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vanya-evergreen · 7 months ago

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How to remember.(Chapter 1)

Masterlist

Relationship: BatFam x reader (platonic)

Summary: At the age of 11, you woke up in an other world without any guidance and all the money you once lacked. You were left with only your memeories and your other memories.

You tired to remember, their life, but it seemed like they didn't want you too. So when trying to navigate the intricate sides of an elite schoo, but you always got in trouble when it came to faces and names.

Cw: brief description of gore

No use of Y/n

Wc: 5k+

A/n- Woo first post! Exciting but so nerve racking, honestly have never posted my fanfic before. So, sorry if its kinda rough, had no one to beta, bare with me please. The characters are probably OOC, since I only recently got back into DC after seeing the "do the butts match post?" from the ai voice reddit post on tik tok. But you what that's more fun anyways, right? anyway please enjoy a really really random idea

Tick tick tick tick

The room was quiet, with only a few scribbles of pens or pencils to fill the void. You resided at your desk, hunched over, while resting your face on your hand. Your eyes lazily review the assignment in front of you for the 7th time. You had finished the assignments for the day, with each answer being correct that left you with only your thoughts. Your eye twitched, turning your head slowly toward the window, while slowly moving your head from your hand to the desk. You went through your day just to try and remember, waking up, first 2 classes, all fine. Until, on your way to your current period, you ran into a younger student, probably a sophomore, maybe a junior.

You cringed silently, you were just in your mind, really your memories from both this world and your original world. When you ran into a younger student, you both fell and could only manage a quick sorry before moving on. He was barely getting to his feet when you turned away, you were so stuck in your mind that you couldn’t even offer a proper apology, let alone your hand. You can't help but think back to the faint whisper you heard as you walked away. You made a mental note to find and properly apologize to him during lunch, if you could remember what he looked like, seeing as you only really saw his keychains on his backpack as they jingled when he got up.

Your head started throbbing as you thought too much, you shut your eyes tightly, wiping your mind clean, then opening them again .You stared out the window, trying not to think much, just trying to learn to just exist. Why is existing one of the hardest things to learn? You watch the clouds clash into each other slowly creating an ocean of a scale of whites and grays. You slowly let your mind blank, even just for a moment, it was nice.

You could slowly feel your drifting off, almost like you were disconnecting from your physical body. Until the sound of mindless chatter started up in the back of the room, pencils still wrote, notably faster than before. This means the period was almost up, so that means lunch and trying to find that one guy. You sat up, collected the assignments from your desk, then got up and turned them in. You got back to your seat right as the bell rang.

You picked up your stuff and got out of there as quickly as you could, just to round the corner to be surprised by an underclassman. He had green eyes that made very uncomfortable eye contact with yours. You almost immediately looked away from his very intense glare. You side eye him and see his bag. The keychains.

“Shit” you let out under your breath as you released your present problem. Your eye drifted back to his face, he didn't look all that happy to see you. ‘definitely him’. “Hey man, listen…” you started. You felt genuinely bad about earlier, you could only imagine how big of an asshole it made you seem like.

“Who are you?” his tone was blunt, with a twinge of annoyance.

Your mind stalled, that's not what you expected him to say. You thought he would threaten you or maybe pull the ‘do you know who i am card?’ or ‘I am going to ruin your life’. You felt the hostility he emulated, you felt uneasy. You furrowed your eyebrows, opening and closing your mouth a couple of times. The almost seemingly endless stream of words in your mind were stuck in your throat. “ ___ ___” you choked out with your last bit of brain cells.

“ Where are you from?” His voice shot straight through you. He gave you no time to collect your thoughts from the initial question. Your mind was scattered from how fast questions came at you. The unease in your stomach grew.

“Uh, gotham, like everyone here.” Confusion clouded your already foggy mind , ‘what did this have to do with me running into him earlier?’ “ I am sorry about earlier by the way.” you added quickly with a sorrowful expression, the cloudiness didn’t consume your intention to apologize.

“Gotha, hm, how come I have never seen any event?” he ignored your apology. ‘Okay, that's rude.’ You tried to grasp at whatever you could to respond.

“What events?” was all you could get. You felt like you were going to faint from the speed of his questions. Why did he care so much about what you did, you were just a stranger to him.

“Galas, business meetings…” he listed off different types of high end events, but you didn’t really listen after the first two. Your head was spinning, you had to try and collect the scattered pieces of your mind.

You rushed your recovery, you went from being up in your head for the last 20 minutes to being pulled down, through the earth’s crust, into a cave being interrogated by someone you have never talked to before this. ‘Who the hell is this guy?’

“I am sorry, but who are you?” You interrupted him midway through his next question, ‘that was a great idea’. “Am I meant to know you or something?” Ah yes, your most infamous line. You put your hand on your forehead, trying to rationalize this interaction. His mouth was open, he looked almost offended by your question.

“you’re joking?” he exclaimed agitated, he creased his eyebrows. You had to get out of there.

“No.“ You turn your head to the side, throwing your hands up in the air while turning your upper body away.

“ Well okay then, have you ever heard of the Waynes?” You do remember hearing about Wayne enterprise last time you went to the doctors, like when you first woke up in this world, which was like, 6 years ago, maybe. That doesn’t really matter. You had heard of it.

“The company?” you questioned. He groaned, if in relief or annoyance, that was beyond you.

“Yes, but what have you heard about the Wayne family?” he looked you square in the eyes, you turned away slowly not really saying anything. You looked guilty. “Nothing?” you nodded assuring his previous statement. Still not meeting his eye, not wanting to deal with that memory for the rest of the day. “How?”

“I don’t read the gossip columns?” You suggested with an awkward shrug and chuckle. You only now realized that there was a wall of students formed around you and him. You definitely had to get out there now.

“What? What do you mean” he was really pissed now, but you didn't even hear half of what he was saying you were just trying to find the quickest way out of here. You looked around looking for an opening within the students. You noticed one right behind him so you had to be quick about it.

“Listen, I am so sorry about being early, I didn't mean to make you fall, really.” you seemed less sincere than before, you were trying to make sure that you didn't seem rushed. “I really didn’t and if it had been any other time I would have made sure that I had offered my hand but I just wasn’t entirely aware. I am sorry, again.” You had made your way around him away around him as you talked, you maintained eye contact with him until you were able to slip in between the students. “Please forgive me, and I am sorry I couldn't answer your question adequately.”

“Wait-” you heard him shout as you speed walked away, trying to blend in with a group of students that were walking down the hallway. He, of course, saw you slip into the group and approached you. You had to think quickly, thankfully there was another group of students that was going the opposite way. You quickly slipped into another group, successfully avoiding him. You could only finally breathe when you made it to the dining hall without running into him again.

You went into the lunch line, trying to just forget whatever the hell that was. You moved through the line slowly, grabbing whatever looked appetizing today. One of the many good things about going to a rich school was that the food was edible. You were grabbing the last bit of your lunch before you felt a cold air run up your spine, you said a silent prayer in hope that it wasn’t who you thought it was. You tried not to look, Maybe if you didn’t look he would leave. You remained calm and walked with your food to the table where you sat with your friends, making sure to make yourself as unnoticeable as possible. You were able to sit down and eat most of your lunch before you felt him approach your table, you could feel a cold sweat develop on your shoulders as you took your last couple of bites.

He gradually approached, carefully looking over everyone trying to figure where you were. Your friends were having a typical conversation, what they were doing that night or where they are going to college and what they are going to study. Until one of them saw him approach. “Is that Damian Wayne approaching us, right now?” that when you realized why he was having a hard time with you early, you couldn’t recognize him or his family, but your friends, who never cared for status and the tabloid’s talk recognized him, or Damian now that you had a name to the face. You straightened up when you heard this.

Your friends looked at you strangely until they realized you were the one he was looking for, and you did not want to be found. They acted quickly. They, as naturally as possible, started to clean up. Throwing away trash, and putting away their food. They even helped you pack up, and as a group you slipped out of the dining hall into a hallway, then out into the courtyard. You would have to thank them later with some homemade baked goods. They really came to your rescue today.

You looked at your phone, 12:45. Lunch was almost over, never would have you thought that you would be grateful for that. ‘Only 5 more minutes’. Your relief was somewhat short lived as you had to now answer their question. “So, what happened?” one of them, Leah, asked flatly.

“Well you see…” You started not really wanting to talk. You looked around trying to procrastinate this conversation.

“Stop putting this off” Another one, Warren, jabbed you in your side with a pencil causing you to flinch.

“Fine…” you sighed feeling defeated, ” So, today I may have, made him fall, but I also fell.” you signed as you talked. you looked down and then back up at Wynn hoping for their pity only to be met with a vaguely threatening look to continue. “And after 3rd period he was waiting for me in the hallway and he asked who I was. I told him my name and then asked who he was because he was asking me a lot of questions.”You smiled with fear behind your eyes. They looked at you mouth agape, no one could be as out of tune with the news as you are.

‘What the hell? Did you even apologize??’ Wynn signed, they were not happy with you.

“ The fuck you mean you didn’t know him?” Leah exclaimed, grabbing onto your shoulders and shaking you very violently, making you feel sick. You knew you fucked up bad when Warren did have anything to say.

“Wynn, I did apologize!! Like 3 times too, and I am sorry I am too busy thinking of other things!” You continued to sign as you talked, trying to defend yourself. Warren and Leah were lecturing you about how stupid your actions were and Wynn was just shaking their head. You started to tune them out when you saw the door open and of course Damian came outside. You quickly got up and picked up your stuff.

“We need to finish our-” he started before being interrupted by the bell ring. Much to your luck.

“Hey, well see you guys later, I need to get to class” you waved goodbye to your friend and signed ‘please don't kill me’ to Wynn, before you ran past Damian to your 4th class, They all exchanged looks with each other before you friends quickly walked away to their own classes. You made it to your 4th period without much trouble, besides a few stares the class went perfectly, boring but fine. The next 2 classes were a mix and repeat of your 4th period, only with increasing whispers every time you walked in a class.

It was finally your 8th class, study hall, you were able to get to your normal spot without much trouble. You were even able to put in your headphones and start working on a rough draft to a machine that you were designing. You sat most of the day up until this point, so your arms always felt stiff. So you stretched your arms, only to hit something. Quickly retracting your arms back to your side, you turned around. ‘FUUUUUU-’ It was Damian. “Heyyyy.” you slowly turned back to your computer in front of you, taking off your headphones.

“Are you gonna avoid me again?” He was looming over you, you could feel the burning on top of your head from the way he glared at you. You shut your laptop and braced yourself for all the questions he was going to ask.

“No.” You shook your head, he sat down across from you. You looked anywhere but at him.

“The events, why have I never seen you?” He went straight to it.

“I don't think I am famous enough to go.” You shrugged, he raised an eyebrow at you suggesting that you were lying. You were ticked off by this. “ Listen, If I have gotten an invite, I have never seen it.” You folded your arms.

“ How did you get into this school?” You didn't really have a clear answer to this one, “I have heard about how you could never recognize people who are from well known families in Gotham, and some that were even famous by themselves.”

“A trust fund.” That was your typical go to answer, but in all honesty you didn't know. While you had some memories, a very limited amount, of this body's life, they were almost all blurry. None of them were really clear, but you could feel what they, the other you, were feeling. You could make really rough assumptions. Like you knew you had a mother (or a female figure) that you loved, and somewhere along the way she got remarried and you had step-parent up until she died. You could feel the way the memories would cause a physical reaction so you tried not to think about it too much. “And I just have never really had the mental space to pay attention to that, plus faces and names aren’t my thing.”

He wasn’t satisfied with your answers “So what? You just don't know anything about the world?”

“No, of course I pay attention to the crimes in Gotham, and the people that handle them.” This wasn’t a lie, you did pay attention to that, you even knew their names, a big honor to have, in your mind at least. You were a huge fan of them, even before- you know.

