#also everyone in it is hot as fuck

[the-shinysnorlax]

Ok nobody here has seen the new MK Legends movie with Johnny in it but I’m gonna yell about it anyways because (Spoiler alert)

Johnny is just- casually told “Oh yeah you have god blood in you you’re technically a demigod” and he legit just goes “Ok” and doesn’t ask further.

And then when he gets his funky green elemental powers he goes “What the fuck was that? Oh ok I got powers that’s cool” like bro is literally so fucking chill after finding out hes PART GOD and getting the elemental power of green.

Like at the very least I would expect him to ask casually “What do you mean I have god blood what the fuck are you talking about” but no. He just goes “Ok” and moves on with his life idk why but that’s funny.

[beepboopappreciation]

Is this anything

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[hackauthorairplane]

i think shang qinghua and tianlang-jun should have a weird chemistry that make other people (lbh, mbj, sqq, etc) confused and uncomfortable

post-maigu ridge but pre-moshang getting together, for whatever reason sqh and tlj are in the same proximity in front of others, probably their first ever conversation -> sqh is really not as scared as the others think he should be! sqh usually does his snivelly coward bit when around demon lords, and no one would call him stupid so why does he seem...weirdly chill? is he starting a conversation about the latest bingqiu rpf?! 🤨

why is tlj interested in what sqh is saying? why is he laughing at the joke sqh made? why is he so enthusiastically responding, leaning forward in interest, eyes glimmering??

Shang Qinghua, why are you staring at the former demon emperor's boobs????? why are you smirking like that??????!

[just-null]

i love the more well known characters and all but im pushin them all aside to focus on those in the back. i love background characters so fucking much. ino..... ino come back..

[tackypies]

every time i think about how people steal wyll's romantic gestures + desire to have a family + everything they gush about in their mega ooc fluff headcanons for their white men but absolutely refuse to engage with wyll in any way bc he's just the token black character to them

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[tadc-harlequin-au]

Touch-Starved (canon)

══════☸☸☸════════════☸☸☸══════

otherwise known as; the part where The Puppetmaster finds out he has THE FEELINGS(™, patent pending) for the Combat Harlequin. lmfao

══════☸☸☸════════════☸☸☸══════

"Almost..." His hand trembled at the last piece required. He carefully slotted the optics in place, and twisted the eye multiple times to stick it in place. Within moments, he steps back, and Bubble flared up alive again, checking out his new, updated vision. “Wow! I can see more colors now!” The Blimp spun in place.

“Those new eyes should allow you to broadcast anything you see to me, if I so wished.” He explains, pulling out a small, thin black screen from one of the the desk’s many compartment. He switches it on, and Bubble’s eyes suddenly have a tiny red dot blinking in the middle of it.

So far, so good. The device was working as intended and he could see the top of his dentures from Bubble’s perspective, making Caine grin proudly.

“You may proceed to do your chores once more, the upgrades are done.” He sends the blimp to his merry way, and Bubble only nods before turning away to make his way out of the office. He leans back with a content sigh and closed eyes, satisfied with the work done for the day.

At that very moment, Pomni also opens the door.

She looked… disheveled, to say the least.

“Oh hey Pomni!” The butler blimp greeted with his usual reply. The Harlequin only sent him a look of acknowledgement, knowing that it’s useless to try to spark up a conversation, as Bubble was already making his way out.

Caine blinked once, and then he blinked twice just to make sure he’s seeing things right.

Was she always this… dazzling? Literally? He could see sparkles forming everywhere.

She flipped her hair in a messy attempt to get rid of the strands currently stuck to the skin of her nape. Her trademark golden ponytail missing, most likely a B.O.S.S.’s doing. She made her way to Caine’s desk and he swears he could feel his heart beat faster and faster with each step she took. The Harlequin’s trademark squinted brows with half-lidded eyes meeting his own wide stare, a gaze that would typically make any person with a still-functioning sanity cower in fear.

She took a seat on his desk with her legs crossed and her back turned against him and leaning on her right arm, as she usually did.

“Here’s the die you asked for. Took me a bit, but still got the job done.” She checked her left arm for damages after she placed the multi-colored puppet heart in front of him, while she flashed her teeth with a victorious, smug smile. His words are caught in his throat and her entirety shines too brightly for him. He couldn’t understand it.

Why… did she seem like a flame, and he felt like an unsuspecting moth, drawn to her light?

He shook his head clear and forced his stare away from her direction, clearing his throat while clutching the die. “I-I see, thank you, Pomni. You-you’ve done… a… wonderful…” Her hand grasped his own and his heart leapt at his own throat. Her synthetic, calloused fingers felt so rough, yet so gentle against his own gloved ones that he considered taking them off.

“...j-job.” His breath hitched as he struggled to finish the end of his sentence, unable to tear his attention away from her eyes. He found himself gawking at her intense, golden eye matched with blue and red pinwheel ones.

“Aren't you forgetting something, Puppetmaster?” Her expression questioning, yet with a slight and subtle undertone of mischief glinted at her optics. 

He couldn’t speak. He struggled to form coherent words. It felt like he was being strangled by an unknown force clutching at his neck, yet there was clearly no malice behind it. 

“Wh… What am I forgetting…?” He asked in such a feeble tone that made her chuckle in such a low rumbling tone, snaring his full attention.

“Well, I think that I deserve a reward for my services. Don’t you think?” She stands up. Warm hands suddenly felt so cold and empty, and already he missed the warmth present just about a second ago. The Harlequin made her way towards him as he spun his chair to meet her halfway. Hand at her hips as she towered over his sitting form. He’s all of a sudden clutching at the armrest so intensely.

“Y-yes, of course! H-how could I forget!” He nervously chuckles, he would pull on his collar right about now. “What is it you wish to be rewarded with?”

He offers her his best smile, and she giggles as she shakes her head. Without any warning, she took a seat on his lap, and he went frozen. As if making one single move would shatter the very fabric of the universe. She leaned her head to his shoulder, fiddling with the collar of his shirt then her fingers trailed onto the underside of his chin to make him look at her. He shivered from the contact.

“You.”

He trembled as his face warmed up to uncontrollable degrees, and produced visible heat waves. Not even his self-installed coolants were helping him tone down the sudden rise in his body temperature in the slightest. He couldn’t control his shakes, making the Harlequin smirk, knowing that she had the Puppetmaster all wrapped around her finger.

He didn’t know what came over him, because now his own hands were making their way onto her thighs to pull her closer to him entirely, the other shakingly placing itself onto her shoulders and he could feel the way she sighs contentedly against his touch. He exhales a shaky breath himself, attempting to steel himself.

“M-my dear, a-are you positive that… that is what you’d like?”

It was better to be safe than sorry. She sits up straight, and for the first time, he regrets ever asking that question in the first place.

“Actually…” Her voice trails off playfully, while she stands up. “... Maybe I’d like something more.”

It only took her a finger underneath his chin to pull him as she leads him to a nearby wall. As if his own body had a mind of it’s own, he pins her in place with both arms adjacent to her head. His face leans in closer and closer to her with eyes closed, and she’s leaning up close to him, fully ready to accept his advances.

Pomni’s soft lips met his teeth, and Caine could smell the faint traces of grass and sweat rolling down from her synthetic skin, evident of her hardships from the recent battle. She wrapped her arms around his neck, and his loops around her waist to pull her closer, while the other cups at her face intensely. He savored her mouth as their breathing became heavy and fast-paced, only breaking apart for a mere second, gasping for air before delving back in to their desires.

Desire…

Quite the accurate depiction of how Caine truly felt for the Harlequin at this moment. He couldn’t quite decipher when this had started, though.

As if her intentions were to pry him away from his overbearing and unnecessary thoughts, Pomni pushed him away to pin him to the wall this time, continuing the liplock. He grunts from the impact, but gladly returns her enthusiasm with fervor as he loops his arm around her back, pulling her flush to him once more. Her hands made their way to the lower sides of his jaw to caress so gently, and he finds himself melting at every contact their touches made.

Without breaking the teeth-on-lip-lock, he steered their bodies onto the direction of his desk, leaving the Harlequin laying on it as he loomed over her, ravaging her mouth once more like the touch-starved man he was. He adjusted her thighs just enough to make room for him without making the position uncomfortable for the both of them, their heated make out session felt like it could go on forever as he gripped her waist tightly.

It felt like if he let her go, she would disappear all of a sudden. And he didn’t want that.

He made sure to not lean too much of his body weight onto her by propping himself up with his elbows, both hands find themselves cupping her face to keep her in place as her hands trailed all the way up from the lower arms to his shoulders to do the same to him. He broke the kiss to gasp for air, a string of saliva being the clear proof of their heated action, but quickly delved back into the riveting sensations of their activity. 

