli Jew myself, should have prioritized the Palestinians who are being traumatized in my name under this symbol. It wasn't right of me to defend the image of anything used for harm by my people. And I'm sorry I did that.

This was an attempt to explain both my intentions and why I feel my post was problematic. Now I don't know that I'm the best to say more than this. So, in addition to my initial apology, and to this explanation, I'm posting this video. I'll write out the words she's saying, because videos sometimes don't load on tumblr.

Growing up Arab in the US, and I think probably in a lot of the West Arabs can relate to this, you're made to feel naturally antisemitic because of Israel.

But here's the thing. You know, Israel put the Star of David on their flag. Israel puts the Star of David on its fighter jets. The Israeli leadership claims to be committing atrocities and ethnic cleansing and genocide, in the name of Judaism.

And I disagree, I think it's actually incredibly antisemitic that the Israeli government does that, because I think it's the Israeli government smearing Jews and Judaism by doing that.

But it's incredibly unfair to demand that the people who are being subjected to that— in the name, again, they are seeing that their occupiers have a Star of David on everything. In southern Lebanon there's former Israeli torture sites and prison sites, that have the star of David on them. That's what they do to mark their territory.

It is seen in this region - particularly in the places that Israel has bombed or occupied - as a symbol of colonialism and oppression and control and domination. And nothing more, sadly. And that is because of the actions of the Israeli government.

And it's like, to sit there and say that the way that an occupied people feel about their oppressors - who are saying we are doing this to you in the name of Judaism, they're saying that to them - to sit there and call those people antisemites in the tradition of Nazis and of European Christian antisemitism, who are the ones who are actually responsible for the holocaust, is so incredibly offensive. And actually it's just a way to transfer white European guilt for the holocaust onto brown people who didn't even do it. It's like, there are so many layers to how messed up that is.

And I'm not justifying like, you know, people in the Middle East who might have anti-Jewish sentiments. I just think that the explanation or the lens of the holocaust and of European antisemitism does not fit here. This is happening in a very different structure and it's just disgusting that such a horrible European atrocity is used to them demonize the victims.

[likealittleheartbeat]

hiyya!

this is something i've seen come up quite often in recent discourse about zuko, and about how he doesn't truly learn to let go of his prejudices linked to his upbringing by the final.

he is often criticized (i think rightfully so) for his treatment of aang in 'the southern raiders' ep: even though his actions may be fuelled by his desperation to make up with katara, and his own feelings of grief and anger, he is still too dismissive of (or one might say offensive towards) aang's advice and, consequentially, the philosophy of the air nomads.

in the final coronation scene, we see him acknowledge the fact that "the avatar is the real hero", and he swears to rebuild his nation "in love and peace", which definitely shows a fundamental change in his values. but. i wonder if he has matured enough to be able to respect aang as not just the avatar, but as an air nomad as well; if he has learned to appreciate not only his heroism, but his philosophy too.

i thought i'd ask your opinion on this since i really enjoy your reading of zuko and aang's relationship. how do you reconcile zuko's often dismissive nature with seeing him as aang's best friend and soulmate, the one who should be the most understanding of him?

thank you if you end up answering this, i'll really appreciate it!:)

I just think a reading of zuko as not fully reformed by the end is...just...a really bad faith take of a show all about hope and belief and (dare I say it?) FAITH.

What the Southern Raiders episode shows and is supposed to show regarding both Zuko and Katara in relation to Aang is NOT their total disregard for his culture but their need to experience and appreciate values of his culture for themselves, which is a core tenet of, at least, Zen Buddhism, but I'm pretty sure it's pretty significant to other Buddhisms and Taoism. Aang points to the moon of forgiveness, but if they were to simply take him for his word, they would have only seen his finger pointing and never have seen the moon he had hoped to show them by pointing towards it.

