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#also some Plot Stuff happens in this that i don't want to spoil
its-stupidhours · 1 year
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he's not coming in until chapter four or so (and god knows when this thing will actually even start being published) but I need it to be known that I love CJ in this. he's so fucked up <3
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Statement of : Gordon Martinez Freeman, 30 year old MIT graduate,Regarding a peculiar video game he’d found.
Recorded direct from subject, May 16, 200-
Statement begins.
Pt 1 > here
ABOUT 👇
Hello! I am the author of this AU, you can find my main at @inkzectz , for more meta questions about this AU, or for general comments about it, please go there.
What is the AU about?
LA : AI is a crossover AU of sorts, in the simplest way put, it’s TMA but with HLVRAI characters, TMA stuff happens but altered to fit the general HLVRAI narrative, and with my own changes, headcanons, etc. added
I will be updating/editing this post as I progress.
Will it have spoilers?
Yes, not a lot, but vague/mild spoilers about how the world works, plot points, and character.
It is best if you’ve seen it but as of writing it right now (early ep 4) there aren’t any spoilers. Once I am a little further ahead then you may want to listen to it.
Again the spoilers will be vague and mild at worst, as it progresses I would recommend listening to tma, but it’s sort of like how while half life knowledge is helpful in hlvrai it isn’t exactly necessary to enjoy hlvrai bc it’s different enough from it to not really matter (?) I hope that makes sense.
Asks rules
- No telling [ player ] exactly what happens ex : “omg [ player ] when you weren’t looking [ npc ] said this very important thing that is supposed to be kept secret for lore reasons”
- Please avoid asks like “tell this character they’re pretty” while I appreciate the compliment, I am trying to write a story and want to keep things as on topic as possible. Instead tell me on my main if you like the art, I’ll probably reply with a doodle or something, just not on here.
- Less so of a rule but more so of a general statement, I will be avoiding asks that either are too close to what happens or if answering would mean progressing the story too quickly, there’s a lot I want to happen and I want time to do it all.
- Another one that’s less of a rule and more of a general thing, if I don’t like what you said I won’t be answering.
- I also sometimes just don’t know how to answer some things.
- Please be respectful of the ships I choose to include and don't force your own, ship wars and such will not be tolerated.
- Please be respectful of others and do not spoil anything, not everyone has listened to TMA and knows it's themes.
I will not be answering everything, I cannot always get to every message so please be respectful of that.
Select character
Character abouts! [ Will be updating as I continue to work on the story ]
[ select ] > Mr. Freeman
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> Gordon Martinez ‘Martini’ Freeman
30 y.o . 6’0 . 230lb . Romani / Puertorican . male [ he/him ] . bisexual
> Lives in Seattle, MIT graduate, left Black Mesa, works as a librarian IRL but also makes money via streaming video games occasionally, in real time it is 2018.
[ PLAYER ]
> Believes in the paranormal out of fear but tries to rationalize out of denial, he will never admit something is supernatural and will jump through hoops to rationalize even if deep down he does believe.
> Has a son named Joshua Medrano Freeman, who is 6 years old, Gordon and his old partner met in college but split up before Joshua was born, they remain civil but are nothing more to each other than Joshua’s other parent.
> Gordon rents an apartment with 3 rooms, his own room, Joshua’s room, and a third that used to be a guest room but he has so little visitors he’s just chosen to revamp it into a gaming room.
> Gordon works primarily in a library for now as he’s looking for a better job.
> Gordon often wears hoodies, sweaters, t-shirts, crew necks, and any general outfit one would wear at home, long curly hair that is beginning to grey due to stress, unkempt goatee, and almost always wears green tinted glasses [ he doesn’t need glasses he just thinks they’re cool ]
> His hair is usually pulled back in a ponytail but can also be found in a bun or just down.
< [ select ] > Mr. Coolatta
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> Thomas ‘Tommy’ Coolatta, primary researcher, and technical head of the institute.
39 y.o . 6’7 . 190lb . Chinese/filipino . Male [ he/him ] . ???
> His father owns the Lambda institute and he grew up in it, he officially started working in the archives when he was 24, and of all the employees in the entire institute he has worked there the longest.
[ NPC ]
> No one knows who his father really is, Tommy being the only one who’s ever actually seen / spoken to him, his father is the real head of the institute but gives most his orders through Tommy, so Tommy is also technically the head as well.
> Not much is actually known about him, besides his father he doesn’t appear to have any other family, nor does he ever speak of his personal life much.
> Tommy primarily works as an archival assistant, specifically in research, he is the one who will verify details regarding statements or do further investigations into aspects of the statements.
> Tommy is quite the colorful character, often wearing colorful clothing and accessories, he seems to think doing so brings some cheer into an otherwise boring environment, he often wears patterned polo shirts, cheap company bracelets, pins, lanyards, pant chains, but is never without his signature multicolor propeller hat.
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biconickyoshi · 4 months
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Been wanting to do some updated character model sheet thingies for my ongoing longfic The Avatar and the Fire Prince, so here they are! :) Up until now I'd only drawn Zuko and Aang, but I thought it was about time I added Iroh and the Water Tribe siblings to the lineup as well. Right now all I've done this for is Books 1 & 2, but I really want to get started on the Books 3 & 4 versions so I can add Toph and Suki (and possibly Azula, Mai, and Ty Lee) to the lineup!
As usual, for anyone who has not read my fic but is curious about the premise: this is an AU in which Zuko and Iroh discover Aang in the iceberg just 3 months after Zuko is burned and banished at age 13 in 96 AG, 4 years prior to the return of Sozin's Comet. It is also an enemies to best friends to lovers slowburn in which Zukaang is endgame (since Aang was released from the iceberg 3 years early in this AU, he is only one year younger than Zuko). This fic is heavily based in canon, so I try my hardest to ensure that everything is canon-compliant at least when it comes to lore and character behavior despite the different circumstances.
Book 1: Air's premise: after finding and capturing Aang, Zuko and Iroh are forced to escape with him on Appa when Zhao interferes with their plans to return to the Fire Nation. This Book focuses on Aang desperately searching the Air Temples for any remnants of his people he can find, dragging Zuko and Iroh along in the process. Eventually, Zuko starts to question everything he was raised to believe, while Iroh is forced to face the mistakes of his past.
Book 2: Water begins with Aang, Zuko, and Iroh traveling to the South Pole after Aang starts to have recurring nightmares about an impending attack on Wolf Cove (Sokka and Katara's village), and eventually follows my adaptations of several storylines from canon Book 1 before ending with the Siege of the North in Agna Qel'a. During this Book, Zuko begins to realize his feelings for Aang are more than friendship, while Aang remains oblivious (lol).
Book 3: Earth is the Book I am currently working on (the most recent chapter was my adaptation of "Avatar Day") and so far follows Aang, Zuko, Iroh, Katara, and Sokka as they search for an earthbending teacher for Aang - so far, it has followed the general canon plot of Book 2, though of course, as always, there are differences due to this being an AU. No spoilers, but I have some really interesting things planned for this Book, particularly as we get closer to the Ba Sing Se arc. I also have a lot of fun stuff planned for the Zukaang romance in this Book.
Book 4: Fire will be the last Book of the fic, and will of course revolve around the Gaang in the Fire Nation. This is all I will say for now since I don't want to spoil the plans I have for the previous Book (which will heavily influence what happens in Book 4, obv).
When I finally finish this fic (I'm about halfway through at 33/65 chapters), I plan to start writing a direct sequel that adapts the events of the comics, as well as a Korrasami-focused Legend of Korra rewrite fic that is set in the same AU as TAatFP.
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noxturnalpascal · 4 months
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Devotion 🖤 III. Path to the Future (Ch 9)
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CultLeader!Joel x OFC!Reader
Series Summary: When is it enough? When is it too much? When does Devotion become Obsession?
Visit the Series Masterlist for series warnings, cult info, timeline info, and HCs on ages. Reader has a nickname and some minor physical descriptions - is an OFC from Reader POV.
*This series is 18+ MDNI. I will not be listing individual chapter warnings as I don't want to spoil the plot of each chapter. Please see the series masterlist for entire series warnings to decide if this is for you.*
PREVIOUS
III. Path to the Future
CH 9 (6k) “She left.”
The words ring in his ears, drowning out the cacophony of multiple things happening all at once. He’s trying to throw a jacket and shoes on while Tess is grabbing at him and begging him to wait until first light. He’s grabbing at Danny and demanding to know everything while Diego wails, apologizing that they didn’t look after you enough. The noise brings the other women downstairs and they all shout over each other, some arguing Joel should wait for a search party to be formed and some saying they’ll go with him and should leave right now. 
In the end, Joel acquiesces to Tess, not wanting to ignore her heartfelt pleading after the hours they just spent commiserating together. He waits until first light to leave with Danny, Diego, and Sasha in tow. He orders Danny and Diego to ride their mounts to the east and west, climbing opposite peaks on either side of the valley to look for any sign of you. He sends Sasha north along the valley to look for the same and orders everyone to send up smoke signals if they see anything and to meet back at the house no later than sundown. But he knows all of those efforts will be fruitless.
He already knows that you wouldn’t bother coming back through the town when your goal was clearly to get as far away from him as possible. You would have left the farm and continued south, which is the direction he goes. As Sasha stuffs snacks and canteens in everyone’s packs before they split up, she repeats Joel’s words back to him several times, meet back here by sundown, but by the look on her face she already knows what he does, that he won’t be back until he’s found you.
---
Joel watched for smoke signals behind him all day until the sun began to sink below the treeline, making it impossible for him to see anything short of flares, which he knew they didn’t have. He figured he’d be the first one to see signs of you anyways, which he did eventually. The next town south in the valley was about a four hour walk and while he knew you’d probably never been through there, it was well picked over by his people and had been free of infected every time he’d been there.
He thought you’d be cautious and avoid the town, his hunch confirmed when he made his way up the gentle slope just north of the town and saw the footprints you’d left. The spring sun had melted the snow and left the ground muddy, and when you’d come through here late last night you most likely hadn’t even thought about covering your tracks. But now he knows he chose the right direction, and he pushes forward along the ridge, following the breadcrumbs you unknowingly left for him.
Joel follows your tracks along the river - just beside the interstate - noticing you keep to the treeline instead of traveling along the roadway, which has better footing but would leave you exposed. You also head east, which is the opposite direction of the bigger mountain range and also away from the state’s most populated city. You’re avoiding overexertion and big-cities. Maybe you do have some survival instincts after all.
He nearly loses your tracks mid-afternoon when you veer away from the river at another city but takes a gamble and catches signs of you again along the road leading towards the New Hampshire border. You’re not looking for populated areas here, there isn’t even any evidence you’ve stopped anywhere along the way. He assumes you’ve already got a destination in mind and are focused on heading there. 
Long after sunset Joel finally decides to find a place to lie down for a while. He lays there in the dark and tries not to think about how worried Tess must be since he never came back, or how you’re somewhere out here too - all alone in the cold darkness. He knows this is all his fuckin’ fault. What a mess he’s made. He actually convinced himself that he was helping people, that he was saving them. He let himself believe them when they told him what a good man he was, a protector and a provider. 
He falls into a fitful sleep and when he awakes a short time later he decides to forgo any further attempts at rest and continue on your trail. He hopes you spent more time with your eyes closed than he did and he can make up some ground on the head start you got. He follows your winding trail along the woods’ edge, through overgrown fields, around a quarry, and over creeks, all avoiding any majorly populated areas. 
The only time you leave yourself exposed is through an hours-long stretch going through a wooded valley, where walking the roadway is your solitary option to avoid climbing up and down the rocky hills on either side of the pavement. By his calculations you probably traveled this section last night while he attempted sleep, which would have made your trek along the road a more protected position than he is currently in, trudging though the early morning hours and into the rising sun. 
