#a very interesting name that I think also really speaks to the history of the twilight mirage!' SO DEFENSIVE

[telomirage]

SCREAM. MUSTARD RED IS HERE AGAIN

Keith: Ali?

Ali: huh? what? why are you looking at me?

Keith: I don't know, why AM I looking at you?

Ali: listen, I have nothing to do with this. I got a DM—

Keith: oh come on

Ali: —from Austin today that was like, 'Ali, I need permission to do something pretty evil tonight' and I said, 'oh boy,' and then you know what?

Keith: hey, all I do is put the cards in the deck. I didn't deal 'em

Ali: listen! A character had to do this thing that Austin already had happen, right?

and then!

"I wouldn't say that she's the excerpt of the divine arbitrage at this point—"

"you wouldn't SAY that"

"—because the divine arbitrage doesn't use terms like that. those are antiquated terms, frankly"

"austin, you fuckin' put a palpatine in our season"

"no!"

"yes!"

"no!! palpatine doesn't have a little robot voice in his head helping him make terrible decisions"

"oh that's the only—okay, that's your argument as to why it's not palpatine"

"no no, it's not— […] the divine arbitrage is the palpatine"

"oh! oh, yeah yeah yeah yeah yeah. oh yeah. and you had no idea!"

[libraryleopard]

Adult standalone urban fantasy novel

In an alternate version of present-day Vancouver inhabited by the reincarnated Knights of the Round Table and other figures from myth and folklore, a college student from an Arthurian family and a valkyrie both become entangled in a murder investigation

Gay autistic main character with anxiety; bi ace main character; M/M + F/F romances; Chinese Canadian trans girl side character

[munsonsmixtapes]

One Single Thread of Gold Tied Me to You

Evan "Buck" Buckley x fem!reader

summary: After many failed attempts to set you up with someone, Hen and Karen finally decide to set you up with Buck since you both seem to have so much in common. But when you both decline, you keep seeing him around town which leads you begin to wonder if maybe it's fate that you're meant to be together.

cw: wee bit of hurt/comfort

You sit at the restaurant, waiting for your friends to meet you as you peruse the menu, deciding what you’re going to order. You hear your name being called and turn to see Hen and Karen making their way towards you with bright smiles on their faces. You stand up from your chair and pull them into hugs before they sit across from you, picking up their own menus that are on the table in front of them. 

The three of you have been doing these lunch dates for almost a year now and it‘s something that all of you always look forward to. You work with Karen at the lab and after befriending you, she decided to introduce you to her wife and the rest was history. You‘ve become an honorary part of their family and have never taken that for granted, always thanking them for taking you under their wing. 

“So what’s new with you?” Karen asks, her gaze moving up to you from her menu. You don’t have to ask to know what she‘s getting at. You’ve been chronically single since you’ve known her and she and Hen have been trying to set you up with several people that they know as soon as they found out that you weren’t attached. 

“Nothing,” you sigh, setting your menu down on the table. “You know that. So let’s just get this over with.”

“This one’s good, we swear,” Hen assures you and you just roll your eyes. 

“You said that last time and he picked his nose right in front of me before he ate what came out.” The two of them grimace at your words and you can’t help but do the same as the memory plays in your head. 

“Well, this one’s different,” Karen says as she rests her hand on top of yours. How many times is she going to say that before it’s true? 

“And we apologize for you having to see that,” Hen pipes up. 

“Alright,” you sigh. “Lay it on me.” Maybe you’ll give them one more chance and if they blow it once again, you’ll fire them from their job as your matchmakers. 

“We don’t know why we haven’t thought of him before, but it’s Buck.” Buck. The name sounds familiar, definitely one you’ve heard in passing, but for some reason, you can’t match a face to it. 

“Buck?” You’ve never met him and are hesitant to believe either of them considering past events. 

“Yeah, you’ve heard us talk about him before. He’s the one who always has interesting facts.” That’s right. He works with Hen and even though you’re both very close to her, somehow, your paths never seem to cross. 

“Right, so is that the only thing we have in common?” You ask, raising an eyebrow. 

“No,” Karen rolls her eyes. “He’s also not doing great in the relationship department.”

“So you think that by setting us up, we’ll just automatically hit it off? That’s not how it works.” 

“Obviously we’ve factored in much more than that, babe. We understand if you’re not interested, but we feel like this could really work.” Karen’s the one to speak this time.  You’re so over the two of them trying to set you up and are just wanting to be alone until you find someone on your own. 

“Fine,” you reply, pointing a finger at Hen, then at Karen. “But this is your last chance.”

“Well, hopefully this will be the last time we’ll need to set you up.”

“Fingers crossed this one sticks.” Considering that you’re giving them one last chance, you’re really hoping that it’s going to go well. 

“Bobby is having a party next Saturday to celebrate Buck’s birthday and we figured you could meet him there.”

“Okay,” you nod. “What should I get him?”

“Well, we got him a video game he’s really been wanting and it’s part of a series so maybe you could get him the next one?” Hen suggests, but you feel lame getting him something that one of his friends told you to. You want it to be genuine. 

“I’ll think of something,” you respond and just then, a waiter comes to take your order. 

The rest of lunch is spent talking about Buck and how the two of you are allegedly perfect for each other. That remains to be seen, but you’re still holding out hope. Hoping that he really is a good guy and that even if you don’t hit it off romantically, that maybe the two of you can be friends. 

You don’t know why you feel so good about this one, but you’re at least going to try to see what could happen. From what you’ve heard, he seems nice and you really want Hen to be right about this one. And considering that she actually knows him well unlike your other dates, you’re believing that this could be the one to stick. 

“So, what does he look like?” You ask as the three of you head to your vehicles. 

“Look up his Instagram, it’s evanbuckley, all lowercase,” Karen replies and you’re quick to pull out your phone and type in the username into the search bar in the app, tapping on the first profile in the list of results. You go through his photos and can’t help but notice how attractive he is. You’re going to have to do a deep dive later. 

He seems normal enough, but that was what you thought about all the others. You weren’t holding your breath, but at the same time, Hen and Karen seemed much more excited about this one. Maybe it was because they actually knew him and he wasn’t a friend of a friend of a friend or a distant relative of someone they knew. That actually knew him personally which seemed promising. Could Buck actually be the one?

“Yeah, no thanks,” Buck says as sits at the table at the station. He just wants to eat his breakfast in peace and here’s Hen badgering him about going out with you. 

He’s sure that you’re a nice girl and all, but he’s been burned too many times to go down that road again. Buck has also fallen victim to Hen and Karen’s set ups and he’s not doing it anymore. He can’t. He just wants his “me time” that he thinks he deserves after his most recent breakup.  

“Just look at this picture, then.” Hen slides her phone across the table and Buck picks it up, staring down at the photo of you. You’re with Hen and Karen, of course, on Hen’s left while Karen is on the right. You’re all beaming at the camera and Buck can’t help but notice how pretty you are. 

“I also have this one,” she says, swiping to the left to show a selfie of you. It’s a mirror selfie and Buck’s eyes almost bug out at the tight, black dress you’re wearing. He hates how attracted he already is to you and he hasn’t even actually met you yet. 

“Yeah, no thanks,” he shakes his head as he hands the phone back to Hen. He doesn’t want another disaster date on his record. 

But the truth is that he does want to settle down, but he’s scared to actually take the leap. He can thank his abandonment issues for that. He’s been in therapy for that among other issues and he’s still concerned about people leaving him because it’s happened time and time again. 

He wants to find someone who will stay, who he can wake up next to every day for the rest of his life, who he can cuddle up with on the couch after a long day at work. As he thinks about your photo, he wonders if you could be that for him. But he really doesn’t want to log another date in his journal that his therapist made him keep to jot down his thoughts so he can navigate his feelings. 

Buck then spends the rest of the shift thinking about you and whether he should tell Hen that he changed his mind. He’s pondering the “what ifs” about the whole thing, trying to make the best decision for himself. What if you’re the one for him? He doesn’t believe in the whole soulmate thing, but now he can’t help but think about the fact that you could be the one he will spend forever with. 

“Did you know that forty-three percent of Americans have gone on a blind date, but only one out of four are actually successful?” he asks Hen as the two of them hop into the engine, Eddie, Ravi, and Chimney following. “So that’s only a twenty-five success rate.”

“Why are you giving us blind stats, Buck?” Chimney asks as he sits across from Buck, buckling his seatbelt while everyone mimics his actions before putting on the headsets.

“I think Hen and Karen are trying to set him up again,” Eddie responds, giving Buck a nudge with his shoulder. 

“But it’s different this time,” Hen tells him. 

“If I had a nickel,” Buck mutters under his breath as the engine starts up. He’s not going to go out with you, even though he kind of wants to. If he wants to go on a date, it will be with someone he meets organically, not someone his friend tried to set him up with.

Living in a major city, it wasn’t uncommon to see or hear ambulances, fire engines, and police sirens. But it was different seeing them on your street, so close that you could see them down in the cul-de-sac from your bedroom window. It seemed like the fire department was just putting out a small fire. No one was injured from what you could tell. You were mostly seeing when they were going to move since they were blocking your car, but really, you wanted to get a better look at the cute firefighters, your eyes drawn to the one who was using the hose, the name “Buckley” on the back of it. 

Was that-no way. It couldn’t be. But then you see someone who looks scarily like Hen and you decide that it has to be Buck. What are the odds that out of all of the stations in the city that it’s his that would respond to a call on your street? Hen would tell you that it’s fate, but you just think it’s a coincidence. 

There are only so many stations in the Los Angeles area so you don’t think it’s that weird for him to be there. That’s what you’re telling yourself anyway, because you can’t help but feel Hen’s words in the back of your head. 

“See? It’s totally fate, because out of all the stations that responded to the call in your cul-de-sac, it just happened to be ours.”

You think it's all just a coincidence. That is, until you see Buck again a few days later. He’s getting out of his jeep and heading into the coffee shop you were just in. You’re heading to your own jeep and you see that he doesn't have any rubber ducks on the dashboard like yours does. It’s littered with them and you even keep a bag of them in your glove box for moments just like this. 

Reaching for the glove box, you pull out the bag and go through it, looking for the perfect one to leave on his jeep after getting in the driver's seat. You smile to yourself once you come across the little firefighter and decide that it’s perfect. You pull a napkin and a pen from your middle console and scribble down a note along with your name and number before hurrying over to Buck’s jeep before he can catch you. 

You drape the napkin over the handle of the door to the driver’s seat then put the duck on top of it before hurrying back to your vehicle just as Buck comes out of the coffee shop, sipping on the beverage that he’s purchased. 

Buck goes to open the door to his jeep, but notices that there’s something in his way. With his free hand, he picks up the little duck that’s dressed as a firefighter and as confused as he is as to why it’s there, he can’t help but let out a little chuckle as he thinks about how cute the little thing is.

He sets the duck on the roof and then he picks up the napkin, noticing that there’s a phone number and another note underneath it. 

I noticed your jeep didn’t have any ducks so I thought I’d give you a little buddy to keep you company. But if you’d like some company given to you by a human, don’t hesitate to call!

Underneath the number is your name and something in parentheses. 

y/n (Hen and Karen’s friend that they’ve been trying to set you up with) 

That’s why your name looks so familiar! He should know what it is since he’s been stalking your Instagram for days. He had even gone as far as going to DM you, but he backed out at the last second because he didn’t want to weird you out. But considering now he has your number, he guesses that it actually would have been okay to contact you.

Buck gets into his jeep and pulls out his phone, typing out your phone number to save it. Once it’s in his contacts, he finds himself hovering his thumb over the “call” button but ends up backing out at the last second, setting his phone in his cup holder before deciding to head home. Maybe he’d finally get the guts to call you to finally hear your voice, but today’s not the day. 

Once Buck’s jeep is gone, you decide to head home yourself, calling up Karen as you do because now you’re nervous that you’ve made a mistake. She’s always the person you go to when you feel you need help to calm down and her words always seem to do the trick. Your heart races in your chest as the phone rings and you start to panic when she picks up. 