“Hm.” He slouched as he contemplated your answers, while resting his hands intertwined together maintaining eye contact with you. There was silence between you two, it was too long. You restlessly tapped your fingers on the table while resting your head on the other hand, watching him. Waiting for whatever comes next of his seeming never ended questions, but he seemed to be stumped.

“Is that it?” You broke the silence “You have everything you need to know. Right?” You straighten your back, now sitting up right. He only continued to stare. Internally you rolled your eyes before you put one of your headphones on.

You opened your laptop, quickly glancing over the blueprint for the machine. You were getting bored of this. you looked blankly at your computer screen. ‘I wonder what I can find about Damian's family.’ What a dangerous thought to have. You, with a renewed vigor, quickly opened a new search window and started simple. ‘Wayne family’ you were overwhelmed with the number of results. 2 billion. 2 billion. You understood why Damian was so shocked now. That was just for the family too; you count the profiles, 9.

First, you clicked on ‘Thomas Wayne’, you were somewhat familiar with the name. You read about the tragedy of how he died, you knew this story, you watched a true crime video on it a couple of years back. You felt it was only appropriate to make your way down the family tree so you clicked on ‘Bruce Wayne’. Of course you could assume he was Damian's father. There were links to articles about some scandal of his or how his business was doing. You read a bit further only to find out that the man adopted a lot. Like, you had wondered how he had 6 children but guess that was your answer. You were about to click on Damian's profile only to stop.

“What exactly are you doing?” So he didn’t lose his vocal cords. You snapped out of your trance by his voice.you realized how funky what you just did was.You felt a bit like a creep now, searching up his family in front of him was not the best idea.

You coughed clearing your throat “Why do you care?” You tried to keep an even voice.

“You were staring so intently at your computer that it almost looked like you were planning something.” He leaned back with his arms folded.

“Well,” You closed your search tab later, planning on continuing to research (basically stalk) them later. “I am working on a machine.” You ignored the underlying implication that you were possibly evil. You pulled up the blue prints and math for the machine and turned it around to show him.

“What does it do?” His glare intensified.

“It’s meant to be a multi-dimensional portal, of sorts.” This was the truth. “It's more of a concept than anything.” This was a lie. “I have to make this for my engineering class, we have an assignment where we make up a theoretical invention and try to come up with a way to make them real” Another truth.

“Interesting,” he became more vigilant, yet interested because of your words. “And have you figured it out?”

“No, and if I did it probably wouldn’t work,” much to your dismay. “This assignment is more about how well we can explain our logic than the actual realism of it.”

“Oh,” You couldn’t tell if he was more relieved or disappointed. “Well you must enjoy the class if you are putting this much work into it.”

“Yep ,” you said through slightly gritted teeth. You didn’t mind the class, in fact you would’ve loved it, if you were still in your original word. “I guess.” You smiled tightly, turning your laptop back around. “So what about you? Do you have a favorite class?” Your smile shifted from tight and sharp to curved and soft, this was classic. You did this when you were trying to shift the attention away from something you didn’t want to discuss. You could almost see him relax, ever so slightly, but still he’s coming around. Maybe.

“Art” his arms were still folded, but his eyes didn’t seem so analytical or hostile. While it wasn’t a lot it was better than what you had gotten out of him from most of the conversation.

“Really, would you be willing to show me some of your pieces?” you asked ever so politely.

“Why would I show you?” And there is the defensiveness.

“Because I showed you my blueprints.” your smile faltered for a moment only to return within a second, you looked back to your laptop.

“Right,” his arms were more loosely folded. “Still I don't have too.” his arms tighten back up again.

“That is true,” you nodded in agreement, “but I wouldn’t mind seeing them, but that's your choice.” You weren’t going to force him to do anything, it wasn’t your job. He was quiet. You peered over your laptop to see what was going on. He looked at you, eyes wide, arms barely folded. He looked like a cat after finding something interesting. “What?”

“Nothing.” He returned to his vigilante mood. You shrugged it off and continued to work on your draft. He continued to observe you, you continued to work. You both stayed this way for a while’ it was like you were in a mental battle with him, a really one-sided one. You didn’t really have any intention of resuming the conversation.

The silence was very welcomed. It allowed you to get your work done, you would’ve been done in 30 minutes if he didn’t show up. The silence was interrupted but the sound of a zipper opening. You didn’t look up from your laptop; slowly a sketch book came into your peripheral. You glanced at it, with a bit of hesitation you reached for it. Closing and sliding your laptop to the side, replacing it with the sketch book. you opened the cover and started going through the sketch book carefully. While had only shifted the conversation to get the heat off of you, you were nicely surprised with his talent.

The sketches in the beginning were good, in quality. They were all of different gorey situations, from a man having his head torn apart, to a woman with her skin falling off, it said something about his childhood, but that was his therapist's job to decide what this said. The theme changed after a few more pages of graphics images, which had become much less violent. There were first a few of just some plants, they were nice but not as nice as the first bug you saw, you could deduct that he had real references to base them off of. You flipped through the page, seeing pages full of multiple individual sketches, to pages of only one, fully detailed, landscapes. WIth some gore but it was far fewer than before .

You could see his improvement. They were good to begin with but they were too focused on the bigger image, they were missing something. You felt like he figured whatever he was missing, this was shown in the recurring dog, Titus, or that's what he labeled the drawing. You flipped through a few more pages, mostly animals and plants, until you saw the first human sketch that wasn’t a subject of a horrific act. You had seen the face only 20 minutes prior, it was Bruce Wayne, but he wasn’t wearing his playboy smile, he wasn’t even smiling. It was only a headshot but you could tell he wasn’t present in his mind. He was wearing a thoughtful look, a distant look.

You looked over the page more carefully now, there was still an overall theme of live studies of plants and animals, with some small landscapes, but there was new addition with people now, they were all labeled with their names, you roughly could recalled some of them from early search on his family, they were greatly detail, they all seem to show some sort of part of their personality, their real personalities. Not the public image they upheld but who they really were. You felt like you shouldn’t be looking at this, but you think he would’ve stopped you if he didnt want you seeing this. You turned more pages, he had improved a lot, he had not only found what he was missing, but more. Every drawing and sketch, you left no drawing unseen.

You stopped at one page, it was a full page dedicated to a family portrait, or a sketch of one. The portrait was the formal ones you were used to. They were casual clothes, no one was looking straight forward. No poses, no one sitting, nor was their hair combed neatly. It looked like just a family out and about. They all seemed so close, it seemed to be more of a wish than a reality but you were not close to him so maybe it was his reality. You looked over the page a final time before turning to the page. The rest of the sketchbook was architecture and landscapes with sprinkles of animals that you assumed were his pets. The talent he had was special, you would honestly tell him that he should pursue art, even if just on the side.

You slid it to Damian. “You have some real talent.” You expressed with a calm tone.

“I know.” He stated as if it was a known fact. You choked on the air in your throat trying to hold back your laughter. He held a blank expression, he wasn’t cocky, if he was he would be smiling.

“I am glad that you see it,” You look at your phone, 5 minutes before school ends, “I always get annoyed when people try to deflect praise.” You closed your laptop and put it into your bag. “I think it's a waste of time, it's just an attempt to seem humble” you secured your bag to your back, “but that’s kinda hypocritical of me to say, don't you think?” The bell rings.

“Yes it is.” he agrees, nodding his head.

“By the way, what class did you skip to talk to me?” There was no way he had study hall this period.

“Well,” he paused. He just stood there not really wanting to answer you, you chuckled. He wasn’t happy that you laughed at him.

“Alright, good to know. Anyways, have a good day.” You walk away, still chuckling. before leaving through the door, you turned back, looking at him “Feel free to show me more art if you ever choose to.” You gave him a wide grin as you span around on your heel and continued to walk away with the typical bounce in your step. You didn't see his reaction, but it didn’t matter. You were able to get away from him without him asking you anymore questions you wouldn’t have been able to answer.

The hallway was crowded, a sea of students were either trying to head home or back to their dorms. You got through it quickly as you had taken to the window method, where if you see an opening in between students, you take it. Something seemed off today, well more off than normal. You didn’t pay attention to that. You made it to the front of the school and found your driver waiting for you, you waved and smiled before getting in and heading home.

Damian wasn’t sure how to feel about this, or he couldn’t pinpoint how he felt. You were so nice but he was suspicious of you. I mean, wouldn’t you be too? You were rich enough to go to Gotham academy. Which was known for being a school for the elite, yet he couldn’t connect you to any of the elite families. You also didn’t know any other elite family, especially the Wayne's. A founding family of Gotham, and always had something going around on the news. It's like you just dropped on to the face of the earth randomly when you were 11.

He had already pulled your file from both cityhall and the school. Your school record was almost squeaky clean, only one instant of a fight that was deemed not your fault and bullying targeted towards you. Your city record only showed that you were an orphan with no listed legal guardian and that you have lived in the same penthouse for almost 7 years, near old Gotham. “No named father and mother is dead” he read his notes out loud. “What the fu-”

“Master Damian.” Alfred was standing in the doorway with a steamed suit for this weekend's gala. “Excuse the intrusion, I just came to put your formal suit away and say that Master Bruce is ready for patrol.”

“Thank you Alfred,” Damian gathered the pages, straightened them, and put everything into a file. He placed it to the side for later.

“Also,” Alfred continued to speak as he hung Damians suit in his closet. “I got a call from the school” Damian stopped and looked at him. Damian’s eyes followed Alfred as he walked towards the door. “Master bruce doesn’t know, yet, but I wouldn't recommend doing that again” Alfred warned him as he shut the door. Damian was glad Alfred would keep his secret, even if just for this once.

Damian heads down to the Batcave. He was still annoyed, he hated how easily he could let his guard falter so easily around you. You were too nice to a practical stranger. He thought, no, he knew that there was something up with you. There is no one still this decent in Gotham, not in the city where they needed a rich family to handle their criminal problem, or where there seems to be a S-level threat every couple of months. You simply could not exist in a city like this.

He passed many large frames with paintings, he never really paid attention to them, like he would be now. There were points where there were smaller frames with photos and he looked over at just the right time to see a very familiar face. He stared for a moment before continuing to walk but much faster now. After he was suited up, he met his father as he was sitting at the computer.

“Damian.” Bruce greeted him, still reading over files pulled up on the screen. Damian to a quick read over the files, it was a missing boy’s case. Probably kidnapped and being held for ransom or maybe because her parents did know something they shouldn’t.

“Father.” Damian replied. He eyed his father, he wanted to ask straight up but he knew his father would easily hide his reaction if he did so directly. So he waited for the question he typically hated disliked answering.

“How was school today?” Bruce was never the most attentive father but he tried, this was one of his few ways of trying to stay in tune with his children's lives. Damian would always say mostly the same thing ‘unchallenging’ or something along those lines. But tonight was different.

“Fine, but I met this person today,” Damian said.

“Oh really” Bruce raised an eyebrow and turned his chair around to face him, Damian has never mentioned meeting someone before. “Who are they?”

“___ ___, they are a senior.” Bruce tensed for a second at the mention of your name. That was all Damian needed to see from him. Bruce, of course, regained his composure within milliseconds.

“Hm, good to hear” Bruce almost mumbled. “I hope they are nice.” He turned back to the computer. Damian was a bit smug about getting that reaction from his father, what a long night it was going to be for Bruce.

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endiness · 6 months ago

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okay, i have gone through probably 50+ s2 interviews of hc researching this so far and i have to say that at this point i really don't see how he wasn't deliberately trying to manipulate the fanbase and the media against the writers and the show to get them onto his side. (and also, like, a very specific, extremely toxic section of the fandom at that.) (it's the sexist incel gamerbros. i'm talking about them.)