He hikes on through the morning, thinking over and over in his head what he’ll say to you when he finds you, and eats the last of his packed food around noon. He knows he can refill his canteen in the river just ahead, which creates the border of Vermont and New Hampshire. He also knows there’s a major city if he continues on his path and knows that’s the reason your tracks start to head south into what his map tells him is a wide forest. 
This might be good he thinks, since he’s been hiking for nearly 30 hours and only slept a handful of them. He knows he could use a shady and secure place to take a nap. He waits until he’s about an hour’s hike from the last farm he passed before he walks off the trail to find somewhere to rest. Keeping the road just in sight, he walks straight through the woods and over a brook, finding a soft collection of last autumn's fallen leaves on which to rest his head. With the bird songs in his ear and the soft rustle of trees above him, sleep quickly overtakes him.
He jolts awake, a sound skimming his senses and alerting him to danger. He lies there, statue-still, and tries to listen past the woosh of the pumping blood in his ears, taking deep breaths to slow his thumping heartbeat. It’s dark here in the thick trees and the sun is low in the sky. He must have slept most of the afternoon away but he can tell it’s not evening yet. Suddenly Joel realizes it’s not a sound that woke him but the lack of sound. There are no birds singing, no insects buzzing, just the eerie sound of the branches creaking and the new spring leaves dancing on their boughs. 
He slowly sits up - weapon in hand and his head on a swivel - trying to listen for the clues that nature around him has already picked up on. A predator is nearby. Infected wouldn’t be this quiet, they’re mindless and insatiable and only care about one thing. This is either a large animal or a human. He actually finds himself hoping to catch sight of a black bear as opposed to the alternative.
Before he can get up from his sleeping position he hears quick footsteps behind him and a blunt crack to the back of his head, the pain radiating across his skull. He slumps forward and groans in pain, his hands loosening around his gun. He hears footsteps move around the front of him and feels his rifle being snatched out of his slackened grasp. A foot kicks at his torso and he groans again.
“He’s not out, you gotta hit him again,” he hears you say above him. 
No, it can’t be you. There’s no way.
“I’m not getting near him again, you said he was dangerous,” he hears a male voice behind him say. 
You’re goddamn right he’s dangerous, and as soon as his head stops pounding he’s going to-
A second thump, this time on the side of his head, is the last thing he feels before everything goes black. 
---
Joel doesn’t gain consciousness quickly, like coming up for air after being underwater. Instead it comes back in waves, just a few words here and there, a musty smell, the familiar sound of your voice, the beam of a flashlight hitting his eyelids. He’s trying to make sense of it but it’s all jumbled up and he’s not sure how to put the pieces together. He tries to sort out his thoughts bit by bit, every time he’s conscious he tries to figure one thing out and hold it in his mind, to remember it before he passes out again.
He knows he’s in a chair, he can hear murmured echos so he imagines the room is large, but the soft sounds of crickets outside tell him there's at least one window nearby. He knows he’s tied up, he can feel bindings wrapped around him and his arms are pinned behind his back. He knows he’s been relieved of his guns, the usual weights at his hip and ankle not present. When he’s finally able to stay awake for long enough to string a coherent thought together, he decides to open one eye for a peek at his surroundings.
He’s in a very large and long room - wooden tables and chairs scattered around - creating a maze of objects between him and five figures standing on the opposite end of the room. It’s dark - he’s been out for a while - and he can’t make out their faces or their conversations but he can see that two are tall and three are shorter. He thinks at least one of them is a woman. Could it be you? He thought he’d heard your voice.
Unable to hear any actual words amidst the murmur of conversation, Joel looks around again, trying not to move his head so he still appears unconscious. Divided windows line both sides of the building, moonlight pouring in from what he imagines is the south side and reflecting off the stark white rafters above him. He takes in the amount of chairs and tables in front of him and although he can’t turn his head, he would wager money there’s a kitchen behind him. If he had to guess where he was he’d say this was probably an old summer camp’s dining hall, the craftsman style construction pointing to a mid-century build.
He hears shuffling and sees two of the figures crossing the room towards him so he shuts his eyes and pretends to be unconscious again. Around tables and chairs he hears their soft footsteps, he’s still out muttered by a deep, gruff voice. He hears the footsteps stop just in front of him and feels a couple pokes to his chest. He does his best to play possum until he hears your voice - definitely your voice - shouting from across the room.
“You better make sure you double check him for weapons.”
“You already told us that three fuckin’ times,” a nasally voice with a southern twang shouts back.
A different, deeper voice says to quit hollerin’, then there’s a short back and forth between the two men in front of him filled with curse words while he hears stomping feet making their way over from the other side of the room. He hears your voice again but this time all three of you are cussing in hissed whispers, the most prominent phrase being fuck you, and he can’t take it anymore. He lifts his head up and stares right into your eyes.
“Oh fuck,” a tall asshole with the deep voice says, raising a pistol in front of him aimed right at Joel’s face.
“I told you,” you say.
Even in the dark Joel can see purple bruising around your left eye and a split in your lip, still oozing wetness. That’s a fresh wound.
“Shut up, whore,” a nasally twat that might weigh a hundred pounds soaking wet barks at you.
Okay, Joel thinks, he’s gonna snap this rude twig in half first for talking to you like that. Did he give you those marks on your face?
“Quit fuckin’ callin’ her that,” the tall one elbows the twig and then pulls you into his grasp.
He watches you break eye contact with him as you wrap your arms around the giant’s middle - seriously, this guy must be nearly seven feet tall - burying your face in the center of his torso. He hears your muffled voice say I told you he’d come for me into his dirty sweatshirt as his free hand moves down your side and squeezes your hip. Change of plans. The big fucker dies first.
The other two people make their way across the room as String Bean grabs a knife off his hip, which Joel recognizes as the knife he put on his own hip when he left the house yesterday morning. He watches this idiot flick it around in front of him like some kind of hillbilly ninja, the knife glinting in the moonlight. It’s pathetic but it’s the only thing keeping him from boring holes into the back of your head as you remain clutched to that big oaf like a goddamn koala bear. He subtly tests the ropes used to tie him to the chair.
The two that join the group are a chubby guy maybe five and half feet tall, and a girl just a bit shorter than him, both of whom look to be teenagers. The tall one tucks the gun into his waistband and they all engage in a terrible exercise of whispering, pointing back and forth. Joel knows he’s half-deaf in one ear but they know they’re talking about him right in front of him, right? From what he can surmise, the two younger ones are a couple, and the girl’s big brother is the tall guy you’re climbing like a tree. He’s not sure how the scrawny one fits into the equation or how you got mixed up in this. Do you know these people?
“So are we gonna get rid of him, or what?” Skinny asks.
“That’s not part of the plan,” you snap, pointing your finger in his face.
Joel watches him slap your finger away and then get pushed by the big guy before all of you devolve into loud whispers again, cursing and hissing. This is getting very old very quickly. He tests the ropes again, flexing his arms and chest against them. He’s tied pretty tight with more than one length of rope. Jesus, what did you tell them, that he was Houdini? The bickering still hasn’t stopped so Joel clears his throat and the noise finally ceases, everyone turning to stare at him. Except you. You won’t meet his eyes. 
Just like old times.
“You ready to get the fuck outta here, baby?” he says, looking right at you.
He watches everyone else’s face swivel to look at you. You tilt your head slightly and meet his eyes.
“I’m not going anywhere with you, asshole,” you twist your last word like a knife into his gut.
He watches Big Guy snake his arms around your middle from behind, drawing you back to his chest. Who the fuck does this jerkoff think he is putting his hands on you? And why don’t you seem to mind? Skinny points at Joel and starts to get mouthy but Big Guy lets you go and drags Skinny and Chubby away from the group and behind Joel, leaving you and the girl alone in front of him. He figures this is as good an opportunity as ever.
“PJ, I’m sorry-”
“Fuckin’ save it, Joel,” you hiss.
“Seriously though, what are we gonna do now?” Girl asks you, side-eyeing him.
“What do you mean? This doesn’t change the plan at all,” you say with confidence.
“You said he’d kill us,” Girl whispers loudly.
He watches your face as you pull her away from him but you don’t look back to meet his eyes. Your face is passive, giving nothing away. You told these people he would kill them? Why would you say that? You’ve never seen him kill anyone. You’ve probably never even heard about the terrible things he’s done. Of course he’s killed people, but so has everyone. He thinks you might have even had to do your fair share to survive. But why would you tell these people he’s a killer?
All three boys come around from behind Joel, Skinny stomping around with a large folded up paper in his hand. He shoves it in Joel’s face and points to it forcefully. 
“Show us where you came from,” Skinny says.
Joel sees the paper is the map of the state of Vermont he’d been traveling with. Luckily nothing on it is marked, so there’s no indication where the Valley might be.
“He’s not gonna-” you start.
“Slut,” Skinny snarls. “You really need to learn when to shut the fuck up.”
“No she’s right,” Joel says, drawing Skinny’s attention back to him. “I’m not gonna tell you shit.”
Skinny opens his mouth to protest but you speak first.
“I told you I know how to get there, we don’t need a map,” you sigh.
“I don’t fuckin’ trust you!” Skinny whines, turning around to throw a mock punch in your face. You wince.
“You need to calm down,” Big Guy hums at his rageful companion, pulling you towards him again and away from Skinny’s reach. “She told us she’d get us there and it’s in her best interest not to fuck us over.”
Joel doesn’t miss the way Big Guy’s hand tightens around your arm when he says it’s in your best interest to cooperate. 
“We been on the road for nearly two fuckin’ weeks and I’m gonna be real fuckin’ pissed if this little whore is jerkin’ us around,” Skinny hisses.
“I’m not,” you say, looking up at Big Guy.
“I hope not, ‘cause we’re really hungry,” Girl says.
“Yeah,” Chubby agrees.
“Both of you shut the fuck up,” Skinny snaps, pointing a crooked finger in the girl’s face. “You ate your weight in pickles this morning. Besides, your fat ass could go another week without food.”
This time Big Guy has had enough. He yanks you to his left by your arm and steps towards Skinny, right arm pulled back and threatening a punch. Skinny jumps back, arms in front protecting his face and starts muttering apologies, saying he was just kidding, avoiding the punch Joel isn’t sure Big Guy even intended to throw. Maybe he’s more bark than he is bite. However, he thinks Skinny is exactly as much bite as he seems to be, no impulse control and a violent streak, and most likely the one who gave you those bruises. Joel can’t wait to kill these idiots and save you from them, then bring you back home where you belong.
“It’s late and it’s been a long day, we all need some rest if we’re gonna make the long trek tomorrow,” Big Guy says.
Joel thinks that it seems like Big Guy is the brains of this little operation, watching as he orders the young couple to sleep on the opposite side of the room where they can guard the doors. He tells Skinny to take first watch of Joel - who he refers to as the old guy - and then mumbles something to you about keeping you close before dragging you back into the kitchen behind Joel’s back.
---
It’s a muffled sound Joel hears at first but he’d know it anywhere, your soft sighs. He never thought when he heard you making those sounds again that he’d be so fucking pissed off. What is that fucker doing to you? He tests the ropes a third time, wishing he could reach into the back of his pants where he keeps a second knife tucked away, a small one clipped to his boxers for emergencies. Emergencies like this. 
Skinny sits in a chair just across from Joel, about five feet away, watching him with a shit-eating grin on his face. If this idiot closes his eyes for a few minutes Joel thinks he can try and go for his knife. He’d be able to cut his bindings and start eliminating these morons one-by-one. But Skinny hasn’t closed his eyes. And you’re behind him with Big Guy right now, making gentle moaning noises. He needs to get free now.
“Ya hear that?” Skinny asks, smiling. Joel doesn’t answer. “He’s gonna dick your girl down real good.” 