There is this kind of analysis that people do of ATLA and plenty of other shows that focuses on the dialogue and plot-explicit actions in a series with a literal and almost mathematical approach, ignoring the emotional beats, the narrative arcs, the figurative meanings, and the poetic experiences the show invokes. Often these kind of takes are sociological (focused on societal organizational structures and the identities they impose) and/or super rationalist (interested in the continuities and reasoning within a show as if a work of art and its characters must behave realistically). And they tend to be weaponized to denigrate a show or character (although both critique strategies could be and have been used to praise). The issue with both being used exclusively or even in tandem is how intellectual they are. They disregard emotional experiences for characters, for creators, and for the audience. I'm not inviting people to flip entirely to an emotional response--clearly I prefer a pretty intellectual approach myself. But a path that can bring in the heart and the mind into an analysis that is generous and wise ought to be the end goal, not necessarily of a single piece of writing but of your overall collaborative contribution to the analysis.

To get back to your question now, it's pretty hard for me to see Zuko, as the fucking emperor at his own coronation, saying that he should not be celebrated but instead giving the glory over to "the Avatar" as anything other than Zuko putting the value of humility so important to the air nomads into practice. And then we see him accepting help from Mai to put on his robe, serving tea to the gaang in Ba Sing Se (which demonstrates the reopened connections with the other nations), and naming his friendship with Aang, not the Avatar but Aang! Idk what more people want.

I have a guess, though. People want perfection. They want Zuko to jump beyond the limits of his narrative and history to be a political ideal that will never falter, that can say all the right words (somehow in the last five minutes of the series), that won't provide the springboard for the modernity that comes about in Korra. They want his "redemption arc" to be about "redemption" in the Christian sense, the deliverance from sin and its consequences into a post-show afterlife of purity. The purpose of the Avatar and the lesson Aang both learns and teaches his friends is about aiming for balance and the value of humanity. That is the key value he brings from the air nomads, and it's the one Zuko has integrated for himself by the end of the series. It doesn't mean he did everything right by Aang once he joined the gaang, only that he stopped demanding perfection from himself and others, easing the frustration and self-hatred that had plagued him. He also doesn't need to blindly agree with Aang or Katara's ideas just because they were marginalized by his people (and him directly lol), but Zuko's field trips are all about him observing and supporting others, which requires him to accept that he has more to learn and that's okay.

Humility is so unpopular in the discourse where I'm at rn because it's seen as self-effacement, when, in fact, humility has more traditionally been understood as acknowledging and expressing gratitude for the people, circumstances, and gifts that have allowed you to be in the position your in and have the chance, skill, and responsibility to act. Aang expresses humility in the choices he makes to acknowledge his culture. Zuko does this as he acknowledges Aang and the guiding force of the Avatar.

[bidisaster-peanut-romano]

considering the state of bullworth (the city), what do you think the state of the country or world is like? do you think bullworth has a unique culture, or is it almost representative of the society outside its perimeters?

i think about what hal esposito said a lot when he and lucky were finding things to watch on the tv. "what? war footage and natural disasters doesn't do it for you?"

considering it is highly likely that the world's condition is very chaotic, how might this affect bullworth and its residents?

hello there!!! ah yes, geography. my beloathed

that's an interesting question of course, yes!! my instinctive thought when first reading this ask was what i always asumed, ie: the news hal and lucky were referring about weren't local but, yknow, american general news. also bc paris from the carnival says something very similar in front of her tv, and we know that the carnival travels, so i wouldn't think of something too different.

however!! let's go by steps there, because thinking about it that's something i never properly expanded upon.

so, first of all: canonically speaking, bullworth is in new england. now, as a non-usamerican, i have very little knowledge of anything about hyperspecific cultures in america, maybe just some west coast zones or south and some midwest.

however!! the fact that there are so many kids of italian certain descent and some other kids with non anglophone last names (kowalski, brakus, luna, karamazov, etc) implies that it is an important destination for migrations. this makes me think of earlly 1900s new york, which would certainly be coherent.

