#all because I don’t feel like writing

[kaytheday]

You better wise up man. You get tough like me and you don't get hurt! You watch out for yourself, and nothing can touch you man!

[lilislegacy]

*percy seen from a far, wearing a suit*

piper: do my eyes deceive me or is percy jackson wearing formal clothes? since when does he have the ability to look like a domesticated human being?

frank: how come HE, percy of all people, king of untidiness, can wear a cream linen suit and look like a celebrity, but when i tried one on i looked like a man-child going to a high school dance?

hazel: sweetie it’s just because it’s such a casual suit, and you’re much more elegant than percy is!

annabeth, turning to them: um okay, hi percy’s best friends? can you guys compliment him without insulting him?

leo: his ass looks incredible.

grover: has he been working out?

annabeth, side eyeing them:

annabeth: okay, you have all now either insulted him or hit on him. how about from now on, you do neither?

rachel: how about we do both? because i’ve actually just perfected doing them at the same time

[dreamerdrop]

I don’t talk about my love for Kira Nerys too often because. Look. I think if DS9 handles anything well, it’s Kira, hands down.

Her character development is a work of art. She is so traumatised, so angry, so beaten down and STILL FIGHTING at the start. She struggles so much with her PTSD, with the idea that she is ever allowed to be in anything but attack mode…

And then, slowly, gradually, she becomes a whole new person. She laughs, she smiles, she makes corny jokes, she does dumb fun things for the sake of enjoying herself. She has friends, she has a family, she is surrounded by love and joy and HOPE.

Even in the middle of second war, she’s DIFFERENT now. She’s not the same miserable angry person she was, afraid to let go of the vigilant surivival instincts that kept her alive for so long. She’s come back to life as a person who has something to live for.

She has done terrible things. Her hands are stained with blood. She is never going to be able to forget her trauma or the suffering, both her own and that of her people, nor the suffering she inflicted while fighting for her freedom. But she recovers. She heals. She carves out an existence where she is truly, genuinely happy to be alive.

I don’t need to talk about Kira as much as some other characters because this all happens on screen. It’s right there, and it’s beautiful and perfect.

Kira Nerys goes from a person who cannot conceive of herself outside of the horrors she has suffered, inflicted, and fought against, to someone for whom her trauma is just one part of the larger picture, a piece of a rich and vibrant tapestry that is now filled, overwhelmingly, with joy.

Kira Nerys is like, hands down, bar none, one of, if not THE best characters Star Trek has ever created. I love her so much. She is just, completely and utterly perfect, especially in her flaws.

[mothmanavenue]

can i confess something else that will absolutely get me stoned in the town square since im dropping my unpopular opinions. I don’t like altean broadsword Lance. i already disliked red paladin Lance. the broadsword was like rubbing salt in the wound. why couldn’t he have his own niche. why was his character development just making him keith. i understand that it was like “he accepts that he doesn’t have to be a leader and excels as a co-leader and you can find happiness that way yada yada yada”. but you could’ve done that without making him keith. also now give him something unique, cool, that falls in line with his sniper bit. i’m not saying just give him another gun, im saying give him something quiet and lethal. like a garotte. yeah i want garotte lance.

i yap a lot more in my notes by the way if you were interested in other unpopular opinions. don’t send me hate messages or comments i won’t read it and will block viciously i also will not be debating this this is my hill to die on <3

[louieshalo]

demiromantic asexual riz gukgak save me… save me demi/ace riz who can’t distinguish his romantic feelings for fabian from his platonic ones

[okcoolthanks]

I really liked “I Saw The TV Glow” for a lot of reasons like the lighting and sound design and stuff

But I also really liked it because how similar I felt to it. Like you watch a show you love so much you want to Be In It and all you do is interact with That Show to the point where you start talking like it and you make everything you see like it because you don’t Know anything else

I really liked owens character because of how Stuck he is in his life. He says he doesn’t think about “that stuff” because it makes him feel gross so he doesnt. He takes a job at a place he doesn’t like and when it gets shut down he goes with the manager to the next place also doing a job he hates. When his parents die he lives in the same house he grew up in because he doesn’t want to leave. He had one friend and when she disappeared presumed dead he didn’t do anything but reminiscenced on his time with her and watching the show she helped him watch. You can also see how he starts taking care of himself less after his father died, in the last scenes of the movie he looks like he barely eats or drinks water, he doesn’t do anything but his job. “Years feel like seconds” because he isn’t doing anything of importance he lost everything that he looked forward too

