#accademy awards

[drawingskiesblog]

i know the oscars and the accademy have much bigger problems (mostly p heavy racism and sexism, and in no way i wanna minimize that) but apart from that i always found curious how much they ignore the entire horror genre. This year was loaded with incredible horror films and none of them get even a mention on the nominations

it really illustrates how certain movie genres are considered somehow lower entertainment or not as elevated as other pieces. And i find it very funny, considering the power horror has to convey complex feeling and ideas in such a raw and effective way...

anyway its dumb to base ones opinions on films on awards and specially on the shitshow that is the oscars.

[dimagazine2020]

#NormanAcademy #Awards #AccademicodOnore #MedagliaAurata #ValerianaMariani #Roma #Italia #DonnaImpresa #DiMagazine #CasadellAviatore #CircoloUfficialiAeronautica #RiccardoGiordani #PaolaZanoni #VincenzoCortese #GeneraleStefanoMurace #TitoLucrezioRizzo #AntonioCiliberti #BrunoBaldassarri

[laragazzadelmare]

2022 ACADEMY AWARDS: BEST SHORT FILM (ANIMATED)

The windshield wiper- Alberto Mielgo

[bountysolomon]

Robert De Niro

Academy awards: 53rd Annual (1981).

[fashion-icons]

Gary Oldman & Kristin Scott Thomas in “Darkest hour” (2017)

[disneylicious]

[speakmovietome]

Day eighteenth: Darkest hour

[max-von-sirbaf]

The girl of my dream? Alexander McQueen, Converse and Kebab 

Rooney Mara & Joaquin Phoenix after the oscar night 2020 no party, no fame, no glory, only us. 

[bangtanitalianchannel]

[ARTICOLO] L'album dei BTS guadagna una candidatura ai Grammy 2019: ecco perché è importante.

“La candidatura a Best Recording Package segna un momento di svolta importante per il gruppo e il loro staff ed onora la loro dedizione al concept.

L'eredità dei BTS ha appena raggiunto una nuova vetta con il primo vero riconoscimento della band pop sudcoreana e del loro team da parte dei Grammy alla 61esima cerimonia annuale.

Love Yourself: Tear dei BTS ha guadagnato una candidatura come Best Recording Package. L'album, che ha raggiunto la prima posizione nella Billboard 200 a maggio, ha segnato il primo riconoscimento per il gruppo ed un passo da giganti per la scena musicale coreana. Assieme ad esso è candidato HuskyFox, nominato nei ringraziamenti ufficiali di Love Yourself: Tear per “l'opera d'arte”. HuskyFox è una compagnia professionale di branding con base a Seoul che, secondo il sito web, si pone come obiettivo quello di “costruire una relazione tra marchi e utenti, creando un'identità attraverso linguaggio ed elementi visivi per personalizzare l'esperienza del marchio”.

Love Yourself: Tear è candidata assieme a Masseduction di St. Vincent, Be The Cowboy di Mitski, The Offering di The Chairman e Well Kept Thing di Foxhole.

Come i fan possono attestare, Love Yourself: Tear dei BTS vanta alcune tra le più belle copertine di album degli ultimi anni - superando il noto impegno dei BTS negli straordinari elementi visivi dei loro album, che permette loro di farli spiccare tra i più impressionanti della scena K-pop, particolarmente legata all'estetica. Ciascuno dei tre album della serie Love Yourself si presenta in quattro diverse versioni, ciascuna che vanta il proprio set di foto concettuali. Tear è stato rilevante per la sua palette più attenuata, con i membri mostranti simili tinte scure di capelli e dei capi molto semplici e tenui - tutto in linea con i temi di dolore e tristezza dell'album.

Il fatto che i BTS stiano guadagnando questo riconoscimento (insieme al loro team artistico) è un’ulteriore testimonianza dell’importanza dei team più grandi che lavorano insieme collettivamente per portare al pubblico non solo musica di alta qualità ma anche ottimi effetti visivi e un packaging che coincida con i maggiori temi rappresentati dalla musica.