“There’s my girl,” she greets and you can just picture the bright smile on her face. 

“Hey,” you reply, still trying to find the words to say to explain the situation to her. You know it’s silly to call her about something so trivial, but you feel like you need to talk to someone about it. 

“So, what’s going on?” 

You hate that Karen can always read you like a book, that she always seems to know when something’s up. And she’s always there for you whether it’s a shoulder to cry on or just a piece of advice. She just wants to help you in any way that she can since she knows you don’t really have a lot of people in your life that you can rely on. 

“Nothing,” you reply too quickly, sounding rushed. “Maybe it’s something. I don’t know,” you lean your head on the steering wheel, trying to convince yourself that you haven’t done something completely weird. 

“Tell me what it is, babe. Can’t help you if you don’t.”

It’s the reason you called her, isn’t it? The reason you wanted to talk to her, for help. To make sure that you hadn’t done something stupid to turn Buck off. You just want the confirmation and are sure that Karen will give it to you. She always does. 

 You let out a long sigh and then tell her everything from seeing him and the rest of the 118 putting out the fire in your neighborhood and now giving him the firefighter rubber duck with the napkin that had your number on it. What you don’t tell her is how long you spent stalking his Instagram page last night before going to bed and even went as far as typing out a DM to him before quickly backspacing everything before you could actually send it. Yeah, best to not tell her about that one. 

“I don’t see why you’re so worked up about this,” she replies. “Just because he didn’t immediately text or call you doesn’t mean he was turned off by it. Give the man a chance to respond, y/n. It’s been, what, twenty minutes? If he doesn’t respond by the end of the week then you can start freaking out.”

“Fine,” you respond as you pull into your driveway, feeling a bit better but not much. “Fine, I will wait for him to respond.”

“Good,” she nods. “I promise he won’t think it’s weird.”

That makes you feel better, but not much. If it were possible, you’d go back in time and take it all back. You don’t know why you feel so weird about it. You’ve left countless ducks on people’s jeeps so you don’t know why this one is any different. Maybe it’s because you gave him your number and you don’t really do that anymore. 

“Alright, I believe you.”

“Good,” she repeats. “Hey, did you get that address I sent you? The one for the party?”

“I got it,” you confirm. “Saturday at two. I’ll be there.” 

She’s been reminding you about the party for days so there’s no way you can actually forget when or where it is. You actually really hope that Buck is into you. Not only for your sake (because being rejected now after all you’ve gone through just makes you want the ground to swallow you whole.) but also for Hen and Karen because of all the work they’ve clearly put in to set the two of you up. You haven’t heard anything on Buck’s end, but you really hope he’s looking forward to meeting you.

You stare at the gift you had bought for him that’s sitting in the passenger seat and can’t help but smile to yourself at how well you did.You had been stressing all week about finding the perfect gift for him and then eventually found something while scouring the internet. It’s a book with a bunch of fun facts about Los Angeles and California as a whole and you had actually spent the whole night before looking through it, wondering why you hadn’t gotten one for yourself. Maybe if you ask nicely, he’ll let you borrow it.

“I love to hear it,” she responds. “Hey, babe, I’ve gotta go. It’s dinner time and Hen just got home. But please, text me if you need anything alright? I love you.”

“I love you too,” you reply, then hang up before heading inside. 

The week goes by in a flash and as the days pass, Buck still hasn’t contacted you. You don’t know why you’re so disappointed by it. It’s not like he owes you anything. But now you’re about to show up to his birthday party feeling nothing but awkward, wondering how you can suddenly make time travel possible so you can take it all back. 

But the reason why Buck hasn’t texted you back isn’t what you think. The truth is, he got nervous. He’s been overthinking what he’s wanted to say to you for weeks, opening and closing his messaging app over and over, typing out a long winded message then backspacing it all because he doesn’t like the way it sounds. And maybe he should just be honest and tell you that he’s nervous, but now he feels like it’s too late. Like he’s absolutely blown it. 

He’s staring down at his phone even now, another message typed out to you even though he’s going to see you in person any second now. He still feels like he owes you an apology or at the very least an explanation, because he doesn’t want you to think he’s not interested. Because, fuck, is he interested. 

“Still trying to figure out what you’re going to say to your future wife? Man, you’re going to see her in like ten minutes,” Eddie claps Buck on the back, trying his best to hold in a laugh. He’s never seen Buck so into anyone before and he really hopes this one sticks because with how much he seems to like you, the rejection is going to hurt like hell.

“She’s not my future wife,” Buck rolls his eyes as he pockets his phone, turning to face his best friend. 

“You have been hung up on her for weeks. It’s always y/n this and y/n that. And you keep overthinking your text to her. You’ve never been so into someone like this before so that’s gotta mean something, right?” He asks and Buck mulls that over as the door opens, Hen and Karen entering his apartment, but he’s not even paying attention to anyone once you come in. It’s like everything around you blurs and you’re all he can see. 

You’re wearing a green dress that compliments your skin tone beautifully, and Buck thinks you might as well have wings since you look like nothing but an angel. He’s so drawn to you, watching your every move as you take in his apartment. 

His apartment is really nice and you don’t know you’re imagining what it would look like with all your stuff in it. He doesn’t like you, you have to remind yourself. He made that very clear when he didn’t contact you. You try to wipe that thought out of your head as you look around and once you make eye contact with him, you can’t help but smile, making a beeline for him. 

“Happy birthday,” you say as you hold your arms out for a hug as if you’re old friends. Buck is quick to return your hug, wrapping his arms around your waist while yours are around his shoulders. You’re squeezing each other tight and you bury your faces into each other’s necks as if you haven’t seen each other in a long time. It was to the point where everyone, including yourselves, forgot that this was the first time you were actually meeting.

You pull back to look at him and it’s as if all of your anger towards him melts when you look into his eyes. With the way he looks at you, there’s no way he doesn’t feel the same about you. He has to. 

And just when you’re about to pull away to give him his gift, he pulls you back gently, his grip on you so loose that you can leave if you want to. Buck wants to apologize. He needs to because he can’t move on with the party until he does, the guilt churning in his stomach making him feel queasy. 

“I’m sorry,” he says, and you know exactly what he’s apologizing for. He doesn’t need to say it. You can tell how sincere he is from the look on his face and it’s obvious to you how guilty he feels. He just wants you to know just how bad he feels for not responding to your very nice gesture. 

“I didn’t mean to ignore you. I just really wanted to impress you and I over thought my response. I guess I could have just told you how nervous you make me feel, but I didn’t want to sound overeager. But I really did like the duck. I know you’re supposed to put it on your dash, but I put it on my keys. 

Buck lets go of you and hurries to the hook where he keeps his keys and he turns to hold them out to you. Sure enough, there’s the little duck amongst the keys and other keychains. You’re so overwhelmed by the sweet gesture that you do the only thing you can think of to thank him for it. 

Before you can stop yourself, you’re grabbing hold of him and pressing your lips to his. He lets out a gasp at the sudden movement, but he eventually melts into you, the two of you so wrapped up in each other that you have completely forgotten that there are other people in the room. 

Buck smiles into the kiss and you mimic him, not being able to stop yourself from laughing into his mouth because of how happy you are. And when you pull away, you see that everyone is looking at the two of you with nothing but smiles on their faces. 

They have been waiting for this for quite a while and as you look around the room at all the party guests, you don’t miss Hen and Karen high fiving each other as a result of a job well done. They think this setup will work so much better than their other ones. And when you look back at Buck who’s staring at you like you’ve hung the moon, you’re beginning to think that maybe it will.

[daman19942]

TSR CC Recommendations: TS2 Lot Builders

Nobody asked for this but I have a little time on my hands and I said I might do it, so here is a list of some TSR lot builders who I recommend checking out. A few notes under the cut before we get started (all details under the cut, as well, in case you aren't interested in my preamble):

This is not meant to be paid promotion for TSR. I believe TSR asking users to pay for their CC is ridiculous, especially for a 19 year old game they haven't supported in 7 years. But I spent many years uploading there during the peak-TS2 / pre-TS3 era and know there is great CC in their archives that newer players may not know about. And unlike TheSims2.com, which has sadly shuffled off this mortal coil, TSR's content is still available to freely download (assuming you can stomach the pop-ups and wait times)

This post will only be about lot builders because that was what I was primarily uploading and downloading in this era. I was friendly with some of the creators I am about to list, but none of them are still active members of the TS2 community.

The preview pics might be a little rough and the architecture styles will likely feel very dated compared to the most popular styles these days, which are more colorful, cluttered, and use 3t2 and 4t2 conversions. Re: the previews: too many of us were using free trials of PaintShopPro back then, and TSR limited us to 2 previews, so we did our best. Re: the styles: unlike pre-2010's CAS CC, which was full of hand painted and "realistic" textures (LOL), these are the same objects you can find in the game today, just being used in different ways! Sometimes for the first time! And, yes, while some of these creators used CC, it was mostly Homecrafter walls and floors, as you'll see below.

This was also the hey-day of CFE lot building, which has certainly fallen out of favor to more traditional builds (in part because graphics cards have improved and these types of builds don't look as good in 2024, and also because the great CFE experimenters, builders, and tutorial writers are no longer part of the community and their original discoveries are gone as well - I am happy to go down a massive rabbit hole on this piece of TS2 history if anyone else cares, but trust me, you don't have to care).

Alright that is enough caveating, here are some recs! (Links are in the creator's names and they take you to their Lots, though many of them have other creations, too).

Lord Tiko Speaking of great CFE builders! Lord Tiko built spaceships, boats, pagodas, domes, windmills and bridges, oh so many bridges before retiring mid-TS2 because of health issues. He was one of the first builders to take Daihtnaoz7's single and double bridge tutorials and apply them to really big lots. I'm still not sure how he built the Venice Rialto Bridge, or his other European water lots. Overall, a massive inspiration to me when I was prioritizing CFE builds.

Hatshepsut My favorite "traditional" home builder, and someone I considered a friend. She specialized in English and American builds, and I had many of Hat's houses in my old saves and was impressed by her range and decorating style which was (for the time) more varied than many of her peers. Knew how to take great preview pics of her houses, too.

Tigerblue Another builder I corresponded with, Tigerblue was probably the least prolific uploader on this list for sheer number of uploads, but she also crossed a range of styles. Her builds leaned way into specific styles (see the previews, these were all part of consistent sets of 3,4, or even 10 lots), but this was also what happened when a new EP dropped and everyone raced to uploaded builds using as many of the new objects and styles as possible. Tigerblue just happened to be better at it than most of us.

Cyclonesue Do current TS2 players know Cyclonesue? Because it's hard to think of someone who had a bigger impact on building and decorating of the era, first with her English and Tudor builds and later with her extremely distinct grunge creations. Seriously, check out her Urban Renewal series and the corresponding objects. Iconic stuff that surely now feels frozen in time. I probably only played 20% of her lots that I downloaded, but they still make for great hood decor. Like Tiko, someone who happily experimented with CFE.

Illiana The creator who inspired me to make this list is, ironically, the one on it who I know the least about (she is a Featured Artist but not in the Hall of Fame, whatever that means). I just started playing her Tri-Annyas fraternity house and have a few other lots floating around my game. She built in a range of styles, from classical to modern to Twikki Island to grunge. Revisiting some of them in-game, the TSR previews do not do them justice.

*EXHALES* If you made it to this point, kudos to you. I'm sure there are creators I've forgotten, and houses I haven't linked to, but this is a good starting point for digging into some of the eclectic builds the TSR(chives) have to offer (I just coined that, is it clever? It is not). Maybe I'll do a Part 2 if people like this.

If you have any favorites of your own, let me know what I missed! And as I do with my old Exchange re-uploads, I am tagging @sims2packrat and @oldasscustomcontent for general TS2 history awareness!

[babyseraphim]

1910's music: Edwin Payne style

Hi ya’ll! Friendly music teacher/opera singer here to answer a question that pretty much no one has asked (except me): what music would Edwin have listened to/enjoyed when he was alive?

