I think it's so relatable to see trans women and transfem and generally people who no longer have a testosterone-dominant system describing what it was like to have a testosterone-dominant system. I find that often, when they talk about being angry, depressed, irate, or just irritable, I relate because that was me before I went on testosterone. I was so fucking angry and irate and genuinely unpleasant to exist around because I didn't have testosterone.
See, I think instead of estrogen or testosterone being the "bad, angry" hormone, it's more like... of course trans people who need hormones are going to be unpleasant before getting hormones - both your body and your brain require that you have a certain level of hormone balance. Of course somebody like me was fucking furious all the time, the brain does weird shit when its needs aren't fulfilled!
This isn't about criticizing any one group of trans people, rather, I encourage people to remember that ascribing inherent qualities to certain traits (e.g., saying "estrogen is such a horrible hormone!") isn't necessarily good. It's absolutely fine to talk about personal experiences with pre-transition, I do that all the time! The only issue is bioessentializing hormones, in essence, ascribing inherentness to traits we often share.
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EA is a triple A gaming company worth billions. But BioWare? It's a subsidiary that is smaller than you think. (EA has about 13k employees, but BW has about 500).
Not pre-ordering or buying on the day of release isn't going to send a message to EA to improve its practices. It's only going to hurt BioWare and their remaining employees. (This isn't aimed at people who can't afford it, or don't like the game(s), or don't like what they've seen so far, or are very skeptical and want to hold off. I'm talking to people who are excited about the game and have the $60 to spare.)
Yes, there are things to criticize about BioWare and EA, I get it, I really do. What happened to Mary Kirby and those like her is awful. Fuck them for that, truly. The merchandise packages that don't include the game, kinda scummy. But if you don't take that as a sign that EA is pushing down, hard, on BioWare, then I don't know what to tell you. Do you think BioWare is somehow immune from EA's scrutiny? BioWare has two big misses in their recent history, after MEA and Anthem, they are on thin ice.
Will the game be buggy on release? Maybe. They do have a history of it. Hell, DAO is still buggy af, but we love it anyway. Will the game be bad? Possibly. There are story elements in each game that still piss me off to this day. It is a gamble, but if you like what you see and are excited, there is no reason not to support the franchise you love. Do you want more Dragon Age games? Do you want more Mass Effect games? If yes, then the best way to get more games is to buy this game.
The only thing that will happen if DATV sales suck, will be for EA to believe that Dragon Age games no longer sell and to nix or hold off on all future projects for it. By waiting for it to be on sale or pirating it, you could very well damn the future of BioWare and the DA franchise. You're not fucking up EA when you choose not to buy DATV, you are screwing BioWare, which is not the same as EA. BioWare can be dissolved, but EA won't. They won't care, EA will happily get rid of something that isn't making them money. EA is not gonna be hurt by DATV doing poorly in sales, they have their sports franchises that will always make them money. It will only hurt BioWare and the remaining developers. Do you like Weekes? Epler? Busche? Support them!
So if you are excited about Dragon Age: The Veilguard and want to see more Dragon Age games, don't let anyone convince you not to buy it, or pre-order it. Don't let anyone make you feel bad for doing so. If you have the money and like what you see, I encourage you to buy it and show support for your favorite franchise.
(Those worried about the SAG-AFTRA strike, don't be, DATV isn't included in the strike. More here.)
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Helpful glossary for AAA games industry terms.
Crowdfunding -> interest free loan and free market research
Early access -> Free beta testing
Private beta -> crowdsourced free QA
Public beta -> free YouTuber publicity, reviewers can't say negative things yet :)
Preorder -> give us money now so you can't read reviews before buying
Release -> Full price alpha build
1.1 patch -> 70-90% finished base game
1 year anniversary update -> actual finished game (maybe) (we fired most of the dev team btw)
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How I Got My Agent, Take Two
I’m so ridiculously over the top happy to say I’ve signed with a literary agent to sell my magical bookbinder book. This has been a long process that started in 2017, and I’m genuinely overjoyed.
It played out thus:
Write book one.
Write book two. Query the book.
Write book three. Query the book.
