#also I'm sorry i had to do this

[itsthislake]

“Icarus.”

it's all about freedom really

Credit goes to An Sifakah for the poem. Enjoy!

Support me on Ko-fi maybe?

[heartorbit]

lets run to a new world together! ✨

[tempo-takoyaki]

Here is my fourth prompt for SVSSSAction and donated by @starry-stan-blog! Drawing this TianJiu prompt was super fun, thank you again for your donation (^^)/

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[floccinaucinihilipilificationa]

[penkura]

Zoro has come to want nothing more than for you and your children to be safe. He believes for the longest time that the three of you being on the Sunny, where he can protect you, is the safest place in the world, no village or city could be safer. Zoro believes that fully, up until your ship is attacked by enemy Pirates. No one is surprised when you take your children, who are barely two years old and nearly four months old, below deck for safety, even as they both cry from the sounds and you try to calm them down.

When it's all over and he goes to retrieve the three of you, there's a strange feeling in his chest and a thought in the back of his mind that hits him when he sees you coddling your toddler and infant, both of whom are still fussy and upset, but your son starts to relax when he sees Zoro there and knows everything is okay, quickly running to be held in his dad's arms. He lifts him easily, your two year old burying his face in his neck, still crying just a bit, and the face you give him tells Zoro you have the same thought.

This isn't a safe place for children.

The two of you have several discussions the days after, on what to do now that your two little ones have had to experience the reality of living on a pirate ship so early on. Eventually you decide that it's best if, at the next island you dock at, you take your children and leave for some time, to give them a chance to grow up without fearing for their lives. Most places you visit are receptive to your crew, they welcome you all happily, and you fully believe the next island will too, based on things you've heard about it. Zoro only agrees because he wants you to be safe, you and your babies, he doesn't want anything to happen to any of you, not now not ever.

He doesn't fully accept that idea until a few weeks later, when you've left the ship with Nami and Jinbei, and have Zoro stay with your napping babies. The thought has been nagging him ever since that last attack against your crew, since he's been watching your kids grow a little more. Your son has been attached to Zoro ever since, especially when he wakes in the night, calling for him like he's had a nightmare (he probably has, Zoro realizes), while your daughter has been fully calm ever since, sleeping and nursing normally, she doesn't understand what happened and won't for several more years.

When you get back later, you find Zoro still watching them sleep, like he hasn't moved at all, lost in thought as you sit beside him. You lean against his arm, and he acknowledges you with a slight grunt and nod, before you start talking.

"I found a place we can stay."

"Yeah?"

"A small house right inside the town, the landowner is willing to let us rent it."

"That's good..."

The rest of the crew helps you pack that night, Luffy has agreed to letting you and your children leave for a time, at least until they're old enough to defend themselves, though you aren't sure you'll return. He understands that too, saying they'll always come by no matter what, as often as they can, with a grin on his face that eases you. Zoro plans to stay with you a few days more, while the Sunny is docked, and even tells you he'll take leave until you're comfortable, but you don't want him to waste time. It's not fair to him, or the rest of your crew, so you promise him that you'll be fine, the three of you will be okay.

But when those few days are up and it's time for everyone to go, you're starting to regret your decision, especially as your son cries and holds onto Zoro's leg, telling him to stay. It breaks both your hearts, and your daughter starts to whine while in her carrier on your chest.

"No go! Dada stay!"

When he finally looks down at your son, Zoro gives him a small smile as the toddler looks up at him, tears and snot running down his red face, before he picks him up and starts to wipe the tears away.

"Now that's enough. I'll be back."

"No...no go!"

"Hey now, you're a big boy, aren't ya?" Your son starts to quiet, nodding just a little, before Zoro sets his forehead against your son’s, "I need you to do something for me, all right? I need you to take care of your mama and baby sister until I get back, okay?"

He sniffles but nods again, before hugging Zoro around the neck.

"Miss you..."

"Yeah...I'll miss you too, buddy."

Zoro sets your son back on the ground after a few more minutes, before leaning down to your daughter and kissing the top of her head.

"Gonna miss you too, princess, be good for mama," you've been trying not to cry, for your children really, but you almost join in the tears when Zoro hugs you next, "I'll miss you the most. Be safe, all right?"

Nodding, you smile just a bit, leaning up to give him one more kiss before he leaves.

"I love you, we'll see you when you get back."

"I love you, too. I'll be back as soon as possible."

"I know you will."

Your son waves the whole time he can see Zoro leaving, only stopping when he's no longer visible, then looking up to you.

"Dada back..."

"Yeah," you smile and take his hand, starting to lead him back inside your rented home, "Dada will come back, just like he said."

[theloveinc]

OlderDad!Bakugou who gets a haircut and his baby doesn't recognize him and he doesn't want his dad to pick him up 😭😭😭😭😭😭

Bakugou has a cry in the bathroom and you have to spend the rest of the night consoling him.

Also Hiiiiiii, miss u, hope youre gooooood

head in my hands bc of this, just thought abt bakugo growing out his hair a little bit right after baby's birth...takes him months to go and get a real haircut cuz he doesn't wanna burden you more than he already has and by the time he's okay with the thought (but only for "AN HOUR MAX," is what he says), he has a mullet thing going on and all this scruff on his chin🥺🥺🥺

so he gets home with his regular ol' haircut, maybe a little shorter just to account for ... not wanting to go again so soon, and baby's HOLLERING bloody murder as soon as they see him and refusing to be taken out of your arms, doing that thing where they're flipping their face back and forth to dodge a kiss...

it's so tragic bc not even a little cheek nuzzling helps to calm them bc bakugo's CLEAN SHAVEN and smells like aftershave instead of like dad when he tries!!!!!!

and after, you watch him kinda sulk into the bathroom, thinking like aw yeah thats a bummer but also pretty funny, too (esp bc the haircut does look good🫣🤓), AND HE DOESN'T COME OUT FOR LIKE an hour???

....until you finally have to ask him if he's okay in there and you're opening the door to him sitting on the toilet seat, arms crossed and red cheeks a little streaky with tears...