I’ve separated this into three different genres (classical, jazz, and pop), so the entire thing is pretty long. I've also tried to give references for any additional information provided, but most of it is coming straight from my brain after years of music history classes, so feel free to correct me if I get anything wrong.

Classical Music

So, the first thing to know about me is that I’m a big pianist!Edwin truther, and I'm going to be talking about it a lot in this post. It was extremely common for families (especially wealthy families) to have their children train in some sort of instrument from an early age back then, so learning music was something that Edwin likely would have been forced to do.

There are some classical pieces that I have already heard mention of amongst the fandom, so I will stick them in the 'honorable mentions' section, but I want to feature some music that I haven't seen mentioned in conjunction with Edwin's character yet. 1. Erik Satie's Trios Gnosiennes (1893)

So, I've always associated the first three Gnosiennes with Edwin not only because they're so hauntingly beautiful, but also because they're rhythmically very different than a lot of other classical music of his time. The Gnosiennes are largely played in 'free time' (with no time signatures or bar lines), which is a bit unusual for the genre (though modern classical music has a lot more of it). Satie's music really pulled away from a lot of musical customs, spurning traditional forms and tonal structures in favor of more creative options, and I think Edwin would have really enjoyed it.

Edwin's possible interest in breaking musical customs will come back a lot throughout this post, but given that he is often characterized as going against the social grain (whether he was trying to or not), I think he really would have enjoyed Satie's works as a whole. However, Trios Gnosiennes just really speak to me for his character.

2. Igor Stravinsky's The Rite of Spring (premiered in 1913)

The Rite of Spring was a Russian ballet that Stravinsky was commissioned to write for the Ballet Russes company. The work was known for its dissonance and barbarity, and the dancing was described as 'jerky' and 'hedonistic'.

Now, do I think that Edwin would have particularly enjoyed the sound of the the Rite of Spring? Maybe not, but I imagine he likely would have respected its departure from the musical decorum of his time (the piece later went on to be considered one of the the earliest examples of modernism in music). The first public showing of The Rite of Spring caused the theater to break out into a riot partially due to the fact that they thought the music/dancing was a work of blasphemy, and I just think Edwin would have found that hilarious.

3. Gaetano Donizetti's Lucia di Lammermoor (1835), particularly Spargi d'amaro pianto (the famous 'mad scene' aria)

I don't think Edwin would have been a fan of opera as a whole, but I do think that this work's entertaining twists, literary origins, and technically challenging composition might have caught his eye (I even went so far as to sing through this aria a few nights ago because I was curious, and yeah, its really fucking hard).

Lucia di Lammermoor is a tragic opera based on the 1819 novel The Bride of Lammermoor by Walter Scott, which was based on the real life story of a woman named Janet Dalrymple. Lucia was performed at the Met nearly every season from 1903-1972, and I imagine that if it was doing well in America, it must have been doing numbers in Europe.

Honorable Mentions - Claude Debussy's Clair de Lune and Deux Arabesques - Frédéric Chopin's Noctures (particularly Op. 9, No. 1) and Études (particularly Op. 25, No. 11) - Erik Satie's Trios Gymonepdies

Jazz Music

So, this is where my pianist!Edwin headcanon starts to diverge from the pretty much all of the other music-related headcanons I've seen.

Technically speaking, 'jazz' as we know it didn't really exist when Edwin was alive; he died literally one the cusp of the the Golden Age of Jazz, which is a huge fucking bummer. Jass (as it would've have been referred to in the 1910's) mostly consisted of ragtime and early blues, and was considered to be a 'fringe' style of music (pretty much entirely due to racism). As far as acceptability went, being a teenager with a love for 'jass' in the 1910's would have been the social equivalent of being a teenager with a love for ska or punk music in the 80's (the parallels!!!)

I think its pretty well argued within the fandom that Edwin is a bit rebellious when it come to authority and societal standards, and even though I think he was probably less of a little shit while he was alive, there's no way he was just totally fine with living inside the lines. I posit that, as a rebellion, he would have spurned classical music and became a ragtime pianist (which was one of the main precursors to jazz as we know it today). I actually wrote a fic about this way back when I first joined the fandom, for anyone who's interested!

1. Scott Joplin's Sugar Cane Rag (1908), Fig Leaf Rag (1908), and Paragon Rag (1909)

Scott Joplin (the King of Ragtime) was the most famous ragtime pianist of all time, and one of the driving forces behind creating the jazz genre as we know it. I guarantee that you guys have heard his most famous song, The Entertainer, at least once, and have probably heard his Maple Leaf Rag as well. If Edwin was into ragtime, then its a sure thing that he would have been a big fan of Scott Joplin's rags. I picked the three that I thought suited him best.

2. James Scott's Frog Legs Rag (1906) and Sunburst Rag (1909)

James Scott was also a famous American ragtime composer, and both of the listed songs would have been released when Edwin was pretty young. He probably wouldn't have been old enough to play them for a few years, depending on his training, but thinking of a little 12 year old Edwin learning to play these (as well as Scott Joplin's rags) in his free time just fucking tickles me. I love it so much.

3. Davy Peyton and Spencer Williams' I Ain't Got Nobody, recorded by Marion Harris in 1916

I Ain't Got Nobody was an early jazz standard from 1915 that eventually developed into a multi-genre standard (meaning that it was considered a standard for multiple genres, ranging from jazz to pop to country). I don't have a lot of reasoning for this one other that I think that Edwin would have just really liked Marion Harris' voice.

Honorable Mentions - Euday L. Bowman's Twelfth Street Rag (aka the Spongebob song) - Artie Matthews' Weary Blues

Pop Music

So, a disclaimer here. My music degree required me to take jazz and classical music history classes, which did not cover pop music of the 1910's, so I have fewer historical insights to offer about this genre. However, whenever I think about these songs, I always picture Edwin listening to them through a phonograph while doing homework on his bed, like a teenage girl listening to Sabrina Carpenter or Chappell Roan while studying (I know that's silly, but I think its just such a fun visual). 1. Leo Friedman's Let Me Call You Sweetheart, recorded by the Arthur Clough in 1910

Let Me Call You Sweetheart was one of the highest charting songs throughout the early 1910's, and the most popular version was recorded by a group called the Peerless Quartet. Edwin doesn't really strike me as a quartet enjoyer, though, and this version by Arthur Clough was released the same year. I think he would have enjoyed the tonal quality of Clough's voice much more.

2. Grace Le Boy's The Good Ship Mary Anne, recorded by Nora Bayes in 1914

Nora Bayes was a very famous vaudeville performer of the 1920's, and lot of her biggest hits were recorded shortly after Edwin died (like, literally 1917-1925). I wrote a snippet for a fic that got left on the cutting room floor a while back about the song itself providing a positive association with the term 'Mary Anne', and I still stick by that. In this song, the name 'Mary Anne' only refers to a ship.

3. Irving Berlin's Alexander's Ragtime Band, recorded by Arthur Collins and Byron G. Harlan in 1911

So, this song could technically go under the jazz section, but I'm going to put it here, and I'll explain why. Jazz is an art from that was created and popularized by black musicians, which is why it was seen as such an undesirable art form for such a long time. People liked the music, but they didn't like that it was made by black artists. Alexander's Ragtime Band originated in Tin Pan Alley and was one of the top charting songs for much of 1911 (first in America, then overseas), but it was created by a white artist that was simply 'jumping a trend'. Strictly speaking, genre-wise, its not even a ragtime song—it's a march. It's just about ragtime.

I honestly don't really even like this song that much, and I'm not sure Edwin would have very strong feelings about it either. However, it was an extremely pivotal song for the time period, and likely would have been inescapable (or as inescapable as music could be back in the 1910's, given that music required either records or live performances). Think of it as the equivalent of a pop song that you could really do without, but its so popular that it keeps winning awards and playing in every Forever 21 and H&M within a ten mile radius.