Write book four. Get into Pitch Wars with the book. (Yay!) Query the book.
Write book five. Get into Author Mentor Match with the book. (Yay!) Query the book.
Write book six.
Write book seven.
Write book eight.
Write book nine.
Get a Revise and Resubmit offer from an agent for book five. Do it.
Start querying book six.
Get an offer from the R&R (Yay!)
Write book ten.
Book five dies on submission.
Start writing book eleven.
My agent and I amicably part ways.
Start writing book twelve.
Finish querying book six.
Query book ten.
Start writing book thirteen.
Go back to book eleven.
Go to a live pitch event. Pitch book eleven to two agents. Neither likes it. One asks what else I’m working on, and when I do the one sentence pitch for book twelve, says, “I could sell that.”
Pivot to finishing that book.
Query book twelve, sending queries first to four agents who only want queries and who are actively requesting off those queries. Get a 75% request rate. Query is fire. Check. Unfortunately, every agent rejects when they see the opening pages, which turn out not to be fire.
Revise opening
Resume querying book twelve. In case you’ve lost count, while this is the twelfth book I’ve written, it’s ‘only’ the seventh I’ve queried.
Finish drafting book thirteen in NaNo. Revise. Send to CPs.
Have existential crisis on a Tuesday. Meltdown on Tumblr. Weep in my living room. All my books have failed. I do not know how to write a better book. Maybe I should give up. This turns out to be a very well-timed dark night of the soul within the narrative.
Get two full requests for book twelve on Wednesday.
Get an email telling me one of my short stories has been held for consideration on Thursday.
On Friday get an email that the woman who handles submissions for one of those agents from Wednesday loved the book but she doesn’t think it’s a great fit for the agent I queried. Would I mind if she forwarded it in-house to a different agent? In shocking news, I would not mind this.
On Monday, get an email asking for a call.
On Wednesday, which is Valentine’s Day, have a call with the agent. She’s lovely in every way, her thoughts on the book are so good, every editorial idea she floats is good. Like, really good. She is super enthusiastic about repping the book and offers to do so.
There is an etiquette requirement at this point that I tell any agent who has the book that I have an offer on the table and give them two weeks to respond, so I go around nudging all the agents with a full (four people) and several agents who only have a query. Three more agents request fulls. The rejections start trickling in. People are very sweet and complimentary, and I am deeply, deeply relieved that I never waver from how much I adore the original offering agent.
I sign with her on February 29.
Final stats for Book Twelve (THE ARCHIVE OF THE WORLD):
Total Queries Sent: 39
Requests Before Offer: 8 (20.5% request rate)
Request Rate Including Post-Offer Requests: 28.2%
Year I Started this Nonsense: 2017
Total Queries Sent across 7 books: 456
Takeaway wisdom: The query trenches are a soul-mangling machine into which we all keep putting our souls and most of us don’t make it out unmangled. I am not unmangled. BUT, I am a persistence hunter, and I will walk steadily towards publishing until it lies down in exhaustion and gives up.
Thanks for hanging out with me as I do.
Also, this book is so much fun. You’re going to love it.
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Cover reveal for the UK version of my new book!!
More info & pre-order links here
(The different publishers developed their own covers separately, but the UK version is the exact same inside, just British spellings!)
Graphic novels are not a huge market here, so for me it's a big deal to have a version coming out on home turf. Very excited to see it in print and show it to everyone.
YES I WROTE IT NORMAL FOR ME, CHANGED LITERALLY EVERY SINGLE SPELLING TO AMERICAN. AT LENGTH. SO MANY WORDS I DIDN'T KNOW WERE DIFFERENT IN THE US. THEN I CHANGED THEM ALL BACK FOR THE UK PUBLISHER. IN THE ART.
I NO LONGER KNOW HOW ANY WORDS ARE SPELT ANYWHERE. ALL WORDS ARE MEANINGLESS. LANGUAGE RETURNED TO ABSTRACTION, LOST ALL SHAPE AND FORM. DARKNESS TOOK ME AND I STRAYED OUT OF THOUGHT AND TIME AND I WANDERED FAR ON ROADS THAT I WILL NOT TELL
hope you enjoy the book!
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