LJFKASDJFADSJK it's the cutest, most sad sight you ever did see!! ofc Bakugo tries to deny it, but the way he tears up again (after you're done assuring him he did nothing wrong) when his baby finally realizes it's him and smiles (and then how he refuses to give them up again until bedtime) has his ass. EXPOSED.

(i love and miss u more than air, earth, water, dirt + HOPE YOU'RE GOOD TOO BESTIE ILY)

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[thesunisatangerine]

playing for keeps – chapter three

alexia putellas x barçakeeper!childhoodfriend!reader

warnings: coarse language, light angst

(a/n in the tags) [chapters: one, two, three]

word count: 8.8k

[1]

Just before you turned thirteen your body, finally, began to change. 

While Alexia’d gone ahead of you a year prior—with her limbs now lanky and sinewy, and her muscles stretched close to the newly grown bones—you were left behind. She’d grown taller, yes; not by much but the two-inch difference (two and a half, as Alexia was always inclined to remind you) felt like a foot to you. So the change was welcome when it finally started, and more importantly, it happened to coincide with something that completely altered the trajectory of your life.

During the spring after your birthday, your father got a promotion at work. To celebrate this milestone, he took you and your mother for a trip around Europe. And as a gift for your hard work and for getting into La Masia with Alexia just a few months before, your parents surprised you with tickets to at least one game in the country, or area, you were visiting. 

In Gelsenkirchen, Germany, you found your destiny. 

Or at least that was how you liked to look at it. 

Before seeing the match between Schalke 04 against Stuttgart, the idea of keeping never entered your mind; you’d played forward your whole life, and you thought that would be the position you’d play in professionally. But as you saw Manuel Neuer controlling the outcome of the game with his hands, a spark ignited within you—this overwhelming surge—and right there and then, you were enlightened to the art of keeping. That spark returned home with you and, playing into the hands of fate, your journey to keeping began.

[2]

The crescendo of the cicadas’ song was this close to lulling you to sleep. It didn’t help that Alexia’d curled herself up beside you in your bed, her head on your lap while her math notebook laid forgotten at the foot of the bed, and her eyes already closed. It was a rare occurrence for the both of you and even more so for Alexia to ‘slack off’—if you were to put it as Alexia had—but this afternoon was a particularly hot one. Summer had practically bled into spring, and even someone like Alexia clearly wasn’t immune to its soporific effect. 

The numbers from the homework you were working on began to blur when you heard a knock downstairs. Out of curiosity or just surprise, you snapped awake. And so did Alexia, apparently.

“You expecting someone?” Alexia yawned, stretching out her long limbs before settling over to her other side. The movement made a lock of hair fall to her cheek which you brushed away with the back of your finger.

“No, it’s probably Mamá’s.” You hummed in answer, relaxing down on your pillow to finally chase that nap that continued to tempt you.

But then came your mother’s voice, “Guille! Hello, my boy! How are you?”

Alexia let out a startled yelp when you jumped out of the bed, now fully awake, tripping on the rug as you rushed into the closet. 

“What the hell? What are you doing?!” Alexia hissed with annoyance but you were too busy trying to get changed to address it. 

You snatched the closest pair of shorts and jersey shirt, and began to shed the ones you had on before you slipped the fresh ones on in quick succession. 

As you did, you began to explain, “I completely forgot! I was supposed to meet up with Guille today!”

When your head popped out of your shirt, you found a deep crease between Alexia’s brows. She was sitting in the middle of your bed, cross-legged, looking very much like a disgruntled cat woken from a nap with the way her hair stuck out in odd places. 

She looked adorable. 

You bit your tongue before you could say it.

Crossing her arms, Alexia retorted, “Why? It’s Saturday.” 

The tone she used made it seem that today being a Saturday was a valid enough reason for you to not go. 

“And it is because it’s Saturday—and no training, Alexia—that I can go with him.” 

At that, her frown only seemed to deepen. You had half a mind to tease her but you knew that’d probably just piss her off even more, although if you were being honest, you didn’t understand just why this seemed to bother Alexia so much.  So instead of teasing, you tried a placating tone, “You could come with if you want?”

Alexia opened her mouth, “I—”

Your mother’s shout cut through the air. 

“Honey? Guille is here for you!” 

You sent Alexia one last apologetic glance. 

“I’m really sorry! Please stay for dinner! I’ll be quick!” 

And with a quick hug goodbye, you rushed out of your room and practically flew down the stairs. At the bottom, you found Guille leaning against the bannister, hands in his short pockets, with a small rucksack on his back who, upon seeing you, gave you a bright smile.

“Hey! You look—” He began but then suddenly, his eyes darkened and the quirk of his lips turned upside down, his tone flattening, “Oh. You’re here.”

In the same second you noticed Alexia beside you, Alexia’d slung an arm over your shoulders.

“Lovely to see you as always, Guille. And I could say the same about you.” Alexia deadpanned, flashing Guille a smile full of teeth, her eyes void of any warmth as she stared at him down her nose. Then she turned to you, her face lighting up as she asked with a little too much excitement, “So, are we going or not?”

“Wait, she’s coming with us?” Guille blurted out, but before you could even answer, Alexia left your side and ran down the steps. 

“Of course, Guille! Come on, keep up!” Alexia exclaimed on her way out of the door, tapping Guille’s stomach as she did—not without force apparently with the way Guille expelled air out harshly. 

When you got to him, you placed a comforting hand on his shoulder. 

“Are you okay?”

He let out a strained, “Yes.”

You gave Guille an apologetic look, grabbing your ball bag. 

“I’m really sorry for the last minute change. I’ll make it up to you.”

Still clutching his stomach, he said, “Don’t worry about it.”

The three of you got to the field near your place—which you were glad to find empty—without any more incidents. You were faced with another problem as it was only after you’d begun warming up that you realized that in your haste to leave, you forgot to bring water with you. When you told Alexia, she offered to go to the nearest corner store to buy some.

You stretched as you waited for Alexia’s return when Guille suddenly said behind you.

“Here.”

Turning, you found him holding a paper parcel bag. You considered his outstretched hand with curiosity before you met his eyes, taking the bag from him slowly. “What’s this?”

“Just a little something to get you started,” he answered, scratching the back of his head. “You said you wanted to keep, so I thought you’d need them.”