now, a long time ago i found the certain information that bullowrth was supposed to be in new hampshire. however, since i have learned that "trust me bro" is never a good source, i went back to dig some deeper into the whole thing: it still seems to be more or less agreed upon that the state is new hampshire, also because someone noted a striking resemblance of bullworth with the phillips exeter academy. of course maybe it wasn't as explicit and direct as this user puts it, but it is suggestive enough that it would be nice to go with it.

now, first about the culture: we mentioned bullworth being basically a melting pot. this means that it is not only unique, but in fact very diverse, also depending on the zone. for example, i think in new coventry you'll find an especially colorful culture, with people coming from different places and different cultures, everyone holding onto their own but also interacting with their neighbor. you'll find people giving each other giving their best wishes to their neighbor for a festivity they don't even celebrate but know the other does. i mean, maybe you'll have some catholic complaining about the shop being closed just that day, but cue to the stereotypical southern italian wife smacking him behind his head and telling her good friend is home with their family and he mustn't be an annoying jerk (not in so many words, of course).

it is probably quieter the more you get closer to the vale. maybe in town there will be the occasional decoration outside of the house or in a shop, but overall… i'd say that the fundamental sentiment in bullworth is, exactly as the school crest says, canis canem edit. mind your own business and you'll live a hundred years, like an old saying goes. keep a good distance, so they don't hurt you and you don't hurt them.

and in fact, the vale is where this hyperindividualism gets ornated with the hypocrisy of the Good People, some facade to keep so that not only no conflict is created, but any chance and risk of it is perfectly concealed. you have the middle class-bourgeois, christian family who greet their neighbors with a smile and then speculate on all their disgraces as soon as the front door closes. and everything that happens in the family stays in the family, dirty laundry is washed at home.

yeah, overall i'd say. the whole point of bullworth culture is self-sufficiency, it's doing the best of what you have and care thoroughly and not let anyone else touch what's yours.

now, the natural condition of the territory: established that we are on the new hampshire coast, i have tried to dig a bit. i will bring up again something i mentioned earlier: i immediately assumed it was us or global news, but, while it is unfortunately enough to desensitize the general public to military violence, natural forces can be… a bit different.

i will tell a small anecdote about me. i grew up in an extremely seismic area, and by that i mean that we would experience at least a couple waves every some weeks, not strong enough to cause damage but enough to be perceived and do small stuff like making small objects fall off or ceiling lamps shake. and, y'know, it has always been perfectly normal for me, it has happened while i was in class and the worst thing was that i smudged a line on the essay i was writing. but then i moved away for college, and, when in geography we started talking about earthquakes, my professor admitted being scared shitless of seismic waves. my friends got the news of some waves in my native area and asked me how my family was; my mom was like “what do you mean four? i only felt three”

what was that to say? well. in my experience, the general masses are much more moved by natural disasters than by wars. so, in some way, the idea that hal and lucky were at most annoyed by the repetitiveness of the news makes me think that they have some experience with it. earthquakes probably aren't the ones, since, well. plate tectonics. which i will not explain here mostly because i have already passed that exam and i want nothing to do with it ever again LMAO. but anyway the east coast is a very stable area of the earth, so no earthquakes nor volcanoes. and, since it is located tightly in a small gulf, i think sea storms and tidal waves are out of the question too.

however! apparently, tornadoes are not too infrequent in the area, nor, i guess, storms and other similar climate events. as i mentioned before: what happens there is that you get kind of desensitized there; the thought of anything horrible happening isn't there, or, if it is, it barely hits with its full force. “but what if it is stronger next time?” we'll all just die, at least i won't have to worry about rent anymore, maybe my boss will finally kick the bucket too, ha-ha. what do you mean someone died in the next city? well, you know, it can happen.

so yeah, when you ask how it affects the people of bullworth- it probably just amplifies whatever nihilism is already there, y'know. see constantinos, who's most probably clinically depressed, or lefty's “life sucks and then you die”, which is disturbing, especially coming from a kid his age.

i guess it's not the only factor, but it does contribute to this feeling of bullworth just being some lost land, forsaken by god himself left to its own devices. it's like the entirety of the population is... in survival mode, as i tend to say; you just pull through, which should be the bare minimum, but there we are. think of yourself first, then your neighbor, but actually fuck your country, since it has never done a thing for me.

[vhstown]

pavitr prabhakar ★ general headcanons

content/warnings: implied/mentions of death (his parents+uncle), mentions of bullying, gayatri x pavitr, written by a coconut who is not indian PLS CORRECT ME!!

a/n: the sunny boy himself... (ugly crying) I LOVE HIM. loosely based off of the scraps of canon that i could find. maybe a little projection... (i am desi) atsv version pavitr! written at midnight and not very edited 💀

For some background, Pavitr was born in Southern India (likely Tamil Nadu or Kerala) so one of his first languages was Tamil! A village / small town boy at heart.

After his parents passed at a young age he moved to Mumbattan with his Aunt Maya and Uncle Bihm (of course) and it is very very different!!!

Obviously Pavitr has to learn Hindi and Marathi properly in order to fit in AND English my boy has to be multi-lingual from the start...

Even from early on Pavitr was bullied because he didn't fit in with the city kids. Gets called pagal Prabhakar (crazy Prabhakar — a bit like puny Parker?) and a slew of other names because of his accent, how he mixes up the languages, and the fact that he lives with his aunt and uncle rather than his parents.

Eventually by the time he's in his early teens he "assimilates" in terms of the language and culture but he's a scrawny kid so he still gets bullied... kids are ruthless bro don't you got the JEE to study for 💀

God forbid if anyone found out about his emo phase at that time... Pavitr's just getting onto social media and when he sees the emo subculture he just takes it and runs. (He stops out of embarassment when his Aunt Maya finds out why he's stealing her kajal... There are photos out there somewhere.)

Also meets Gayatri during his lil emo phase. Definitely a chill popular girl and definitely sticks up for him (it's giving Indian Forest Gump... does anyone know about that adaptation 😭)

He's a bit hesitant about Gayatri at first since the popular kids kind of dogpile on him all the time but eventually they become a little duo and he crushes HARD

Enter hopeless romantic Pavitr he is the embodiment of the song "Love Spell" by Param Pannu (Spotify link it's a BOP)

Plus you know he's in love when he admits he had an emo phase to you... in the middle of his emo phase. (Gayatri has all those pictures saved by the way.)

Then comes Mumbattan Visions Academy!! (according to the wiki that's where he goes.)

Of course we know that Pavitr is quite naturally smart so the entrance exam is no problem (RAFFLE BOY like Miles 😊😊😊)

But he is so super concerned about getting in with Gayatri so a few weeks before the exams they're studying together (doing anything but study)

My girl Gayatri is trying to help him out and he has no idea what she's saying and she's so smart and literally knows twice the amount of info you need to know so my boy Pavitr is sweating BULLETS the day before (exam is so easy he thinks he's sitting the wrong one LMAO)

Pavitr does NOT want to stay at the dorms he'll defo miss his auntie and uncle too much (and his auntie's cooking) but he begrudgingly goes anyway...

Enter NADEESH (his universe's Ned counterpart I totally just made up...)

They're roomies and Nadeesh is from Bengal and they actually bond quite easily considering they're not from Mumbattan he's a STEM boy and has a love/hate relationship with it (super smart though maybe just not at school... gadget stuff 😱)

Pavitr doesn't know a LICK of Bangla but Nadeesh teaches him some perhaps to rizz up Gayatri... (they're all vulgar or swear words or words Pavitr picked up from hearing Nadeesh's mum speak on the phone 💀)

SPEAKING OF GAYATRI yeah she's slaying school and also has a lil modelling thing going on too. STEM girlie and fashion girlie and knows multiple languages (her father knows a couple considering he's an officer)

Pavitr is a hopeless romantic but he's just hopeless when he asks her out in Bangla trying to be cool and doesn't realise he called her a whore... (he's so going to kill Nadeesh.)

