#also for some reason?? out of all possible crossovers/cameos questions i never expected one about hey arnold???

[drawnfamiliarfaces]

If you know, Arnold(from hey Arnold) I think you’ll be a good therapist for Hom crew given how much trauma they all been through 

its been awhile since ive seen any hey arnold episodes! (though i read a great ArnoldxHelga fic like, over a year ago lol) But oh man, does it bring me back... those damn headless horseman/bride ghost episodes live rent free in my head...

I dont remember the show's finale, and neither did i watch the last movie, but i was pretty sure Arnold was going to grow up into an adventurer like his parents?? I think being a therapist was like a very unexpected side job he got, as a result from living with his grandparents in a boarding house and just by being such a sweet helpful kid lol (almost like steven universe of the 80s-90s - Arnold was just a kid dealing with so many adults with issues...)

Hey Arnold is a little bit of a different vibe for HoMies, but maybe i will make him a cameo (i actually got a very cute idea for that haha I'll see how it works out), but otherwise no therapist Arnold, sadly. 😔

[sarkywoman]

Writing Asks

Tagged by @under-the-shady-tree, thanks!

20 questions, writer’s edition, let’s go!!

How many works do you have on AO3? 85

What’s your total AO3 word count? 712708

How many fandoms have you written for and what are they? Oof, uh... since like, 1999? Um, Buffy the Vampire Slayer, Andromeda, Supernatural, Heroes, NCIS, DC, Marvel, The Umbrella Academy, Kingsmen, ASoIaF/Game of Thrones, Borderlands, Community, Dirk Gently’s Holistic Detective Agency, Doctor Who/Torchwood, Final Fantasy, Harry Potter, Misfits, I think I’ve forgotten some...

What are your top 5 fics by kudos? Noble Blood (Game of Thrones, ASoIaF - GRRM)  A Song of Bastards and Wards (ASoIaF - GRRM, Game of Thrones)  Young God (Borderlands)  Story and Sorcery (Loki: Agent of Asgard, Marvel)  My Shame is True (The Umbrella Academy (TV))

Do you respond to comments, why or why not? I try to! Comments are so important in the fanfic community and I know how hard it is to think of something to say about a story, even when you’ve loved it to bits, so I don’t want people to feel ignored. Especially because I appreciate comments so, so much! I will say though, I have lapses, often when my mental health isn’t good, where I simply don’t know how to respond to people and then months go by and I feel weird about replying... so sorry if you’ve ever commented on one of my stories and got silence - it was me not you!

What’s the fic you’ve written with the angstiest ending? The Aimless One (Misfits (TV 2009)) Straight up the saddest story I’ve written, no question. Normally writing sad stuff doesn’t make me sad but I had to take a break in the middle of this to just try and grapple with the idea I’d had because it tapped into a lot of depressing thoughts I have about life and death in general. The comments were all complimentary but so upset that at first I was like ‘hooray, it had the desired impact’, then after a while I started to think ‘why did I want to hurt people like this?’

What’s the fic you’ve written with the happiest ending? Probably  Realising All You Ever Wanted, a Hobbs/Dirk fic for the Dirk Gently’s Holistic Detective Agency fandom. There’s such minor conflict in that one that the sugary sweet ending isn’t out of place. 

Do you write crossovers? If so what is the craziest one you’ve written? Well. I have some fandoms that are sort of crossovers already, things like Marvel where you have comic versions and movie versions and it doesn’t really feel like a crossover to be picking and choosing. Same with a Dirk Gently/Thor fic I did, because Thor cameos in the DG canon, but not this Thor. I think the most ambitious crossover I’ve worked on was a collaborative chatfic with @freshgratednutmeg that we’re never likely to post, where the need for more background characters in an Umbrella Academy A/o fic led to it being crossed over with Marvel and Brooklyn 99. (Leading to such amusements as Diego sparring with Rosa, and Five competing with Shuri in class.)

Have you ever received hate on a fic? Yeah, but it’s never been very well-reasoned so it’s been fairly easy to dismiss. Some people expect everyone to share their own perspective of the characters and it’s weird.

Do you write smut? If so what kind? Not really. I can go there and have done on occasion, but it doesn’t interest me very much. I think I did it more when I was younger because I felt like it was a necessary aspect of grown-up fanfic writing (when I started I was a teenager amongst mostly adults... or other people lying about their age too lol). These days I’m more likely to fade to black or allude to the acts. But I’m not averse to writing it or anything, but it’s never the focus of my story.

Have you ever had a fic stolen? Only in the sense that I see them on other sites I didn’t upload to, sometimes in other languages, sometimes not. They normally say my name somewhere on them so they’re not stolen as such, but it’s still uncomfortable to see my work circulated to other sites without my permission.

Have you ever had a fic translated? Not with my permission, but yeah. I don’t know how to feel about translations. Obviously I want people of other languages to be able to read my work, but at the same time I’m not fluent enough to be able to check the translator’s work, so I won’t know if they’ve done any better than google. Word choice is pretty important in fiction. A bad translation can totally warp a text.

Have you ever co-written a fic before? Not for posting or sharing, but me and @freshgratednutmeg cowrite all the time.

What’s your all time favorite ship? All time?! That’s impossible to answer. I’m a multi-shipper for starters, in pretty much every fandom I’ve been in. When I find a ship I love, I love it intensely above all others for the duration of the fixation. Then eventually it gets set aside when I find a new fandom. I’m also indecisive enough to not really have an all-time favourite anything. 

What’s a WIP that you want to finish but don’t think you ever will? A Song of Bastards and Wards (ASoIaF - GRRM, Game of Thrones). I can’t begin to describe the pages of notes I have for this beast. Unless I threw them out, which... scanning my room... is a distinct possibility. Ouch. I’d hoped to parallel the books for a long time with this one, but the amount of work for a project like that is too much when you’re no longer as passionate about the source fandom. I suspect what I might do is scenes with interconnecting notes, just so people get some sense of closure.

What are your writing strengths? Dialogue, baybee! Kinda makes me want to be a scriptwriter. People are always telling me that the characters ‘sound like’ them. I think it’s from reading voraciously from when I was young and being quite a social child, that moving speech patterns and quirks into writing is something that comes very naturally to me. Too natural, in fact, because IRL I write how I speak and that’s not always suited to the situation.

What are your writing weaknesses? Most things other than dialogue. Even thought processes are an internal dialogue, so they’re okay, but then like... a fight scene? A sex scene? Just even... what are their hands doing while they’re talking? How are these people physically present? Where are they? Are they inside, outside, is the building on fire? My descriptive skills are lacking, to say the least. It’s something I’m working on.

What are your thoughts on writing dialogue in other languages in a fic? I’m not quite sure what’s meant by this. I’m not fluent in anything other than English so I don’t see that would work well for me. I know a few phrases in German/French/Welsh/Latin/Spanish but nothing useful for conversation. Dropping in words can work, if it’s the same way the speaker would use them amidst their English. Most of the time the characters I’m writing wouldn’t be speaking in another language anyway. We can blame the tag-team of English colonialism and American media for that one I think. I think that sometimes authors utilise a character’s language in a way that just exposes how little the author actually knows of the language and that’s a bit cringe for me.

What was the first fandom you wrote for? Buffy the Vampire Slayer. None of those are online atm because they’re so so bad XD I should post them just so people can see improvement but... I can’t even read them, they’re hilarious. The most gratuitous self-inserts, the most ludicrous arguments, the most out-of-character romantic declarations.

What’s your favorite fic you’ve written? Hmm, that’s a quandary. I think I’ll differentiate between favourite to write, and favourite end product. Favourite to write was probably  Noble Blood (Game of Thrones, ASoIaF - GRRM) because it was just a romp through my favourite themes. Given it’s one of my most popular stories, I’d say that just proves you should write what you want! I was going to quickly say  Young God (Borderlands) is my favourite fic for quality of the finished product, because I pretty much just sat down one evening and spilled it into a word doc then reread it back and thought ‘huh, did I write that? Awesome’. But I’m happy with a couple of more recent things I’ve done for The Umbrella Academy fandom, notably  The Price of Parenthood, which is very different to what I usually write and is a look at the life of one of the mothers who gave up her child to Reginald. Also The Water Calls, which was the only thing I managed to write for the recent MerMay event. It took me a little while to puzzle out how it all fit together, then once I had it worked out it came together wonderfully and I was very happy with the tone of it. 

Tagging anyone who fancies doing it.

[animatedminds]

Scoob! Review

Apologies: I watched the movie  two weeks ago, but forgot to write this because I was so busy doing the Dragonball FighterZ thing. But, with that out of the way...

