#also i dont really even know these characters well but

[just-some-random-blogger]

you get me. you GET me. you get me so much i screamed when you laid down what you got. UGHHH. literally i hope to write more fics that will interest you because UGHHHHH you just get meeeeeeee its sooo goodddd

i also i too use girl as gender neutral sLAYYY.

I'm so happy you love the cargyll twins 🥺🫶🫶

The way we always see her as *herself*, beyond her ailment, beyond her concerns of putting up an act, both as a Hightower daughter and/or a Targaryen wife. She's just herself, without being worried that she's disappointing Otto or Daemon.

this is it. this is literally how i envisioned their dynamic to be yknow. when you commented on this once before i leapedddddd for joy it LEAPED really. you get me. you get meeee.

she's just a girl when she's with them. just a girl who loves to swim and pick flowers. did you actually sob cos of the scene with erryk? 🫂🫂🫂 but also... love that for me HAHAHAH.

(I don't even want to think about the fact that the last time she experienced something like this was probably in old town w gwayne when they were children)

dw. i like to think the sibs snuck out to go for a swim for the last time before she was married to daemon. to cheer her up yknow. alicent was there too <3

I love the way you portray Otto's relationship [...]

THISSSSSSSS. THISSSS. YOU JUST GET MEEEE T_T SCREAMING CRYING THROWING UP. I literally JUST ranted about this to my friend that everyone is like 'daemon is trying' WHAT ABOUT OTTO I WROTE HIM THAT WAY TOO AND YOU JUST 😫😫😫😫😫 FUCKK YOU GETTT MEEEEEe

[...] with the reader because he's not black and white with his motives, only using his daughter to raise his House's standing. Rather, he's a complex character with layers, he's still a father - albeit a shitty one at that.

YOURE SOOOOOO ON POINT WITH EVERYTHING LITERALLYYYYYYYYYYYYY i thought it was really important to expound on this because DAEMON IS LITERALLY OTTO TO HER!!! BUT IN A WAY BETTER BECAUSE AT LEAST DAEMON IS CAPABLE OF SOME SORT OF AFFECTION. she's like 'ok my dad treats me this way, ergo my husband treating me this way is fine' !!!!!!!!!!!!!! this is so important fr fr because we accept the love we think we deserve.

He loves his daughter, in his own twisted way. How he ensures that she's not having a fit before dropping the baby bomb on her. He worries for her, knows her ticks.

💯 no notes

But it's the way he uses his love and knowledge regarding her to get his own way and to get the reaction he wants out of her that's the most twisted.

THIS!!!!!! ok im so fucking excited i just want to tell you BUT ALL WILL BE REVEALED IN THE NEXT CHAPTER IVE BEEN BUILDING THIS SHIT UP FOR SO LONG IM SO FUCKING GLAD YOU CAUGHT ON IM GOING TO FUCKING CRY.

Also, I love how we're seeing mc slowly but surely starting to stand up for herself. WE LOVE GROWTH IM SO PROUD OF HER, I COULD CRY.

<3 but also..... who's gonna tell her (not me)

Day 173822 of begging daemon to just be normal for once in his life.

ur so me fr bestie

Honestly speaking, I was one of the few that voted for reader to prioritise herself and not go after either gwayne or daemon but ohh!!! I loved loved loved this scene.

🗣🗣🗣🗣🗣💯💯💯 AS YOU SHOULD. AS YOU FUCKING SHOULD. I WAS AND AM STILL ACTUALLY VERY GAGGED THAT THAT POLL WOUND UP THAT WAY. SERIOUSLY CONSIDERING TOTALITARIANISM BECAUSE THIS DEMOCRACY AINT WORKING FOR ME CUZ WHAT DO YOU MEANNNNNN COMFORT DAD BOI DAEMON???????? YUCKKK i mean i get it but DAMNNNN?????

her whole arc with gwayne was rough. spolier? i dont plan on bringing him back at all so </3 if he comes back well 😬😬 shits about to go down

ALSO DAEMON YOU LITTLE RAT,

HAHAHHAHAHHAHAH YOU LIKE ME FR FR FR I TOO CALL HIM RAT HAHAHAHAH AND EVERYONE ELSE THAT FUCKING PISSES ME OFF

YOU HAVE NO RIGHT BEING MAD AT MY GIRL FOR NOT BEING THERE WHEN YOU DEGRADED HER THE LAST TIME AND NOT IN THE SEXY WAY!!!!

😬 yeesh fr.

Her telling him to speak what he wants and not twist his words is soooo real. YES GIRLL SET IT STRAIGHT WE DONT WANT EXTRA HEADACHES IN OUR LIVES!!

🗣🗣🗣🗣🗣🗣🗣🗣💯💯💯💯💯💯💯💯💯 AGAIN AND AGAIN YOU GET ME YOU DONT MISSSSSSSS

I just remembered that she still thinks that night was a dream and I'm heartbroken again </3

dw. she'll find out it wasnt a dream.............. eventually

Pls daemon why do you have to choose aggression and rage every fucking time. Just be cute for once ugghhh.

UR LITERALLY ME FRRR HAHAHHAHHAHA

EVEN THE LINE YOU QUOTEDDDD i feared people might overlook it BUT YOU SAW. YOU GET ME. AND THATS MORE THAN ENOUGH.

I am so honored to have gotten your lovely reblog. i will 100% tag you my love. i'm glad you like my fic and my brain and my words. i love you so much. literally if there is something you want to see in this fic, just tell me and i'll make it happen for you fr fr.

Tormented Spirit | 7

Part 1 2 3 4 5 6 7 8

"Is it such a sin to stand up for yourself?" you mutter as tears blur your vision. The way he reacted was visceral, instinctive even. "You never have to stand up for yourself ever again," says Daemon, reaching a hand to you, "come."

Daemon Targaryen x Hightower!Reader | 5k+ | cw: fem!reader, reader has brown hair, wife!reader, twin!Gwayne, arranged/forced marriage, canon divergence, alternate universe, slow burn, smut (cunnilingus, piv, choking, degradation, slight sadism), DD:DNE, panic/anxiety attacks, daddy issues/child abuse/family problems, mentions/depictions of mental/physical/psychosomatic illness, ye old misogyny, angst, typos, etc.

A/N: again the high valyrian is internet translated so lol. please consider leaving comments/reblogs because they really help me with the fic. might make another poll for next chapter stay tuned. | cross posted on ao3

@arabellasleopardcoat

Taking you to the hidden stream was simultaneously the best and worst decision Erryk's ever made in his life. The look of you was holy. His intense focus on your form was to ensure your safety, but, by the gods, it felt sinful to behold your dark hair and light fabric ebbing in the water.

He had hoped a swim would lift your spirits, just as flower picking did, but he did not know it would draw such a tempest out of you. It was as though you were reborn. You plunged into the water and shed all your inhibitions. Your voice became brighter, as did your eyes. You were flooded with more than a dozen memories of you and your twin swimming in the river near your home in Oldtown, and you recounted all of them so excitedly to Erryk.