Peering into the bag, you gasped at what you found inside. 

A new pair of keeper gloves.

“Guille, you didn’t have to!”

He shrugged, smiling, “Yeah, but I wanted to anyway.”

“Thank you! Come here, you big baby!” You laughed, throwing your arms around him. Unlike Alexia, Guille was only taller than you by mere centimeters so it was relatively easy to ruffle his hair as you pulled away. 

“Mess up my hair again and I won’t teach you anything,” He threatened with a faux glare as he swept his fingers through his curling locks in an attempt to tame them. 

You rolled your eyes, grinning at him. “Okay, Antonio Banderas. So, what are the basics?”

He imitated you, rolling his eyes before he shook his head slightly, his smile never leaving his lips. Then he pointed to a spot by the goal line. “Put your gloves on and stand right there.”

You did, noting the way your new gloves fit perfectly over your hands and fingers. It felt different—stuffy—and you could already feel your palms beginning to sweat from the trapped heat. When you stood where Guille pointed, he walked around you all the while he instructed you to correct your posture: he told you keep your feet shoulder-width apart, to bend your legs slightly so that your chest was just past your knees, and to hold your palms facing out. 

“The main thing to worry about starting out is your stance. It will take time to get the balance right but once you get it down, you’re set.”

“Is this alright?” 

Guille took a step back and he gripped his chin as he hummed. After a moment of scrutiny, he nudged you back suddenly. It wasn’t quite forceful but it made you tumble down on your rear all the same. 

You smiled at him sheepishly, getting up. “I guess that’s a no?”

“Yep. It looks like you keep your weight on your heels too much.” He crouched down at your feet, drawing a square over the front half of your foot. “Keep your weight spread out around here and you should—”

Guille scrambled back suddenly, yelping as a football went flying past where he was just a second ago and into the net. Turning to the direction where the ball came from with your mouth agape, you found Alexia there with water bottles clasped to her chest, an eyebrow raised, while one corner of her mouth was set in a bemused droop, another ball rolling beneath her left foot.

“What the hell was that for, asshole?!” Guille shouted as he stormed his way over to Alexia. He was in front of her now, looking up at her with flame in his eyes but Alexia remained unfazed. She put the water bottles down before she settled her hands on her hips, cocking her head slightly to the side. 

“I’m sorry, Guille. I didn’t see you.” Alexia said flatly, “And aren’t you supposed to be playing keeper?”

“Really. You didn’t see me? Besides—”

“Ale, I asked Guille to teach me.” You huffed, running in between them and separating them with your arms before things got out of hand—again. 

This wasn’t the first time this… row between them happened. In fact, you noticed it’s been occurring more frequently lately. For all their similarities—the main one being their short tempers—the two never got on well together for reasons you never really understood and the only thread that tied them together was you. 

They weren’t always like this though; they were nice with each other the first time they’d met. Guille transferred to your school not long after you’d joined Sabadell, and if you and Alexia were inseparable there, it was always you and Guille at school. And when an opportunity arose for your two favorite persons to meet, you took it. It went well; they were friendly with each other. You only noticed things had changed after you and Guille’s school team started playing against Alexia’s so you were never sure when this all started, and by that point, the friction between them was too great to smoothen out which both saddened and disappointed you.

And it wasn’t like you never tried to get to the bottom of it. You’d asked them what happened, they both gave similar answers. By that, you meant completely avoiding answering. 

Guille’d assured you, “I don’t know what you’re talking about, we’re friends? Don’t worry.” 

While Alexia’d said with a confused frown, “What do you mean? Nothing happened.” 

And when you pestered her, asked her if the reason was because she liked Guille as a joke, she looked at you without reply, and when next practice came, she made a nuisance of herself enough to let you know the answer to your question and more. 

And here you were again, with them acting like this–always at each other’s throats. 

At your answer, Alexia looked at you, confused. “Why would you ask him to teach you how to keep?”

Your gaze lanced away as you bit your lip.

Maybe you should’ve told her after all… 

Mustering up the courage to meet her eye again, you replied, low and serious. “I want to start playing keeper, Alexia.” 

Alexia blinked, and then she crossed her arms before she eyed Guille who was scowling at her in return. She looked at you again. 

“Have you told Alejandro about this?”

“Yes.” 

“Oh.” A pause. “What did he say?”

“I’ll still start as a forward. But he said he’ll put in some extra technical sessions for me starting next week which was why I asked Guille to help me get started. Alejandro said if I get good enough, he’ll see if I can start as keeper for the team.”

An uncomfortable silence settled over you three. 

You caught Guille’s eyes darting from you to Alexia and back again from the corner of your eyes but you remained focused on Alexia’s face. At a glance, Alexia might seem calm—impassive with the way all of her features remained flat. But her eyelids drooped just so they hid more than half of her pupils, how her lower lip was slightly concealed beneath the upper one; she was pissed and even worse, she was hurt. And knowing that you’d hurt her was enough to compel you to reach out and touch her arm, apologetic.

Alexia regarded you for a moment longer. Another word of apology was on the tip of your tongue when she finally sighed, the corner of her lips tilting up to a half-smile as she spoke softly. “Okay. How can I help?”

You couldn’t help yourself. You threw your arms around her and it felt like a weight was lifted from your chest upon hearing the chuckle she let out.

The next couple of hours were spent with the three of you working together: Guille by the goal who continuously gave you notes and instructions, while Alexia—upon Guille’s signal—would send some shots to the net so you could try and stop them. The first… fifty or so shots went right past you—going easy was never exactly Alexia’s strong suit—but the more you focused on getting the timing right and reading the language of Alexia’s body to anticipate the direction of the ball, you ended the session with a few decent saves. 

It was a rough start but you were satisfied with it.

You’d left to use the restroom but upon coming back, the two of them were bickering once more.

Oh, no. What was it now?

You heard more of their words the closer you got, but you didn’t have to move too close with the way they were shouting.

“Come on, dude! Please, don’t tell me you’re still pissed off about that? It was a fair match!”

“How was that fair, Alexia? The two of you playing together is never fair! You’re both in La Masia for crying out loud! And even more importantly, she was supposed to be on my team! That was the original plan, but you went ahead and took her away!”