Joel feels his face heat, his ears burning while he clenches his teeth to avoid letting go of the growl that wants to escape his throat.
“She told us all about you, ya know?” Skinny sneers.
“Oh, did she?” Joel scoffs.
“She sure did,” He whistles. “She sang quite the song. Said you have the biggest stockpile of shit she’s ever seen, and you have all these fuckin’ people doin’ your bidding.”
Joel tries not to let surprise paint his features. You little shit. You told this jerkoff about the town, about all the food and supplies, about him and his flock? What did he do to you to make you confess all that? It’s fine, he’ll just play dumb, convince him you lied.
“That sounds pretty nice,” Joel muses, nodding his head slowly.
“Yeah, that’s what we thought,” Skinny laughs.
“Almost sounds too good to be true.”
“Does it?”
“Come on kid, it’s been ten years since the fuckin’ world ended,” Joel drawls, a smile on his face. “No one is livin’ like that. We’re all just scrounging for our next meal.”
“Yeah… she said you’d say that.”
“One thing you should know about her?” Joel’s smile disappears. “She’s a lying little bitch.”
“Well she’s certainly a bitch,” Skinny huffs. “...’cept I’m starting to think maybe she ain’t lyin’. She told us you’d follow her, and you did.”
“Oh? What else did she say?”
“She told us you’d have a hidden gun on your ankle, and you did.”
“Interesting,” Joel hums, the reminder that they took all his guns creating a renewed anger at his current situation.
“And she told us you’d lie your ass off to keep us from raiding your shit,” Skinny laughs. “And here you are, tryin’ to lie to me.”
“I thought you didn’t trust her,” Joel mocks.
“I trust you even less, old man.”
Joel settles back in his chair, flexing to test the bindings again as he hears wet noises coming from behind him. He hears a low grunting, what he assumes to be that tall fucker getting off with his fucking woman. He lets the growl rumble in his chest now, hoping it’ll drown out the sounds behind him and quell his murderous rage. Skinny makes a grating noise that could be a laugh. Joel stares at a dark knot in the hardwood floor and imagines wrapping his hands around Skinny’s stick neck.
“Sounds like yer girl isn’t yer girl anymore, don’t it?”
---
12 hours earlier…
You knew that you’d been hiking for over a day, although there was no real way for you to keep time. You left the farm at sunset and now the sun was rising on your second day. You tried to do a lot of your walking at night, pushing aside the childlike notion that the dark was scary while also trying to ignore the very real threat of actual monsters. Scary as it was, you knew that logically, you would at least hear clickers coming. It's more dangerous to be quietly stalked if seen by humans in the daylight. Still, you kept to the trees for most of your trek and even climbed one for a quick nap the first afternoon.
You weren’t sure if anyone was after you but figured there was a pretty good chance Joel would send out a search party once he heard, so keeping a steady pace and stopping as infrequently as possible were your main priorities. You thought you would outsmart him by heading away from the populated areas or outrun him by walking almost non-stop until you hit the ocean. You didn’t risk stealing a map from Hank’s shelves but you stared at it for long enough to memorize the route numbers you’d need to take, even making up a song to fit them into so they’d stick in your mind.
So now you were just next to Highway ninety one, which - according to your rhyming song - takes you south to Lebanon. You spot the sun shining off ripples of water through a brief clearing in the trees and decide to fill your canteen away from the more exposed river, heading to what ends up being a serene lake surrounded by a thick forest. It’s gorgeous here. The sun is shining and keeping you warmer than the crisp spring air would otherwise allow. The landscape glows green, finally coming back to life after a long winter. 
This place reminds you of the lake you’d swam in during the summer camp you went to five years in a row as a child. Grab a swimming buddy, plug your nose, and jump in. God, you were fearless in those days. It's too cold to swim now but you wouldn’t anyways, not all by yourself. You walk the perimeter until you find a dock that will take you far enough away from shore to get some clear water without vegetation mixed in. Not that eating a little grass would kill you, but you’d prefer your water to just be water and not a salad. 
God, you could go for a salad right now. Rosie made the best salads with a homemade vinaigrette that rivaled any dressing you’d had before the world ended. Why were you thinking of that now, of Joel’s house? You shouldn’t be thinking of that. Or of him. Fuck him. You were far away from him now, having finally escaped. You were staring out over the gentle ripples of a beautiful lake on a peaceful morning all alone. Enjoy this moment, you earned it, you tell yourself. You stand up and twist the lid closed on your canteen, stuff it into your pack and turn around. 
Only you’re not alone. 
There is a man at the end of the dock blocking your path. 
Shit.
The fear starts to grip you, its icy tendrils shooting up your limbs and threatening to seize your rapidly beating heart in its grasp. No, you can’t freeze now, you have to keep your wits about you, you have to get yourself out of this situation. Making mental calculations as quickly as you can, you take off running down the old wooden dock, towards the shore, towards him. 
Surprised by your sudden movement, the man takes a couple steps forwards on the dock, planning to take up even more space on your path. A few more steps and you’re within spitting distance from him. You see his arms come out in front of him to grab you. You quickly turn and leap off the dock, landing in the shallow water by the shore several feet away. You use your paltry headstart to your advantage and take off running along the shore.
You turn your head to look back and you see him, stumbling over his own long legs, having tripped and fallen into the shallow water. Relief bubbles up inside you like a percolating kettle, warming your insides and making you feel almost buoyant. You’re still looking backwards which is why you don’t see the six-foot-plus wall of man in front of you. Not until you smash into him and turn your head back, finding that his chest fills your entire field of vision. The pungent smell of his body odor stings your nose, nausea washing over you.
He twists you around so your back is to his chest and two anaconda arms wrap around your torso, squeezing you so tight you can barely breathe. You see the other man coming closer, soaking wet but laughing his fuckin’ head off, a mouth half-full of crooked, rotting teeth. He’s more of a boy than a man, now that you can see him closer. Probably early 20’s and around six feet tall. With his clothes soaking wet you can see how skinny he is, hardly any meat on his lanky frame. A nasal twang comes out of his voice between sputters and chuckles.
“You- You thought you were real slick back there, didn’t ya, bitch?”
“She gave you the fuckin’ slip, Roy,” a deep voice huffs above your head. “She woulda gotten away if I wasn’t here.”
“Whatever,” Roy mutters. “Shut up.”
---
You were practically carried around the lake until you arrived at an old summer camp, a worn wooden sign calling “Aloha” to its campers. Pulled inside a small white building, you’re tied to a chair by Roy - still dripping wet - in what looks like a space once used for arts and crafts. You see the really tall smelly guy and two shorter kids - one boy and one girl - going through your backpack, pulling out the food you’d stolen from the Mansfield’s root cellar. They’ve already eaten half of a jar of pickles by the time the ropes are secured around you tightly.
Roy strips off his wet coat and joins the group, prying open a container of applesauce and greedily drinking it straight from the mouth of the jar. You hear the girl offer the tall guy a wrapped up parcel and she calls him Mike. You watch Mike open your package of homemade smoked jerky that you were saving for later on your trip and his eyes nearly bulge out of his head. He looks over at you, catching you watching them, and holds it up above everyone’s heads.
“Where’d you get this?” he asks.
“I found it,” you whisper, your voice hoarse due to your too-tight restraints.
You don’t even have time to process the fist that Roy throws at your face until after it lands. You feel his knuckles hit the edge of your left orbital bone and slide into your eyeball, sharp pain shooting around your skull and straight back through your eye. You cry out and tears spring to your eyes, pouring even harder out of your left eye, which you can’t open. Your chest tries to heave with sobs as you hiccup, struggling to take deep breaths against the bindings. You hear Roy’s piercing voice over you.
“...so stop lying if you don’t want another one,” he finishes, flecks of applesauce flying out of his mouth to hit your face.
“I- I ca-, I can’t-,” you feel a tightness in your chest and you worry you’re going to start panicking, the blinding pain and the reality of your current situation hitting you simultaneously. This is bad. You’re sputtering. “I c- can’t b- b- breathe.”
Roy completely ignores your tears and your pleading, tipping the applesauce jar to his face and drinking down more of it. 
Pain spreads across your chest like a white hot heat, quickly becoming all you can think about, even pushing the throbbing in your eye to the back of your mind. You continue to gasp and choke, breathlessly begging anyone who’ll listen, but unable to focus on any faces. It feels like your body is being crushed, like you’ve been buried alive, every breath you can’t take in fully is another bucket of dirt thrown on top of you. The bindings across your chest seem to get tighter and tighter, the ringing in your ears growing louder.
Finally relief is delivered when you realize the young girl is at your side, her hand on your shoulder and a knife in her hand. The pressure is gone. She’s cut the ropes away from you, leaving you to take the deep lungfuls of the air you need to calm yourself down.
She pats your shoulder to reassure you before Roy - realizing what she’s done - drops the jar of applesauce to the floor. Ignoring the shatter of the glass jar and the splatter of the rest of the applesauce all over the floor, Roy grabs her by her hair, causing her to yelp in pain. He begins to scream in her face, calling her every name in the book before a massive hand is pushing a pistol into his temple. The tall guy, Mike, shoves the gun so forcefully into Roy’s head that it pushes him to the side, away from the girl. He lets go of her and stumbles back a few feet.
“Don’t you ever put your hands on my fucking sister,” Mike says.
Sister? This is good. This is very good. If Mike is willing to protect his sister from Roy then he could be willing to protect you too. You watch the girl run to the third young man’s arms, his face still covered in baby fat. You watch as he kisses her cheeks, petting her hair and telling her everything is okay as tears spring from her eyes. Once Roy has calmed down Mike lowers the gun, uncocking the hammer, and looks to you. He raises his other hand, still holding the package of jerky.
“Where’d you get this?” he asks again.
You look around, surveying the faces of his companions, each of them looking at you expectantly. They look weary. They look hungry. Looking in Mike’s eyes last, you see his deep blue eyes under heavy lids looking at you. They look like kind eyes. His floppy haircut curls up at his ears, giving him a youthful appearance but you’d guess his age was close to thirty. He seems quiet. He seems safe. You hope you’re not fucking wrong about this one.
“I can take you there,” you squeak, sounding as meek as possible. “There’s a lot more where that came from. They’d let us stay as long as we wanted. We’d be safe there, well fed... I can help you.”
“He asked you where, cunt” Roy snaps as he moves forward, his rage restored.
“I know how to get there, it’s a day’s hike away from here. I can take-”
You feel a whoosh of air right before the crack of his bony palm hits your face. Unrestrained, you fly off the chair and land crumpled on the floor, barely catching yourself. Roy has slapped you. God, it fucking hurts. Roy steps up to you and bends over your folded frame, shouting obscenities down at you before he’s elbowed out of the way by Mike. He must have put down the jerky because he reaches out to you with both hands, practically picking you up off the floor like a child. Instinctively you grab onto his arms and once on your feet, wrap yourself around him, drawing your face into his chest. 
Ignoring the pungent smell wafting off him, you lick at the wetness on your face, salty tears and metallic blood. Blood? Fuck, your lip is throbbing. You touch your tongue to your lip and the source seems to be a split in your bottom lip. That fucker has hit you twice now. You wish he’d fucking choked on that applesauce he guzzled down like he owned it. You cling to Mike even after you’ve calmed down, raising your eyes to meet his, hoping your gamble pays off.
“If you help me, Mike, I can help you,” you whisper - just loud enough so only he can hear you.
His ocean eyes scan your face, no doubt looking for hints of deception. It’s hard to trust others in this world, you know that better than anyone. He looks for long enough that you hear Roy call out ‘what’s she sayin’?’ over his shoulder. He looks back at Roy, then over to his sister, and then back at you. He nods his head.
🖤
NEXT
I miss you Iris 💐 Thank you for helping with this series. Thank you so much to my bestie Bug for helping me edit this. ILYSM.