He doesn’t talk above a normal speaking volume until he’s literally DYING and even after he apologizes still out of breath. He’s still dying then. No one responds to his apologies or responded to him when he was screaming

He gets a chance to leave and go with Maddie to The Pink Opaque and he gets scared, he gets a chance to leave with her when he was younger and he gets scared. He’s so unhappy with his life but he doesn’t want to change it because he doesn’t know what else to do

[thelilylav]

I’ve gotta admit as much as I know Darabella is a flawed ship (and some of the ppl who are anti for it have legit criticisms I love y’all for pointing it out cause it frustrates the hell out of me too trust) they’ll always just kind of be it for me.

Because as much as it was an “I can fix him” trope, as much as Rosabella could be selfish and Daring’s flaws got cranked up to 1000, she was also the first person to look at him after his destiny, the thing he dedicated his life to, failed, when people were questioning him as a prince and putting pressure on his and Apple’s relationship and tell him that, like, maybe it would be alright? Maybe this wasn’t his destiny, and maybe that was okay.

And the part that really gets me? She’s the first person after this happens to tell him that it doesn’t matter what’s on the outside, which as much as you can like other Daring ships or him whatever he desperately needed to hear. Not even cause he was selfish, that’s not what I’m saying, but bc he placed his whole identity on this image that people concocted for him based on him appearing the perfect prince. He was handsome, he was talented, and he was handsome! So who cares about him as a person?

Idk man. You spend four seasons (I watch the specials on Netflix so that’s why four idk if it’s three to some ppl or whatever tho) watching him be praised for his looks, watching girls fawn over him, and of course he enjoys it so nobody really questions how much he enjoys it. And then you get this girl, this girl who owes him nothing, this girl who (contrary to popular belief apparently) has a life of her own and people she cares about outside of him, and she’s nice to him. And she’s the first person after everything happens to just be nice to him, for the sake of being nice. Something about that will always hit different for me

[chronically-ghosted]

day before a 5 day holiday weekend. office empty. got me thinking thoughts.

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[starrylevi]

Cute and silly drabble about Levi trying to convince you to quit your job and let him take care of you ♥️

“You’re not happy.” He states as he picks up his cup of tea by its circular top.

You chew on your bottom lip for a moment. “I know.” You reply softly.

“So quit.” He shrugs as he brings the cup to his lips.

You roll your eyes. “I can’t just quit, Levi.”

“Sure you can. I’ll even write the resignation letter for you.” He smirks before taking a sip of tea, his eyes meets yours as he drinks.

You chuckle at that. “I wish…”

“It doesn’t have to be a wish, Y/N…”

“I don’t have another job lined up.” You remind him.

“So?” He places his cup back down on the table.

You look at him incredulously. “What do you mean, ‘so?’ How am I supposed to make money, Levi?”

“I would give it to you.” He states simply, as if the answer was obvious.

Your eyes narrow at him. “And what would you get in return, Mr. Ackerman?”

He shrugs. “Nothing I don’t get already. This isn’t an arrangement-“

“So I wouldn’t be your sugar baby?” You ask jokingly.

Levi looks disgusted. “Absolutely not.”

You pretend pout. “You don’t want me to be your sugar baby?”

“Y/N.”

“Okay, I’ll stop.” You giggle.

“I’m serious. If you need to quit-“

“Levi, I couldn’t possibly do that. What if we break up?” You ask, your mind jumping to the worse possible conclusion. “What if we break up, then I would be without a partner and without a job.”

“Why would you assume we would break up?”

“I’m just thinking of possible scenarios!”

Levi pinches the bridge of his nose and lets out a breath. “Look, I know it would be a big deal. I’m not saying it isn’t. I’m just stating the option is there.���

“I don’t know, Levi…”

“I know it’s scary, you would have to rely on me-“

You cut him off again, trying to explain yourself. “It’s not that I don’t trust you-“

“I know. I know, Y/N.” He says with a chuckle. “I know how your brain works. Just think about it.” He shrugs.