Her touch against him were like magic; every contact sent shivers and jolts down his spine as she switched from holding his shoulders to holding his chest just above where a collarbone would traditionally be, pushing him away to let herself up. For a nanosecond he thought that maybe he went a little too far with his advances, until she disproved his theory by shoving him to one of the nearby long couches, only a pillow to cushion and soften his landing onto the furniture.

Quickly making up for lost time and contact, she quickly crawls to straddle his waist, clutching the back of his head to make him look at her, and her only. His hand found itself gripping at the back of her waist tightly once more, the other clutching her own head just to make sure she’s still there with him. Both were panting heavily, the room temperature very much heated as a result of their affairs.

His eyes looked at her longingly as he breathed heavily. “Pomni… I… I don’t think I want this to end.”

She flashed him a consoling smile.

The alarm rings, deafening the surroundings as he jolts awake, falling from his chair comically with a loud, slightly high-pitched scream emitting from his throat. He groans from the headache he had received from the impact to the ground, clutching at the top sides of his jaw, as he leans his head onto the desk for support.

His false heart was beating faster than when one would run; His face was flushed and he frustratingly ignores the heat from the rest of his body with a grumble.

He shifts his eyes to look around. Nothing’s changed. Everything was the same since Bubble left to do his daily chores.

He shakes his head and slams his face down onto the elegant desk, groaning depressingly and half-sobbing.

What the fuck? Was… WAS IT ALL JUST A DAMN DREAM!?

Oh, he could scream and cry into a pillow right about now. But the panicked angry screaming of a certain someone being bothered by the recent addition; the Ragdoll Mannequin that was “Ragatha”, suddenly grabs his attention. Now, he’s looking outside into the manor grounds from his office’s windows with a tired and questioning gaze.

“GET THE FUCK AWAY FROM ME!”

“But Mistress! You still haven’t tried out my trademark cookie recipe!! It’s GUARANTEED to be your instant favorite!”

“STOP CALLING ME MISTRESS! FOR THE LAST TIME, I DON’T CARE, GET THE FUCK AWAY-”

Caine sighed disappointingly to himself, dragging his hand across his eyes.

God fucking dammit. He actually feels something for her.

══════☸☸☸════════════☸☸☸══════

I would say I'm sorry, but we all know I'm not. :)

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[bunnyboy-juice]

bunny butt: shiny edition ✨

[op is a femme dyke, he/ze/bun pronouns]

[skitskatdacat63]

I've decided to do myself what the cowards at Aston won't. Behold.

[aliasknives]

what people making those “hot gortash” mods fail to understand is that a huge part of the appeal is that he kind of looks like shit

[pondslime]

What do you want from me? What have I done? I'm just a word processor, for Christ sake!

Griffin Dunne as Paul Hackett AFTER HOURS (1985) dir. Martin Scorsese

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[misty-slays-blog]

So I was seeing some friends who are casual viewers yesterday. They're all watching the second season but haven't seen episode 7 yet. I teased that two characters were going to kiss so they all began speculating and literally all of them were like "Galadriel and Sauron?? 😃😍".

So yeah Amazon please take notes, that's what casuals are thinking 🫠💀

On a side note, this was me during the entire conversation:

[graciousdragon]

OH MY FUCKING GOD

I JUST WENT TO MY LOCAL HOT TOPIC THAT I'VE BEEN GOING TO FOR LIKE. 5 OR 6 YEARS NOW RIGHT??

I GOT SOME MCR STUFF BECAUSE. OF COURSE. IF YOU'VE SEEN MY RECENT POSTING HABITS YOU KNOW. THE BRAINROT IS REAL

I WAS TALKING WITH THE CASHIER ABOUT THEM BECAUSE HE WAS ALSO A FAN AND HE FUCKING SAYS "you wanna know a fun fact? this is the hot topic the lead singer used to work at! :D"

FUCKING WHAT

GERARD WAY USED TO WORK AT MY LOCAL FUCKING HOT TOPIC?!?

AND AFTER I LEFT I LOOKED IT UP TO MAKE SURE HE WASN'T FUCKING WITH ME AND YEAH. HE WAS RIGHT. WHAT THE FUCK

SORRY FOR THE ALL CAPS THIS IS LIKE. WORLD-SHATTERING INFORMATION TO ME AND HE JUST DROPPED THAT SHIT SO CASUALLY WHAT THE HELL BRO. I NEEDED TO SCREAM ABOUT THIS SOMEWHERE