An interesting ride. As a longtime Scooby Doo fan, it was pretty much a given that I would watch this installment by the Warner Animation Group as soon as possible, and I had a pretty good time - albeit with some issue. It’s a fun Scooby adventure, mostly focusing on Scooby and Shaggy, as they go on a new kind of adventure. It’s full of fun references, super charmingly animated action scenes, and lots of humor that actually nails the characters’ goofball antics without diminishing them as the butt of the joke - which is something the previous theatrical series was hit or miss about - which which is also hampered by the fact that it doesn’t really give itself enough time or space to really make any of those things shine.

Spoilers, but only a couple.

The first thing we ever heard about this movie years ago was that it was conceived as a dramatic retool of Scooby Doo into a out-and-out spy series, in order to set up a Hanna Barbera cinematic universe a la the MCU (which, given that they already had a shared universe they could adapt in Future Quest, hit a little hard), giving the impression that Scooby was going to be a pastiche of James Bond. It’s very obvious from the finished product that this concept was since heavily changed, but you still see it in the film. The gang is still the same-old gang - a bunch of kooky teen mystery solvers - but plotwise it’s very much “what if instead of solving a mystery, the gang just fought a supervillain?” Which, let’s be clear, is not unheard of for the franchise: see Scooby Doo and the Cyber Chase for another story that’s mostly just “fight a cool bad guy, with a tacked on mystery,” or the other Shaggy and Scooby-centric stuff like Ghoul School or Reluctant Werewolf for other movies that just plain eschew their usual setting entirely - this is a lot like those. It’s centered around the two characters’ relationship, like pretty much every theatrical Scooby release it seems, as this new challenge almost breaks their union, and the group as usual does very well in that kind of action. Faced with an army of dimwitted robots that can go from silly to terrifying multiple times in the same scene, Scoob and Shag’s typical mix of silly bumbling with surprisingly - and destructively - clever antics make for some great scenes, my favorite being a madcap chase through an amusement park that ends with them getting away on a ferris wheel that’s been knocked of its hinges.

This is very much a movie that wants to be a Hanna Barbera crossover, but is trying hard to restrain itself. As a kid Shaggy was a fan of the Impossibles (who, iirc, were once intended to get a movie as part of this universe) with models and posters that the camera never completely focuses on, you see Laff-a-Lympics on an arcade machine, references to classic Scooby writers and actors as location names (I laughed at Messick Mountain, and the Takamoto Bowl outright went over my head at first), even little things like Scooby bowling like Fred Flintstone or the blink and you’ll miss it appearance of Yankee Doodle Pigeon - and yes, Captain Caveman shows up, fully voiced by Tracy Morgan and kicking butt for a very short scene, with one of his show’s supporting characters (Dee Dee Skyes) as a prominent in this movie’s plot. There’s even musical references in addition to visible ones: at one point, the movie even orchestrates one of the classic bits of Scooby Doo background music. I was hoping for a reference to the classic Scooby Doo / Blue Falcon theme, but alas that was one nod we didn’t get.

However, this approach does work especially well with Blue Falcon - who was originally built up through Scooby Doo, sharing a timeslot, advertisement and technically a theme song, and in time has more or less become to Scooby Doo what Donkey Kong is to Mario: technically a supporting character, but able to do his own stuff every once in a while. There have been several Blue Falcon Scooby Doo crossovers in the last few years (though in terms of sheer number of references this movie’s got nothing on Mask of the Blue Falcon), and they’ve all been very fun as each show, movie or comic reinterpreted the character to fit their specific world - and this movie’s novice Blue Falcon who is kind of an egoistical loser, but turns out to have a lot to learn even from Scooby and Shaggy’s brand of cowardly bravery, grows on you even if he has kind of a rough initial landing.

Unfortunately, this is also a movie that very much wants that rigid hour and a half timeslot, and has absolutely no interest in a going a second longer - and that’s where it’s problems come in. I’ve said before that animated films have become more and more written with expediency in mind: plot points are rushed, denouements are minimized, side or even main characters might not get much utilization, and sometimes things come of as just kind of happening to the protagonists without much set-up. Even the best or the best animation companies fall into these traps at times, and this movie is a good example of what it looks like if you fall into that too much. Take the Scooby gang - Velma, Daphne, and Fred. They’re not really fleshed out that much in this movie, even if they were tweaked a bit with their new VAs - but that’s not necessarily a problem in itself, given the heavy focus on Scooby and Shaggy. What’s more noticeable is where this intersects the plot: for example - one of the better examples of what I’m talking about - the scene that kicks off the whole story. Fred, Velma and Daphne want to expand Mystery Inc, and call Simon Cowell to invest in them. Cowell decides Scooby and Shaggy are incompetent because reasons, and the two storm off. This is later framed as the gang abandoning the duo, that’s not really what happens. Once Cowell hits the scene, beyond one or two lines the rest of the gang essentially ceases to exist, and barely reacts to anything: there’s no moments with them where they seem to buy into what Cowell is saying, there’s nothing beforehand that implies that they’re dissatisfied with Scooby and Shaggy, there’s isn’t even really a status quo for what their dynamic is like. We cut straight from them meeting as kids to them having a supposed fight as adults - this is something that wouldn’t have taken a lot of time, but would have strengthened pretty much everything, from Scooby and Shaggy’s reaction to the trio’s guilt later, but is skipped over entirely. The others get very little beyond being summed up as “the muscle” (Fred), “the face” (Daphne) and “the brains” (Velma), and it feels less like expediency and more like we missed a scene somewhere.

Granted, this particular thing also runs a unique problem that the Scooby gang face. As characters who just turned fifty and who are well entrenched in pop culture, adaptations often assume you know who they already - and this movie definitely assumes you can do its work for it and establish a baseline for the Scooby gang on your own... and on that front, I suppose it does better than the previous film series, which based a lot of its humor on fandom in-jokes they poorly assumed everyone agreed with. But... there’s a degree to which every film needs to establish a baseline for that it itself to trying to do, and I think skipping this hurt the film more than it should have. And it’s hardly the only point where the need for speed cuts out the flow of the film. Scooby and Shaggy get abducted by Blue Falcon, whose assistant then promptly exposits on everything the audience doesn’t know yet about the plot so that they can just skip straight to more action - basically setting up a question and then answering it immediately without set-up. This essentially robs Dick Dastardy - definitely the best thing about the movie - of a strong introduction, in favor of, again, expediency, and it’s kind of baffling given that there’s later scenes where the rest follows the mystery and so repeats that exposition anyway. I mentioned that Blue Falcon himself got a rough initial landing, and that’s because his intro scene is just a lot of new element popping in with exposition, interspersed with pop culture references - and that exposition just stops the whole thing cold for a while. We hit again the “expects you to know” angle with Falcon himself, who is a legacy character of the original Falcon - who we never see, which raises the question of why they bothered to make him a legacy and not just a novice hero in the first place. I’ve always been a strong believer that you can introduce elements without needless explanation unless who introduce concepts that suggest explanation: Scoob and Shag being a fan of the original Blue Falcon, Dynomutt constantly reminiscing about him, and there being a full Falcon organization around which the movie pivots, along with lots of reference, suggest the need for at least a little more than we got - even if it’s just a thirty clip of the way Blue Falcon worked before Brian (the new Falcon) came along - but the movie just wants to rush past it. The entire quest on which the plot is centered it halfway through when we first encounter it, and doesn’t get any explanation at all until halfway through the movie. And then there’s little things like  Captain Caveman cameo, which just leave you wanting more.

This happens again and again, with plot points, characters, all sorts - things introduced halfway and then brushed past as though they’re not. People don’t expect much from animated movies, and stuff like this is one of the reasons why - this movie feels sometimes like it was written for tv, which is ironic given how it ended up being released. But the movies that were themselves DTV or released to TV, like Shaggy’s Showdown or Legend of the Phantasaur, the aforementioned Mask of the Blue Falcon or - my perosnal favorite - Moon Monster Madness, even tend to not have these problems themselves, because they’re more measured and precise about what they want to introduce and why. It’s great to be childish, as long you do childish well.

But now that the criticism portion of the review is done, I will say that this doesn’t hamper the movie’s desire to be fun and easy to follow, it just makes it not as much so as it clearly could have been. If you wanted more Falcon, or more Scooby and Shaggy, more Mystery Inc shenangians, more Dastardly, more adventure, more of a certain gag or humor, more of really any of the movie’s best points, you weren’t getting them that much because the movie was trying to do all of them all at once. But one the movie starts getting traction, about halfway through, that starts to fade as everything coalesces. All the characters meet, we finally know what the heck is going on, and it’s just a straight shot to the end with lots of what this movie does best: cool visuals, silly characters doing silly things, and brave characters doing brave things. Much as I wish there was more to the Captain Caveman segment, it’s one of the most visually hilarious parts of the movie, with the stark contrast of these hi-tech, modern character colliding with these explicitly more cartoony prehistoric designs and antics, and its just wonderful. Everything about Dick Dastardly’s story is great - though I was wishing for a Penelope Pitstop reference - and he even gets a heartwarming conclusion to the whole thing.