"Oh!' you exclaim, flipping in the water to get to your feet. You point to something behind your ward, making him turn around. In that split second, you hold in your laughter and grab something from the mossy rocks. Innocently, you say, "that reminds me of something."

Erryk turns back to you, brows knit in confusion. When you you make your way towards him, he clenches his jaw and averts his gaze. The shift you were swimming in was stuck flush on your body, leaving little to his imagination. He was glad to have the foresight to bring you a change of clothes and a towel, and, my, was the pattern on the said towel so very interesting.

"What is a frogs favorite game?" you ask so suddenly.

Erryk turns to you, brows furrowing, "pardon?"

"Tell me the frogs' favorite game, ser," you repeat as though it was the most obvious thing in the world.

"Frogs favored game?" he repeats slowly, realizing now that your expression was mockingly innocent. He hums, "I cannot say I-"

"HOPSCOTCH!"

A frog comes leaping into Erryk's face, nearly causing him to topple as he dodges it. He's so flabbergasted by the turn of events, he calls out your name in offence. He is doubly offended by your laughter. His eyes go wide as you hunch forward, leaning on your knees.

"Villain," your ward mutters, scoffing far too many times.

You can barely catch your breath. You fan your face, "frog-ive me."

Erryk's face only contorts further.

"I could not-" you gasp for air, "could not help it."

In truth, if it was any other who did such a childish thing, he'd have shoved them in the water. Alas, you appeared only more beauteous as you made him a fool.

"Forgive me," you repeat in more serious manner, "Gwayne used to scare me this way often. I wished only to know how it felt, and now..." you giggle, "I can't say I blame my brother for constantly pulling tricks on me."

He huffs and shakes his head, "well. I'm glad to have pleased you, my ever-so-kind princess."

You offer him a guilty smile, "apologies."

Erryk shakes his head, "no. Truly. I am glad to see you in such a state."

You fidget with your fingers as a shiver runs down your spine.

He is quick to unravel your towel. He places it on your shoulders, "perhaps we should go back. The sunset is nigh."

You nod, taking your change of clothes from him next.

He turns around offering you your privacy. It takes a while, but you manage to dress yourself. Once you had your shoes on, you dry your hair with your towel and take his arm, "would you please lace up my dress?"

He nods, avoiding your gaze as he feels his face burn. He quickly laces you up then you return to the Keep.

You both had been laughing, up until you made it past the castle gates, promptly being silenced by the loud shout, "PRINCESS!"

Arryk runs over, charging for his brother. Their steel plates collide as Arryk yanks his twin, "where in gods name did you take her?"

Erryk furrows his brows, "we visited a stream-"

"The Keep is in disarray!" Arryk grits his teeth, hissing under his breath, "everyone's looking for her. Everyone."

You watch the twins huddle close and bicker. As it escalates, you try try to come between them, "Arryk. I was the one who asked him to take me outside the keep."

Arryk does not hear you at first, dead set on arguing with his twin. When you repeat your words the second time however, he turns to you, face softening a fraction. He knits his brows turning back to this brother, whispering something that makes Erryk turn to you with wide eyes, "fuck."

"Why?" you look at them in concern, "what it is?"

Arryk opens his mouth, but Erryk grabs his arm and says, "wait."

"There's no other way to say it," Arryk snaps, ripping his arm out his grip.

"Say what?" you knit your brows.

Arryk turns back to you, then lowers his gaze, "the queen... the queen has passed."

Your jaw drops. Your eyes widen. Your hand immediately covers your mouth. The three of you do not speak for a prolonged moment.

You feel your stomach roll, "w-what happened?"

"She could not deliver the babe herself. The maesters... had to intervene."

Intervene? You could not possibly understand what that could mean, and you find that you do not want to. You shake your head, "and her babe? Is- is her babe well at least?"

Arryk clenches his jaw, "she sired a prince named Baelon... he apparently grows weaker by the hour."

You feel bile rise up your throat.

"Your father and your siblings have been looking for you since news broke."

You shake your head, and gather your skirts.

"As has the prince."

Your face twitches at the thought. You do not delay and make your way inside the Keep.

As you tread the halls, you think about what the queen told you just mere hours ago. There is a sharp twinge in your belly as simultaneously remember how Aemma told you to go cheer for Daemon at the tourney and realize you will never hear a word from her ever again. The thought washes over you like water on the beach, sobering but thankfully not overwhelming.

You hadn't realized you had your head bowed until you hear your name called. You still as you look up, the twins halt behind you.

Otto marches over, brows and jaw tight as ever, "where in gods name have you been?"

You straighten your back as he stops before you, "I-"

"Your wards are double," he turns to the kingsguards, "and doubly useless, it seems."

"Father," you step into his line of sight, "do relieve your rage on them."

Your father turns back to you, expression softening a fraction at your referral. You had not called him father since your argument in the maester's office. He looks at you— takes a good look at you and your sad eyes, your knit brows, your frowning lips. Your hair was darker than it was normally, and as he reaches out for it, he found it was, in fact, damp, "where have you been?"

"I..." you gulp and take a deep breath, "went swimming."

He releases your hair, tilting his head, "with whom? Gwayne has gone."

You pull your head back, "G-Gwayne's gone?"

"The tourney is over. The road is long. He has no reason to stay," Otto says.

Your brows tighten as you shake your head, "he... he didn't... wait for me?"

Otto watches your lips quiver. He watches your nose twitch. When your chest begins to visibly rise and fall, he shakes his head, "what did I tell you?"

You stare blankly at him.

He takes your hands, "what is it I always tell you?"

You clench your jaw and huff through your nostrils, "do not waste your tears on things you cannot change."

Otto rubs your knuckles as he shakes his head again. He gives the Cargyll brothers a look before walking off with you. They make sure to keep their distance before following after.

You turn to your father as he links your arm into his. You are certain, with how he cannot look at you, that he means to tell you something grave. You look front and mimic his demeanor— distant, cold. You are his daughter, face and temperance.

"You enjoyed your swim at least?" he starts, "you are calm?"

You gulp, mentally preparing yourself for what will surely come next. Your voice still falters though, "ye-s."

Otto nods, still not turning to you, "many has occurred since your marriage to Daemon. You admitted you did not consummate your marriage on your wedding night and I was deeply concerned you would fail your duties in producing heirs, especially if your husband was not interested in you."

Your jaw clenches.

"But with the apparent... change of heart your husband has shown, you should know I've had the maesters closely monitor your state."

You knit your brows at that, "you mean my affliction?"

He speaks your name slowly before continuing, "as of yesterday, they have confirmed to me that you are with child."

You whip your head to him and pull away.

Otto does not look at you with the same sense of urgency.

"W-what?"

He sees the fear on your features. He offers a solemn expression and takes your cheeks when your eyes water, "this is good. You should delight, not tremble."

You try to speak but nothing coherent comes out.

"The Queen is dead. Go to your husband and comfort him with this news."

Your mouth goes dry and your father wipes the tears that fall from your eyes. He your name softly. Your sad face looks the exact same it did when his wife died. My baby is having a baby. He frowns and pulls away.

You try to take his hand, but he slips away.

"See her off," the Hand instructs your wards.

Erryk is quick to go to your side, whereas Arryk stares at the back of Otto's head, his lips curling as he did.

"Princess," Erryk says, cautiously reaching your arm.

You turn to him with wide eyes before scratching your tears away, "I-"

"Perhaps you should sit down first."

You pull away from him before he can touch you. The action makes Erryk pull back, an unsavory sensation spreading in his mouth and belly.

"I want to- I—" you take a breath, "I need to find-" you shake your head and begin speeding down the hall.

You were nearly about to break into a sprint, and your wards had to jog up to your side to keep up with you. You don't really know where you're going, but you're getting there, fast.

"Princess, please, slow down," one says.

You can feel your breath and your pulse in your ears.

"Princess."

You find yourself in the halls near one of the gate of the keep. The only reason why you stop is because you hear the voice of your twin. Your breath catches as you lurch towards the window. Gwayne was laughing with one of the guards, already on his horse. Your brows furrow, he couldn't possibly be well enough to be riding on horseback.

You realize quickly this is your last opportunity to go be with your brother, to pull him into an embrace, to worry on him, to tell him your worries, to kiss him goodbye. You know you have to act now and swiftly, but you cannot seem to move.

Your mind is heavy as you think about how your brother is set to leave regardless of your desire to keep close; he said it himself, his place can never be at your side. Though he is the only person who've ever relied on, you know now— you rub your belly, that can no longer be the case. There is only one person you can rely on now... yourself.

It is painful to pull away from the window, but you do, clenching your hands into fists before walking away.

You don't really walk away however, because then, you're frozen in place at the sight of your husband standing a few paces away from you, "Daemon."

He stares at you wordlessly.

You walk towards him, careful as you drag your feet.

He tilts his head and clenches his jaw, "he's leaving any moment now."

You nod, "I know."

"Go to him," he says softly.

"I-"

"Go to him!" he snaps.

You stiffen at his expression. You were adept with anger but he did not look angry. You stop in your tracks, trying to make sense of his restless figure.

Daemon watches you fidget with your fingers.

"If it is your command, I shall obey."

He chuckles dryly, pacing around his spot. He wipes his mouth then charges over, stopping just in front of you. He scoffs when you do not flinch, in disbelief of your constitution. His nostrils flare, "you know my feelings towards your twin."

You slowly shrug, "then you'll be glad to know I came looking for you."

Daemon does not move.

"You know how I feel about my brother..." you mutter, "but..." you lower your gaze, "I'm coming to terms with the fact I can no longer rely on him... it will be better this way."

It takes a moment, but Daemon chuckles. When you look up and his smirk fades. Your beady eyes make it hard to find satisfaction. "So, you will not go to him?" he asks.

You stare.

"You do not want to go to him?"

Your lips part.

He raises his brows.

"I... I do."

Anger rises up his belly, but as if on cue, the sound of horses and carriages moving is heard. You clench your jaw and lower you gaze to prevent yourself from looking back at the window. The prince cannot seem to win, for he should be pleased you did not see your brother off, and yet your sadness leaves sour jealousy in his mouth— he was your husband.

The Cargyll twins look upon you both, appalled by the cruelty of the prince to keep you here as Gwayne leaves for good. Erryk in particular feels restless, unable to stop shifting and fidgeting with his scabbard.

"Shall... shall we go?" you mutter, slowly looking up.

Daemon watches you place a hand on his bicep. He responds only by following you after giving your wards a dismissive look.

The brothers turn to each other, each as unwilling as the other to leave you, but they do anyway.

Daemon is acutely aware of the warmth of your cheek against his arm as you tread down the halls. When, you arrive at your marriage chambers, Daemon opens the door and you notice the bandage wrapped around his hand. He struggles because of this. Once you're inside, you take his arm, eyes trained on his injury, "what happened to your hand?"

Daemon's eyes are fixed on the line between your brows.

"Did you break it?" you turn to him with furrowed eyes.

He pulls away slowly. He wants to know what you'd do next.

"Did you wrap it yourself? It's badly done."

He faintly snorts, "it's on my right hand."

"I'll do it for you," you say, walking towards the vanity.

Daemon follows, watching you procure scissors and vials and other things. You turn to him, motioning to the chair. He sits down, gaze fixed upon you as you take his arm again.

Your eyes are focused on undoing his wrap, "tell me if it hurts,"

His are fixed on your focused expression, "you should sit down."

"I'm fine."

"I want you to sit down," he uses his other hand to grab your wrist.

You stop and turn to him. You turn to the chair across the room but Daemon prevents you from doing so and simply spreads legs, pulling you between his thighs. Quickly, you are sat on his lap and tense look at him. He offers you his injured hand again as his other goes around you, clinging to your hip. He pulls you in, leaning his head against yours to say, "it's a cut, by the way."

You furrow your brows at his admission. You allow yourself a moment to relax before continuing your task. You find it is, in fact, a cut, deep and ugly, "did your lance splinter very badly?"

"No."

You furrow your brows deeper as you turn to him,

"This is glass."

"Glass?" you brow raise, "how did you hurt your hand with glass?"

Daemon licks his lips as he looks at yours. He shrugs, "I broke a bottle."

You pull your head back, "on accident?"

"On purpose," he tilts his head.

You huff and start cleaning his wound, "was the violence in the tourney insufficient?"

He chuckles through his nostrils, "I did not fucking win."

You smear balm on his wound. You do not reply.

It makes him clench his jaw, "and you..."

"..."

"You were not there."

You do not tear your gaze from his injury.

He grumbles, "did you even hear me?"

You lift your gaze then raise brow at him, "you did not want me there. Do you not recall how you cursed at me?"

Your gall makes anger rise up his throat.

You continue wrapping up his hand.

"Well, you were being a bitch," he snaps.

"Why?"

His brows furrow.

"Why was I being a bitch?"

"..."

You spare him a quick glace.

He pulls his head back, "... what?"

"Did I not do my duty?" you turn to him, face blank, "I followed you, congratulated you, inquired of your injuries. I submitted to your desires. Where did I err?" You ask in earnest, "what do you want from me?"

His face contorts. Now that he was faced with such an opportunity, he finds himself unable to speak. What did he want from you?

You wait for him to reply. You prepare yourself for preposterous requirements but you are met only his silence. In that moment, you remember he was just a man. Many a man enjoyed making women suffer. You gulp, thinking about your father.

Perhaps your father was lying. Perhaps he wants you to believe you are with child to get even. After all, Daemon never... finished in you. How then could you be with child?

You secure the binding on his hand, "it is finished."

Daemon does not bother looking at his hand.

"How do you feel?"

He feels a strong urge to shake you... to pull you close.

"My deepest sympathies for the death of your cousin."

He freezes. Right. The queen was dead. He lowers his gaze.

You frown and reach for his cheek. You second guess however and bring your palm to his shoulder instead, "I am here for you, my prince."

His eyes meet yours.

"I am here to care and comfort you."

He leans back, taken by the thought.

You drink in his demeanor, the softness in his eyes, the tension that falls of his shoulders. You release a breath, "if that is what you desire, speak plainly, and do not repel me. Do not ask me to leave if, in fact, you want me to stay."

His throat tightens. He feels like he is ensnared in a bear trap. He rips at his collar, "I... I have other injuries." He pushes you off and paces around as he undoes his top. It is a struggle for him, but he cannot stop or stay still, "cuts and bruises."

You watch as he fidgets and slowly walk over.

"I don't-"

"Daemon."

He stills.

You come in front of him and undo his top yourself. You drop it mindlessly, and once he is bare, he feels conscious under your scrutiny for some reason. You brush your fingers on his ribs, making goosebumps form on his skin. He can't say that that has ever happened to him before. You notice and rub his arms, eyes locked on his torso.

He feels himself getting hard.

"Did you tend to these yourself as well?" you brush over a cut on his hip.

Oh. You were still examining him. He only hums in response.

You frown, "did no maester come to your tent?"

"I..." he starts.

You circle around him, inspecting for other injuries.

"...wanted you to come to my tent."

You come to his side. He finds the frown on your face. You take a moment before saying, "you tended to your wounds well at least."

"I want you."

You nod, "I will tend to you—"

Daemon takes your nape, lowering his head to kiss your lips. It takes a moment for you to relax, and his belly burns at the sound you make when you do. Your hands come to his sides and your nails graze faintly into his flesh.

He pushes you back until your laid on the bed beneath him. His kisses trail down your skin as he works to get you naked. He kisses your shoulder, then your sternum. He makes sure to lick your breast and leave a mark on your rib before peppering kisses down your belly.

Your breath grows heavy when he lingers by your womb, sucking kisses on your skin. Your throat tightens think of your father's words again. It makes you tense, and Daemon feels it. Of course, he doesn't know about your conversation with Otto, and thinks your tension comes from your self-consciousness.

You lift your head, pulling a pillow beneath it, and look down at your husband. You reach for him, tangling your fingers in his silver hair, "Daemon."

He hums, nipping your flesh in response.

You try to sit up, "D-Daemon, I-"

He shushes you, pushing down on your hip bone. He looks up at you, muttering something in High Valyrian.

"Please, Daemon, wait-"

"Be still," he says, violet eyes hooded, "do I not take care of you?"

Your breath hitches as he sinks down.

"Do you not enjoy my mouth?"

"I- that's not-"

"Do you or do you not?"

"I... I do—"

You are not able to speak after he buries his face between your thighs. You are reduced to breathy cries and a twisting spine. Daemon, though he continues to hold you down, relishes every second of it and feasts more ardently. He sighs, securing your thighs on his shoulders, nudging his face deeper into you, his nose brushing against your pearl.

He relishes how quickly your wetness builds, and soon, he feels your arousal dribbling down his chin. He moans, nails biting crescent moons into your skin. Your belly rises and falls in sync with the crescendo of your mewls. At this point, both your hands are tangled into his hair, and your pulling and scratching only further inspires his tongue.

You call out his name, screwing your eyes shut as you throw your head back and arch your body. Quickly, your belly tightens and you sequentially dig your heels into his shoulder blades. He squeezes your thighs enough to make them bruise, and yet the pain is what pushes you into orgasm, garnering a lewd and loud sound from your mouth.

Daemon hums, lifting his face just enough to see yours as he brings you to peak. He moans at your expression, grinding his hips into the cushion, desperate for friction.

Your body trembles, unable to settle as his burning mouth persists on your molten mound. You begin to squeak and he catches the moment you open your eyes to look at him all teary. It drives him mad. With a deep inhale, he pulls away, wiping his chin before he undoes his breeches.

You relax and catch your breath, hands dropping to your sides.

Daemon watches you, your trembling legs glistening with the pleasure he's drawn out. He can feel himself throbbing in his pants. You watch as he hastily frees himself. Though your head was hazy and your body was tried, your belly burned at sight of the sticky liquid dripping down your husband's neck.

"Fuck, Daemon," you reach for his belly. You trace his defined muscles with your finger tips. He snatches your hands when he finally pushes his pants down.

You squeak when he pushes you to your side, one hand on your shoulder, another hiking your leg up by the knee. You whine as he folds you into the sheets just before sliding his hardened cock in your wet cunt.

He hisses, leaning down to your neck. His words are hot against your skin, but you understand nothing.

Whatever tenderness he had before was gone, now he was just fucking you like a rabid animal. Daemon could not help himself, he loved how supple and pliable you were, and twists you into a form that keeps you prone. When the bed begins to creak because of his thrusts, he holds you down where your neck and collarbone meet. He puts enough pressure to restrict your breathing, but not enough to choke out your pretty noises.

At some point, he decides your leg is getting in the way and pushes you flat on your chest. He then gathers you by the hip, hiking you up enough to fuck you nicely from behind.

His thrusts are more intense now. You scream into the cushion as you find your elbows. Before you can prop yourself up though, he's pinning you down by the shoulder, saying something in High Valyrian again.

"D-Daemon," you whine, left cheek smushed against your pillow. You could feel your next climax building quickly.

He responds by rubbing your clit, drawing tears and another scream out of you because of your sensitivity.

You feel yourself helplessly clenching and unclenching around him, absolutely boneless under his vigorous intrusion. You could feel your knees slipping but Daemon's grip on you would not see you move from your position. Your toes curl. Saliva drips out your open mouth.

"Māzigon va, riña," he snorts, "sepār mirrī angotan tolī." Come on, girl. Just a little bit more."

You do not understand, so you only whine out, "Daemon."

Daemon growls and rubs one side of your ass, "you're doing so good for me."

He spanks you, but that's not what makes your eyes open.

"Milk my cock with your tight cunny, come slut."

You begin to grit your teeth.

"I want to see my seed dripping down your thighs," he groans, mind unable to focus on anything but the hot, wet slapping of your skin.

It's unsurprising that you come first, as Daemon always assures you do to underscore his control and dominance over you. He yelps out a sharp fuck, nearly coming in your cunt because of how your body seizes up around him. Your orgasm overwhelming, yet your eyes water for more than this reason. His words make you aware your husband sees you nothing more as a vessel for pleasure, and your pleasure is regretfully cut short because of how sharply he pulls out, his load spraying on your already dripping labia and pubic hair.

He strokes himself a few times, feeling his cock twitch in his hand as he watches your mixed come trickle down your legs. He sighs, "fuck," then scoops the cream in two fingers, plunging it in and out your still spasming cunt.

You squeal when he finger fucks you, body unable to remain upright. You are grateful he loses interest rather quickly and crumble into the bed as he stands.

You watch him walk over to the drawer, where he then pours himself some wine. You gulp, remembering your dream from last night. It sobers you out your high. You clench your jaw and roll over to clean yourself up. You head to your vanity and wipe yourself down, grabbing your robe was you do.

Daemon, whose thirst was now quenched, turns back to you with a towel. He is confused to see you standing. He watches you flip your hair behind you, pulling it out of your robe, which you then secure around yourself. He knits his brows as he walks over, "what are you doing?"

You turn to him, sitting on the vanity chair, "getting ready for bed."

Daemon stares, and you take his prolonged silence as an indication to proceed with your nightly routine.

The prince squeezes the damp towel in his hand as he watches you brush your hair. You catch his stillness from the mirror and turn back to him, "oh."

You drop your brush and take the towel from him, "I'll help you clean up."

Normally, he enjoyed this, but right now, he can't. He is offended when you begin to pick up his clothes, so much that he scoffs, "the fuck are you doing?"

You halt midway picking up his trousers. You stand and turn to the closet, "ah. Did you want new clothes?"

He pulls his head back, no longer offended, but hurt, "you want me to leave?"

You are caught off guard by his question. You stare at him for a moment, unsure if he was serious. You could not identify his expression, so you did not know if you tell him the truth. You would not survive being berated after confessing you wanted to sleep with him. You dodge the answer altogether, "weren't you leaving anyway?"

Daemon's cheeks tense. He huffs, stepping forward, yanking his clothes out of your hands, "no."

You are bewildered by his actions, for to you, his actions are sudden. You are petrified in fear, which is why you instinctively begin to apologize, "f-forgive me, I-I-"

His nostrils flare and his jaw sets.

"I-" you motion with a hand, "- you always leave."

His clenches his jaw, "do you want me to leave?"

"I—" your throat tightens and soon you can no longer look at him. You want to beg him to stay, but you recall how you did that with your father, and your mother, and your brother— begging does not make people stay. You whisper, "I... I'm terrified."

When you lift your gaze, Daemon shirks and decided to dress. He gulps as he pulls his trousers up, turning back to you. He clenches his fist before reaching out for you.

Your heart races as he takes your hand.

"You've served me well. If you are terrified... I'll leave you."

You whimper when he pulls away, holding him tighter than he did before your hands part. Your lips quiver. He knits his brows. You shake your head, "I- I... I do not want you to go."

He is taken off guard by how you suddenly embrace him.

"Please," you beg, though you knew it would not serve you well, "stay."

He turned to stone. He cannot seem to move at all but your arms are determined to stay around him. You begin to weep against his skin and he can feel your breath grow ragged. Only then does he manage to return your affection.

He brushes your dark hair away from your face and cradles you against him.

"Daemon."

He leans into you, enough to be able to brush his cheek against yours, "kesan umbagon." I will stay.

You sniffle then sigh. After a while, you ask, "what does that mean?"

"I will stay."

You sigh again, pulling away to look at him. You offer him a sad smile, "thank you."

He frowns, wiping your tears.

When you go back to bed, you offer him space in case you've made him uncomfortable. He stares at you, awaiting your embrace. You are mere inches apart but it feels like yards and yards.

"Good night, husband," you say before turning over.

He chuckles dryly, staring at your dark hair. He turns to the ceiling, "good night."

[risingsunresistance]

would you believe me if i said this is skyblock fanart 😭

explanation below for anyone interested. it's a bit long 🐖

basic explanation for people who dont go here. or the tldr: the rift is a separate dimension in hypixel skyblock where reality and time itself do not function the same. the other npcs tend to take on different forms in there. this is my interpretation of what might happen to techno if he were to travel into the rift based on some other theories about the place and my own headcanons for him

less basic explanation for the rest of you: ok so. first thing to get out of the way, the rift isnt completely separate from the main reality. SOME of your own thoughts and feelings influence the way you exist in the realm and the way the realm itself behaves. not very many people seem to take on forms ENTIRELY divorced from themselves, save for maybe enigma (we dont know who he was originally, if he was anyone at all)

but i have a theory backed up by absolutely nothing that your rift form is mostly influenced by three different things: your inherit magic, your ability to control and manipulate that magic, and your overall stability. stability will look different from person to person and you dont always know if someone is stable or not just by talking to them. even something as simple as a phobia might change them drastically. still, the rift is unstable itself, so sometimes people get altered horrifically even though they were perfectly fine

my main points of reference for this are that some of our most altered characters are some who check all these boxes, and some who are relatively normal dont check any of them. lathrop/porhtal is split into a bunch of eyes and has one human-looking form that sits motionless at the wither cage and doesnt speak. we know he was incredibly magical, eventually got a great grip on said magic, but was also very very unstable. the wizard is very magical, is a master of said magic, and is pretty well put together. he is nearly unchanged in the rift. barry is the same as the wizard but went a bit nuts before he left, so in the rift he seems just a bit... off

on the opposite side of things, maddox is someone who we are told has ZERO magic in him. the only thing that changes in the rift is the fact that his helmet is red now. kat has never shown us any magic and seems to be pretty normal, so she's also just a different color palette in the rift and happens to have a weird job

anyways back to techno. (btw if you're reading this and happen to not be a regular here this is a mix of headcanons and "canon" but im treating it ALL as real and true facts for the sake of this drawing ok). he could be one of the most magical people here... but he has no idea how to use any of it on command. if you asked him if he possessed any magic, he would say no. his healing ability, while it is VERY strong, is passive, and he was only able to gather magic during the resistance fight with the help of the wands we were given. but he was able to gather a lot of magic during that fight, concentrate it, and release it all on his own. not many people could handle that. he also worships the blood god and has its blessing, and has some connection with spirits in the form of the voices / chat / whatever you wanna call them. there might be even more to him, who knows

so that's already a setup for disaster, but what about his stability? well he's constantly followed by a chorus of thousands of voices all screaming at him and god itself might be hanging around in that mix, led a war against the server staff and a dictator that lasted for 2 years skyblock time, and did the whole potato war thing which was ~70 years server time iirc. i wouldnt really call him stable KFJHG

so what you end up with is a very violent beastly thing, nearly unrecognizable save for the fact that he's still a pig (my first point, you dont become a COMPLETELY different thing under most circumstances). i think he's entirely out of control of himself and would not remember a trip to the rift. a stability elixir might help him in terms of being more aware of himself (i think sirius really downplayed what that potion does lmao it's not just a fun drink, he wanted to guarantee himself some control over his mind while he was conducting his "business" in the rift) but there's no saving the physical form

i wanted him to be beastly to mimic what happens to "dante" in the rift (the memory of dante, it's complicated. but dante and bacte are most likely two different people who are also the same person). yeah he was a big slime in the overworld, but now he's more monstrous. he also doesnt speak, he might not have any idea what's going on. same could be said for techno in a way. of course this is related to dante, what else would you expect from me :P i want to see them fight at the colosseum so bad...

------------

but anyways THIS WAS SO FUN AAAAAUGH IM SO GLAD I FINALLY GOT THROUGH THIS. MY IPAD FINALLY DIED AFTER AN ENTIRE DECADE IN THE MIDDLE OF LINING IT AND I HAD TO CONTINUE ON A NEW TABLET WHEN I'VE SPENT MY ENTIRE LIFE DRAWING WITHOUT A PEN... THIS DRAWING WAS CURSED KJFDHGK

here's a version without chat and the blood god so you can just see the big hog

and here's my old concept from july of last year for comparison :P

initially in the post for the old sketch i said he was based on what i think would happen if he got a hold of some sulphur. i actually think that would be about the same as his rift form because sulphur seems to do very similar things under certain circumstances. always corrupts your form, can sometimes make creatures MUCH larger (matriarch, kuudra, magma boss), heightens your magic (mage outlaw), and can make you incredibly violent (barbarian duke)

bye i hope i tricked someone into reading a really long skyblock theory post expecting more info about techno FKJHG

[hauntingofhouses]

arcane rant. spoilers for all of season 2 #caitlyn-critical

yeah okay i was scared to say this which is SILLY but ALAS. anyway yeah seeing that im not the only one i feel like i have to get this off my chest as well.

i wanted to give caitlyn a chance in season 2, especially in the beginning of this season during her """corruption""" arc wherein she was turning into a tyrant and a bad guy. because see, to me that was caitlyn at her best. not as a person but as a character. before this she was just so uninteresting and downright annoying to me, but starting with s2e1 i started really enjoying where the writers were taking her journey. i would've loved to see her continue down that path and caitvi evolving from reluctant allies to lovers and then perhaps to enemies-WHILE-lovers. i wouldve loved seeing caitvi hatefucking, and i thought that was where this arc was taking her. but no, instead she's still the good one, while maddie turned out to be the bad guy all along. plot twist! but it made me feel nothing but more annoyance not only at caitlyn but also at the way the narrative seems to baby caitlyn and excuse her for everything despite the supposed anti-cop messaging intrinsic to the way vi was written throughout season 1.

i understand that caitlyn's whole thing in season 1 is that she's a naive rich girl just trying her best in the ways she knows how, and that's by being a cop. like yes i get that, which is why i didnt mind her very much and gave her a chance to grow, and even though i didn't care for her as a character at all because she's boring AND a cop, i did like that she was in the story as vi's love interest, and primarily served the story in that role.

but when season 2 decides to give her a bigger role and allow her to shine on her own, they do a good job! until... they don't. because caitlyn still has to be a good guy, because she's SO loyal to vi. and why? the two barely know each other, they're attracted to each other but I don't understand why and how caitlyn could so easily put aside all her rage and grief and desire for vengeance and retribution, to be loyal to vi. to betray ambessa and work with jinx?

like i think my biggest problem is how little conflict there is for vi and cait to end up fucking in that prison cell. like if it was angry hate fucking, that would be perfect and honestly a natural followup if you really do wanna implement a sex scene right there and then. but it wasn't. instead it felt more like "okay my suicidal sister gave me her blessing to fuck you so i can finally do it now yippeee" meanwhile jinx literally went to kill herself over and over again while ekko had to keep trying to talk her down.

like the thing is i'm here for the drama and im here for a rollercoaster ride of emotions and i'm here for character development. but more than anything else i'm here for the drama where vi and jinx's story as sisters, as family, is ultimately the driving force of the story. so for them to just push that aside SO quickly, felt JARRING. like "okay sister MOVE i wanna fuck this cute cop who was acting like a tyrant in the city for the past few months (?), and btw the cute cop works for an institution that killed my parents and destroyed our whole lives ❤️ #lovewins"

like okay. i dont mind if the final ending finds both jinx and vi distanced and estranged because they both need to heal and move on from the past (and each other) in order to grow and invest love in their own new found families. but for it to have been done just like that, for caitvi to get together in the same prison cell where vi's suicidal sister had just been suffering in mental agony and grief... I don't know. i don't like it.

[myokk]

HOLA! ❤️ First of all, dropping some kudos because I love you and your art so much (basically my blog can be your side blog too at this point!) ❤️❤️❤️❤️❤️❤️

Second, from the character ask, I'd like to know about 3,4 and 20 for both Eloise and Leo 😁

Hope you have a wonderful day/night!

HOLA MI ITALIANA FAVORITA💓​ I APOLOGIZE IN ADVANCE FOR ALL OF THE YAPPING I'M ABOUT TO DO🤭​ will this get you to finally visit me🥺​

I'm going to answer these for Eloise SINCE I already did 3 for Leo & I have someone asking me about 4 for Leo as well🥺💓

3) What was the first thing you decided on, the character's name, appearance, personality or their role in the story?

This is a tricky answer…just bc my evil gremlin mc in the game has NOTHING to do with Eloise in my writing. I guess I would say her name? I was just thinking of what would be the most British sounding name I could think of when I started playing in December🙂‍↕️

But then my imagination took hold of me…I started thinking about Eloise’s backstory…and when I thought of how all of her family dynamics/how she grew up would influence her personality I started to be really dissatisfied with the game and the lack of choice we have while playing. SO I gave up on the game completely after the restricted section quest and started to use my free time to write my fic in January🥹🫶 but her backstory, personality, and role in my story are definitely the most interesting things about her to me!!

Bonus: my first ever drawings of her in January!!! Bad quality bc it’s an insta story screenshot😆💓 (I redid one for my fic🤭)

4) And reverse, which one of the four things did you struggle with the most?

Hmmmmm😭😭 I think her personality is what I struggled with the most and continue to struggle with as I write!!!! I always want her to feel like a *real* person with flaws, but ALSO convey to the reader why they should love her as much as I do. I think I’m successful bc I get comments/messages a lot from people telling me how much she resonates with them (and she’s some people’s favorite???😳💘) but I STILL CANT HELP BUT FEEL INSECURE ABOUT IT !!! It’s so hard sometimes keeping in mind how she is and how she thinks, and I never want her to be wishy-washy or doing things out of character for her. It’s a fun challenge but a challenge😭💓 (also her appearance changes like crazy in my art but whatever I’m learning😆)

20) bonus: share any additional thoughts, art, favorite scenes, anything you’ve been waiting for a chance to ramble about.

DES YOU REALLY WANTED ME TO YAP WHEN YOU SENT THIS MESSAGE😆😆😆😆😆

I really, REALLY want to yap about the foreshadowing and scenes I’m working towards in my fic BUT IVE ONLY TALKED TO LIKE ONE OR TWO PEOPLR ABOUT MY PLANS ( @choccy-milky & @kay9leo 🤭🤭) AND I DONT WANT TO SPOIL ANYTHING EVEN THOUGH I DONT HAVE MANY READERS😆😆😆😆😆😆😆 maybe in the future…

This is me redrawing the chess scene from my fic bc I’m really dissatisfied with how Seb looks in the original (he’s probably my LEAST FAVORITE TO DRAW BC IT’S IMPOSSIBLE !!!!!!!)

And ummmm….hmmm Eloise is DEFINITELY not a self-insert character to me, but I DID give her aspects of myself. Things like…we have the same birthday (January 31) and eye color (dark green), and I tend to overthink a lot and can be in my own head maybe too much, but I’m ALSO a lot more assertive and gremlin than she is😆😆😆😆 I love the fact that she’s so soft and sweet💓💓💓 & I just want to wrap her up in a big hug and never let go of her🥺🤲

(Imelda is my self-insert tbh…and this moment in my fic was ME😤:

At the sight of Imelda's worried face her throat contracted - Eloise found she couldn't speak - and she burst into tears again. They were rolling, hot and salty, down her cheeks and she hid her crumpled face back into the crooks of her arms. Imelda immediately wrapped her arms around Eloise, and she melted into her friend's embrace. Hands gently stroking her hair as she cried and cried and cried, murmurs whispered in soft Spanish to the top of her head.

She was overwhelmed, desolate, lonely.

I feel really bad for Eloise at this point in her story, but I also find it really interesting to keep poking her to see when she finally snaps and decides that she NEEDS to stand up for herself and what she wants. She hasn’t quite realized that she’s the only one who’s ultimately in charge of her life & I’m really really enjoying watching her become the person she’s meant to be🥹🫶🥹🫶

[ieirisms]

falling into bed with him dulled the ache of loneliness inside of her. the same brand of loneliness that marks them both. maybe that’s why they choose each other, a band-aid over that wound of theirs that still stings from time to time.

she feels a stir of guilt after the first time, the second, and so on. but, it grows faint each time. he addresses it early on, and tells her that if he thought she was being cruel, he wouldn’t have agreed the first time, that he wouldn’t have initiated it the second time. she believes him, but she worries quietly that after this runs its course they’ll go back to how it once was; a cordial acknowledgement of an old friendship tainted by loss.

each time, nanami asks her if she would like for him to go. even after being intertwined so intimately, holding her as she shook and gasped in his arms, when he approaches her on the balcony where she smokes, he gives her space and is willing for if to be all that it is. each time, shoko tells him it’s better if he does. they don’t kiss goodbye, they only share a smile, a silent thanks for the company, for sharing in a misery they don’t speak of.

the last time they’re together, shoko asks him to stay. that night they finally reminisce and share in laughter. it silences her guilt. they’re still friends, and they’ll be closer than they were. not because they shared a bed or because she kissed him in all the places he needed, but because they finally speak of the memories that hurt and they give each other a small ounce of closure. even if it’s secondhand.

even if they don’t touch each other like they did for those several months, something better than that lasts between them. the growth of something new that she can hold onto.

[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[yuridovewing]

i really hate how the fandom’s excuse for jayfeather’s shitty behavior (and outright medical malpractice in certain cases. looking at the time he refused to help squilf in labour bc he couldnt be bothered and later blamed her for how bad it was) is “well the clan was ableist to him growing up, so fuck them!” ok how does that excuse him screaming at and berating the cats that didnt do any of that. or the babies.

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[moeblob]

Look, I just think it's VERY funny and on brand that I thought of an entire premise of colorful characters for half the cast and immediately drew the only one void of color.

[aphel1on]

not sure how to phrase this but something i have been ruminating on recently is that xue yang is strangely fragile. obviously he is also incredibly resilient. he survived, and continues to survive, impossible things. he has a million barriers between himself and the world, but none of this actually matters when it comes to what he feels. everything is personal to him. everything pierces straight through all that armor and goes right to his battered heart, the heart that no one else believes he has. that even he is not fully cognizant of. the world strikes and strikes and strikes and so he strikes and strikes and strikes back, even (especially) when the wound is something other people would not think worthy of retribution.

xue yang would never realize this- would be outraged at the concept of it- but the way everything, everything is something to rally a defense against is in itself a form of fragility. he does not know how to let go of things, or let them pass him by. passivity is death. so he is ruthlessly cruel and violent. he projects himself as a lunatic untouchable by anything you might possibly do to him, and on some level he even believes this. but in actuality he is one raw emotional wound. he never learned to separate himself from his emotions, much less process them. the volatility is not so much insanity as it is the constant lashing out of an animal in a trap, and the trap is the world, and the trap is himself, and he is never going to get out. and like so much else, this pain is just part of the background radiation of his life. it hardly registers. to be able to register the hurt, you would have to be able to register a time in which you were not hurt.

i feel like it is a fragility that could blossom into such tenderness, given exactly the right set of circumstances. how at the very first touch of softness in his life he fell into a domesticity from which he never recovered. how much was there, still, to be salvaged from the cruelty. on some level i am always thinking about the little apple bunnies. about the meal for daozhang and the straw in a-qing's bed.

it was too little, too late. it shattered like glass when the world intruded back in. but the tenderness was there. no one, least of all xue yang, knows what might have happened had it been unearthed in him any sooner.

[pinkeoni]

During his emotionally charged speech in the van, Will says one particularly potent line.

"When you're different... You feel like... a mistake."

This line is highlighted visually by the camera shifting positions to outside of the van, a shot that is only used one other time to punctuate the end of the scene. This line holds extra weight and the show wants you to know it.

I already made an analysis on the word mistake and what that means for Will, but I want to look at the word different, which feels emphasized in the delivery of the line as well.

"When you're [pause for effect] different..."

It's popular headcanon among st fandom that "everyone in Hawkins is gay!" which sometimes bleeds from into their belief of real canon. Sexuality headcanon lists suddenly are seen with an air of truth to them, and a number of fanon queer ships are accompanied with evidence of their supposed endgame status.

I realize that this is kind of a... weird post to make. I'm not really making this to tell people to stop doing something, this is more of just a rattling off of some opinions I've had for awhile.

I do wanna start off with the obligatory: Do whatever the hell you want. I'm not here to stop you from doing something or tell you that you are wrong for thinking that a character is gay or for shipping something. You are allowed to ship whoever you want, think whatever you want about any character, any ship I don't like I have filtered. But I'm also allowed to not like these ships, or disagree with how others view certain characters. Just as others are allowed to have and express their opinion, I'm also allowed to have and state my opinions on the opinion website.

I think the important thing regarding Will being different is the fact that he is different. As my good friend @karenchildress once put it, if everyone were queer, it would cheapen the message the show is trying to give. Sure, the show displays a variety of ways of being different, but being gay is, among other things Will has been through re: being taken into the Upside Down, is Will's way of being different in Hawkins.

And of course Robin is gay as well, and while there is some crossover, the lived experiences of a gay man is different from that of a lesbian woman, which the show does touch on. Will's story is part of an extended AIDS metaphor, and Robin struggles to gain the attention of women in a world that seems to revolve around the attention of men.

It might be nice to have a moment between Will and Robin, although that alone won't solve Will's problem, i.e. his belief that being different makes him a mistake. Cause that's the thing: the resolution is that being different is a good thing.

If everyone character were queer, this would cheapen the message. Suddenly the resolution isn't that being different is a good thing, but that he isn't different after all.

So then, are queer stories meant to have only token characters?

I think it depends on the type of story, and what it's trying to say. Heartstopper has an eclectic queer cast, but it's also a show that embraces finding community and other people like you. Sex Education has a variety of different sexual identities, but it's also a show that aims to explore a lot of different perspectives.

And there are also queer stories where the queer character's disposition, and their struggle because of that, is a big part of the story. I believe this is what this show is trying to do— highlight Will's difference and how that pertains to his personal struggle and the resolution of that.

One argument that I hear against Will with powers is the idea that making him more different would be bad for his character, because he hates being different. But the thing is, Will is going to learn that his differences are a good thing, which may include any possible powers.

Of course Will isn't the only one with powers, and he also isn't the only gay one. El, Henry, and Kali all have powers, and Robin, Vickie, and Mike (and maybe Henry? I haven't seen TFS myself so I'm not commenting on that) are all gay. So while he's not alone, these things are still a rarity. It's not a case of a headcanon list with mostly everyone gay and some token straights.

"Characters are not straight by default."

This sentiment isn't unique to the st fandom and also didn't originate within this fandom, but it is something that I hear often. And it's... not really true, although it kind of depends on the piece of media we are talking about. It might be easy to say this about a show made in the 2020's, although this same sentiment is hard to state about, well, most shows made before the 2020s. And even then, it depends on what the show is going for.

People being not straight by default is a true statement in real life. You shouldn't assume a sexuality for anyone, gay, straight or what have you. But characters are made by people, and people have different biases on how these characters should be written. Calling the Duffers "two straight men" would go against what I just said, although I don't think that the show was written with everyone being gay in mind. Aside from the 4 (maybe 5) I listed, the other characters are not written to be queer. They just aren't.

All of the queer characters have arcs that feature their queerness. Will's queerness has been mentioned since season one. Robin's romance becomes part of her plot in season 4, and Vickie is introduced as her love interest. Romance has always been an important facet of Mike's story since season one, and his failure in a straight romance is highlighted in seasons three and four. Chekhov's painting of season 4 seems to solidify a gay Mike.

Elmax and Ronance as endgame options not only have no lead up but are also mean spirited towards Lucas and Vickie. Elmax gets together, breaking up Lumax, which has been built up since season two, and Lucas is supposed to be okay with this because????? Ronance get's together, effectively writing off a queer character that the show had introduced, and she can't even fulfill the reason she exists in the first place? Rockie is not the most well developed relationship out there, but it's the one that the show has decided to go for. Maybe Ronance could work, in an alternate universe where the show actually wrote that in.

For those that argue that both Max and Nancy are queer I simply... disagree. And you can disagree with me too, we'll both just agree to disagree. I'm not against headcanons, which are usually harmless, but also usually driven by the desires of the headcanon-er and less so the canon of the show. Which again, is fine, but it's also these headcanons which are being used to drive an argument for actual show canon. Usually the argument for any character being queer that wasn't already listed in canon rests solely on vibes, not any concrete evidence that may suggest actual attraction to the same sex.

More substantial evidence usually comes when someone applies a queer lens to a certain character, but an interpretation can be different from authorial intent. And sometimes, the viewer may be so focused on the metaphorical, that they fail to see the literal.

I do think that you could easily apply a queer lens to El's story. Her story is about, in her words, "not belonging," in society, having to remain in hiding, and deviating from feminine norms. I can easily see how you can derive a queer message from this, but all of the traits listed above are a result of her having powers and being raised in a lab, not being attracted to the same sex. Metaphor alone cannot prove that she likes girls.

Going back to Nancy, Nancy's romantic options are between Jonathan and Steve, although the show seems to make it clear that it's going with Jonathan in the end, what with Jancy holding hands at the end of season 4. Steve get's brought up in conversation between the two, alluding two some unresolved tension that's likely to be brought up in season 5, and Robin is... at the high school with Vickie. That is the end of the season establishing the arcs and romances for the final season.

"Gay people didn't exist in the 80's."

That's an argument on the opposite end of things that just isn't true, although I've also heard the counter for this argument, that gay people did in fact exist in the 80's, as evidence that everyone is gay. I'm not really here to argue whether or not gay people existed in the 80's (they did) I'm just here to argue what I think the canon of the show is presenting.

That being said, the show taking place in the 80's is still significant. It may not be a hyperrealistic depiction of the 80's, but the show does seem to understand the idea that at that time, it was very difficult for gay people come out and to start relationships. It's the reason that Robin can't just go up to Vickie and ask her out, and it's the reason that Will can't just say that the painting is from him. It's the reason why Mike hasn't quite yet left his relationship with El and accepted himself. It's the reason why Rockie has to discreetly flirt through peanut butter sandwiches. A character who hasn't had queerness built into their plot, or a relationship that has no buildup, isn't suddenly going to become canon in the last season.

I was talking about this once with a friend who used the show Only Murders in the Building as an example. In the shows second season, Selena Gomez's character is revealed to be bisexual and dates a character that Cara Delevingne plays for most of the season. The show doesn't build up to her character being bisexual, she doesn't come out as such, the other characters don't make a big deal out of it, she just is. So why can this show do something like that but Stranger Things can't?

Well, Only Murders is a show that takes place in present day, and is a light-hearted comedy (albeit with murder). A character suddenly being bisexual with no set up makes sense for the tone that the show has established and when it takes place. Stranger Things takes place in the 80's and establishes within it's first season and maintains it throughout that gay people get killed and are seen as social pariahs.

It's not that I don't understand where the desire to have more characters be queer comes from, especially characters that people already like and relate to. I don't think it's harmful to think that these characters are queer, I'm making an argument purely with regard to authorial intent and the actual outcome of the show. Again, feel free to disagree with me and continue to do whatever you want, these are just some thoughts that I have had on my mind for a while and wanted to put out.

[appallinnballin]

So the way you draw sarv’s claws makes me go mildly insane like. Those are her paws. Her little grippers. Made for holding.

Now. Consider. Controversial opinion. Ruv deserves claws too. For Sarv to hold of course. Also also can you imagine him getting a manicure from sarv or something or getting scolded for not taking better care of his claws

YAYEEE I LOVEE drawing her spindly claws thank you..

also CLAWED RUV IS VERY GOOD I actually had thought awhile back if I wanted to start drawing him with them but I ended up figured it would be very fitting of his blunt character if his nails remained so as well, and it would make sense that he kept them worn down for various reasons while out and about in his fugitive years…. however perhaps nowadays he lets them grow out a little 👀

Sarv would insist on taking care of them if he did with her knowledge of maintaining her own but that would be kind of an excuse to play with them like Ruv might sometimes mindlessly play with her claws in one hand… otherwise he would sharpen them on trees!

for the hell of it I’m showing you older sketches of how I draw ruv’s hands that I just now added claws to to see how they’d look— as well as Sarv’s <3

[rapidhighway]

in every fandom im in, i always reach the inevitable point where i make an au that would greatly benefit from me reading the divine comedy. every time. alas, i am lazy

[perilegs]

i know it wasnt a serious comment but every time i look at a datv character and start thinking about their designs my blood starts boiling from the giving cosplayers a challenge comment

"The previous art director had the mindset we should make things easier for [cosplayers], which I think is a misunderstanding of cosplayers," he says. "We've seen the kind of challenges they're willing to take on, and so we've gone for, in some cases, a level of complexity and detail that I hope a lot of them are excited to rise to the challenge for."  x

unrelated to my point but why are you dragging the previous games down. have you seen any of the designs you speak of mr art director. do you think merrill in da2 wasnt peak. or morrigan in origins? do you know how hard it is to make cosplay armor.

you could have just been like "hey the characters have a lot more detail than before! look at neve's hat and everyone's clothes every single inch being embroidered or otherwise patterned"

which also makes me think. was any thought put into the designs or did they just want to detailmaxx so they can brag. idk if they could have said anything that would turn me personally off more from cosplaying anyone or analyzing their outfits

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here