"I wanted to represent as much of a book-accurate Geralt as possible and a lot of the fans did as well, and so I campaigned really hard to make sure that he was more verbose, he sounded more intellectual, his choice of words was more thought out and that his approach to Cirilla and everyone else wasn’t antagonistic. Because it initially came across as he was just grumpy all the time with everyone and everything and I really wanted to show this three-dimensional character […] It’s gonna be tough to do the stuff which is as brilliant as Sapkowski’s writing, but it’s something I’m always gonna campaign for and it’s hopefully fit into the vision of the show."

there are so many interviews (ie virtually every interview out of 50+ with the exception of maybe, like, 3) where hc says the exact same thing about how he just cares so much about book accuracy, specifically where geralt's characterization is concerned, and that he really started to push for a more book accurate geralt in s2 and wanted him to be more verbose and intelligent and show that he isn't just a one dimensional character who just grunts and says hmm all the time like in s1 — and at no point does he ever take any responsibility for how that was due to his acting choices in the first place because he would cut his lines.

he also just straight up lies about the situation because the writers originally wrote geralt as being more verbose and book accurate in s1 but then changed the way they were writing him due to the acting choices he made. and yet he acts like that was never the case and that geralt was never originally written that way and he pushes this idea that a book accurate geralt went against lauren's vision. even though, once again, that was the original vision and it only changed due to him.

and on the extremely rare occasion (i'm talking, like, maybe 2 con panels here) that he ever takes any kind of responsibility for his role in all of that, he still waffles about and tries to present this image that he wasn't really cutting that many lines and they weren't really that important anyway and it didn't really matter:

"I didn't even cut that much. Just little bits when someone says how they feel, I thought if Geralt says nothing, and maybe the well-known grunts or hmms and sometimes the occasional f-word, people can take from that what they will."

even though that can't be true as confirmed by joey:

"Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

and even hc himself confirms this and what joey said in a s1 interview:

"All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

i also have to point out that hc directly links his push for a more book accurate geralt to reading comments on reddit as i think that's very relevant to what section of the fandom exactly that he's pandering to and why he's been so vocal about it while lying about the role he played in everything and what actually happened:

"I’m on all the Reddit forums. I’m reading all the reviews. I’m literally trying to get everyone’s information. Some of it is not useful, and other criticisms are incredibly useful. I take it all in, and I look forward to bringing it even closer and closer to Sapkowski’s writing. I think any of those criticisms, they often lie in things like I was saying—we don’t have the advantage of a long involved conversation or dialogue with Geralt, so they are criticisms which I think I was prepared for. So for me, it’s about seeing that, understanding it, and working out how I can do my job better within the framework provided, [how to] appease and make those people feel comfortable that I do actually understand this character—and love this character just as much as they do."

"As a source for information, it's really helpful for me to see what everyone's saying, what everyone's thinking, and to see how much my thinking falls in line with whichever side of that spectrum it is and whether I'm doing the wrong thing, for example, by campaigning hard for the book Geralt to exist or whether I'm doing the right thing."

and just another important thing to point out imo: virtually the only times hc ever takes any responsibility in any capacity whatsoever for his own role in the show not adhering to the books (which even then he barely does and it's still always with a lot of excuses), it's only ever at con panels — which are far less likely to get picked up by news outlets and seen by a broader audience — and not in formal interview settings. (except for, i think, one interview he gave early on when s2 first went on hiatus. but even then, it still has the same problems that the con panels have where he comes up with a lot of excuses that don't match what happened.)

then there's an interview hc gave where he went on about how he added some book dialogue into a scene and he made it out to be like it was some kind of rebellion against the writers and he didn't consult them as he was just going to do what he wanted, consequences be damned:

"I did not feel like having long discussion about whether I could add this bit somewhere. So I just did it, said the words in front of the camera, and was ready to face the consequences."

and meanwhile what actually happened was that lauren eventually let hc have free reign and rewrite a scene that he was unhappy with. which, y'know. kinda fucking weird to present what happened in the way he did.

and then there's him pushing this narrative that the female characters — namely yennefer and ciri — were given more depth and focus than geralt and the male characters as if that came at their expense and all of which is somehow due to lauren's women-centric vision of the show as if that's somehow opposed to how the books themselves are:

"On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher."

"In Season 1, there wasn't really much of an opportunity for expansive dialogue which Geralt is known for — in the books, he's often known to monologue — because we had two original origin stories which were the center point of the show."

"Lauren’s vision was more of an ensemble piece than the first Witcher books. It’s driven a lot more by the characters of Yennefer and Cirilla."

"I wanted to make sure we really explored as much as showrunner's vision could allow. She has her own plan, so I’ve got to toe that line between book Geralt and Lauren’s vision."

"I wanted to try and bring as much of the book’s Geralt into Season 2 as possible, and as much as the vision, the plot and storylines would allow. The toughest part for me was finding that balance between the showrunners’ vision and my love for the books, and trying to bring that Geralt to the showrunners’ vision."

"It’s important for me to have the character be three-dimensional and it’s tricky to do, as I was saying earlier, because there’s a certain vision and there’s a certain set, storyline and plot. And so, it was about me trying to find Geralt’s place within that."

"There’s only so much space to provide the same character from the books within the showrunner’s vision. But, I did my best to provide a bit more of a three-dimensional character with a bit more emotionality."

"It's important to me that the men in the story are three dimensional as well."

like, first off — and not to continually reiterate this but — that's not true. in s1, geralt was originally written as being just as verbose and intellectual as he was in the books and that only changed due to hc cutting his lines and we know that joey often had to take his lines, too. so there was, in fact, always plenty of time for geralt to be book accurate and for yennefer and ciri to have their own focus. these things were never mutually exclusive and it's definitely some kinda take to imply otherwise.

secondly, while it is true that geralt is the main character of the short stories, ciri is the main character of the main series starting from blood of elves, the book that s2 adapted. and despite claims otherwise, her pov has always had the most focus — yes, even more than geralt (sans baptism of fire, obvs.) and it's not like ciri is the only female pov, either, or that there aren't other important female characters that make up the series. there's yennefer, triss, milva, philippa, fringilla, nimue, condwiramurs, kenna — and that's just off the top of my head. there are plenty more where that came from. women and their stories have always played a central role in the books. nothing about that goes against them or is unique to lauren's vision.

and just with boe in particular, like. triss's pov is either focused on more than geralt's or at least about as much as his depending on how you want to break things down. and with dandelion following very close behind them, too! like, ciri may be the main character of the main series and geralt may be the main character of the short stories and their povs are the most focused on overall, but the books are still very much an ensemble piece made up of a collage of many, many povs to paint a full picture of the universe. and, yeah, the women make up a huge part of that. so the show focusing on ciri and yennefer and the women — and, yes, the men as well because it does actually do that! — is um, still book accurate. so y'know, why the fuck is he presenting this idea that's somehow not the case.

in general, hc emphasizes in a lot of interviews how much he fought for "male characters to be three dimensional." which yeah, given the context of everything else, is some suspicious kinda phrasing because it gives this undertone that the show wasn't writing three dimensional male characters in the first place as opposed to the women and that it's only due to his efforts that anything changed.

also, i have to highlight this quote of him talking about the three dimensionality of men because ~curious that he omits women from the list of people real menTM can be loving and caring toward:

"I believe that real men are very sensitive. They are very capable of doing things which can be violent, if possible, or necessary. But at the same time, they are incredibly capable of love and caring amongst men and towards children and family and all sorts."

and then there's the way hc talks about changing things which comes across as so suspicious, too, imo. especially when there is every other cast member to compare him to. because the way the rest of the cast has talked about this is that they all very consistently say that the whole process is very collaborative and that lauren is very much willing to hear them out about their thoughts and concerns and that it really feels like a team effort and that everyone is working together. and meanwhile the vibes that hc gives off is either "me vs the world (ie the writers)" or "but there's nothing that i can really do to change anything and it's all on the writers~" either way, his attitude very much comes off like all bad decisions are the writers' fault but meanwhile any good decision was due to him and him alone (or maybe the rest of the cast, but definitely not the writers.) like, weird af to play it off that way especially since every other cast member didn't seem to have any problems and they all gave credit where credit was due ie to lauren and the writers.

in conclusion, it'd be one thing if hc had just taken the l and admitted that he is the one who fucked up geralt's characterization in s1 and so he sought to rectify that in s2. but yeah, he doesn't really do that. instead he lies over, like, 50 times to create this narrative of him pushing for book accuracy as if that's somehow in opposition to lauren and the writers and as if they didn't originally write geralt book accurately in the first place and as if he played no role in the lack of book accuracy at all. and then that there's also him pushing this subtle (or not so subtle) narrative about how the women were taking a more central role as opposed to the men and that's somehow unlike the books and something purely due to lauren's vision, too? even though women have always played a central role in the books to the point where ciri is the main character of the main series? and that he's directly linked this narrative he's pushing to reading comments on reddit? (and that he also has a history, since s1, of trying to cater to game stans?) yeah, i just don't see how this doesn't add up to him trying to manipulate the media and audience — especially the worst parts of the fanbase — against the writers and the show and onto his side.

(also just one last thing i'd like to note as i find it super weird that when hc was asked about giving freya any advice, he immediately shut down the notion that he would ever do anything like that and he would never offer her any unsolicited advice and he would only ever give her any if she came to him first. like, there are literally s1 and s2 interviews where freya talks about hc giving her advice. i mean, maybe she did come to him in the first place, idk. but the immediacy in which he shut down the idea that he would ever do anything like that as if offering someone younger than you advice and being a mentor to them is wrong… weird. sus, even. like, why are you scrambling to cover your ass for something that's not even bad and, also, why are you lying about it by omission in the very least.)

#anti henry cavill #the witcher #!txt: the witcher #also just a friendly reminder that hc didn't even know the books existed when he started pursuing the role #and he had only ever played the games and he actually thought that the books were based off them #(and yet still never picked them up at all or y'know googled the series despite being such a massive fan)#and he's only read the full series once in 2018 right before he got cast #and he's never played the dlc either

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thefirstknife · 5 months ago

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Besties, I need help. Especially people who have a lot of reach on twitter.

Two of my friends had their Destiny names forcibly changed at the roughly the same time. Their Destiny names were "bisexual mara sov" and "trans king oryx." They just logged in and got a pop-up saying that for some "crossplay" reasons their names were changed to a default Guardian####. None of them are using crossplay. Both are on Steam only, if that's important.

One of them posted to Bungie forums and got this reply:

Both of my friends suspect that they were mass reported. Obviously falsely. Their names are not breaking any rules and are in fact canonical statements about the characters. They always play together so if some homophobe sees them, they would report both, so it would make sense why this happened to them at the same time, possibly (the other option is that there was a wave of forced name changes happening recently that caught them both, but for all intents and purposes, their names should not be subject to change).

This upset both of my friends quite a lot. It means there's enough homophobes out there falsely reporting their names. It's also upsetting to think that these reports were reviewed and then accepted. I genuinely don't think there was a manual review. If there was, I think everyone would like to know which rules this is breaking and why.

Another friend tried raising this issue on the official Destiny 2 reddit, but his thread was not approved by moderators because of "politics":

Thanks reddit! /s My friend also messaged the moderators, but to no avail.

The only thing that remains is trying to raise this issue with the community managers somehow, but clearly this isn't possible on reddit, so we want to try twitter. Unfortunately with the way twitter works, unless you have the reach, nobody will see it. One other friend literally made a twitter account for this to tag the Destiny 2 Team, but as expected her attempt has zero visibility. These are her two tweets. I'm not sure what would be better; to just boost this existing tweet or to make new tweets tagging Destiny 2 Team, but if anyone knows and thinks they could help, feel free to do either!

I don't expect much to happen, but I would like to at least try bringing some awareness to this because it's quite upsetting if homophobes can just mass report a completely innocent name, while absolutely gross names are allowed and visible every day in the game. It's also not a good look if these mass reports are acted on without review, and they are worse if they were acted on WITH review.