I don’t know where the series is going after this - whether they do indeed intend to make more Hanna Barbera movies in this vein. The credits teased Johnny Quest, Frankenstein Jr, Grape Ape (who according to concept art was supposed to be in this one), Atom Ant, and even a bit of Wacky Races, and it’s clear they have the love for classic Hanna Barbera to make it happen. I just hope that if they do, they go with a series who can expand this in a more concise way, with a little better character introduction. I’ve still got my fingers crossed for Future Quest.

The film is still very recommended by me. I loved it, I watched it twice, and it a heck of a lot of fun even with its hang-ups. If you haven’t seen it, there are worse ways for a parent, a kid, or just a big ol’ child at heart to spend an afternoon.

[that-shamrock-vibe]

TV Review: Crisis on Infinite Earths (Spoilers)

Part One: Supergirl

Spoiler Warning: I am posting this review the day after the episode airs in the U.S. so if you have not yet seen the first part of the crossover or are waiting for the entire crossover to become available then don’t read on until you have.

Overview:

We have SO MUCH to discuss! So much so that my Easter-Egg section which is usually more or less a minor tag-on at the end of these reviews is possibly going to be the same size as a lot of these other sections we are going through because, as promised by Marc Guggenheim, Easter has come early and we were treated to quite a few very tasty Easter-Eggs, one of which had me cheering at the screen.

But with Part One of this 5-episode crossover already giving us so much action, drama and emotion, it’s not only a question on how the Multiverse survives, but how the rest of the crossover does as well.

In the Beginning:

I love a good theory of evolution story, and we have heard in Arrow over the past season that The Monitor has been around for eons so it stands to reason he was around at the start of creation itself.

I just the sentiment of “In the beginning there was one singularity that soon spawned a multiverse”. It’s a lot like Doctor Who’s first rock theory from “The Runaway Bride”. I don’t know enough about the beginning of all life to actually determine what created the universe, I am more inclined to believe evolution than creationism, but I do like this idea of one reality spawning many.

I wasn’t so crazy about the visuals of this, especially considering in the past whenever we have viewed the Multiverse it’s always been within the Speed Force so we’re used to that blue energy rather than this red darker energy but it seems to be in-keeping with the theme of the crossover so I’m going with it.

Also LaMonica Garrett, who deserves some sort of award recognition not only for appearing as a series regular in both Arrow and The Flash this season but also wearing what I’m sure is the heaviest outfit created, but selling it very well, even the cheesy prophet of doom voice he has down rather well.

Multiverse Annihilation:

Alright so this was obviously to be expected that we would see some if not a lot of Earths be destroyed during this crossover, but my god they don’t pull punches in starting by letting you know “Yeah we’re killing off a lot”.

Now the Earths we see erased during the opening of this episode are Earth-9, Earth-66, Earth-89 and Earth-X. Of those four, we have only ever seen Earth-X which was the Nazi-ruled Earth from two crossovers ago.

Now while there was a great and uncredited cameo here from it and we’ll discuss that further down, would anyone really be sad if a reality where the Nazis won and ruled was wiped out? I know there are inhabitants on that world and for the most part they are innocent and good people, but you would think just maybe find a way to evacuate them like they do on Earth-38 later and then if it goes extinct then fine because it’s not exactly a good reality.

Both Earth-66 and Earth-89 also has great Easter-Eggs just in the name and we’ll discuss that also further down but it is interesting that both Earths-66 and 89 only focused on Gotham City whereas this was the Supergirl episode of the crossover.

Rallying the Team:

Okay so Harbinger, who either was Lyla Michaels but is now an emissary of the Anti-Monitor or simply likes using her Task Force X codename, appears to all the major heroes just as we saw her do in last week’s episode of Arrow and summons them all to Earth-38 aka Supergirl’s Earth.

I have to say as well, I know they’re on a TV budget and can’t really afford to have as many characters in one scene as say Avengers: Endgame did, but the fact they cheapened out and only gave us two Legends (Sara and Ray), rather then also showing Nate, Constantine, Mick and Charlie as well does seem a tad unfair especially considering they’ve been absent from screens the longest, some may say for the better considering the way their show is going.

Also, I will probably talk about this more with the Batwoman episode tomorrow, but they need to clarify the timeline of her show. When we first met her in Elseworlds last year she was Batwoman, but the start of her season saw her become Batwoman, and now she’s still hunting for Alice? How long has it been?

Also, as expected, Tyler Hoechlin’s Superman and his Lois Lane join the party after Argo City is destroyed and they send of their newborn son in a pod to safety. Argo City’s destruction also sees the death of Kara’s mother Alura played by Erica Durance but because I know who’s coming in tonight’s episode and the possibly jokes they’ll make about it I am okay with that as a Smallville fan.

I do always like it in these crossovers when the heroes either first meet or reunite, this time Oliver’s daughter but from the future Mia Smoak and Batwoman are officially introduced as Batwoman reveals herself as Kate Kane, to Oliver’s bemusement.

I do wish also that there was more time spent on character interaction because that is usually what I enjoy most about these crossovers, we had a little bit of that with Brainy and Ray, but Elseworlds I felt established a great repour for Batwoman and the Trinity yet that wasn’t really seen here.

My biggest complaint in this Supergirl episode though is that both Brainy and J’onn were never seen in their natural forms. I know it’s costly and timely to have them look like Brainiac 5 and the Martian Manhunter, but when they just look like Jesse Rath and David Harewood, no matter how great these guys are it’s a comic book crossover event and I would love to see more comic-booky character looks.

Alright so, Harbinger sits down the newly formed or reformed or updated team because they’ve come together now four times to help save a world or multiple worlds or now reality itself and just need to be called the Justice League and get it over with, but anyway I digress.

She instructs the team that the tower that randomly appears was one of many placed by the Monitor on Earths he thought were at risk...why he didn’t just place them on every god damn Earth if he could see the future is beyond me but that’s what we’re getting.

I did like a couple of interactions before going into action where Oliver seamlessly interacted with Barry, Sara and Mia without making it seem forced.

My favourite was the interaction with daughter Mia when he effectively passes on the mantle of Green Arrow to her despite the fact she’s not ready to lose him. I don’t know whether or not the spin-off series focusing on Mia as New Green Arrow has been confirmed yet but we know she will become Green Arrow in the near future.

So Oliver, Mia, Ray and Kate go off and battle the Shadow Demon army that are swarming the tower trying to destroy it for the Anti-Monitor, while Barry, Kara and Clark are off trying to save the people.

I will admit Ray didn’t annoy me quite as much as he has done in recent seasons of Legends during this episode. I did love his interactions with Kate about her suit getting an upgrade and then her asking him to upgrade her batarangs, when Brandon Routh is good he is good and he is pulling double duty in this crossover so let’s hope he’s very good.

Also at this time Lois, because she needs something to do, has gone to Earth-16 with Brainy and Sara to retrieve baby Jonathan who wound up going through a wormhole and ending up on a parallel world...in the future...2046 to be exact.

This was, I feel, there for two reasons. 1) Another Easter-Egg appearance but this time in-house as it references Legends Season 1, but also 2) To still keep the events of “Star City 2046) canon despite the fact that in that episode Connor Hawke was actually John Diggle Jr. and in present day they are not only two separate people but also adoptive brothers...and also we know Oliver is supposed to die so how is he alive in 2046? Well it’s an alternate reality version who apparently can’t remember meeting Earth-1 Sara before.

Our two other teams rallying really only serve to give the rest of the Supergirl cast something to do as Alex enlists Lena to help either build or activate portals to get the inhabitants of Earth-38 to safety while Dreamer and Kelly help get those inhabitants onto ships including the Legion Cruiser that J’onn is piloting because apparently Brainy was given it by the Legion before they left with Winn despite the fact they left in the Legion Cruiser. It doesn’t really make sense but I enjoy seeing that ship again so I am letting it slide.

Saving the Multiverse, Take 1:

This may be quite cynical for me to say but this is what the remainder of the episode was, the first attempt at saving the multiverse because Earth-38 is where The Monitor wanted the heroes to make their stand against the Anti-Monitor.

The Anti-Monitor does not appear in this episode and his army of Shadow Demons are 1) Poorly rendered compared to the likes of the Time Wraiths and 2) Quite easy to defeat when you consider Darkseid has Parademons and even Thanos with his legion of horribles.

In any case while the Supers are trying to fix the tower to make the sky not red which works margingly well before they exhaust themselves, the other heroes are on the ground battling the Shadow Demons. I would have maybe liked if Ray had to cover the Supers while they were doing what they do because it seemed slightly daft that the Shadow Demons wouldn’t try and stop them but that’s what we got.