Honorable Mentions - Gus Edwards' By the Light of the Silvery Moon, recorded by Ada Jones - Percy Wenrich's Moonlight Bay, recorded by Dolly Connolly

~~~~

I hope you guys enjoyed this! I also made a playlist, if you'd like to take a look (I couldn't find all the songs, and not all of them are time period accurate, but I tried my best).

If ya'll liked this, I might make one for Charles and dive into ska and Rude Boy culture a little bit. Feel free to send me any questions or ideas you have about all this stuff, too! I love talking about it.

For the people who asked to be tagged: @likemmmcookies @edwinspaynes @asnottoldbyginger @rexrevri

@l-nightmare @ricebees @aroacespacerock @haledamage

(plus i'm tagging you, @laiqualaurelote, because I feel you would appreciate this)

[cobragardens]

CORRECTED & UPDATED Clothes + Equivocation = Romance: The Husbands in 1793 (Part 2)

From Part 1:

Crowley and Aziraphale share clothes as a common interest. They don't have the same style, but they're both aware of current fashions, and Heaven and Hell aren't. You can't tell me Hastur or Uriel would recognize the significance of Crowley saying "Dressed like that, he's asking for trouble" about someone else while wearing black stockings and cravat and waistcoat himself. And that means Anything the husbands communicate to each other through clothing choices goes undetected by their masters.

SO. With all this in mind, let's go through the 1793 scene again and look at what the husbands communicate to each other without using words or actions to do it, and how their clothing choices help them do that.

Hello. I'm here and I know you're in a spot of trouble. I like you.

It's you! I'm so happy you're here!

Sheen's voice and face when Aziraphale says Crowley's name in this moment makes me think that Aziraphale is in love with Crowley--the demon Crowley, not the angel who became Crowley--long before he consciously realizes it in 1941. The way Sheen has Aziraphale say Crowley's name is so soft.

The way you're he way you're lounging there and what you're wearing are uncomfortably sexy and also incredibly inappropriate for the Bastille at this moment in history. I suppose this is very on-brand for you.

Crowley: I listen when you talk about your interests and goals and keep track of your general whereabouts and pursuits.

Either they've spoken with each other recently or Crowley has been keeping tabs on Aziraphale. Aziraphale isn't upset that Crowley knows what he's been up to, which suggests the former, which in turn suggests they're in semi-regular (every few years or decades) contact at this point.

Also we've now got a general idea for when Aziraphale opens his bookshop.

Okay, brief tangent while I point out two things here.

One, my favorite thing about Aziraphale is that he is a sensualist. This is libertine behavior, y'all. He 'popped across the Channel' during the Reign of Terror because he wanted a specific carnal experience of a specific really lovely food.

And two, even when Aziraphale does weird, frivolous, silly, ill-advised things like this, things that clearly baffle Crowley...Crowley never makes fun of him. He never laughs at him. He always has this look of disbelief on his face, like Am I hearing this?--

--but Crowley never, not once, shuts Aziraphale down.

Until Aziraphale asks him to go back to Heaven.

Anyway. Back to our scene.

Aziraphale: I am unwilling to abandon my sartorial sensibilities even when it threatens my corporation, and I am insane, so I think this is reasonable. At least I'm not wearing a Slutty Monarchist outfit.

You're happy to see me, aren't you. You're relieved to see a demon. Go on, say it.

Tennant's delivery of this line cracks me up. It is so gloating and flirtatious and smarmy and indulgent of Aziraphale.

I am very happy to see you and lucky you're here, and I am willing to say so sincerely even though you are gloating about it.

And then there's the exchange where Crowley very carefully doesn't answer Aziraphale's question about why Crowley's in the area but also reassures him that he didn't cause the French Revolution and Aziraphale can still like him.

We can't speak openly about this. It's dangerous for me.

Message received: I won't mention what you did again. But I want to show my gratitude and spend time with you; is it safe for us to get lunch together?

Yes, but one of us is going to have to change so we can walk the streets of Paris without getting arrested again, and I'm the one doing the rescuing here so it's not going to be me. Your 'standards' will have to take the hit.

Fine, you've got me over a barrel. But hey, if I have to wear the silly hat anyway I might as well go all the way and wear your colors. Except not monarchist. And not slutty.

Oh, I don't know, I thought you looked pretty slutty too. (Meaning 2) I'm having this guy killed for touching you, btw. I will kill anyone who tries to hurt you. Immediately. I see you are having the guy who assaulted you killed in a copy of the clothes he would have killed you for wearing. I wholeheartedly approve of this (Meaning 3), your sexiness in those clothes notwithstanding. The utter insouciance of Crowley's little sniff and the inquiry about what they'll have for lunch drive home hard that Crowley could not be more unbothered by Aziraphale having the man who tried to harm him beheaded.

What really tickles me about this line is not only that Crowley's joke has three distinct meanings, but that Meaning 1 (the meaning that exists without reference to Crowley's clothes) is the opposite of Meaning 3--Anybody wearing clothes like that deserves what they get (Meaning 1) versus It rocks how you just killed someone who tried to kill you for wearing those clothes (Meaning 3)--and yet because of the clothes he's wearing, both meanings come through with perfect clarity, dependent only on whether the listener(s) can see his clothing and know its significance. Aziraphale can, and does, so he receives Crowley's real meaning. Hell/Heaven can't, and don't, so they just hear Meaning 1.

And then we get Aziraphale's pleased little smile and look of tranquil interest as he watches Jean-Claude dragged off to his death. Its such an interesting facial expression for an angel watching a demon have someone killed having someone killed, isn't it?

Crowley has just told him they're probably being listened to by Hell. That means Aziraphale, Crowley, and the audience all know this is the most Aziraphale can safely react. Aziraphale can't show any overt approval of anything an agent of Hell does, because by definition anything a demon does is demonic and angels must be against That Sort of Thing. In light of the fact that Aziraphale is the one who causes Jean-Claude's death, I now argue that this responsibility not to react too positively to something the other side has done falls on Crowley, and that the reason he makes this joke is primarily to tell Aziraphale I see what you've just done, and I like it without identifying aloud what exactly has just happened for their presumed eavesdroppers because an angel arranging a human's murder is the sort of thing in which head offices might take undue interest.

The awareness that their conversation is not private means the audience and Aziraphale know they need to be watching and listening for multiple meanings from Crowley, and it also means the audience and Crowley know we need to be watching Aziraphale's face closely right now. And that little smile shows us that Aziraphale has received Meanings 2 and 3 of "he was asking for trouble."

Or, at minimum, Meaning 3; even if Aziraphale picks up on Meaning 2--You looked really sexy in your vintage clothes, you crazy weirdo--that's not a message he can afford to react to at all. But he does react to the other coded communication Crowley is sending when he says "Dressed like that, he was asking for trouble" while dressed for trouble himself: I will kill anyone who tries to hurt you. Immediately. People who think your clothes give them the right to hurt you can go to Hell, and I am delighted you just sent one of them there.

You just had someone beheaded for assaulting me, I acknowledge and am pleased by your delight at my cleverness. and I could not be happier. Would you like to come enjoy one of my very favorite sensual pleasures with me?

***

EDIT: To be honest I like this reading better than my original, incorrect understanding of the story despite the fact that it is slightly less romantic, both because I love the idea of Crowley as a thirsty witness to Aziraphale quietly being a vengeful badass, because it gives us a glimpse of something important about Aziraphale's character that we don't get to see elsewhere: Aziraphale doesn't have a problem with killing per se.

We learn from the business with the Antichrist that, like Crowley, Az. can't bring himself to kill children. We learn from his perturbation at the Flood and the Crucifixion that he doesn't hold with killing innocents. He gave away his flaming sword. But this scene establishes that Aziraphale will actively cause someone's death if he feels they deserve it. That seems like an important character note for him that may become relevant in Season 3 (feathers crossed that it happens).

And I think there's something else in there too, something about how Aziraphale kills Jean-Claude, not with outright violence but with a trick. One party thinks he's in control of the situation; with a wave of his hand, suddenly a turnip has turned into an inkwell an executioner has turned into the condemned--or at least it seems that way long enough to get the job done. It's a bait-and-switch, like stage magic, and it slots right in to the motif in Good Omens of sleight-of-hand, of characters wearing other characters' appearances (for more on this, see fan theories re: Maggie is possessed), of supplying false meanings to an audience to disguise the true actions going on behind the scenes.

[germiyahu]

That "racism of low expectations" point can be applied to more than Westerners patting their little Jihad Meow Meows on the head by the way. I think it also applies to American Jews, usually assimilated, acting like Israel is this Entity and not a country made up of mostly Middle Eastern Jews, people. When they do acknowledge that Israelis are people who aren't just acting in the interests of an all powerful governmental animus, they act like all Israelis are bloodthirsty frat bro soldiers wreaking havoc in Gaza because they think it's fun.

Because what is this? This tweet was in response to the chaotic backlash against Jonathan Glazer, who espoused a nearly identical sentiment. That sentiment being: Israel is using our Jewishness for some nefarious political purpose. It's not fair! We didn't sign off on GENOCIDE! How dare they use us to do this!

Israeli Jews are seen too unenlightened, too religious, too much of an embarrassment, to much of Diaspora Jewry. And yet at the same time their Jewishness is not even considered to be part of the political calculus of Israel at all? These not in my name types truly think Israel is a shadowy cabal of like 20 old white men (ironic) getting off on destroying lives and using as shields these poor innocent Americans and Brits, famously two peoples who've never twisted or corrupted the legacy of the Holocaust before.

They obviously have very hurt feelings that Israeli Jews dare to be Jews, to invoke their own Jewishness, Jewish values, to justify military action. They're not even really doing that? They want the hostages back. That is the primary concern if you poll Israeli citizens right now. And that's been the case pretty much every day since the pogrom. That's it. That's why they're saying Never Again. If that offends you as a Jewish person really let that steep. Really sit with your emotional reaction to Jews having a trauma reaction to traumatizing events and relating other events of Jewish trauma throughout history to that event. Ask yourself if it's appropriate to insinuate that they're using their Jewishness, sorry just YOUR Jewishness apparently, to make you look bad?

Israeli politicians have invoked the Holocaust outright, as a comparison. Because clearly the country whose "white" population is mostly made up of the descendants of Holocaust refugees has no business doing that? That's an affront to your name and your values?Again, why do you think everything is about you? Why do you think everything Israel does is even in your name in the first place? Is it American Brainrot Disease again?

You think Israeli Jews are so incapable of rationality and of yearning for social justice (they just want their family members back) that you erase them from the conversation. Israeli leftists are not real and are not working with Palestinians as we speak, and certainly aren't advocating for a ceasefire more successfully than anyone on this continent! Israeli politicians who speak to their constituents and use the shared cultural language of being Jews are trying to brainwash and influence Americans, because they have no constituents. Israel is just a bunch of racist politicians and a mercenary army that's trained to kill children specifically.

Like this is getting so annoying. It's clear they wish they could just excommunicate all Israelis, because they're Bad Jews. They want to take away their Jewish card, because that's not what Real Judaism stands for! And then they get offended when non secular Jews around the world dare question their Jewish identities in response to this behavior. Which I'm not condoning for the record, but how about you practice what you preach for once?

[maniacwatchestheworld]

We Need To Talk About Danny's Power Level.

I was hesitant to make this post, but the more I think about it and the more I see... We really HAVE to discuss this. Generally speaking, I really don't want to be seen as someone who is trying to ruin people's fun within this fandom. I want to inform, and while I have issues with some of the very prevalent ideas in this fandom, I don't want to tell people what they should or should not be making! I want people to follow what they find fun to create! But this power level thing...? I think that it has some rather concerning implications to it that need to be examined and discussed! This is an actual, decently serious problem, and after considering it for a time, it occurs to me that I may be one of the few people in this community that recognizes this issue as an actual issue and has the authority to speak on it...

You NEED to stop making Danny so incredibly overpowered in the DPxDC space.