You pause, digesting his words. “Would I get an allowance?”

This makes Levi chuckle again. “Would you want one?”

You shrug. “I don’t know, man, you tell me.”

Levi playfully rolls his eyes. “C’mere.” He gestures for you to sit on his lap. You follow his command, now you’re snug against him. “Whatever you want, you’ll get.”

You nod.

“I love you, and I just want you to be happy.” He murmurs against your skin.

“I know, I appreciate you. I love you too.” You think about how lucky you are to have someone like Levi. “I don’t deserve you.” You mumble.

“Tch, don’t say that. I’d argue it’s the other way around.

“Absolutely not.”

“I guess we’ll have to agree to disagree.” He places a small trail of kisses on your skin.

“I guess so.” You giggle.

Maybe you would take him up on the offer.

[withclawandvine]

i think hawks would probably be wayyy too lax with your kids

after being taken in by the commission, every part of his day had been planned out to the hour. there were rules for everything — lights out no later than 22:00, and no sleeping in. stand up straight, only speak when spoken to. doors without locks, scheduled mealtimes. no questions, no backsass.

far from the carefree, joyous childhood he wanted to foster for his own children. he wanted them to have everything he didn't.

which means you'll often find yourself saying things like, “baby, you can’t let her get away with talking to you like that!” or “keigo, bedtime is not just a suggestion.” and hearing “go ask your mom” from the other room every time he needs to say no to something, but doesn’t think he’ll be able to resist that pouty lil face

[27-royal-teas]

look ive seen a lot of weird takes about the we didn’t start the fire cover because apparently (?) some people are mad (??) because ‘anyone can put together words that rhyme, they should have put the events in chronological order’ (????) and I’ve decided that look, it doesn’t matter if it’s chronological, because this is it. It’s events that matter to this generation, and it SHOULDNT sound exactly like billy joel’s version. they’re not going to be billy joel. NO ONE is going to be billy joel. the point of a cover is to make it your own and by making the events out of order it seems more frenzied and crazy, which, to be honest, the events it covers ARE. it IS crazy. and to end with ‘world trade, second plane’? that is INSANE. I got chills. that is a moment that the people who were alive during the event will remember FOREVER. it literally changed the entire course of history and started a spiral of events not only politically but musically as well, starting in an idea and ending in we’ll carry on. It makes perfect sense to end a song about the chaos of the modern and recent world on an event so defining in people’s- relatively recent- lives. and I saw this pointed out too (I believe by @thekintsugikid) and I wanted to mention it. fall out boy says, ‘we’re trying to fight it.’ In Billy’s version, he said ‘we tried to fight it.’ and look. we are trying. The world is going to shit. We’re all going to die someday, probably in some gruesome way. but we’re trying. we’re trying to fight it. we have hope, this younger generation. we won’t give up. we will survive. persistence, I think, is the biggest part of glory. and so, it just means something to me. it doesn’t have to be in chronological order. it doesn’t have to be perfect. the boys had fun, and that’s what matters, but I really think that the cover does reflect us overall

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously

[skyward-floored]

Another fic with my one zelda au, where Link is corrupted and forced to hunt Zelda. Takes place sometime after this fic here.

Even corrupted heroes need their sleep... which luckily gives Link a bit of a break. Along with more than he expects.

————————————————————

Thunder rumbles, and Link drifts into awareness.

It takes him a moment to get himself to move, even when the sound of a sword swinging drifts through the air, and he slowly blinks his eyes open and looks around.

The sky is grey above his head, thick with clouds that threaten to release a steady rain. Link carefully sits up, a deep, heavy ache in his chest, and realizes the ground around him is a vast expanse of water, stretching as far as he can see. Somehow he isn’t wet though, and he touches a hesitant hand to the liquid, tilting his head at the odd feeling.

It strikes him then that he’s moving of his own volition, no darkness instructing his steps, no whispered orders aiming his sword.

He can think clearly.

Link takes in a shuddering breath, almost unable to believe it. He doesn’t remember how long he’s been under Vaati’s control, but it feels like it’s been weeks. And he’s finally able to move, and breathe, and stand up without a voice screaming in his head that he needs to kill all of his master’s enemies.