A lot of people have usernames that are about in-game characters; I think a lot of us would like to get some information on why these aren't allowed anymore. Both of my friends have had them for years.

Anyway, if anyone knows something they could do or has the ability to get this visible somehow, it would be appreciated!

#destiny 2 #bungie #not hoping for much but i want to try at least #we thought that maybe the 'sexual' part in 'bisexual' was somehow flagged. but there's no explanation for 'trans king oryx'#is there some new rule about not using in-game characters in usernames? because it doesn't seem like it #given the names i'm seeing around. literally saw 'mara sov's bath water' yesterday. despair #this is so bad because both of them would often have the most wholesome interactions with people in-game because of their names #a few months back someone approached them with the pride emote and then asked if oryx is really trans #and then they had a bonding moment in the tower about it #we get so many screenshots of them experiencing this. 'random people show up and do the pride emote at us!'#and this happening on pride month? homophobia

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myfairstarlight · 6 months ago

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An Ode to Friends to Lovers - Colin and Penelope's story

Fine, I give in.

As someone who considers themself more of a casual viewer (as in, I've never engaged in the fandom before), I went into this new season with mild interest. And then I fell down the rabbit hole. I should have suspected it though, Friends to Lovers is a trope I affectionate particularly when it comes to romance, unfortunately one I very rarely think is done well. So I was still skeptical going in.

But by God, did they deliver on that front and I need to break it down and talk about it. So I guess this is my review of Bridgerton s3, part 1.

Under the cut though, because this is gonna be a long one (seriously, this is a warning).

I don't particularly think Bridgerton is a complex show, and one can argue all day about whether it is even good (in my eyes, as long as it's entertaining, I don't care if a show is "good"), however, the number of takes I've seen online not understanding basic story-telling worries me a bit.

Don't get me wrong, I agree this first half has pacing issues but I do not think Penelope's and Colin's love story suffered that much, it did not feel rushed to me since we already knew these characters for two whole seasons (and I maintain Colin has always had more depths than what people pretend he does, it seems like, just like the ton, viewers like to overlook him and just characterise him as naive).

And I guess this long ass post was born in the process. So:

Part One: Penelope's glow up

Yes I'm starting by looking at them individually first. I think this post on reddit sums it up so perfectly. I get we're all joking about how unrealistic it is that no man was ever interested in Penelope despite how she looks like an absolute goddess (and I maintain she was the cutest in both previous seasons as well!) - unfortunately it is realistic. That's the reality of bullying, it doesn't get solved by a glow up. Even her association with the Bridgertons through Eloise and Colin did not lessen the bullying, so without them? Even the prettiest dresses would not have changed the ton's perception of her, and she's still the awkward, anxious girl she's always been, and unfortunately, most of these men are not attracted to that. It's not satisfying, she doesn't get her triumphant revenge on a society that always ostracised her - and I think it's important that she does not. That she accepts it. She should not have to change for a ton that will not change for the better either. And it's a lesson she learns quickly - someone will love her for who she is, pretending will only lead to misery. And, it is when she's being herself that she successfully gets the interest of some gentlemen (shout out to Lord Remington! I was so hoping we would be seeing more of him on top of Debling. He's such a Whistledown fan I thought that even after the whole lesson reveal scandal he would have stuck to call on Penelope the next day to gossip together, it would have been cute but I guess he too wanted to avoid being written about) (also I'm just saying in fics he should be the one considered as a proper other suitor for Pen since they seemed to have a genuine connection, meanwhile Debling was really searching for practicality).

The thing I wanna add to that post is this: despite all that, she decided to change her looks for herself. When I first learned of the plot of this season, Colin helping her find a husband, I was scared it would mean Colin would be the one to tell her to have a makeover. It doesn't happen. Sure, Penelope subconsciously requests for a more Parisian style for her new dresses because it is the last place Colin went to, but by that point she has already given up on him. She wants something new, and to feel good in herself. That's how she blooms, by finding a style that she feels comfortable in, finally free from her mother's horrendous tastes. That's what allows her to be more confident as well, the new looks and her motivation to move on from her "unrequited fantasy". As for Colin? He never comments on her change, he compliments her dress (and mind you, that is when he's trying to play up the charm because he knows she's upset with him and he gets humbled, hard) but he never says it looks better on her than what she wore before, he never has a "I never realised how beautiful you were" moment we see a bit too often in friends to lovers stories, because to him she's still his Pen, new dresses, new hairstyles, but the same Pen he's always loved, even if he didn't realise to what extent yet.

But Penelope's confidence... is not quite there yet. Difficult to be, when she's grown up in a loveless home, with horrible sisters, a father who barely cared and a mother who constantly puts her down. Whenever she gets a compliment, her first reaction is "ah, it must be a joke" - that isn't even exclusive to Colin, in the brief interaction between Edwina and Penelope, when Edwina compliments her dress, Penelope also dismisses it. And then, there's Colin, who is always oh so honest with her and does not shy away from praising her. But I'll touch more on that later.

Part Two: Colin's new self.

And then we have the opposite: Colin showing up with a new attitude, and succeeding at it (well, on the surface). Something I haven't seen people bring up a lot though is that he's already tried a new look in s2, and he got mocked for it. The only one who didn't? Penelope. Why didn't he try to emulate being a rake back then? Because Penelope's letters grounded him, he admits it himself. It's seeing himself through Penelope's letters that gave him confidence. But that kind of confidence was not enough in the ton's eyes, and on top of that, between s2 and s3, this time Penelope doesn't write back, and neither do his family. He grows insecure, he's lost the one person who kept him grounded, he thinks his family is annoyed with him, and he still is in search of a purpose, so what does he do? He clings to Anthony's words in s1 after the disaster that was his engagement with Marina: he's too green, time to "fix" that and be more like his big brothers. They got it together, they know their purpose (well, Benedict lost his again but that's a story for another day), so surely, if he acts more like them, and not like the sensitive and naive boy he was, then surely everything will be alright! Right? Note that as opposed to s2, where he kept talking about his travels and it annoyed everyone, in s3 he doesn't go into details about them anymore, even when he's asked. They're only interested in the company he kept during the travels rather than the sights he saw. And honestly, it was heartbreaking to see right away how much of himself he was holding back, even with his own family. Penelope, however, gets the details without even asking because he already knows she likes hearing him talk about them and she makes him comfortable, and he's fully aware of that when he apologises in s3e1.

(I also want to note that, even if this new persona is fake, his new style genuinely fits him better. Just like Penelope, this season Colin found the style that makes him feel good and confident.)

And here's where I need to praise Luke's acting for a bit, because he absolutely nailed the subtle way Colin behaves differently with Penelope vs everyone else. His voice is softer, he is effortlessly charming (I was kicking my feet when he recalled how they met), his smile is bigger, even his whole face looks more relaxed whenever Penelope is around, meanwhile he always appears stiff and like he's calculating his every move when around his "friends". In fact, it is in the carriage scene we finally truly see s1&2's Colin back. When he has that look on his face, as he decides right there and then he's gonna marry her, and then a second later when he asks the question, his face. By God, his eyes are sparkling, he's so happy, and he looks as youthful and carefree as he did in previous seasons, far are the thoughts of trying to fit in a society that he hates.

Because above all, these two know and understand each other in a way no one else in their lives does. And that is a fact that remains despite the outward changes. So yes, I liked that their dynamic did not shift to romance because of their "glow ups", but because they are spending even more time together now. Speaking of which:

Part Three: Authenticity and Vulnerability

One big theme this season is being true to oneself. It's no coincidence mirrors are such a big part of it (even outside of the yet to be seen spicy scene), because looking at a mirror means looking at oneself, and be vulnerable. If s2 was about duty vs heart, eldest siblings trying to do right by their family to the point of self-sabotage, s3 is a battle between the head and the heart. It is not even exclusive to Polin - Eloise is learning and growing by trying to take genuine part in society but struggling to fit in. Cressida wants to become a better person, torn between the pressure put on her shoulders by her parents and this new friendship with Eloise. Benedict is looking for his purpose after learning Anthony paid his way to art school, and feeling like a fraud as an artist. Anthony and Kate are unashamedly in love, as they deserve to be after the struggles they went through last season. Francesca has no care for the suitors the Queen and her mother parade in front of her as the "sparkler" of the season (sidenote but I hated that, stupid name, should have stuck to diamond or select another gem) as her heart seeks out the handsome and quiet John Sterling instead. And this will continue in part 2, as Penelope will have to be honest about Lady Whistledown (because she's always her most authentic self around Colin, there is still this big secret she is so determined to keep to herself, when she should not).

The beauty about friends to lovers stories to me is the small declarations of love sprinkled throughout the relationship. It's about the trust already built in with no expectations and the vulnerability we'd never allow anyone but our closest friends to see, something even our family can be ignorant to. I mentioned earlier that Colin never shies away from praising Penelope, way before their dynamic shifts to lovers. He tells her she's good, constant, loyal, special, warm. All of these are declarations of love, even if not with romantic intent, it's about showing his appreciation for her, for the role she holds in his life. And Penelope responds in kind as well. That is why I believe people who think the romance was rushed in s3 either did not watch the past two seasons or see friendship and romantic love as two distinct things rather than a cohesive continuation of each other. In s1, people focus so much on the Marina stuff, as if that cancels out Colin's friendship with Penelope. We still do see Colin actively seek out Penelope at balls, and defending her against Cressida, he compliments her and tells her she's the one who inspired him to travel. Then s2 rolls in, and they're exchanging letters, which will become the cataclysm for their dynamic changing later on. And then there's one of my favourite scenes with them: them talking about their purpose. They both open up here, Colin about his insecurity, Penelope about her dream, it is so intimate. And then, there's of course Colin protecting the Featheringtons from ruins. I'm mostly emphasising Colin's actions, because Penelope's crush on him was always in your face, and while Colin may not have realised it yet, he's always cared about Penelope in a special way, as manifested by his actions and how vulnerable he allows himself to be around her, when even his own family has no idea about what's going on inside his head.

There's a misconception that Colin calling her his friend was him rejecting her, and yet we see in s3 he had no idea whatsoever that she has a crush on him, so he could not lead her on (unlike his book counterpart, who was aware of Penelope's infatuation and was careful never to toe the line until he realised his feelings. Show Colin though? Completely oblivious. And it makes sense, he's still young.) He asks Violet "how do you know it was reciprocated" and not "how do you know you're in love with your best friend". As of right now at the end of part 1, he genuinely thinks he's the one who fell in love first, or at least realised it first. His "You're Pen, you do not count, you're my friend" in s2, was not a rejection in his eyes, but a declaration of love; he's forsaken love and women but not his Penelope, never her, she's his exception And it's not like Penelope resented him for that friendship he so readily gave her, yes she had a crush, but she was proud to call him her friend! He was, with Eloise, her solace away from her family. At the end of the day, this is a friends to lovers story, it is silly to get upset that they considered themselves friends first before there is a click as they realise they are now on the same page to shift their relationship.

Side note but I've never liked the term "friendzoned" because it makes it sound like being friends is a bad thing. I've had unrequited feelings before but I've always felt grateful that being friends with them allowed me to stay close to them even if I knew nothing else could happen. I was still very much happy and content. But maybe I'm projecting on Penelope and that's another debate.

See, what I ended up loving about the lesson plot, which I was so wary of at first, is that Colin barely teaches Penelope anything. At first, he goes for the "do what society expects women to do" (since it worked for him) but then she acts awkwardly, she can't fake it, and it surprises him for a moment. That's when it clicks for him, she just needs to be comfortable because with him, she's always smart, witty and charming, she's herself. He's always seen her that way, and he did not quite realise he had that privilege in the first place. And I love how we see him slowly realise it is no longer a privilege thanks to his help. We see it in e2. When she talks to the guy with the dead horse (forgot his name, oops), Penelope forces the flirt and Colin is amused by it. Fast forward Penelope approaching Lord Remington by herself, without Colin's initiative, and she's being more authentic, and suddenly Jealous by Nick Jonas plays in the background and Colin doesn't look proud, but apprehensive, or dare I say jealous. The shift in Colin's head happens long before Debling is in the picture. I'd argue it already shifted earlier in that episode, in his study, which he flashbacks to in e4.