Now please don't misunderstand me. I understand the value of a good fun power fantasy and making Danny more powerful than God can be fun and cathartic if you have a negative history with the Christian faith. But this insistence on the Ghost Zone being The Most Important Thing Ever and Danny being The Most Powerful Entity Within It is actually actively warping how people interpret and think about DC canon as well as certain characters within its canon to the point of unrecognizability as well as robbing characters of what makes them interesting, the point of their stories, and their agency within it. But most importantly of all, all of this is just... Generally, genuinely dismissive and shitty towards most religions, cultures, beliefs, and faiths that people practice, ESPECIALLY the faiths of POC and other minorities. And this is specifically an issue that DC does not have and that people within this space are making an issue by refusing to let the Ghost Zone and Danny have some limitations.

So that you understand where I'm coming from, please understand that I'm a person of color (I'm half Filipino) and that I'm Buddhist (a religion that I decided to convert to and embrace after a lot of thought and soul-searching, even if I'm not very good at practicing it). It also needs to be stated that in the DC universe, all religions and faiths are true and real at the same time, and they all have more or less equal footing as any other faith or religion or mythology explored in this multiverse. Christian heaven and hell are real. Reincarnation is canonical to the DCU. The Greek Pantheon is real and they are just as real and powerful as the Norse Pantheon. (By the by, just to let you know, yes, people in the real life modern day do actually actively worship both of these pantheons today.) Different alien planets have different faiths, and there is precedent for them being real as well. (Hey! Fun fact! Kryptonians are polytheistic!) It does seem that some form of animism is real within the DCU (within concepts of The Red and The Green)! And there is even representation for indigenous African faiths and beliefs within this shared universe! One of the genuinely wonderful things about the DC universe is that all of these faiths are real, they're all valid, and they are all more or less on equal footing to one another! If all the religions and afterlives and gods of each pantheon went to war with one another, it would genuinely be difficult to know who would win, or who would even stand a chance of coming out of this conflict alive!

In fact, a lot of characters and storylines within the DC universe are actually DEPENDENT on all of these faiths existing and being equally valid at the same time. Do you know where Billy Batson gets his powers from? The phrase "SHAZAM," if you didn't know, is actually an acronym for the names of the gods and heroes that he derives his powers from. (Solomon, Heracles, Atlas, Zeus, Achilles, and Mercury.) And it's implied that each person with SHAZAM powers has different heroes and gods that they derive their power from! (Black Adam derives all of his powers from the Egyptian Pantheon. Mary Marvel derives all of her powers from female gods and heroic figures.) Many of Wonder Woman's stories involve her interacting with various different pantheons. Xanthe Zhou gets their powers from traditional Chinese folk ancestor-worshiping practices. Ragman is a Jewish character whose suit is a powerful Jewish artifact- a suit made out of the souls of sinners that was created to protect the Jewish community. Sun Wukong is an actual character in the DCU and he is JUST as overpowered and immortal ×500 as he should be! And there are like... At least 3 entirely different characters that either are iterations of, claim to be, or pull their powers/inspiration from Anansi! DC celebrates a lot of faiths and religions and are bringing in more beliefs and faiths into their universe all the time! TONS of characters derive their powers from their religions, faiths, and beliefs! And DC celebrates them all as being real and valid to all who practice them! ... And you want them all to be forced to be under the same umbrella and less important and powerful as Danny and the Ghost Zone...

Bringing up ideas of ghosts and afterlives are always going to be loaded subjects because they often inherently rub up against actual living people's practiced religions and beliefs. But a belief in ghosts and dimensions better suited for them is also a valid belief that real life people have. And there is precedent for these beliefs also being real within DC canon. But DC only manages to get away with crossing over as many faiths as it does by saying that they are all real, valid, and while you might see less of some pantheons and more of others, they all exist and are doing their own thing just like they do in real life, just off panel... Are you beginning to see what the problem is...?

In the DPxDC fandom's eagerness to incorporate Danny into the DC universe and to make him powerful enough to go toe to toe with the likes of Superman, it seems that most people immediately overcompensated and that no one has really thought to slow down, stop, and actually think about what they are implying. Because the most common headcanons that I have seen regarding the Ghost Zone and other afterlives and religions? It's that they are all parts of the Ghost Zone, but are all ultimately subordinate to it. And since Danny is the Most Powerful and Important Person in the Ghost Zone... This implies that all religions, faiths and beliefs are less important and are indeed subordinate to the Almighty Danny. That all deities and the people following them should just bow down to Danny's might. This is something that DC, in spite of all of its flaws, has managed to avoid. These religions are REAL religions! Actual faiths practiced by actual people! We are NOT talking about dead, irrelevant pantheons that no one alive worship anymore! We are talking about living, active faiths and religions, some of which colonizers have tried to eradicate from the world! Some of these faiths have been suppressed! Some of the people who practice these beliefs have faced genocide for them! And so saying that the Ghost Zone is bigger, better, and that Danny is more important than any single other faith and afterlife...? THAT'S A SHITTY THING TO DO! You are literally doing the shitty Christian missionary thing, but with a fictional afterlife that consists of fictional characters that you know are not actual religious beliefs! You're landing on the sandy polytheistic shores of the DCU and declaring that the Ghost Zone is actually vaster than every faith already in the DCU and that Danny is more powerful and has authority over your gods! That your beliefs and faith and religion should just take a backseat to the Danny power fantasy! That your real, lived religion is not more important nor should it be respected when Danny is in the room! Of course the Buddha should bow down to Danny! Of course the Jewish people should renounce their faith and worship Danny instead because he's better and more powerful than the Jewish God! Why should people pray to their ancestors when Danny ultimately gets to decide what happens to everyone's ancestors!? If they want good things to happen to their ancestors in the afterlife, they should pray to Danny instead! Not like any form of prayer works or matters in this universe anyway because Danny is Almighty! And he doesn't hear the prayers! By making all faiths subordinate to Danny within these stories, you are saying that anyone who practices these beliefs and faiths within these stories are not valid in their beliefs. The only belief that matters and is real in this universe is the Ghost Zone and whatever will appease Danny the most. And while the characters in these stories are not real, the religions, beliefs, and practices they engage in ARE. And so you are implying that real people's faiths and religions don't matter. You are just dismissing real faiths and beliefs as not something worth thinking about or respecting within your works! You are saying that this fictional American white teenage boy and his goopy green land is more important to you than just being respectful of real people's faiths, beliefs, and religions. That your power fantasy is more important than saying that a person is valid for holding on to their beliefs. That when it comes down to it, that you would rather people choose your Danny power fantasy over their religion being portrayed as important and valid. That is honestly insulting. And really alls that you've done is impose monotheism onto the DC universe. You're just enforcing monotheism on people with extra steps. But instead of it being the Christian God, you've put Danny in that position. THIS IS A SHITTY THING TO DO! THIS SHOULD NOT BE THE DEFAULT HEADCANON THAT PEOPLE HAVE IN THIS FANDOM! PLEASE STOP!

Please understand. I know that you didn't do this on purpose or mean to imply this intentionally. I know that you didn't realize that you were insulting and undermining actual faiths and religions by pushing these ideas on the fandom. If one or two people had these thoughts and headcanons and didn't think very much about what they are implying, this would not be a problem. But for this to be the default is VERY disconcerting! As a Buddhist, it does feel genuinely shitty and insulting to imply that Danny has authority over the Buddha and that he outranks and is more powerful than Sun Wukong. It's not fun to think that my beliefs matter to you less than continuing to play with your Danny power fantasy. That you don't think that the pursuit for enlightenment and inner peace is real or worthwhile. That you would find my pursuit of compassion over everything else to be silly, stupid, and laughable when stood next to Danny. I know that you don't mean it. I know that's not what you meant to imply. But it is what you imply by making every faith subordinate to the Ghost Zone. And as someone who has a faith that is so often seen as subordinate to others and just a silly little play fantasy that doesn't matter and isn't real, it's depressing and uncomfortable to see this community as a whole unknowingly echo these sentiments. People in real life don't think that my faith is valid. People don't believe me when I say that I'm Buddhist. And as someone who is Filipino on top of that, I can't help but to think about the utter tragedy of my ancestors being forced to convert to Christianity or die. To forget their beliefs, pretend they never mattered, and embrace Jesus. To be forced to believe that their indigenous beliefs didn't matter. And so many of those indigenous beliefs are now lost and forgotten to their living ancestors (including myself) for it because to the Christians, their belief in Jesus was ultimately more important to them than just letting the Filipino beliefs and religions peacefully exist as they were. It's uncomfortable to me that you would rather I just embrace this view of Danny and let him be more important than and be an authority over my religion. That I should just be comfortable in Danny being more important and better than every religion that people actually practice in real life. That I should just forget the insult to my and any other religion that you make by placing Danny as more important than, and to "just have fun." But I can't. And these ideas are everywhere in this fandom. Even in stories where it shouldn't matter or doesn't need to be present, it's there. This reminder that you don't take my faith seriously- these ideas that Danny is more important than my faith are ubiquitous to this community. An issue that wasn't present in either of the original source materials. Because they thought about it and so went out of their way to not imply it. But here, people are just not willing to make that courtesy for even a second.

But it doesn't have to be this way. You can do better! I know that you can do better. And it isn't even difficult to do! All that you need to do better is to simply... Just... Think about it. When you imply or say "all afterlives are part of the Ghost Zone" actually think about ALL afterlives! Christian and Atheist and Greek ones, yes. But also Asian and Native American and African and South American ones too! Is that kind of thought fair towards Native American faiths, Buddhists, Jews, Hindus, Palestinians, Hellenists, Animists, and every other person and group that practices a faith? Or does this have majorly fucked up implications towards some or all of these people? If the answer is yes, you can proceed, but you need to be mindful of that fact and just think about it, even if only a little. Even if it's just a small acknowledgement that you don't know what you're talking about or that you are choosing to ignore some of the fucked up implications you're making here for the sake of the story in the tags. I just want you to take a moment and think through the implications of what you are making, and to make a choice on whether you should proceed or reconsider things. If you choose to proceed with the fucked up implications, that's fine. It means that you can do so with other mindsets in mind and can possibly use these ideas in interesting ways! At least you made a stance to possibly be shitty towards some people for the sake of your fun. At least you made the choice to say that some people's beliefs just don't matter to your story. This is a neutral statement. Some works of art are just not made for some kinds of people. And that's fine. But it is always better to knowingly acknowledge and make that choice than to pretend that it isn't there. And if you didn't realize that's what you were doing? If you reconsider and choose to turn back on this idea? At least you made that choice and didn't just passively follow the rest of the crowd to get here. Hopefully, thinking about it will make you more mindful about your art in the future and therefore make it better! The only thing to do about it is to acknowledge that you weren't thinking about the implications, but that you changed your mind, and move forwards with your life.

Now just to be entirely clear, I'm not telling you that I want you to feel guilty about being inconsiderate towards other faiths. That doesn't really do anyone any good. I won't get any satisfaction from you feeling guilty about it or internally punishing yourself for it. Just actually give what you might be implying more thought in terms of religion next time and do better. It's alright to make mistakes. We are all just human and we all make mistakes. Sometimes we don't even realize when we've made a mistake. Just strive to do better next time, be more willing to let go of these ideas that you're so attached to, allow yourself to see things from another perspective, and move on. Sometimes, it's better to just leave things alone. Sometimes you shouldn't meddle and try to rework ideas that were perfectly good on their own to begin with. Sometimes nothing that you personally can add will be a positive contribution. Sometimes the only thing that interfering will do is over-complicate things and rob the idea of what made it so interesting and powerful in the first place. But it's okay to leave it alone. It's going to be okay. I'm not angry. Just disappointed and a little frustrated. But it's better if you are able to just drop these things and move forwards with mindfulness in the future.