La nomina di Love Yourself: Tear dei BTS segna un momento di grande inclusione e apprezzamento per gli artisti di successo sudcoreani ed è anche un importante passo all’interno per ottenere l’attenzione della notoriamente tradizionale Recording Academy.

Agli ultimi 60° Grammy Awards nel 2017, c’è stato un pareggio per i vincitori del “best album package”. I direttori artistici Sasha Barr, Ed Steed e Josh Tillman hanno vinto il premio con l’artista indie-rock Father John Misty per il suo album Pure Comedy (Deluxe), insieme a Carlos Dussán, Juliana Jaramillo, Juan Felipe Martínez e Claudio Roncoli, i direttori artistici che hanno lavorato con il musicista colombiano Magín Díaz al suo album El Orisha de la Rosa.

Avendo una delle strutture di assegnazione più complicate come premio, per gli album nelle categorie package i nominati sono i direttori artistici creditati, come Billboard ha confermato con la Recording Academy che ha aggiunto: “solo i direttori artistici creditati sono nominati nella categoria package e non gli artisti - a meno che non risultino creditati anche loro come direttori artistici”. Nel caso della pagina di Father John Misty sul sito Grammy.com, compare anche lui come vincitore del premio “best album package” tra le sue tre nomine, in quanto Tillman è il nome legale di Father John Misty. Nel mentre, Magín Díaz non è segnalato come vincitore sul sito della cerimonia in questione, mentre HuskyFox ha ora una pagina ufficiale in cui figura come nominato sul sito dei Grammy.”

Traduzione a cura di Bangtan Italian Channel Subs (©Clara, ©lynch) | ©Billboard

[lauretta1504]

#accademica di #sicilia . #orgogliosa di aver ricevuto questa #onorificenza che premia il #lavoro di #agricolturasociale che si svolge ormai da quasi 10 anni nella nostra #aziendaagricola @marisco.fattoriasociale . We are #proud to receive this #award and to be a part of the #sicilian #accademy thanks to the #social #agriculture projects that we run since almost 10 years now in our #socialfarm #mariscò . #thanks #agricolturaitaliana #bethedifference (presso Palazzo dei Normanni) https://www.instagram.com/p/B0gLtRIing-/?igshid=1u090s0qoj82h

[riaemurray]

tonight is oscars's night

[blogecointernazionale-blog]

Oscar 2017- I vincitori degli Accademy Awards

Oscar 2017- I vincitori degli Accademy Awards

La notte degli Oscar è una serata speciale per tutto il mondo del cinema. Il palco, gli attori, i vestiti e quelle buste che ci tengono col fiato sospeso sino all’ultimo secondo. Per 6 volte è stato nominato vincitore il musical La La Land di Damien Chazelle, ricevendo premi come Miglior attrice protagonista per Emma Stone, Miglior Scenografia e Regia. (more…)

[vietnamstar]

Germany-based foundation grants scholarships to music talents

Germany-based foundation grants scholarships to music talents

Đào Quang Minh Scholarship recipients perform at the ceremony at Việt Nam National Accademy of Music. VNS Photo Nguyễn Bình HÀ NỘI — Dozens of top graduates and excellent students have been awarded scholarships by the Germany-based Đào Minh Quang Foundation. The outstanding students were honoured at an awarding ceremony held by the Việt Nam National Academy of Music (VNAM) in Hà Nội, on…

[laragazzadelmare]

2022 ACADEMY AWARDS: BEST SHORT FILM (ANIMATED)

The windshield wiper- Alberto Mielgo

[speakmovietome]

Day Five: Anna Karenina

[nixonsmoviereviews]

"Labyrinth"- An indisputable classic of its era that still managers to wildly enthrall and to magically entertain audiences.