His journals detail how unfulfilled he feels when he lays with random women in his travels. He longs for emotional intimacy. And guess with who he finally finds that, when a certain red-head asks the one question that allows them to break the physical barrier they had to keep between them for the sake of propriety?

Ah yes, that first kiss. To Colin, everything has been building up to this, this is his true Oh moment. A favour turned into a revelation. For Penelope, this is quite literally the end of her fantasies. This is Penelope's most vulnerable moment. She bares her heart, she's sad, she's desperate. And some people have been calling that moment pathetic, interpreting it as her being weak and giving in to her crush again, saying that she should not have to beg for that man's affection. I concur that she is brave, and bold. I also concur that some of you all are a bit too attached to the girlboss archetype forgetting that allowing oneself to be vulnerable is also a strength. She's never had to beg for Colin's attention anyway because he readily gives it to her, but in this one instance, for once in her life, she is truly being honest. In her head, she has nothing else to lose, and she wants to experience the one thing she thinks she can never have so of course she's gonna turn to the one person she's always trusted and feels the most comfortable with, because before her crush, Colin is her friend. She's asking a favour from a friend. And then she can move on, whatever "moving on" will turn out to be. In this instance, she has the power in her hands.

And it is her bravery that is the true cataclysm for things to change properly. Of course, things have already started to change the moment she stopped replying to the letters, but that moment really expedited their relationship.

Part Four: Lovers, but in a best friends way

The thing with Bridgerton, in the books or in the show, is that each couple has their trope. This is not news to anyone, I think. We've had fake dating, and enemies to lovers, and one characteristic that these two tropes share is a growing tension between the characters before it snaps. There is a reason the early marketing for s3 focused on Penelope being cold towards Colin, tension and conflict are more appealing on the surface. And then the first half of the season comes out and that conflict between our main couple? Solved after one episode because they did one thing that is severely missing in most romance dramas: communicated healthily. Penelope laid out why she was upset (although she does not stay to let Colin explain and then vents out her feelings in Whistledown... she still has some learning to do), Colin immediately went to apologise and make up for it. All of this by talking. And yet I'd argue friends to lovers still has its own tension, just not to the same intensity as the other two, and more difficult to market. The tension comes from the brewing feelings, the way you start seeing every touch, every interaction, in a whole new light, and wondering if it's only in your head or if it's reciprocated. But now combine that with Colin who's always been so earnest about his feelings with Penelope? And Penelope who's always quietly wanted their relationship to evolve that way? Of course they figured it out quickly and got together in half a season. And I'm delighted that we will see them handle the whole Whistledown mess as a couple, as two people aware they love each other deeply, which gives a whole new meaning to the conflict compared to the book where I felt like it was brushed over a bit too quickly (because they got distracted in that carriage). It is the last secret between them, their last obstacle.

I also do not like the "Colin should have grovelled and pined more" argument, when he is the one who insisted on the lessons to help her find a husband in the first place, and then has to face the fact that actually, he doesn't like the idea of another man taking Penelope away, and oh, isn't that the consequences of his own actions? He is grovelling, you just don't see Penelope holding it over his head, because that's not the person she is, this is not a revenge fantasy story, in fact she does not realise the power she has on him because she is used to Colin seeking her out. I like that he didn't stew on his feelings and decided to act on them right away. I also don't like how this whole grovelling thing makes it sound like love is a competition, that just because Penelope has known she's been in love for longer and "suffered" longer, that means Colin needs to do the same to even the planes. Because in my eyes love isn't exactly something to be earned — it is given. Now, are you worthy to keep it? To nurture it and make it bloom and last? That is the real question.

Admittedly, since this is only the first half of the season, we do not see them in a romantic setting a lot. That first half is focused on them rekindling their friendship lost during the summer when Penelope stopped responding to the letters, and Colin having the realisation he cannot live without his best friend, not just because she is his best friend, but also because he loves her. But we do have two important, and obvious instances.

So let's talk about that first kiss again. It is, in my opinion, one of the most gentle and romantic moments in the show so far and also showcased their friendship really well. Colin trying to joke to lighten the mood as Penelope spirals down (peak best friend behaviour actually), the gentle, swelling music, the light of the moon, Colin's deep exhale of realisation as he holds her face when he goes back in for the second kiss, with the furrowed brows of a man on a mission. This is Penelope's most vulnerable moment and Colin's big realisation. And I felt like I was intruding.

And same goes for that carriage scene, but even before they go at it; now this is Colin's most vulnerable moment, and Penelope's realisation that they can be more. He chases the carriage by foot, then goes on his knees to confess his feelings to his best friend in the softest and most determined voice we've ever heard him use this whole season, eyes wide, tears threatening to fall as it is his turn to bare his heart and ask for a chance. Meanwhile Penelope takes it all in, running her hand through his hair because she can finally touch him, melting under him. Things get steamy. And then... and then... The carriage stops, they get startled, Colin jokes that the driver should have kept on driving and then... they laugh. They just made out, and went to second base together, and yet here they are now, laughing. It is such a genuine and lovely moment. And it's then that Colin has that look in his eyes, that "I'm gonna marry her" look. That is when he realises he cannot live his life without her. That his purpose is now right in front of him: making Penelope Featherington, soon to be Bridgerton, laugh until the end of their lives.

Conclusion

There's no conclusion, I just love them so dearly. Yes, there still is the whole Whistledown mess to deal with and sure, the argument with Eloise may make you think great angst is ahead but if there is one big difference between Colin and Eloise, it is this: Colin has always listened to Penelope, and this is not a diss on Eloise. Eloise, bless her heart, can be pretty self-centred, she's loud and a bit immature, something she is growing from in s3, and you cannot ignore that she did not really listen to Penelope (she has no idea Penelope wishes to marry when Penelope tells her she does in s1, we can blame the writing, but I do think it fits with Eloise's journey to realising how privileged and dismissive she is. Penelope was too polite to call her out until their falling out. Meanwhile Cressida is exactly the type of honesty she needs for a wake up call). Colin, on the other hand, is very sensitive and a good listener. Furthermore, this season, Penelope is learning to be more confident, to voice what she wants, and I like to think it is leading to her finding her own voice and not needing Whistledown to hide behind anymore. If there's someone with whom she has no filters, it is Colin, so I have faith that when the reveal happens and an argument breaks out, this new Penelope will not back down and will lay out all her reasons and all her regrets, and Colin may be stubborn, but he loves that woman and he always listens.

A part of me also wishes they keep the jealousy he felt about her writing in the book, and that they don't focus just on the whole "you lied to me" aspect (we've already had that with Eloise). How he, himself, is insecure about his writing, and here Penelope is, less fortunate than he is, and yet who did have the courage to get her writing out there, even if publishing under another name. Because that is also a reality in relationships, when your partner is at a different stage in their career, and how they can communicate to support one another.

Anyway, I'm just rambling now (as if that isn't what I've been doing this whole time). I like them. A little. Just a bit. I'm very normal about them <3

#bridgerton #bridgerton s3 #bridgerton spoilers #colin bridgerton #penelope featherington #polin #long post #ok i got it all out of my system don't expect more bton posts from me lol #at least until part2 i guess #star.txt

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lairofsentinel · 13 days ago

Text

Since this user's posts seem to have been deleted in previous opportunities I copy-paste their words here because they express exactly what I feel about this game. Dragon Age has died, unfortunately.

I'm a big time Dragon Age lover and have enjoyed every game in the series. Personally, I think Inquisition is the best in the series. And I was excited for Veilguard right up until I actually began playing it. Now, I want to clear things up at the start as to what I look for and believe makes a good Dragon Age game. To start, I DON'T CARE ABOUT COMBAT. I. Do. Not. Care.

You can make it Origins tactical. DA2 fast tactical. DAI hybrid. God of War action, I don't care. Dragon Age has always had combat that was...fine. A nice distraction and breakup in between the bits I actually care about: narrative ROLEPLAYING, story, characters, and exploration. I don't give a crap how great the combat is if the narrative roleplaying and writing are poor, I'm not playing BioWare titles for amazing gameplay. I am here for the story, the characters, and the roleplaying. Truth is, for a time I considered DATV's combat to be the best in the series.

And this is why I feel the game is a terrible Dragon Age, because it lacks or fails to respect those elements concerned with narrative roleplaying, story, characters, and exploration. Now, in many reviews and online videos you'll hear some reference often to the drop in writing quality. And a lot of time people will incorrectly say that the writing with the characters is to "modern" or "Marvel quippy" or not "dark" enough. I think these people are wrong, they recognize there is a drop in writing quality from previous games but aren't able to articulate why that is.

Dragon Age has never adopted any sort of faux medieval speech and vocabulary (though we'll get into this more later). This is a series that used "epic fail" as a thing someone uttered in the very first game. It's always had anachronistic dialogue and banter. So why is it such a drop then? Why is it considered poor? Simple. This is a game that does not believe in the world it has setup for over a decade. It does not believe in or engage properly with its own world and lore. I mean, look no further than the title "The Veilguard" a phrase that is never uttered by anyone in our group, and further proof it was a last minute marketing change. Compare to Inquisition where the title is apparent from the start in the game and has actual meaning.

You see, characters in DATV do not feel or react to events the way they should based on the lore. Why is no one constantly asking what the hell the Inquisitor is doing? The Inquisitor is kind of a BIG DEAL when it comes to Solas and Elven Gods, my Inquisitor drank from the WELL OF SORROWS! So why are we sitting around thinking at the start, "hmm lemme think who I can contact who might know more." The Herald of Andraste! They know more Rook, the guy that is technically your boss. The Inquisitor! Who else have you been working for this entire time? Who do you think told Varric to recruit you?!

But even removing the Inquisitor, the Elven Gods being real and also near synonymous with the old Tevinter Gods is kind of a BIG DEAL. It was only a theory fans crafted long ago that slowly revealed itself to be true. And it completely upends known religious dogma on all sides. Yet, why aren't people we meet going through a massive existential crisis? For instance, the Veil Jumpers we initially meet were presumably told off-screen about Fen'Harel, and are seemingly cool with this massive knowledge alone. But then we talk about those two other Gods being released and they're like, "well, shit those two aren't good." As if they have any clue if the fables about those Gods are real when we previously just upended everything they thought about the Dreadwolf! Why are you acting like this is another Tuesday?! Your entire religion is wrong. In that same conversation, Strife notes "Solas might be a bastard, but compared to the Evunaris? Let's just say they weren't know for being kind rulers."

My brother in Anduril, what are you talking about! Elven religion teaches that Elgar'nan was so beloved by the Earth that it "the land brought forth great birds and beasts of sky and forest, and all manner of wonderful green things." And that he fought the jealous Sun that tried to burn the land and all beasts away. Custom says that he and Mythal, "created the world as we know it" after defeating the Sun. He is literally described as one of the "good" Gods. WHY ARE YOU ASSUMING HE IS EVIL! It's like finding out Satan is real, but not as evil as have come to believe and then being told Jesus Christ is back and a devout Christian going, "well shit, that can't be good." WHAT?!

The same goes for Andraste and the Chant of Light, it took me 30 hours of playing before ONE character mentioned Andraste and the implications with the Chant and it was never brought up again. Our entire party is seemingly made up of unphased atheists. Now compare to something like Inquisition which explored this aspect HARD and was amazing for it. You'd get into great debates with religious figures and party members about the implications of Corypheus actually being a Tevinter Magister of old. And you'd talk about what it means towards the religious dogma preached and how much is true. And these intense political and religious discussions are present in every previous game, and not confined to a single conversation with one party member where it is seemingly resolved.