As an alternative, I think that it would generally be better for the Ghost Zone to just be its own thing separate from the other afterlives. Equal to other afterlives and not all-encompassing of them. It can be connected or related to other afterlives, but being greater than them as a whole is just a very uncomfortable and cruel implication. You don't need the Ghost Zone to be the most important thing in the multiverse. And Danny does not need to be the most powerful thing in existence. Please. It's okay to have power fantasies. But the invincible overpowered stronger than all Gods Danny should not be the overwhelming norm here to the detriment of everything else. It's only when you let go of Danny NEEDING to be the MOST important thing in the multiverse can you start to really dive into some of the more interesting sides of characters on their own terms and not on yours! Like... Did you know that there is one ghost character in DC called The Spectre and that he's the literal personification of the wrath of God? Did you know that Xanthe Zhou as a spirit envoy is actually half dead and half alive? Did you know that The Wizard Shazam is actually, secretly an aboriginal god? Did you know that in the DC universe that Judas Iscariot still walks the Earth to this day, doing vigilante work to atone for his betrayal of Jesus? Did you know that Ra's Al Ghul's mom has met and hung out with some of the demons that Sun Wukong fought against in Journey to the West? Hell, did you know that Damian is Buddhist!? Imagine that. Danny coming in and telling Damian that he's more important and more powerful than Damian's entire religion. That the Buddha is just a lackey of his and that he rules over all afterlives, including nirvana and cycles of reincarnation. I'm certain that Damian would take that very well and accept it wholeheartedly! Don't you agree with me?!!?!???!

I personally think that all of this is better and more interesting if characters, their religions, and ideas in general are able to interact with Danny's world on their own terms without being forced to fit within Danny's box! You don't need to try to force everything within DC's universe to fit inside Danny's. DC wouldn't ask for Danny's universe to conform to theirs! They would just add everything that Danny's universe has to offer on top of everything else they already have! And trying to fit the entire DC multiverse within the scope of Danny's universe... It's too small a box for too large of a universe! Sometimes you can just let things not be deeply connected. And sometimes things don't need a complicated explanation and it can literally just be magic. There's nothing wrong with trying to tie everything together in a neat and succinct way. But sometimes you need to pull your view out a little and look at what you're doing and genuinely ask yourself if what you're doing actually adds depth, or if it does more harm than good and makes everything worse, make less sense, and more complicated or not. It's okay to fall down the rabbit hole sometimes. I completely understand that happening and do it all the time! Just remember to be mindful about it!

Either way, if you're going to insist on desperately clinging onto these ideas of Danny being the Most Important and Powerful Thing in the Multiverse to the detriment of literally everything else, that's fine. But just be honest with what you're doing and why. This isn't a Ghost King Danny AU. Kingdoms don't have unequivocal power over other and all kingdoms. It's a God Emperor over all Gods Danny AU. Nothing wrong with that concept in of itself. Just tag it properly as something like "God King Danny" so that I don't have to deal with it and the implications you're making about my religion with it. That would be enough! I would be happy with that! Just make your choice. Think about what you're doing, why you're doing it and choose. If you choose to keep going, that's fine! All the more power to you! Have fun! But be honest about what you're making. I may not like it and think that it's an overdone, overplayed idea at this point, but you're free to do it! So go forwards and make what will bring you joy! But now that you've thought about it a little, hopefully you'll continue with a little more knowledge and foresight. And hopefully that will make your work even more interesting and better for it! And if you decide to change course, I'm glad that I was able to sway you and get you to see things from my perspective and come to my side on this. At the very least, hopefully this will help to vary up ideas within the fandom a bit and you won't just take ideas that are happening in this space entirely for granted and as givens! I have so many ideas on interesting ways that these intersections can go and characters that you can use, and ways to look at this community that offer so so SO many interesting story directions! I'm so happy that you've decided to come with me on this journey! You're going to make something great, I'm certain of it! So let's make something wonderful together! I believe in you! There's a lot of fun to be had! ^.^

[kaibutsushidousha]

Thoughts on Kirschtaria?

I love Kirschtaria lots but he isn't exactly easy to talk about. Olympus was 4 years but I still think it's too early for this post. Kirschtaria is the one who knows what the entire Animusphere plot is about. Until his final scenes, where he opens rebellion against the CHALDEAS and tries to unfold his secret plan, he's under constant surveillance by the priestess and pretty much all of his actions and speeches inform of CHALDEAS's (Marisbury's) beliefs rather than his own. A good analysis of Kirschtaria needs to wait until we know what exactly he was involved with.

The post-rebellion parts, where we get to see his past and learn about his ideals, are not easy to talk about either because Kirschtaria is too much of a straightforward hero behind his mage posturing and 5D chess. He's cheerful, accepting, driven to be productive, loves his friends, believes in everyone's inherent potential to be good, and wishes to end inequality above all.

One of the parroted Animusphere beliefs that Kirschtaria showed to genuinely believe in is the idea that humans are unequipped to immediately make the right choice but he puts a positive spin to it making we are experts in fixing mistakes later.

I don't think I can find anything original to say by explaining how his experience with Pino taught him that beauty can come from the least expected places and how much that is reflected in his relationships with Caenis and Beryl, so I guess all I got to close off this with post with is some speculative trivia that never leaves my brain.

I strongly believe Kirschtaria's characterization is the result of Nasu really wanting to write his original version of Jesus but knowing exactly how much of a bad idea it is to portray the central figure of a massively active religion. This is the same guy who made the Buddha into a boss character with no speaking roles and removed Hassan's Allah Akbar chant from every rerelease of Fsn for sensibility reasons. Jesus himself gets referenced as the Messiah sometimes but never by name. Nasu plays safe with this kind of thing.

So instead of Jesus, we have Kirschtaria. Named after the Japanese "kirishito" spelling of Christ, but written with a very unusual romanization because Nasu really wanted the English spelling of the name to contain an anagram of Christ (irscht). Then he put Kirsch through the basic Jesus plot of carrying out a major project to free mankind from its history of sin and enable everyone to do better, with the only life paid as the price being his own. And in true Jesus fashion, this ends with Kirschtaria dying by the side of a huge sinner that he personally pardoned and inspired to be better. And since subtlety is for pussies, we also get a scene where Caenis sees Kirschtaria shirtless and practically straight up says "Dude, you look like one of those Jesus portraits".

I could continue with commentary on how Pino being poor, sickly, and homeless is in line with the standard archetype of characters who appear to receive miracles in the Gospels, or how Nasu's interest in Jesus is tangible again with his next story portraying both Avalon le Faes as prophesized saviors born through special means for the sole purpose of going on a painful journey of pilgrimage fated to culminate on them sacrificing themselves to absolve the people of an ancestral sin but I think it's better not to stretch the idea too much.

[pianostarinwonderland]

Thoughts on the Lost in the Book Halloween Event [Ep 1-3]

hello 🤠🤠 guess which bitch decided to kick this blog alive after checks calendar 6+ months of inactivity.......

unfortunately, twistie wonderworld has created a not-azul character that appeals HEAVILY to my tastes 🧍‍♀️ and you may as well call me dead with how much i've thrown myself off a cliff over mr skully j graves

this is also not counting that AZUL MOTHERFUCKING ASHENGROTTO IS IN THE EVENT AND THEREFORE I GET DOUBLE WHAMMIED

SO ANYWAY. I WOULD HAVE DONE EPISODE BY EPISODE SCREAMING AND CRYING BUT MY ASS HAS BEEN TIRED AND BUSY THE PAST TWO WEEKS. BUT THIS RECENT UPDATE HAS GOTTEN ME BY THE T H R O A T SO IM UP. REVIVED. AND ABOUT TO BLOW PPL'S EARS OFF WITH MY THOUGHTS ON THE LORE, AZUL, AND SKULLY

since all 3 episodes have been long out, i'll just give my thoughts on the theories that sprung, thoughts on moments that struck me, and thoughts on the most interesting lore we get

Episode 1

it is embarrassing to admit how many times i've entered 1-4.

when i heard the voiced line, i was like ?!??!1/1!?!1 because not even rollo and fellow got that much voiced lines

and then when i saw the translation, it was joever for me

YOU CANT JUST GO "hello, hey, you who slumbers in my arms, can you hear my voice? please wake up for my sake" AND EXPECT ME TO BE NONCHALANT ABOUT IT................ IM JUST A GIRL

anyway when he said moshi and wagahai, that was when people started going oh fuck is he even from the present?? IS HE EVEN HUMAN???? and his asking what magical pens are does Not Help

all i can add further to this discussion is that i have not seen enough discussion about the fact that we don't really see his ears in the live2D............

his school lore is rly interesting too because he implies that magical stone distribution isn't equal unlike what the nrc cast have now (which is that they each have 1 stone of the same quality). so if the theories about him being a past nrc student are true, then it opens up a lot more lore about nrc's history

speaking of "skully being a past nrc student" theories, i do actually support them! for one, epel was silenced by jamil when he was about to say that they're students of night raven college. writing direction wise, i find it a very suspicious move to cut epel off just before he mentions where they go to school. but i think the strongest evidence right now is the detail that a jp tweet pointed out, in which skully also called the town in sage island the foothill town. said tweet said that night raven college students would call it the foothill town because it's how they see it from their point of view of being on a cliff. to them it's the town on the bottom of the cliff, or the foot of the hill. but for royal sword academy students let's say, since the town is just right next to them, they wouldn't call it the foothill town because it doesn't make sense in the perspective of where they're located. tho ill say, im not really sure if it Is officially called the foothill town in the twisted universe (it is called the foothill town officially in location names though). if it is officially called the foothill town in-universe, then consider this evidence null

its pretty crazy to me how deliberate the cast choice in this halloween feels because u really feel it when riddle called for a leader's meeting and it was just first years left alone. overblottees altogether is already an INSANE choice that i'll get back to later in this post, but for majority of them to be dorm and vice dorm leaders, it's p interesting. but it ends up making sense tho later on when they start doing halloween prep (and let's be real, if it was the others, barely anything would be ready)

it. left me insane. how skully gave everyone a kiss. like sure, it probably wasnt the best feeling to have your hand kissed without consent. BUT. I REALLY LIKE THAT HE DOES IT TO EVERYONE. INCLUDING US. im pretty weak to being included in general, so skully rly stole my heart here, like the kiss on the hand (WHICH IM ALREADY WEAK TO) isnt already stealing my heart. it adds sm to his character too 😭 when u account for how he's been made fun of, him talking to everyone and including even yuu is a way of him coping with the loneliness he's experienced 😭😭 he tries to be gentlemanly to everyone he meets

hinterlands!! just a side note, but when i was watching nightmare before christmas earlier, i realized how similar the hinterlands doors are to the mirrors in twst. cause u can still arrive at the hinterlands from the different towns, the doors just let u travel faster to them. the beginning of the movie also specified that nightmare before christmas was set in a time long long ago, when it was the age of the holidays. though the halloween townsfolk aren't familiar about twisted wonderland, it's a really cool thought to consider that maybe they were in the same world, it's just that they wouldnt have called the entire world as twisted wonderland, they just know of their own towns. or at the very least, in-universe, the writing of hinterlands' doors was inspired by OR PROBABLY inspired mirror travel