“What made you think I took her away?” Alexia crossed her arms, scoffing. “Let’s face it. She likes to play with me more than you.”

“You don’t know that!”

That was the moment Alexia spotted you and before you could even get a word in, she said, “Why don’t we just ask her who she’d rather play with?”

Two sets of intense eyes looked your way and without meaning to, you gulped, taking a step back.

“So? Who would you rather play with: me or her?” Guille asked, eyes wide and pleading. 

Suddenly feeling like you were backed into a corner, you stammered in your panic, “Umm, I—”

[3]

Alexia stayed over for dinner that night. That was normal; what was unusual was she left you alone to do the dishes. You had a feeling where she might be, especially since she’d been mostly quiet throughout the whole evening.

After you put away the last dish in the cupboard, and when your arms were finally free from suds, you took a peek into the living room. She wasn’t there—a confirmation of her whereabouts.

Putting on your flip flops, you headed out of the back door. 

The light from the living room casted a faint glow that dissipated the darkness around the garden when you opened the door that led out to it, aiding you just enough to see Alexia on the swing, sitting still with her back hunched forward. Once you were just a few paces behind her, you saw the contours of her headset, but even with them on, there was no way she didn’t know you were there—the fact that your shadow stretched to reach her before you did was a dead give away. Yet still, she made no move to acknowledge your presence.

Okay. That was fair.

“Ale,” you said softly. 

She gave you a glance before she went back to looking down at her clasped hands. 

“Alexia, come on.” 

Still no response. You fiddled with your thumbs as the moment dragged on. 

You sighed, sitting down on your heels next to her.

“I should’ve told you about the keeper thing,” you muttered. “I wanted to get a feel for it first, to get a bit better at it before I told you. But I didn’t consider how that would make you feel… and I’m sorry. I’m sorry for making you feel that I didn’t want or need you by my side, Alexia. I wanted you to think I was good enough for this.” 

Finally, Alexia turned to you, taking her headset off, the movement barely above a whisper. And softly, she spoke, “What made you think that I’ll think you’re not good enough for anything?”

“I don’t know.” You admitted, pulling at the grass in front of you. Your mother would probably see the hole you’d made on the lawn and berate you for it in the morning but you needed something to keep your hands busy. “I just wanted to go through this without too many expectations. And it’s not like I don’t want to keep our dynamic going. I love playing forward with you, Alexia, but I think keeping is my calling, just like midfield is to you.”

“You don’t have to apologize. I completely understand. You didn’t want any added pressure. I’m not going to hold that against you.” 

“Thank you,” you smiled at her. Then, “So, tell me why are you sulking?”

“I’m not sulking!” Alexia huffed with indignation. Then she looked away again, working her lower lip between her teeth.

You put a hand on her knee. “Alexia, what is it?”

“I…” Alexia sighed, brushing the bridge of her nose with her thumb. You gave her another moment. She heaved another breath before she began.

“That thing you said… Did you really mean it when you said you’d rather play with him than me?”

Oh. So that was what this was about.

“Of course not. We both know it’s always going to be you, Alexia.”

“Then why did you tell him that?”

“I feel like if I didn’t, I’d lose him as a friend.”

“And you’re not worried about losing me?” Alexia cried out, her tone inflected while her eyes reflected her hurt.

You blinked at her. 

There were moments—just like now—where you’d feel a sudden urge to shake Alexia. For all her sharpness and unmatched awareness, she sometimes failed to see even the most obvious of things. Couldn’t she see that you loved her and that you’d follow her to the edge of the earth if she asked you to?

At the absurdity of her question, you really couldn’t help but laugh. You stood up and shuffled behind her before you threw your arms around Alexia’s neck, draping yourself over her broad back, which made the swing move forward. The dampness of her hair felt cool against your cheek, the scent of your shampoo that clung to them filled your senses as you chuckled into her ear. 

“Why are you laughing? I’m serious!”

“Because, Alexia, do you hear yourself? I love you, you idiot!” You giggled again. “I know our friendship isn’t that shallow that I’d lose you over this. Or am I wrong?”

Alexia turned her head and you saw a hint of a smile on her lips. “No, I suppose not.”

A pleasant silence blanketed you both. And then Alexia hummed.

“But if there was something that could break us, what do you think it would be?”

You stopped to ponder, twirling a lock of Alexia’s hair with your finger, noting her hair was nearly dry now. When your mind drew blank, you replied nonchalantly, “Honestly, I have no idea.”

“Good.” Alexia leaned away so she could give you a lopsided smile—an earnest one. “Because me neither.”

[4]

“—you okay?”

You blinked and turned to Alexia. “Hmm?”

She glanced at you for a moment before she turned back to what she was doing, sleeves rolled up as she scrubbed a plate in the soapy water in the sink.

“I said, are you okay? Is there something wrong? You’ve been out of it since practice.” When a moment of silence lapsed, Alexia added, “And don’t think I didn’t notice you on your swing the past few days, too, because I did.”

You looked out the window and watched how the rain sluiced down the glass pane. In the darkness behind the window, you saw glimpses of soaked, curly locks and heard the hasty confession all over again.

You sighed, blinking the memory away.

“Guille asked me out.”

The sound of glass shattering and metal clanging made you jump, and you watched as a casserole pot twirled like a top on the hard, kitchen floor, while fragments of a broken plate skittered out to different directions. 

“Oh, shit!” Alexia cursed, looking down at the mess, while a voice called out from the living room. 

“Alexia, is everything alright in there?'' Came Eli’s voice. A few seconds later, Jaume’s head popped into the kitchen. He glanced at you then his eyes settled on Alexia who was crouched down, looking up guiltily at her father.

“Are you okay, girls?”

“Yes, Papá. I just… dropped some stuff.” Alexia said. You crouched down, too, about to pick up a fragment when Jaume spoke.

“Don’t pick that up, love, you might cut yourself. I’ll do it.” 