These conversations do not happen in DATV because there is no depth to the writing or engagement with the world. The Elven Gods are evil and need to be stopped. That's it. We don't need to think about the implications this has on Dalish customs and religion. Fuck it, all the Dalish are going to still wear their Vallaslin slave brand tattoos. Let's forget about Trespasser implying Solas was removing them from followers coming to join him. Let's even forget they were likely all told at this point that they are slave brands, nope still going to wear them yet speak blasphemy with every sentence against our Gods. No one cares about Andraste or The Maker or the Chant. Big deal if these Elven Gods contradict the overwhelming majority religion in Thedas. Not a single party member has religious or cultural objections to killing the Elven Gods; not a problem. Not one single elf wants to join Solas in tearing down The Veil and getting immortality again?

Again, let's forget about Trespasser setting up Solas gathering MANY Elven followers from Dalish clans who would be super inclined to join him after experiencing CENTURIES of discrimination and slavery by humans. The better question is what Elves wouldn't join Solas at the start? And what Elves wouldn't look at the other two Gods and go, "meh, maybe we should give them a try. They can't be worse than humans, right?" In DA2 you had elves joining The Qun to escape the discrimination of humans, but not ONE ELF wants to join Solas or Elgar'nan? Those Ancient Elves in the Temple of Mythal? I guess they all died, right?

This extends to EVERY single element of Dragon Age that previously had depth to it, it now has been completely removed. Those murdering Antivan Crows? Oh, they're just good Italian Mob Family that protect their city. Tevinter? Yes, it has poor people, but we're trying to do better. Oh, slavery? No, no we don't show that here. The Qun? The what now? No, they are all Antaam now, and so that means they are all generic evil warlords. No, they don't even attempt to follow their own hardcore view of The Qun like when Templars split from the Chantry, they're just warlords now that like plunder. Dwarves and their rigid Caste society? We don't do that here. Elves and racism across Thedas? Elves used to experience racism? News to me, what's a Shemlen? Never heard of that term, we like all humans. Pirates? That is insensitive, we are Lords of Fortune and we are sure to return any cultural artifacts found to their rightful owners; it belongs in a museum after all. The fucking Fade and spirits? Wait, you mean its different than generic fantasy spirit world? I'm sorry, that's too complicated here.

This either intentional disregard of the lore or plain ignorance also extends to environmental design. The asset reuse from Inquisition is particularly hilarious and must speak to the developers not having time after the switch from MP. Why are the same statues found in Val Royeaux in DAI also in Tevinter and Antiva? Why are those stupid Fen'Harel Wolf statues EVERYWHERE? Even in the catacombs of other Elven Gods! There are no statues of Elgar'nan or Ghilan'nain. Nothing for June or Anduril. Dirthamen. Falon'Din. Nothing. No, the only Gods that seem to get statues are coincidentally the ones who already had assets created for DAI or past titles that could be reused. Hmmm.

This continues into character designs too, why do the Veiljumpers and Shadow Dragons all dress richly? They are supposed to be poor as fuck. There's a codex entry about Veiljumpers finding a lost cache of old ancient elven armor and weapons and so boom they all get to dress like High Elven Lords and not the dirty, poor, wandering Dalish clans they are supposed to come from. Why do this? There isn't even an attempt to explaining why the Shadow Dragons, an organization supposed to be secretive, has branded clothing in bright rich colors and fabrics for all members. Naturally, it must be incredibly difficult for Tevinter authorities to not identify them.

This lack of depth and verisimilitude, naturally, affects all the characters. Because in this game you cannot roleplay and you cannot ask questions. In Dragon Age Inquisition, once you started the game, you could immediately interrogate Varric about what happened to every DA2 character despite the Inquisitor never meeting them, you know because it respects its players. You could speak to shop keepers, blacksmiths, your horse master. You could interrogate every single person to learn more about them and the world. The same goes for your player character in DA2 and Origins. You show in Denermin and find yourself knee deep in a quest to help Wade the Blacksmith craft the perfect armor. Here you can't actually speak to a single shopkeeper to ask questions and get some lore bits. You can't ask party members questions about their background, religious beliefs, upbringing, their factions, etc. You can't ask any returning characters any questions either about what they've been doing. Enter a brand new area? Great, you're not asking anyone questions about this never before seen place.

How does a lost Dwarven thaig survive every single blight? How are their immortal lichs in Neverra? How long has that been a thing? Why haven't they told anyone about the Elven gods or any other knowledge they've accumulated in an immortal lifespan? If immortality is so "easy" why can't Solas just do that to restore the Elves? Why are the Venatori, Tevinter Supremacists, following Elven Gods? Wouldn't that be a major identity crisis? Why would Antaam, who still preach the Qun, follow an Elven God that speaks blasphemy with ever breadth? Sshhhh, no questions. You get what is directly told to you and that's it, no follow-up questions.

Party members do not conflict with each other or interrogate each other's beliefs which is why their banter feels inconsequential and meaningless. Lucanis is a assassin, he kills people for money. The same organization that marked Zevran for death for failing a contract. The same one that took him as a kid and trained him to murder, often brutally, for coin. And yet no one really seems to care. He's just a nice Italian assassin from a nice assassin organization. Who cares. Let's instead talk about cooking, at length. Harding, a devout follower of Andraste, has no qualms with Elven Gods wreaking havoc on known religion. We get one conversation you can tell her to believe what she wants, and that's the end of that debate. Bellara also gets about two whole conversations about the conflict concerning her Gods wreaking havoc, both easily resolved. We don't need to think about any larger implications or doubt her loyalty when the Elven pantheon are seeking to restore her people that have been discriminated against since forever. Emmerich, a necromancer of Neverra, apparently has no religious belief. A codex entry even states that those of the Mourn Watch don't know where the soul goes after death. They don't like to think about it. Buddy, Mortalitasi belief is literally that our souls return to the Void alongside The Maker, but to keep balance a exchange must be wrought with The Fade to allow a spirit to house the now empty vessel. How do you not know the religion and customs of your own faction and land? This man has a whole quest line about funerary rights, yet not ONCE mentions religion and what he believes happens after death?! Sshhhh, no questions. No thinking.

Hey, remember The Fade? Remember how mages go to dream there every night. Remember how The Black City is always visible there? No? Well, we don't either. You won't see The Black City in The Fade. You might see it in The Crossroads in a closed off section, even though it is NOT The Fade. Oh, we're going to have you physically enter The Fade in multiple quest lines and no one will think it's a big deal. No, you still can't see The Black City. Now, The Fade is reduced to nothing more than your generic fantasy spirit world. It has none of the previous rules and lore that bound it before. Demons can bind to non-mages and we won't attempt to explain it. Solas fucks with The Veil and not a single mage notices a change in their dreams when they sleep at night. No biggie.

Lastly, let's return at last to the actual minutiae of writing. I stated at the start the writing isn't bad because of Marvel quippiness, which the series has always had. I was partly lying. Yes, the series has always had anachronistic dialogue. It has had meme language in its own previous titles. But, it was just that, a small joke here and there. For the most part the series actually tried to use it's own sort of "older" speech patterns. I think a perfect example has to do with Taash, she eventually finds her own identity and declares she is proudly "non-binary." Literally stating, "so, I'm non-binary." I have no issue with this sort of inclusivity in Dragon Age, it's what the series is known for. Yet, why does that sound wrong? Simple, it's far too anachronistic. It doesn't belong in Dragon Age. In Inquisition, Dorian let's us know he's gay. But he doesn't say, "I'm gay!" or "I'm a homosexual" those terms would not exist in his world. Instead he says, "I prefer the company of men."

And it's these little subtle changes in writing that makes it feel all the more different. We went from "I once ventured in to The Fade to serve the Old Gods of Tevinter in person. I found there only chaos and corruption. Dead whispers. Now I shall return under no name but my own, to champion withered Tevinter and correct this blighted world gone wrong. Pray that I succeed, for I have seen the throne of the Gods. And it was empty."

To: "Well, shit. That can't be good."

So, what do we have when all is said and done? Well, we have a decent generic fantasy action game. An intentional attempt by the developers to remove every edge from the world of Dragon Age in place of a very simple, easy to understand world with not much depth beyond what you see. You don't need to think, just play and have fun. This is beyond turning a MP game into a SP game, which so blatantly obvious in this game. DA2 was developed in 16 months, but is carried strong by its writing. You see, nothing prevented them from just acknowledging their own world they created. It costs very little to write around what already exists. Even if you can't make no assets or redesign the world. Writing is cheap and having characters voice these elements is not as costly as a redesign. No, they chose to remove the edge in every element because this was design intentionally for the masses with easy to understand world and zero depth.

But I wanted to play Dragon Age. I wanted to get into intense religious debates with party members as known lore is completely upended. I wanted to debate Elvish clans deciding to join Solas or the other Gods due to their treatment by human society. I wanted to debate the ethics of necromancy with the Mortalitasi of Neverra's Crypts. I wanted to engage in intense debating with Solas on the ethics of his goal. I wanted to see Tevinter react to a real push for anti-slavery and actually see the slavery in the slave capital of the world. I wanted to butt heads with the Antivan Crows and call them out for the murderers they are. I wanted to see the Black Divine and debate the Chant of Light with them. I wanted to speak to the Archon of Tevinter and see how he felt about the Venatori's past efforts in Inquisition. Hey, what happened to Meredith Reborn in Kirkwall and her idol and Red Templar worshipers? Forget about it.

We got none of this. I got a game that is pretty much disrespectful of its own world. I waited 10 years for this? Why even bother if this is the result? They may as well have just killed every previous character we ever knew, including Solas, offscreen and started anew with this game. Because as a Dragon Age game and sequel, it's terrible and no returning character is how they should be.

And when we get to the ending, that's pretty much what they did. Everything you did in all the past games? Well, that was pointless. Everyone is probably dead. King Alistair. Gaspard. Celene. King Bhelen. The Arl of Redcliffe. The Divine. The Circle of Magi. The Templars. The Seekers. Everything, everyone, and every organization that existed in the South is likely dead and destroyed. And now Dragon Age can become what they wanted, a generic fantasy IP.

But I just wanted to play Dragon Age.

#dragon age #dragon age critical #dragon age spoilers #I finished this game... and now just mourn the end of a fantasy world that was so much and now is nothing

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obsidianpen · 1 month ago

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Question: there’s been a lot of talk online and sometimes on your blog about Greyana, they’ve been accused of plagiarism, using AI, and bots.

(Sorry, this isn’t a name and shame on them, nor do I want to put you in the hot seat so you can delete the ask if you don’t want to answer.) ❤️

I was wondering what exactly you knew/heard about the author or if you have any experiences with them? Or if this is just lore floating around in the fandom???

oh no, put me in the hot seat, I’m here for it at this point.

So. I hadn’t heard of greyana until, months ago, some anons on here asked me how I felt about the writer who was allegedly using AI and stealing from my fic, and others, to make their own. I kind of laughed it off then, but then someone sent me the link to Invictus so I checked to see. I read a chapter or so (skipping to when hermione met Tom because that feels like a good measure for a tomione fic) and honestly, I was not impressed. But I also wasn’t sure it was AI, as I know nothing about what AI sounds like. So I just thought, eh, it’s just a bad fanfic, but whatever, to each their own. Moved on. And that may have been the end of it.

however.

I could not escape this fucking fic! I kept seeing it everywhere. Recc’d in these various pockets of the internet. I was in a tomine fb group for a hot minute and i swear a gushing invictus review came up every few days. And every time i thought, am i just lame? Do I not get it? And I’d look at that fic for a minute again and think nope, it’s still not good. Whatever, people can like what they want. Moved on.

however.