SKULLY LOSING A BIT OF HIS POLITE SPEECH WHEN HE MET JACK SKELLINGTON, IT'S SO CUTE 😭😭😭 but i also wanna bring it up now that having this event feature both the og character and the character twisted from them is BIG. the moment jack skellington was teased in the trailers, i knew twst was starting to bring out the big guns. i always figured ever since way back then that twst was going to let us meet the great seven, but we just don't know How. but it's Big that we even get to see the interaction between the movie character and the twisted character because it may be a possible foreshadow to what may happen once we start to tackle the historical revisionism of the great seven's' stories and how our characters will react to it. halloween 2 and glorious masquerade were also used to foreshadow book 7, so lost in the book nbc event foreshadowing something like book 8 or hell even book 9 would make sense.

HAHAHA AZUL BEING ABSOLUTELY TERRIFIED WHEN JACK SKELLINGTON SCARED HIM AND EPEL EVEN JUST A LITTLE BIT YEAH GET REKT ASHENGROTTO HAHAHAHAHA KEEP DOING WHAT UR DOING PUMPKIN KING 🥰🥰🥰 SEEING AZUL SCARED SHITLESS IS SO FUNNY

Episode 2

ok episode 2. god fucking damn it this episode RUINED ME PERSONALLY

but before we get to that, i wanna talk about skully's vision of halloween because i found it very interesting

when he was talking about how halloween should be silent, dark, and a time of reflecting on repentance and atonement where you can have an aid for it (like a pumpkin or a candle), i genuinely felt my catholic upbringing hit me way harder than with rollo. i SWEAR i've had my mom tell me once or twice while i was a kid that halloween is supposed to be a holy day because of the word hallow, and how it was called hallows eve😭😭 and how it's not good to dress up in costumes of witches, monsters, and devils because it's devil worship or smth. and it's also why we never had halloween decor growing up. im pretty sure she no longer remembers that cause we're now way more lax about those things, it's just that damn, i'm just saying y'all, i would 100% believe a person in 2024 celebrates halloween similar to skully's version

maybe it's just me being stupid pilled, but i really find the situation very ironic. i know that the interjection of the night raven college boys to voice out their disagreements about skully's way of celebrating halloween is to mirror the interjections of the townspeople when they were trying to understand and even voicing out disappointments about jack's presentation of christmas. but i find the scenario very very interesting because irl, christian puritans and conservatives would scoff at the pagan traditions, call them barbaric while we're at it, and do the whole thing of inserting christianity into it. it doesn't help that pope gregory III called november 1 as a day to honor all saints and then oct 31 was called all hallows eve, and then the christians celebrated some of the samhain traditions as well. but you see here in the story how it's the night raven college students, who promote a festive and more modern halloween, calling skully barbaric for his ideas of halloween, especially for the elimination of ghosts.

some ppl might find skully's ideas boring or too traditional. for me, it's kinda just a matter of differing cultures. like, i've grown up having a mix of trick-or-treating halloweens and halloweens where i just stay indoors. and i grew up in a catholic sphere where halloween in skully's vision is much preferred. so maybe it's just me but i can't really hate his vision. at the same time, i've also been on the side of completely shutting down people who bring up arguments rooted in strict catholic tradition, simply because i looked down on them. but i got lectured (not directly) that we shouldn't immediately shut down those arguments because hey, there are points that are made, esp if worded right. so reading this conflict in episode 2 tickled my brain. in the end, though, my overall thoughts are: i think that while skully looking down on people for disagreeing with him is something for him to improve, nrc students aren't totally in the clear either. they're all fair for having their disagreements, but in twisted fashion, they're all stubborn as hell

this also made me think about the ghosts and how the vast majority of twst might perceive them. the population of twst is still vastly non-magical, and while the dead are generally celebrated, i can't help but wonder if nrc's harsh reactions to skully's bias against ghosts is due to the fact they are in a campus where ghosts are able to manifest all year round and therefore they get to interact with them. but for a good majority of the population that cannot see ghosts nor are they mages, how do they really feel about the ghosts? i find it to be food for thought. and on that topic, people also avoid ramshackle because it's haunted. though,,, from the way halloween is characterized in twst, it sounds like everyone really celebrates the ghosts coming to the living, esp because the magic is stronger everywhere. but are all cultures receptive to that..?

anyway, poor skully had to meet the jack who's been seeking out something different for halloween (esp bc movie jack was dissatisfied initially with his pumpkin king schtick) so he's had to have his ideas rejected

jamil's so kind as to comfort skully. very interesting part though from azul 👁👄👁 he's like "well if his ideas get rejected then he should just make a new proposal, don't give up" and it's just a nice lil look into his projection. like dang azul :') it's obvious that he gets up very quickly after every setback, but knowing that in his mind, he Has to get up quickly, and thus expects everyone to do the same,,, ,he never gives himself time to breathe and process, i kinda cry for him. jamil thankfully being like "yea he can do that but still, it sucks to be rejected" like yes jamilllll say it!!! on another note, this feels like a really good idea to write for an azujami fanfic :)

THE MUSIC GROUP SEGMENTS. WHY ARE AZUL AND SKULLY INTERACTING REGARDING MUSIC. TWICE.

like the first one, we get to know the music tastes of azul, jamil, riddle, and skully. azul, being the gay ass bitch he is, exposes jamil's music taste, being fast tempo music one can dance to

as a classical music girlie, i personally lost my mind when skully asked if it was waltz or tango music 🤡🤡🤡 LIKE. WAAAAHHHHH WALTZ AND TANGO MUSIC ARE ABSOLUTE BANGERS PLS I NEED PPL TO BE FAMILIAR WITH THEM AND OUGH OUGH THE THOUGHT OF DANCING A WALTZ WITH SKULLY AND—

azul u bitch telling us that u listen to a lot of genres and play jazz music for mostro lounge fucfkfufkcff LIKE THE JAZZ IS A GIVEN. BUT AZUL WDYM BY A LOT OF GENRES. DO U STILL LISTEN TO JAZZ AZUL? OR HAVE U DABBLED INTO TAYLOR SWIFT AND OLIVIA RODRIGO? ARE U SECRETLY A CHAPPELL ROAN AND CHARLI XCX GIRLIE? HAVE U LOOKED INTO INDIE ROCK BANDS? DO U ALSO LIKE CLASSICAL TOO PLEASE SAY YES

riddle, in typical fashion likes classical music!! AND SKULLY ALSO LIKES CLASSICAL MUSIC YYYYYYYYYYESSSSS FUCKKINIGFIGNFDNKGNKFD WINNINGGGGGGGGGGGGGGGGGGGGG

AND JACK ASKED HIM WHAT SKULLY LIKES AND SKULLY SAID HE LIKES OPERA AND IM SO HAPPY THAT SKULLY GOT TO FANGIRL ABT JACK ALSO LIKING OPERA AND EVEN SINGING FOR THEM (and jack's singing is amazing like no cap)

but also suddenly i regret not listening to more opera in my life. im sorry puccini for ignoring u all this time. i may or may not have binged some opera music the night of the update.

BUT THE SECOND MUSIC DISCUSSION. REEEEEEEEEEEEEEEEEEEEE

WHAT DO U WANT FROM ME TWST ISTG. WHAT ARE U DOING MAKING SKULLY GO "ooh ive been thinking of learning how to play the piano" AND AZUL GOING "i know a bit of the piano!" U CANT JUST TEASE US ONCE AGAIN ABOUT AZUL'S PIANO EXPERIENCE WHILE ALSO MAKING SKULLY WANT TO PLAY PIANO.. .. ..... ...

that aside, idia also mentions doing programming music, so like MIDI and shit. wooo sound prod idia lezgooooooo

i do love also that skully asks us if we play music!! AND AZUL BEING EXCITED IF WE DO SAY THAT YES WE CAN DO MUSIC, OUGH AZUL U PREDICTABLE MF BUT ALSO THE WAY U MOTIVATE ME

anyway, just before the second music group segment, we get a really nice conversation between skully and sebek, in which skully shares that he's afraid if everything he's known is so far from reality. and sebek's like ok u respect tradition but u also have ur ideals, u should be more firm in ur ideals. and skully's poetically thanking sebek for showing him the light, and ty sebek for contributing to the future shitshow that skully will start in episode 4

Episode 3

ah yes. the episode where i lost all my marbles

first part, we get lock, shock, and barrel popping in. jack said that they were going to help out, but they ended up causing a lot of chaos

absolutely LOVE how they rattled almost all of the students, like i wheezes at lock calling epel a shortie and epel losing it. then vil's like, epel that is a CHILD insulting u, dont stoop to their level. and then lock was like ewwwww ur eyelashes look like centipedes, and vil was like SAY WHAT BITCH and jamil's reminding him of what vil just said.

AND THEN THE FUNNIEST MOMENT OF THE EVENT: LOCK GIVING JAMIL A BUG ON HIS HAND, AND JAMIL PROCEEDING TO FAINT

in true gay fashion, azul tells epel and the audience about jamil's fear of bugs

SECOND FUNNIEST MOMENT: LOCK OFFERING THE BUG TO JADE BUT JADE'S LIKE nah give it to vil and epel BUT THEN HE'S CALLED BORING AND THAT FUCKING TRIGGERS HIM???? JADE LEECH, THE MAN THAT DOESN'T USUALLY GET FAZED BY PEOPLE'S THOUGHTS OF HIM, GETTING PISSED OFF THAT HE'S CALLED BORING TO THE POINT THAT HE GOES "give me the bug. i will even make exciting reactions. just give me the bug." LIKE HOLY SHIT FKDHFAKJBFSKANFKNSAF THIS MAN HAS A COMPLEX ISTG

barrel sticking candy onto riddle's clothes and then eating it, u see riddle and trey being hella weirded out by that

idia's like, i wanna go away from this i do Not like parties, but malleus completely mishears idia and is like omg party? you want an invitation to a party too? omg me too bestie and idia's like oh my god nO

then u see shock staring at malleus and sebek's yelling at her but she's quiet.... until she hops on top of malleus

sebek's like WAKASAMA ILL TAKE THEM OUT FOR U but malleus is like don't sebek.......... I WILL TAKE THEM OUT MYSELF lightning strikes

congrats to azul, trey, leona, and idia for having the privilege to just stand there and panic at the chaos going on

jack is hella sad about the state of things

and SKULLY. SKULLY IS PISSED AT HOW MUCH OF A MESS THINGS HAVE GOTTEN. AND THEN HE'S LIKE IM GONNA TAKE CARE OF THIS

ANDDDDDDD THE MOMENT THAT MADE ME DIE IN CHAT: "Light the lanterns. Scary Night (Oct. 31)!"

guys i think skully likes halloween, im not sure tho

anyway, skully's unique magic can change people into pumpkins, and lock, shock, and barrel turn into pumpkins. once skully transforms them back, they're like do it again !! but skully's like no my UM is still developing so i cant use it more than once. but still, this impresses everyone.

SOME LORE ABOUT MAGIC: jamil says that skully's um is pretty advanced because it's appearance changing magic, which is already really hard with the aid of a transformation potion. and leona points out that while it might not work on those with high mana, it can at least catch someone off guard. i think it is also worth bringing up that transformation potions generally are banned, so this is a really interesting um that can still be perfected and developed !!

poor sebek, he gets jealous and tries to assert dominance but even malleus compliments sebek, and that pisses him off more SKDFJNSDKSDSKF

anyway sebek demands a third round of splitting into different teams so he can try to be with malleus, even when everyone was already happy enough with their teams

well sebek won finally BUT poor skully, he's now separated from jack AND HE'S CRYINGGGGG

leona is so funny, he's like oh thank GOD im not with the octavinelle bitches, and azul's like aw dont be lonely there :))) istg i love these two bitches and their bitchiness rubbing off each other, it's so yummy (and with the latest octa manga update it's made even YUMMIER)

can i just point out that for three consecutive rounds, azul's been in the music team. LIKE TWST CMON IF THIS ISN'T TEASING US ABOUT AZUL PLAYING MUSIC IN A LATER EVENT, IDK WHAT IS. PLS TWST. PLEASEEEEEEEE

too bad for leona, he reunites with his bitches later on 🥰 and by GOD the banter and the lore drops here are really yummy

well first off, we gotta get to the convo between leona and skully. skully compliments leona and stuff but leona's like ok bro u gotta focus on urself first. don't look away from ur dilemma rn that what u thought ur idol was is not how he actually is. basically, skully gotta acknowledge the disillusionment that he's experiencing

OH DEPENDING ON UR CHOICE, IF U AGREE WITH SKULLY THAT YES JACK'S PUTTING A LOT OF THOUGHT INTO THE HALLOWEEN PREP, HE'S GONNA BE LIKE "yes yes!! u see it too!!" AND THEN HE KISSES UR HAND like maaaaaaan THIRD KISS IN THE EVENT UWEEEHHHHHHHHH i feel so loved 😩😩😩

anyway you, skully, leona, jack, jade, and azul meet. we get more details about skully's way of celebrating halloween, he shares that he spends halloween alone, but jack's like nono! halloween is something we should spend with everyone! and this is probably skully's last straw because he ends up shocked and asks to leave, saying he'll help out lock, shock, and barrel

oh girl bye it's about to start

now music group's gotta compose AND WELL. FINALLY I GET CONFIRMATION ON THE COMPOSITION SKILLS OF AZUL (and jade). BOTH OF THEM DONT KNOW HOW TO COMPOSE....

leona's like lmao dont merfolk love singing or some shit, aND THIS ACTUALLY GETS AZUL PRETTY UPSET. Azul's like, hey not all merfolk like music or have an inclination to it! How prejudiced of u leona, and meanwhile jade's like well he's Not wrong idk any mer who dislikes music. dang did azul actually have a thing about not being skilled at music before???? or does he actually care more about his people than he lets on? both maybe?? that's so sweet tho

anyway they manage to shift the conversation to making fun of leona for not being good at singing HFSKJDHFSDKFHS octavinelle bitches i love u to the ends of the earth

top moments from this event definitely includes jade going "aw azul he's probably tone deaf" and azul dramatically gasping and going "jade how can u be so blunt?!?!?!?"

leona ends up singing the coconut song from his homeland (the one zazu sings to scar when he's caged) to show that yea he Can sing. AND AZUL AND JADE FOLLOWNSKNGSDNFNLKSDNFADNFNLNFSDF FUCKKKKKKKKKKKKK WHY IS THIS EVENT NOT VOICED,,,.,. AZUL, JADE, AND LEONA SINGING THE COCONUT SONG TOGETHERR.

LORE DROP: the song is also rly popular in the coral sea, as in they learn it when they're really young. and leona's like well it makes sense, the sunset savannah faces the sea, so trade between us and the coral sea is very likely to happen. WORLDBUILDING MY LOVE

