#and I think it was *crucial* to show in the series for many reasons I probably can’t articulate well now

[the-eclectic-wonderer]

Watched the marvellous To Wong Foo, Thanks For Everything! Julie Newmar last night and here I am once again asking why they didn’t just take Blanche to see a drag show

[your-queer-dad]

Here's 20 realistic reasons not to kill yourself today. Remember, anything that keeps you alive and keeps going is enough.

1. We would miss you. I would miss you.

2. Think of all the ice cream flavours you haven't tried yet, or the food combinations you haven't tried.

3. You can't discover a new favourite song if you're dead

4. Imagine all the funny moments you'd miss, all the pointless celebrity twitter fights or the niche internet drama, all the strangers tripping in the street

5. Imagine proving people wrong and going fuck you, watching all the people who doubted you be completely wrong

6. you'll never have finished decorating your room, or your wardrobe, or your collection, you'll always have something unfinished that's worth finishing

7. You'll never be able to meet your internet friends or heroes in real life

8. Imagine how many cool outfits you would miss out on wearing, how many people would think "damn that's a cool outfit" as you pass them on street

9. Your social media accounts will stay unfinished

10. What if your favourite TV show gets a second series? You'll never know how it ends

11. You'll never get to meet a potential best friend or partner

12. You'll never get to be all the fucking awesome versions of yourself you could be

13. You have games to win and arrogant people to prove wrong

14. You'll never get to watch hour favourite movie again, or realise a crucial detail that adds a whole new meaning to it

15. You never get to see the world become a better place if you're not in it.

16. You never get to try new things with your style, your hair or makeup

17. You never get to get that tattoo, or that piercing, or that really cool piece of clothing

18. think of all the debates you would miss out on winning, the feeling of pride swelling in your chest

19. You miss out on trying a new hobby or a new opportunity

20. Your pets wouldn't understand where you went.

Are these all relatively small things? Yeah. But what's important is that you see tomorrow. You give yourself one day more, go to bed and wake up tomorrow. That's what's important, not what happens in a week or a month or a year, just that you get through today and give yourself another chance.

It's okay if it takes you 10,000 'one more days' to get to 'i can't wait for tomorrow'. It's okay if the suicidal thoughts never leave as long as you wait until later and you stay alive now.

I love you. I care about you. I would miss you. Just give yourself another day.

[effemar]

Sorry for talking about Cornelius Hickey from hit series AMC’s The Terror (2018) again but I think it’s really overlooked how Hickey serves an additional narrative purpose in his existence as a metatextual threat.

Hickey in many ways is there to be an ideological contrast to the “good” characters in the show in a way that’s really interesting. All through the series there’s this conflict between morality and survival, or as Hickey puts it, “your morals and your practicals.” Assisted suicide, survival cannibalism, et cetera. But the point is, Hickey has already resolved that internal conflict. For a lot of the other characters, this is perhaps the first time they’ve been in a genuine survival situation, where they’ve had to confront what they’re willing to sacrifice for the sake of survival. But Hickey has already been there. From before they even set sail, the stakes have been life and death. He was willing to kill someone to be on this boat. Everything else is small potatoes. As he says to Billy in one of his first crucial scenes, “there are worse things than being lashed.”

Hickey is, in many ways, perfectly suited to the landscape they find themselves in. Other characters want to get back to England. Hickey wanted to get away from England. The principles that other people hold, relics from their homeland, are what Hickey was trying to escape. And he makes a point of calling these principles into question. What’s the difference, really, between a dog and any other creature you kill for food? What makes a lieutenant better than a caulker’s mate? It’s all in your head.

And it’s not just that he resents them, though he does. He actively thinks they’re dumb! He sees principles as a weakness in other people. It’s why he’s surprised when Mr. Goodsir sees through his attempt to gather information about Silna. He thinks ‘generous’ is a synonym for ‘stupid’. It’s why he’s amused when Irving recommends watercolors, when Billy tells him he’s going to be better and not have sex with him anymore. It’s silly to him.

And to some degree he's right. We, as a modern audience, snort when Irving tells Hickey he should stop being gay and do “climbing exercises” instead. The things that seem so morally relevant and important to them are completely arbitrary. The thing is, Hickey sees killing people the same way. Why is it okay to kill people in some circumstances and not others? Tozer shot Morfin, and it was okay then! Why is it only bad when he does it? When he’s about to be hanged, and Crozier makes a point to say he caused the deaths of women and children, and an officer, Hickey ROLLS HIS EYES. Because it doesn’t make a difference to him.

And this concept is emphasized very clearly by the plot, not just Hickey. When Hickey kidnaps Silna, we as an audience know Crozier was about to do essentially the same thing. “Bring her in for questioning” is politer than “kidnap”, but it’s not like it makes a difference to her. It’s just the principle of the thing.

To be clear, I don't think this makes Hickey himself secretly right or anything. Because despite what he tells himself, he does have morals. He isn't the free, enlightened being he thinks he is, who has shrugged off the burden of England's social mores. He carries those ideas with him. He does the same thing, fundamentally, as the people he derides. The English idea of the Arctic as a place to be explored and conquered, a tabula rasa where he can start anew, free of rules and morals, is an inaccurate one. It has consequences the same as any other place, and is subject to principles, even if they're not ones he recognizes. He completely disregards the Netsilik people as a source of help not only for his own selfish reasons, but because I think he truly subscribes to the English belief in their "savagery".

He has taken an idea and mistaken it for the truth. And that belief in his own lack of blind spots, the belief that he alone is able to see the world as it really is, is ultimately his downfall. It doesn't occur to him that the Tuunbaq is anything but a sophisticated tool, let alone something that has rules and principles beyond his comprehension. It doesn't occur to him that there might be consequences for his actions beyond the immediate. It doesn't occur to him that Mr. Goodsir would choose his principles over his own life, would choose to do something that has an impact beyond himself. For Hickey, those things are unimaginable.

Anyway character of all time. Monster that eats souls, rat king extraordinaire, guy with delusions of godhood, living manifestation of hubris. Cornelius Hickey you will ALWAYS be famous.

[orchidbreezefc]

i wanna talk about haymitch abernathy.

well, first i wanna talk about the treatment of chemical addiction in the hunger games trilogy. because it's good. a lot of characters, including katniss, struggle with it. it gets explored in considerable depth, and not once is any character looked down on for it (well, aside from some eye-rolling with haymitch and perhaps pity for the 'morphlings' in book 2).

no one is infantilized, dehumanized, or considered weak for their dependency, even when they're incoherent from inebriation or withrawal. addicts are treated with dignity,  and there is only ever respect, understanding, and sympathy for their struggle and for the trauma that led them to this position. the story has no interest in scrutinizing how they got there or whether their behavior is sufficiently justified, only in meeting them where they are.

everyone has suffered at the hands of the capitol, and some people have resorted to substances to cope--even and especially smart, competent people. it's unfortunate and painful for them (and the focus is always on the addict's suffering, not anyone else's) but it's always understood as doing what they had to do. survival is a crucial theme in these books, and this is just another form of it.

this understanding extends to the point that katniss and peeta independently hoard liquor in case haymitch runs out. he's fucking annoying and rude and at that point they have no reason to believe they stand to gain anything from helping him, but they do it anyway because abandoning him would be cruel. it's not ever a question of enabling an alcoholic, it's a question of not letting a man fucking die of withdrawal.

see, rough around the edges is an insufficient description for haymitch; he's rough all the way to the middle. he is a messy, sloppy drunk. he is rude, obnoxious, and venomously cynical. he is also the smartest character in a series full of extremely smart characters.

in the first book all that is said about haymitch's victory is speculation from katniss and peeta. they note that he isnt a standout physical talent and doesnt have any specialized abilities, and deduce that he must have won by outsmarting the others. this is innocuous enough and supported by the shrewdness of haymitch's sponsor gifts and his coaching outside the games.

the recontextualization comes in book 2 when we learn haymitch was the victor of the 50th hunger games, the last quarter quell--which had twice as many tributes as usual. haymitch didn't outsmart 23 other people, up to a third of them having trained for this exact purpose until age 17. haymitch outsmarted 47.

haymitch abernathy? is a big fucking deal. that man waltzed in from The underdog district, unmentored and presumably earning approximately zero sponsor gifts with his winning personality, and won the hardest hunger games there has ever been. haymitch is the most impressive bitch in panem. between this and our increasing insight into how the victors are treated, the alcoholism gets recontextualized too.

imagine how frothingly fucking pissed the capitol is that haymitch is impossible to leverage for any PR purpose whatsoever. like, this is The victor, but what are they gonna do? show off the victor of the hardest hunger games of all time and he's fucking haymitch?

he shows up to every public appearance fall-down drunk and pukes on someone's shoes. every time he's on screen he embarrasses everyone. he makes the hunger games look like a joke and undermines the whole premise. he's supposed to be the capitol's biggest asset and he's pissed all over it. he's useless to them. the best thing they can do is leave him alone.

that's when you think, wait. that's kind of a rebellion in itself, huh? he defies the capitol's efforts to use him as 'a piece in their game' better than anyone else outside district 13, maybe them too, when he should be their favored pawn. he's about as free of their influence as anyone can be. that seems... smart. haymitch-typical smart.

haymitch's alcoholism is real and no doubt a legitimate result of his trauma, but it's also a weapon. he probably plays it up. gets extra trashed for every public appearance, the earlier in the day the better. asks himself what he could do that would horrify effie trinket the most and then does that.

at the same time, haymitch seems to get it together more as the series goes on. from the sound of it he was content to drink himself to death and blow off every tribute in his district before katniss and peeta came along and he recognized in them the potential for revolutionaries and, more importantly, the potential for victors. for the first time he had a real chance to achieve a goal, and the real necessity to be sharp for it.

my guess is that haymitch started making actual efforts to manage his alcoholism from then on. getting sober is pretty much impossible to do on your own, and indeed he has a relapse for every time he improves. but haymitch would have known he'd need any scrap of competence he could snatch. and i think, away from our heroine's perspective, he did. you can play drunk for a camera; you can't play sober for a planning session.

the one thing that really helps with addiction is a support network, and that's the one thing haymitch can never have. it is made blisteringly clear that your loved ones are so much ammunition for the capitol to use against you, and they desperately need some for haymitch. he says his loved ones are all dead, but one wonders if there were more that he made damn sure were no longer loved ones before that happened. maybe haymitch saved some lives by driving people as far away as he could, and doomed himself to succumb to the alcoholism in the process.

on a sillier note, i imagine during katniss and peeta's games haymitch would have needed someone to manage his intake and keep him sober enough to strategize the sponsorships without sending him into withdrawal. and i like to think it was effie trinket.

she'd disapprove at first but dosages and scheduling would be her JAM. plus haymitch would always cave in to her sanctimonious lectures before she caved in to his demands for more. it would be really motivating, actually--"i can endure this. anything's better than hearing one more fucking word from effie goddamn trinket about my health." truly the dream team.

tl;dr i fucking love haymitch abernathy. he's one of the characters of all time. thank you, suzanne collins, for this smart, competent, callous, mean, complex alcoholic who is vital to the revolution. thank you for writing addicts and addiction with the depth, seriousness, complexity, and respect they deserve as human beings.

[akirathedramaqueen]

Is the knowledge of magic gatekept by Hell's elite?

Time for another shitpost speculative analysis. And, suddenly, no conclusions—just some facts I’ve gathered about the topic from the show and a bunch of questions for you. Because this time, as much as I would’ve liked to deliver some hot details, there isn’t enough information yet, and I prefer not to claim anything without having at least some degree of certainty in it.

So let's just talk and make some fun, semi-educated guesses, shall we?

Yesterday, @tealvenetianmask released a wonderful post about Blitzø and his insecurity regarding his intelligence. Give it a read—it's a topic that isn’t discussed enough. One of the points raised was his limited access to education, which made me think.

Grimoire.

An infinitely powerful artifact possessed by Stolas Goetia is central to the series, at least before The Full Moon episode, as it is the only way for Blitzø to access the mortal realm. While it serves its own purposes for bringing together—and ultimately breaking apart—Stolas and Blitzø, it also has many interesting properties and details that allow us to speculate on magic as a whole.

It made me think: Who theoretically can use this grimoire or other spell artifacts? Why is it that no one but Stolas is permitted to use it? Are there genetic and/or biological reasons for this, or is the restriction societally driven?

Namely, would all hell beings be able to use magic if given the chance to learn it?

Let’s examine the evidence we have and try to answer at least some of these questions.

Clue one: Using the grimoire by anyone other than Stolas is illegal

It is clearly stated by Stolas himself in these two episodes.