It was a very small-scale battle and I know we’re only in part 1 and usually it’s the final episode we get the big battle but this was still small scale considering what is at stake here.

The biggest surprise of the battle was Kelly Olsen, who I haven’t really liked all season as she seems pointless other than just being Alex’s girlfriend who always needs saving, apparently has the Guardian armour left to her by James who retired from vigilantism to take over a newspaper in his old hometown and that’s why he left despite never actually being part of these crossovers, his dopplegangers were.

This was also a very low-powered battle. Think about it, the Supers, Flash and Atom all have CGI powers or tech yet we didn’t really see much of it, aside from the Supers trying to fix the tower. Maybe they’re saving the budget for later episodes but it better pay off.

The Monitor comes in as the prophet of doom to basically tell them that they’ve lost this battle but the war still rages, so transports everyone aside from Oliver to Earth-1 Star City.

Oliver refuses to leave and makes one of the most poignent comments I have ever heard him say when The Monitor says “It’s time” and Oliver asks “Has everyone been evacuated” The Monitor responds with “No” so Oliver responds “Then it’s not yet time”. From the trailer I thought this to mean it was time for his death, but actually this was something The Monitor was trying to prevent as he did not see him dying this way, but he does.

Stephen Amell delivers both this line and scene very well. I have never been the biggest Stephen Amell fan and do feel as if he goes to the corny side a little too much but here, given the interactions he had with Barry, Mia and Sara in the episode, and knowing that Arrow is ending and he is supposed to die, it was minorly emotional which is the most emotion he’s ever got out of me.

Fallen Arrow:

The Monitor returns a battered and bleeding Oliver to the Arrowcave in Star City Earth-1 where the rest of the heroes have returned to. Along with the news that they were somewhat successful at evacuating Earth-38 before it was destroyed, it seems that Oliver does actually die in this episode.

First of all, the fact that Supergirl is disheartened to know they didn’t save everyone is stupid because they only worked to evacuate one city compared to the entire planet. Secondly, we know that the episode of Arrow after this crossover will not include Stephen Amell...but to lose him on part one of the crossover does seem like a red herring.

Also I do not think he would die on any other show but his own and that part isn’t until January 14, so I don’t think this is the last of Oliver we’ve seen.

However, out of nowhere, Pariah appears. Pariah is Harrison “Nash” Wells who is the latest Harrison Wells to appear on The Flash and was the main focus of the Crisis teaser at the end of every Arrowverse show over the last two weeks.

I have to say 1) His suit makes him look like Doctor Doom and 2) I haven’t had the time to be as invested with this Wells as I was with Harry Wells or H.R. Wells or even Sherloque Wells to supposedly feel bad for him that he has become Pariah as his penance for freeing the Anti-Monitor.

He is however another harbinger which sounds stupid to say as there is a character literally called Harbinger but not only is Lyla one but so is the Monitor and now Pariah. I’ll be curious to see where this leaves him after the crossover because, unlike almost every crossover before, this is the one that promises ramifications across the multiverse.

Easter-Eggs:

Alright here we go, as I said in the opening Multiverse Annihilation alone, there were multiple Easter-Eggs that not only connect the Arrowverse to various other DC properties but also just have some very cool cameos.

I do have mixed feelings on what they’re doing, as it does look like they are actually trying to combine every DC TV property and possibly movie into the same multiverse which is crazy but it could possibly work.

Titans:

This is the one I cheered at my screen for in a similar way to when they played the Smallville theme while showing their version of the Kent Farm in Elseworlds last year.

As mentioned before, one of the Earths wiped out by Antimatter is Earth-9. On this Earth we focus on San Francisco and two costumed heroes as Antimatter obliterates everything, Hawk and Jason Todd’s Robin. These characters are portrayed by Alan Ritchson and Curran Walters who are the actors portraying these characters in these suits in Titans over on DC Universe.

It was rumoured some time back that Titans would appear in this crossover but never confirmed, I know because for my job I’ve reported on everything to do with Crisis.

Now clearly there’s nothing to say these are the same characters from Titans, particularly as the end of Titans Season 2 saw Jason Todd leave the Titans and we don’t see Nightwing, Dove, Starfire, Raven or Gar, but considering Black Lightning is joining the Multiverse it stands to reason that Titans can as well.

This does also mean that Titans is now on Earth-9, while Arrow, The Flash, Batwoman and Legends are primarily on Earth-1 and Supergirl is on Earth-38.

Batman ‘66

Speaking of other Earths, we have two others that are wiped out in the opening and both focus on Gotham City, why? Well we have Earth-66 which features an elderly gentleman in red walking his dog and seeing the red skies exclaims “Holy Crimson Skies of Death!”.

This gentleman is portrayed by Robin veteran Burt Ward and the character is confirmed to be Dick Grayson of the Batman 1960s series.

This is wrapped up very nicely and honoured in the fact that the Earth is numbered 66 to pay homage to the fact that 1966 is the year the Batman series begun.

Batman ‘89

Similarly, the other Earth we see obliterated is Earth-89. Here we see another Gotham City with a man reading an edition of the Gotham City Gazette that shows a distorted image of Batman with the headline “Batman Captures Joker”.

The man reading the paper is revealed to be Alexander Knox portrayed by Robert Wuhl, reprising his role from the 1989 Batman movie starring Michael Keaton as the Dark Knight and Jack Nicholson as The Joker.

It has also been rumoured before that Michael Keaton would reprise his role as Batman in this crossover, while I still choose to debunk these rumours, it’s official that the 1989 Batman is now canon within the Arrowverse. This takes the Arrowverse from simply being the DC TV Universe to an actual Multiverse spanning TV and Film, something the MCU hasn’t properly managed to do yet.

Star City 2046:

So as mentioned before, DC’s Legends of Tomorrow’s first season had an episode titled “Star City 2046″ where the Legends arrived in a dystopian Star City where Deathstroke’s son Grant Wilson was the new Deathstroke and Connor Hawke was the new Green Arrow and revealed as John Diggle Jr, Diggle’s son which at the time was crazy because Diggle had a daughter Sara before Barry created Flashpoint and replaced Sara with John Diggle Jr...keeping up?

So in the future of this Post-Flashpoint timeline that this universe is now in, we see that Connor Hawke and John Diggle Jr. are two separate people with Connor being the biological son of Ben Turner aka Bronze Tiger and John Diggle Jr now being the leader of the Deathstroke Gang.

This of course caused conflict with that episode of Legends, but because Legends never really follows the rules anyway I think everyone simply let it slide but now we have a loophole way of explaining things.

It turns out that when the Legends travelled to Star City in the year 2046, they also travelled to a parallel Earth, Earth-16. Now this is still in the future so I don’t think they’re saying it’s set, but what they are saying is it still happened and they didn’t overwrite their own lore basically.

We do only see Oliver here, who still has a cybernetic arm from before which Sara remembers and uses to her advantage, but Oliver doesn’t seem to remember that this Sara is not his Sara despite them having a rather candid conversation in that episode.

Also Joseph David-Jones portrayed Connor Hawke of that Earth in “Star City 2046″ so of course it makes sense for him to return as the Connor Hawke of Earth-1 in the future, but why didn’t he appear in this episode if he is already part of the cast of Arrow this season?

The Ray:

Briefest of cameos and unfairly uncredited in my opinion but we see a brief glimpse of Ray Terrill aka The Ray portrayed by Russell Tovey flying through the skies of Earth-X before being obliterated. Tovey first portrayed The Ray in “Crisis on Earth-X” two years ago and was part of the first openly gay male relationship in comic-book history with Wentworth Miller’s Leo Snart.

He then went on to voice the character in his own short-lived animated web series Freedom Fighters, but to see him return in live-action even for a brief uncredited cameo shows how much Tovey respects both the character and this universe and I love him even more for that.

Jonathan Kent:

Alright so I’ve mentioned baby Jonathan a couple of times because we knew Lois was pregnant at the end of Elseworlds last years however now seeing Jonathan Kent Jr. I am excited for what this could mean going forward.

In the comics, Jonathan is the son of Superman and Lois Lane given the full name Jonathan Samuel Kent to honour both his grandfathers and is a Kryptonian-Human hybrid who becomes the new Superboy and teams up with Damian Wayne, the Teen Titans and the Legion of Superheroes.

So when Brainy mentioned him going through a wormhole and time-travelling I thought they may be setting up that he’ll be taken in by the Legion, Mon-El may return with a grown-up version of him later in the season or something, but no he’s safe and Lois has him back.

The one thing I will say about him is I hope the writers don’t relegate Tyler Hoechlin’s already minimal Super-Antics into simply being Super-Dad. The odd dad line is funny but I hope that’s not all he is.