Jaume shooed the two of you to a corner he deemed safe and the both of you watched as he picked up the pieces, throwing them in the bin by the back door. Afterwards, he gave Alexia a kiss on her temple, and you a hug and a ruffle to your hair, as he retired for the evening, leaving the two of you again in your own company. Alexia went back to the sink to finish up whatever was left, and you returned to your place on the counter beside her. 

The silence that intruded was cut short by Alexia when she cleared her throat, “So… what did you say?” 

“I haven’t said anything, yet,” you sighed again, looking back out the window, the questions coming back full force. In the eight years you’d known Guille, how long had he harbored those feelings for you? When did it happen? What did you do to make him feel that way?

“Do you like him?” Alexia’s question brought you back to the present.

“I don’t know.”

“Do you want him?”

“Isn’t that the same thing?” You laughed slightly, glancing back at Alexia who shrugged her shoulders in answer.

“No, I don’t think so. Desire is a drive, like it makes you want to act. Attraction is just… I don’t know how to explain it, but it’s a weaker feeling. And they complement each other but they’re not the same.”

“And you know this how exactly?” You asked her teasingly, a brow raised.

Alexia averted her eyes, and shrugged your question off with a laugh.

In the moment of silence that followed, you traced Alexia’s profile, and your gaze ended at the elegant curve of the bow of her lips. She looked so pretty casted in the candescent glow of the kitchen light that it made your chest ache just by looking at her. You dropped your eyes to your feet as your mind ran faster than before this entire conversation happened.

Clutching your arms tightly across your chest, you muttered, “I don’t know what I want.” 

[5]

Maybe hoping it would all turn out fine was a bit naive because naturally, Guille didn’t take your rejection well. It was your fault really for expecting otherwise but nevertheless, the inevitable discomfort of disappointment settled like lead in your gut. 

The thing was, you were ready to give Guille the space he needed to accept your boundaries—friends, or nothing at all—and to heal. But accusing Alexia of making you turn against him? Now, that was something you couldn’t let pass. 

He knew he’d crossed a line, too, with the way he kept avoiding you. At first, the silence didn’t bother you; he was hurt, after all. But when the apology never came, you understood that you’d be going through your last year of high school without your closest friend there by your side.

A fortnight passed without any word from him so it surprised you when he showed up at the local meetup that the three of you used to go to. He refused to meet your eyes but he had no problem leveling with the glares Alexia kept giving him. And when you ended up in Alexia’s team, the only sign of his distaste about it was the way his lips flattened to a line. He looked like he was about to say something, but with a slight shake of his head, he turned around and made his way to his teammates.

With one last look at Guille’s retreating back, you tuned back in your team’s conversation.

“—doesn’t need to play keeper. We need her more in the offensive.” Alexia said evenly but when you met her eyes, there was a clear question in them. 

You gave her a slight nod to let her know you were okay. 

She nodded back.

“How will that work? She’s the better keeper.” And then Marco added, “No offense, Julia.” 

Julia only shrugged carelessly, a gesture of nonchalance.

“Julia is perfectly fine and besides, with you, Benji, and Carmen, our backline is already strong. The four of you together lessens our chance of conceding.” Alexia paused, looking over her shoulder to the other team before she faced you all again, continuing, “Our priority is the offensive. What good is a strong backline if we can’t counterattack? That’s why I’m suggesting she play as forward in the meantime, while Martina and I will play as interiors. Does that make sense?”

A collective nodding occurred.

“So just to clarify, we’re playing three–two–one?” Benji asked.

Alexia hummed, nodding her head. “Mostly. If we find the space and some opportunities, we can easily do three–one–two.”

“No pressure on us defenders, right?” Carmen said with a laugh, if not with a hint of nerve. 

Everyone laughed but at the end of it, Alexia placed a hand on Carmen’s shoulder. “No pressure because you guys, as I said, are very strong. You got this.”

Carmen smiled at Alexia at that, nodding before she finally moved to her spot. As you and Alexia moved towards the middle of the pitch, Guille was introduced to your line of sight, and a weight pressed in your gut. Disappointment? Perhaps. Or maybe you just actually missed talking and hanging out with him.

Alexia’s teasing tone pulled away your attention from Guille.  “I hope you haven’t forgotten how to play forward from all the keeping you’ve been doing.”

“Four years of keeping against the five years of playing forward? You need to brush up on your math ‘cause I think you’ve forgotten how to count.” You said dryly, giving her a look so dirty that had her throwing her head back in laughter.

Alexia leveled you with an unimpressed look but her tone remained playful. “You are such a bitch sometimes. You know that, right?”

“Thank you. I do try, you know. It’s my only defense against your smart-mouth.”

“Stop denying you don’t like my teasing.” Alexia waggled her brows as she smirked. The way she looked just then—with both hands on her hips, the ball beneath her left boot—your throat dried, heart racing; a sensation that’d familiarized itself to you during its recurrent visits over the past few weeks. Your mind blanked out, clear as the white of Alexia’s shirt, and when no words came to you to retort back, you shook your head and just laughed. By the time the game started—or maybe it was because it started—the feeling finally went away, replaced by the adrenaline that shot through your veins the moment Alexia kicked the ball to you.

It proved to be a tight game. The main strategy of the opposition seemed to be to mark and shut you and Alexia down whenever the ball so much turned your way. Alexia was right to trust your backline: any counterattack from the other team was dealt with immediately, and Julia only needed to save a handful of shots that passed through your defense, which she handled well.

At last, your team finally made a breakthrough.

Alexia cut a diagonal through the box, taking two of the defenders as she did, freeing up the space just behind her. You knew what she was doing so you faked a sidestep, turning quickly to lose your marker, before you sprinted in towards the middle of the box. And as you anticipated, Alexia sent the ball back to you with a flick of her heel. Now, if you could just—

The ground tilted, and there was a moment where the whole world suspended. It lasted for less than a breath before everything—the sensations and sounds—came rushing back in.

You slammed to the ground. 

Air was squeezed out of your lungs from the impact, while your skull and teeth rattled within the confines of your skin; the taste of green, earth, and copper spread on your tongue. Muffled shouts and grunts filtered past the ringing in your ear but when you cupped a hand over your tender ribs, your resulting groan was all you could hear.