The sounds of a fight ring out again, and Link looks to his side, eyes widening at the sight.

A mass of darkness lurks mere feet away, swirling with faint dashes of purple and red. The dread that hits Link when he sees it is like an arrow to his chest, but then he sees something else.

There’s a man moving among the shadows, moving so fast that Link can’t easily focus on him. From where Link is standing it looks like he’s faintly glowing, green and gold, and his sword flashes in the light as he swings it. The mass of shadows the man is currently fighting lets out an odd howl, and he slices it neatly in two, before turning to another behind him.

Link would help him, but he feels rooted in place, unable to do anything but watch as the glowing man dispenses the shadows with terrifying efficiency.

He thrusts his sword into the last heaving mass of darkness, and Link hears a faint wail as it shrivels away, the space finally clear of enemies.

The man exhales, taking a moment to breathe, and Link isn’t sure what to do.

He’s saved from deciding when the man turns towards him, and Link is struck with the sheer presence he exudes, something ancient and strong, like one of the towering trees in Faron’s woods. He isn’t sure whether to bow or try to fight, but the decision is taken from him when the man lowers his sword, and looks at him fondly.

“Hello, Link,” he greets, voice gentle, but strong. “I’ll admit I’m somewhat surprised you’re here.”

Link narrows his eyes at the odd familiarity, and the man hums.

“I apologize, this must be strange to you. You’re asleep,” the man explains, and Link nods, relaxing a bit. Ah. A dream, then.

He’s a little surprised he can dream in his current state, but he won’t complain. Being able to trust his actions and make decisions for himself, even in nothing but a dream that won’t last, is extremely relieving.

Apparently he hasn’t lost all of his humanity.

“Don’t be mistaken though. You’re asleep, yes, but this isn’t... exactly a dream,” the man says, as if reading his thoughts. “Which is why I was surprised to see you here.”

“And where is here?” Link asks quietly, breaking his usual silence.

The man sighs, resting his hands on his sword as he gently plants it into the ground before him. “That is a complicated question. I guess the simplest way to put it would be... inside you. Deep in your very being. Your mind, or soul. Spirit perhaps. The part of you that makes you, you.”

Link must make a face, because the man chuckles, a warm smile pulling at his cheeks.

“I know that’s strange to hear. It’s very odd that you’re this deep in your own psyche.” His face turns suddenly serious, brows creasing his previously warm expression. “It’s doubtless a product of the corruption that is attempting to fully overtake you.”

A chill runs over Link at the words, and the spot on his back where Vaati hit him with the spell aches with a bitter cold.

His legs tremble, and suddenly he’s on his knees, the heaviness he experienced upon first waking up here hitting him again. It’s worse then the first time though, and Link grits his teeth, trying to fight through it.

The glowing man looks at him in deep concern, but then a swirling mass of deep darkness wells up from the ground, approaching them both with an unholy moan.

He whirls around and slices at it, and Link is unable to do much except watch him fight. He’s not sure how the man is landing hits on a literal mass of darkness, but fight he does, and he fights well. The more the man slices at the darkness, the better Link feels, and the thick shadows are no match for his incredible swordsmanship.

They’re soon dispensed with a wail, and Link can breathe again, though shakily.

The man lowers his sword with a sigh, and returns to Link’s side, offering him a hand up. Link takes it, a warmth running through him at the contact, and the man doesn’t let go once he’s upright, looking into his eyes with such an intense sadness that Link isn’t sure what to do.

“You are in quite the difficult situation,” he says gently, and Link looks away.

“I was attacked with dark magic,” he quietly admits. “In my waking hours it forces me to obey its master. I’m powerless to stop it.”

The spirit nods, a grieved look on his face. “Yes. I know. The corruption runs deep. It was a very cleverly designed spell... it cut straight to your spirit, deep enough that I have to actively fight it off. It’s attempting to corrupt even me. You’ve shielded me well so far, but I don’t know how long I’ll last.”

Link looks back at the man, feeling a strange recognition in his face, the brightness in his eyes, the kindness in his gaze. There’s a feeling of other about the man, something dangerous as a lighting strike, but also something so familiar and warm that it aches.

“Who are you?” Link asks.