I am going to wait until Part 5 to rank the entire crossover but if they keep the momentum that Part 1 managed to accelerate then this could be the greatest TV accomplishment ever and could even rival Avengers: Endgame in how they literally bring worlds together.

So that’s my review of Crisis on Infinite Earths: Part One, what did you guys think? Post your comments and check out more DC TV Reviews as well as other TV Reviews and posts.

[davidmann95]

What are your thoughts on Infinity War and do you think the portrayal of Thanos is gonna make it harder for DC to do Darkseid in a future move due to comparisons?

Extended disconnected musings below the cut because world-shaking spoilers fucking obviously, but for the section of my audience that hasn’t seen it yet but is fine with simply seeing my immediate reaction and placement of it: it’s so very good, y’all. Hype as modern blockbuster filmmaking gets. Not a top-5 MCU flick (which is a credit to the MCU, not in any way a ding against this), but if you only count the Avengers movies that actually have “Avengers” in the title, this is definitely the best of that lot.

* I had been, while not concerned per say, very curious how the Captain America team would handle this - the writers might have been there from the beginning and done some pretty bombastic pulpy action in the first Cap movie, but the Russo Brothers had been entirely on the grounded side of the franchise, even doing the relatively grounded Avengers movie in Civil War - given this would be the most cosmic and superheroey of the bunch, and they acquitted themselves magnificently in every way imaginable. It’s big, it’s funny, it’s ballsy, it’s engaging, it’s fun, it’s weighty as hell, it’s emotional, it’s the gold standard of this sort of thing. I have no idea what they’ll do if they ever stop doing Avengers movies, because at this point the sky is the absolute limit for them.

* I know people have already inevitably been complaining about this being dependent on previous movies for continuity and character, to which I say

1. Fuck you, this is the sequel to a once-in-a-generation filmmaking blockbuster that completely changed the game, of course you’re going to know who the goddamn Avengers are, most especially if you’re going to see this movie. Don’t act like you’re that cool. You’re not that fuckin’ cool.

2. This may not have been a movie of character development, but it’s by no means a movie short on character. It’s very much in the vein of Grant Morrison’s JLA, in that it banks on familiarity and iconography not to change our understanding of these characters, but to do the most conspicuously *them* moments possible. Captain America might be a minor presence, but he’s Captain America as heck in this, and so forth.

3. This only banks on you having seen the first Avengers. Banner is our entrypoint character because he himself doesn’t know what’s going on so the Avengers breakup can be recapped in broad terms, the initial conflict you don’t really have to know about Ragnarok to understand (they could’ve been fleeing Thanos destroying Asgard for all a casual viewer would know), Spider-Man’s role is obvious even aside from him being a cultural icon, Panther is Cap’s secret ally the rest of the team barely knows about so and Wakanda are broadly understood, and the Guardians and Strange are reintroduced. Strange you immediately know all you need: Wong defers to him so he’s clearly a big deal, but he’s also still telling him things about magic - even if jokingly - so clearly Strange is not the most seasoned veteran and hasn’t been in this hidden mystic world forever. The Guardians are space bozos, and based on Star-Lord’s manchild nature and 80s nostalgia and lack of familiarity with the Avengers you can guess he hasn’t been to Earth in a long time even if he clearly hails from there.

* Thanos was…good? Though I would have yelled “BULLSHIT!” at my monitor when I saw Starlin declared Thanos in an interview to be exactly as he had always envisioned him had I seen this at the time, because this is very much from the Slade-in-Teen-Titans “scrap everything, and it’ll wind up better because there’s nowhere to go but up” school of villainous improvement. But seriously, while surely people will write eye-rolling thinkpieces on his nature and goals, he’s a proper vile bastard of the sort we haven’t quite gotten in these movies before that more than justifies his place after 6 years of buildup, with humanity to spare keeping him from being a caricature; it should avoid Darkseid comparisons quite deftly (and vice-versa), even if none of what made this work can translate back into the comics. And as much as the sidekick baddies might have been traditional uncanny-valley CG, this guy might be the most amazing effect I’ve ever seen in a blockbuster: I totally bought this was a real flesh-and-blood living being existing in recognizable 3-dimensional space whenever they zoomed in on his expressions. And more importantly, they acknowledged he has a nutsack for a chin.

* Speaking of effects, that’s how you do a fuckin’ magic fight!

* And speaking of villains: SKULL. What a payoff, and I sure hope he stays and fills the role Mephisto did in the original Infinity Gauntlet as Thanos’s right hand man, because I want to see him face down with Steve as Captain America one more time. In a very different movie/s, I could have seen him seizing the Gauntlet and promising Thanos he too will wipe out half the universe, but much less indiscriminately, with the great tyrant dying with the ultimate monstrosity his endeavor has brought about evident to him at last. And then you’d have the ultimate Nazi as the final boss, since not only are he and Cap enemies, but he battled Iron Man’s dad, was well-versed in Asgardian mythology and stole one of Odin’s treasures, and is like Hulk a failed Super Soldier. What we got should be pretty good too though. Fingers crossed he at least sticks around to menace Bucky and Sam once one of them takes over as Cap.

* Outside the villain, boy, who would have expected Thor would basically be the closest thing to a main character of this movie? I guess Marvel rightly expected Ragnarok would be fire, and knowing that he’ll now be the major remaining original Avenger, are trying to build him up in double-quick time. And with only half of Asgard gone, they can keep the setup Waititi provided after this (even if I wish they hadn’t brought back his eye. I’m not worried for him personally though; his godly constitution should be more than capable of resisting mere alien raccoon ass germs). And given Ultron was the Iron Man-centric flick and Civil War was literally a Captain America movie, it feels fair they gave this to the third member of the core trio. By contrast, I’m not sure whether Black Panther was too late for them to account properly for him, or they did know, and that’s why the final action was set in Wakanda even though it’s relatively irrelevant.

* The characters getting to bounce off each other was much of the heart of this, and while Downey vs. Cumberbatch was totally reasonable - I wish Strange and Spidey had more time together as promised as fellow Ditko creations, but doing Sherlock vs. Holmes makes sense, with “Do you concur, Doctor?” almost feeling deliberately evocative - I never would have expected Thor and Star-Lord to be the standout comedic pairing. And yet, as Drax put it, it entirely makes sense: “He is not a dude. You are a dude. He is a man.”

* What most leapt out at me as signalling this is the post-Trump movie relative to Civil War’s summer 2016 blockbuster? There, the question of whether or not the government can be trusted is the inciting incident that drives everything. Here, that the government is actively working against the right thing is so plain that Rhodes - who had previously said his critical injuries were more than worth standing up for the Accords, so passionately did he believe in all they stood for - immediately, casually acknowledges that the entire thing is fucked and bails with no fanfare, and that’s the end of it.

* I’d expected this to be an all-out invasion flick and so had been disappointed no Defenders or whatnot would at least cameo, but as it really turned out I’m not surprised there wasn’t a place for Daredevil to stick his horns in. And despite assurances, no Hawkeye! I’m sure as many as 5 or 6 people were quite disappointed.

* Betting pool on who’s actually dead? Obviously everyone vanished will be okay, but the others? Gamorra looks pretty stiffed, but she seems a safe bet to return. Vision’s end felt gruesomely final, but they put so much effort into implying he might be able to survive without the stone, and now they have a seminal story to draw on for a potential solo movie of his. Loki, I think, is most likely to remain in the ground. A last-minute return and final prank against Thanos wouldn’t be out of place for him by any means, but his character has come full circle, and I think it’s more likely that if he returns it’ll be as Kid Loki.

* Speaking of the vanishing, I really appreciate the thought that clearly went into who was taken off the board. The castoffs either really had nothing to do with the Thanos conflict, even and indeed especially if they were big for maximum shock value (Black Panther, Spider-Man, White Wolf, Falcon, Mantis), or DID have something to do with Thanos but whose arcs in terms of physical confrontations with him reached their logical climaxes (Star-Lord vented regarding their shared relationship to Gamorra, Drax tried and failed as he was always going to because that one-sided hate he wanted fulfilled isn’t as much at the core of his character as Gamorra’s relationship with Thanos is). Or in Strange’s specific case, the enigmatic type with an ace up his sleeve who could logically leave a final mystery and hope for others to have to rely on. And as a whole, it means the final OG Avengers movie ISN’T going to be an even bigger crossover movie than this the way we thought. This, for the MCU’s 10th anniversary, was the big crossover movie. The last Avengers movie as we’ve known it up to that point is mostly just going to be the founders (plus Captain Marvel, a mandatory Wakandan representative or two, and Rhody since he’s the other hero who was introduced in Phase One) getting one last hurrah. And it makes sense to go with that smaller cast, because they’ll want space to really zero in on Steve and Tony before they go, and since going at Thanos head-on is no longer an option, there’s not really going to be an opportunity for the same kind of massive super-war we got in here anyway, because then he’d simply de-create them.

* Steve and Tony are going to die, and going into pure fanfic, I think I know how it’ll happen. Steve will get the Gauntlet, and it’ll kill him to use it, but in an homage to the climax of Kree-Skrull War, he’ll use his last breath to not only revive everyone, but bring together an army of superheroes to defeat a depowered Thanos once and for all (Gamora or maybe Nebula almost certainly striking the final blow), raising his returned shield high, exchanging a last look with Bucky, and finally crying out “AVENGERS ASSEMBLE!” And Tony? Tony is going to knowingly walk to death in a doomed fight against Thanos as a distraction to give Steve that chance, becoming the guy who lays down on the wire and lets someone else crawl over him. It not only reaffirms his partnership with Steve and the idea behind the original Avengers just as both die, but brings his character arc totally full circle: he faces down the embodiment of his nightmares, and after having lived as the ultimate egotist, he dies as the man who sacrifices himself so someone else can secure the win. And Thanos was I believe introduced in an Iron Man comic, so that aspect’s pretty appropriate too.

* Jackson finally almost got to say motherfucker in one of these! And that’s the second Marvel movie with a character nearly saying fuck. Take the leap Disney, I believe in you. And much as that last shot in the stinger was neat, and much as this alternative would have been literally impossible, how much cooler would it have been if that screen had shown a “4″?

* My #4 title prediction? Avengers: The End. There was a big Thanos story by Starlin titled Marvel: The End where he destroys everything but ultimately turns it back, and that’d be both ominous enough to fit the warning that we should be scared of this title, and spiritually truthful. And since the Spider-Man movie right afterwards will according to Feige mark the start of the new MCU, they can title that Spider-Man: Brand New Day in accordance with said new beginning.

* Post-all this? It’ll be awhile yet before the Fantastic Four and X-Men come on stage, so ‘Phase 4′ will basically have to stall until they can bring in Doom to be the true final boss before the inevitable reboot a decade or so down the line. Spider-Man’s the new lead (hence the Iron Spider armor, which in Homecoming seemed deliberately to be overly gaudy as Tony’s vision of a Spidey remade in his image but now seems an indicating as his leading man status, the red/yellow/blue color scheme marking him as Peak Superhero) along with Panther, Captain Marvel, and likely Thor as the old standby. The Avengers likely disband for a bit due to losing the core and break up into different teams - your Ultimates, Champions, Young Avengers, etc. - before coming back together in New Avengers, managing to make the Avengers movie after the next one an event by making it about the reformation. Osborn leading the Cabal’s the big bad; he’s the leading man’s leading villain, he has the pedigree thanks to Dark Reign while still being able to put on a Goblin suit at the end, he lets them do the inevitable “all the bad guys get together to fight the Avengers” story, and while it might not work as well as it would have post-BvS pre-Justice League, using Sentry/the Void - a compromised, frightening, unsure, ‘realistic’ Superman figure - as his muscle and the true threat would be hella charged at the moment in a way I could see the MCU being cocky enough to go for, even if they never outright do Avengers V Squadron Supreme.

That’s what I got. As the god of thunder would say, farewell and good luck, morons.

[imsfire2]

Marvel asks: All of them! Sorry, can't choose! ^^'

AAAAARRRGGHHHH!!!  Well that’ll larn me!

Marvel asks

Tony Stark: favorite movie? 

Close call; I’m very fond of “Avengers Assemble”, “Thor” and “CA:TWS”, but the one that has wowed me the most of all was “Black Panther”, which took everything to a new level of brilliance.

Drax: what character would you wanna be friends with?

I’m going to make this “characterS” and say Jane Foster, Aunt May, and General Okoye.�� A lot of my other faves probably wouldn’t be so easy to be friends with (too prickly, messed-up, hyper-focussed, downright dangerous, etc) but I would love to be mates with these three!

Valkyrie: favorite director? 

Ryan Coogler, no question!

Pepper Potts: top 3 fave characters

Ugh, very hard to choose!  Most of our protagonists are pretty cool, in their different ways.  Let’s pick three of the women; Okoye, Gamora, Natasha.  But I could just as easily have said Nakia, Hope and Hawkeye.  Or Rocket, Groot and Shuri.  Or...

Yeah, very hard to choose.

Sam Wilson: funniest scene?

Unlike a lot of people I loathed the relentless humour in “Ragnarok”.  So I’m going to say, Sam and Cap’s first meeting in TWS, which is gentle and kind, and character-driven. 

And (although it’s rather sick humour) “He’s adopted” is very funny.

Bucky Barnes: most heartbreaking moment?

The bit in TWS when the pilots try to take off and provide air support and are shot down before they can get to their planes.  Reduces me to tears every time.

Nakia: character you wish had a bigger role?

I want to see more of Shuri!

Rocket Racoon: best nickname?

I don’t think I know the scripts well enough!  “Legolas”, possibly?

Natasha Romanoff: favorite ass kicking scene?

Another one that’s very hard to choose. 

Natasha’s first scene, maybe, when she’s barefoot and unarmed and still beats the shit out of half a dozen brawny guys.  It’s such a great use of an action scene to establish character.  I also love her fight with possessed!Hawkeye. 

But on the other hand, the Dora Milje’s team fighting style is unbelievably awesome...

Ned Leeds: favorite villain?

Killmonger, no contest.  He’s rounded, believable, well-motivated, and even though you know he’s wrong you empathise with him.  Masterclass in how to write a top-notch antagonist.

I also really liked Toomes/Vulture in “Spiderman Homecoming”.  Again, because he had good motivation and was an interesting rounded character, not a cardboard “I wanna rule/destroy the world >snarl snarl

Bruce Banner: guardians or avengers?

For sheer fun, Guardians.  But I’m enjoying seeing them all meet up!

Thor Odinson: most attractive character?

Still Hawkeye.  Give me those Renner arms.

Gamora: favorite pairing?

As in Ship?  T’Challa/Nakia, and Gamora/Peter Q.

As in Best mates?  Rocket & Groot, Peggy & Jarvis, and Peter P & Ned.

Mantis: what do you think will happen in Avengers 4?

I’m with @hanorganaas on this; it’ll have to involve time travel in some form, to bring back at least some of those lost.  Also I have it on good authority from @spectralarchers that Hawkeye will come back as Ronin.  And clearly a certain Carol Danvers is going to be involved.

There’ll be an opening section where the traumatised survivors are trying to regroup in a shattered world.  Somehow or other the script will have to contrive another “lowest ebb” moment even lower than the end of “Infinity War” (& I don’t envy the people tasked with that!) because that’s how script dynamics work.  But ultimately the big purple knob-head will be defeated.

Shuri: most rewatched movie?

Either “Avengers assemble” or “Guardians of the Galaxy”; I haven’t kept count, but they are the ones I go back to for a happy evening slobbed out in front of the telly with a big bag of tortilla chips.

Peter Parker: best outfit/suit?

As a Superhero Suit, I love the Ant-man suit! 

As actual wearable clothes, I’d like to have Gamora’s leathers, especially the red coat; practical and sexy.

Happy Hogan: what ‘superpower’ is the coolest?

Well, I’ve always wanted to be able to fly, so any of the superpowers that give you that would be great! 

I also love the way Mantis’ abilities take something that culturally is just expected of “nice good girls” (being empathetic, reading others emotions and reactions, being able to soothe down even the most aggressive person) and make it a fucking superpower!

Aunt may: most painful death?

After those brave pilots in TWS?  Pietro.  Really didn’t see that one coming.

Pietro Maximoff: Peter Quill or Peter Parker?

Aww, don’t make me chose!  Quill is so cute! 

I was never a Peter Parker fan until Tom Holland but now - ok, Peter Parker.

Heimdall: would you like a Deadpool crossover?

Properly done, then hell yeah!  But it would need a very, very good script to juggle the emotional/tonal switchbacks required.

Steve Rogers: who resembles their role the most?

From what we get to see as fans?  I’d have to go with Chris Evans.

Rhodey: who resembles their role the least?

Karen Gillan certainly doesn’t sound much like Nebula!

T’challa: favorite non-romantic pairing?

I’ve already suggested a couple of Best-mates relationships; so how about some siblings?  Gamora and Nebula; so much tension, so much anger and yet so much torn, blood-soaked loyalty.  It’s just as interesting a dynamic as the one between Thor and Loki, with a lot less screentime than that has had. 

I also liked the sibling loyalty and love between Wanda and Pietro.  Always good to see a happy sibling relationship, when Screenwriting 101 would have it that only sibling rivalry is interesting...