When you finally came to, Alexia’s face was over you, the doubled image of her finally merging into one. Her wide, hazel eyes looked on you with worry and you felt the warmth of her fingers as they grazed over your face: from your temples down to your cheeks which she took in a gentle cradle.

“Alexia?” You let out another groan as you turned on your back while Alexia helped you.

“Tell me where it hurts.”

There was a tension that constricted around the front part of your head, but you could feel the blood pulsing most on the side that collided with the ground. “My head… it hurts.”

“Okay, okay. Just lay down for now, I’ll get you…”

You seemed to have passed out after that because one moment you were lying on the fields, and the next you were beside Alexia on her living room couch. You had a vague recollection of being carried on Alexia’s back, but the feel of the strong plane of her shoulder against your cheek remained there, warm and comforting. 

And only then, after Eli gave you ice for your head, did you see the bruise that bloomed deep in the skin of Alexia’s jaw, just below her left cheek, and the scuffed knuckles of her right hand which were splotched with deep reds and purples.

You took her hand onto your lap, gently running over the ice for your head over her knuckles, while you looked at Eli sitting on the opposite couch with Jaume beside her. Eli’s face burnt redder than you’d ever seen before, while Jaume held onto her hand, circling his thumb over the top of it in an attempt to calm her down.

Alexia remained quiet the whole time, eyes casted down as she took her mother’s reprimanding words. There was the unmistakable shine of shame in them, her guilt, but also an unwavering quality that stood for what she did. At the end of it, Eli and Jaume hugged the both of you before letting you retreat into Alexia’s room as you waited for your parents to arrive.

Instead of getting on her bed with you, Alexia plopped down on the floor just by the foot of the bed, her back against the wooden bedframe. You regarded the back of her head, her neck curved downwards, and you suddenly felt the need to be close to her so you shuffled off her sheets, and got down beside her. 

“Thank you, but your mother was right, you know? You shouldn’t have done it, Alexia.” You mumbled, unfurling her fingers to rest on your knee so you could access more of her knuckles that way. Gently, you placed ice over it, but she still hissed in pain. “You shouldn’t have punched him.”

“Why not? He deserved it.” Alexia said evenly as she stared at the far corner of the room. “And before you start defending him, you didn’t see what I saw—what the rest of us saw. He didn’t even touch the ball—it was all feet. He meant to trip you up.” 

Warmth bloomed in your chest at her words—at how her action showed just how much you meant to her—but the discomfort in your gut marred the surge of your affection for her. 

You took a deep breath, sighed it out, and it tasted like disappointment. 

“Alexia, I appreciate the gesture, I do. But you can’t just hurt people just because they did something to me.” 

Alexia puffed her chest and proclaimed, “I can.”

“Stop that nonsense, Alexia. I mean it.” Firmer now, you said, and there was a hint of desperation in the intonation of your words. There was an urgent need to make Alexia understand the gravity of what she did, what future implications it held if what Eli and you told her didn’t sink in now. “Actions like this can jeopardize you, Alexia, and all the things you worked hard for. Do you understand that? What will Alejandro say when he sees you all bruised up next practice? And if I get tackled dirty during a game and I get hurt, would you risk a red card, or suspension, for behaving like this?”

Alexia became silent, the muscle in her jaw working, and when she turned to you with her mouth open and you spotted a defiant crease in her brows, you were quick to stop her.

“If the answer to that question isn’t no, Ale, I don’t want to hear it.” The sound of teeth clattering filled the air. She casted her gaze aside again, her cheeks growing a shade deeper. “Look at me, Alexia.”

When she kept her eyes glued to the floor, you dropped the ice pack to take her face in your hands. She flinched from the coldness of your fingers but as you looked into her eyes, rimmed with redness and framed by drooping eyelids, you found exhaustion and the shine of apology. You brushed away a matted lock of hair from the tail end of her brow.

“You have a good heart, Alexia, but you have to promise me. Please don’t do something like this again. Ever.” 

Alexia looked into your eyes, deeply as if in contemplation, and then she closed them. A moment later, she sighed, sagging into your touch as if a weight had left her shoulders, before she opened them again. 

“I promise.” 

This time, you believed her.

Smiling softly at her, you whispered, while you placed a light kiss on her cheek. “Thank you.”

Settling into the moment, you rested your head against Alexia’s shoulder, her bruised hand in yours. In the brief silence before your father arrived to pick you up, Alexia spoke in an earnest tone that made your stomach flutter.

“I know you can handle yourself, but that won’t stop me from having your back.”

At her words, your heart felt like it would burst your chest open. And you should’ve known that this was where you’d end up—with her, it seemed inevitable anyway—because the years of you’d known Alexia flashed quickly before your eyes, and the memory stopped to this person beside you, haloed golden by the warm glow of her bedside lamp, and you were hit with a realization that took what little breath you had away.

You liked Alexia.

And, even more importantly, you want her.

[6]

When you got on the field in a Barça jersey for the first time after your return, you didn’t expect to be welcomed like you did. Jona subbed you on after the first half and as you left the tunnel, you heard the crowd chanting your name. The cheers made you feel excited, accepted and seen, but you’d be lying if you said that it didn’t pressure you at all.

It was originally intended for you to come on during the last twenty minutes, but seeing as Caro, Patri, and Alexia gave the team a comfortable enough lead, Jona decided to sub you on ahead of schedule. You didn’t see much action on your end though, something that you didn’t mind at all—a quiet defensive-third was the best kind. The midfielders kept the midline high to sustain pressure in the offensive-third, while the defenders maintained such a tight backline that any loose through-balls sent to the opposing runners were called offside. Of course, there were a handful of times when you needed to get out of your box to ping the ball back into the offensive, but other than that, it was quiet. When the match ended, you were satisfied that Barça had another clean sheet and four goals to add to the season tally.

For the celebration, you moved with your teammates around Estadi Johan Cruyff, and during the procession, you spied your parents, Eli, and Alba who was talking to a raven-haired woman you’d never seen before, clapping and cheering. Warmth filled you upon seeing your family in the stands again—such a scene was a luxury when you were in the States because plane tickets weren’t exactly cheap—and when you felt the familiar weight of Alexia’s arm slung over your shoulders, the fabric of her captain armband against the skin of your neck, it felt like a perfect homecoming.