There's something about the 1980's. A decade that has been since looked upon with both the greatest of nostalgia for its accomplishments and also with a touch of embarrassment for its faults. It was a strange time. And yet, a magical time. And this is perhaps best reflected in the wide plethora of films released over that ten year period that seem to perfectly encapsulate the social and pop-culture sensibilities of the time. So many films of the 80's are now looked upon as contemporary classics and are widely beloved by fans the world over. From the light-hearted thrills of "The Goonies" to darker and more mature family releases such as "The Neverending Story", to cult- classics like "The Dark Crystal" and "Return to Oz" and slasher-film horror including "Friday the 13th" and "A Nightmare on Elm Street"... The 80's produced some of the finest nostalgic films of the past fifty years. One of the more peculiar releases of this era is most certainly the 1986 release "Labyrinth"- a sort-of combined effort brought to us by director Jim Henson, producer George Lucas and the late phenomena that was David Bowie- here both a co-star and songwriter. The film was something of a troubled experience for all involved when it first came out, garnering a harsh mixed-to-negative critical reception and failing to generate much box-office buzz at the time of its initial release. And yet, it's one of those wonderful experiences that happens every so often... where a film is a failure at first, but slowly builds an ever-growing cult audience that gives it a second life on home- video. And because of this, "Labyrinth" is now considered an indisputable classic of the 80's. One of the most beloved and cherished films of its era. And I do think this is for good reason. While it might not quite attain the high level of quality that marked other similar releases, it's a fine film and is filled to burst with imagination and pure, untainted fun. Fifteen-year-old Sarah (Jennifer Connelly) is disappointed with her baby-brother Toby, whom she sees as a burden and a distraction. While babysitting him one night and growing tired of his meddlesome crying, she recites a magical incantation from a play she earlier read at the park, and beckons the "Goblin King" to come and take him away... only to be surprised when he actually arrives in her home in the form of the suave and stunning Jareth. (Bowie) Realzing her mistake, she pleads with Jareth not to take her brother away, and he delivers a proposition... if she will come to his magical world and solve his mysterious Labyrinth within 13 hours, he will give her Toby back and leave them alone. And thus, Sarah must traverse this mysterious maze to save her brother, all while encountering new friends and allies and defeating treacherous booby-traps and puzzles. The film is a fascinating work and is generally completely absorbing and magical. The combined efforts in the talents of Henson, Lucas, Bowie and all others involved make for an extremely polished and wild experience. From the vastness of the titular Labyrinth, to the many fantasy creatures that populate its corridors, to the delightfully quirky dialog of writer Terry Jones, the film is a whirlwind of imagination. It takes a relatively simple premise- one that is set up in the opening minutes of the film and is honestly only there to give something of a storyline to follow- and uses it expertly to deliver 100 minutes of world-building and fantastical creations. Some have bemoaned the rather stock characters and simplicity of the narrative, but that seems to be by very design... this is a film about dream-like creations and wicked vision, and it delivers. And we get a handful of new musical numbers courtesy the brilliant mind that was David Bowie to boot! (Even if they can feel a bit jarring...) The film is pretty consistent in its ability to charm the audience with a wonderful cast of characters. Co-stars Bowie and Connelly, though far from their best work as actors here, are a lot of fun to follow. Particularly the scenery- chewing Bowie, who lights up the screen during the many musical sequences. Connelly has a few hiccups here and there early on, but by the end, you definitely start to see shades of the actress who would later go on to win the Accademy Award. The cast of characters also includes a number of puppet-creations courtesy Henson's workshop, and there's no way that the well-meaning but self-loathing dwarf Hoggle or enormous oafish beast Ludo won't instantly win your heart. Unfortunately, I can't help but feel that despite being a personal favorite and an easy classic of its time, I just can't bring myself to give "Labyrinth" a perfect review. Because there are some missteps along the way that can detract from the film. While I refuse to spoil it, certain choices were made creatively for the third act that do feel... incorrect for the film as a whole and it does sort-of bother me. The film's delightful "Wizard of Oz" tonality of wandering about and finding new misadventures along the way generally pays off, but has a few moments that feel superfluous and unnecessary. ("Chilly Down with Fire" being a prime example) And yes, the story can be a bit too light for some viewers. While it didn't overtly bother me, and I think critics of the time exaggerated the impact of the lighter story... I can't help but think just a wee-bit more narrative could have helped out. However, none of these facts can deter the fact that as a whole experience, "Labyrinth" is a classic of its time. It's enthralling. Exciting. Imaginative. And much as it has for thirty years now, its audience will continue to grow. And people will never get tired of wandering about its paths and corridors. I give it a very good 8 out of 10.