Peter Quill: favorite place in the mcu?

That’s going to be a tie between Know-where, for the visuals, and Wakanda, for - well, everything really.

Loki laufeyson: best line/quote?

Ugh, there have been a lot of great lines.  Right now, I’m going to go with Okoye’s “For Wakanda?  Without question.”  Such a fantastic use of a single line to cement how her character is the embodiment of honour. 

Scott Lang: do you think you’d have died in the snap?

Hmm.  I kind of hope I would, to be honest; life afterwards is going to be spectacularly hellish until they manage to fix it.

Stephen strange: favorite song used?

The opening of “Guardians of the Galaxy”, with Quill slogging through the rain and then putting on “Come and get your love” on his walkman and starting to dance.  Just gorgeous; as a sequence, as framing, as a way of telling us something about him very economically, as a device to show us this is going to be a hell of a fun ride...

Phil Coulson: the moment you fell in love with your favorite character?

Seeing as I find it impossibly difficult to pick a favourite in the first place, this is one I can’t answer! 

Okoye: which movies did you see in cinema?

All of them bar the first two “Iron Man” films.

Maria Hill: favorite special credits?

What, as in “Mr Evans’ marmalade sandwiches made by” kind of thing?  I’m not sure I pay enough attention to the credits to have ever noticed one (I made that one up, needless to say). 

Or are “special credits” like cameos?  A nod to the mourners for Yondu, then.

Erik Killmonger: favorite press moment/interview

Way back during the press tour for “Avengers assemble”; a journalist asked RDJ in-depth questions on Tony’s motivation and development, and then only asked Scarlett Johansson some ridiculous thing about her diet; and instead of answering with a patient smile she called him out on it. 

It was only, what, five years ago, yet it was almost unheard-of then for a female actor to bite back publically like that.  And the good thing is, that already seems pretty extraordinary. 

Wanda Maximoff: favorite relationship of the actors?

I don’t know enough about their relationships to have one, really.

Nebula: favorite minor character?

Luis.  An “ordinary person” character who is highly likeable in his own right and who does the right thing even when he knows it’s bloody dangerous & could get him killed.  For similar reasons I’m also very fond of Cameron Klein and Dr Helen Cho.  

Vision: Steve with or without a beard?

Without, definitely.  Not a great fan of beards to be honest.  There’s the odd face that looks great with one (thinking of a certain Mexican actor and rare fern collector) but mostly they’re just fashionable face-fur. 

Nick Fury: what actor would you like to see join the mcu and for what role?

On one level, I’m content to wait and see what they come up with.  I’m not a comic-reader, so I know almost nothing about any of the characters until they appear in the MCU, which makes dream-casting any of them pretty difficult.

On the other hand, I did read a rumour that John Boyega is in line for a future role; and as I’m a huge fan of his I would love for that to be true!

Hope Van Dyne: expectations for ‘Captain Marvel���?

As a non-comics person, I don’t know anything about the character or her story.  Hopefully we’ll get an interesting, well-rounded female lead with solid motivation and her plot-line isn’t primarily about a) a man or b) not being able to have children.  Or c) her children being dead.

Groot: I am Groot?

We are Groot.

Grandmaster: which characters would you like to see interact more?

Shuri with all the scientists!

Peggy Carter: Hulk or Banner?

Both.  Both is good. 

Luis: favorite Chris?

I’m sure they’re all lovely chaps.

Michelle Jones: would you like a Black Widow movie?

I’d like to see lots of the female characters get stand-alone films.  So, yes please to a “Black Widow” movie, but also, hmm, let’s see; how about a “Shuri and Jane Foster Science the Shit Out Of This Mess” movie?  A “Peggy Carter and the early days of SHIELD” movie?  A “Nakia the Super-spy” movie?

Sif: long hair Thor or short hair Thor?

Long hair.  Markedly more appealing with long hair.

Jane Foster: favorite character development?

I love the way Steve Rogers’ story kind-of goes in cycles of effort and hope and bitter experience, and always comes back round to situations where he affirms who he essentially is.  It’s good to see a non-liner pattern of development like that, which is much closer to how real people deleop and change, instead of the standard narrative “A to B” model like Dr Strange (”was a jerk, learned to do better” - okay, he saves the world, so that’s good; but as for development, pish).

Yondu: favorite after-credit scene?

The Shawarma joint. 

Also Hope seeing the Wasp suit for the first time.

Wong: favorite marvel intro?

Not sure I pay that much attention to the intros, tbh.  I’m just sitting there thinking “Give me the story, folks!”

Thank you for asking! - and thank you, if you’ve had the patience to slog through all this, for reading!

[pacificbigbangblog]

Big Bang Story Summaries

Artists, please take today to review the following story descriptions and select the top three for which you would like to create art. Then sleep on it. Then email us your preferences at pacificbigbang@gmail.com. Art claims will open June 9 and close June 11.

We’ll do our best to accommodate everyone’s first pick whenever possible, but keep in mind we’re working on a first come, first serve basis - that is to say, if more than one artist picks the same story, it’ll go to whoever submitted their claim first. Author/artist pairings will be announced on June 12!

STORY 1

Rating: Mature (some sports violence, possible off-screen death)

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Andrew 'Ack-Ack' Haldane/ Edward "Hillbilly' Jones & Eugene Sledge/Merriell ‘Snafu’ Shelton

Side Pairings/Characters: There may be some other HBO War cameos, but The Pacific will be the main POV.  

Summary: Captain Haldane's team clinching the 2018 Stanley Cup playoffs had almost been a given. Staying in the race was a whole 'nother matter .

Additional Details: Dealing with hyper-masculinity, ambitions & expectations, & queer themes within sports. It'll be mainly realistic, but this is fictionalized NHL, and through the eyes of an experienced vet hockey player.

STORY 2

Rating: Mature

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Wilbur “Runner” Conley /Lew “Chuckler” Juergens

Side Pairings/Characters: Robert “Lucky” Leckie/Bill “Hoosier” Smith, Lew “Chuckler” Juergens, Sidney Phillips, Ronnie "Kid" Gibson

Summary: Runner is home for the summer after his junior year of college. He’s not excited to go back to his sleepy, tiny town. So far, in the first few weeks, his best friend has been ditching him for this new guy, his parents don’t care about him and haven’t spoken more than two words to him since he came home, and he feels like his life is a dead end. More alone than he’s ever been, he ends up meeting this weird guy from the woods.

Additional Details: Summer Vibes - it's got the "home for the summer" feel, going out into the woods exploring, summer love kinda feel; Loneliness - Runner is a lonely guy and there's areas of the story that are sad and down because the story focuses on him; Fantasy - Chuckler is not entirely human (still deciding on what mythical creature he is)

STORY 3 

Rating: General or Teen and Up

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Bob Leckie/Vera Keller, John Basilone/Lena Riggi, Ray Person/Brad Colbert, and Josh Lyman/Donna Moss

Side Pairings/Characters:

Summary: Robert Leckie is a reporter with the White House Press Pool. There's no such thing as a normal day, but today is a particular challenge as Leckie bounces around in an attempt to get an inside scoop--to put a personal face on working in the White House. Will that personal face be his old friend and current Deputy Chief of Staff Josh Lyman, grumpy but coffee-addicted special assistant Hoosier Smith, rival pool reporter David Webster, pissed-off mad genius Deputy Communications Director Ray Person, energetic and impossible-to-locate Deputy Press Secretary Chuckler Juergens, the new IT guy known only as Lurch, or the Holy Grail of interviews, Secretary of Defense Lena Basilone and her husband, Head of Secret Service John Basilone? Who knows? In the end, it could be any one of them. Probably not Webster, though. [A crossover with The West Wing.]

Additional Details: Mood is realistic, quick-moving, and snarky, as close to the tone of The West Wing as I can get.

STORY 4 

Rating: Teen and Up

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Andrew 'Ack-Ack' Haldane/ Edward "Hillbilly' Jones 

Side Pairings/Characters: Snafu Shelton, Burgie, and various other cameos

Summary: Andy Haldane leaves his home and job in Boston to help his Aunt Mae run her country store in a small town on the Pennsylvania/Maryland border. He loves his Aunt Mae, her store, and the town he used to spend all his summers in before school and work got in the way. Being back brings up all kinds of memories and sees Andy making quite a few reunions, especially with the Jones family, and particularly the eldest son, Eddie. They're not kids anymore, but Andy already knows he could fall in love with Eddie Jones all over again. 

Additional Details: Pretty much a romance novel, with hardly any angst. Lots of nostalgia as both Andy and Eddie reminiscence about their childhood summers together. Country music is definitely a favorite of the entire Jones family and features in the fic. Many scenes of family and friends bonding. Just a general happy, calm little fic. 