She finds it HILARIOUS though and they start dating and everyone lived happily ever after and NO ANCIENT YOGI TIME MY BOY IS SPIDER-MAN NOW 🤯🤯🤯🤯

I think Pavitr's initial approach to being Spider-Man is very... impractical. Given he's just gotten his powers and gotten his naturally buff abilities and always amazing hair (yes that is part of his powers) (yes he asked the yogi for it), he's very spontaneous and disorganised. He probably has the stupidest most impractical suit and sweats like HELL in it (kind of like the one in the comics?) My boy's grades kind of take a hit and so does his little freshman year relationship with Gayatri.

My guy Nadeesh is chill though he knows instantly like Pavitr isn't subtle about it... (they're both night owls and Nadeesh is like cramming asf and Pavitr swings in without thinking and he's just like... "okay dude I have a physics exam tomorrow idgaf 😭 wait but that so cool though can I help—")

Spider-Man, Spider-Man, does whatever a— Okay his Uncle Bihm dies. You know how it goes.

Gayatri breaks up with him (it's exam season and she wants to "take a break".) His uncle is dead. He's flunking school (for real this time) Emo phase 2? Maybe not...

Pavitr ends up spending a lot more time with Maya and while he's a little irrationally spiteful he learns the importance of taking care of the little family he has left. Pavitr doesn't have the privilege of that multi-generational village household he had back when he was young, or parents like the rest of his classmates. It's just him and his aunt in that little apartment, a speck in the whole of Mumbattan, the place he has to protect and call home now.

Okay that got sad real fast but HE CHERISHES HIS AUNT hence why he always makes time to have chai with her, no matter how busy he is or how emo he's feeling.

His uncle Bihm had a couple traditional pieces of clothing and Maya makes him try them on. He feels a bit silly especially since he's gotten used to pushing away his culture and mainly speaking English at his new school but then his aunt starts tearing up and he starts tearing up and "you look just like your chacha" and UGH

After a while Pavitr gets himself together and decides to design himself a new suit. He takes inspiration from a couple of his uncle's fancier pieces and also Gayatri's first advert feature (my girl is going places!!!) so his outfit has a lot of meaning to him.

We gotta go BACK for the yo-yo though y'all. I'm so certain that Gayatri had a yo-yo when they were younger and he learnt it just to impress her... SO HE HAS A YO-YO AS PART OF HIS GEAR 😱😱😱

Of course these little signs add up and Gayatri is like half-sure he's Spider-Man (but not entirely cause when she's saved in the film she's a bit taken aback when he hugs her... my girl is smart but you always got a lil uncertainty!!! Maybe she figures it out after that though...)

Obviously he flunked those exams considering he was NOT studying while he was grieving and when Gayatri checks up on him he's of course not doing the greatest despite his little comeback. However...

"I can help you review if you want?" she asks him. Pavitr's smile comes back that day.

But my boy STILL CANNOT CATCH A BREAK because Gayatri's father gets promoted to Police Captain and is suddenly very protective of his daughter

There's a lot of awkward moments where Pavitr has to play off his association with Gayatri (puts the hopeless in hopeless romantic yet again.) No, she never told him they were dating before (and those pictures are in a SAFE trust) though they're not exactly dating now.

Gayatri is pretty indifferent about it all, to be fair. She doesn't exactly care if her father finds out (and hopefully she can tell him soon) but she also doesn't want her dad to be disappointed in her considering she looks up to him a lot.

A BIT OF GAYATRI HEADCANON but I feel like she's very academically gifted but doesn't exactly want to go into STEM? Fashion is her thing and she eventually might want to go into acting (like this girl in her classes called Meera Jain... OUUU rivalry but not really they're besties I fear)

Gayatri definitely gossips and gushes to Meera Jain about Pavitr like how he gossips and gushes to Nadeesh. They both give the other contrasting advice (they're still not together... SITUATIONSHIP 💀💀💀)

It's not as bad as when Pavitr called Gayatri a whore by accident but getting together again is definitely awkward when they go to get lassi at that very overpriced store that opened up that Pavitr most definitely cannot afford (smiles and fights to pay while a part of him dies inside)

Though their relationship is stronger this time! Pavitr does still have his secret as Spider-Man, but things are looking up! Especially when he finds out that he's not the only Spider-Man (ENTER ATSV CANON STORYLINE 😱😱😱)

Endless high school antics I love this dude and his lil friends

That's it for now I think THANK YOU FOR READING!! I so wish there was more content on him but I had to take matters into my own hands...

🕸️💫🪀

y'all better stop sleeping on pavitr now... HES SO AHHHH I LOVE HIM YOU DONF UNDERSTAND HES THE DUDE EVER

don't talk about my other wips. or why im uploading this at midnight.

ALSO if you are desi (particularly indian) please correct me OR FEEL FREE TO ADD ON i am so whitewashed and my boy needs to be done justice

reblogs so super appreciated! if you wanna read the rest of my atsv stuff click here :p

[cosmerelists]

Ranking Cosmere Planets By How Cool I Find Them

[Contains spoilers for all Cosmere! I'll list the books in the title so you can skip the ones relating to books you haven't read]

The Cosmere has some very cool planets: but which are the coolest? In this list, I will rank them by my own definition of cool, which I'm defining here as "Planets where my interest in past or future stories is chiefly driven by the nature of the world itself."

#13: UTol (From Yumi and the Nightmare Painter; this entry also contains a spoiler from The Sunlit Man)

UTol is the sky planet that Painter can see from the surface of his world, Komashi, and we get a glimpse of it just right at the end of Yumi. It's also possible we get a glimpse of the same world right at the end of The Sunlit Man, but I don't think that's confirmed. Anyway. It's an ocean world, and the inhabitants have four arms and may have originally been from Yolen. But we don't learn anything cool about the world itself, really. I guess the fact that it can always be seen even through the shroud that otherwise blankets Komashi--that's cool. But I don't know if that's UTol's doing. Maybe when we get more info, it will turn out this planet is super ultra cool and then I will look like a fool. But for now--eh. Oceans. With water? Yawn.

#12: First of Sun (From "Sixth of Dusk")

First of Sun is a hostile world with jungles and oceans and magic birds. It's cool--as all Cosmere worlds are in my opinion--but none of it had any special, extra coolness for me. I suppose I've never been much interested in parrots, and also its only feature story so far was quite short.

#11: Braize (From Stormlight Archives; this entry also contains a spoiler from The Sunlit Man)

I am legitimately curious about Braize, Roshar's "Hell" where the Fused were imprisoned by the Heralds. Like, what is Hell like in a material sense? I want someone to visit it (and I really want to know if Sigzil has been there himself, based on his mentioning a Hell visit during The Sunlit Man), and my curiosity makes it seem more cool. But not too cool, because for all we know, Braize is super boring. We just don't have enough info yet.

#10: Nalthis (From "Warbreaker")

Nalthis has some interesting things going on, planetarily. People don't always properly die, which anyone who cheated and already looked at my #1 planet already knows is something I enjoy. It has some unique cultures, which is also something I enjoy in a Sanderson world, although the differences are painted in pretty broad strokes. It's colorful. I don't know. I'm not super into Nalthis, but it definitely has some cool aspects.

#9: Taldain (From White Sand)

I have a shocking confession that I forgot to include in my authorial confessions list: I haven't actually read White Sand. At least, not more than a few pages before I got frustrated with how hard it was to read it on my phone, which is where I had access to it. Anyway. I do think the general set up of this planet is legitimately cool: tidal-locked, I think, with a Dayside and a Nightside which each have their own magic system. There's a lot of sand. Water matters. I think there are magic tattoos. So I can't rank this too highly myself simply because I don't actually know much about it, but it does seem "Top 10" cool.