Well, almost.

After you’d showered and changed to your casuals, most of the crowd had gone while some lounged about, one of which was the raven-haired woman Alba was talking to. When Alexia took her hand, you knew instantly, and your heart—damn your heart—dropped.

“This is Diana,” Alexia said after the both of them made their way to you. And if it wasn’t their intertwined hands that revealed what they were to each other, their gaze—saccharine when they met—made it all the more clear the nature of their relationship long before Alexia said the words, “my girlfriend.”

Diana beamed up at Alexia, her cheeks deepening in color before she regarded you again, sticking her hand out towards you to shake. Preceding the intention, you took her hand and when you did, Diana placed her other hand over yours, clasping your hand between her warm palms.

“It’s so nice to finally meet you. Alexia’s talked so much about you.” 

She did? Your eyes flitted to Alexia but when she shied away from that, you focused back on Diana’s face. She was stunning: with her high cheekbones carved to elegance, her brows following the perfect line of her temple, her full lips painted with a terracotta shade made deeper by the bronze of her skin, while her loose, straight, raven hair framed her face in such a way that accentuated the sharpness of her jaws. Her eyes were dark but still light enough to see the outline of her pupils, and they had an amiable shape that reflected her warm nature. And for some reason, her light brown eyes looked really familiar—

“Ah! My favorite cousin made it, after all! Although I’m not sure it was me you went to the game for!” Tori’s playful voice resonated in the near-barren corridor. Diana’s eyes flicked somewhere behind you—to Tori, you supposed.

“Don’t be like that, Tori, of course I came to see you, too!”

“Lies!”

Diana shook her head, laughing, as she took Tori in her arms. “Come here, you!”

In response, Tori said something in Portuguese that made Diana laugh. When they broke apart, Diana said, “Forget you? Never. Especially when I owe you one.”

“Owe her what?” Alexia asked with her brows creased with curiosity.

Diana took Alexia’s hand and squeezed it, looking up at Alexia with a gentle expression. “For giving us the chance to meet.”

“Damn right!” Tori exclaimed, putting both hands on her hips, as she grinned so wide that her dimple showed. Tori must’ve seen your confusion because she leaned in to whisper, “I brought Diana as my plus one for last year’s Ballon D’Or ceremony.”

You allowed your mouth to drop open before you smiled, letting out a small laugh that made your chest ache. “Ah, I see.”

“She kept complaining about going but now, aren’t you grateful I took you away from your precinct, Detective Beauregard?” Tori teased.

“She’s never going to let us live this down, will she?” Diana muttered dryly to Alexia but it was deliberately loud enough for all of you to hear. In response, Alexia threw her head back laughing. 

“You’re a detective? That’s amazing!” You said, impressed.

“Please, Tori’s exaggerating. I work in forensics. DNA analyst is the correct title.” Diana threw Tori a dirty look to which the other woman raised her shoulders in response. “It’s a whole different world compared to yours so—and please don’t let this get to your head, Tori—I am grateful I was able to step into it.”

Her eyes, still locked with Alexia’s, grew all the more soft.

“Get a room, you guys,” Tori said with a mock sound of disgust, and then she continued to mutter, “And to think that you’ve only been going out for four months… I don’t even want to think about how it will be like in another three months.”

At that, Alexia raised a brow and then, “Want to do some extra laps tomorrow?”

You and Tori knew Alexia was joking, but Tori being Tori, she spluttered, “That would be a hard no, Captain. I’ll just—Have a great night!” 

With that, she ran away, arms flailing behind her in an exaggerated manner as she hastily made her exit. The sight drew laughter from the three of you.

“We’re having dinner at Mamá’s, want to come over?” Alexia asked.

You shook your head, flashing a look at Diana, before you told Alexia,“Not tonight. I’m just about to head over to my parents’ as well.”

“Alright. But Alba’s going to ask about you, you know? I think she wants to hang  out with you.”

You laughed. “Tell her to text me. She’ll know what that means.”

“Is that something I should know about?” Alexia smirked.

Flatly, you retorted, “If it’s something that concerns you, I’d be telling you by now, right?” 

“You see what I have to deal with?” Alexia told Diana, almost whining.

Inching backwards, you said as dry as you could manage, “I’ll take that as my queue to leave, Alexia might start crying. She’s a crybaby, you know?” 

“Hey! I’m not—”

“No need to be embarrassed about it, Alexia. Be proud!”

Diana only laughed, saying, “Alright, kids, I think that’s enough for tonight.”

Nodding, you grinned at Alexia while she mouthed the word ‘bitch’ to you. In kind, you mouthed ‘smartmouth’ back. With a shake of her head and a smile, she gave you one last hug, and after a pleasant goodnight from Diana, the three of you parted ways.

You sent them a look over your shoulder, catching a glimpse of the watch around Alexia’s left wrist. It glinted as they walked together down the corridor, hand in hand, looking as in love as any new couple would. 

The sight made you smile, but it felt heavy, and as if the universe wanted to rub salt to the wound, you found Patri outside the locker room when you turned around with a look akin to pity in her eyes.

[7]

The next day, Guille stopped by at your place. He’d given you notice a few days prior but even still, the moment you saw him behind the door, you squealed like you were ten again from your excitement. After you hugged him tight—he made a choking noise when you did to tease you—you held him at arm’s length to see what changes the last few months had done to him.

He looked different. Gone were the long, dark curls; now sheared close to his scalp that left only about an inch of length, his hair retained their luscious shine, their color still as dark as night. 

His scar—the one just by the tail end of his left brow—that used to see little light from the obstruction of his hair, now stood apparent and without meaning to, the day he got it came back to you: the bruised knuckles, ice-cold fingers, and the warm blush of a lamplight.

 And your chest ached a little.

Leading the conversation to the living room, the two of you ended up ordering takeaways—mostly for Guille’s benefit because you weren’t about to subject him to your football diet—and as you ate, the two of you caught up.