STORY 5

Rating: At most, Mature

Warnings: Possibility of some violence. Horror.

Main Pairings/Characters: John Basilone, JP Morgan, Manny Rodriguez

Side Pairings/Characters: John/Lena Riggi, other characters by mention

Summary: The crew of the rebel fighter craftship take refuge on a Class I planet in an effort to escape the Dictatorship hunting party. They need to recoup and repair, patch up some injuries, and send word for help before they’re discovered. The Alliance depends on the plans they’ve stolen. But the planet is Class I for a reason. The ghosts that inhabit are ancient and angry, and the crew are faced with the decision of exposing themselves for help, or dying.

Additional Details: Very mild crossover with Changi, though it's not necessary to have watched the series, and it's not a huge aspect of the story. I'm happy to answer any questions regarding this aspect. 

STORY 6

Rating: Explicit

Warnings: Prostitution/Sex work, Period-typical Language and Attitudes, Mention of Childhood Abuse (physical), Possible Mentions of Drug Use (OC’s), Off-Screen Death of OC

Main Pairings/Characters: Eugene Sledge/Merriell “Snafu” Shelton

Side Pairings/Characters: Sid Phillips, RV Burgin, Bill Leyden, Jay De L’Eau

Summary: After the war, Eugene gets dragged to a brothel during Sid's raucous New Orleans bachelor party. While there, he runs into a familiar but wholly unexpected face.

Additional Details: Featuring prostitute!Snafu, jaded post-war!Eugene, misunderstandings, love letters, road trips, a wedding or two, family drama, learning to love yourself and learning to accept the one you love.

STORY 7

Rating: Explicit

Warnings: Violence, Emotional Manipulation, Issues of Consent, Implied/Referenced Prostitution, Homophobia, Religious Themes

Main Pairings/Characters: Merriell “Snafu” Shelton/Eugene Sledge

Side Pairings/Characters: Merriell “Snafu” Shelton/Orginial Male Characters

Summary: After the war, a dispirited Shelton returns to the life he left behind to find a man looking to take what Shelton owes him. In the chaos of trying to settle debts, Eugene shows up at his door to confront him about how they parted ways and comes face to face with the men threatening Shelton's life. Through quick thinking, Eugene earns them some time to make an escape but also complicates everything further. On the run with Eugene, Shelton is forced to deal with his feelings for him while they both try to stay alive.

Additional Details: Dark tone and Ominous mood. Aesthetic? Southern Gothic meets Drive.

STORY 8

Rating: Teen and Up 

Warnings: Symptoms of post traumatic stress disorder, very vague mentions of sex

Main Pairings/Characters: Eugene Sledge/Merriell “Snafu” Shelton

Side Pairings/Characters: Sidney Phillips

Summary: Eugene Sledge and Merriell Shelton board a train, both headed to homes they haven't seen in years. In a last effort to bring some familiarity with him, Eugene asks Merriell to come with him to Mobile- at least until he's settled in. Despite his instincts telling him to leave every part of the war behind him, Merriell does. 

Additional Details: This work would best be described as melancholy, reflective, and cautiously hopeful. 

STORY 9

Rating: Mature (for language and non-explicit sexual content)

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Eugene Sledge/Merriell “Snafu” Shelton

Side Pairings/Characters: Andy Haldane/Eddie Jones, Robert Leckie/Hoosier Smith, Sidney Phillips, Bill Leyden, R.V. Burgin, Jay De L'eau, Chuckler Juergens, Runner Conley

Summary: When the Earth’s Sun began to die, most people decided to get the hell out of dodge. But others stayed, determined to stick with their only home until the very end. Thousands of years later, when the Sun had gone and taken most of Earth’s life with it, five men were sent on a mission to go back and study the home mankind left behind. But upon arrival, they were faced with the impossible: a boy in overalls.

Additional Details: Rural Science Fiction, Finding Beauty in Science, Some Rural Fantasy Elements, Space, Themes of Existentialism and Humanity, Soft and Colorful Characters/Settings

STORY 10

Rating: Explicit

Warnings: Period-Typical Attitudes, Canon-Typical Violence 

Main Pairings/Characters: Merriell "Snafu" Shelton/Eugene Sledge

Side Pairings/Characters: Sidney Phillips, others probably 

Summary: AU where Sledge and Snafu meet as teenagers in Alabama and grow closer in spite of themselves. War looms, but in the heat of summer 1941 it still feels as distant and inconsequential as thunderstorm, the kind that blows up in the afternoon and spins out by dinnertime. Eugene gets this feeling when he looks at Merriell and that...feels like a bigger fish to fry.

Additional Details: Magical Realism, Friends to Lovers, Pre-Canon

STORY 11

Rating: Teen and Up (for language and canon-levels of violence)

Warnings: While there won't be anything sexual in this story, I will warn that the actual werewolf biting is non-consensual (the other guys have zero knowledge or warning before the event, and the results of that drive some of the plot), just in case that turns anybody off.

Main Pairings/Characters: No pairings, but a lot of homosocial behavior.

Side Pairings/Characters: Leckie, Chuckler, Runner, and Sid

Summary: Hoosier has never had any interest in turning someone else into a werewolf. He has also never been in a war zone before. When faced with the option of giving his friends a better chance at survival, he barely thinks about it before taking action. He should have given it more thought though, because now they’re all tied to each other forever, through instincts and injury, war and separation, and whatever comes next. Together, they’re all going to learn what it means to be a pack – whether they like it or not.

Additional Details: Team Leckie canon-era werewolf AU. Story will closely follow the events of the miniseries through a werewolf lens. The narration will follow Hoosier (other pack members are Leckie, Chuckler, Runner, and Sid). 

STORY 12

Rating: Teen and Up

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Edward "Hillbilly' Jones/Andrew 'Ack-Ack' Haldane

Side Pairings/Characters: Bob Leckie/ Bill “Hoosier” Smith (plus possibly references to extremely minor other pairings)

Summary: It's Eddie's last months of high school and all he wants is to have a good time with his friends on the soccer team and maybe win the trophy at the end of the season. However, changes in how players are grouped shake up the team as five new guys take the spots of old teammates. Instead of being a distraction from Eddie's other major problem in life - does he tell Andy about his feelings or would that be a waste of time since they'll be going to different colleges soon anyway and Eddie might 'get over it' then? - it makes it even worse, because you can't bond with your team without spending time with its captain, which means that if Eddie's crush was bad before, it's now beginning to reach epic proportions.

Additional Details:

STORY 13

Rating: Explicit

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Eugene Sledge/Snafu Shelton

Side Pairings/Characters: OC’s for both Snafu and Sledge but they will be minor

Summary: After Snafu misses Burgie’s wedding, Sledge gets concerned. He visits New Orleans but he finds a very different Snafu. Distant and basically a wreck. Sledge will come to understand his feelings for Snafu as he tries to help him, even though Snafu really doesn't want to accept any kind of help.

Additional Details:

STORY 14

Rating: General

Warnings: No archive warnings anticipated to apply.

Main Pairings/Characters: Eugene Sledge/Merriell “Snafu” Shelton

Side Pairings/Characters: Dr Edward Sledge, Mrs Sledge, Edward Sledge, Jr, possibly Eugene Roe

Summary: There are approximately 144 miles between New Orleans and Mobile, and Merriell Shelton will drive every single goddamned one of them if he has to. There’s nothing left for him in Louisiana, no place for him at his mother’s dinner table, not after everything he’s seen, everything he’s done. And hell, so what if Eugene’s parents act as if he’s come down to Alabama to dirty their baby boy’s perfect little soul? So what if Eugene’s squeaky-clean, god fearing neighbors look at him like he’s trash? Well, according to Sledge, it means one helluva lot. So two weeks after Merriell shows up at Eugene Sledge’s door like the lost mutt he is, the two of them pack their bags and drive to California. No, they don’t know anybody in California. No, they haven’t got any jobs waiting for them in California. But Eugene says it’ll work out, and, well, Merriell has always been so ready to trust Eugene with everything he’s got.

Additional Details:

STORY 15

Rating: Teen and Up 

Warnings: Off-screen character death of OC’s

Main Pairings/Characters: Andrew 'Ack-Ack' Haldane/Edward "Hillbilly' Jones 

Side Pairings/Characters: None

Summary: Andy/Eddie Modern AU. Andy is a first semester biology student with flatmates who like to party every night. Trying to find a quiet place to study Andy stumbles upon a diner around the corner where Eddie is working as a waiter. They become friends over the following weeks and when he realizes that Eddie’s life is more troubled than he lets on Andy makes it his mission to help him. 

Additional Details: The story is pretty light and humorous mostly, but will deal with sad themes at times. It's meant to be a hopeful story with the focus on helping someone in need, so it's not going to be too dark.