You know, I have been... permitting you to access the mortal realm less than... legally for quite some time now? S1EP1, Murder Family, 8:31

You will be able to go anywhere you want in the human realm without fear of consequence. Without breaking demon law. You no longer need my grimoire. S2EP8, The Full Moon, 19:05

The question is, why? We know it’s not crucial to have Goetia blood to channel magic from the grimoire—Loona has read spells from it, as we'll discuss later.

Could the reason be that the Goetia family wants to keep their powerful artifacts a secret and maintain their hold on power?

Clue two: Magic books are written in runes

The grimoire and Stolas's book about Asmodean crystals are written in runes, suggesting the potential existence of a language barrier when sharing magic-related knowledge.

Left - S1EP6, Truth Seekers, 17:44 Right - S2EP1, The Circus, 19:45

It is oddly convenient if you want fewer people to understand the sacred information you wish to keep to yourself.

Clue three: Stolas does not need his grimoire to cast spells from it

It is briefly discussed in the Seeing Stars episode.

[Blitzo]: No chance you can conjure us a couple of those, can ya? [Stolas]: Sadly, no. I'm afraid without my grimoire, my powers are just a tad limited in the human world. [Blitzo]: What, you can't memorize your fucking spells? [Stolas]: Oh, your memory's so great?  S2EP2, Seeing Stars, 6:33

See, Stolas does not deny Blitzø's assumption and gets annoyed when his memory is belittled. Therefore, I believe we can safely deduce that it is indeed a matter of only remembering the necessary chants to cast a spell. It is still possible that the artifact holds power on its own and Stolas needs it to access magic in the mortal realm, but it doesn't seem like the absence of the book prevented him from making two poor little human beings soil their little fancy trousers.

S1EP6, Truth Seekers, 19:11

And he does not need the book to summon the portals, it is seen multiple times throughout the series.

S1EP6, Truth Seekers, 20:10

Not mentioning him performing small magic tricks quite regularly:

Left - S2EP6, Oops, 7:42 Right - S2EP8, The Full Moon, 2:00

So, can we make a conclusion the grimoire is not so unique after all, if to memorize all the spells? Not sure, because... okay, I promise, we will get back to it later.

Clue four: Loona can use the grimoire, even though she is a lower-class demon

And she can shapeshift without any artifacts, which might suggest she has more magical abilities than other members of I.M.P. Her ability to read runes is also noteworthy.

Shhhit! I can't... I can't read the spell in this light! I can't see dick! S1EP6, Truth Seekers, 17:43

Do you think she could become a skilled magician with proper education? It's quite impressive that she knows the rune language to begin with, given her origin!

Clue five: Blitzø, Millie, and Moxxie are never seen using the book

Is this accidental, or are they simply unable to use the book? If the latter, is it because they are physically incapable of channeling magic (e.g., due to being imps), or is it because they don’t understand the language of the spells?

I noticed them bantering about replacing Loona because of her horrible attitude once or twice (such as at the beginning of the Seeing Stars episode). Does this mean they could take on her responsibility of opening the portal, or is it just bluff? There’s no way to know for sure.

If I'm so terrible, how about you just grow a pair and replace me? S2EP2, Seeing Stars, 3:03

Clue six: The I.M.P. crew is never shown trying any spells from the book other than those for portals

I.M.P. never tries any spells other than opening the portal, which seems strange, especially since they could have used disguise spells, as mentioned earlier in clue three.

Is it because they physically can’t use other spells, or is it an unspoken rule not to meddle with a powerful artifact whose true implications they might not fully understand?

Clue seven: Without the grimoire, the I.M.P. crew is not able to access the mortal realm

And it is posed as a big deal—the whole Season 2 setup revolves around Stolas freeing Blitzø by calling off the transactional agreement and providing a grimoire replacement, the Asmodean crystal.

Official Music Video, Just Look My Way, 0:11

This seems to contradict clue three. Perhaps there are specifics we have yet to learn or understand.

Why? If simply remembering the spell is enough, they would only need the book once. If Loona can read runes, she could write the spells down when Blitzø stole it, making the entire ordeal unnecessary.

Maybe, just knowing the spell isn’t enough to use it without the book. Maybe, special education or training is needed to prepare the body for it. Or, maybe, being born into royalty is a prerequisite for channeling magic without artifacts.

Maybe, if not conclusions, let's at least make a guess?

So, here’s everything I’ve gathered on the matter.

Without additional information, it seems a bit contradictory, and I admit, I sometimes get the feeling these might be plot holes left because this isn’t the focus of the story. This would be surprising though, as the show is usually very detailed and well-built in terms of worldbuilding.

I’m going to try to fill in these gaps with my speculations, just for fun. Please don’t consider this as making any claims; it’s more about me engaging in some mental gymnastics because I’m a lore geek and love figuring out how the fictional world works in media.

So, my take on whether the knowledge is gatekept or not: in short, it is.

If not so short:

I speculate (like highly speculate, because I have no proof), that any hellbeing could theoretically learn and use magic. It might require certain genetic preconditions, natural talent, and extensive training, but success is possible to varying degrees;

Artifacts assist in channeling magic for those who are untrained—like the grimoire helps the I.M.P. crew open portals;

Magic knowledge is encoded in runes to complicate the learning process for those not taught in it;

This knowledge is kept secret and shared only within royal circles, with different branches having their own secret techniques and specialties;

There are also laws prohibiting the sharing of this knowledge with lower-class demons.

Why? It’s simple—power wouldn’t be power if it could be used by just anyone. Withholding resources and granting access to it only to the wealthy is a characteristic of non-democratic regimes, and, mind you, Hell is an absolute monarchy at best.

But what do you think? Share your opinion via poll, reblogs, and comments!

Instead of my usual funny giggles at the end, I’ll reiterate from my reblog yesterday:

FREE AND ACCESSIBLE EDUCATION FOR ALL

Because only by sharing knowledge and making it public can the community truly prosper.

[raptorific]

I saw your post re: the silver lining to Biden stepping down. I felt relieved to remember that Trump is now the only incoherent old guy in the race. However, the relief quickly subsided when I remembered that Hillary was very well-spoken and polished, if not quite as young as Harris.

Harris fortunately doesn't have quite the same baggage as Hillary, so I'm hoping that will make the difference. What do you think?

*I realize this could sound like I'm trying to agitate, and I'm not, so no need to post if you don't want to.

So, apologies in advance, because I foresee a lot of Words happening in my response here. It's worth getting into because I feel like a lot of what you're bringing up are legitimate fears but also coming more from a place of Anxiety than from an actual pattern forming

First things first, to be clear, my post about Biden stepping aside did not highlight a silver lining in otherwise bad news. Biden stepping aside has been an objective boon to our chances of securing the White House in November. I wasn't saying "this is bad news, but look on the bright side," I was saying "that dread you're feeling is misguided, because this is, in its entirety, good news."

To your point about Hillary Clinton being well-spoken and polished: that's true! She very much was! However, crucially, the 2016 election was not one characterized by a debate over how polished or articulate the candidates were. The reason this can be considered a "shit the bed" moment for Trump is because of a factor that is present in this election, that was not present against Hillary Clinton: in this election, he spent all his time and energy selling himself as the younger, healthier, less senile of the two candidates, and now he's without his primary selling point in the eyes of this election cycle's electorate.

Now, Trump is actually showing signs of severe mental decline while Biden only shows signs of "a speech impediment" and "being over 80" and on a physical level Biden is very obviously much more healthy than him, but nonetheless, through a series of lucky breaks and crafty rhetoric, he was able to sell the public on the idea of Biden being some sort of Corpse Puppet. The reason why that matters is because he successfully sold voters on the concept "someone who is old, who can't get through a sentence, is not fit to be president." That narrative wasn't a factor in 2016, and it is in 2024.

The other important factor to remember about 2016 is the context in which that election happened, and why the dirty tricks and bigotry leveled at Hillary by the right actually worked on the public. Specifically, at the time, we were coming off eight years of a black president, a historic first, who the republicans had spent years and years trying to oust or otherwise discredit, and who was poised to come out of office as a fairly well-respected figure.

Voters have a tendency to view white men as, for lack of a better term, "Default" or "Normal" with no modifiers. Many of the people who voted for Trump were people who had, in reality, no specific problem with a black president, but felt that after eight years it was time to get back to "Normal." They saw Clinton, another huge Historic First as the would-be First Female President, and a lot of them said "no thanks, we just had a president who's African-American, we don't want to switch to one who's Woman-American, let's reset back to a Normal-American (read: White Man) before we do any more Progress, otherwise it'll feel like the world is changing too fast."

There's obviously other factors at play. I'm not denying Clinton had other problems as a candidate, but an overwhelming amount of why she lost was rooted in the electorate's misogyny, and their desire to return to a status quo of a white man-- almost any white man-- with no other Identity Categories, as president. It's why I do think Joe Biden would've handily won the 2016 election, had he chosen to run, but I'm not here to play the what-if game.

It's also worth mentioning, at this stage, that most of the country actually was okay with having a Woman President, and, specifically, with having Hillary Clinton be that woman president-- she received more votes than Trump by the millions-- it was only due to the system-rigging done hundreds of years ago by slavers that he was allowed to become president despite the will of the voters.

So, the reason why this matters: voters tend to like a change, to a certain extent. Barack Obama was largely able to win election in 2008 specifically because he was a young, handsome, charismatic black candidate, who stood in stark contrast to his opponent, an older white guy who just kinda seemed like a redux of the bumbling old white guy everyone already hated as President at the time. Trump won largely because of a pendulum swing away from Historic First Barack Obama being the status quo.

Right now, we've been governed by two Old White Guys for the past eight years, one from each major party. In the 2016 climate, a Historic First, electing a Something-American, was scary and intimidating to a lot of voters. This year, in 2024, we're playing a different ball game: Donald Trump is selling More Of The Same (old white guys who've been in all the elections for the past eight years and who both come across somewhat bumbling) while Kamala Harris is selling a refreshing change of pace (a younger Black and Indian woman who is visibly competent, intelligent, charismatic, and let's not downplay the effect this has on the electorate, attractive).

I maintain that running a female candidate in 2016 was, unfortunately, a political miscalculation. I think that if it had been two straight, christian white guys, the election would've been made about the issues and it would've gone to the democrats. Novelty was a liability for a candidate in 2016. In 2024, "more of the same" is a liability, and novelty could prove the greatest blessing.

Hell, look at how excited people got when Biden dropped out, and suddenly people had something election-related to pay attention to other than "BREAKING NEWS: ELECTION STILL COMING IN NOVEMBER, PROBABLY WILL GO BAD."

To your point about the baggage with Clinton: an important thing to understand is that the Republicans identified her political ambitions as early as the 1980s, and started drafting their "Running against her for President" playbook as soon as Bill was president. They were ready to take her down in 2000 when they worried she'd run, and in 2008 when she was a frontrunner for the nomination, and then finally managed to use it in 2016 when she actually was the nominee. Trump lucked into a showdown with, to re-use a recent analogy, an enemy whose Kryptonite he happened to have inherited.

The misogynist attacks on Hillary Clinton largely worked because they had been thoroughly seeded over the preceding 30 years. Many people, even democrats, really didn't like Hillary, for reasons both Fair and Unfair, and a lot of the people who voted for her were, as the cliche goes, holding their nose and voting blue. A lot of the median swing voters fell hook, line, and sinker for the GOP attacks on her, and either stayed home or voted for the other guy.

As I mentioned in my previous post, they don't have much of a playbook for Kamala Harris. They've done zero preparation for the possibility of her presidential run because they thought they wouldn't have to worry about her until 2028, if at all. They've tried "she laughs weird" but it doesn't really work because people are finding it endearing and because their guy does everything weird. They've tried "she's a childless cat lady" and that offended everyone's casually conservative step-parents and lost them a bunch of support. Trump's campaign has been tripling down on bolstering support of their small but vocal Base, by hammering down on the idea that she's a "far-left radical" but that's just a page out of the playbook they use for everybody, and doesn't really play with anybody who isn't already voting for them.

And, I already hear people typing to remind me not to forget this, they have tried the racist angle, painting her as a "DEI hire" and an "affirmative action vice president," or even claiming she's ineligible to serve because her parents were immigrants. Firstly, again, they're borrowing a failed page from their anti-Obama playbook for that last one, and second, the actually competent republican strategists have been begging the public-facing parts of the party to please stop attacking her on the basis of race and gender, for one simple reason:

Mask-off racism loses you votes. It's why Trump always has to pretend like he cares about "black jobs" and that his problem with immigration is that "Mexico is sending us all their bad hombres" rather than admitting that his problem is just that the people immigrating are Mexican at all. It's why top Republicans spent the past 16 years talking about birth certificates and constitutional eligibility for Obama, instead of just calling him slurs.

You can win voters by saying "we're okay with a black president, but the Democrats are breaking the rules by letting this guy in particular be president, it's not about him being black, it's about him being ineligible." You don't win voters by saying "keep the white house white." The people who that second thing would work on? Already voting republican 100% of the time.

Which is another important reason to have hope here: in 2016, the Republicans were still maintaining the (objectively false) pretense of not being racist. I don't think anything's changed about the Republican party between the Nixon era and today except that now, they say the quiet part loud. They've spent the past eight years systematically eliminating the power-players who maintain the Not Racist masquerade and replacing them with people who will actively say overtly, unabashedly racist shit without pretending it's about something else. It's why the republican strategists keep begging people not to attack her on the grounds of race: it will lose them voters.

That's more or less the short version of my summary of why I think 2024 will go differently than 2016. I hope I'm right. I'm right about a lot more stuff than I'm wrong about, but I'm also wrong about a lot of stuff, so I might not be. Nothing's over until it's over. If you don't want to see a repeat of 2016, go make sure you're registered to vote, and then on Election Day, go vote for Kamala Harris. Either she, or Donald Trump, will become the president at the end of this year. There is no third option that is mathematically capable of happening. If you are legally eligible to vote and physically capable of doing so, voting for Kamala Harris is the only action you can take (including inaction) that can prevent Donald Trump from taking over the country and doing away with any semblance of US Democracy altogether.

We can win this. With all of our help, we will win this. Doomerism on the left benefits nobody but the right. People being genuinely excited from now until November might actually translate into electoral victory.

[insomniac-101]

So something that I often don't see people discuss is the manner in which the 9th and the 10th doctor's seasons are so intrinsically connected that it is almost impossible to understand a lot of key character arcs if you choose to skip it upon rewatch. The reason why I say this is because the moment you reach season 2, 10 is essentially the product of the development 9 achieves at the end of his season. To skip him, would mean that you also miss context as to the reason why Rose is so important and in turn, not understand the reason why their bond in particular is such a big part of the plot during the 10th's era.

Now bare with me, because I'm about to go off a bit lmao.

The first season of nuwho not only serves as an introduction to many of the key characters we see later on, such as: the Doctor, Rose, Jackie, Jack, Mickey, Harriet jones, etc. but it also serves as an introduction for the concept of the series as a whole. Prior to this, doctor who as a franchise had a reputation of being a geeky sci-fi show with no real wide spread appeal. Remaining as a niche interest to many, up until the reboot returned and reintroduced the show to a newer audience.

This is important to note because this is one of the main reasons why we see such a huge emphasis placed on the companions' lives in the reboot. Because RTD meant to expand the world of Doctor who and its audience, and by doing so, he strived to try a multitude of new plots that were otherwise never explored previously. This is why the romantic plotline of his season is so crucial to the story itself because he means to explore a facet of humanity not previously seen with the Doctor as a character. RTD essentially built this plot line from scratch, as the only other attempt at exploring such an angle was received negatively (The 8th Doctor's movie). So there's a degree of leniency that I give his writing In particular because like I said prior, he had no prior reference for exploring humanity to the degree in which the new series does.

The ninth doctor, when we meet him, is essentially a recluse. He is in a state of stagnation, implied to have been alone for some time after the war and it gives off the impression that he's no longer accustomed to being around people. He's often direct, rudely so and very standoffish to anyone that isn't immediately measuring up to his standards. This isn't to say that he isn't charming in his own way. He's sarcastic and when he tries, he can actually be very good with people. But the war still weighs heavily on his conscious and so, he views the world through the eyes of a soldier. Prioritizing the act of surviving rather than slowing down and actually taking the time to live life.

I mean, the man essentially meets Rose while blowing up her workplace and if that isn't concerning on its own merit than I don't know what is lmao.

A scene that sticks out to me the most about him in particular is when he looks at himself in the mirror for the first time. He notes that he has big ears, and from the manner in which he says it the implication that he perhaps has not seen himself in a long time is not lost to us. This coupled with the knowledge that he had indeed been seen traveling prior to meeting Rose, gives the phrase a more dark connotation that makes sense for his character.

I like to think that this indicates that the guilt of what he did to stop the war weighs so heavily on him that he could never bring himself to face his reflection. Because truly, to have gone so long without seeing yourself, not even in the reflection of a window or other surface is not something that is easy to do. Rather, it is something you have to go out of your way to do. Also it's important to note that his appearance is in fact a reflection of that weariness he feels. With his body, being older outwardly (appearing 40ish ) and his features being very sharp and serious. Even his hair is pretty short, much like how a soldier would keep it as a means of not wasting any time on worrying on something so inconvenient. His preference for darker colors and his constant outfit is also very noticably practical, not at all decorative like his prior bodies. This is purposeful, because it is what sets him apart from prior versions of the character and an easy way to visually see his most prominent traits.

Now with that out of the way, now I can discuss how 9 changes and what his relationship to Rose is like, so that one can better understand why Rose is such an important part of the Doctor's character.

From the moment the two meet, you can see he harbors an immediate curiosity towards her. Here they are, trapped in an elevator being attacked by a group of living mannequins and yet, Rose is almost unaffected.

That isn't to say she isn't afraid, she is, but her fear doesn't stop her from asking questions and demanding explanations. She doesn't shy away from him, rather she confronts him head on and even shows a level of concern for other people while she is actively the one in danger. It is enough to prompt him to ask her name, but not enough to involve her. Preferring to instead keep his distance.

It is not until another chance meeting that he gradually lets her in, allowing her to humor him with her curiosity and we see once more that he is in fact very good at socializing, but only with certain people. The reason why I stress this is because he often outwardly puts this front of coldness towards those that don't interest him. Rose was able to look past this front, and seems to look past his rather cold attitude towards other humans. He often stresses how inept they are, going on tangents about how they're nothing more than apes but she ignores it and tries to get at the core of the issue. That's why they mesh so well, because she is able to separate the fluff he inserts into his answers and take it for what it is. That isn't to say she's a doormat, she just knows when to pick her battles.

"do you know like we were saying? About the world revolving. It's like you're a kid, the first time they tell you that the world is turning and you just can't quite believe it cause everything looks like it's standing still. I can feel it. The turn of the earth. The ground beneath our feet is spinning 1,000 miles an hour and the entire planet is hurtling round the sun at 67,00 miles an hour. And I can feel it, we're falling through space you and me. Clinging to the skin of this tiny little world, and if we let go.. that's who I am. Now forget me, Rose Tyler"

He is describing the manner in which he views the world. Unlike how a kid is unable to comprehend the vast truths of how the world functions and remains naive of it for a period of time, he is a man that was never given that chance to be unaware of how it functions to an infuriating degree. He sees the world for how it is, dark, unforgiving and so direct. Everything is calculated so precisely and he can't even begin to comprehend why anyone would see the good in it as it's just that, a planet.

But that's why he finds humans so interesting. There's a part of him that holds onto that hope that it is something more, that perhaps he is missing out on a purpose behind all the darkness. That's why he is running amongst them, to find a reason behind their way of thinking. To experience the world through the eyes of the hypothetical child, rather than the adult who breaks the illusion.

Not only that, but this conversation also let's us in on how touch-deprived he is.

For it is in a moment of vulnerability that he allows himself to reach out and touch Rose physically. Grabbing her hand for emphasis on how heavy this revelation burdens him. It's a cry for help in a sense, because he has reached the point where he has metaphorically "let go". Dropping her hand, to show that he is losing that last part of him that clings to that hope of finding something that will allow him to question his view of the world. He is miserable and lonely, because when you view the world through such a cynical lens it becomes all the more apparent that life is so lonely. If everything is doomed, then why go out of your way to care?

You see this in the way he remains unaffected by the reveal of Mickey's "death." Having grown so used to it, that he finds it off-putting to see that Rose is freaking out as a result. It happens everyday to people far more important so why give it any real weight if it's inevitable? Why ascribe a meaning to something that just is?

Remember when I mentioned it is implied that he was traveling on his own for a while? What places did he visit? The Titanic, the Kennedy assassination, the explosion of Karakota. These are all fixed points of time that are associated with absolute tragedies. But all the same, they're key points in life where the world remained cruel without reason. Thus fueling his very uncharitable view of the world and how it functions.

That's where Rose becomes key to his overall development. As a human, she inevitably views the world through the lens of that child. She doesn't know the ins and outs of the universe's processes, yet she continues living without ever really seeking to understand it better. It doesn't matter to her that the people around her aren't necessarily important in the grand scheme of things, they matter because they just do. She is capable of loving others and affording care to others simply because she wants to, not because she has to. She is confronted with alien threats the moment he walks into her life, and yet her view of the world and her existence doesn't really change. She does not harden rather, she curiously grows from it. Growing wiser and more aware rather than crippling under the discovery of another threat in the universe.

She is clinging to the understanding of the tiny little world she lives in, yet her hold doesn't relent. For she is not falling, to imply so would mean that he was right in his assertion that our existence is doomed. No, instead in the place of any real meaningful explanation about the world's existence is something so innately human: hope. An illogical thing to always maintain, yet she always seems to have it.

After all, it is such a confusing notion when you think about it. We have no reason to believe that things will improve, and that we'll be met with good outcomes. It's so metaphorical, not at all tethered to something practical like numbers and data and yet, even when the odds are against us, somehow we hope things will improve.

It's that aspect that he wishes he understood.

(i would love to dedicate a whole analysis on Rose in a separate post so for now, I will only focus on the Doctor and her role in his life)

This is why he takes her to the ends of the universe on their first trip. He's testing her, seeing if this will be enough to prompt a reaction out of her that fits his narrative. He also seeks companionship, to have someone understand what it's like to see your planet burn and to have yourself remain as the sole survivor. In a way, to justify the validity of his misery and guilt. She's affected of course. It's in that moment that she realizes, the scope of the universe and is faced with the undeniable truth that everything does end. It shakes her and you can see her sort of doubt her view of the world. No longer able to remain blissfully unaware of the big picture when it is quite literally in your face.

But something she has, and he lacks is a foundation. Rose still has her mother, someone to return to at the end of the day. She can be comforted by the people in her life while his inability to let anyone in, essentially stunts him.

When given the choice to spare Cassandra, he refuses. He lacks the capability of seeing past the evil, and assumes that there is no good in her. No second chances. An act that catches Rose off guard, who in spite of personally recieving the brunt of Cassandra's cruelty, she asks the Doctor to save her.

Eventually he takes her back to her time. He entrusts her with more information regarding the war and the death of his people. People pass them by, oblivious to his presence as he is wallowing in the sorrow of remembering. It's a metaphor, of sorts. While our two protagonists are brutally aware of the doom that awaits them in the future and they remain stuck in place reminiscing, the world around them continues moving on.

He is giving her every reason to run, to leave him behind and save the very last shreds of naivety she has.

But when he asks her if she wants to leave, to no longer accompany him on his adventures, she refuses. Because his confession puts it all into perspective.

He is hurting.

He desperately craves company: to have a hand to hold onto and keep him grounded as the world falls apart. Yet more than ever is she aware of her limitations; that she cannot undo what has been done to him.

And so, she does what she knows she can do to help ease the pain even if it is very miniscule. Tells him that he has her, and that his pain is one she can now share and understand. She offers him chips, not because it will magically make it all disappear but because it will distract him from the pain of remembering. It's also her favorite food, so no doubt she is trying to share that sense of comfort it brings her with him.

Such a human thing to not focus on fixing the bigger problem and instead focus on what can be changed in the current moment. They still have time until the end of the earth, so why spend more time dwelling on it?

That is her response to his question.

I believe the episode the unquiet dead is where he realizes the extent of his feelings for her. There they are about to be pulled apart by a horde of zombies yet Rose doesn't regret coming along. She tells him so and in the end all she asks of him is that they fight for their lives. Still clinging on to that bit of hope that they could get out of this, even if it is misplaced. To stay together in spite of their inevitable deaths is all she asks for, and he in turn tells her how glad he is to have met her. Assuring her that he is glad it's her that is there by his side as he clings to her hand like a life line. Somehow, having someone there to hold made the inevitable more bearable.

For a single moment, he remembers what it is like to not regret something.

But no, they live! Again and again, even if logically it makes no sense given how the world works. All the while, he meets more and more extraordinary people. With Rose, always reaching out to others as they embark on every new adventure. Thus indirectly providing him insight on the manner in which normal people are capable of doing brave and incredible acts even if it is at the cost of their own life. Their hope in a future for the people they hold dear, motivating them to put everything on the line if it meant that there was even a slight chance everything would be alright.

There's good in people, even those that outwardly appear to not be worth the trouble. And it's that potential he latches on to, and why he tries so hard to lend a hand when he can.

This is actually where the trend of the importance of knowing people's names starts, because the companions often serve as his connection to the humans around them. They ground his perspective, reminding him to not focus so much on the grand scheme of things that he forgets to look at the smaller details. This is why in the episode Midnight it is so tragic that no one asked for the stewardes' name. For up until that point, he knew better than to not at the very least humanize her (by asking for something as basic as her name, her story, etc.) rather than see her as pawn in the midst of the problem. That is the principal that Rose instilled in him and yet when left alone, he finds himself forgetting to do so. Thus, why he takes the revelation to heart.

But I'm getting ahead of myself lol

It is when he is confronting the last of the daleks that he has to reconsider his beliefs of how the world had up till now functioned. He has been proven time and time again that the world is not always such a negative place, and that there is at times tranquility that could be found in the midst of the chaos. That the universe and it's inhabitants are capable of doing both good and evil.

So why is he so quick to want to kill the last of the daleks and cling to that cynicism he was beginning to reconsider? Here he is faced with a being who understands his pain, but in the form of his biggest enemy. It is not innocent, having been at one time capable of monstrous acts that caused mass suffering but...neither is he. There it stands defenseless and unarmed and yet he is the one threatening it with a weapon, just like Rose reasons. She is alive and unharmed, standing next to a dalek yet the active threat is not the dalek, it's him. He is tempted to kill it because his first instinct is to resort back to that hatred that gave him purpose for so long. The same poison the daleks used to eradicate the rest of his people. But is it truly incapable of being good, if not, then why is he any different? To give into the temptation would mean to validate that goodness could not be found everywhere. That if he followed the same mindset that once drove him to pull the trigger on everyone involved in the whole war, than he was doomed to become one of them. To repeat the endless cycle of violence and prove once and for all that he is a monster that cannot change.

Again the answer to the question is up to us to decide. But for him, there's only one clear answer.

No one else has to die. By choosing to not do anything he can live another day, without carrying the guilt of another being dying at his hands. Not because it has to be done, but because he has the option to refuse.

He can no longer assert that its existence as the final survivor of his race isn't important. That just because he hates it, doesn't mean it doesn't deserve a second chance like he got.

Really who is he to pass judgement, when there was a point in his life where he too was blinded by rage and the very narrow view he held of the world?

There is always a choice, and sometimes, the choice is to not take part in that decision.

And so that's what he does.

Rose takes on the burden for him, reaching out to the dalek in the same compassionate way he once did for him. Ordering the dalek to die not out of spite, but out of mercy because that is what the dalek wanted. A being born with the ultimate goal of surviving at all costs with hatred running through its blood, yet it's last moments are spent anguishing over all the death it caused. But unlike the Doctor, who strived to change as a result, he used up his second chance to end the pain. All it asked in return, was comfort or in other words...a hand to hold.

Or..so we think.

It's this ability to look past his biases that allows him to see the good in individuals like Mickey, Jack, and even Rose, when she inevitably screws up. He is able to grant them a second chance to prove themselves and keep them grounded, just like they did for him. His bonds to said people strengthen as a result and now he travels with a group of individuals he can trust with his life. People that can ease the burden and see the good in him.

Now the final episodes of his run is where the final test to his resolve to change is put into question. In a cruel twist of faith, history repeats itself.

Once again, he is given a choice: to let humanity die at the hand of the daleks, or end it all himself.

But alas he chooses not to give in. To not let himself become like the very thing he despises, because the alternative would mean witnessing the mass death of humanity at his hands. A group of beings he personally saw was capable of so much good, and was directly responsible for his change of heart. They reminded him that he was not above changing and that he could find meaning in simply continuing to find the good in others. He refuses, and so he seals his fate.

Yes he would die as a result, but at least he'll die knowing that he did all that he could. That he did not repeat the same cycle of violence that drove him to make the decision to eradicate all that he knew in an act of desperation.

He was free at last of the hatred that poisoned him for so long and it's due in part to the emotion that now stood in its place. Something he slowly cultivated throughout the span of his episodes: Love.

Love for humanity.

Love for Rose.

Love for himself. Because he finally did something he would not live to regret

" Before I go, i just want to tell you that you were fantastic. Absolutely fantastic. And you know what? So was I!"

When he finally regenerates, it is done with the intention that his final act is not one of destruction, but love. This man, with the blood of so many on his hands, was able to forgive himself through the compassion extended to him when he was at his lowest. Rose a mere human, through sheer kindness, was able to motivate the doctor to keep going. To not hang up on the inevitabilities of life, and to find beauty in what was fleeting.

To have faith in the good of the people around him, even when it wasn't easy.

Most importantly, she reminded him that his journey was not one that had to be solitary. He could share the burden with others, and in turn, build genuine friendships that would help ease that loneliness he felt.

What makes Rose special to the doctor is not that she is inherently special. She is not someone of high status nor this faultless god that is capable of doing no wrong. No what makes her important to him is the fact that she was perceptive enough to realize that he needed help, and selflessly gave it at a time where he was at his lowest. She extended the best of humanity towards him during a time where he desperately needed a reminder that life was more than just pain. She never gave up on him, always assuring him that he was capable of doing good even when he himself didn't believe it.

This was not a bond forged on shallow appearances or attraction, no, it was a deep friendship in which both people involved grew to become better versions of themselves by the end. They just so happened to fall in love in the process.

Something I want to point out is that the reason why he has the courage to kiss Rose is because his love for her, he feels, is unrequited. He thinks this will be the last chance to show her how much she means to him in this body, and perhaps ever. He is insecure, you see that in the way he practically sneers at any man that looks at her yet he never makes a move himself. That is why he is deeply confused as to why it takes her so long to warm up to his 10th incarnation in the Christmas invasion. Going as far as to claim that she had given up on him. A behavior that to him, makes no sense as he was essentially tailored to her tastes. A pretty boy, just like the ones she showed interest in previously.

This is why he asks her upon regenerating what she thinks of his appearance and once again when he wakes up from his coma. He wants her to fawn over him but doesn't take into account that maybe, bursting into flames isn't exactly a normal human occurrence lol

But we see that that is not true. His looks were never something that bothered her. Because whenever she is made to make a choice between the doctor and someone else, it's always him. Even at the expense of what he would consider to be the safer options.

Rose loved him since his 9th incarnation. This is made evident in the manner in which she immediately asks him to change back once he regenerates into 10 (Doctor Who Born Again, Children In Need Special 2005).

"Can you change back?"

"Do you want me to?"

"Yeah"

"Oh."

"Can you?"

"No"

(note: if you haven't seen this clip, I strongly recommend doing so as it adds so much context to the conflict explored in the Christmas special)

If she had solely loved him when he was 10, then she would have accepted him easily but she didn't. It took her the entirety of the Christmas invasion to understand that he was still the same man. This is why the episode focuses so much on 10 sort of dancing around her, trying to earn her approval by showing off how he's still the same man. Going as far as to pan on his face numerous times as he wistfully looks at her direction, all while he fights the sycorax as if to make sure that she is watching him be impressive. (it's something I realized upon rewatch, just how desperately he is trying to earn back her approval lol)

So with all of this in mind, nine essentially transforms into a new man. Figuratively and literally lol. A man that finds the joy in living again and meets each challenge with a curiosity akin to that of a child. He's fun, far less burdened (outwardly) by the death of his people and more open to meeting new people. He becomes what 9 physically believes to be the ideal image of a partner Rose would want, down to the wispy hair and handsome features. Not to mention younger, as if, physically representing the the burden being lifted from his body, thus de-aging him.

But with this new man that was born out of his love for humanity and Rose, there's a conflict that is more apparent than ever. Will he be able to overcome the implications that come with falling in love with a human?

This is where the conflict shifts, because with confronting this question he is left to actually take into consideration what it means to fall deeper in love with her. A scenario he previously only humored in fantasies because he was unaware that she returned them.

Had she simply loved him as a friend, it would have been easy to ignore it but no she had fallen for him too. So now he can no longer skirt around it. To fall for a human would mean to expose her to what a Time lord's life and perspective entails. How alien he truly is and how that especially affects the manner in which they communicate. This is explicitly said in the Christmas invasion, when her whole world shifts at the reminder that he is in fact not human.

"The thing is, I thought I knew him, Mum. I thought me and him were...and then he goes on and does this. I keep forgetting he is not human"

This is what series 2's main conflict is.

But it is far from one sided.

She in return, has to confront the inevitability of her death. Can she ask that of him, to put aside the pain and let her live out the rest of her days by his side? Once she outlives those she loves, would she become someone unlike herself?

Because now it's not a question of will they won't they, they know how they feel about one another. No, it's a matter of when.

This is why series two appears to have very little conflict between the two at first glance, but that's because the conflict is within themselves. Since ten was made with her in mind, they tend to operate very similarly and so they don't get in as many arguments as they did previously. Because again, ten exists from the changes made in nine. You cannot have one without the other,as they are the two sides of the same coin.

Another tid bit that must be mentioned is that 10's desire to be human can actually be traced back to 9's era. This is because the 9th doctor always made it a point to separate himself from Rose's family life. This is what causes him to have such a strained relationship with Jackie in the first place, because his refusal to take part in Rose's personal life directly interfered with Jackie's relationship to her daughter. Jackie does care for the Doctor. He is important to Rose and so she makes an effort to welcome him, even when he refuses.

But really from a few comments he makes off handedly in father's day, one can infer that the reason why he stays far away from their home life is more of a reflection of how he views himself. Like an outsider who cannot afford to get too close to the people around him.

After all he had this to say about the importance of living a life that is ordinary.

"i don't what this is all about, and I know we're not important -"

"who said you're not important? I've traveled to all sorts of places, done things you couldn't even imagine, but you two. Street corner, 2:00 in the morning, getting a taxi home. I've never had a life like that.."

You can't always trust the Doctor's words because he often puts on this unbothered front. But in this specific instance, he says this not as a means of diminishing it but rather being rather fond of the idea. To live the one adventure he could never have, sound familiar?

It's because of this that the 10th doctor makes an effort to be more involved in Rose's personal life. Extending his care towards her mother, and even spending the holidays with them. He even goes as far as to imply they were the closest thing to family when he tells Donna about it.

This long ass essay is all to essentially say that the idea of pitting ninerose, tenrose, and tentoorose against one another is rather pointless lol because they're all essentially the same ship but at different stages of their relationship. You cannot have the existence of one without the other because they all occupy the same man. All are equally valid according to the narrative and canon so please can we lay this useless competition to rest?

There's enough Rose to go around!

[sgiandubh]

Machiavelli took a day off

... when the Telegraph article was written in great haste, by someone blatantly given a last minute task, who had no fucking idea to whom she was talking and what exactly meant the PR vetted or even prompted questions.

Instead of a line-by-line analysis, we'll take things differently, on this page, using the '5 W rule of journalism' (or even non-fiction writing, in general, if you ask me):

Who? SRH, EP of the OL series and one of the two male leads of the TCND series, which will be shortly broadcast by Channel 4, in the UK and IE only (and Movistar in ES). The rest of the world is not concerned.

What? A promotional article, focused on the actor's personality, CV and projects.

When? At a particular moment in time, just after the SAG-AFTRA strike and before shooting OL's eighth and last season.

Where? Crucial to place it in LHR (to imply he is 'just visiting') and God forbid it would be in GLA, which (for some curious reasons) seems to be off-limits.

Why? An actor with solid credentials hopes to keep agents and employers interested, after above OL project is done, which is rather sooner than later. Also addressing (as per the actor's PR agent specific requirements) three particular issues: the Palestine letter, the Bond project and his 'private life'.

Onwards to the three issues at stake, which probably prompted the article. In chronological order, this time. And no, I am not going to address the Scottish independence mention, because this is a sincere, well-known position of his and this page never bitches about people's convictions - also because I educated myself on it and I agree with S.

Palestine:

It was important, for obvious reasons, to push damage control a tad further. Also, strictly from a hypothetical POV, I would be very curious to read your compare and discuss thoughts with regard to this particular post on this page:

A sort of answer came in the Telegraph paper, too. Not only to me (I am less than nobody), but to all the people (of which we were many) who thought he should not get involved in this type of debate:

This is not the first time he uses this specific talking point. Last time known to me was on the day the Queen died, on X (I looked for that post, but can't find it, because I am just a filthy lurker, like that: but it is there).

The really interesting question, therefore, is: does he/somebody monitor what is being said on Tumblr? The answer is, I think, yes, and it shows. Will it stop me talking in here? Nope, as I trust my discerning abilities, for the moment. Other than that, his damage control op does not bring anything new to the table.

Bond:

What can I say, Sir? While there's life, there's apparently hope. But that doesn't translate well, given the context of your interview. That spells desperate and it's not a great picture. Also, let us keep a pious moment of silence in fond memory of a 25 year old who had a dream and the dream went to Daniel Craig (who I detested as Bond, because every girl has her Bond and mine is Pierce Brosnan, amen).