🚨GOING FORWARD I WILL NOT BE USING TAG LISTS - THEY DON'T EVEN WORK HALF THE TIME. PLEASE FOLLOW AND TURN ON NOTIFS FOR @nox-notifs AS I WILL POST *FIC UPDATES ONLY* THERE.🚨
TAGLIST (lmk if you wanna be added or removed) @strang3lov3 @ramblers-lets-get-ramblin @covetyou @iamasaddie @sr-lrn @clawdee @theywhowriteandknowthings @beefrobeefcal @merz-8 @speckledemerald @alltheseperfectimperfections @survivingandenduring @afraidtofear @millennial-teenybopper @missladym1981 @xdaddysprincessxx @lumoverheaven @ghoulettesinspace @brittmb115 @wintersquirrel @obscurexsorrows @littlevenicebitch69 @lulawantmula @pedroswife69 @joeldjarin @heimtathurss @untamedheart81 @pixielou5 @feel1n-h1gh @elegantduckturtle @koshkaj-blog @vickie5446 @lilipads @blvckmvgicwoman
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sugaroto · 5 months
Text
Ok so Buddy can somehow be in all the books Chase enters
Which, according to silver should not be possible
But he somehow is always there
Also like about the last chapter, I mean we're not sure what role he got, but I kind of feel like he got the sister's? That's the obvious answer?
And I feel like he's been there a while, so probably since the beginning of the book
Like look at him he looks like he lives in the jungle
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He threw a spear at Chase
And still wears useless belts
So he's been there while chase hasn't
Also I remember chase telling him about "the Shortcut" he found with the bookmarks and Buddy being like YOU CANT DO THAT
And like, if he's there since the beginning, how did he not notice chase just appearing randomly near the end?
Also wait, this is random, but wasn't his first appearance with him chilling on a tree? What's the villainess doing on a tree 😭 he's just a cat
Anyway
I remember seeing somewhere that theory that Buddy is Violet, and perhaps trans, hence being a guy in the stories while they key as far as we know is a girl
Which um could explain why he is everywhere I guess? If he is the villainess
Hm also his color palette, his main outfit is purple
And kinda outdated I guess?
We've also never seen him leave or enter the book, he's just there
The only thing that makes me believe he's not a key is that he referred to the keys as "it" while Chase uses the correct pronouns of the keys, he views them as people whereas Buddy called them "it" cause he views them as objects
And yet, he's on a talking stage with Violet since she gives him outfits
And freaking awesome outfits at that
(Unless, as someone else said they have a bad relationship and he goes out of his way to make his own outfits just to prove chase wrong)
...
Honestly I don't think I'm going somewhere with this post I'm just pointing out stuff
And Punko said on her live yesterday that she can't spoil his name cause it'd be much better when we find out on our own
So like
His name means something?
Or like I guess she has a good scene planned or something like that and doesn't want to spoil it which makes sense
If he's trans violet I'm guessing his boy name is Victor 🤓☝️ I couldn't sleep some days ago and thought about a whole plot with Victor and he and chase had a somehow tragic ending
I can't wait to find out more about him
How is he in every book
What is his purpose
Why
What is his name
Hm wait okok
New theory what if he's trapped
He somehow is trapped into book world
And maybe cause a kid disappeared ex libris kinda broke up
But he doesn't know and just tries to leave, or do whatever it was he was supposed to be doing
So he just shows up into whatever book the hero/ine characters chose
Like c'mon chase found the key at a random library and Buddy is like you stole the key!! C'mon dude I don't think ex libris had that one
And like he then found 2 other keys on yard sale c'mon
Shouldn't these guys know what's up
How do you lose keys you don't let out
Something has happened
Oh god can't wait for more lore
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jewbeloved · 6 months
Note
heyyyy! I saw the thing with Craig with a s/o who has the same powers as Isabella and it was so cute! so I'm asking if you can a one of the main 4 seperatley (I CANT FOCKING SPELL IT) with a s/o (f!reader if you don't mind) who has the same powers, and like what happens in the movie, reader has the mindset that she needs to be perfect, but they help her realize she doesn't need to and kinda goes wild with her powers (again, like what happens in the movie)
thank you so so much if you do this! but either way have an amazing week!
--Rei
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Sure thing! ^^
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Team Stan with a s/o who can bloom flowers like Isabella✿𖣘ᰔᩚ
Warnings: None
Gender: Neutral
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💙 Stan Marsh 🍼
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Tbh he never knew about your powers until you pranked him and his friends while they were playing superheroes.
Cartman cursed you out while Stan was just staring at you in awe. You were planning on showing Stan your powers but you decided to do it in a mischievous way.
He doesn't have much to say except the fact that he really loves your ability. (100% wanted you to be on the freedom pals team after he invited you to come play superheroes.)
"Can you make poison flowers bloom?".
"No Stan I don't wanna kill anyone.... except for the fatass".
"Aye!".
Definitely will vomit anytime you make him a gift made from the flowers you bloom.
💙💙💙💙💙💙
💚 Kyle Broflovski ✡️
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Just casually waking up in the morning only for him to look out his window and see you doing the family guy death pose on a.....lily flower...?
Rubs his eyes multiple times to make sure he isn't seeing things.
Surprised pikachu face when you created a flower from underneath him and lifted him up into the air.
Doesn't stay surprised for long because he has pretty much seen so many crazy stuff nowadays. He can't muster up the energy to say shocked for too long.
Also thinks your ability is pretty unique and cool! Can you make Cartman's room look like a prison jungle-?
No seriously, what else can you do besides make them bloom outta nowhere? Tell him (⁠☆⁠▽⁠☆⁠).💚💚💚💚💚
❤️ Eric Cartman 💅
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Believe it or not he actually had a dream about you having some crazy ass weird ability causing mayhem with it.
You blooming daisy flower prison bars over his door to prank him confirms his dream has came to reality.
Cartman has a bunch of stuff going through his mind so he probably believes in supernatural and doesn't really care that you have the ability to bloom flowers out of nowhere.
Obviously will exploit your powers to rip people off of their money or use it to plot revenge plans on his enemies.
You spoil and put up with his psychopathic devious self. So you indulge Cartman in helping him with his plans to see how far he gets before he screws himself over XD
You and Cartman mess with Kyle for the rest of the week. ❤️❤️❤️❤️❤️
🧡 Kenny Mccormick 💀
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He saw your ability right after you accidentally impaled and killed him by blooming roses that had sharp thorns on them.
Cue you apologizing to him many times the next day he regenerates and tells you it's okay. He thinks your powers are neat! ✨
You showcase all of the flowers you can bloom to him. He might even ask if you could make a vase full of flowers that he can give to his sister. ♥️
Either it's your clumsy summoning or Kenny's bad luck.
But the amount of times this dude has died from being impaled or shot up into the skies and hitting the ground hard from you blooming flowers without noticing Kenny is right there. 💀
Kenny doesn't really mind, at least you always remember his deaths unlike everyone who just forgets he even died in the first place.🧡🧡🧡🧡
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Did I just use "bloom" so many times while writing this? I swear, I'm so insecure about how I write my stories sometimes 😭😭😭😭
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kordyceps · 8 months
Note
OK I mean obviously I'm reading your steter stuff on AO3 but I'd love to know if you have an all time favourite? Either your fave of your own work, or fave of another author's that you rec/reread/still think about a million years later (or both lol)
Oh man, okay, sorry for taking so long to reply to this ask! But it's such a good one and I unfortunately have the memory of a gold fish, so I needed to do Research™ (aka reread all my favs again lmao) so I could answer it properly. 😂
I only have one Steter fic of my own atm, so I guess that's my de facto personal fav for now…
But as for other folks' work, god, there are sooooo many great Steter fics out there!! So these are just a handful of my top favs, and definitely not a comprehensive list!
Five Times Peter and Stiles Troll the Pack by taylorpotato Rating: M | 2.5k | requires an AO3 account to read Stiles and Peter yell at each other in Polish, misleading the pack into think they're fighting, when in reality it's all just like completely fuckin' filthy dirty talk lmao. Short, but very funny, and such a perfect capture of their mischievous dynamic. 10/10, would recommend!
The Devil You Know by Twisted_Mind Rating: E | 11.6k Peter is there for Stiles when no one else is, and uses that to slowly manipulate his way into earning Stiles' explicit trust. And ooooh boy, is it so delicious and spicy. God damn! Cards on the table: this fic definitely won't be for everyone since it wades into some darker waters. But oh my god do I love love LOVE Peter's characterization in it. God, I feel like I could write a whole damn essay about this fic, but then I'd just end up spoiling the whole thing LOL. Just--if you like darker, manipulative Peter and enjoy your sweetness just a wee bit twisted, then 10/10 would recommend!
The Prince and the Pease by luulapants Rating: E | 47k | requires an AO3 account to read Medieval/Royalty AU where Peter is forced to cede his claim to the throne and become a "guest" of King Deucalion's as part of a peace treaty between the two kingdoms. Stiles, who is suspiciously far too mouthy for your average servant, is gifted to Peter as a bedwarmer. This one does such an incredible, masterful job at translating the characters into its setting and time period. The sass, the wit, the wordplay! You can definitely tell the author knows their shit, and my god is it fantastic. The plot itself is also so satisfying -- lots of great ups and downs, and, ugh, just so good! (Be sure to read p2 for the full ending btw!) Needless to say, 10/10, would recommend!
Keeping him (It's all about intent) by sittinginmytincan Rating: M (& E for oneshot sequel) | 121k Stiles winds up slingshotted into his own future, where it turns out he's married to Peter Hale of all people. His only way back is with Lydia's help, but she's gone mysteriously missing somewhere on the east coast while investigating some strange disappearances. Man, this fic….. I feel like the writer for this one must have received a checklist of things I'm into and decided to mark nearly every single one of them lol. Time travel, woke up married, magical theory, an enthralling af plotline -- and it's so thorough. Like, everything is so incredibly well thought out, the characterization is on point, and the development of Stiles and Peter's relationship is just chef kiss. Definitely 10/10, would recommend!
The Striking Complication by aurevell Rating: T | 118k I don't even want to write a summary up for this one because the mystery of it all and peeling back what's happening piece by piece is, imo, the best way to experience it. This story is intense as fuck, near relentlessly oppressive, and impossible to put down. It keeps you constantly at the edge of your seat as you try to figure out what is going on and how Peter and Stiles will survive it, with these heart-wrenchingly sweet breather moments sprinkled throughout. If you enjoy time loop stories, this one is an absolute must read! 10/10, would recommend!
build-a-beau by veterization Rating: E | 41.5k Tired of his dad always worrying about him being single, Stiles decides to pay for a fake boyfriend service so he can finally get his pops off his back about it. It goes about as well as one can expect a fake texting boyfriend you accidentally catch real feelings for can go lmao. This fic is wonderfully witty, with really fantastic banter between the two of them, and it's just so very fun getting to watch the pretend part of their exchanges slip more and more into something genuine. 10/10, would recommend!
Under the Songbird's Wing by mia6363 Raing: E | 87k Stiles is captured and held in captivity alongside Peter, Deucalion, and Satomi Ito. To survive, Stiles runs through lacrosse drills and tells stories, eventually persuading his fellow cellmates out of their shells and establishing a profound, unbreakable bond between them. This one is HEAVY, folks. Like, heavy heavy. But, god, it's also such a beautiful exploration of the characters and the bonds they develop through shared captivity. I don't even know what more to say, really, it's just haunting and lovely and awful and wonderful all at once. In the mood for something that hurts? Then 10/10, would recommend!