I kept hearing shit. Being sent reddit posts where users that were probably bots would praise invictus and compare it to blood and gold and blast my work all in the same sentence. And ugggh did that irk me! You can praise a story without tearing others down! But people usually defended me on Reddit, which was so nice, so I always let it go.

however! it just never ended. I have a TikTok I don’t post on but when I’d get on there it was endless posts about and by greyana. Which, again, fine, people can post what they want. But then one day I changed my username to obsidianpen and I stopped seeing those posts. I thought, how refreshing. But it was because she blocked me. I have never once interacted with her. I’ve never even made a post on TikTok and my account is private. She’s blocked almost every tomione writer. Now why would she do that?

then, most recently, that Reddit post attempting to accuse me of using AI in 2017 lmao. The post was removed but very likely it was greyana.

so, that’s my ‘history’. I’ve never interacted with her and haven’t talked openly about her and her writing until now. Because I am firmly a ‘dont like don’t read’ person. But that’s not what’s happening here. Based on all the evidence (oh - they also posted an ungodly amount of words in a super short time frame apparently, which is also suspicious), greyana is, at best, a super pushy mediocre writer who uses bots and tears down other writers in the fandom. At worst, and which is very likely, she does all the above as well as steals work from others and use AI, then plays the victim when they’re called out.

phew! That was a lot. But there you have it, that’s my experience.

#Tomione #Invictus #Greyana #discord #can we all move on now please

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loycspotting · 3 months ago

Text

Leaving Tumblr

Last night, my account was terminated. I don't know why. I was in the middle of using the site when suddenly I was locked out. No warnings. No announcements. Nothing. I was an absolute wreck. I couldn't eat or sleep. There was no word from Tumblr's management team. I could only explain what happened and sit on my hands. I felt utterly helpless waiting and hoping for a miracle. I had a home here. I had friends who became family. People that I love. Fandom that was my absolute joy and honor to participate in. It was all ripped away for no reason at the drop of a hat. My work. My mutuals. My home. Gone. Just like that. I couldn't say goodbye. I didn't know if or how I'd be able to find my moots again. I was able to create a second account called @loycspotting-thee2 and wracked my brain trying to remember my friends' usernames while terrified that that account would disappear too. I couldn't focus on anything. I was completely distraught. Thankfully, a miracle did happen and my account was magically reactivated. Again, no warning. No one reached out and explained what happened. One moment it was here, gone the next, then here again. In all my years of being on social media, I've never feared that a platform would kick me off like that until last night. I stayed up reading story after story of people who have used Tumblr, some of them holding accounts for YEARS with thousands of followers, logging on just to find it wiped from existence on any random day. This is a serious and repetitive issue, but not apparently to Tumblr. I may not have been a Tumblr user for long, but this incident has irrevocably broken my trust. No amount of saving and cataloging and backing up my account will protect me from being a victim of this website's carelessness. I would always have to worry if I'd be the unlucky user of the day that got their account deleted with no guarantee that it would be reactivated. I cannot and will not live in fear that everything I've created and the home I've found will be taken from me again against my will. Therefore, I have decided that the best option for me is to deactivate my account and say goodbye on my own terms. I am absolutely heartbroken to come to this decision. This has been the most unreal online space. I loved it here! It was everything I've been looking for and I only regret not signing up the first time I heard about it all those years ago. I love being in the Ewan McGregor fandom! Where it's not just a fandom. It's a fanhome 😁. I found my voice here, as well as people who heard me. People who understood me. This was my absolute favorite place to be, bar NONE. I felt fulfilled writing and reviewing. There were so many more things I wanted to do and experience with you guys. It was you who encouraged me. You listened, reblogged, commented, and messaged. You accepted me. From the bottom of my heart I love my mutuals. Even if we don't follow each other, if we've talked or interacted with each other's posts I love you too. I love the passion and creativity flowing through this site. I don't know what will happen with the Ewan McGregor Screentime Percentage project. I'm not ready to quit just yet. Maybe I'll start a Reddit or letterboxd account. Of course, for the writing, I can consider joining Ao3. If you want to keep in touch, then I implore you to message me so we can work something out. The friendships I made here are paramount to everything else. I'm going to leave this up for 9 days (or until I'm terminated again 🙄) to give myself time to get things in order. On September 1st, I will say goodbye.

#ewan mcgregor movie review #emsp #ewan mcgregor screentime percentage

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lago-morpha · 9 months ago

Note

It’s possible to diy ftm hrt???

yeah dude. you can do this all on your phone too though it is less secure to use tor on one. keep in mind it's not really the most anonymous thing to send people paypal money for crypto or use tor on your phone but the police could not give less of a shit about people buying steroids or drugs in general for personal use. if you're not selling or buying distribution amounts they doooon't care

all you have to do is download tor (google it and click the first result or use the play store)

go on tor.taxi and pick a market, open the market link in tor [I use incognito]

get a crypto wallet [I used cake wallet]

buy bitcoin/monero/whatever with a P2P market, basically crypto version of reddit marketplaces [I used localmonero and sent paypal money in exchange for monero, make sure to follow the directions the market gives you, like not sending any money unless it says it's ok, you can always cancel if you feel like you're getting scammed and make sure to pick someone with lots of reviews]

send the crypto into your wallet on the market, wait

look up testosterone and make sure that it is shipping DOMESTICALLY. don't bother with customs. keep in mind 10ml = ten doses, if you're like me and take 2[50]mg biweekly. it'll be twenty if you take it every week.

place order! just fill out your shipping info and pay lol

it's pretty simple, remember to log in and release the money once your package arrives! [go to your orders and click the button that says release funds]. the other person is waiting on their money and it's helpful to release it as soon as you get what you ordered.

I hope this helps anon

#buzgie ❁#asks #ftm #ftm diy #ftm hrt #transandrophobia

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ultrainfinitepit · 7 months ago

Note

When you first started making pins, how did you advertise them? And vs now? I really want to get into making some of my own :]

That's a great question! There's lots of ways to advertise and I'll share what worked for me. But your mileage may vary or you might find ways that work better for you than they did for me.

Here are my first angel pins, by the way, it's been four years since I first started if you can believe it.

Here's what I did at the beginning that I still do now:

Build your following on social media and post about your pins. This is probably the most important thing to do, but also the hardest. Focus on a small number of social media profiles that you can manage comfortably, don't stretch yourself too thin as it is important to engage with your audience to build it. Each site has their own quirks as well. I can go into detail on my favorites and what I've observed for each if anyone is curious, just send a follow-up ask.

Run crowdfunding campaigns to fund your pins and then advertise to backers. Specifically start on Kickstarter if you are a beginner. While I am loving Backerkit it is a lesser-known site and it's harder to get discovered on it. I have gotten comments from artists who worry that they need to be popular before doing crowdfunding. However in my case it was my first campaign that built my audience the most. And in my opinion, it is never a waste of time to try out a campaign. If it fails you still have the artwork ready, you can gauge interest and see which designs are popular, and you will have a starter pool of people interested in your art that you can build off of.

Create a merch newsletter and share monthly updates. Since it is independent of social media it is a lower barrier to entry for customers interested in your art; and doesn't require them to check social media and happen to catch your posts. It takes some time to build a list but you can be assured everyone who signs up is invested in your merch.

There's quite a few things I did at the beginning to get started pin making and then advertise, that I don't do now. Mainly it is an issue of time. I used to spend hours and hours running around on all these sites, as well as reading over posts for research. Nowadays, social media and shop following are enough for me. But I would recommend the following for anyone looking to start out in pin making.

Things I used to do that I would recommend, but don't do much of now:

Join PMR on Facebook and post in their weekly share thread. "Pin Maker Resource" is the best place for beginner pin makers. It is a huge group of dedicated pin makers, all eager to answer questions and provide valuable insights into pin making. Most of all, it has those manufacturer reviews and names that everyone is always asking for! I have personally posted many reviews to this group. It is open for applications once a month. You have to apply because they specifically prohibit pin manufacturers from joining so people can post their reviews freely.

Post in Facebook groups. These communities can be large so your post may get lost in the crowd, but it will be seen by people specifically looking for pins. I like "Pin & Art Collector Marketplace" and "Pin Nation." "Enamel Pin Collectors, Artists, Trades and Kickstarters!" is decent but smaller.

Join a pin Discord server and share your designs in promotion channels. Many pin collectors such as myself join these servers to look for pins to buy. We are also in multiple servers and will crosspost if we like something. I have found these servers mainly by joining pin creators' Patreon clubs.

Post on Reddit. The communities are small but a guaranteed place to find people interested in pins. I like r/EnamelPins and r/pinprojects. If your pins are for a specific audience, you can post to relevant subreddits. For example, I have shared my work on angel art subreddits.

That's just about everything I can recall. I hope this is helpful, good luck on your pin journey!

#ask #pin making

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kuiperblog · 2 months ago

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Book Review: I'm Starting to Worry About This Black Box of Doom

I have finished reading I'm Starting to Worry About this Black Box of Doom by Jason Pargin.

The premise of this book is simple, and rather than trying to summarize it myself, I will give you the author's blurb:

One day, a woman you've never met before offers you $100,000 in cash to drive her across the country—half now, half when you arrive. It’s a 2,600-mile trip, but there's a catch. She has a large, locked black box, big enough for someone to crawl inside. You're not allowed to look inside the box or even ask questions about it. She insists you leave behind all devices that can be tracked—no phone, no laptop, no credit cards, no GPS. You'll be paying with cash and navigating with a paper map the entire way. And finally, you can't tell anyone where you're going. There's no time to think; she says you must leave now. You hesitate, and she doubles the offer. Would you do it? Maybe, if you're brave or desperate enough. And besides, you think, what’s the worst that could happen?

I read it. I enjoyed it! I think it's my favorite Jason Pargin novel. One of the things that I have always liked about his novels are the fun action set pieces, and the way he builds tension throughout a scene, and across an entire book. He delivers on that here, and I am incredibly impressed with how he managed to stick the landing on this one: near the end of the book, I found myself thinking, "there's no way that this could have a climax that manages to surprise me without being a total letdown," but he proved me wrong: the big climax was completely unexpected, yet expertly "earned" by all the little bits that built up to it. It really all came together in the end in a way that far exceeded my expectations.

Jason writes humorous books, or so I've been told. I enjoy his Zoey Ashe books, and they are fun, but I've never found them to be particularly "funny." The Zoey Ashe series presents lots of absurd situations that entertained me, but none that really tickled my funny bone. However, Black Box of Doom made me laugh out loud multiple times. Maybe it's the fact that, unlike Zoey Ashe (which is science fiction), Black Box of Doom is set in "our world" in a way that feels incredibly true to life. And it feels like "our world" in a way that a lot of "real world" stories don't, largely thanks to the specificity.

Rendering the world we live in with high specificity is risky, because it's the sort of thing that is prone to "age rapidly," but I think that in 10 years, people will look back on this as an interesting period piece about 2020's culture. When Jason Pargin writes about TikTok, and Reddit, and Twitch, and the way the characters in his book engage with these platforms, you get a sense that he understands them deeply, and he is more interested in rendering them in high fidelity than he is in making a value judgment about them, or trying to poke fun at them. And yet, because he understands them so deeply, he also understands all of the things about them that are deeply funny and absurd, and so he can render those parts to great humorous effect without ever having to exaggerate. The moments of absurdity that manage to be pointed without feeling artificially "heightened" are some of the funniest, and give the book a very Dave Barry-esque quality.

Pargin ends the book with an afterward about karma how does not exist in this universe: this is a book where bad things can happen to people who behave well, and good things can happen to people who behave poorly. That much seems obvious enough that it seems unnecessary to explain it in a disclaimer, but Pargin wishes to disclaim something more specific: he wants us to know that if good things happen to a character, that is not a case of the author "rewarding" the character for being "right," nor are the bad things that happen to other characters in a case of Pargin "punishing" them for being "wrong."