I know people still speculate about it. I have very high reservations and I cannot, for the life of me, seriously consider even thinking about the possibility. He could do it with flying colors, no doubt. Does he stand a chance? I prefer to have zero expectations on it and be floored if it happens. If he naively still yearns/pushes for it, this interview could very well be as abysmal as C's VF tantrum.

'Private life':

Ugh. Slippery when wet. I have already touched the subject in a reactive re-blog of @samheughanswife's post about it and I will not get back to what I said even without reading the article.

Some more extraordinary wording, in here: 'there might even be space for a personal life' - begs the question 'when?' In general? (in general, all men are created equal, too - it's practice that kills the theory) Now? (it is my staunch belief the answer is yes). After OL? (then and now and after Hiroshima, too). Can you program these things? (nope, stars simply aligned) Heh. Enough said. Also, 'might' spells cheap insinuation to me. But that's just me, a blonde voice in the audience.

Now, onwards to the daughter thing. I believe this specifically addresses the cheap, abundant clickbait content on You Tube, hence the vague 'online' reference (not Tumblr, not fans, not blogs - he is not C, he kept it clean). Such as this very recent one (last 'clip' on the topic was five days ago):

The two I chose to share here, which are very conspicuous FAKES, are originating from the same 'source', an account that seems obsessed with S&C and has no problem changing its narrative three times a week, if needed. My opinion? PR induced shite, to prod numbers/interest and see what sticks.

No newborn daughter? I hear no lies.

As for OL leaving 'no time for relationships', ahem. *urv will be thrilled to read that, I bet the farm. As will Flukenzie Floozy, at least her - damn, she was persistent! Also, hello, back to 2014-2016 playbook, aren't we?

No new relationships? Whatever for, when IYKYK? I hear no lies.

'I want a cat' ('because she's great', says my shipper brain on autopilot), 'but I am too scared even for that'. Humph. A very poor lie. But admitting you wanted and got a Ca(i)t scares the bejesus out of you, since 2016. I hear no lies. Yes, I am being tongue in cheek and damn the consequences.

Morality of it?

The easiest solution is never to take personal questions in interviews or panels. Why These Two still do it completely mystifies me.

[vanseerra]

Some quick thoughts on Elucien and the concept of agency in fated mates following the SJM interview:

Elain is currently grappling for a sense of agency she has lost from being made fae and losing her fiancé as a consequence

To her, the bond is manufactured, irrelevant and manipulative

Lucien, on the other hand, recognises the significance, rarity and power of the bond, having grown up around fae custom and culture

The bond to him is sacred, predestined and a blessing

This point of conflict with be highly relevant to Eluciens story where they grapple and debate with each other about the extent to which they are agents of their own fate and just how far the bond messes with peoples emotions

What if what you feel is fake? How do I know what is created and what is authentic? What if the only reason you are pursuing me is because of the bond? Do you even know?

Lucien is showing Elain currently that she does have agency in their relationship. He is respectful and distant, never pursuing her or forcing her to accept the bond, despite his personal feelings about it’s importance

Elain is tired of being abandoned. Through the series she is left by her fiancé and then treated as a mistake by Azriel. She wants to be chosen. But for the right reasons.

Azriel wants to be Elains mate because it ‘makes sense’. There’s lessons here to be learnt about why fate is unpredictable and how it pushes characters to grow and develop.

Eris and Mor as well as Helion and Lady Autumn will be crucial for Elucien in exploring agency, rejected mates and the limitations of the bond.

There are so many ideas that come up when discussing the concept of fate and destiny in relation to the bond which is what SJM is referring to. I don’t think the mention of rejected mates is a doom sentence for Elucien and instead offers a wide range of questions that are already relevant to their story and is due to be explored in time.

What will be made clear is that Elain does have agency over her decisions. But just as far as she’s able to reject the bond, she could also choose to pursue it. SJM would never put Elain in a situation where she has to accept a relationship without personal agency. And that is the key point.

[fountainpenguin]

Riddle watches New Wish - Post #14

Lost and Founder's Day

I do really like how the theme song flows, especially at the end where Cosmo and Wanda jump from their human disguises into fairy form.

Ooh, Founder's Day came back from "A New Dev-elopment." Continuity! I like how the title card shows us the hat that Dev and Hazel saw during their treasure hunt.

I'm gonna throw my money down on the Dimmadomes founding Dimmadelphia (or an ancestor).

skdfj, Hazel's so cute when she steals her teacher's hat.

-> Yes, it was the Dimmadomes.

I like how Dev's shades are still gone, but he's still got that smug tone of voice. But today, he has a good reason to be a bit smug for a festival his family is hosting (that his dad had to work over the weekend to pull together). This is gonna be interesting.

I don't trust any of this tech to be good (in the moral sense). Dale literally tried to promote pollution a few episodes ago.

LKSDJFSD, Dev giving out watches that do a bunch of cool technical things and this is the face he makes when he's asked if the watches tell time:

(They do not).

This is the first time Hazel's shown interest in anything related to Dimmadomes' tech (She has a phone case covering any logo and didn't know how to do the dance they apparently made) and now she's gushing over the gift Dev gave her so I'm... hm. Where ya going with this, Hazel?

Okay, so... what the HECK is going on with Dimmadelphia? I'm sure we'll get to learn the real founder soon, but all I can assume right now is that it was Doug himself, hence the hat logo. If that's true, he was BUSY during the 50 years of frozen time.

-> That WOULD justify my Buxaplenty overlap seeing as the train lines would've been crucial for this.

It's gotta be a different ancestor. There's no way Doug would be in Dimmsdale if he'd founded another city. This city's huge. I'll be watching for any indications of "established X year."

Aww, Hazel adores Dev now and is blatantly gushing over him. That's really cute. Local #1 Dev fan:

[cnt'd under the cut - #long post]

I can't believe we didn't get a "Hazel has a bone in her hair" gag when she got shocked by the tech.

omfg, Dev is so desperate to interact with his dad that he's begging to "organize merchandise by tossing boxes back and forth to each other." He's smart. Goober.

Diagnosed child who would play Catch with active TNT minecarts in Limited Life SMP. He would just do it...

Dale, you shouldn't tell your son to "Eat a lizard." That's mean.

Oh noooo, are we about to get "My dreams were crushed many years ago... How old are you?" version 2.0?

-> Note to self, Dev's birthday is 9 years, 7 months, and 14 days before Founder's Day (give or take since he says "pretty much exactly my birthday to the day, which I think implies he's doing math and decides it's the day).

Dev is 9? Lol. Didn't we already have end of the year tests in like, Episode 2? And our implied end of school year dance? Baby.

-> I double-checked and Sadie Hawkins is in November. There were Sneezy Hawkins Dance posters in Episode 1 when Hazel walked in. Those posters hung in school for multiple episodes (I'll keep my eyes out for them in future episodes), which would imply she started school in September or October (Probably not August since she was specially introduced to the class as a new student).

-> If we keep seeing the posters throughout the whole year, I'm willing to wave them off, but while planning the timeline, it's worth noting they exist, we know we're post-2019, but probably not too many years later since that was the most recent date on the gym's championship banner for a school that clearly wins sports games often ("Fearless"), and we've seen multiple waning crescent moons.

-> No snow, but not unreasonable since Dimmsdale was in California.

... I gotta say, I'm really enjoying these recent episodes, but D: Where was this early in the series when I was confused in Post #10 as to where all the underlying trauma vibes were?

We've absolutely shifted vibes from where we were when I wrote that post. Which is fantastic, but I'm surprised we didn't get this earlier. THIS is FOP vibes. THIS is what I wanted and why I was super confused by this show's tone earlier. Yeah, of course I like Dev now... He's shifting the tone back to the OG show's vibes.

I'm wary, but I've approached to eat out of the hand.

Oh no, we scene shifted before Dale could reveal the statue under the cloth. Either he's broken and we're going to see the aftereffects (following Hazel's POV where she's confused as to why he's gone off the rails and turned snappy) or he's gonna find out during the event and he'll break down in front of the crowd. Uh-oh...

...... Okay, now they're just taunting me with the moon. It can't always be a waning crescent!!

The stage looks like Doug Dimmadome.

Please tell me Dale didn't forget to add Dev's info to the ID-scanning robot.

Every time Angela is onscreen she has a new therapy book and I support her.

Wanda: Parenting never gets easier.

-> Please tell me Hazel's parents are about to ask about that and they're going to have to either backpedal or they're going to imply they've raised like 100 kids.

sdlkfj, they only cite Poof. BRUTAL.

-> Cosmo one again giving me "First fairy baby born in 1000 years." Yeah yeah, Westley Periwinkle held the title first, we all know him (/fanfic joke).

Seriously though, it's very funny to me that Poof is never, ever referred to as "first baby born after Cosmo" or "first baby born in tens of thousands of years, or hundreds of thousands." Only first in hundreds OR first in thousands. I can't believe that DANG KID is still haunting me in the new show.

-> Cosmo still confirmed to have been the pregnant parent. I'm glad that wasn't retconned (despite Cosmo's best efforts to scramble and cover up what he said by claiming Wanda was the pregnant one).

Cracking up. Cosmo, I think the neighbors think you're trans but not out about it.

Angela: Where's your son now? :) Wanda: Eh, we don't know. I mean, we forget because we were on vacation for 10k years.

Wanda, WHAT did I say in Post 11 about how you cannot leave that clingy child alone immediately after tearing him away from Timmy?? If Poof shows up and he has abandonment issues and/or clingy vibes, I'm gonna shake you both so hard.

-> Why is Marcus not calling them out for being paranormal creatures? ... That's kind of funny since Crocker would've lost his mind.

I like how Cosmo and Wanda turned their wands into lollipops for the carnival. That's cute.

Uh-oh, the statue's not been revealed yet. I hope Dev isn't onstage when this happens. (I want him to be onstage and suffer).

-> I should note that "Stanky Danky" and "Lost and Founder" are the episodes Dale lists the companies he's in charge of, and I'm pretty sure they're different. I want to make a coherent list throughout the series.

Marcus is reading his wife's book at the party, aww. They're so cute.

OH MY GOSH, their ancestor IS surnamed Dimm! I am once again thinking this implies Dale Dimm from "Which Witch Is Which?" - who founded Dimmsdale - is probably also in this family tree.

Wanda's glowing wand is adorable. They're both cute.

So, Hazel has been here long enough she agrees she hasn't "just" moved here anymore, so I'll allow the waning crescents.

Doug Dimmadome struck gold in 1953? I'll be making a note of that. I know that's after both Dimmsdale and Dimmsdale Flats were founded. This doesn't do much for me right now, but it's good to note.

-> This implies he was a teen or adult in 1953, so he's definitely not close to the age of Timmy's parents, who were 10 in the '70s. This checks out; he's got the white hair.

-> Let's say this is 2020 for the purpose of "We know we're after 2019." (2020 - 1953) is 67, and the youngest I'd be okay letting him strike gold is 10, since 10-year-olds do a lot in this show. So, he's at minimum 77 years old during this show, and could very easily be 87 or more years older (87 if he struck gold at 20), if I'm doing my math right.

And again, that's off the assumption it's 2020, which is a little earlier than I'd been brainstorming. I'm okay with this since he had white hair in the OG series, but I'm gonna have to plot out a timeline for Dale's age at some point.

Dale: /evil monologues about his plan to monitor kids' heartrates to figure out exactly what a child want. Me: Dale, have you tried... talking to a kid? Maybe YOUR kid? Standing behind you? Dev, clearly uneasy: Dad, that's so great! You get to help kids right away!! Dale: ... Help kids?

^ Me

Wait, so the drones can waste products and not get yelled at? Dale, maybe you should focus your attention in that area of your business- I think you're losing product.

Why do the drones sound so sad? They're talking like all their friends just ditched them. They're so cute.

I love how he's still wearing the big boots:

Oh no, Dev's on stage and Dale's talking about how the statue "isn't just him" under the tarp and "he can remember when this bundle of joy arrived." Yeah, Dev's about to shatter.

Okay, Wanda's clearly startled that the statue doesn't depict Dev and even Cosmo's starting to sense that something's going on in that family. You two are going to report this, right?

Aww, Cosmo misses his son.

The contrast of Dev crashing and burning while Hazel is enjoying her new hat is very funny to me. Like, we get this sequence of how happy she is and you just know Dev's having the worst day.

Dev: It's Hazel! Of course... Her well-known love of hats! /said not long after Wanda was like "Hazel, I've literally never seen you wear a hat before yesterday, what do you mean you like hats?

That's actually very funny. And cute? When did Hazel and Dev talk about liking hats? Logically, that must've been while they were montaging on the treasure hunt and posing next to those hat-shaped objects for photos.

With Dev talking about the Dimmadomes running a family business, I'd really like to see what Dev's relationship with his grandfather is. Doug was also careless about destroying childhood memories and I don't trust him to be a good dad either, but I'm curious.

-> I actually have no proof Doug Dimmadome is still alive. I wonder if he's out of the picture and if that had a negative effect on Dale, which may be why he's throwing everything into the business right now, and why he loves his boots.

-> I should check if those boots are similar to his dad's. Like, what if he saw his dad die on the day Dev was born and the boots were left to him, so that's why the boots are so important to him that he dedicated a statue to them?

POV, the dad who (presumably) pampered you for life after you'd spent 7 years of torment underground - and you don't seem to have a mother in your life so this is your only parent and only known connection to a world that isn't full of suffering - is dying on the same day your wife is in labor. What do you do?

Aww, Hazel knows Dev well enough to sense that something's up and ask if he's okay, implying they seem to have grown closer from "A New Dev-elopment" when she saw his father scoff at him and opted to change the subject instead of asking about his feelings. They seem to be doing well as friends and I like that.

-> All these crescent moons make me wonder how long it's been since that episode, though since Dale was working on the Founder's Day event on the weekend, I assume we're still in that range of time.

Dev, holding his arm when Hazel asks if he's okay: I... don't have time to get into it.

They're so cute. I love them.

-> I love the focus on Dev right now, but I hope we don't go full steam ahead into Hazel's friendship with him and she sidelines Jasmine and Winn for her new buddy and/or potential crush.

She hasn't seen her friends this whole carnival, which surprises me. Don't do it, Hazel.

What, where did Dev get those shades. He didn't have those .4 seconds ago.

Dev's going to complete his task and give Hazel's hat back to his dad and still get rejected.

OH NO, Dev is trying to lure the scanner drones away from Hazel, but he didn't tell her that so she thinks he just called her a name, mugged her, and ran off. That's hilarious. #You tried.

Dev, you have to talk to people. You can't just assume she knows what's going on. Fool.

I like how Dale also has special eyewear (VR glasses).

I like how Cosmo inexplicably thinks all the Dimmadomes have "Pickle" as a middle name. I think he said that to Dev in an earlier episode, right?

I like how Hazel saved the day by "doing what Cosmo would do" and pressing all the buttons randomly. That's hilarious.

Barry the dinosaur was at the carnival... That's great.

HAZEL'S MAD!!

As she deserves to be- that's the second time Dev regressed to calling her names. She thought they went through this, but now she's like "He's not changing and also I literally just caught his dad in an evil plot of shocking children's brains with electricity. And Dev seems to have been helping."

Yeah... This is gonna go great. Also, his cute little poses:

Oh thank goodness... We are SO BACK, baby! The fluffy episodes were fine, but NOW we're gettin' somewhere!! Time to break some hearts.

"I would hug you, but I do not have human arms or warmth." I love them.

Aww, he likes her so much. Best buddies...

I didn't know this was his phone, I thought it was a retro video game console.

Oh, it's an iPad parallel. It's got a stand and that's why it's big.

I like how my extremely specific "Ed Leadly as Dev's other grandpa" situation just keeps getting worse the more I think about it.

Little Dev: Grandpa Leadly, I learned to write my name! :) Leadly sitting among his pencils as Dev hands him a tablet he typed on instead of pencil and paper: Buddy, rising star, apple of my eye, my little angel... I will pay you 17 million dollars to never do this in front of me again.

Dad who likes flashy and long-lasting things to remind himself how far he's come vs. grandpa who's willing to massively overpay for anything he took interest in for 5 seconds; what arguments will they endure?

OHHH BOY, it's fairy assignment time! LET'S FREAKIN' GO!

It's Poof!! That is not the voice I expected out of him, but maybe I should've because he did love deep voices back in "Certifiable Super Sitter." I accept it.

Aw, he's so ready to play! This makes me so happy... That's exactly what a fairy godparent is here for- Finding miserable kids and turning that around so they get happier memories of their childhoods. That's exciting!

-> Oh, NOW I see why you guys were all messaging me about my "Poof adores his hero Westley Periwinkle and likes naming things after him" lore, sdkjfl. Ahahaha... I'm in danger.

-> "Don't Let Your Babies Grow Up to Be Pixies" Poof-Westley interactions looming on the horizon

Interesting choice to change his name? I wonder if that was done for stylistic reasons like the script. I seem to remember the OG show's scripts would say POOF in them for special effects, and I can see how that would be confusing.

Is... is this because he's trying to lie low so he can dodge the attention he was always getting as a celebrity kid? That feels right, seeing as if it was a true deadname to him, he probably wouldn't have introduced himself as Poof before saying "I changed it to Peri, like Periwinkle."

Either that or he's unclear if Dev's heard anything about him from Cosmo, Wanda, or Hazel and he wanted to clarify who he is, though that doesn't seem likely.

Huh. I'm kinda surprised Poof showed up. I know in the past, he was a controversial addition to the show and I half-expected him to be swept under the rug, though I did wonder about it when Cosmo and Wanda were talking about him earlier.

I've always loved him though and I'm excited to have him back. Return of my other OTHER son.

I'm really excited to hear him talk since his talking was limited to "School of Crock" (only at the end), "Fairly Odd Fairy Tales" (which he mostly slept through), and "Certifiable Super Sitter" (which is... unique). I've had to make up his entire personality for 'fics based on what limited understanding we had of his interests. I look forward to learning more about this version of him!

My established version of him in 'fics will take priority over new information. I'm currently still on the line of "Do I want to ignore New Wish in my canon or try to incorporate what I can?"

That said, I'm leaning a little towards incorporating, since I think I can work with most of it so far, especially if we're throwing in "Fairywinkle-Cosma family aren't strangers to time travel right now."

-> I'm not committing by any means, so don't hold me to that, and even if I do, it'll be cherry-picky.

-> One of my canons for Cloudlands AU Poof is that he's a fanfic writer, mainly for a series called Ninja Cowboy (which he chronically leaves unfinished, to Foop's distress since as Poof's opposite, he's addicted to finding out their endings). He also writes Anti-Cosmo x H.P. fanfics because it's the only thing that makes them back off when they show up to bother him.

Point being, I hope he gets to engage in Prime Meridian with Dev. I feel like they'd enjoy writing 'fics together and it would be funny to me :)

-> I'm wheezing on the floor. Poof's early concept name was Dusty. Even though the writers wouldn't have reason to know that was his concept name, it's funny to me that his name was changed to something that's also not that. The man of as many names as voices he can mimic...

That works really well for me since I named his younger brother Dusty, so that would've caused me problems.

I also gave Poof a mullet / ponytail in my teen design, so that makes me laugh. Lemme see if I have his ref sheet...

I do! Plus a bunch more from my files:

Looks like I gave him a tuft kinda close to his extra hair strand! That's fun. I wonder if New Wish Poof also likes sports. Hmm...

I'm gonna have to look up what era suspenders were popular. I specifically designed my teen/adult Poof with a late 60s / early 70s vibe since Cosmo was said to have been designed for the 50s, which is the time period parallel I was treating Fairy World in during that era too (hence Poof's blog tag being #purple hippie dragonfly, which I'm not planning to change because it's for me).

Exciting! I like Poof's staff. I've seen people do adulthood designs for Foop with a staff, but Poof's a new one. That's fun.

Alas, no freckles... but that's not gonna change in his Cloudlands AU design. We are "biological queen bee" all the way here.

Hmm. Foop has freckles, but... we'll see if he ever shows up in this series. I do not expect the artists to remember his freckles since they only showed up when he puffed his cheeks or flushed, but... if Foop shows up without his mustache and goatee, I'mma have questions.

Actually, this is perfectly fine because I always draw gyne fairies with pale freckles unless they're at their peak, and I already set Finley up as more dominant than Poof at school (with Finley suppressing his pheromones so Poof's "locked down" anyway). It looks like they're pretty faint in his ref sheet too. I'm satisfied with this.

No promises I'll work the Peri arc into my canon. I think I have room for it to exist and I don't think I've seen anything in New Wish that directly conflicts with Cloudlands AU in a way I can't work around, but I'm not likely to write 'fics for New Wish right now.

-> I'm not opposed to incorporating New Wish prompts into the 130 Prompts series IF I find any old drafts I end up not liking, but I did a deep clean in early 2023 and got rid of ones I didn't like, so I'm not sure.

I did sketch Hazel for a potential arc cover though, so I can use that if I have reason to.

So far, as long as I can find a satisfying way for Poof to age, I think I can swing New Wish around to fit with Cloudlands AU... unless we get something super specific like Poof-Peri already graduating high school or Cosmo and Wanda confirming they won't have godkids after Hazel, in which case I'll have to ignore that.

I can even work things around if Peri's not with Goldie, because their whole thing in Cloudlands AU is celebrity drama and dating life struggles anyway (iirc, Foop even told readers that Poof and Goldie keep splitting up and getting back together).

-> I've always suspected Poof would get special advance godkid permissions seeing as, y'know... Jorgen literally made him trial test Crocker's Mom as his "godperson assignment" in "Fairly Old Parent," plus Poof was getting on-the-job training his whole life. It's neat to see him!

I hope Poof's better at not burning himself out now. He looks like he's doing okay. He's grown out of his shell!

-> According to my timeline, Erg was Cosmo and Wanda's trial kid while they were still in high school, so it would totally work for me if Dev is Poof's high school assignment.

I'm not expecting that to be stated, but I can work with it.

Thanks for joining me in this liveblog! Looking forward to more episodes :)

[mcdonaldsplayground]

| actually the worst | part 3

ao’nung x f!reader

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | bonus part

summary: your relationship with ao’nung has become complicated, to say the least. every second you spend near him makes you hate him even more, but it’s hard to hate someone when they can’t stop touching you. however, things only seem to get worse when a fight breaks out and you get hurt.

includes: enemies to lovers, swearing, teasing, fighting, ao’nung being rude😤

word count: 3k

a/n: i’m sorry i did not think this was going to have so many parts, but i think i gotta just keep writing until it feels finished🫡 also pls lemme know if you want to be added to the taglist for this series:) i hope i already added everyone who asked in part 2

“[Y/N], hurry up!” Tuk whined, dancing around the entrance of the marui as she waited for you. You sighed, cracking one eye open.

“So much for napping, I guess.” You began to get up, stretching out your limbs, taking as long as possible.

“You said you would walk me to the beach for lessons! We’re going to be late!” Your sister frowned, crossing her arms as you continued to drag your feet. The truth was, you were putting off going to lessons. You hadn’t seen Ao’nung since the ilu riding incident and frankly, it had been relaxing. He had apparently been too busy with his warrior training for the past week, but Tsireya said he would be joining you all again today. Tragic.

“Tuk, maybe you should just tell them I’m not feeling well.” You tried, giving her a hopeful look. Of course, she wasn’t having it.

“I overheard you and Kiri talking this morning about the reason why you don’t want to go…” She started, the beginnings of an evil grin showing on her lips. “It would really be a shame if I had to tell Ao’nung that you’re scared of him.”

“I am not!” You exclaimed, mentally kicking yourself. “He’s just an annoying pest is all.”

“Then there’s nothing to worry about. Now, let’s go!” Sometimes you wondered if she was really your younger sister with the way she manipulated you and your siblings. Most of the time it was funny, but today you were irritated.

“You have no sympathy, woman.” You shook your head, watching as Tuk grinned triumphantly and began skipping outside.

The short walk to the beach consisted entirely of Tuk skipping and humming a little tune while you ignored her and went over the best plan for avoiding Ao’nung. You decided that avoiding eye contact was crucial to ignoring him. At least then you wouldn’t get that stupid feeling in your stomach and you could maintain some sanity.

“Look who decided to join us, how kind of you!” Kiri chirped teasingly when you and Tuk finally approached where they were waiting on the beach. You felt a little bit bad considering they had probably been waiting a while, but didn’t dwell on it long when you noticed Ao’nung and his signature cocky smirk staring right at you. You made a point of looking away, focusing on Tsireya instead.

“Sorry, Reya. I wasn’t feeling well earlier, but I think I’m okay now.” You apologized, though you knew what you had said was pretty much the exact opposite to how you currently felt, especially when Tuk decided to pipe up.

“Yeah, I’m pretty sure [Y/N] felt sick because Ao’nung is-” She didn’t get to finish as you cut in hurriedly.

“Um, what are we doing today?” You didn’t miss the surprised expressions everyone wore, you just silently prayed they would gloss over it. Unfortunately, the last person you wanted to hear from spoke up.

“No, what was she going to say? That you felt sick because of me?” You continued to avoid looking at the boy, but you could practically hear the smugness on his face. You realized that the only way out now was through.

“Yeah, I was telling everyone that I think looking at your face triggers my gag reflex.” You watched the others’ reactions instead of Ao’nung, hoping your refusal to meet his eyes was annoying him.

“Funny. I was just thinking about how much your freaky forest face-”

“Don’t finish that sentence, bro.” Lo’ak cut him off in annoyance, though he was grinning at the bickering. You felt relieved, but still pretty tense. You had come to believe that was just a side effect of being near Ao’nung. Oh, how you longed for last week when he wasn’t around.

As the tension lifted and everyone started getting in the water, Lo’ak nudged you, grinning.

“Can’t you just get along with him?” He asked and you cocked an eyebrow.

“That’s rich coming from you. You hate him just as much as me.”

“Yeah, but I don’t have a crush on him.” Lo’ak cackled as your jaw dropped, nearly going into cardiac arrest.

“What! I- You- I do not have a crush on him, Lo’ak!” You hissed, glancing around to see if anybody could hear you. Luckily they were preoccupied underwater.

“Whatever you say, [Y/N].” Lo’ak shook his head, still chuckling as he dove underwater, leaving you seething.

While everyone practiced diving and swimming around the reef, you couldn’t stop thinking about your conversation with Lo’ak.

He was wrong. How could you have a crush on someone whose lights you wanted to punch out? His entire being made your nerves jump and your heart race because you hated him. Yes, Lo’ak was wrong, and you were going to prove it.

Well, you were going to prove it later when you weren’t so out of breath. You surfaced for the millionth time that day, breathing hard from trying to push yourself to stay down longer. Beside you, Neteyam and Lo’ak were in a similar state. Only Kiri seemed to be adapting well, but even she couldn’t stay down half as long as the Metkayina. You were about to try your hand again when Tsireya popped up, followed by Rotxo and Ao’nung. You silently groaned.

“This isn’t working. You have learned nothing.” Ao’nung jibed.

“Yeah, no offence, but you guys kind of suck at this.” Rotxo laughed, sharing a grin with his best friend. You huffed.

“I think we should go back to the basics. We can do some breathing lessons outside of the water to build up your endurance.” Tsireya explained, smiling encouragingly.

“Breathing lessons?” Ao’nung snorted. “That is how babies train.”

“Perfect for you, then.” You muttered, turning to follow Tsireya back to shore.

When everyone had been rounded up on shore, you all sat in a circle amongst the greenery. It would have been relaxing, except for Ao’nung, who chose to sit directly beside you. The close proximity reminded you of how his touch had felt on your skin, how he radiated body heat despite being in the water most of the time. The thoughts made you want to reach over and strangle him. The only good thing was that being beside you made it easier to avoid his gaze as you kept your eyes straight ahead on Tsireya.

She began to teach you about some breathing techniques, like how it was best to breath deeply from the abdomen rather than your chest. When she mentioned the importance of relaxing and slowing your heartbeat , you had to force yourself to forget about the infuriating presence beside you, which was proving difficult. Your heart beat was decently slow, but you were tense and very aware of your surroundings, like how Ao’nung’s knee was mere inches away from your own. The space between you felt charged with energy and it seemed to transfer onto your skin.

“Here, breathe from here.” You heard Tsireya say gently, and you cracked your eyes open. She had placed her hand across Lo’ak’s abdomen in an attempt to get him to breathe correctly. After a moment she said, “Lo’ak, your heartbeat is fast.”

You immediately shared knowing looks with your siblings, chuckling to yourself at how hard Lo’ak was trying to remain calm and nonchalant. Tsireya’s small smile convinced you that she knew what she was doing, making you silently laugh even more.

“What are you laughing at, skxawng?” You heard from beside you, and it took some effort not to turn your head toward him and make some snide remark.

“Nothing.” You replied blankly, trying to focus again on breathing.

“Nothing?” He breathed, quiet enough that only you could hear. Then, without warning, his warm hand was pressed firmly but gently on your abdomen, nearly sending you to Eywa. You froze, afraid that if you moved it would bring attention to the two of you. Your whole body shivered at the sensation of his touch, quickly warming as if a fire had blossomed right where his hand sat, calm and steady.

“If you don’t breathe sometime you’re going to pass out, forest girl.” His voice dripped with amusement. You seriously contemplated just passing out instead of giving in, but eventually let your breath out, making sure to remain quiet. “Your heartbeat is fast.” He mimicked his sister’s words and you could see the shit-eating grin he wore in the corner of your eye. You heartbeat was, in fact, fast. Fast enough that you briefly worried the others might be able to hear it.

“Do I still make you sick?” He breath fanned across your neck, and you couldn’t take it anymore. You stood suddenly, nearly knocking the boy out. Everyone’s heads snapped toward you, looking concerned.

“I’m actually not feeling well.” Your words rushed out quickly, not even bothering to wait for any response before you turned and walked as quickly as possible away from the group. It took everything you had not to break into a sprint.

“What the fuck?” You muttered to yourself, rapidly trying to process what had just happened.

Kiri found you sitting on one of the giant mangrove roots that was tucked out of sight from the village. It had only been a few minutes since you had rushed away, and part of you wanted to tell her to leave you alone for a while longer. However, when she sat down next to you, it was a welcome comfort.

“What happened?” She questioned, searching your eyes as if they could tell her the answer. You just shook your head, attempting to clear it before you spoke.

“Something is wrong with me, Ki.”

“What do you mean?” She had a way about her that made you feel entirely safe to say anything you wanted without fear of judgement. Kiri was not usually so empathetic, but the two of you had a deeper understanding of one another. So, you explained everything to her. How you despised Ao’nung and his arrogant remarks. How much it frustrated you that you didn’t have a good reason for hating him. And of course how odd he made you feel when he looked at you or touched you.

“So what I’m hearing is that he’s touching you without your consent?” Kiri finally said, breaking the heavy silence that had set in after your explanation. You snorted at her fake serious face, already feeling a little better.

“If he was, he wouldn’t have arms anymore, probably courtesy of you, Lo’ak, and Neteyam.” You chuckled, imagining how that would play out. “No, I mean, I think what bugs me about when he does that is that I actually don’t… hate it?” The last words felt sour on your tongue, making you regret them almost instantly. Thankfully, Kiri had the courtesy not to laugh at you.

“So you like him, then?” She asked and you whipped your head back to stare at her.

“No, of course not! I’m just not used to male attention like that. He’s using it against me because he thinks it’s funny. He’s arrogant, and stupid, and I would honestly rather eat sand than talk to him longer than five seconds.” You finished, hoping you got your point across well enough. You couldn’t tell if Kiri was buying it, but everything you said was true. That boy was a pain in the ass.

A few weeks later, you and Kiri were using your free time to mess around on the beach. Things between you and Ao’nung changed since that day during breathing lessons. You had decided to stop acknowledging him and his goading remarks, to his chagrin. When he would make a snide comment you would either ignore it or respond civilly, clearly frustrating the boy. In response, he had become crueler and crueler. At this point, he was a terror, someone to avoid at all costs.

This sentiment ran through your head as you looked up and saw Ao’nung and his terrible friends approaching your twin, who was blissfully unaware as she stared down at the sand under the water. Feeling protective, you quickly made your way over, trying to hear what they were saying.

“She’s just looking at the sand.” One of them remarked, followed by a few barking laughs. Before you could make it all the way over, Kiri seemed to notice them standing above her and started to stand too.

“Hm? What’d you say?”

“Are you some kind of… freak?” Ao’nung questioned, deliberately flicking his gaze up to lock with yours as you came to stand beside Kiri. There was a pause before Kiri sighed and began to walk away, you in tow.

“No.” She said, looking at the ground. Your fists clenched.

“Are you sure?” He taunted, clearly not content to let the two of you off so easily.

“She said no, dipshit.” You couldn’t hold back, replying in your usual manner for the first time in weeks. Something flickered in Ao’nung’s eyes and his smirk widened. He suddenly reached forward, trying to grab your hand.

“You’re not even real Na’vi. Look at these hands.” He managed to grasp onto your wrist, pulling it towards him in a surprisingly gentle manner. His tone didn’t match. “I mean, look at them!”

“Hey!” Lo’ak appeared from the trees behind you, looking pissed. “Back off, fish lips.” Ao’nung grinned, releasing his grip on you. A ring of fire blazed along your wrist and you tried to shake it off, annoyed that he still had that affect on you.

“Oh, another four-fingered freak!” Ao’nung exclaimed, laughing as he and his friends continued to mess with Lo’ak.

“Leave us alone!” Kiri said forcefully, eyes darting nervously between Lo’ak and the other boys. Thankfully, Neteyam came stalking over, shoving Ao’nung away from the three of you.

“You heard what she said. Leave them alone.” His voice was calm, demanding. Pride swelled in your chest at your older brother, always the protector and mediator. One of Ao’nung’s friends tried to step in, but Ao’nung pushed him back, clearly trying his best to look like he wasn’t afraid of Neteyam. “Back off, now.”

There was a stretch of tense silence before Ao’nung finally took a step back, holding his hands up in mock surrender.

“Smart choice,” Neteyam said. “And from now on, I need you to respect my sisters.” A few of them hissed at his words, but allowed you all to turn and start walking away. Before you followed, you stuck your tongue out at Ao’nung, earning a scoff and a glare from him. You knew it was childish, but you couldn’t help it. After all, you had been civil for over a week, which was torture.

As you walked off, you could hear the boys giggling and continuing to talk shit. Beside you, Lo’ak paused, deciding to turn back around.

“Lo’ak!” Neteyam hissed, but it was too late.

“I got this, bro.” Lo’ak held his hand up, slowly making his way back to face Ao’nung. “I know this hand is funny,” He wiggled his pinky. “Look, I’m a freak. Alien.” The boys snickered. “But, it can do something really cool.” Lo’ak continued talking, but you mentally groaned, knowing where this was going. Before you could say anything, Lo’ak had punched Ao’nung, hard. “It’s called a punch, bitch! Don’t ever touch my sister again!”

Next thing you knew, Ao’nung was tackling Lo’ak to the ground, his friends joining in on what you were starting to think was going to be the beat down of the century. You and Kiri shared a look as Neteyam scratched his head, resigning himself to joining the fight.

“Stop it, stop!” Kiri called, exasperated.

“This is so stupid,” You muttered, growing a little worried as you watched your brothers in the outnumbered fight. Gathering your courage, you decided to step in when Lo’ak started getting hit a little too hard in your opinion. “Can you guys just stop before someone gets seriously-” You didn’t get to finish your sentence before you got an elbow to the cheek from one of the guys punching Lo’ak. It was obviously not on purpose, but everyone stopped, silent for a moment as you hissed in pain, frowning.

“Okay that’s it-” Lo’ak was about to go in for another punch before you aggressively tugged him away.

“No! No more fighting!” You barked, marching Lo’ak steadily away. “Stupid boys acting like stupid mongrels. I can’t believe I just watched you all be so stupid, and for what?” You muttered angrily, mostly to yourself.

As you and your siblings walked away for good this time, you glanced back at the Metkayina boys. You thought maybe they would be laughing, but to your surprise, Ao’nung appeared to be scolding the boy who had accidentally hit you. You stared for a little too long because Ao’nung seemed to feel your gaze and looked up, meeting your eyes. It was unsettling to see his usual smirk replaced with worry.

taglist:

@luvlykrispy @foreverfolkloregirly @findingourtreasure @tiddybiddy @nao-cchi @goodiesinthecloset21 @elegantkidfansoul @azaleaniath @cloakedvengeance

[luniviravosshipper]

I really want to be supportive of the creators of this show. I really want to hype up the release of this new season. TDP has a bit of smaller fanbase than most shows like it and I want to show and share my love for it as much as I can. I especially don’t want to seem too negative or critical of minor details and flaws within the new season the day it gets out.

But honestly… I know I might still need to sit with my thoughts for a little bit longer so I can properly digest them, but I have so many thoughts overall on how they wrote Viren’s arc that I feel the need to share. And let me just say, plain and simply, I was not a fan.

I just have… so many mixed feelings regarding it.

Look. I understand why they made certain choices. I think it’d be really interesting to go back and analyze those choices. And obviously they had specific intentions in mind by making those choices. But do I still agree with those choices? No. I’m just going to put that there bluntly. I do not.

And, before anyone makes assumptions, no, I’m not complaining about him not being redeemed or forgiven. That’s not the part that rubs me off the wrong way.

Sure, I have other criticisms too for the season, but I feel like I can wait to share those. But with Viren, I’m kind of actually trying to resist the urge to post a whole tangent listing my complaints with how his arc was handled. I might be a little bit biased because he is my most favorite character in the entire series, but I also think that he plays a crucial role in the show as he used to be one of the main antagonists and there’s a lot of reasons I can think of how they could’ve handled his character arc in a way that would have honored his role more.

But mainly, I’m just wondering if anyone else shares this sentiment or a similar one? I don’t know if my takes on Viren’s arc will turn out to be controversial or not.

I might actually make an elaborate post explaining my thoughts on his arc more coherently later. Again though, I still need to process and evaluate my views on it for me to finalize any of my opinions.

[mathewton-cl]

As An IzuOcha Shipper…

…them not ending up together isn’t the problem.

Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.

Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.

Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.

But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?

Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?

…see, this isn’t even a shipping problem anymore. This is a character problem.

Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):

1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.

2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…

I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.

Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.

I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.

[redjadethewriter]

My take on Blank The Series:

Age Gaps, GL, and Trauma

To make a slow-burn romance interesting to watch, especially with age gaps, regarding WLW relationships, we need many elements.

First, we need a decent cast pair. Second, we need believable performances from the actors who play these complex emotional characters. Third, we need drama. We need a reason behind each action and dialogue exchange between the characters. This is where the story becomes important. We have the characters' story and the plot of the major stuff going down. The back story of the two main characters is the most important to flesh out more than the side or supporting characters.

I'm just going to say it: I'm impressed by the performance of the two actresses who gave life to these characters.

Lately, I've had several coronaries because Thai GL has turned me into a Junkie for their content more than my own countries' versions of sapphic relationships. And they are making age-gap relationships so much more compelling to watch.

The premise is as basic as it comes in terms of story arcs. Actually, I agree with some people that "Blank" and "Gap the Series" were gender-swapped stories. Usually, a wealthy older man falls in love with a young girl. So, now we have an older prominent woman falling in love with the young girl instead, but they made it more tender and somewhat light-hearted. I understand this is an adaptation of a naughty novel, which is fantastic. I write naughty, too. But the series is more tasteful. It focuses more on the crucial aspects versus the naughty.

By the way, I enjoyed the playfulness in both the shows. It's nice to have playful flirting involved versus extreme seduction right out of the gate. Both shows remind me how a romantic relationship or even pursuing a special someone can have a silly, playful approach. It doesn't have to always be serious and get to the sexy stuff. As an older Lesbian, I have a similar playful nature when I'm allowed to express it. Thus, I feel for the older characters willing to become playful with their much younger romantic partners.

However, there's one thing I can relate to since I'm in my late 30s. Is the extreme insecurity of being romantically involved with someone younger than you? In Blank the Series, the age gap difference is 16 years. I'm glad they raised the age bar because it would've caused a lot of issues.

It's funny because I was the girl in my early 20s who hooked up and dated older women in their 30s. The age gap was not 16, but 13 years between me and the older women I had short-term relationships with. So, watching the interaction between Khun Nueng and Anueng, oh my gosh, right way, I thought Khun Nueng was in trouble in so many ways.

Now that my position in life has switched and I'm a similar age to the women I used to date, I understand the complexities they went through. You just only know once you experience it for yourself. Insecurities around age are an enormous factor in reality and in this story. More than the woman loving women aspect or even the drama of others accepting the relationship. Really, the destruction comes from the older woman who can't deal with falling in love with someone younger than them. When you sprinkle trauma on top, with a side of keeping a facade or reputation, it can get chaotic super fast.

Not only did Khun Nueng become attracted to Anueng quickly, but she couldn't resist turning Anueng away, no matter what. The actress performed those rigid responses really well because, in reality, I would have to visit a chiropractor to break my body. The tension alone of repressing my desires would turn me into a ball of knots. Especially if I had no willpower to turn away the person. Ugh... I don't even wanna think about that. Because knowing my karma, something would put me in that position in life. I even resist dating any women in their early 30s. In the late 20s, I will say to the sky, "F***...Why me?" I'm like that anyway each time I fall for a woman. "Oh, f***...Why me?"

I have to sprinkle some satire on this topic because I can already see that the root of every decision and action Khun Nueng makes is based on that insecurity. Internally, she doesn't want to believe Anueng when she constantly says she only wants to be with her and loves her. It doesn't matter how often it's said; it is something that Khun Nueng must overcome regarding age-gap insecurities.

In the ending scene of episode 6, I reacted, "You totally just wanna keep piling on the torment, don't yah?" It's clear throughout the six episodes that she's in love with the girl. She can't even admit that she gets jealous. And oh my gosh, older adults' actions regarding jealousy are more diabolical than younger people. Actually, the older you get, the more sinister it gets. The passive aggressiveness turns up. Believe me... The sky is the limit on tactfulness and mind-f***ing when women get vengeful. Oh, my gosh... I still love women, regardless. LOL! Sweet as poison.

Khun Nueng's stoic demeanor is just a mask. She represses her emotions and vulnerability. Khun Nueng abides by stoicism, which rarely benefits emotional growth. We witness this when she refrains from showing anyone her weakness, so she doesn't cry in front of people, even at her grandmother's wake. When she finally ends up alone and breaks down, Anueng shows up, and Khun Nueng feels safe enough to break down in front of her. Which is hard to do that. I also have a stoic facade, so I recognize that bullshit a mile away, and I know exactly how hard it is to repress grief. Once it erupts, it hurts like hell, but I knew Khun Nueng was fully F*** because there's really no turning back with that kind of intimate exchange they had.

I can't wait for season 2 to see how that bites her in the behind.

Obviously, I don't want Khun Nueng to suffer anymore, but through her mistakes and emotional and mental anguish, she will learn what or who is truly important to her because she's dumb. Just because we are in our 30s or late 30s doesn't mean we are free from stupidity. She definitely needs to make better choices and stop playing so many mind games to protect her ego. She needs to learn to be more upfront about her feelings and wants.

Hopefully, we get that.

I have faith they will.

[pinenutposts]

I am old enough to have watched Twin Peaks on tv in its original run (I was a child, mind you, but I did catch a few episodes of season 2 while my mom and stepdad were watching it.) I didn't see the entire series until it was re-aired on Bravo when I was in high school. I also read the Secret Diary of Laura Palmer by Jennifer Lynch (very eye opening for a relatively sheltered girl like me, and also crucial to understanding the show from Laura's perspective, before FWWM existed). I subscribed to the legendary fanzine Wrapped in Plastic by Craig Miller and John Thorne, through my local comic book store. I read alt.tv.twinpeaks. I read theories and news on websites like Glastonberry Grove and Mike Dunn's Lynchnet. I asked my dad to buy me the book of essays "Critical Approaches to Twin Peaks" from Wayne State University Press, and was introduced to things like Foucault, Critical Theory, and Feminist Theory, while my little teenage brain was just entering college and starting to work out what "critical thinking" even was. I obsessed over David Lynch and his art.

Why I mention all this, is that I think having been this type of fan for my entire adult life, and my formative teenage years, I'm able to hold several different and sometimes contradictory opinions about Twin Peaks and its creators, and more importantly, I'm able to enjoy wildly varied aspects of the show and fandom, all at the same time!

When I first saw The Return in 2017, it absolutely repulsed me. I hated it. Then last year I picked up "Ominous Woosh - A Wandering Mind Returns to Twin Peaks," by John Thorne, the only currently living editor of Wrapped in Plastic, and it opened my mind to understanding The Return in a way that I wasn't able to before. I'm not saying it's the definitive explanation (and he certainly does not claim that), but it helped me see it in a way that I just couldn't before, and even begin to enjoy it. There are still parts of it I deeply dislike (just like there are parts of the original series I deeply dislike), but that's okay. Twin Peaks is not a one size fits all. It can be approached from many different viewpoints and readings, and as David Lynch has said about all of his work, everyone will have a different experience of it based on their own experience and perspective. My views of Twin Peaks, including who I ship and don't ship, have certainly changed over the course of three decades!

I would like to encourage people who become frustrated and disappointed at the turns the show takes, and how the third season feels vastly different from what came before, to consider the history of the show. What happened with the network, the actors, Lynch's movie career, when it was made, why it ended when it did. And of course The Return doesn't look or feel like a show made in 1990! It's 25 years later! Lynch and Frost are old men now! Half the cast is dead! It would be absurd if it seamlessly picked up where season 2 (which was a jumbled, but still lovable mess, itself) left off. There's no way it could.

If season 3 had been allowed to be made as originally planned in the '90s, it would look vastly different than The Return. I will forever mourn what could have been, but that's the stuff of fanfiction now. Also, we may not have gotten the masterpiece that is Twin Peaks: Fire Walk With Me, which I consider to be the creative and emotional pinnacle of the series, and absolutely critical to having a full picture of what Twin Peaks is about, if the show had continued. Just food for thought.

I'm also an advocate of simply ignoring things if you really don't like them. There's no reason one has to accept The Return, or even parts of season 2 as part of your own personal headcanon. As the creators will say, there really is no definitive "canon" in the Twin Peaks universe!

I don't really know what the purpose of this ramble was, but I felt like going on about it because Twin Peaks has been my "favorite song" for years, and I'm always thinking about it in one way or another ^_^

- Pine Nut

[fordtato]

YES. So I'm not the only one that has MANY things to say about Return to the Bunker. I was super hyped up for this this before, but then for the whole 32 minutes of watching I was like "...are you even serious? c'mon!"

This thing felt less like a Gravity Falls episode and more like a big Ford Hate Party. Wtf?! He had a few interactions with Mabel in the series, but literally ALL of them were positive, since she never talked about her issues directly to Ford (not trying to blame her, I love Mabel with all my heart). And here Ford's straight up a huge ass to her. Not wearing a sweater in the summer (HE LITERALLY DOES?!), telling her in the face he doesn't trust her, acting like spending any time with her is wasteful and a scar on his honor (?). Dudes, did we really watch the same Gravity Falls with the same characters? Ford can (and is) be dramatic and too serious sometimes, but he's also silly, fun and adventurous! And it's SHOWN in the series! And he loves the twins more than anything!

But let's get to the thing I have the biggest problem with. The way Ford's trust issues were treated. Guy's been through hell and back. Every person in his whole life that was his close friend, ended up stabbing him in the back (from his perspective). He literally spend 30 years all by himself, FORCED to trust only himself, because trusting someone else might have ended up in him being dead. Now he's barely back home, everything is new and complicated and dangerous, there's the rift, there's Bill being a huge thread, there's his relationship with Stanley, there's his house turned into a mockery of the only thing he was ever proud of, AND this guy still stays relatively calm and collected. Now you're also expecting him to suddenly forget about 30+ years of trauma he experienced and trust people he barely knows (Soos, Wendy) with his worst fear?! And you're punishing him for being jumpy, terrified and paranoid, when he has all the reasons to act such way?! And what's with the scene when he gets on his knees and in teary tone admits that just a sad, lonely boy, but now thanks to Mabel and her friends he might change? Like, sir? Are you the Ford Pines we know? Pre-weirdmageddon afraid-to-his-death prideful and emotionally withdrawn Ford Pines? And then he "learns" absolutely nothing AND ERASES THEIR MEMORIES WITH A MEMORY GUN?? WHAT THE FUCK? I barely forced myself to watch until the very end, because I wanted to scream. You think that Ford, WHO IS A VICTIM and was against the memory gun for most of his life unless absolutely crucial, who had to erase his brother's whole personality and the only reason he remained relatively sane after that was because said brother's memories were brought back, would EVER erase memories of his own twelve year old niece and her friends, RIGHT AFTER BEING ALL OPEN HEARTED and admitting he was wrong?! I can't. I'm sorry. I got all emotional.

Mabel's not really Mabel. Ford's definitely not Ford. Stan was... well, weird, but I could maybe go with that? The B plot was better anyway. The only one that remained more or less close to their canon characterisation was Soos. Even McGucket didn't really click.

ALSO. Ford's relationship with Fiddleford in this one. Wtf. Ford, who mourned what happened between him and his former best friend for years, who had a fucking "I'm sorry Fiddleford" as one of his thoughts on mind reading machine, and who, after seeing him for the first time during Weirdmageddon was all regretful and sad, in this episode is, again, an ass to him?! And their meeting, for the first time in 30 years, is not really a big deal? Ooof.

I'm angry. I didn't like it at all and I thought I'm the only one, because all of the comments are so happy and enthusiastic. I'm glad I'm not alone. It's really not good. Well, it had good moments. I laughed REALLY hard during that dating show with the shapeshifter and a few jokes had me chuckling, and, as you said, the art is really great and you can see all the time and passion that went into it. But the plot itself... I guess it's supposed to be canon complaint. It makes it even worse. The writers really hate Ford, don't they? Eh.

Sorry for the dump. I don't know what's gotten into me. I was so excited for it, a beginner's mistake, I guess.

It felt, personally, like the writers greatly misunderstood (or did not interpret from series as I did) which qualities of Ford, Mabel, McGucket and Soos made these characters loveable and made the show work.

The script of this fan project, at times, seemed specifically antagonistic to the source material, to these characters, and to the motivations these characters held.

I am not trying to shit on something people loved, but I did not enjoy the writing at all.