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tetrakys · 4 months
Note
As a close friend of Chinomiko, how does your conversations go when it’s about mcl new gen, I’m pretty curious 🤭🤭 Because she probably can’t you stuff, so when you talk about your theories about each episode, she just sits and listens? heheh I wouldn’t be able to be her friend, I would probably beg her to spoil me!!
Ahah funny you say that because it's kinda the opposite, she knows I don't want to be spoiled in any way when it comes to plot or illustrations so no I don't discuss theories with her at all, that's what the fandom is for. We have often worked side by side on our own things and I'm not even tempted to snoop, I want to enjoy the games.
Of course it would be disingenuous to say that we don't talk about the games at all. We chat a lot about the characters, their personalities, not only New Gen but all her characters and OCs (her elf thief Thael? You'll see, he's going to be my Lance 2.0 😭💕😭💕). We also read the same books and talk about romance in general, tropes, things that people like and don't like. I do bring a player perspective when we chat about possible themes, and of course not everyone has my tastes and I absolutely don't act as if I'm representing the whole fandom, but I've been playing for so long that I can give suggestions on things I know the majority of players would hate or like.
For example, people were super scared that one of the LIs could possibly cheat at some point in the game, and I know for sure this is never going to happen because we've talked about this kind of things a lot. She miiiight create drama and make the MC and players think this is happening, just because she likes to torture her characters (and us all), but it won't actually happen. So, I guess in a sense I do have a different perspective on things, just because I know her and her tastes and opinions.
About New Gen, I honestly know nothing about what's going to happen, other than the fact that we will have more personal interactions with Jason starting the next episode, and that the story in general is kinda light hearted, there isn't going to be any real drama or deep plot. We should see it more as a sitcom than a drama, if we compared it to a tv show. And that's pretty much it 🤔 I'm trying hard to think if there's anything else I know that you guys may not know by this point but I can't think of anything. I do know she's many episodes ahead, but this isn't a secret, it was said many times even when working on other games, that the Bees are always at least one year ahead of us, so everything we see was planned a while ago, they can't really incorporate current feedback.
Would you really ask to be spoiled anon? I know it's tempting but I want to be surprised while playing the game 😌 I need to slowly fall in love 💕
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greenerteacups · 5 months
Note
forever grateful to you for sharing your musings, as if the book writing weren't great enough and hard work enough, you truly spoil us and i love you.
I'm popping in here to ask if you would like to talk about how you see Dumbledore. Sometimes I feel his manipulative side is abused in fanfiction, depicting little more than a heartless chess master.
And well, I guess I'm curious to find out if Lionheart Albus has a heart and will we get to see it. Maybe the more generous glimpses you give us of Snape and his interactions with him will shed some light on his hidden depths? Or will his appearances remain fleeting and enigmatic, always far and above all the little people we do know and adore?
Sorry, I know you can't possibly be completely balanced in your portraying of the whole cast, or they would spread too thin. I am here for the plot, for the Dramione and the Blacks, but I deeply enjoy all the character building (I truly live for all of them, not only our loved ones, I even cherish Warrington with sincere hate and am waiting for his comeuppance ) so I thought I would ask if you wouldn't mind a few comments on our opaque headmaster.
Thank you, friend! You're really kind.
Dumbledore has a relatively minor role in Lionheart for a few reasons — chief among which is, as you point out, that we just don't have time for everybody to get the same level of characterization the mains do. I have plot justifications for that, but it'd be disingenuous to suggest otherwise: Dumbledore's minor because I'm less interested in him than I am in Snape and Narcissa, and Lionheart is much more about Draco's sphere of the world than Harry's. That being said, I think some people forget how small Dumbledore's role is in the original books. He pretty much exists to deliver exposition and tell Harry how to beat the final boss; dude doesn't even get a gesture at a backstory until he's already dead. In fact, it's kinda weird to me that everyone (including a lot of people in the series) treats Dumbledore like he's some kind of guardian for Harry, especially with respect to the decision to keep him at the Dursleys. I know it's set up in the prologue, but if I'm Dumbledore, and I'm catching strays for Vernon Dursley being a piece of shit, I'm gonna be like:
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The TLDR on Dumbledore is he's blamed way too much for stuff he doesn't do instead of the stuff he does. People seem to blame him for everything bad that happens to Harry because he's a competent adult in the general vicinity of the kid. But with the possible exception of hiring Lockhart — a bad decision I attribute to Early Installment Weirdness and, just maybe, a certain scarcity of applicants for a position where the last dude Literally Fucking Died — there's not a whole lot of shit that happens to Harry in the first few books Dumbledore could've prevented. Plus, he does in fact have Other Shit to be Doing. Is he a really powerful wizard who probably could've saved Harry's ass in a lot of the fights he gets into? Yes. Does he also have a whole school to run, a secret guerrilla group to direct, a Ministry full of political enemies to placate, and — oh yeah — a snake-faced immortal evil sorcerer he's playing 4D chess with at all times? Yes!
The whole lamb-to-slaughter thing with Harry is admittedly quite dark, but I don't read it as machiavellian. For one, Dumbledore obviously comes to this conclusion after a lot of deliberation, and to his death, he refuses to tell Harry about it, because (one assumes) he never intends to kill Harry himself. He's willing to hinge the fate of the free world on his respect for Harry's autonomy and/or his faith that Harry will make the "right" choice. That's pretty humane, given the circumstances. And he holds off on telling Harry about the horcruxes because... he doesn't want to inform a literal child that he'll eventually have to kill himself for the war effort. Oh, GOD, what a SCHEMING MONSTER. Surely this is motivated by menace, and not the grieving reluctance of a seasoned veteran who wants to preserve whatever few years of happiness this kid can eke out of life.
The areas where Dumbledore is morally shady come out most in his interactions with other adults. His conversation with Severus in 1981, for instance, is the one time in the books where I was legitimately frightened of him, because it's a rare time he's completely without mercy or grace. "What will you give me in return, Severus?" is a character-defining line, because Snape has just told him that two twenty-somethings and their infant child are about to be murdered, and Dumbledore's hit back with the subtextual equivalent of: "Tough shit. Why is it my problem?" Which is COLD AS FUCK! And we can kind of infer that he's not in earnest here, that he's manipulating Severus by making him think Dumbledore won't protect the Potters (even though they're Order members, which this theory requires us to assume Severus doesn't know) so that he can get him to work as a spy — but we don't know that for certain, right? It's all inference. We hope that his implicit threat isn't genuine, but what would happen if Severus said no, and walked away? How much did Albus understand about Snape's feelings for Lily, and what kind of person does it take to bluff like that in front of a known Legilimens? That line is intimidating as fuck whether or not Albus means it.
It's bits like these, where he's talking to people that he actually dislikes, where we get hints of the real Machiavellian Albus Dumbledore, and it's absolutely fascinating. He's the veteran of two wars, going on three when he dies, and you can tell in how he conducts himself. That includes, by the way, his gentility with children and his respect for innocence. But he's not just Good Funny Grandfather Dude or Crafty Mastermind. He's a general. He's been waging wars from the back lines since his twenties. That does something to your brain, and it doesn't leave a lot of you left over for anything else.
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iceheap · 10 months
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@panicataphmausinsanity okay so Zane HC's LETS GOOOOOOOO
Before we start trigger warning for like, child abuse and torture and shit. Seriously this gets dark. Zane redemption must come at a price >:D
So. Something interesting to me in regards to Zane is how in MCD, He's like, this evil, terrible human being, but in Mystreet, he's like, a semi functional human being who can be a NOT bad person and NOT do bad things. And so I got to thinking.
I don't think Zane was born a bad person.
Personally, I kind of hate the way Jess wrote Zane. Like, yes, evil for the sake of evil is great and all, but like. In season one and two, Zane was this overarching antagonist who was always one step ahead of the cast and plotting and having a good time being a paice of shit.
And then season 3 comes around and now he's a shadow knight, on the run, has PTSD...
Look, I'm not knocking the guy for having PTSD. I'm just saying that the way it's portrayed kind of makes him seem like a whimpery coward. AGAIN, NOT KNOCKING PTSD!!
I think the position that Zane found himself in season 3 was a PERFECT set up for a redemption arc and it makes me SO MAD that it didn't happen.
So I guess I have to do it myself apparently -_-
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I've been thinking a lot about Zane. I don't want him to stop being evil. Not right away. So we keep what happened in the first two seasons the same. He's a cackling maniac that has killed a shit ton of people and is on his father's payroll.
And then he dies.
(skill issue lol)
Anyway, Zane is dead. But he's also Zane, so of course he weasels his way out of being dead. And then he gets tortured and is subjected to the same suffering he condemned so many others to yada yada yada PTSD bleh.
Everything seems to be the same so far.
But then he breaks out if the nether. Still, we're on track, right?
He gets captured, he gets expedited to Phoenix Drop, he gets interrogated, it's all the same.
But here we find a canon divergence. Instead of being absolute dumbasses, they don't bring him into the nether. Let's scrap that plot point entirely.
Instead, we're going to let Zane bake in prison for a while!
Here are the main issues that make Zane irredeemable.
1. He's killed like, a shit ton of people, for funsies ig
2. He killed Vylad.
3. He destroyed Aaron's village.
Let's keep those things in mind.
So he's in prison. While in prison, Garroth starts to visit him (along with Travis but shhhh we'll get to him another day) and just. You know. Be angry.
Garroth has seen Zane as a spoiled brat his entire life. He's always been their father's favorite. He's always had everything handed to him on a silver platter. He's always been willing to do whatever it takes for power. He's greedy. He's psychotic. Garroth hates him.
But Zane is Garroth's brother. And Garroth is the type of golden retriever, gold hearted, kind type of character to still love his brother even if he hates him.
That doesn't mean he goes in and is like, nice to him though. Nope. Garroth goes to visit him and nine times out of ten it devolves into a screaming match where Zane antagonizes him the entire time and Garroth yells at him for being a shitty human being.
And then one day Phoenix Drop is attacked and Zane escapes.
They track him down eventually. When they find him, they strike a deal with him. Due to Irene related shenanigans they need his expertise as a scholar of Irene to figure out some more stuff for Aphmau. In exchange, they'll protect him from the Shadow Lord (who he pissed off by stealing one of his soul fragments lol Zane behavior).
Eventually they're able to establish a rapore with Zane. Garroth still gets a migraine whenever they have a conversation. Vylad still refuses to speak to him (oh btw he's visiting from his nether revolution vacation just so u know) and Aphmau still wants to tear out his guts for killing the love of her life or whatever, but he becomes manageable. They can like, stand him. A little bit. Slightly.
And then Zianna gets kidnapped or whatever. So they go rescue her. But when they get back to Phoenix Drop they forget to mention the fact that Zane is like. There and in the wild and not currently killing entire villages worth of people.
So Zianna rolls up to Phoenix Drop and gets jumpscared by her youngest son and also, notably, Zane is NOT happy to see her. He shuts the front door in her face. It's hilarious even though Garroth doesn't think of it that way.
So, now we have our key players all in one place. Garroth, Vylad, Zane, and Zianna.
Let's say they have to all go find an artifact toghether or something and they need Zianna there because it's related to something she knows and they need Zane there because of Irene lore reasons. they go on this mission. One day, they sit and set up for the night, set up bedrolls, whatever. They're lounging around the fire and talking when Vylad eventually mentions his time as a shadow knight in the nether and something about torture.
Zane blinks, and, having not been included in the conversation initially, buts it to say,
"Oh, please. Don't tell me getting tortured by those amatures was DISTRESSING for you. I would have thought father's methods would have given you thicker skin."
The others bristle and start scolding him, of course, because Zane is like, the reason Vylad became a shadow knight in the first place. But Vylad himself, who is very observant and hard to antagonize, latches into something Zane said.
"Methods? What methods?" He says. He says it sharply, too.
Of course, Zane doesn't pick up on this. He just rolls his eyes.