Before editing this post, I wrote the previous paragraph about how "sometimes good things happen to bad people, and sometimes bad things happen to good people." But I rewrote those sentences, because I think that Pargin would reject the essentialist framing of "good person" vs "bad person." Everyone you know has done bad things at some point in their lives, and everyone you know has good qualities that might cause you to like them in certain contexts. Can anyone really make a judgment about whether that makes them a "good person" or "bad person?" If you go through someone's life looking for the one piece of evidence that will allow you to render a "good person or bad person" view of them, you will end up with a pretty low-fidelity picture of who they are, and a pretty low-fidelity picture of how the world works. All of the characters in this book do things that you probably don't approve of. Some of those things might even make you dislike them. But all of the characters in this book are fun to spend time with.

There are two interesting tricks that Jason Pargin pulls in Black Box of Doom that played with my expectations. One of which comes near the beginning, and one of which comes near the middle. Anyway, this is the part of the review where I get into descriptions that are specific enough to feel like spoilers.

First, the part that you learn as you read the first chapter:

Part of what Pargin does with his blurb is invite you to consider: what kind of man would be brave or desperate enough to accept someone offering $100,000 in cash to transport a mysterious black box across the country with no phone or GPS? What kind of hardened badass would accept a deal that is obviously pulling him into a world full of legally-questionable shenanigans and people who are obviously up to no good, with the confidence that he'd be able to handle himself in that hardscrabble world and come out alive?

And the answer is that the main character is none of those things. He's not brave; he's cowardly. He's not strong; he's weak. In fact, that's how he gets roped into this situation: he's anxiety-ridden. He's really bad with confrontation; he doesn't know how to handle conflict. And that is why he essentially allows himself to get bullied into participating in this insane errand: he doesn't know how to put his foot down and say "no." He tries to take the path of least resistance, basically procrastinating on the task of saying "I'm sorry, I can't help you," thinking "maybe if I go along with this, there will be a better opportunity for me to say no later," and of course once the ball gets rolling he can't stop it.

So, in a sense, the main character is kind of the opposite of who you think he would be based on the elevator pitch, and it's funny, and yet true-to-life, and makes for a story full of ways to put that socially-anxious guy into all sorts of crazy situations that he things are way beyond his capacity. And yet, of course, he deals with all of them, as best he can, because he must, and that's what most of life is.

Then there's something we find out partway through the story, closer to around the middle of the book.

You see, Jason Pargin has done yet another head fake with the main character, leading us to think one way before revealing something that feels almost the opposite. There is a real sense in which this story starts off with a poor put-upon guy who is roped into traveling across the country with a mysterious woman. You spend a good portion of the early part of the book fearing for his safety. He's here, but he doesn't particularly want to be here, and it's deeply unfortunate that he's stuck with the woman who roped him into this tense and chaotic mess.

But this is a road trip novel, and as the story goes on, you get a better sense of who these characters are, the cowardly driver, and the woman who hired him. You see more and more glimpses of the sort of people they are as they confront various situations. And, over time, you shift from feeling like he's deeply unfortunate to be stuck here with her (and gosh I'm terrified of what might happen to him if things go wrong), to starting to think about how deeply unfortunate she is to be stuck with him (and gosh I'm terrified of what might happen to her if things go wrong).

Just in the same way the blurb book invites us to think, "what kind of brave or desperate person would accept this insane business proposition," we're also left to contemplate, "what kind of brave, desperate person would offer this kind of insane business proposition?" What kind of woman would find herself in a situation where she was hailing a Lyft, and then ambushing the driver to tell him that she was ready to pay him six figures, in cash, to drive her and a box to the other end of the country?

That is one of many questions that is answered by the text of the book. I enjoyed discovering the answer, and many of the other answers we encounter along the way.

#jason pargin #books #book review #i'm starting to worry about this black box of doom

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deathwhoregutfucker · 4 months ago

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Chronically Online Mayhem Headcanons!

TRIGGER WARNING: PRO-ANA MENTIONED IN PELLE"S HC

Varg

Varg is loud and wrong on twitter all the time

He’s always arguing with Øystein and trying to piss him off

He’d fall for it for a little bit, but then he’d learn that Varg only wants a reaction so he’d stop responding and he would look like a fucking moron (so euro wins in this situation)

An ‘anonymous hacker’ (Øystein Aarseth) would leak his dick pics and they’d go fucking viral

He would make 100 different burner accounts on Yelp to give Helvete bad reviews

And he would have all of his Burzum fanboys mass report Øystein and send hatemail to Helvete

He would also have a scandal where he liked gay porn and Øystein would screenshot that shit

Øystein

Harassing Varg on twitter

Making thirst traps of Varg on tiktok and he’d be superrr popular too

He’d be the person who made that edit of Varg Vikernes

And because Varg is so egotistical he would watch the account all the time, and eventually he’d message the account talking about how much he loved the edits (he has them all saved in a folder and he watches them whenever he feels shitty)

And then he’d ask for the account number…

And guess what! It’s Oyster!!!

And he would be pissed and curse him out and call him an assortment of homophobic slurs (that he can also reclaim!!)

And Øystein would try to cancel him but it wouldn’t work because

But anyways, he would always repost memes from Necro’s meme account and he’d save all of them and post them on the Helvete instagram story every once in a while

He would also have an alt twitter to post gay porn on…(probably the same account that Varg liked!!)

And he would subtweet Varg all the time too

Necrobutcher

He’s a funny fella

Pretty unproblematic, but he’d flirt with Øystein “IRONICALLY” in those twitter comments

Oh, he would save those dick pics from Varg too

He’d be the first one that Øystein would show them to

And his Meme page would be super popular

He would also be a reddit and discord moderator, no question about that

Hellhammer

Hellhammer would be ‘too good’ for social media

He’d have twitter but he wouldn’t use it that much because it’s “too much drama” (real)

But he would be all up on facebook

He’d be on facebook like crazy but he’s mostly just post music stuff

Pelle

Oh boy

Just like @svgarcaine said, he would have a pro-ana tumblr blog

He would have it all aesthetic and shit too

And he would have besties on there, he would talk about how he would wanna go see them

And his body would be posted on Pintrest ALL of the fucking time

He would be an icon among the pro-ana community

And Varg would somehow find his account and save his pictures for COMPLETELY GAY AND HOMOSEXUAL STRAIGHT REASONS OKAYY!!?!?!?

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feyburner · 5 months ago

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hello mr feyburner sir i really want to get into baking but i am scared to mess up and recipes terrify me. i only know one simple sponge cake recipe that my mom taught me anyway point is what were the things you wished you knew before you started baking? i know it’s a lot of trial and error but would you let us know what to start with and how to not get completely overwhelmed by the fact that i am not immediately good at it…

(Also if u have a sponge cake recipe of yours i would love it!!!)

The first step to being less scared is accepting that you are going to mess up. In fact, the more you bake, the more you will mess up; you can’t fuck what you’re not doing. There is no avoiding it. Sometimes your fuckup will be fixable. Sometimes it won’t be fixable but you can still eat the end result. Sometimes it won’t be fixable and also the end result is garbage, and now you’ve wasted 3 hours and a bunch of ingredients, and it is the most frustrating thing in the world. That is just how it goes. I’ve been baking since I was a kid, baking very regularly (like, averaging 1-2x per week) for 5-6 years now, and I fuck up all the time. I fully expect to keep fucking up on a regular basis until the day I die.

What years of practice have given me is not the ability to never fuck up—it’s the ability to understand why I fucked up, what I did wrong, and how to hopefully not do it again.

One of the most common things out of my mouth is: “This is good, but I know what I’ll do differently next time.”

Next time I’ll shape the dough tighter. Next time I’ll let it rise longer. Next time I’ll check for doneness earlier. And so on.

Taste is subjective. Everyone’s kitchen is different and everyone likes different things. Some people want thick, chewy chocolate chip cookies and some people want thin, crispy ones. Some people like a very tight crumb on their sourdough bread and others want air holes so big you can’t butter it. There’s no such thing as a perfect recipe because the point of food is the person eating it.

This is why it’s so rewarding to learn basic techniques and basic baking chemistry as you go. Once you get more comfortable in the kitchen, you can start going off-book. “This looks great but I think I’m gonna want a chewier texture. I’ll use half bread flour and mix the dough a bit longer to really activate the gluten.”

Don’t just pick a random recipe. Especially in the age of 1 million recipe blogs. I always, always read at least 4-5 recipes for the thing I’m trying to make. I read the reviews. I compare and contrast them. If you’re looking at 5 recipes for chocolate chip cookies and only 1 says to add kale, there’s a good chance that’s not the one you want to start with. You can experiment with it later—maybe kale is the secret to the best cookies ever!—but typically you’ll want to start with the standard and deviate from there.

I often take notes on the 4-5 recipes, noting not just differences in ingredient ratios but in technique as well. A good recipe blog will explain to you WHY you’re doing something a certain way. If it doesn’t explain, look it up! Reddit r/baking and r/AskBaking are super helpful. Often someone’s random comment is the reason I learn something incredibly useful that can be applied to tons of recipes.

(I love King Arthur Baking and America’s Test Kitchen for learning technique—the ATK cookbooks are some of my most-referenced. Sally’s Baking Recipes never lets me down for good old American basics. Serious Eats is also very informative, though their recipes are often overly complicated or finicky.)

Often, I won’t simply pick one recipe—I’ll use a little of Recipe A, a little of Recipe B. I did this for a brownie recipe that ended up going viral on Reddit/Youtube which was pretty funny. I don’t necessarily recommend combining recipes when you’re first starting out, but keep it in mind as you go.

No recipe is set in stone. You can always adjust it to your tastes, to what works for you in your kitchen. Make it a little less sweet, a little sweeter, a little denser, a little lighter. Whatever you want. That’s what technique, and understanding how ingredients interact with each other, is about—like artists who learn realistic anatomy but paint in abstract.

It can be hard to compare multiple very similar recipes. This recipe says to use 3 cups of flour and 1/2 cup butter and this recipe says 2 cups flour and 1 cup butter—but Recipe A makes 12 cookies and Recipe B makes 24 cookies. (Or, Recipe A uses volume measurements and Recipe B uses weight.) What does that mean? How do you draw a meaningful comparison?

Math!

Baker’s percentages are your best friend. They’re super easy. Just pick one ingredient to be your baseline—typically flour. That’s 100%. Then calculate the ratio of each ingredient to your flour ratio to easily compare different ingredient amounts.

For example, from my croissant recipe:

500g bread flour

10g kosher salt

150g milk + 100g water, room temp (70°; microwaved 10-15 seconds)

50g white sugar

10g honey

10g active dry yeast

30g (2 Tbsp) butter, softened

309g (remainder of 3 sticks after -30g; 62%) butter for lamination, softened, sliced 1” thick

BAKER’S PERCENTAGES:

100% bread flour

2% kosher salt

50% hydration (milk + water)

10% white sugar

2% honey

2% yeast

6% butter

45-62% butter for lamination

How to calculate:

500g flour is my baseline 100%.

What percentage of 500 is 50 (50g sugar)?

50/500 = 0.1 = 10%.

It doesn’t work as well for volume measurements. But many recipes include weight and volume—and you can always convert volume to weight using tools like King Arthur’s Ingredient Weight Chart.

Finally, start with the basics and build. Don’t attempt making a Napoleon or macarons right out of the gate. Start with simple, beginner’s recipes, look up techniques as you go, watch lots of videos, always try to understand the why. Baking is chemistry but it’s also art. It’s whatever you want it to be. Mostly it’s about the house smelling like cinnamon rolls.

In summary, you’re going to fuck up and that’s okay. Baking is beautiful, and there’s nothing like the satisfaction of pulling something incredible out of the oven. You will learn and improve as you go, like anything else. You will eat lots of ugly cakes and pastries. But taste is what matters anyway.

Good luck in your baking adventures. Feel free to ask questions anytime. I love sharing what little knowledge I have.

I don’t have a sponge cake recipe but I do have these cake recipes. Let me know how your sponge cake turns out. You got this! 🍰

#feyburner ask #baking

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