The man smiles gently, and lifts his hand, placing it on Link’s shoulder.

“I’m you. I’m all of us. I’m Courage,” he says, and the word strikes deep, a warmth blossoming in Link’s middle like a flower in spring. “I’m the Spirit of the Hero, forged in fire and trial. I’m a gift, and a burden, one that emerges only in great time of need. I’m you. You’re me.”

A tear falls down Link’s cheek, and the man tenderly wipes it away, his touch like that of a parent.

“Not many heroes meet me face-to-face during their life,” he admits. “You’re one of very few... I only wish our meeting could be under better circumstances. Unfortunately you have to take what you can get sometimes.”

“I’m no hero,” Link interrupts, speaking around the lump in his throat.

“...No?”

The spirit raises an eyebrow, and Link swallows. “I allowed myself to be ambushed and corrupted, I fought against my fellow knights— I don’t know the fate of any of them, but some of them must be dead. I’ve harmed innocents. Vaati is planning to use me to hunt down the princess herself. What’s heroic about any of that?”

“You didn’t want to do any of those things, did you?” The spirit asks in a firm voice.

Link slowly shakes his head.

“That’s what I thought. The fact that you’re still fighting now is a testament to your nature,” he says gently, cupping Link’s cheek. “If you weren’t a hero, you already would have given in.”

Link doesn’t reply, not willing to argue, but not entirely willing to believe him either. Zelda may have believed he was a hero, but all he’s done is fail from the moment she told him so.

What kind of a hero fails before he even begins?

The spirit searches his gaze a moment, then lets out a heavy sigh, dropping his hand back to Link’s shoulder.

“Our enemy was cleverer than usual this time around. He knew that if he corrupted you, Hyrule’s defenses would be severely weakened,” he says more quietly. “He hit us where it hurts. Even now the darkness is attempting to corrupt me. If it succeeds, you will remain a servant of darkness forever.”

Link stills, and the man squeezes his shoulder.

“Take courage, Link. You are strong, and so is your kingdom, and princess. We will not stop in our fight against the darkness,” he says firmly, and Link nods, blinking back the sting in his eyes. Hero or not, he’s not planning on giving up just yet. “You’ve been given a hard fight, harder than most, but I know that you can endure until you are freed.”

“Do you have any advice?” Link asks quietly, wiping his sleeve across his face.

“Our enemy may overestimate himself with you in his clutches. If he does, it will be up to you and your princess to take that opportunity if it arises,” he says, and Link nods. He isn’t really sure if that will ever happen, but he’ll remain hopeful just the same.

For Zelda’s sake, at least.

The spirit’s expression softens again as he looks at Link, and he glances up at the sky, then looks back at him.

“You’ll wake soon I’m afraid,” he says, and Link swallows thickly, stomach churning as the clouds above them darken.

It feels like he just got here. He doesn’t want to go back to being a mindless soldier, locked in darkness and unable to resist. The thought of being under Vaati’s control for the foreseeable future makes him want to curl up in a ball, as cowardly as that sounds, but waking from even this brief comfort threatens to make him wail.

It must show on his face, for the man gives his shoulders one last bracing squeeze.

“Courage, little brother. You’re not alone,” he says, and gives Link a hug, one so soft and safe that Link feels like he’s a child again, held in his parents’s arms.

The spirit holds him for several long moments, and Link closes his eyes. He can’t remember the last time he was hugged like this, and the spirit is warm, and safe. Normally he’d bristle at hugging someone who’s essentially a stranger to him, but this is different, and he...

He needed this.

A light kiss is pressed to his hair, and then the spirit pulls back, giving him an unimaginably fond look.

“I don’t know if we’ll be able to speak again,” he cautions, and the edges of Link’s vision suddenly darken somewhat. “But I will be here fighting all the same. Don’t lose hope.”

“Thank you,” Link says in a stronger voice than he thought he was capable of, and the spirit unsheathes his sword, the hilt glowing bright.

He smiles back at him. “You’re welcome.”

Darkness rears from the water at their feet yet again, increasing in the edges of Link’s vision, nearly overtaking his sight. He stumbles to his knees, and one of the last things he sees is the spirit thrusting his sword into the shadows, fighting for them both.

And the darkness overtakes him once again.

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda