#am I still brainrotting over these two? …perhaps
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peachie-paradox · 2 years ago
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Self indulgent OCxCanon scribble,,, Am I cringe? Who cares. I will put them in my mouth anyways
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primofate · 11 months ago
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3 am brainrot
Soulmate, but Genshin Impact Style
Warning: angst (lots of potential to be fluff and comfort ending tho)
Vision "resonates" with each other and a thin red line connects your vision to their vision
Thin red line disappears, frays, or splits off when something is wrong with the connection or the other person
You can use their element and they can use yours. If you are the same element it provides an elemental increase.
Element exchange also stops or weakens when there's something wrong with the connection or the other person
There's a kind of "sixth sense" activated wherein you can kind of feel each other's psyche
Imagining what it would be like for power hungry Scaramouche to find out he has access to another element. Meets a complete stranger and suddenly he's stronger. Starts to keep you close only for that reason, doesn't care much about your well being in general. Then finding out that he can STILL use your element even if the two of you are far apart. You part ways rather abruptly, and he's not sure how long it had been when the red line starts to fray and his access to your element starts to dwindle. He doesn't think much of it, but day by day it gets weaker and day by day the red line disappears a little more. A sudden sense of "If that line disappears I won't ever be able to follow it back to y/n" so he starts following it. He doesn't really notice there's a sense of urgency in him, he tells himself its only because he wants the power back, but when he rouses from a short rest to find that the red line is gone... why does it suddenly feel like he's all alone again?
Imagining characters like Xiao, Cyno and Alhaitham who completely rejects using your element. They don't need yours. They are just fine and all is well using only their own. In a sense they take pride in what they have, and doesn't really care for what power you can give. They aren't interested in maintaining a relationship with a stranger either, because, what for? However, you're slightly persistent in at least getting to know a little about them. Just a tiny bit. But that tiny bit is enough to push them to tell you he's not interested in any kind of chit chat, that he's busy and needs to focus on other things. So you turn away. Out of curiosity one day he tries to use your element. It strangely gives him the feeling of warmth. Like someone's protecting and watching over them (and for someone who always does the protecting, this is a big deal). One day, the line breaks off, there's a clear split and he wonders if all is well. He follows the line back to you, and finds out that you've been spending a good amount of time with someone else. Someone who you smile at very brightly, and someone who is interested in getting to know you. What's he to do? This was his doing. So why does he feel like coming over and snatching you away?
Imagining characters like Diluc, Neuvillette and Wriothesley, astounded but somewhat pleasantly surprised by the discovery. He neither rejects you nor accepts you, but feels a sense of responsibility over you just because of the connection made. But because they have their own things to be busy with, they don't exactly actively seek you out or have the time to check in frequently. Perhaps it's a monthly thing, following the line and looking for you. There's a relationship that looks like the beginnings of friendship. A little awkward, asking questions and fumbling for more questions to ask. Still, something builds, and just when the ice is about to break between the two of you, he follows the line...and somehow ends up out in the wild. Your vision is buried next to a tree, for a moment he's struck with panic that he would find your body buried, but judging from how the red line was still intact, you were most likely safe somewhere... however, he would never see you anymore, nor know the reason why you decided to hide. All of a sudden he wished that he had more time. He doesn't know whether this situation was comforting or concerning. He has you in the palm of his hand, but never close enough to fill the empty gap.
Imagining characters like Zhongli, Dainsleif and Tartaglia, who, despite their appearances is instantly intrigued by the connection. They don't need the additional power, but they keep the connection anyway because they partly feel that destiny is something you can't change. The closeness between you two easily grows and here is when you first approach him with a favor.
"Can you help me with something?"
"Of course. Would tomorrow be a good time?"
There's a bit of a pause on your side. "Tomorrow..." and its as if you look up at him with more sparkle in your eyes than usual. "...Yeah. That'll work. Thank you," the way you say thank you is so sincere and loving it almost brings him to a joy he hadn't felt in a long time.
He woke the next day. The connecting red line was nowhere to be found.
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pookieace · 6 months ago
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you belong with me
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✰ . . . bridgerton au, gojo is meant to be a viscount, fem!reader / fem!pronouns used, secret relationship kinda???, mention of arranged marriage, secret meetings (no cheating though) fluff & smut, fingering, ooc gojo idk he’s lovesick and shit, kinda olden day language that i don't think is 100% correct but idc the brainrot is too strong at this point for me to care therefore you shouldn't either <3
✰ . . . 2.5k words i don't know how we got here
✰ . . . i uhhhh binge watched bridgerton in less than a week and i am having the most scandalous thoughts and scenarios about it.. like i am vibrating at the speed of light waiting for the second part to drop tonight LMFAO this is just pure word vomit and brainrot and it's probably shit because i don't remember the last time i sat and wrote smth this long... but oh well !!! i also SUCK at titles thanks taylor swift for having this song
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Satoru Gojo loves a good thrill. The thrill of betting his money on horse races or boxing matches. The thrill of playing pranks on the maids or the cooks. The thrill of having all eyes on him as he walks into a room. He knows everyone will stare considering his wealth and the status of his family but it still feels good, feeds his ego. His favourite thrill however? The one where he meets with you in secret. Just thinking about sneaking away from the public eye, trying to find a quiet place where you two could have time alone, where you could kiss and touch each other, sent goosebumps all over his body. It excited him.
You're not sure why you let him coax you into it though. As a lady, you should be prim and proper, present at the balls or social gatherings. You're meant to be talking to your friends or making conversation with respectable suitable gentlemen, or in the midst of getting courted. Perhaps it is because Gojo Satoru is a breath of fresh air in such a repetitive lifestyle that you keep sneaking off in the middle of the gatherings to see him, and it's certainly no different tonight.
In the middle of the ball, you see Satoru’s tall figure slip past a group of people and off into the shadows. To avoid being seen as suspicious, you need to wait a few moments before you too find yourself following after him. The minutes of waiting around feel like hours however, your feet are itching to just walk off and run to him, but you can't. It would be seen as outrageous for a lady to be seen with any man alone, it would cause an uproar within the community, spreading amongst the partygoers and even the ones who didn’t come within a matter of hours.
Then finally, after what feels like eons, you excuse yourself from the people you were chatting with. You're glad the ladies you were with are attempting to woo the gentlemen that had approached the group by fluttering their hand fans and blinking excessively. Quietly, you make your way towards the corridors. The females are too busy trying to gossip and the men are trying to prove their wealth or talk about their mistresses which makes slipping away into the shadows easier.
You are quite lucky that it was your family who was responsible for today's ball. It made it easy to find a secluded place where you and Satoru could meet without having to worry about a member of the ton or one of your maids accidentally finding the two of you alone, god forbid that from happening. You hold your dress up so you don't trip over it, walking briskly to one of your many gardens at the back of your family's estate. It is dark outside and the air is now chilly, making the hairs on the back of your neck stand up as you slow down and try to squint in the darkness, attempting to spot your favourite white haired male.
"Oh? What do we have here? A rather fine young lady, all alone. With no one around... but me." You'd recognise that teasing voice anywhere and you're immediately spinning around to face him with a smile on your face.
"Lord Gojo." A pout on his face grows almost immediately as you bend at your knees to bow at him, a gesture of respect that has been conditioned into your very being since you were a little girl.
"I thought I told you to call me–"
"Just Satoru, yes. I am well aware of that." The use of his first name has him smiling almost as quickly as he had pouted, and in only a couple of steps he is directly in front of you, chest in your line of sight. You have to tilt your head upwards to get a good look at his handsome face.
"I have to say, I rather enjoy the way my name falls from your lips." He's not slick with his eye movements, tongue darting over to lick at his plump pink lips while his eyes glance at your mouth and back to hold your gaze again. "You make it sound... Pretty."
"Well, it is a pretty name for a pretty boy. Your mother did well at picking it."
"Darling, as much as I adore my own mother, I did not ask you to meet with me so I could listen to you praise her."
"Oh Satoru!" You have to cover your mouth so you don't laugh out loud and garner unwanted attention. "Are you jealous of your mother?"
"I am not!" He hushes you, thankful that you are meeting in darkness and the only light is from the moon so you don't see the blush of embarrassment on his cheeks. "Not of her at least."
You are about to open your mouth to ask what he means but he beats you to it. "Lord Basset was rather close to you... Was he not?"
"He spoke to me for a mere two minutes, if that, Satoru. Besides, all he asked was how my family was doing, nothing more."
"Two minutes too many if you ask me." There is a slight growl in his voice as he mumbles unhappily, large hands pulling you close to his frame by your hips.
"Perhaps you need to start courting me in public."
"Sweetheart." He sighs, leaning down to rest his forehead against yours. "The sooner my father realises I do not wish to marry the woman he has chosen for me, the better. It is torment trying to stay away from you in public. Mother is attempting to talk to him now, I think she may know I have someone else I would rather be courting."
You feel him furrow his eyebrows, scrunching them up as he speaks and thinks about the marriage his father is trying to get him to agree to. His father is a businessman, and the marriage, If Satoru agrees, would give them more wealth and more power – Something that the Gojo family already has ample amount of according to Satoru but it was not enough for his father.
"Toru," You begin, voice barely above a whisper. "I can wait for you. I will wait, do not worry about that."
"What did I do to deserve such an understanding woman like you?" Satoru exhales deeply, letting out a breath of air he did not realise he was holding all this time.
"For one, forcefully drag me to meet with you secretly."
"What a strange way to say I wooed you with my charms."
“What charms exactly?”
“Oh, you know. My pretty face, my sense of humour, how witty I am– oh! Lets not forget how tall I am.” You’re holding back a laugh as he lists off his so-called charms to you.
“Let us not forget how you were looking not so subtly at my hands when we first met either. Or my pants, not very ladylike of you, is it?”
“That is not my fau–”
“Oh so you are blaming me for your pervertedness?!” He gasps rather too loudly and you’re quick to cover his mouth with panic.
“Satoru! Please… Keep it down!” You’re whisper-yelling at him, heart pounding as you look around with fear.
He just hums against your hand over his mouth, rubbing your waist as he removes it and kisses the tips of your fingers gently. “You are afraid of being seen with me.”
“Unchaperoned, yes. You are well aware of how everyone will talk about a lady being seen alone with a man such as yourself.”
“Would it not be for the best if we were seen by someone though? Then, I would be forced to marry my little secret, and my father would be forced to give up on his ridiculous quest to marry me off.”
You can’t find yourself to talk back to him and put his crazy idea to rest because he did have a point, unfortunately.
“Sweetheart,” He began, peppering kisses on the tips of your fingers to your wrist, all the way to your inner arm and eventually leading his lips to your neck. “Please, let us be caught.”
“S–Satoru– We can’t… The public scrutiny, the ton–”
“Fuck what the ton has to say. I feel as if I am dying from not having you by my side. Do you know how bad I want to kiss you? How I want to promenade with you, to show you off to the men, to let everyone know you are mine and mine only just as how I belong only to you?”
Satoru’s hands wander to the curve of your ass as he speaks his heart out, large hands groping the flesh best he could over layers and layers of your clothes. You feel him breathing heavily against the skin of your neck, which is soon followed by him inhaling your scent with his eyes closed shut. Then, he’s cupping the side of your face, thumb rubbing over your bottom lip which has him gulping as he waits for verbal consent.
“Satoru. Touch me.”
And he wastes no time in doing so, capturing your lips in a rather messy and sloppy kiss that you are sure will do nothing but mess up the expensive lipstain you are wearing.
You push him further into the shadows where you know not a soul will be able to see you two from the lack of light. He’s against the brick wall and he lets out a small grunt into the kiss but makes no effort to pull away from your mouth. Instead, he takes a hold of your waist and spins the two of you around so now you are hidden in the shadows. By chance, if someone was to see the both of you, your body would be hidden and you wouldn’t be exposed.
Satoru always kisses you with passion, as if there’s a fire burning inside of his body that only you can put out but something about this particular kiss feels far too different to any kiss you have shared before. It feels more urgent. More desperate, you can physically feel it with how hard his lips press against your own. How he grunts and groans into the kiss, how his hand is now cupping the nape of your neck to keep you in place while the other pulls your waist into his own crotch. It allows you to feel the hardness in his pants against your stomach and has you letting out your own set of whimpers.
Momentarily, he pulls back to allow you to breathe. “Let us be caught.”
“Do not try and convince me when you have made my head go dizzy with lack of air.”
“Perfect time, is it not? Come on sweetheart, do you not want to have all of me? To feel all of me?”
“You are a disgusting pervert.” There’s no bite behind it however. Not when your thigh is being wrapped around Satoru’s waist and you feel his hands inch further and further up your thighs.
“Yeah? Why don’t you say that again, you know I love it when you call me names.”
If you weren’t seconds from being fingered, maybe you would have hit his shoulder but you feel the pads of his fingers rub your mound over your undergarments before you could do so.
You’re sighing in pleasure as he continues to tease you over the fabrics but you grow impatient. It’s not as if you haven’t been in this very compromising position before, you’re well aware of how long the white haired male can tease you for, how much he loves it. But when you are in public, only a couple of hundred yards away from the partygoers on your own estate, it is not the time for hours upon hours of teasing, especially not against a brick wall.
“Toru, please. More…”
He pretends not to hear you, keeping a straight face as he keeps on holding your thigh up as the other hand continues to touch you but not really give you what you truely need.
“Toruuu, now is not the time to be a tease.”
“Oh? What’s that? I couldn’t quite hear you sweetheart. Would you mind speaking a little louder for me?”
“Satoru!”
“Y/N!”
Your head tilts back out of anger, hitting against the brick wall behind you with a gentle thud. You despise how he’s choosing to act with you right now.
“Say it.” He speaks, but it’s not using that annoying, teasing tone of his he usually gives you when you want him to touch you more. It’s serious. “Say you are mine.”
His eyes lock onto yours, keeping eye contact as he waits for your answer.
You do not keep him waiting, cupping the side of his face as you speak with sincerity. “I am yours, just as you are mine.”
Satoru feels his cock twitch in his trousers, wanting nothing more than to be balls deep in you right after you said that, but not yet. He can wait, he will wait for you to marry him before taking away your virginity. He’s a gentleman, albeit that gentlemanly honour is hanging by a mere thread when you speak about belonging to him with that pretty voice of yours.
But his fingers are quick to push your undergarments to the side and allow you to truly feel his touch in all its glory. Even in the darkness, he knows exactly where to touch, and he finds the little nub that makes you feel good with ease that it’s almost scary. He allows his fingertips to make circles on it, and you’re burying your face in the suit jacket he’s wearing to drown out your noises that you know will get louder and louder.
His digits have you so riled up and wet in a matter of minutes that his fingers are easily buried in your warmth with one swift move.
You always feel full, how could you not when he has such large hands and long fingers. “Feels— so good, ‘Toru.”
“I know sweetheart.”
“Much better than when I do it to myself…” You know he loves hearing words that boost his ego and god, did it make him feel things. It garners a low growl from him, and he’s pumping his fingers into you with such vigour you swear you two will be caught with just how loud the skin slapping and sloppy noises are.
It does not take long for you to reach your high, two digits in your pussy whilst one rubbed your clit and you’re cumming with shaky thighs and a soft cry of the man’s name, thankful that he’s holding the back of your head and pushing your face into his chest so you don’t accidentally moan out loud.
“Marry me.” He whispers, forehead resting against your own as you pant and come down from your orgasm.
“Get me a ring and I will say yes in a heartbeat and fight your father for your hand in marriage, Satoru.”
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i also can’t write endings for shit rip me </3
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asa-do-your-thing · 6 months ago
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Set me on fire
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18+ MINORS DNI Lord Eddard Stark x F!Reader 2.5 k Warnings: P in V sex,, por w/o plot, smut duh, virginity, wedding night, fingering, doggystyle, kind of dom/sub dynamic, Older man / younger woman, as always no proofreading no nothing
ok I had serious Ned Stark brainrot tonight, I needed to write something short and sweet
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"Thank you my Lord, for this. For everything. And most importantly, for letting me kiss you, all these weeks ago," Emma said gently as they stepped inside Lord Stark's chamber.
Ned's eyes drank her in when she entered the room, his breath catching a bit at the sight of her gown and her wedding hairdo. She really was a vision, both now and as his wife. The thought of her being his wife now still left him in awe, thinking back to the past weeks... and how long and agonizing they had been.
“I am the one who should be thanking you...” He gave her a wry smile and stood next to the bed, waiting for her to get closer.
Emma giggled and slowly took off her new, Stark cloak. She would not make this - their wedding night - quick and easy for him. "Well, then, I guess that you are welcome. I was afraid that you did not like me at first and wanted me to marry Robb or Bran..."
When her cloak fell onto the ground, Ned's eyes could do nothing but trace the shapes underneath the wedding gown. He would never get enough of her, that much he had realized during all these weeks. All the cold baths in the world wouldn't have done any good.
“I admit I was uncertain at first, Lady Tyrell...,” he mumbled, his eyes still focused on her body.
"Lady Stark now, my Lord. I decided to leave my House in the South for good," She said and slowly took off her veil and took the ribbons out of her hair. She liked to play this slow game of seduction with him. "But now I know why Robb was so... desperate. You were this close to taking me against a tree on the day you had proposed to me."
Ned tried to give her a stern look, but was too distracted by her luscious curls to pull it off. He just couldn't help but imagine how they would look spread out on his pillows....
"I... was in a moment of weakness, Lady Stark.” A smile tugged at his lip as he said 'Lady Stark', the sound of her new name rolling of his tongue pleasantly. “Perhaps I will have to punish you for this insolence...”
"Oh! My Lord..." Emma blushed furiously and tried to erase the image of Ned bending her over his knees, instead gently stepping out of her dress and kicking off her slippers. "If that is my Lord Husbands wish, his command, then who am I to oppose it?"
The sight of her standing there in her stockings and her shift, so beautiful and willing, was enough to make the blood in his body boil and he could do nothing but drink her in with his eyes. He stepped closer to her and started to undo the buttons on his doublet, never once taking his eyes off of her.
“You would be happy to take my punishment... wouldn't you, my girl?”
Using her pet name only between the two of them intensified their intimacy. No one else referred to her as 'my girl' except for him. He used to worry about being judged for marrying someone over ten years his junior, but calling her his girl fueled his passion and desire.
“Yes, my Lord..." she breathed out, biting her bottom lip in anticipation. "I would even offer myself to you... if only you would come closer. But you'd be just as happy to dole it out, wouldn't you?"
Ned's breath was still shallow as she stepped closer to him. “Oh, definitely...” He stepped closer, closing the last of the distance between them and wrapping his arms around her hips, pulling her gently against him. “You have been a very bad girl, you know,” he said in a low voice, before leaning down and placing a kiss on her neck.
"Have I?" Emma whispered and gently untied his breeches, tentatively laying a hand on his hardness. "Tell me, lord Husband, what have I done?"
"You have been teasing me all these weeks, Lady Emma...” he said, burying his face in her neck. “And now, I think, it's my turn to tease you...” He said, before letting go of her and moving towards the large four-poster bed.
Emma was slightly taken aback but smirked as she followed him. He thought he could outsmart her? “Oh, my Lord Husband, I am up for any challenge you might throw at me.” A blush spread over her cheeks, knowing that she was still a maiden and that Ned must’ve had so much more experience, but she decided to squash her nagging thoughts before they could form earnestly.
“As… as long as you are gentle,” she added quietly before letting her shift fall, so that she was left in her thigh-high stockings.
Ned hesitated when she mentioned him being gentle, a twinge of guilt forming at the back of his mind. He had been with other women before, but she would be his second wife... and her first ever. He turned around, looking at her with tenderness in his eyes. “I... I will be as gentle as possible, my girl.” He said, the endearment coming out tenderly as he removed his doublet and breeches, revealing his hardened state.
“I... I trust you, my Lord.” Emma moved closer to their bed, her heart hammering in her chest. “I am yours. I... I know that it might hurt..."
"Shh..." Ned said soothingly, joining her on the bed and pulling her close to him. "I will be as gentle as I can be... but it might still hurt a little at first, I'm afraid." He admitted, toying gently with her hair. "However... after that it's over and I can, well...” He trailed off, leaving the rest unsaid but the smirk on his face said enough.
Emma nodded gently and spat on her hand and guided it to his length, just like she had been told to do and Ned groaned instantly. “Do… do whatever you wish, Ned, I… I trust you,” she whispered with a blush, before she laid down, her curls falling around her pale, freckled, bare skin.
Ned's hands trembled slightly as he traced her body with his fingertips, following the soft contours of her hips and stomach before resting on her thighs. He watched as his wife parted them, giving him access to her most intimate place. He could feel his pulse racing as he looked at her shapely legs and the soft curls between them. The scent of lavender filled his nostrils, mixing with the natural musk of arousal that came from her body. He leaned forward and lightly brushed his lips against her, tasting their combined essence. His hands moved slowly upwards, teasing every inch of her skin as he moved closer to her core.
Emma arched her back, wanting him to touch her more forcefully but she held herself back, knowing he would take the lead. "Please..." she whispered, wanting to beg for him to continue but not wanting to sound like a needy bride.
His fingers circled around her entrance and dipped inside gently, feeling how wet she already was for him. He groaned softly against her skin and slid his middle finger inside her slowly, feeling the tightness that surrounded him. Ned watched as she closed her eyes and bit down on her lip, trying to contain herself. The sounds she made were creating a symphony of pleasure and pain that resonated within him. Her body was warm and inviting, opening up for him slowly as he pressed deeper into her, stretching out those untouched folds.
“You’re mine, only mine… I’ll fill you up with my children… Fuck you over and over, making your pretty, perky tits bounce around…,” he whispered gently into her ears and felt her clenching around his fingers, evidently close to her release, to which he quickly pulled his fingers out and rested them on her hot, sticky mound.
Emma pouted and continued her strokes with her small hand around his cock. “Is… unfair…”
Ned chuckled lightly and kissed her, moaning quietly at the way her hand squeezed him. “You’ve teased me all these weeks, my girl. Be patient…”
He guided his length to her opening and gently pushed inside, feeling the resistance as he entered her for the first time ever. He could feel her tightness around him, like a vice gripping him as he pushed further, inch by agonizingly slow inch. Their breathing was ragged, heated, intertwined with the soft sounds of their moans when he finally buried himself completely within her.
The pain was immense, but Emma bit on her lower lip to not cry out. It hurt so much, more than she thought it would, but she also felt a strange impulse to feel him move inside of her and know that she was now officially his.
“Tell me if it’s too much,” Ned panted out and rested his forehead against hers. “I want this to be… special.”
“I… I’m alright... more…” Emma encouraged him softly, before wrapping her legs around him, her inner heat practically screaming for more. “More, my Lord… I can take more. Please…”
It was so lewd, but Ned loved it. Ned loved her, loved her youthful glow,, the way she called him ‘my lord’, her fervour, and most importantly the way her cunny gripped him. “More? My, I haven’t even… started, my girl,” he mumbled and slowly started moving, groaning at the way a beautiful blush spread over Emma’s cheeks and chest.
Emma tightened her legs around him, gripping his waist firmly as he began to move, and she couldn't help but moan his name softly into the dimly lit room. The pain ebbed away, replaced by a different kind of fire, one that she craved more of. His hand found her breasts, cupping them roughly as he continued to thrust into her, taking her virginity boldly, aggressively.
Ned was lost in the moment, somewhere between sanity and reality.
He never thought this day would come, that he would be here, with her, on their wedding night, consummating their marriage. But here they were and he couldn't be happier. The feel of her walls clenching around him sent jolts of pleasure through his body and he knew that their children would feel at home here. He would fill her up so much that she wouldn't want any other man but him. He would show any- and everyone that she was his. Ned groaned, picking up the speed as Emma arched her back more for him to take.
Her nails dug into his back as she clung to him for dear life, feeling herself on the brink of something monumental. "Ned... I... I'm close," she panted out breathlessly before he claimed her mouth once more in a messy kiss. He angled her hips upwards just a little bit more and hit a spot within her that made her see stars behind her closed lids.
"There we go… there... just like that… come for me, my girl…," Ned encouraged her and gently laid his thumb on her impossibly soft, warm pearl, stroking it gently while continuing to hammer up into her. “My beautiful… beautiful…. girl….”
She saw stars.
Emma tensed up and tried her best not to scream too loudly, but with the new, added stimulation, it was hard not to. Though not long after this blissful feeling had subsided, Ned pulled out of her and gently turned her around and pulled her up onto her elbows and knees, gently spreading her buttocks up for him to admire. Not long after, she felt the familiar heat against her entrance, though he waited. A gentle, yet hard slap against her arse pulled her out of her reverie.
“Fuck, you’re so tight…”, Ned whispered as he slowly pushed himself inside her, trying not to come too quickly. Her buttocks wiggled too beautifully, to perfectly against him - it was perfect agony. “M-may I?”, he asked quietly as he wrapped his hand around her throat, but her broad smile and small nod answered his question for him.
“Yes, please… I-I want… more,” Emma moaned out, feeling him hit places she didn’t know even existed, yet she wanted more and more of him. “Fill me up…”
And so, he gave her more - rough, explosive thrusts that had them both moaning and gasping for air. His hand tightened around her neck gently, not enough to asphyxiate but just enough to create a heady rush of pleasure and power.
He grabbed her hips and pulled her back, slamming himself into her over and over again, his grip on her neck tightening with each thrust. The mattress creaked from their vigorous mating, but they didn't care. All she could feel was him, all he could think of was her as they both rode each other to completion.
Ned came first, with a roar, spilling his seed deep inside her womb. Emma felt every drop of his warmth escaping into her and knew this was it. This was where she belonged - with him, in their bed. She followed suit moments later, screaming out loud as her walls clenched around him and she experienced her second orgasm of the night - mind-blowing and earth-shattering. Her legs trembled as she tried to regain control of herself, breathing heavily against the pillow.
Ned carefully pulled out of her and laid next to her, not quite ready to let go of her just yet. He gently wiped the sweat off her brow and kissed every inch of skin he possibly could before resting his head on the crook of her neck.
"I love you..," he whispered softly in her ear.
Panting heavily, Ned lowered himself down to rest his forehead against her head once more, still buried deep inside of her. Their heartbeats drummed in unison. "Welcome to our wedding night," he breathed out between kisses on her neck. He pulled out slowly, watching as a small pool of blood formed where he'd taken her virginity. It was both beautiful and terrifying in its own way, knowing that this moment would forever be etched into their shared history.
As he moved to lay beside her, he grabbed a damp cloth from the bedside table and cleaned them both up gently before tugging a fur over their naked forms.
The air was cool against their now heated skin as Ned held Emma close to him, his chest rising and falling steadily with each breath. "You did well today, my girl. You were perfect, just like I knew you would be.”
Emma hummed and snuggled closer to Ned. “Thank you. Let us hope that I can give you a pup soon.”
Blushing, Ned pressed another kiss on her head. “I… yes. Of course.” He did not regret marrying her, he thought retrospectively, and gently held his small wife up against his chest. “As many as you want.”
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charlottesbookclub · 5 months ago
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should we talk about the interlace on gwayne's horse's armor?
since I spend altogether too much time looking at stills and gifs of gwayne anyway, I figured I might as well share some observations I have about the really interesting visuals that are happening with his horse's armor
this is part art historical analysis, part gwayne meta, and part "let's look at some gorgeous images under the guise of doing visual analysis" so if that's your thing, please read on! if not, that's also totally fine – I get that this is hyperspecific and also a symptom of my very serious gwayne brainrot, so I'm putting everything else below the cut! 💚💚 (also it's quite long – sorry! 😅)
okay I want to be upfront about my qualifications and my shortfalls here: I'm an art history phd student and so basically all I do is visual analysis of objects. I've studied a number of medieval manuscripts that feature interlace (which is where I'm going to draw most of my knowledge from here), and I've taken a seminar (an advanced graduate course) specifically on medieval manuscripts, for which I wrote a research paper entitled "From Kells to Celtic: The Aesthetics of the Book of Kells Illuminations as a Marker of Irish Identity." HOWEVER I am NOT a historian of armor, so I will be taking my knowledge of interlace on other objects and applying it to the armor we see in the show
a short intro
so, the first thing that struck me about gwayne's horse's armor is that it's really different than the other equestrian armor we see, even amongst the other men who came with him from oldtown. to be honest, my guess is that this was likely done in the show to help him stand out and also show that he is a special and precious princess (which he is btw 😌😌) who needs fancy armor for his horse. I'm not sure if further thought went into it than that (but maybe it did! I'm happy to stand corrected here!)
however, the catastrophic levels of brainrot I've developed over this man have compelled me to read much further into it than that, which I shall now proceed to do with great enthusiasm! ☺️
first, let's look at the armor:
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it's hard to find really detailed close-ups, but it's clear that the armor is incredibly intricate. not only do we have this very complex interlacing, but certain designs are marked out with different colors and internal patterning, making the whole thing even more visually interesting and complex
while interlacing is used across a vast range of time, cultures, geographical regions, and artistic mediums, given both the visuality of this armor in particular and knowing that westeros is based on medieval europe, seeing this interlace instantly called to mind a style that we today call "insular fusion" (I'm not going to go into all the specifics of it here because that's a post all its own lol 😅). it's a style perhaps most famously exemplified by The Book of Kells, but it is found throughout many different objects of the same period (ca. 700-900 CE)
now let's look at some fucking interlace hell yeah!!!!!!
from The Book of Kells (ca. 750-810 CE)
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from The Lindisfarne Gospels (ca. 698-721 CE)
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and two non-manuscript examples:
Animal Head Post from a Viking Ship Burial (ca. 825 CE)
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and a later example, but one of my favorites:
Wooden Portal of the Urnes Stave Church (ca. 1050-1070 CE)
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do we see the vision??? are y'all picking up what I'm putting down???
"okay, charlotte, I see the similarities, but why does this matter?" you may be asking yourself (or maybe you aren't idk), and the answer is: this type of interlacing had some super fascinating meanings and uses, some of which I think we can apply to gwayne! 💚💚
let me break it down from least to most potentially related to gwayne:
the aesthetics of interlace as an identity marker
use of interlace in a religious context
interlace as a status symbol
the protective potential of interlace
and now let's go into detailllllllll!!!!!
the aesthetics of interlace as an identity marker
I bring this one up because it's what I focused on in my personal research on the topic of interlace, but I also think it's the least relevant to gwayne. my argument in my paper was that the aesthetics of the interlace in the Book of Kells have been thoughtfully and intentionally re-used throughout history and into the present as a clear visual marker of identity that draws a narrative back to the production of the Book of Kells. however, in terms of the show, we have very little indication that the particular style of interlacing we see on gwayne's horse is associated with any larger identity concepts. it doesn't seem to be associated with house hightower, as none of the other men with gwayne seem to borrow this motif, nor do we see it associated with alicent (as far as I can tell from the little looking I've done, but I'm more than happy to revise this!). for it to make sense as some form of identity marker, it would have to be clear what identity he's visually referencing, and since his use of interlace seems unique, I think it's doubtful that it's part of a larger visual invocation of identity
use of interlace in a religious context
part of what makes insular fusion so interesting as a style is that it is indeed a fusion of a number of different regional styles, including vine scrolls from the mediterranean, triskeles from the northern british isles, and zoomorphic (meaning "in the form of animals") interlace from northwestern mainland europe. although insular fusion is used to decorate christian objects (like gospel books and churches), its component parts are much much older and have connections to various pagan religions that significantly pre-date christianity. obviously it's impossible to be 100% certain of the exact significance of interlace in any of these religious contexts (there are no written records explaining it), but scholars have a few guesses
one suggestion is that interlace in some way represented the spirit world/the world of the gods, or perhaps even a point of connection between the human world and the world beyond. although the religion of westeros is obviously different than any of the real-world religions that used interlace in this manner, I do still wonder if there could be a religious connection here. it's pretty clear that gwayne's mother was quite religious, and alicent is as well. although we don't totally know gwayne's relationship with religion, we could certainly guess that it's at least a little bit important to him, given the beliefs of the women in his life. I know that the most common religious symbol in westeros tends to be the seven-pointed star, which is not something I see on the interlace on the armor, so I'm not sure how far I would want to take this hypothesis, but I did want to put it out there for anyone who might have further thoughts!