"Don't tell me you forgot. Father had a whole floor dedicated to torture and loved collecting new methods from around the region. I think he even had a historian employed who would research for him..."
"What?" Garroth says, stunned out of his anger.
Zianna has gone silent. So has everyone else, and now they're watching with baited breaths.
"So what? What would that have to do with me?"
And for the first time that they've ever seen, Zane looks... Puzzled.
"What, did he go easy on you? Didn't you talk back to him all the time? Once, after just asking him a question, he had two of my nails pulled. Shadow Knight torture was child's play in comparison," he shrugs, then takes a bite out of his stale price of bread.
There's silence.
Zane looks back at all of them, confused and now kind of pissed off. He looks like he usually does when he feels like he's about to be scolded for saying something crass. Except, that's not what happens. Instead, Vylad looks him in the eye for the first time since Zane killed him, and with the most emotion they've ever heard from him, says,
"What?"
Zane hums.
"Come on. Don't play dumb. He hated you. Im sure he must have sent you to the "torture basement" at least once. You got on his nerves constantly,"
Garroth makes an aborted movement, like he's going to stand up and rush him, but Vylad stops him with a flick of his hand. And then Vylad starts doing what he does best. Interrogating him.
So remember that list, right? Let's reframe a few things.
Zane was not the favorite child. Garroth was.
Garte was a paice of shit. Garte hated Vylad. But he also hates Zane. Why wouldn't he? Vylad was his wife's affair child, sure, but Zane, Zane was Zianna's spitting image.
When Zane was little, he used to take snails and out them in the grass after it rained. He uses to clamor for his mother's pastries just like his brothers. He was a normal child, and he was NOT born a psychopath.
But Garte had a thought, one day.
Wouldn't it be funny... If he made his wife think he WAS one?
Wouldn't it be funny to punish her that way? Wouldn't it be funny to turn Zane into a terrible person, and have her think it was for no reason? Make her think that she birthed a psychopath? How much would it hurt her? How much would she weep?
Garte used to punish Zane for Vylad's joy. One of Vylad's laughs would equal one slap to the face. One side remark in defence of their mother would equal one hour locked in his father's study closet in his office.
Garte turns Zane against himself brothers. And the best part in his mind?
He makes Zane believe that they know about all of it.
He tells Zane that his mother knows about it. That his brothers don't care that he's beaten. That Vylad does things so he gets punished on purpose.
Zane grows up thinking that his brothers probably go through this too. He grows up thinking that his mother just doesn't love him. And so he doesn't say a thing.
Garte starts having him tortured instead of superficially physically abused? He says nothing.
Garte makes him become a priest of Okasis even though the consequence of failing the academy is death? He says nothing.
Garte would encourage Zane to blugeon animals to death and bring them to Zianna and laugh at her horrified face from afar. Garte encourages Zane to say psychotic things while they're eating dinner, and watches as his family becomes more and more convinced Zane is a monster.
Until Zane is one.
But this reframes a few things.
The people Zane killed? It was under orders. He eventually became his father's right hand man. Most of his overarching goals have been in service of his father.
For Aaron's village, we'll stick a pin in that one, but long story short, Aaron's village had been planning a coup that night under his wife's orders. Zane had them killed under his father's orders so they could eliminate them as political neighbors. He let Aaron live out of pity.
And Vylad.
Basically, remember when I said that Garte used to punish Zane according to Vylad's actions?
One day, Vylad gets into an explosive argument with Garte defending Zianna. And Garte, again, without the other's knowing, has Zane tortured. Except this time it's for a WEEK STRAIGHT.
So when Zane gets out. He's. Very unstable.
And then he comes across Vylad in a semi secluded area.
And Vylad is acting like he did nothing, and all he's ever done is make Zane suffer, and Zane hates him hates him HATES HIM--
And so he snaps. And he kills him.
Keep in mind, though, Zane thinks this is all normal. He doesn't realize that killing his own brother has traumatized him. He doesn't realize that he's a victim of abuse. He doesn't realize that what his dad did is not okay because he THINKS HIS FAMILY KNOWS WHAT HAPPENED, and if they didn't contradict his abuse, then this must be normal. He thinks that Vylad has probably been tortured too. He thinks Garroth is their father's favorite because in his mind he's determined that Garroth not receiving any attention from their father is a GOOD thing because ATTENTION EQUALS TORTURE to him.
And this reframes a few things. His constant bid for power? It's not greed, it's DESPERATION. Power makes him feel safe. Hurting others makes him feel powerful because that's how his father had power over him.
His highly volatile and violent personality? It's l he's ever known. Do you have ANY idea what torture could do to a child? He has severe PTSD. Like, severe and repressed and his outburst are more common when he's uncomfortable or anxious or experiencing any negative emotion, which is often.
Garte took Zane's empathy from him. Turned him against his family. Made him into a monster. With these types of characters, I imagine it would probably be very difficult for them to redevelop their emotions and empathy because if they do that, they would have to face their whole mountain of trauma and the guilt of all the lives they've ruined.
I think eventually, after a lot of work, Zane does eventually regain his empathy. It probably finally sinks in during a small gathering. His mother makes her famous cake. Zane has long gotten used to being excluded during these sorts of things, but then...
His mother slides a plate of cake right in front of him.
Strawberry.
His favorite.
And she smiles at him.
This is probably after they found out about Garte being a peice of shit. Maybe a few months.
All Zane has ever wanted is to be loved. Maybe he didn't know it, but when he takes a bite of his mother's strawberry cake for the first time in decades and the nostalgic taste registers in his brain, something snaps.
And he becomes human again.
And he realizes:
Oh.
I'm a person.
I'm a murderer.
I'm a monster.
LMAO WAS THIS COHERENT SORRY PANIC I TRIED MY BEST I HOPE YOU LIKE THIS ONE OSIBWIBDIBSIBU
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hexhomos · 1 year
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HI! hope your day is treating you well, i’ve been interested in doomreed for some time but cape comics are sort of daunting to me just because there’s so much content and i really don’t know where to begin. what do you suggest? thank you!
STRAIGHT OUT THE GATE ill say, read [ "My Dinner With Doom" ] (this is a rly high-qual upload, open it up on desktop!)
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It's a key issue oneshot with a lil bit of backstory retelling, featuring a private dinner that happens in the 00's - a good entrance point if you're curious about doomreed in summarization + generally speaking a Real Good Comic overall.
LONG POST INCOMING THIS IS A LONG POST / click readmore
the fantastic four are one of marvel's darling old founding teams so there is pretty much... endless archival, ongoing, multimedia and games content popping up all the time.
They are also kinda one of the rare teams where the growth of the characters is consistent? The kids are allowed to grow older and events from every major run are carried/referenced by the next author so if you want to do chronological there's a lot of incentive and fun stuff.
If you wanna dip your toes into the F4 as a concept, check out:
*the #1 issue of Fantastic Four By Waid & Wieringo (1997) *Mythos: Fantastic Four (2007) [ *The FF (1994) movie that is up for free on youtube!! ] *Fantastic Four (2022) by Ryan North as the current ongoing!
(Some) Singles centered on Doom/Doomreed:
*Fantastic Four (1961) Annual 2 is Doom's original backstory issue *Marvel Two-in-One (2017) by Zdarsky issue #11 & Annual #1 are both crazy good but they spoil big events/conclusions from previous runs if u care abt that!!! (My current fav fic came from these issues.) *Doomgate (novel) by Jeffrey Lang is a good option if you want something that is mostly prose, instead of a comic or movie
NOW BEFORE YOU JUMP AHEAD WITH ANYTHING I *am* following [ this reading guide ] which breaks down specific issues relevant to their relationship as a line through all the different authors over the years.
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[ There's also this 2021 guide w/ a few other story/AU highlights! The author said u can send the blog questions and theyll answer too ]
The 'Modern era' (late 90s/00s/10s/Now) Starts with Waid and McDuffie's stuff. The latter wrote My Dinner with Doom!
If you're scared by all the names, don't be - when searching for the issues, just pay attention to the year, # number & author/artist creds.
What I'm reading/liveblogging rn is Hickman's Secret wars era, generally regarded as yaoi ketamine; It's a good epic narrative entrance point if you want to jump into it, and it eventually led into this huge marvel event that changed the multiverse and even brought miles morales into the main timeline, so its BIG and it happened in multiple books - the best way to go about it is;
Pre-hickman:
Fantastic Four (1961) #551 #552 #553 ➡️ (these introduce main ideas we will touch again in secret wars)
Fantastic Four (1961) #558 to #562 ➡️
Doom appears in these too, first/last issues more heavily. Stuff here will be ref'd during the next era.
If you're having fun and want to keep reading you can! Just know that the next storyarc has gathered a largely mixed response bc..... its Millar going hammywammy....... not that necessary.......
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anyway when you see hickmans name in the cover STOP and
Jump to actual Hickman secret wars era:
Fantastic Four by Jonathan Hickman: The complete collection➡️
(optional, side plot) If you like Val + Doom, read specifically; *Fantastic Four (2014) #3 & #5 + Fantastic Four Annual (2014) #1 *Agent of Asgard #6 & #7 *Avengers World (2014) #15 & #16
New Avengers (2013) ➡️ check issues on picture, or, if you're a completionist, look for 'Avengers by Jonathan Hickman; complete collection' and skim for the doom/reed relevant bits. There's a lot of characters here but this is a buildup to the big secret wars. Secret Wars (2015) ➡️ (All issues!) Infamous Iron Man (2016) ➡️bendis' doom writing is not very good but hang in there because right after him: Marvel 2-In-One (2017) ➡️ (All issues!) is a banger. Yaoi btw.
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You can basically read all the future/past ones as listed, or starting from the beginning of that author's period without worrying, bc they aren't as indebted to each other storywise.
You can also start somewhere else if you want or check out other single issues on the reading guides; It's not a crime! There's a lot of stuff with different takes and genres, I'm slowly chipping away at the secret wars era bc its just very thick and like a serious television drama attempt, except its also insanely funny sometimes.
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(I'm still making my way through it so that's what I have at the moment!)
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yolowritter · 4 months
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In Defense of Chloe Bourgeois Part 1: Who is Chloe?
Well...shit, here we go again! Hello there everyone, welcome back to the source of my endless exasperation! Before any of you pick a side to the argument, I want to make it perfectly clear that this isn't a post about whether or not Chloe should have had a redemption arc. This is not my point, and any argument for either side have been repeated so many times by now that I can recite most by memory. So, let's begin by establishing why exactly I'm even writing this post!
Chloe Bourgeois is one of my favorite characters in Miraculous Ladybug. The...the fanon version, obviously. Canon can go keel over in an alleyway, it already has more holes in it than the average swiss cheese. I've been a part of this fandom for a good few years now, and at the time of watching Miracle Queen was understandably upset at the...direction, that her character was taken. It left a sour taste in my mouth because I honestly didn't see it coming, but I'll get more into that later. Point is, I was once a defender of Chloe's redemption arc. I am not stating if I am or not still one of those at present, because that's not what the point is. Regardless of what side of the fence you're on, we can all agree that her character was horribly mismanaged in the latter half of this show. Erratic, extreme and oftentimes illogical choices that sound stupider than Lila's average gaslighting scheme, and a character who previously had an arc going for her now being defined only by the sheer inconsistency that writhes every moment she's on-screen. I'll be honest, I no longer particularly care if Chloe "should" have been redeemed or not, because either avenue could have allowed for some brilliant (or at the very least pretty decent) storytelling.
This defense strives not to strip anyone of their arguments, nor to challenge anyone's headcanons, or make a point about what the "correct" way to handle Chloe's character should have been. Again, I lost interest in the debate a long time ago. I'm simply here to examine who Chloe is as a person, what drives her, what her life experiences have been like, and where all this could logically lead from both a writing and human perspective. I care about Chloe as a person, and about a character who if nothing else, at least acts consistently, in a way where the audience can watch them and understand why they're acting like this. I'll be trying to give context to some of her actions and fill in as many plot holes as I can, as well as giving a glimpse as to how a possible Redemption or Corruption Arc could have gone. So without any further ado, let's dive right in!
Firstly, let's start by laying out some common ground. After the Gabriel Agreste post, I think it's necessary to establish some clear lines as to what exactly we're talking about here. So before anything else, let's look at what we learn about Chloe in Season 1, yeah? Without going episode-by-episode, we generally don't get a good impression of her. Chloe is clearly spoiled by her father, used to always getting her way, and has no problem pressuring others into making that happen. She treats her classmates more like annoyances if not outright minions (Sabrina and on occasion Kim), has little consideration for other people's feelings, and likes appearing superior to everyone else. A pretty bad start, all things considered. She bosses Sabrina around, and we're explicitly told that Chloe often bribes her with her second-hand stuff, or whatever she wants to get rid of. Sabrina clearly doesn't know how to stand up for herself, and Chloe seems perfectly willing to take advantage of her doormat status. She also has the roots for a sweet sweet superiority complex firmly planted, considering how she rejects and humiliates Kim when he tries to confess his love to her. I'll be damned if I ever understand such bad taste, considering how Chloe is generally disliked by the rest of the class, but the point stands. She could have just told him no, even rudely if need be, and left it at that. Instead, she actively chose to humiliate the poor guy. Something similar happened with Nathaniel, whose feelings about Marinette she made public to everyone else for what seems to be entertainment value.
All in all, Season 1 Chloe has all the stereotypical makings of a popular girl from a 2010s American high school movie, including the narcissism, bullying, strong-arming school staff into not punishing these behaviors, inflated ego, and the complimentary minion! Except...Chloe isn't popular. With anyone, actually. Most of the class dislikes and barely puts up with her on a good day. They don't laugh along or jeer at whomever she's giving trouble to. Instead we have several instances where people actively try to either push the teachers into doing something or remove her from a situation where Chloe is causing problems. Think about the filming scenes in Horrificator for example. Chloe is acting like her usual self again, and refuses to allow Marinette to be the lead actress because she'll get to kiss Adrien. A tragedy, I know! Therefore, there's a whole plot to get her out of the room long enough for the scene to happen. People actively consider her at the very least a pain in the rear, and probably someone they just don't even want to talk to.
Obviously this isn't an excuse for anything she does. My point here is that from the perspective of the narrative, even while acting the part of a "Queen B", Chloe reaps none of the benefits, and in fact only serves to make people dislike her more with every episode that passes by. Even Adrien, who I'll circle back to in a second, her childhood friend who has a good opinion of her when he first comes to school, eventually stops trying to defend Chloe's behavior. There are, I think, a lot of reasons as to why she acts this way. Precisely none of them are an excuse or a "get out of jail" free card. Chloe still chooses to behave the way she does, regardless of the motivations.
About Adrien, we know that he and Chloe have known each other for a long while now. She was quite possibly his singular friend during his otherwise relatively isolating childhood, and she's very clearly attached to him. Chloe constantly clings to Adrien and drapes herself over him, and while he seems to find it annoying, there's still never a sense of disgust like with Lila in later Seasons. She's being suffocating, but there is never a connotation of romance here. Still, Chloe does everything she can to keep Adrien close to her, and (in Origins) "teach him how things are" in school. She's the one who got him signed up as a student in the first place, mind you, so she very clearly wants him to be around her. And while Chloe does brag about him being a famous model, she could just...do that without ever actually bringing Adrien out of the house? Clearly that's not the reason why she went through all the trouble to actually get him in the class, because bragging about it would probably go worse if she did it in front of him, or in an environment where Adrien could easily hear about and react to it. Chloe is very possessive of her "best friend" (and only friend, discounting Sabrina), and constantly belittles Marinette for trying to get close to him. Mind you, she doesn't find out about her feelings for Adrien until Season 3 I think. We never see Nino get bullied for befriending him, so what gives?
I'll talk about reasoning later down the line. For now, let's move onto Season 2. Amidst the beginnings of Ladybug handing out Miraculous jewels like candy to her best pals, seriously Season 4 overdid it, Chloe also exists. And during Despair Bear, Adrien finally puts his foot down about her behavior. He tells her that he can't be friends with someone who acts like a bully, and Chloe is genuinely hurt by this, to the point where she does her best to put on a good show and convince Adrien that is capable of not being an ass. Which is actually the case, believe it or not. She holds back the snides, does her best to make casual conversation with the people she considers to be inferior to her (I'll get to that, don't worry), and makes a real effort to keep at it for the sake of their friendship. The reason why she blows up here is made very obvious by the episode itself. Chloe is in unfamiliar territory and clearly reining herself in a lot, which Despair Bear pokes fun of in several back-to-back scenes. She doesn't want to do this, clearly has mutual dislike for the people she's forced to put up with every day and has made up her mind about a long time ago, for the sake of the one person she considers a genuine friend. And mind you, Chloe never uses Adrien for something. She brags about his job in Origins, and preens about their friendship often, but she never takes advantage of him like she does Sabrina. I will get to their toxic friendship in a minute, don't worry, but Chloe chooses not to try doing this with him. Adrien is...oblivious, to put it nicely, and she could easily try and play around that to serve her own goals, but she doesn't. Keep this in mind.
Anyway, she blows up because Armand (also c'mon, if you wanted to make the joke that Chloe doesn't know her butler's name, Jean "insert today's last name" was more than enough, Thomas) keeps lugging her teddy bear and playing pretend with her in a room full of people. I'm sorry, but that may be the most relatable Chloe moment in the whole show. Are you kidding me??? Of course she'd be embarrassed by this! I mean sure, her reaction to the situation is wrong, she shouldn't have screamed at him or threatened the man's job, but Chloe has serious anger management issues. That is obvious, because she acts like this every single day! Why would Armand do this??? She's already way out of her comfort zone by even hosting the party in the first place, surely there's easier ways of reminding Chloe not to be a bitch? Just tap her on the shoulder and say "miss, remember Adrien?" because that's the whole reason this is happening! The teddy bear is completely unecessary! Especially the voice acting! It made me laugh so hard when I first watched that episode but can you blame Chloe for being pissed? Again, she reacted poorly because her self control is comparable to Plagg's when there's camambert in his field of vision! So yeah, it's wrong to scream people's ears off like that, but she was also upset. And she's fourteen mind you!
Anyway, my actual point about Season 2 is that we get to see Chloe's character development. Thank Nooroo, finally a proper arc in this damn show! And we also get to see her family life. Side note, Andre Bourgeois is a spineless coward who I'll be bashing momentarily. But Chloe's mother is horrible! Audrey Bourgeois is blatantly neglectful, if not abusive to her daughter! She treats Chloe the same way Chloe treats everyone else! As disposable, expendable things that don't "deserve" her attention because they're not good enough. Like, if this doesn't give a six year old some hefty trauma along with an inferiority complex, what will??? And the situation becomes even worse as Chloe becomes incresingly desperate during Style Queen, trying again and again to please Audrey by copying her behavior (which she's been doing this whole time) even more intensly, and acting like the entitled, self-absorbed narcissist that her mother is! And this is where we see exactly why Chloe does what she does! Again, none of this excuses her actions, but it does help us understand the behavior. Audrey constantly puts Chloe down and belittles her the same way she does to Marinette...only to later pick the kid that Chloe is jealous of (I will explain this in a second!) to come with her to New York, where Audrey had presumably yeeted herself off to years ago and never bothered to come visit! We already know that she pressured her husband into giving up his love for film to stay with her, maybe even during her pregnancy or after Chloe's birth. Only to promptly vanish and leave him (a person who never grew a spine or managed to stand up to what is undoubtebly a toxic relationship) with her miniature copy. It's obvious that Chloe's barely ever seen Audrey, but she idolizes the woman because that's her mother! Heck, Adrien idolizes Emilie even if she was arguably not a great person (see here) and Chloe is always kicked to the curb for just doing the same!
Audrey is a horrible person and an even worse role model, but when you're five years old and she disappears from your life, is it any wonder that there's a steaming hot pile of mommy issues here? If Chloe has been told by Audrey from the moment she was old enough to understand words that she isn't "exceptional" enough to "deserve" her time, then isn't it obvious why Andre tries and fails to make up for this by always coddling his daughter and giving in to her every whim? He's trying to please her and give Chloe a sense of self-importance that Audrey made near-impossible to develop, and also makes up for his own absence by basically bribing his own child! Not that Andre is innocent in this! If anything, he's even more at fault than Audrey! Because while she flew off into the sunset to fire her twenty-seventh unpaid intern of the week, he was still in Paris with Chloe! Who grew up with him, mind you! And sure, he got elected into office and had a busy job as a single parent! You know what else he did? Crime! Almost everything he does in this damn show is completely illegal! Bribery, blackmail, undue termination of Roger's position as a police officer, who Andre doesn't even have juristiction over mind you (because Paris had the National Police until like 2021-ish if I recall correctly), he's just a corrupt, scummy politian whose ideas (see Megaleech) are harmful to the people he's supposed to be serving and outright motivated by greed! And also, we are explicitly told that he taught Chloe to do these same things! Andre Bourgeois is a total idiot who's probably been committing tax evasion for all we know, and Audrey is a self-absorbed diva who bullies her own child constantly, when she even bothers to go see her! Which is never, unless she needs to be in Paris for some other event related to her job!
Thomas, what the heck do you mean Chloe is evil? Lila is an accomplice to a domestic terrorist, and a psychopath against whom the only protection is the show's PG rating! If Lila could, she'd burn Marinette's house down for shits and giggles my good man! Audrey is everything I just mentioned, Andrey is a corrupt, spineless politician, Tomoe physically abuses her daughter with fucking katanas on the daily, Gabriel Agreste is that domestic terrorist who almost fired every nuclear warhear in the USA by the way! Because that was stupid of the NYC special to do! But he still did it! Plus the genocide in Shanghai! Accident or not, Hawkmoth is still responsible! And later on he also put his son in a room! A rubber room! Thankfully there weren't any rats, as if he needs another OSHA violation! Are you people insane when you say "I don't know why Chloe acts like this"? Have you lost your marbles??? Do you want me to have an aneurysm? Of course a child is going to act the way Chloe does if this is the shit she's been dealing with since Day 0 of her life! Does that make it okay? Absolutely not! But does it mean that she deserved what happened to her canonically? Also no! I'll talk about how the corruption arc could have worked at the end, because they tried and failed to do that, so let's circle back to the "jealous of Marinette" thing from a minute ago, kay?
Note: We're doing this in part 2 because this is closing in on 3k words already. The whole rant is done, no you don't want to know how long it is, I'm just splitting it because nobody will ever read 7.5k words worth of anything on Tumblr dot com.
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the-eeveekins · 1 year
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Time to get some things off my chest I've been holding onto for a while, especially with regards to the Gundam community and G-Witch.
A solid chunk of the complaints I see about the show boil down to: person/place/thing wasn't as developed or given as much screentime as it would have if the show was 50 episodes, and it's potential was wasted as a result. And it just feels like a chunk of Gundam fans cannot get over a show NOT being 50 episodes, and that things can only reach their full potential if they are 50 episodes.
There's almost no adjustment of expectations for what the level of development, detail and screentime would be for a 24-25 episode length series. Just the belief that because it's less than the amount you'd find in a 50 episode series, it's automatically inferior.
And the way some people describe what they expected out of certain things, you can absolutely tell that they've been spoiled by the UC and don't have even remotely realistic expectations for a fresh AU without any sequels or supplemental content. The UC has been around for 40+ years with so much content to the point that nearly every minute detail has been explained and even over-explained. And certain fans have gotten so used to having every little detail spoonfed to them about a series that anything less is lacking or a plot hole.