Guille was close to finishing his dissertation—the biomechanics of concussion in sport and its neurocognitive implications—and he was both excited and fearful about what would come next. He then talked about his girlfriend, Iris, smittenly if you might add. She was actually with him in the city, but his mother insisted she steal Iris for the day for some quality bonding, and you laughed at the repertoire of stories he’d relayed in great detail about his mother’s teasing of their relationship.

“When am I going to meet Iris?” You asked with a teasing tone.

He rolled his eyes, “Well, since you’re actually staying in Barcelona this time, we can arrange that.”

A pause, and then, “Is Alexia staying here, too, or are you here by yourself?”

“No, it’s just me here.”

“Oh. I thought the two of you’d be rooming again like—” Probably seeing your change in demeanor, Guille cleared his throat as he ate his pasta a bit too eagerly. “Speaking of, how is she?”

The question was casual but you knew it was anything but.

“She’s doing good, if not a little stressed. Our first Champions League game is just around the corner after all and it’s against Chelsea, so.” You shrugged to complete your thought. You knew what he was asking but you’d rather not talk about that.

His eyes could burn a hole on the side of your head by the way he stared at you in the silence that followed. Then he sighed deeply.

“She still doesn’t know.”

Tension filled every inch of your body and you shrank tight as a coiled spring. You stood up as you felt a sudden urge to get away from him, taking the used plates on the coffee table as a pretense to move from the couch to the sink.

“What’s it to you if she doesn’t know, Guille?” You asked flatly, rolling up your sleeves after you turned the tap on.

“I just want you to be happy. Is that so wrong?”

“And who says I’m not?” Your tone was flat and when you glanced at him over your shoulder, Guille only gave you a pointed look.

Then he said softly, “She could make you happier and you know it.”

And there it was again, that look in his eyes that you just couldn’t stand. Gritting your teeth, you gripped the edge of the sink and your voice quaked when you spoke. “Please stop talking like that.”

“Like what?”

“Like,” you tried to find the words but when they evaded you, you huffed and threw your hands up in the air. “Why are you making it sound like I have a chance?”

“Because you do! You’re the one who’s not giving Alexia a chance by not telling her.”

“Give me one good reason why I should.”

“She loves you.”

A pause.

“That’s bullshit.” You shook your head, letting out a small, disbelieving laugh. As much as your heart wanted that to be true, you knew otherwise.

“It’s really fucking not.” Guille countered.

“If she did, she wouldn’t have said what she did.” 

“People say stupid shit when they’re drunk.”

“That can go the other way, too. Alcohol has a way of loosening what’s been bottled.”

“Oh, come on!” Guille scoffed. “You’ve known her since you were eight. You’ve been through thick and thin together! Do you really think she wanted you to leave?”

With the reminder, the memory sprung up on you and you could hear Alexia’s voice, grating and wrenching your heart raw again when you heard the words from her lips. You whirled around to face him, eyes burning.

“You weren’t there when she told me, Guille!” You breathed out sharply and then you continued, in a lower tone filled with resignation, you whispered as you buried your face in your palms. “You didn’t hear the way she said it. You didn’t—”

You choked on your words. 

After all this time, it was still too painful.

Darkness filled your vision but the tears escaped nonetheless, branding tracks down your cheeks. You heard the rustling of clothes followed by soft footsteps. Before you knew it, Guille’s arms wrapped around your shoulders and his familiar, comforting scent made you sink into the embrace.

“You’re right. I wasn’t there. But if you could forgive me for being an asshole and what I did to you, why can’t you do the same with her?”

You didn’t say anything after that, only clutched at his shirt a little tighter.

Guille kept quiet, too.

The both of you knew just the reason why.

[8]

“Did you see the news?” Jona asked as he kept the door open for you to an empty meeting room, closing it as soon as you’d gone in. 

Sitting down on one of the cushioned chairs, you said, “I did.”

You saw it this morning and you’d be lying if you said it didn’t faze you. 

Jona nodded, taking the chair across the table from you. He put his clasped hands on the wooden surface and the way he tapped an erratic rhythm with his thumbs didn’t help your nerves.

“Lyon paid a hefty transfer fee for her and that makes me worried. I don’t know what Bompastor is planning to do with her but her transfer to the European league will be a concern for the club.” With a pensive crease appearing between his brows, he continued. “You probably know why I asked you to come in.”

“You want me to tell you what I know about her.”

He nodded, leaning forward as if to emphasize his point. “She’s a lethal forward and you’re the only one in the club who’s ever played with her. In fact, you two seemed very close during your time in Angel City.”

You crossed your arms, leaning back into your chair, frowning slightly. “I don’t know what you’re trying to say.”

Jona blinked at you.

Then slowly, “Surely you must’ve trained closely together considering she’s a forward and you’re a keeper? Unless training was vastly different in Angel City, then I’m sorry for the assumption.”

“O–Oh, I thought you were implying—” You shook your head, uncrossing your arms as you waved the rest of your sentence away. “Never mind. But yes, that’s right.”

Jona gave you another questioning look before speaking again. 

“She’s going to be a big problem. And that’s why I’m going to change things up a bit. I want to put you in the starting lineup as soon as possible—put as many games with our current team under your belt. We’ll most likely face Lyon in the Quarters and that’s unfortunate but what is great is that you’re here: the best counter to what Lyon acquired. If we could eliminate Lyon early, we have a higher chance of winning this year’s Champions League. The question is, are you ready for it?”

“That’s what I’m here for, Jona.” You said seriously, ignoring the pressure that pressed in the periphery of your mind.

“Use me.”

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[somegrumpynerd]

Cross has trouble getting to sleep alone in his room and goes looking for a distraction, but ends up finding a solution for both of them

[vickdoom]

had to color swatch Zack for that last post and ended up with all these 🤦.

[dreamingpartone]

[ ᴛʜᴇ ᴡᴏʀʟᴅ ʜᴀꜱ ʙᴇᴇɴ ᴄʜᴀɴɢᴇᴅ ʙᴇᴄᴀᴜꜱᴇ ᴏꜰ ʏᴏᴜ. ]

[accirax]

🌟🍬🤖🎈Congrats to Wonderlands x Showtime for finishing their 4x4!🌟🍬🤖🎈

[wretchedbroth]

How it honestly feels to be a Faulkner Thesiltverses fan 😶