interlace as a status symbol
as I mentioned to in the beginning, I do think it's likely that this particular type of armor was chosen for gwayne's horse because it does come off as a bit ostentatious. the manuscripts with interlace that I mentioned above were hugely expensive and time-consuming projects, and only the most affluent religious communities could afford such luxurious gospel books. given the level of detail on the armor, I have to imagine that the same is true in the world of the show. in some ways, it's a mode of conspicuous consumption; a demonstration of the hightowers' wealth and influence. there's a reason gwayne's horse's armor stands out: because it's meant to. it's meant to set him apart, even from the other soldiers who came with him from oldtown
now this next part is just my own conjecture, but I also wonder if the armor is meant to speak to a more artistic sensibility on gwayne's part. after all, equestrian armor is a very functional object with a very clear goal: to protect the horse. from a purely functional standpoint, the interlace does nothing to serve this purpose (and may actually hinder it a little??), it simply adds a complex visuality to the armor. aside from just flaunting the wealth that must have been expended to commission such a piece, it also suggests that it was crafted by artisans who had both functional and aesthetic goals in mind while creating it. whether it was gwayne himself who directed the commission or not, it seems significant that he chose to use this armor that doubles as a kind of art piece. he does seem to be someone who enjoys the finer things in life, so it wouldn't surprise me if he had an artistic appreciation too, and was using this armor as a way to demonstrate that (or perhaps even just as a way to show his own personal artistic taste/preferences)
the protective potential of interlace
technically, I think "interlace as a status symbol" is the most likely reason for the armor being the way it is, but this one is my favorite theory, so I'm putting it at the top. circling back to the religious uses of interlace, another theory of its religious significance is as a mode of protection. some scholars think that its creators believed that the weaving, intertwined lines of the interlace would confuse and trap evil spirits. building on this theory is the fact that complex interlacing was often used at transitional or liminal points, such as the beginning pages of a gospel book or on the doors of churches. the idea here is that the interlace wields its protective powers at these key entry points against any evil entities that might try to enter sacred or protected spaces
interlace as apotropaic (a fancy technical term meaning "protective," often used in reference to magic or magical practices) seems particularly poignant for an object that was literally going to be worn into battle. now, I admit once again that there is little canon evidence to suggest that interlace is thought of in this way in the world of the show, so I'm running with this theory more because I like it rather than because I think it's legitimately based in canon. but I just think it's very sweet that gwayne's horse would be adorned with this complex interlace that seems to be woven with protective powers. even if gwayne (or others) didn't literally believe that interlace had those kind of powers, the fact that he still made the choice to invoke the idea of protection against harm and evil is a lovely thought. (it makes me think of how people today still might carry a rabbit's foot or have charms against the evil eye, even if they don't actually place stock in the beliefs surrounding those objects. I just think it's cool that generations of cultural belief still imbue these objects with a kind of magical aura). I just like the idea that he (or someone else?? otto? alicent? his mother?) chose armor that might have been associated with protection against harm
and now I'll finally wrap up!!
whew that was a lot! if you've read this far – thank you so much!! I'm honestly not even sure if these thoughts were coherent, but I kept thinking about this when I looked at that interlaced armor, and I just had to get the ideas out of my head lol
but I'd love to hear what others think about this topic! I'm certainly not an expert on the matter, and I'd be super open to hearing if others have different interpretations!
if nothing else, I hope you learned something cool about interlace! (and also just how far I have descended into madness over this man that I am writing pages-long analyses of his horse's armor 😅🤪)
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starrysvn · 2 years ago
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i knew you were trouble
biker!park seonghwa x gn!reader ; biker!kang yeosang x gn!reader warnings: a lil suggestive (mayhaps) word count: 718 a/n: the biker!seongsang brainrot is real. should i make this longer? elaborate on it? pls lemme know!
gifs are mine!
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They’d visit most nights, when they were around this part of town. Shifts on end you’d spend asking yourself if they were back, and if they were, would they remember to swing by? They walked in like they owned the place, and maybe they did. The rumble of their bikes would shake the town and then silence its murmurs when they killed the engine. The very first night they walked into the dive bar you felt the patrons hold their breath. You did too, but not in the same way. You still did. 
Everybody had warned you to stay away from them, that there wasn’t a single reason why you should be involved with something, someone, so volatile. People who would be there one day and gone the next, who would hold your heart in their hands for one night and then crush it to smithereens when the morning came. Still, they held yours with them, always, no matter how far they wandered, its pieces beating in hopes they’d be back soon. 
But perhaps you liked that. Maybe the thrill of it all was the one thing you were after. The way they had your heart racing in your chest wasn’t something you wanted to let go of. They made you feel alive. In a city so dead, they were your only way out.
“Are you sure about this?” he whispered in your ear, voice low and gravelly, still entangled in the mess of sheets that was your bed. His hand lay sprawled out on your stomach, a warm, pleasant weight that reminded you this was oh so real, and not a fragment of your imagination. 
“There’s no going back, angel.” 
Seongwha’s voice sounded almost like a warning, but he looked at you with those eyes you rarely ever had the pleasure of getting lost in. A look so delicate you liked to think it was meant only for you. His hand reached over, graceful, getting rid of the single strand of hair partially obscuring your vision. 
“I am,” you nodded, voice light, a faint murmur, almost afraid to admit your wants out loud. You’d never felt this sure of anything in your life.
Half a smile, half a smirk spread out on his soft lips, like he’d expected this from you all along, like he’d caught the prey he’d been chasing after. The way he laid his eyes on you, knowingly, like no one ever could, sent a shiver down your spine. Goosebumps rose over your skin as Yeosang’s hand sneaked past your raised shirt, only to draw feather light circles on your stomach. 
“Alright then, love” he pulled you closer, his hold on you growing a little stronger.
Heaven. You were sure you’d found it with the two people everyone deemed as devils. You didn’t care. Not when your head and heart felt this light, this free. They were trouble, you knew that, but you were ready to get dragged in their storm. 
“Hold on tight,” Seongwha brought your shaky hands around his middle, your arms now wrapped around it, front completely pressed against his back. 
“Are you gonna keep our little bird all to yourself?” Yeosang tauntingly asked with a smirk, sitting atop his bike. How could someone be that devilishly handsome, you couldn’t fathom. From behind your helmet, you smiled, letting out a soft laugh.
“Don’t worry Sang, our angel can ride with you after our next stop,” he was quick to counter, scoffing just a little, before putting his own helmet on. You watched as Yeosang did the same. 
Their bikes rumbled, coming to life, the sound reverberating in the early morning air. It made you jump a little, holding onto Seonghwa tighter, which caused him to chuckle. The harmonious sound was lost in the noise and before you knew it, you were hitting the road.
Part of you knew the second you saw them that this would happen, that you’d take any hand that would drag you out. It wasn’t anything they said or did, rather the feeling that came along with being with them. You trusted your gut enough to know that this was the right move; leave it all behind, covered by the dust that kicked up after you passed by and lost forever between the golden fingers of sunrise.
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theskeletonprior · 1 month ago
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The Twenty-Second: Blasts from the Past
This is a casual little writing challenge to get myself into a habit, perhaps, or if not, to get some words from the meat of my brain to the pulp of the page. All of my stories for this challenge are set in the world of RAVENOT, and if you’re curious, you can take a look at my WIP intro right here. And if you’re really keen, you can read the first chapter (sort of a pilot as I toil) right here! Now onto the daily ramble.
I haven't been writing as much as I'd like, mostly because I've had some self-work that I've needed to do more. I've needed to rest, and think about how I'm using my newfound free time, and balance that with the practicalities of the world I'm living in. But also, in the wake of the announcement of a Soul Reaver 1&2 Remaster I've fallen back into some serious brainrot about a series that has been incredibly formative to me. When I saw the trailers I got so excited I was literally jumping up and down, which is not something that usually happens to me. There's also a graphic novel coming? I am absolutely frothing at the mouth, which for a skeleton is a pretty mean feat. I've loved the Legacy of Kain series since I first stumbled upon it at a time when I was too young to be playing M-rated video games. I have two tattoos featuring symbols from the series. It's the second most serious relationship I have in my life, and that's almost not a joke. I've been keeping a candle in the window for more ever since Legacy of Kain: Defiance came out. The story is incredible, the voice acting is excellent, and the character designs are absolutely bonkers. No one does vampires like this, and if they do, it's probably with thanks to Legacy of Kain. So yeah, anyway, if you're curious, there are lore videos on Youtube, and someone has also uploaded all the story cutscenes for your viewing pleasure. And it really is a pleasure. I'd recommend taking in the lore videos first, because it'll make the cutscenes easier to put together, but honestly they're pretty watchable even if you don't do that. Anyway, I've been immersed in that awesome story again, but it did strike me that it was even more formative than I've given it credit for--but that realization has actually fired me up about my writing in a roundabout way. My stories really are love letters to things like this, and thinking about it that way has been really exciting. I'd lost sight about how some of my favorite stories can make me feel, so this was like getting hit by a truck if getting hit by a truck could be awesome and affirming of one's craft. So I've been taking some time for immersion in someone else's very good work, and that has been nourishing, even if my word count hasn't budged much. (I did also work on The Bishop of Black today with my husband so I am still writing. So many projects, and only one me!) Anyway. I need it to be December urgently. Vae fucking victis, or whatever. And now, the tiniest excerpt ever:
The night wore on, the guard changing twice before the sky began to blush with the first light of day. Yarrowling came, looking weary. "'Til dawn, you said." Ravenot drew themself up, their long shadow passing over Yarrowling's wizened face, but before another word could pass between them, the first screams shook the morning air.
Until next time! Taglist: @alexanderflowerbird @void-botanist @carmillasboywife @ceph-the-ghost-writer
As always, let me know if you’d like to join or leave the taglist, and I’ll act accordingly.
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tonberry-yoda · 1 year ago
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Weird World - Silco
notes - hi. Silco brainrot. I can't help but want to make out with this man and tell him how pretty I think he is. So here's a fic that I have been planning for a while! I hope my Silco lovers love it as much as I do and have a super day! Don't forget to stay hydrated, lovelies!!! <333
word count - 1,346
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You didn't mean to stare.
But growing up in a word where you were told to forget about the undercity, to act like it doesn't exist, it was hard not to.
You were young.
Young and stupid.
And reckless.
You wanted to explore. To be on your own. To feel freedom for the first time. To rebel.
So you walked to the entrance of the undercity, making sure that not a soul was watching...
and you stepped inside.
That's when you met him.
You didn't mean to stare.
But you did.
He had blood dripping out of his mouth and down his forehead. He had an infected eye. He didn't look... human.
"What are you looking at?" he scoffed, spitting blood on the ground.
You watched as he tried to walk past you, trying to hold back a cough from the air that you weren't used to.
"What happened?" you asked him.
He turned to you in almost confusion, but when he took one look at you, he rolled his eye. Ignoring you, he turned away once more.
"Do you want me to call a doctor? Or the police, perhaps?"
The boy laughed out loud at you, having to cough up more blood because of it. "You want to call a doctor? And the police?!" He burst into laughter once more and you shuddered.
That's when you realized you were farther from home than you thought.
"L-Let me help!" you tried once more.
The boy stopped laughing and tilted his head. "You really aren't from around here, are you?" he asked.
You shook your head and stood still, ignoring passerby's that tried making smarmy comments at you.
"You look really hurt." you told him.
"That's because I am." he said quietly, before turning away once more.
"What's your name?" you called to him before he could make it too far.
He turned to you, his gaze almost softening. "Silco." he said. "You shouldn't be down here. Go back where you're safe."
"Silco." you echoed quietly, turning his name over on your tongue. It was nice. "Will I see you again, Silco."
He sighed, looking into your hopeful eyes. "I hope not. Please don't come back down here."
He walked away, leaving you alone in the city that you couldn't navigate.
You don't know why you called out to him like that. Something about him was so....
You didn't know how to explain it.
But one thing you knew for sure:
For a beat up man, he was quite handsome.
---
You stared at yourself in the mirror.
How come no one said anything about the world that lived right beneath you? Especially when it was like that?
It had been two days since your first expedition to the undercity and you were still in awe. Everyone around you ignored the place and on top of that, didn't do anything to fix it. People looked miserable down there and people were breathing fresh air and smiling through innovation up top?
Bullshit.
You threw your bag over your shoulder and threw open your door. Followed was a deep breath.
You had to admit you were a little scared.
"I'll be back." you whispered to no one, leaving the house empty and your thoughts full.
You threw all of those thoughts in an imaginary trash can, and walked with nothing leading you, but muscle memory.
Suddenly, every fear you had from earlier came back as you stood at the entrance to the undercity.
This was going to be harder than you thought.
You thought that your first time coming here was scary, but this was somehow scarier.
Maybe it's because you didn't want to be prodded at, or maybe it was because the air felt like fire in your lungs.
But it was definitely because you were afraid that you were never going to see Silco again.
You shook your head, hating your own thoughts and just walked in, the whole other world greeting you quickly with bright lights and loud laughter.
You didn't even know where to begin. If you were here for him, that was going to be impossible in a place like this, so what were you doing?
You ignored the people calling you "an up top cupcake" and "a sweet little mouse" and just kept walking. This would be your opportunity to actually explore the world beneath you, since you didn't really two days ago.
And when you did actually explore a bit, some parts actually seemed fun. There were neon lights and lots of music and a ton of kind people amongst the bad ones.
It definitely wasn't home, but it was nice to see somewhere different. To see this different point of view. And once you got used to the air, it wasn't too bad.
You felt like a whole new person, and it was very odd, considering you've grown up with such a rich, closed mind.
"I told you not to come back here." You heard as you walked down a small alleyway, trying to find a way out. You jumped, startled at the sudden interaction.
And then you chuckled to yourself, slightly blushing when you saw who it was. "I couldn't help myself." you told Silco, watching him step out of the light. His eye looked much worse, but he wasn't covered in blood anymore, so that was good.
"How is this appealing?" he laughed, pointing to the world around the two of you.
"It's different from home."
He thought about your response for a second and then nodded. "I can see that. So why are you back down here?"
"To look for you." Not the answer you wanted to slip out of your mouth, but definitely the correct one.
He laughed at you. He really seemed to do that a lot.
"Why?" he asked, tilting his head a bit and taking a seat on what you couldn't tell was a bench or garbage.
"You're also different than home."
"You're strange."
"Should I take that as a compliment?"
"From me? Yes."
You smiled at him, and for the first time in all of your meeting, he smiled back. It was a genuine smile with his teeth, which seemed to be broken into.
"Can I finally ask about what happened two days ago?" you said, taking a seat next to him.
"We've just met. I don't even know your name." He looked at you with confusion, but not in a bad way.
"It's y/n." you told him. "And you don't have to tell me if you don't want to."
"I got in a fight with a very important friend to me. We have clashing opinions, he and I. So I don't see a friendship or anything of the sort continuing between the two of us."
"I'm sorry." Was all you could say.
"Don't apologize. It's nice to meet you, y/n."
"I like the name Silco."
He gave you another genuine smile. "Thank you."
Every time he would look at you, he would almost look a little bit surprised, like it was odd for you to be talking to him. And maybe it was.
"Have you ever been up top?" you asked him.
He just shook his head. "You can come down here with ease because others will know if your missing and will care for you. If I go up there, it's like a rabbit going into a lion's den. Plus, I have desire to go up there."
"Can I find you again down here, Silco?"
"Will you look for me like this again?"
"Yes."
"Then yes. You will find me again. I hope to see you again soon. Be safe, alright?" He took your hand and pressed a kiss upon your knuckles, smiling up at you.
"I will. Be safe as well, please."
He nodded at you, saying he would and you left, easily finding a way out. You were staring to make your way around, even if it was proving more and more difficult the more crowded it was.
What a weird world that separated the both of you.
~~~~~
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2023 @tonberry-yoda – do not repost or claim ANY of my work as your own! likes, reblogs, and comments are not only welcome, but appreciated
~~~~~
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minetteskvareninova · 9 months ago
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Anyway, in light of ContraPoints' essay, I promised to continue my slow, steady Chłopi brainrot, so here it is:
My thesis is that you can absolutely read The Peasants, specifically the central pairing of Jagna and Antek, in light of the DHSM, it's just that it comes out of the other end as a pretty brutal deconstruction, which I don't think Reymont had intended.
Consider Jagna. She's your typical feminine protagonist, beautiful, virtuous and madly in love. The object of her desires? Goddamned Antoni Boryna. Antoni Boryna is, of course, very conventionally attractive, I daresay the most attractive man in the movie (although the competition is stiff, see Maciej and the organist's son, whatever the fuck his name is). He's also kind of unhinged. Antek is the kind of person who mostly acts on instinct with little regard to morality. He's nice to Jagna at the start, because he likes Jagna; he defends Hanka from his father's abuse, because nobody mistreats Hanka but him, and also fuck his dad; he leaves his dad's household and stubbornly refuses to submit to his authority despite the difficult situation it puts him in, because fuck his dad (sensing a pattern here?); he tries to kill his father, because fuck his dad, only to chicken out at the last second and realize, hey, maybe I don't hate my old man THAT much? These two are an Oedipal nightmare, is what I'm saying.
More than that, when I say that he acts on instinct, his instincts are... How would I put this... Stereotypically masculine in a very toxic way. He's very angry, bad-tempered, doesn't express tenderness that much - mostly because there isn't a whole lot of it things or people in this world that he genuinely likes. As far as I can tell, he kinda likes Hanka at the start (or at least the way old Boryna treats her is too much even for an A-grade asshole like Antek Boryna; there's also the fact that it's part of the ongoing power struggle between Antek and his old man, but that's neither here nor there) and really likes Jagna, and that's about it. His main motivation in life is to get one over his old man, which I almost sympathize with, since his old man is somehow even worse person than him. But don't get it twisted, Antek is a very, very bad dude. Some might even call him... A bad boy.
That's right, I am going there! Antek is in many ways very similar to the typical "bad boy" love interest found in romance novels. Toxic masculinity? Anger issues? Desperate need to dominate? Freaking daddy issues??? Yeah, baby, he's an alphahole all right. The only thing he's missing is, perhaps, an elevated social position, but even then - his dad is supposed to be the richest man in the village, and in the second half, his old man dies, presumably leaving Antek most of his property.
Anyway, Jagna starts out having feelings for Antek, which are in context kind of understandable. I mean, he is hot and she's one of the few people he treats with any tenderness; 18-year old girlies have fallen in love for less. The situation these two lovebirds find themselves in is of course very difficult. Jagna is coerced into becoming the trophy wife of Antek's shitty dad, while Antek is still married to Hanka and still mad at his dad for other reasons. But aside from being start-crossed lovers, there's another tiny problem with their relationship: Jagna, though young and in love, isn't stupid, and increasingly realizes that Antek, as mentioned above, is absolutely unhinged. Add to this the fact that Jagna kinda feels bad for poor Hanka, and it's kinda understandable why their relationship turns sour. So Jagna just... Dumps Antek. For which he rapes her and lets the villagers do the ending scene to her.
And here's where we get to the DHSM of it all. A lesser deconstruction might go for the "see, you can't in fact change him" angle, but like... Here? The thought of Antek ever changing never even crosses anyone's mind, least of all Jagna's. If she fell in love with Antek despite him being, as mentioned above, unhinged, it's because she clearly didn't know him that well and didn't recognize the full extent of his assholery. An understandable, if unfortunate mistake to make. Anyway, if the common DHSM dynamic is a woman elevating herself by worshipping or in some way (like morally) elevating an already exceptional man, it clearly doesn't work here. Jagna cannot adore Antek once she gets to know him, cannot abide by his assholery (she's too smart and proud for that), not can she change him into any kind of admirable person, and that thought doesn't even seem to cross her mind. Jagna cannot elevate Antek in any way.
But he can, and does, drag her to the mud.
That is the other side of the coin, the objectification and degradation of the woman, isn't it? And, well, since Antek cannot be elevated in Jagna's mind above her moral concerns, nor in real life by becoming a better person... Well then. To abide with the DHSM, Jagna has to be humiliated instead. First morally by sleeping with the married man, then, when she refuses to participate in this "sin" anymore, physically trough the rape and the ending scene.
And that's the unintentional genius of The Peasants - it reveals, in its full ugliness, the degradation side of DHSM by subtracting the elevation side completely. Antek was never worth the pain he put Jagna trough and that she was put trough for the relationship with him. But of course, is any man ever? There's a reason why Jagna never actually seems to consider a relationship with any other man, outside of maybe her ex Maciej, who, while not as terrible as Antek, still does some pretty shitty things, namely lying about sleeping with her (unwittingly contributing to her downfall). It's not that Jagna just happened to find a bad man. The whole system is clearly broken.
Of course, "the system" here clearly isn't meant to be just DHSM, as much as I focused on this aspect of it in this post, but patriarchy in general - for the writers of the movie if not Reymont (because I haven't read the book, so I can't speak on it, sorry). But to make a full feminist analysis of The Peasants is kind of outside of the scope of this tumblr essay, so.
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pink-apollo · 2 years ago
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hi! i'm not sure if you just do writing for Ghost/Soap/Alejandro, etc, but if you don't--- I was wondering if i could request an Alex Mason X Reader imagine where the reader is struggling to sleep and is like turning constantly, and Alex just ends up pulling them against his chest and snuggling them :(((((( I HAVE SO MUCH ALEX BRAINROT RN ITS NOT EVEN FUNNY and if you dont wanna do it with him, maybe with Ghost???? tysm!!!
I honestly miss Alex so much❤️
Or perhaps both?
I am so sorry this took me…so long. I’m better state of mind here so I hope you enjoy :)
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🖤Alex himself tends to have trouble sleeping when he finally comes back home. No more odd positions of being cramped up, no more uncomfortable cots to lay on, or solid ground that makes his back act up. Just a nice comfortable bed to lay on, or so until his s/o starts to toss and turn
🖤Has woken up a few times due to you shifting around so often, even kicking him in the back because of how chaotic your dreams are. But no matter what he still loved you
🖤Although this particular night, your movements seemed more rapid and fidgety than normal. Being away from mason for a long period of time took a toll on both of you, sometimes you more so than him. He was your comforter during the night, his strong arms wrapped around you as his head rested on top of yours, his breathing helping you to relax and calm down to finally sleep after months of being apart
🖤Alex just about on the brink of sleep until he felt your side of the bed move…and then once more, and yet again with you sighing into the pillow as you pulled the covers closer to your body. He peaked an eye open and saw you curled up wide awake looking up at the moon that was shinning through the curtains
🖤Alex then wrapped his arms around you, pulling you closer to his chest before flipping you over so you were now facing him. He placed your leg so it was over his and rested his head upon yours before closing his eyes once more and laughing at the situation
🖤In all honesty you would think it would be him doing the shuffling around but it’s actually you. Not moments later you were fast asleep in his arms, no more moving.
🖤Alex placed a kiss on your temple just before going to sleep himself, before hearing a faint “I love you.”
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🎀Ghost is a all around sound sleeper for the most part. Some nights he shifts due to night terrors but is always back to sleep once again as he sees you there laying with him with your head on his chest. Most nights in fact you two end up always like this, snuggled up against one another
🎀Simone has noticed that when you’re not pressed up against one another that you tend to be fidgety, just like him. Adjusting your pillows a lot, trying to find that perfect spot to lay down on, blankets slowly being pulled over to your side
🎀But the moment that you start to toss around a bit too much is when he’s fully awake and watching you try to get comfortable. Laughs a little at the ordeal seeing that you are just like him, needing physical comfort from your partner
🎀Will allow you to turn a bit before decided wither or not to finally pull you against him which is exactly what he does every night
🎀Pulls you to his side of the bed, back up against his chest as his hand finds his way into yours, his face nuzzling into your hair as he settles down once more before drifting off to sleep. It seems every night is the same thing, starting on your own side of the bed before making your way to each other
🎀When Simon is away from you he can’t get a wink of shuteye unless he has something of yours that smells like you which he does on occasion to trick his mind into thinking you’re there, minus the actual physical touch, and little does he know that you do the same thing when apart
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hairstevington · 1 year ago
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flowers and ink (final part)
Eddie Munson x Steve Harrington
Summary: Eddie and Steve are happy. Chrissy and Robin are happy. Jonathan meets Argyle. Everyone is happy!
Part one, part two, part three, part four part five part six part seven part eight link to Ao3
Word Count: 1100
Warnings: So sweet you'll get a cavity tbh, Jargyle (because why not), they are idiots one last time, also more Gareth!
Author's Note: Awww, it was emotional to close this one out! Thank you to all who have read and followed along. I can't believe this was only going to be 2 parts at first. I am a FOOL with Steddie brainrot. Until next time!!
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Steve wasn’t sure what he was expecting when Eddie said he’d gotten him a gift, but it sure as shit wasn’t this. 
“Oh, my god,” Steve said, holding it up to see it in all its glory. A t-shirt with words printed over a rainbow across the chest: Steve & Robin - Not dating, just gay and codependent. 
“Obviously, I have one for Robin too,” Eddie said, tossing Steve a second shirt. 
“Oh, my God!” Steve repeated, laughing this time. It was perfect and so incredibly weird. He couldn’t wait to model them with his best friend and take the most ridiculous not-couple pictures of all time. “This is - I mean, Jesus! I love it, but would you let me be the impressive one for once?”
Eddie looked Steve up and down, then smirked. 
“With those abs? Don’t worry, you’re still the impressive one here.” Steve blushed, then sat up in bed so he could put the shirt on, but Eddie stopped him. “Woaaaah there, what are you doing? You can’t cover up, I’m enjoying the view.” Steve rolled his eyes.
“You’re not going to let me use the gift you got me?”
“Not yet,” Eddie replied. “I’m actually kind of regretting the whole thing now. You should probably never wear a shirt ever again. Can I have it back actually?” Steve chuckled, then smacked Eddie playfully on the arm.
“No way.”
“Steve, you wound me," Eddie joked. "But fine, as you wish."
Eddie and Steve had been official for 2 months at this point, and everything was kind of perfect. They each continued to work their respective jobs, and with their added happiness came enhanced customer service. 
Bob was happy - both for Eddie’s shift in demeanor as well as for the business. They were doing great! Plus, he got bonus points as a step-dad for introducing Will to Eddie and the shop. Will came to visit a few more times, and this time he got to talk to Steve, too. It was clear that seeing a happy gay couple was important for Will. He hadn’t seen much of that in his small town, so seeing Eddie and Steve be so grossly into each other was refreshing. 
And gross.
But mostly refreshing!
One day, Will’s older brother dropped Will off at the shop, introducing yet another cool person into the friend group - Jonathan. By then, Eddie had succeeded in making Argyle his friend, and the two of them spent many nights smoking and watching those stupid stoner comedies together in Argyle’s weird, confusingly giant house that he somehow lived in. 
Seriously, how did the guy have a house like that already? How did he have the money to travel so much with Chrissy? Her show was good and all, but it couldn’t possibly be getting her that much income. 
In any case, Argyle and Eddie were buds, so Argyle also happened to be around when Jonathan walked into Ink About It. 
The bromance between Jonathan and Argyle was pretty much immediate. Eddie would have felt mildly jealous about it if he hadn’t noticed some very familiar (aka queer) vibes between the two. Perhaps Will wasn’t the only Byers grappling with their identity, that's all Eddie was saying - but it was just speculation. Eddie kept his mouth shut (except to Steve, obviously, who fully agreed). In due time, as with anything else. 
So then they all hung out - Chrissy, Jonathan, Argyle, Steve, Eddie, and Robin. They’d formed quite the friend group - all of them getting along with each other beautifully. Argyle even hosted a road trip with the squad in his giant pizza van (???) so that they could all surprise Gareth at a Corroded Coffin show.
That night was epic, and it finally cemented Robin and Chrissy as girlfriends.
After their date, they’d both been super into each other - undeniably so. Yet, because Chrissy was so often moving around, they’d decided it was best to just stay friends. 
Yeah. Eddie and Steve knew that wouldn’t last very long. 
It still lasted longer than it should have, and the pining was rampant. Every time they all hung out, the two women wouldn’t stop staring at each other, cracking jokes, and giving everyone else in the room ample opportunities to share knowing glances…
And then they went on the road trip, and they got super drunk, and Robin tended to speak a lot more freely when she was intoxicated. 
She professed her love to Chrissy on the dance floor. 
It was a bold move, but it paid off. Chrissy and Argyle extended their stay in Hawkins, and Robin and Chrissy became an official couple. 
Coincidentally, that night was also pretty huge for Eddie and Steve. Firstly, because Chrissy and Robin had dropped the “I love you’s” before they had, which felt kind of ridiculous, considering Eddie and Steve obviously loved each other. 
“The fucking lesbians stole my thunder!” Eddie yelled from the bar, watching Robin and Chrissy hug each other on the dance floor.
“What are you talking about?” Steve asked, amused at his boyfriend’s antics.
“Ladies and Gentleman!”
Gareth’s voice boomed from the stage. The band had taken a quick break, but were back on. Eddie grinned, then grabbed Steve’s hand.
“Come on,” he said. “Let’s get closer.” They wandered through the crowd (past Chrissy and Robin) as Gareth continued. 
“We’ve got a surprise for you all. You see, my boy Eddie Munson requested we play a special song tonight. So, this one’s for you, Flower Boy. Lord knows we wouldn’t play this for anyone else.”
Before Steve could even process what was happening, the band began to play. It wasn’t metal, it was -
“I Melt With You,” Steve said once he recognized it. “I love this song.”
“Iiiiii know!” Eddie responded, laughing. He pulled Steve into him so they could swing along to the music. “This was my whole master plan. Was gonna have them play this and tell you I loved you and it was going to be this whole beautiful moment but then Robin-”
“Eddie,” Steve interrupted, laughing. Eddie’s jaw dropped, and then he facepalmed. 
“Oh my god I totally just said it without meaning to,” he said. “I’ve been holding out for WEEKS and -”
“You’ve loved me for weeks?” Steve asked, touched. 
“Well, yeah,” Eddie replied. “Duh.” His eyes bugged out on that last word, his voice taking on a goofy, boyish cadence. Steve smiled.
“You’re so ridiculous,” he said, shaking his head. “And I love you too.”
“Yeah?” Eddie asked, grinning.
“Duh,” Steve replied, attempting to mimic Eddie’s response from before. “Robin didn’t ruin your big plan, by the way. That was all you.” Eddie chuckled.
“You still love me though,” he said. Steve nodded, and then they were kissing. 
I’ll stop the world and melt with you.
Yeah. That song pretty much said it all.
Everything felt just right🌹
-------------------
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butchkaramazov · 1 year ago
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portrait de la jeune fille en feu: an analysis
portrait of a lady on fire (2019) dir. céline sciamma. major spoilers ahead.
okay i am having intense brainrot over this film and i cannot hold it in anymore. let's start with the parallels.
héloïse and marianne as orpheus and eurydice
"in solitude, i felt the liberty you spoke of. but i also felt your absence." this is the main principle on which orpheus turns and brings forth his doomed faith. he feels "liberated" knowing that eurydice is finally about to return to him, but then he feels her absence. he misses her too much to not look back at her one last time. and so he does.
"or perhaps she said, turn around." héloïse brings this up when sophie, marianne and héloïse are debating on the reason behind orpheus turning back towards eurydice. the scene ends with this dialogue, showing that everyone present in the room agrees with héloïse's sentiment. later, when marianne is leaving, she plays the role of orpheus, with "eurydice" running behind her. and then, true to her word, héloïse says: turn around. and so she does. within a second, the background turns black (like that of an abyss which eurydice fell into) and the door closes as héloïse's image fades away. her role as eurydice is complete.
as the FSU Students Union puts it,
"....outstanding characteristic of this film is its use of Greek mythology. The writing draws delicate parallels between the myth of Orpheus and Eurydice and the two protagonists’ relationship. These parallels also foreshadow the fate of the characters and allow for a brilliant and heartbreaking callback scene (which will not be described in order to avoid spoiling the ending of the film). The film uses mythology as an allusion instead of a device to excuse fantastical elements. There is no unexplained supernatural intervention, nor does Orpheus make an appearance onscreen. Instead, it is the tragedy of this myth that repeats itself in Marianne and Héloïse’s lives."
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[scene ends.]
2. page no. 28
an excerpt from an interview regarding page no. 28 and that scene:
Céline:  “There is a contemporary effect in this scene that is huge. Finally, we have loose hair, we have no costume, we have shoulders only, we have naked bodies. We no longer know where we are, we no longer know in which period of time we are.”
Adèle: “The moment when I say 28… originally there was a justification behind it, which was “why 28? - “Because it’s my age", but we cut it. And that decision making on set allows the creation of a new mystery. Because suddenly there is no explanation to 28. I say…”
“And when I say “28” I tell myself that I am going to create a kind of treasure, like something that we’ll never know about. But it will have a lot of meaning for the character in that moment.”
in the end, when marianne sees the portrait of héloïse with her daughter, she feels her heart break. but when she catches a glimpse of her keeping a finger on page no. 28, she realises that her lover is sending a message for her and only her to understand: i still love you. when the camera pans to héloïse's eyes in the portrait, it feels like she's smiling at marianne, a kind of tragic smile that says hello again.
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i mean, just look at her face. she knows they'll meet again, perhaps in another life.
[scene ends.]
3. paintings and scenes
i love how this film makes us see everything through marianne's eyes, through the eyes of a painter. a few scenes can be compared to renaissance/baroque paintings, such as:
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traveller contemplating a sea of clouds by caspar david friedrich in 1818 // héloïse looking at the sea, slightly shrouded by rocks
also note that when placed side by side, the fog lines in the painting in the left seem to melt into the rocks in the scene present on the right side (this is probably a coincidence, however it is fun to observe.)
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ampio orizzonte by ettore tito, 1910 // héloïse and marianne in portrait of a lady on fire
ampio orizzonte was also used in a tumblr post captioned "art that depicts women not posing seductively or gracefully but simply existing as human beings", and that is exactly the mood this scene in portrait of a lady on fire is portraying. a pure moment between héloïse and marianne just existing comfortably around each other.
[scene ends.]
4. the ending scene.
the ending really delivers the message that even though we may be kept away from each other, art shall bring us back together. this can be seen in other, important scenes where héloïse and marianne hold onto their lost loves through their painting.
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art does not simply stop at paintings, however, and the ending delivers exactly that message. art also means music, and in this case, the orchestra marianne had attempted to recreate for héloïse now being experienced live by héloïse herself.
the camera slowly zooms in to héloïse's neutral face as marianne stares at her. her expression gradually changes into a grief-stricken one as her chest heaves and her jaw clenches.
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slowly, her lips stretch into a smile, probably at the thought of marianne trying and failing to recreate that part of the orchestra. it could also be héloïse trying to console herself with marianne's words of reassurance: "don't regret. remember."
(this line could be a nod to sappho's fragment 147, “μνάσασθαί τινά φαιμι †καὶ ἕτερον† ἀμμέων.” - “Someone I say / will remember us / in another time.” although it's unlikely, it's fun to think about.)
[scene ends.]
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kieranwritess · 2 years ago
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COD MWII x Cyberpunk 2077 AU Brainrot
Fandom: Call of Duty
Characters: 141, LV, Graves, Laswell
Notes: cw for graves /lh, perhaps a bit of implied soapghost, bisexual soap, bisexual johnny silverhand, probably ooc but i do what i want ❤️
a/n: inspired by @yeyinde and my midnight-fueled obsession :) I'll probably make a part two to this because it's now my baby. knowledge of Cyberpunk 2077 is recommended because I reference in-universe characters. yes it's very niche, no I don't care.
- set in 2077
- they would all hate Johnny Silverhand. no exceptions.
- Soap's a little sad he shares a name with that fellow bi disaster bastard tho
- in a similar vein, they'd probably not be too fond of River; Price would envy him for his naivety and Gaz sees himself in River
- fanon Rogue and Price would 100% bond over being mother hens to a ragtag group of idiots
- Graves but Meredith Stout
- no questions asked
- the bitch would work for Militech or some other arms corp
- probably Militech because it is very American™ and he's a little yeeyee boy
- i might have Rudy's characterization wrong, but I feel like he'd have started in the NCPD like River
- poor boys only wanted to make the world better but instead Rudy became jaded and is sort of resigned to his job like Han
- Alejandro would be his buddy from Heywood who was always trying to get him to quit the force
- Ghost is probably the most like V in terms of skills and attitude
- but he's not some gonk kid who wants to make it big, he's made it big
- fixers either love him or they hate him
- one of those "going down in a blaze of glory" dudes
- would never work with Dex, though, and is especially relieved he never did after he hears about the Arasaka heist
- Price: veteran, but in a Mitch way and not a 6th street way. I feel like he had the potential to be a fixer, but wanted to try to have a quiet life after the war (Price bbg, there is no such thing as a quiet life in NC)
- is kind of like Takemura in the sense he'd love to run off and join a nomad clan (because fuck this place, honestly)
- but NC is all he knows and he has people he cares about there (read as: poor dude is attached to the 141 boys)
- Johnny (Silverhand) respects him, even if Price wants to rip him a new one every second they're around each other
- he could definitely become a mentor figure to V and would consider joining up with them if they take The Star ending
- honestly, i can still see Laswell working for the NUSA government
- but I'm not sure how we'd get a connection between her and the 141
- fuck logic, Price and Kate are still besties
- Soap and Panam get on like a house on fire
- a propensity for a little rule breaking and an affection harbored for an authority figure (i'll let you decide in what sense) brings them together
- I probably hc Gaz as younger than he actually is, but he gives off baby solo vibes
- brb thinking back to Jackie and V at the food stall outside of H10 and crying about it
- anyways
- Gaz would probably be the most like streetkid V
- bro knows his way around local fixers
- hc that Ghost and Gaz met on a job before Ghost made it big time
- and Ghost is all "I work alone >:(" but they discover that they work well together
- again thinking back to the streetkid intro, albeit Ghost is nowhere near the same as Jackie personality wise
- they probably grew apart after Ghost becomes a solo
- but Ghost is the first one to suggest Gaz when asked to put together a team for a big job (i.e. the heist but it doesn't go sideways)
- and yeah imo that's how c77!141 is put together
- Ghost knows Gaz, Gaz grew up around Price, and Price knows of Soap through the grapevine
- I guess to "convert" each of them into ttrpg factions, Soap is a techie, Ghost is a solo, Price is prolly a fixer, and Gaz might fall under lawman (as a PI or something)
- i am making less and less sense so I'm gonna stop here for now
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tulipsnflowers · 5 months ago
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Okay, I'll bite. Deena. Go ahead.
You're just shooting fish in a barrel. Well except there you have the slightest chance of missing.
Massive spoilers for the whole nexomon series. I mean it
Before I begin madness, Deena is Omnicron's fourth child. Nara of the forest. She doesn't have a two word title like the rest cuz she did revive Omnicron. So it's free real estate.
Formalities done with? Yes? Alright:
I am not well about her. At all.
She helps you in n1, reveals herself to be Nara at the end. In n2 she hides it till frozen(where she dies) , turns out to be your mom in Lateria, nothing till revival.
Okay. Okay, I-
First of all. I truly to believe in n2 while she has definitely changed from the literal war at least a little bit, she's definitely playing an act when it comes to how much. I mean, once you go Omnisun and revive her she actually smiles for the first time and it made my heart into a puddle when I replayed. She's genuinely happy<3
Innnn n1 her siblings don't recognize her somehow. Well, Merida mentions her in her nightmare with something like "not without traitors on this side" or something like that, it's been a bit since I read her dialogue
Which. Can Deena interact with her siblings more, PLEASE. She gets 1 interaction with Fenrir, and that's IT. And that's in n2!
There is not a singular part of my soul I would not turn over for James and Deena to talk. Actually have a conversation. Please.
Because they're almost opposites to one another and I really need to see how that would go. Grudges, guilt, and so on. PLEASE.
And to again hit the fish in the barel...
Deena. Deena, darling, can we talk about your problem solving abilites?
Pre n1, even if you didn't team up with Ulzar(which is up to interpretation, but most people say yes), you still allowed your siblings to be actually killed. For humanity. It was probably a necessary step, but with that you nuked your relationships with them at least temporarily.
In n1, in Lateria, you do leave the room. You speak as we are about to fight Grunda, your sprite is in the room. But whoops once he's dead you are gone! No sprite, absolutely no talking until you head outside of the chamber. Coincidence? Probably, but this is my brainrot I will accept it as canon.
In n1 endgame, after killing Omnicron, you literally say almost word for word you will stay and watch your father's soul for an eternity. Deena. No. Just because you're related to Omnicron, does in fact not mean, you should spend an ETERNITY in the netherworld. Ziegler's there and it is stated the wardens do not like you. The most entertainment you could humanly get is probably with Miriam. Deena, we don't do that-
And in n1 POST GAME, when Omnicron is bluffing when he says "if you destroy my soul all nexomon will slowly die", she doesn't deny it. If she knew it was a lie, she probably would have said so. But no. She says something like " You need to. That soul is also the source of great evil. " which, without knowing he's bluffing. Deena. Deena are we going to talk about that, are all? No? What do you mean no. We can't just glance over you essentially being willing to die-
And THEN, as if everything else was not enough, in n2, you are fully willing to hand your child over to Grunda(who's doing great with it, btw), but like. That has got to hurt. Especially after having OMNICRON as a parent. She definitely did not feel good about it I am not taking any arguments about the opposite.
And as a cherry on the TOP. She dies. Now, Xanders may be buff, but he probably couldn't have beaten Deena if she gave it her all. My belief. But issue, this is an enclosed space. And plants are very sharp and hurt very much! If she did give it her all, what is she actually hurt Solus? Alternatively, she's probably still weak from well, giving birth to Solus. Are we noticing a theme in what Deena does, perhaps? Just a little one?
Seriously. She has got to stop saving the world over her own well-being/self. Deena you need a hug and hot cocoa gosh darn it.
- Bonus mini rant! -
Besides, I am so worried about her in n3. Why?
Well. Lets see. She keeps loosing more and more as the series progresses as a. But as b and c..
So, we have a cycle of: Humans v nexo and Deena switching sides. Monsters are in the lead? Deena's going against Omnicron. Humans are in the lead? Let her deal with Vados in a convoluted plan.
Following this pattern, ladies and gentlemen, what do we get for the next game?
Combine THAT, with the lack of choice being a theme(as a person I follow pointed out) sure, Blue messed up killing Omnicron, but what choice did they really have? He was evil, he was going to end the world. There was only one, even with bad consequences.
And then, Amelie, what choice did she really have? I mean, I hate her, but your people are dying gosh darn it. You have to try and stop it somehow, you don't really have a choice less it goes into shit.
Solus had to revive Tyrants, sure it was a bad thing but how else were they supposed to stop Vados? That's their friends, and people on both sides. What choice did they have, really?
Abyssals are also a very prominent example, with them having obviously no fricking choice to do nothing.
So. Combine the two, and you get....
Granted, I pray I'm incorrect. She needs a god damn nap. And hot cocoa.
-Bonus rant over-
All of this is to say, I love her a lot. She's such a great character and I just wish for her siblings and her to talk more. And for Solus and her to hug, preferably. It would be appreciated.
Oh and, I dislike her n2 design somewhat. Simple reason, she has 3 goddamn butt flowers. And NO moving green parts! Why??? That was like a staple of Omnicron's children!
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I fixed it, there ya go.
Of course this is my subjective opinion and so on, but hey
Oh and ALSO! Personal reason why she couldn't become the ruler of Nexomon: she was weak to wind and fire, simple as that. She needs to get all of her siblings' gifts but she couldn't possibly do those two because how is she supposed to control either at all?
It's why Solus can, they have two weaknesses, one being ghost, and both also being super effective against. So they might have some trouble with those ones, but they are chilling (remember, their weakness to plants is one sided)
Alright. I think that's everything about this plant deer? Eh, most things anyway
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tantai-jin · 10 months ago
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fic writer meme!
thank u rachel @fruitdaze for the tag!!! <3333333
1. How many works do you have on Ao3?
23 since 2016 lmao,, i don't remember exactly how many i posted on lj from 2012-2015 but it wasn't a ton, probably 10-15 that were like 50k altogether
2. What's your total Ao3 word count?
124,765
3. What fandoms do you write for?
it's been all over the place since 2020 lol but p much only chinese media like danmei novels, movies, cdramas. used to write kpop rpf but prob won't return to that even tho i still like and follow many groups
4. What are your top 5 fics by kudos?
给你给你 (yunfei)
换一世身份姓名; heaven to myself (canglan)
not-that-small talk (tell me honestly) (bts yoonkook LOL)
새벽 rush hour (yellow light, slow) (bts taegi LOL)
捡一个梦; reach for a dream (canglan)
5. Do you respond to comments?
i usually do, although i'm often quite late LOL i have a couple fics where i didn't reply to all the comments after a certain point and then i just stopped 😭 or if they are a guest user or only leave emojis as a comment then i don't reply? but ofc i see every comment
6. What is the fic you wrote with the angstiest ending?
uhh i feel like the only thing i wrote that is complete and has an angsty ending is 捡一个梦; reach for a dream bc it was a missing scene from an angsty arc of the show. or lol jk same scenario applies to 余光 (remnants of light) bc it takes place before the end of yuwu and not in one of the happier moments
7. What's the fic you wrote with the happiest ending?
either 给你给你 or 换一世身份姓名; heaven to myself bc they're both disgustingly sweet and affectionate at the end
8. Do you get hate on fics?
nope! either i am writing for tiny ass fandoms or like, my fics don't get enough traction to attract haters LMAO
9. Do you write smut?
not a lot... the incomplete bingqiu au i posted has the most explicit scenes so far but i am still too shy writing it. i have to practice so that i can write more than 3 sentences of sex in a single day and actually finish the wips i started 😭
10. Do you write crossovers? What's the craziest one you have written?
i have before! nothing crazy tho bc it was just kpop rpf and it would be like, two idols from the same company that have interacted multiple times! lmao. sometimes i think abt crossovers for cdramas that are relatively tame such as: two actors that have been in the same drama multiple times are reincaranted and those 2+ dramas are their different lives... but it's so niche in eng speaking fandom and i haven't fully written one out yet. also does it count as a crossover if u put characters from story A into the setting/setup for story B bc i do that a lot but i think that is fairly common at least for ppl to imagine
11. Have you ever had a fic stolen?
i don't think so... again, my fics do not get a lot of traction so i don't think it's likely lmaooo
12. Have you ever had a fic translated?
i think there was an exo one translated into russian a long time ago but i don't even remember which one lolllll it might have been on my livejournal
13. Have you ever co-written a fic before?
not a whole fic yet but ive brainrotted a plethora of aus with friends before such as but not limited to mingqian actors au with lianzi (very intricate with multiple variations) and a Bunch of cdrama and yuwu stuff with another friend :')
14. What's your all time favorite ship?
i cannotttttt pick only one but ummm in the last yr-ish it's been a rotation of tantai jin/li susu + mingye/sang jiu from cyjm, mingqian from liu yao, xilian from yuwu (🤪)..... bingqiu from sv (always).... i should stop for now that's Tew Many. but i think once i finish spl, changgu will also be up there
15. What is a WIP you want to finish but doubt you ever will?
i feel like i'm cursing myself by typing this out but perhaps the bingqiu i posted one chapter of..... even if i could write all the p With p parts that i wanted to include, i was also a little stuck on the ending and idk if i would be able to write it in a way that doesn't feel like a cop out or just weak in general 😢 but i do like that au and i think my writing for it so far was p decent... so who knows...!
16. What are your writing strengths?
i think i am pretty good at dialogue that sounds 1. natural and 2. true to the characters! i try really hard to make imagery sound original(ish) and evocative, and to make a character's Yearning palpable
17. What are your writing weaknesses?
intricate plot, action, sex (takes me forever to write and haven't done it in as much detail as i would like to tbh)
18. Thoughts of writing dialogue in another language in fics?
i love it! i did it a little in my yunfei fic and instead of directly translating the line of chinese right there i just included the meaning in the next line of dialogue, like "what do you mean [thing they just said]" + i did it like that bc the tone of it just felt so much more natural to me in mandarin for that specific convo. not that it was something untranslatable (it wasn't) but it just felt comfier to me. i also like the thing ppl do where you can hover over the text and it will show the translation but idk how that html works HAHA someday i would like to give it a go
19. First fandom you wrote for?
exo.......... lmao
20. Favorite fic you have written?
overall i think it would be typhoon season (my incomplete but not abandoned cisswap girls ximang in hk) ! i had it fermenting in my brain for like 8 months before i wrote it, which meant i had figured a lot of the stuff for the beginning out and it was much easier to write than normal since i was not deliberating so much in the moment. i think the pacing for it was good and the reveals of backstory were placed well, and i think i adapted the characters well too even if it's only a first chapter and they haven't done a lot yet. i wanna write them again but it's been rly hard for me to think abt that specific au for many months lol. i also think my recent yzy gegedidi fic had a lot of yummy scenes even if i see some flaws in some parts of the fic's progression... but i spent enough time on it already so i will not go and fix it anymore 😌 peace
i think all my writer friends were tagged already...... this tagline (like a bloodline) will end with me
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babacontainsmultitudes · 2 years ago
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highjinx, gun control, and terrow,
Howdy!!! :] thanks for entertaining me with this hehe- I'll do these slightly out of order!
(also just to be clear when I say “I like it platonically” for these I don't mean that it isn't romantic for me per se, just that I could appreciate it as a purely platonic thing as well)
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Highjinx (Sparrow/Nicky): JNANFNGSPEONGPROJNHPSONHOSP GOD THEY ARE EVERYTHING TO ME MY BABIIEEESSSS- *breathes in* One day we'll collectively agree on a ship name for them. It made me happy that you like this option though!
:3 These two seriously are everything to me tbh. This is my oldest (serious) dndads rarepair!!! And prolly my first kiddad ship aside from maybe some Grant/Terry (which I still enjoy but shipped it most strongly during my first S1 listen). I guess for a number of reasons I've always been pretty shy about this one, which you've been around long enough to verify hahaha. Thanks for being one of the first people to entertain my thoughts on these two! 🥰 I still think about that little eyeliner hc you sent in.
>:] THAT SAID I SEE ALL OF YOU CATCHING THE BRAINROT FOR THIS SHIP HEHEHEHEHEHEH AND LET ME JUST SAY I AM FUCKING THRILLED TO SEE IT 💜 and rather surprised tbh! I think in my cynicism I'd sort of succumbed to the notion that this ship was doomed to be unpopular (perhaps especially since Nark is so very very popular!)- and yet!!! It appears there is hope for my little otp 💜
In theory I have a lot to say about these two and their dynamic, in practice I am very sleepy eheheheh. I could certainly entertain a lot of flavors for them but, as a baseline, I guess the original appeal for me came in seeing their dynamic (particularly as teens) as being similar to Fiona and Marshal Lee from Adventure Time? Which, no worries if you haven't seen but in short yeah just like this sweet sorta playful puppy love but with that particular sort of Hades/Persephone aesthetic (<- as Happi put it!!!). 🥰🌸 Sparrow would make Nicky flower crowns, Nicky would give Sparrow his jacket when he's cold, you know how it is. There's definitely also something to be said about Nicky having all his attachment issues coupled with Sparrow being so openly affectionate- Sparrow would give Nick the hugs that he really really needs and Nick would be all flustered and it would be very very cute ahahaha. I mean, I'd have way more to say about them and different aspects of their dynamic tbh but we'd be here forever so I will stop here!!!
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Terrow (Terry x Sparrow): They're cute!!! SO admittedly I think when it comes to this ship I just can't really seem to picture them together romantically? Idk, it's missing something for me! *That said*, it's made me happy to see this ship grow in popularity actually! They have a very wholesome dynamic, very soft, and I love that for them. Platonically I super see this though, and in general I'd really love to see some proper interactions between them in canon tbh, as a treat!
Okay! Last one.
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Gun Control (Lark x Terry): I'm literally never getting over this ship name. Anyways.
THEY'RE SO FUCKING FUNNY DUDE????? I'll be real, this ship made no sense to me at first but then (I think while reading a snippet from one of Nyx's fics really) it just fucking *clicked*?? And now I really really like this ship actually!?
Like. For me much of this ship relies on the premise that, unlike Nicky and Grant, Terry is literally just fucking *immune* to Lark and his bullshit. Like, nice try idiot you can't make him worse actually!!! And so in the process... I think Terry makes Lark better actually!
Not that they don't have conflict, in fact they probably have plenty but, it's much more lighthearted than the other Lark ships I think? I don't know, to me they are very goofy, and I mean that very affectionately. It's an underrated ship!
:3 Thanks so much for the ask Rae!!!
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