Like, I seriously recall someone complaining that G-Witch didn't explain the treaty or agreement that banned the use of physical ammunition in space and that it was a plot hole! Or that the show didn't explain where Peil was getting it's doubles from? Or what characters like Guel and Shaddiq were like growing up?
Yes, G-Witch undercooked some of it's elements, probably because they expected to get more episodes than they did and added enough side and background content to give them 50 episodes worth of stuff if it got extended. But wanting the show to explore the detailed background of every side character, faction and location isn't something you're going to get in most AUs. Especially one that was only 25 episodes and more focused on telling a Shakespearean tale of two families than a large political war drama like most series.
And lastly, most of the complaints about the character development can be boiled down to one thing: most anime fans are used to having a character's thoughts and emotions spoonfed to them. G-Witch never once gets into the heads of it's characters and lets your hear their thoughts or feelings, leaving up to the viewer to interpret them based on their actions, reactions and knowledge of the character. And in a medium dominated by battle shounen, where characters constantly explain their every action and you constantly see every thought, I think a lot of people have gotten terrible at understanding character development that doesn't rely on it.
It's why there's so many complaints about Suletta not developing at all until late S2 despite developing a TON over the course of the show, because the show doesn't slap you in the face explaining it to you. Her personality doesn't go through a major change in the show because it doesn't need to, and S1 clearly shows her gaining more confidence and stuttering less around others as the season progresses. It's honestly not that subtle at all, the show just doesn't spend time explaining to you that it's happening, it just shows it happening. And that goes for a LOT of elements in the show people claim were too subtle or not explained well enough.
It's also why so many people claim Guel has the most development in the show, because his personality has to change drastically due to how awful he was (and tbf, he still ends the series as a pretty awful guy), and since it's such a major change, people claim he has the most developed character arc in the show because it's not subtle in any way.
It's not like G-Witch is a perfect show or free from criticism, but holy shit so many of the complaints I see boil down to unrealistic expectations of a two cour series or poor media comprehension/literacy. And that's not even getting into the people just hating on the show because they're sexist or homophobic.
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dr-docktor · 6 months
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Ok I have an outline for a swap au/curt falls au
I've had this SaF au rotating in my head for a hot minute and I got some details down and I want to write it all down somewhere so here! Fair warning: it’s pretty underdeveloped but as I get suggestions and stuff I hope to develop it more:-)
Quick thanks to @randeeznuts for letting me yell at him about this in Discord <3
Its a Curt Falls au where, of course, Curt is the one to fall instead of Owen. It's still Curt's banana peel, however.
After the incident, Owen retires. Mourning the fact that he and Curt never got to run off together. Instead he picks up what little he has left of that fantasy and tries to pull it together.
A tiny cottage on a lake, a hairless cat named Penelope, a vegetable garden... You get the idea.
And all things considered, he could be doing so much worse. Penelope is spoiled rotten and the vegetable garden looks gorgeous no matter the time of year. Ignore the thousands of abandoned hobbies scattered across the coffee table and carpet. Ignore how he hasn't cut his hair since he chopped most of it off in some grief-driven rage 3 years ago. Ignore how his back porch reeks of cigarettes as his smoking habit has gotten so much worse. Ignore the fact that all he can think about some days is how efficient the little pronged rake in his hand is just as efficient at tearing up weeds as it is tearing through flesh.
Admittedly, I'm not 1000% sure how or why he decides to go back into the field for this one mission. My best guess is Cynthia finds his ass and is like "Hey bestie, I need a huge favor." I will expand on that later, I swear.
I imagine the main plot points of the show continue. You got Tatiana, the casino, etc. etc. etc. (once again I will expand on specific changes later) I also imagine most of the comedy with Owen comes from him being the sort of straight-man (haha) in most situations.
Being able to bounce off of whatever insane event is happening around him with utter seriousness and sarcasm. Because he just wants to get through this and get back to his cat. (the cat-sitter doesn't even know her favorite food! Much less her routine oh how will she live happily???).
He also never clarifies to anyone if Penelope is an animal or human so people are just consistently arguing about if he's talking about a child or a cat. Tatiana and DMA keep interrupting BVN's speech to debate this. Tatiana claims that its clearly a child, that Owen's eyebags and stubble indicate a stressed-out single father while DMA firmly thinks she is a cat for reasons he will not explain.
SPEAKING OF DMA :-) I think the guy needs no further introduction. There's still a lot of gaps in development, specifically centered on why Curt would ever join Chimera. I very firmly believe that they didn't torture Owen. But given how loyal and stubborn Curt is, I don't think they'd be exactly gentle while trying to persuade him. This might change later on, who knows.
Curt's version of the DMA is so interesting to me because I think he'd be a lot more reactive than the Owen DMA if that makes sense? Like very quick to explode with anger. Like he acts all smug while insisting Penelope is, in fact, a cat and not a human child. But as soon as he's asked why he thinks this, he fires back with a "Because I can just tell, okay?!?!??!" and then awkwardly trying to redirect the conversation.
I also think Curt's DMA accent would be along the lines of New Jersey or Boston. Mainly because it's an accent he can mimic SUPER well (thanks Ms Mega!). I've always had the headcanon that Curt is really good with languages and accents which sort of contributes to this.
In terms of physical appearance I don't imagine this DMA to look like Joe Walker. But I don't really have a solid grasp on what he does look like. However, I really like the idea of him wearing these black goggles on his head that he finally puts over his eyes during the torture tango.
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Just imagine the light of electricity getting reflected in these bad boys during the torture tango. While Curt's got this massive grin that, in any other context, would come off as friendly and dorky (if not a little bit smug). Scary!
Also, because it's Curt, I imagine he fidgets a lot. Maybe in the background of scenes where he's not doing things he'd be practicing tricks with a butterfly knife or cracking his joints.
Ok back to plot stuff.
I like to think Owen figures out the identity of the DMA at some point shortly before the reveal. There's a clear moment where the clues click together (Like those jigsaw puzzles sitting abandoned on his coffee table). But Owen sort of shrugs it off just out of sheer denial. He knows its true, but it's not until the reveal where he's forced to confront it.
I know realistically this would end in only one of them walking out of the staircase scene alive (I couldn't even tell you which one). But my heart really wants for there to be a happy ending. Like most of this, I'll figure it out eventually.
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elledberry · 1 year
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No, but like, WHY do people care so much about other people ship preferences?
I get it, I don't ship the obvious ones or the "right" or what was given to me by the author, but IS JUST A SHIP.
Look, don't get me wrong, I'm not angry at other preferences when it comes to this. What I get annoyed at is that when there is an illustration, an edit, a fucking fic, any kind of media, that shows that romantic dynamic between the characters they will be like
"siblings 🩷" "omg no how could ship that? They aren't like that." "Have you read the books ?" "Omg, people actually ship them?" "The author said..." "omg but this (name of other ship), it's so much better," and so on.
My beautiful person who comments in every edit of (some examples, but I'm sure that there's more) harmony, lunami, zutara, sasusaku .... do you really think that they/we don't know or care about this ? Do you know what you look like when u comment stuff like that? An idiot who can't let others have a different opinion on literally fiction character's romance life, like that one kid in kindergarten who saw another kid getting a toy and go's on about how that toy is lame compared to theirs, a spoiled brat.
You have so many things to be arguing about in the actual plot, but you can't cus you think that the idea of nami and luffy together is so wrong that you go around in every media of them "oda said..." But with other members of the crew, oda said absolutely nothing... not only that, but are we really discussing this ? Can we be talking about I don't know... how racist and hypocrites are some people in this famdon? Really give your disappointment and disgust to that(what is actually important).
Harry and Hermione are another great example of "I know they aren't like that but I like the idea of it" WE KNOW THEY AREN'T LIKE THAT but we think is cute it could HAVE BEING cute, sometimes people just grow up shipping and seeing they as a possible couple, like people who grow hating sakura and now simply can't have a actually good argument of why she should be hated on... that was an ironic comment by the way but also not, ( no, her not liking the main character the same way shouldn't be one, or the author not giving her screen time either much less cus of the fact the the anime did her dirty with so much disconnect things from the manga, like her relationship with sasuke <his perspective of it > or naruto himself for that matter, hate on a literally 12 years old for saying shit that every fucking person in the village grew up thinking, funny, why not hate on the thirdkage then? The person who could have actually stopped the hate on a little kid) [Sorry that got out of the main point]
Or zutara, my God, people get personal with just as harmony, relax, just cus I like them doesn't mean I hate kataang, surprise or not I do think they are indeed very cute, I'm pretty sure some other people who ship zutara too... we just see the potential, what could have happened, once again, enemies to friends to loves, the plot, you know ? There is no need to get offended by the IDEA of it. We love the drama and the fic, the illustrations, the edits are just a format that represents and shows it, share if people who likes it, you don't like it ? Oh well, let me tell you a secret, ignore it, you probably ignore so much more important things, why not a fucking edit of ship you don't even like ?, oh you can't ? You can't see other people "toy" and shut about your disappointment on it, is it that hard ?, oh well, have you actually not known that there's an amazing thing within social media, when you hold/press or simply click on the 3 dots on the top of the post, there's a option there, that's right, BLOCK IT the algorithm will understand if you continue blocking it, unlike some people.
I'm just rambling about this because I'm sick and tired of people being such a killjoy, I just want to enjoy "my ship" and see the comments of people who actually likes it to, not yours "siblings 🩷" in post which is definitely not about that, or "oda said..." when i didn't ask what he said, you know people have different things that brings them a scape from reality that brings them a funny giggle (no killing others people joy, when it's such a basic no harmful thing), wave of emotion for those who don't get to feel much in the day-to-day life or simple just cus.
It just petty of you, be better.
Ps.. There is no offense for those who ship other characters within these plots(or different ones), original, popular, or unpopular. Do your thing. Be happy. Just don't spoil others.
Ps2... NO I'm not defending incest that's no it at fucking all ( sorry if I didn't make it clear). I said "siblings" when it came to lunami and Harry x Hermione (cus people like to comment that on posts that aren't even about it < the platonic soul mates comment>), they AREN'T related or grown up at such. Point is you hating the idea of it and going on every post about the ship and hating there. hate all you want, but not on ,obviously, posts that are for the fans of the ship.
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darknebulablader · 3 months
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So I watched the Baki Hanma vs Kengan Ashura movie, but before I did I made a bingo! What else should I have added?
Anyways, I have thoughts on the movie
(I have never watched Kengan and only ready about the first 20 chapters so the bingo is v Baki-centric)
(TL;DR I liked it)
Also, I spoiled for myself the outcomes of all the fights before watching the movie, therefore there's nothing in the bingo about who wins each fight.
So, like always, I watch martial arts stuff for men beating each other up, not for plot or anything like that. And in that regard, I liked the fights. Animated well, some fun callbacks to older fights, and I honestly don't care who won each fight because, come on, it was obvious that no matter what happened it would end as a tie.
I am also a simple gal, I am that person who says "oh look they included the character I like! I'm happy!" Do I wish that all my faves got to fight more? Of course. (Also I am just now realizing that I don't think Motobe showed up at all??? What's with that??) But I think that the reason I liked the movie so much is because it wasn't based on any preexisting arc so I wasn't comparing it to anything (cough cough the Garouden anime). So I think it would have been veeeeery hard for the movie to disappoint me. All I wanted was goofy marital arts bullshit and thus I was pleased.
Best part was hands down Oliva and Julius' budding friendship/dick measuring escapades I would watch a whole show about them.
Worst part was Doppo doing nothing and also the movie should have been longer. And I can't believe there was no actual pissing.
Also also I am now inspired to maybe try to read the rest of the Kengan manga.
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