#8: Scadrial (From Mistborn)

Scadrial has an advantage because it has Time Periods, and really is a pretty different world in Era 1 vs. Era 2. I have a dark fascination with Era 1 Scadrial: the ashfalls, the mist, the slow but inevitable apocalypse constantly creeping closer...would NOT want to visit, but it's cool to read about. Era 2 Scadrial is bright and shiny in comparison. I'm not much of a Wild West gal myself, but there are giraffes, and that ups any planet's coolness, even if it has lost its brooding volcanos. Oh! And I hope we hear more about the Southern Scadrians too.

#7: Sel (From Elantris and The Emperor's Soul)

I've been trying to judge these planets based on the planets themselves rather than on their magic systems...but on Sel, can you really separate those? The magic is based on geography, after all! Anyway, I like Sel because of the wild things going on with its pooled investiture. I don't understand computer programming and so I may or may not really get its magic, but I like the fact that it ranges from the stately, sometimes assholish Elantrians to Soul Stamping. It's all very cool.

#6: Lumar (From Tress of the Emerald Sea)

Lumar is very cool. Like, color-based aether seas that each react differently to water? Rain as a deadly but necessary thing? The color borders where one aether sea meets another? Sailing on something other than water?? I ate it all up. Tress's world is wild and creative and definitely lots of fun.

#5: Roshar (From Stormlight Archives)

It's hard to separate Roshar the planet from the people and stories there, as I think it's the Cosmere planet I've spent the most time on, metaphorically speaking. But I gotta say, the idea of a constant, world-spanning storm that spits out magic and death--that's cool. A whole world that's inhabited only by crab-versions of things? Well, I hesitate to call that cool exactly, but it is...something. Plus, so many different cultures and religions and ideas on Roshar, which I really enjoy.

#4: Canticle (From The Sunlit Man)

Listen, I love Threnodites. Wherever they pop up, they are doing wild things and refusing to properly die and having names that are...let's say unique. And Canticle is quite the interesting planet. Imagine--not being able to stay in one place because you're constantly fleeing from the deadly sun while trying not to get too far ahead lest to stray into the constant fire tornado. Imagine powering your ships with dead-people batteries and doing engineering with your captive ghost engineers. The place is tiny and super invested and also an incandescent lightbulb or something. Again, I would NOT want to visit but that world is damn cool.

#3: Komashi (From Yumi and the Nightmare Painter)

I think my love of Threnody really affects these top picks. Komashi doesn't have Threnodites, but it does have the weird creepy shadow monsters which I apparently...love? (Learning much about myself writing this.) But in all seriousness, I really like Komashi and I am so curious about it. The idea of Virtuosity and how she manifests as both magical paintings and magical rock stacking. I am so curious about the magenta and cyan coloring and how Sanderson says its based on printers somehow and that yes there is one color missing (what??). The way the inhabitants just lived in a thick shadow sludge with lights creating small habitable zones...like, again, horrifying but such a cool and creative world to explore.

#2: Yolen (No books so far)

Maybe Yolen is super boring. But it is SO mysterious that it can't help but be cool. I mean, this is where the Shattering happened! I think it's where Hoid is from. I think there are dragons. It's just gotta be cool, right?

#1: Threnody (From Shadows for Silence in the Forests of Hell)

But my favorite planet, for whatever reason, is Threnody. I am dying for another story set on that planet. I am so curious about what the Evil is, and I want to hear more about the people living in the literal Forests of Hell. The Shadows and the rules that you have to follow to survive them, the use of silver, the fact that Threnodites just can't catch a fucking break. I am fascinated by all of it, and I think that Threnody is the coolest planet in the Cosmere.

[little-bunny-in-space]

M*A*S*H OC TIME

I love being a silly nerd! Literally just a self-insert

I literally just thought to myself "What if I was in the compound? What if I was a silly little bean along with the rest of them?"

NAME: Marieanne "Mutt" Wolfe

Age: 28

Gender: AFAB, presents otherwise, depending on the day. Pronouns are anything- she'll respond to she/her but secretly loves being referred to as male (ooooh lore)

Height: 5'4

Weight: 200

Physically Characteristics: Caucasian with a dark complexion, her dad was half-Latino. Dark brown shoulder length hair and light brown eyes, closer to amber. She has wide hips and a smaller chest. (Can't wait to get art of them aghhhhh)

She's from Georgia, her accent shows as much- not long and drawn out though, she refers to it as "hick." Was raised in the middle of nowhere- the closest small town was 30 minutes away, so her family mostly made their living off their farm. She's used to having close to nothing, so certain things about the compound- the ass tasting food, the terrible sleeping arrangements- she's used to, and takes in stride. This also causes her to have quite a positive outlook, as she's mostly a very positive person- much to a few others' contempt. Hobbies: Back home, she was quite different from her family- she loved to read and study, especially anatomy, botany and fauna as well. She also enjoys studying different religions and cultures- she always dreamed of travelling the world. She loves to sketch the makeup of different flowers and animals in her journals she keeps- although her family rebuke it as a waste of time. They were taught that work was their only livelihood.

She enjoys studying and music quite a bit- her grandmother immigrated from France- and brought over her taste for classical- especially Satie and Debussy. She distinctly remembers listening to them while her mother baked bread in the kitchen.

Because of her upbringing- she always strived to be better. On trips to Savannah as a child she would watch the high-class ladies walking down the street, and wanted to be like them. At age twelve she made it her meaning in life to graduate high school, make it to college and become something greater.

She achieved that dream; sort of. She graduated high school with a high GPA, much to her fathers' disdain. He threatened her life, and her mother was angry at her for even thinking of leaving the farm to go to a University. She applied- behind her parents' backs... and left them after her father threatened to beat her.

She graduated from Duke University- with a specialty in Neurosurgery, a minor in Religion. She achieved her dream- but lost her family at the same time...

She still carries parts from home with her. She loves nature, loves to bake and still likes to study botany in her free time. Oh, and she carries a stuffed yellow rabbit given to her by her grandmother.

She considers herself to be very religious. Her family raised her Southern Baptist- but she found the tradition there a bit unsettling. After studying several different religions, even dabbling in Paganism, she was drawn back to Catholicism- at first, strictly out of admiration for the aesthetics of it. She considers herself to have Catholic beliefs, although she's not confirmed, and even wears a rosary on her belt. She's still studying and making up her mind about her religion.

FRIENDS AT THE 4077

Radar O' Reilly- Radar is one of her best friends at the 4077- they first bonded on their shared backgrounds of growing up on a farm. As they get to know each other, they even share their love of stuffed animals- as she brought a stuffed rabbit from home. She enjoys helping him with his animals and worm farm too.

Father Mulcahy- He is probably her best friend there. Coming in, she dropped her rosary and Mulcahy retrieved it for her. She goes to his services every Sunday- and they even started a Bible Study together. He helps her a lot in her study of religion and offers to help her with her complicated past and religious trauma. They love analyzing Bible stories and theology, she especially loves quizzing him about the Catholic church and the Saints. They also have Biblical inside jokes they like to confuse other people with.

Margaret Houlihan- They are just complete girls together. Marieanne respects Margaret as if she were another surgeon and they hit it off right away. They enjoy sitting in each others tents, gossiping, and making terrible cocktails out of whatever they can find.

Charles Winchester- These two are definitely frenemies to begin with- He especially made fun of her for her upbringing, and she makes fun of his, name calling and all. She genuinely hates him at first… After some time together though, he becomes pleasantly surprised at her neurological expertise and her love of classical music. He becomes very intruiged by her, and her with him- She always wanted desperately the lifestyle that he gets to live- and he is surprised by her own interest in him, and how some "redneck swill" could EVER be interested in the same things. They become very unlikely friends, drinking tea and listening to Mozart sometimes. And of COURSE giving Hawk and BJ a hard time.

5. L. Rizzo- They get along, both from the deep south. They mostly enjoy making fun of all the "damn yanks" at the compound. He flirts with her offhandedly at first, but once she sets him straight with a swift backhand, they get along. Like siblings, she always makes fun of him for falling asleep and not knowing what the hell he's doing, usually visiting him at the garages to wake him up with a stupid prank.