HAHAHHAAHHA AZUL IS LIKE "wow leona ur so good at singing, u should sing for the mostro lounge" AND LEONA'S LIKE "yeah and my payment should be u guys fighting against us in magift" AND THE WAY AZUL AND JADE WENT OK NEVERMIND HAHAHAHAHAHAHAHA AND AZUL'S PANICKED FACE IS SO FUNNY GET REKT AZUL LMAOOOOOOO

anyway we go to the trey, jamil, riddle, and idia group AND THIS IS A FUNNY ASS GROUP TOO

POOR IDIA GETS SCOLDED BY TREY BC THEY ASKED IDIA WHAT HE EATS AND IDIA MENTIONS HE BASICALLY EATS JUNK FOOD AND TREY'S LIKE UR NOT TAKING CARE OF UR JAW!!! UR JAW'S GONNA BE WEAK!!!!! AND UR TEETH!!!! OH MY GODDDDD

riddle mentions he eats the daily special in the cafeteria bc he can calculate the amount of nutrients that he gets. dang that's some habit to get from his mom, i really hope he's getting his fill this time :')) at least get some more protein riddle

trey was so close to being screwed bc he says he rly loves the hamburger steaks in the cafeteria and they're so good he could eat them every day. but then riddle gets mad because there is a queen of hearts rule banning hamburger steaks on tuesdays AND TREY HAS TO CLARIFY NO I DIDNT ACTUALLY EAT IT

jamil meanwhile mentions he rarely eats at the cafeteria cause he makes food for kalim anyway so might as well make his meals. honestly real and good for him.

AWWW SALLY WANTS TO MAKE FOOD FOR JACK AND JAMIL GIVES HER ADVICE well that backfired on him cause now she wants him to taste test her soup BYEEEE

AND JAMIL DOES THE SAME THING MOVIE SALLY DID WITH FINKLESTEIN he uses the spoon with holes, pretends to like it (which shocked EVERYONE AT FIRST) and then he tells the others fuck no yall i didn't taste it, it looks rancid af (and honestly smart move jamil bc there is a nonzero chance that the soup contains deadly nightshade in case sally wanted to poison dr finklestein, and if not deadly nightshade, frog's breath would be terrible to deal with)

anyway moving on to the vil, malleus, sebek, and epel group!! ok this group is so cute cause the two first years are together, and their senpais are with them!!

WE GET A LOT OF LORE HERE OMG so they used to dye cloth with plants in lilia's house because they got,,, three colored sauce,,, on the curtains. malleus offered to buy new curtains but lilia said no. me too vil and epel, idk what three colored sauce is. ik it's a reference to the three fairies BUT HOW DO U GET THREE COLORED SAUCE LILIA PLS I HOPE IT'S THREE SAUCES IN DIFFERENT COLORS NOT ONE SAUCE IN THREE COLORS

finklestein mentions oh we have witches here too u know! and vil's like omg they must be beautiful like me

if u watched nightmare before christmas before this scene, you KNOW this is the start of the punchline. unfortunately, i did not have the pleasure of watching nbc before this so i did not get to enjoy the joke BUT I DO NOW

so the witches come in and OF COURSE VIL'S FUCKING HORRIFIED THAT THEY'RE UGLY AS SHIT. AND THE CHERRY ON TOP IS SEBEK BEING LIKE "ohhh this is a punchline" HAHAHHADKABSJDBJS

BLESS THIS UPDATE BECAUSE THE LORE DROP HAS BEEN SO GOOD THIS WEEK we get broom lore in which not every broom can be used for flight. the ones in school are standardized to be good for flight. i feel like i've heard the first part in another place, probably a book or so, but the second one is new

anyway after all that prep that everyone does, skully's asking lock, shock, and barrel 😨😨😨 THEY ALSO MENTION BOSS. SO OOGIE BOOGIE EP4???? PLS?????? ESP KNOWING THAT SKULLY AND OOGIE HAVE A LOT OF SIMILARITIES TO EACH OTHER SO LIKE MMM MM MMMM M

zero is soooo cute :')) he liked leona, and he found the smell of tea on jamil rly nice too

ZERO SNIFFED THE SUS ON TREY AND JADE AHAGAGAHAAHSFDHGHFHGC RIP TO THEMMM tho lowkey treyjade won too bc hey :) trey said he never got to own a dog cause his home (a bakery) couldnt have one. jade finds dogs adorable. treyjade could 100% have a dog in their house

riddle and idia were criticizing how they approached zero LMAOOOOO AND IDIA EVEN SAID HE WATCHED VIDEOS OF APPROACHING DOGS. WELL CLEARLY THOSE VIDS WORKED W HOW ZERO RAN AWAY FROM U IDIA.

SALLY ACTUALLY GOT TO GIVE JACK THE LUNCH SHE MADE HIM 😭😭😭 im so happy for her honestly, esp cause in the movie, she snuck it to him :")) but here, she gives it. well, she still sneaks it BUT SHE DOESNT HAVE TO JUMP OUT THE WINDOW AND MAKE A PULLEY SYSTEM TO HAND IT TO HIM!! bless jamil for helping her too

AZUL PLS "id love to help sally out" whats w u and ppl in love, huh, azul 🤨

oh hello 3-19 whats gonna hap-

🧍‍♀️

chat he's lost it

CHAT HE'S KINDA HOT WHEN HE LOSES IT.

SHFCJGCJGVGHVHJ SKULLY CONFIRMING JACK'S VIEWS ON HALLOWEEN AND THEN HE. PUTS JACK TO SLEEP. WITH A DRINK. BRO PUT DEADLY NIGHTSHADE IN THAT.

AND SKULLY REPEATING HIS MONOLOGUE IN THE PROLOGUE. AND HIM GOING "ahh jack-sama pls dont worry, ill protect the true halloween, even from u jack" girl everyone smelled the yandere. have u seen jp twitter/bluesky? the yandere is BAD

and it's hot on him. good god

AND THEN OH GOD WE COME IN CAUSE GRIM WANTED TO EAT JACK'S FOOD BUT WE FOUND SKULLY

AND SKULLY TURNS GRIM INTO A PUMPKIN THINKING THAT GRIM CAUGHT HIM. NO SKULLY U JUST OUTED URSELF, GRIM'S STUPID AS FUCK

oh god i got dizzy w this last part YUU HAD THE CHOICE TO SAY "why are you doing this" OR "we won't tell anyone". AND IF U CHOOSE THE SECOND OPTION, SKULLYYYYY GOES OH REALLY?? we're kindred spirits indeed we were fated to meet

girl i fell off a cliff. i drowned even. passed away.

GIRL I ATE ROCKS. WTF. I SWEAR. THE WAY SKULLY TALKS TO US FR LIKE WHAT IM BEING SWEPT OFF MY FEET HERE EVEN IF HE'S GOT SOME SCREWS LOOSE

ANDDDDDD HE TAKES US AWAY.

HAH HAHA HAHAHAHAHAHAHAHAHAHA................

YALL HAVE NNNNNNNNNNO IDEA HOW INSANE I WENT ON MY IG 💀💀💀 literally i had a status that said "OMG YALL MY POOKIE KIDNAPPED ME 🥰🥰🥰" and now my irls are scared. they think i have stockholm's now.

honestly i just love the skullyuu dynamic too, like they're just two ppl who are lonely in their own ways. while skully would talk to everyone as much as possible, he rly talks to yuu.

delusionally, i like to think yuu saying i won't tell anyone is them not being scared but understanding skully too. like, they cant blame him for losing his shit

alot of ppl are also thinking omg skully overblot might happen. and i wanna yell NOOOOOOOOOO to that. on one hand, everyone said the same thing abt rollo and well, he didnt. BUT ON THE OTHER HAND, SKULLY LACKS SLEEP, AND THE NARRATIVE REMINDS US TWICE ABOUT THAT. WE DONT KNOW IF HE EVEN ATE FOOD. AND HIS MAGIC IS EMPHASIZED TO BE ADVANCED. AND HE DOESNT HAVE A MAGICAL PEN AND WE DONT KNOW IF HE EVEN HAS A CRYSTAL. THE MAGIC'S GOING TO HIS BODY. AND THE WORST PART IS THAT ALL 7 OVERBLOTTERS ARE IN THE EVENT. THAT CANT BE A COINCIDENCE. FUCK'S SAKE, ONE OF THEM WORKS IN STYX. THE ONLY ARGUMENT AGAINST SKULLY NOT OVERBLOTTING IS THAT HE MIGHT NOT HAVE ENOUGH MANA FOR IT CAUSE HE HAS EPEL'S MAGIC LEVEL. BUT STILLLLLLLLLLLLLLL cries

but also having all 7 overblotters may mean that twst wants to hint to us that this event could foreshadow a future arc where we meet the great seven and explore the disillusionment they may face. i'll dedicate a longer post to that though. but im excited for it

i do hope that in ep4 and 5, ppl realize that there is merit to skully's ideas of halloween. in the movie, jack skellington realizes that maybe doing christmas just doesn't suit him and sally was right. and at the end, santa gives halloween town a taste of snow. i'd like to see a merge of the ideas of nrc boys and skully's. at the same time, i hope skully realizes too that halloween can be celebrated with everyone, and in fact, it's more fun that way :'))) i want all of them to learn from each other. i want skully to be happy.

anyway i eat this event. it genuinely made me go back to playing twst as actively as i used to (never mind the fact that i put irl responsibilities to the backburner until urgent-), and im so excited for the last 2 updates 😋😋😋😋 i may also post a few more things about this event before the update on monday because god, my brainworms are terrible

[vidavalor]

Ngk.

Yes, this is meta on ngk. I know, right? Possible origins and other layers of meaning? Ngk.

When Crowley uses it, "ngk", as we know, is the sound of a very clever word nerd just being so floored, confused, overwhelmed, or otherwise incapable of speech that we might think that what he says sounds like a bunch of random letters. It comes out like a curse at times... or a !!!!!... or it would be a squeak of frustration, if only his voice weren't so deliciously low. People read it as the verbal equivalent of a short keysmash and, emotionally? It probably is, but... those letters are not at all random.

The reasons why these letters were chosen are so. very. Crowley. that I think you'll find that the character's (and Pratchett's) interesting word kink might, as Mrs. Sandwich would say, put a smile on your face. 😊

I am pretty sure that ngk is two, different but interconnected, word history jokes related to the Greek language. Why the Greek language? Because it, along with Latin, is at the core of basically every language that etymologists refer to as being part of the Indo-European language family, which is pretty much every language of European countries, the Persian Plateau (sometimes referred to as the Iranian Plateau), and the northern Indian subcontinent. If you ever do word history research on words in English or Indo-European languages, it won't take you longer than two minutes to start finding your way back to the Greek roots for many of the words you look up. Greek is both a language in its own right and also the part of the origin story of words in dozens of other languages. Greek is at the core of the etymology-inspired figurative language in Good Omens and in Terry Pratchett's Discworld novels.

Because Greek has existed as language for literal ages and is so foundational to the study of other languages, etymologists needed a way to differentiate between the before and after period of big change in the Greek language.

Known to date, there really was one, massive shift that the language underwent over a period that has been narrowed down but the exact time and cause is debated. The most common theory is that it is related to The Fall of Constantinople and the collapse of the Byzantine Empire. The point is that, during this semi-disputed period of time, Greek underwent some big shifts that are, by and large, what differentiate between what we'd call "Ancient Greek" when looking at word history and how Greek has been written and spoken since through today. It's all the same language but it's just shifted so much, especially during this one period, that there are differences in it that people looking at word history need to be aware of when looking at the origins of words versus what things might mean or how they might be spoken in Greek in our current times.

In order to do that, etymologists created the term "New Greek" to mean Greek as spoken after this period of massive change to differentiate it from the Greek of more ancient Greece. NGK or ngk is the etymology world's acronym for "New Greek." Making this even more confusing? At some point in the last couple of decades, etymologists began calling "New Greek" by a different name-- "Modern Greek"-- but it means the same thing and, from what of it I've seen, they have largely kept the same ngk acronym. (The change to "Modern Greek" happened after Good Omens was first published.)

So, the first thing of the two things that ngk is? It's Crowley being so speechless or over everything that he's like argh, it's all fucking New Greek. He's cursing or exclaiming in frustration using the acronym for the shift in languages that underpins all of the languages he most frequently speaks, the evolution of which he lived through. Even word-nerdy poets have moments of FUCK WORDS and that appears to be one level of what ngk is. This also might be a little joke as well on the controversial old idiom that exists in different forms throughout different languages-- "it's all Greek to me"-- that was popularized in Shakespeare's Julius Caesar. For more on that, I'd refer you to this really interesting Atlas Obscura article on the idiom.

Ok, so, that's the first of the two Greek-related things that ngk is. Let's look at the other one so you can see just how great a Crowley joke this...

While ngk is an acronym, it also, separately, happens to be a double consonant sound in Greek. Do not worry if it's been awhile since you studied a language, I will simplify. 😊

In English, a double consonant is when a consonant appears twice in a row in a word, like the two times in a row the letter l appears in the word balloon. In Greek, it's a different thing. A double consonant in Greek is a combination of two consonants that make one, collective sound together. Greek double consonants are closest to (if not exactly equivalent to) what is called a digraph in English phonics, which is the sound made by two letters commonly put together, like sh, qu, ch, etc. When you were first learning English, you were taught things like how sh makes a "shh" sound, in addition to learning the individual letters of the alphabet, right? That's kind of what some double consonants are like in Greek.

One of the Greek double consonants is the combination of the letters gamma + kappa in the Greek alphabet. When you say the double consonant of gamma + kappa aloud?

You are saying: "Ngk."

The letter gamma here in this double consonant is pronounced a little differently than usual and has what's known as the "gamma nasal" quality that causes it to be pronounced like "ng." Kappa here is pronounced and written like the English letter k, for which it is the direct ancestor. The pronunciation of the gamma + kappa double consonant is the sound that Crowley says in the bandstand in S1.

So, Crowley is actually cursing/exclaiming out a double consonant of the Greek alphabet...

Why? And why this one, when there are a bunch?

Start by checking out how the uppercase and lowercase letters for both gamma and kappa are written below:

Uppercase gamma is the crank part of a crank tool. Lowercase gamma is the origin of the English letter y-- homophone: the signature word of questions: why?

Gamma is a term used all over the place in math and science, including gamma rays from electromagnetism and gamma waves, observable neural movement that is connected in the mind to large-scale, high-level cognitive activity, often related to memory, perception, creativity, and attention. These are also some of the brain waves most impacted by mental health issues and that are also some of the most affected by things like meditation.

Gamma is also a Greek word for the camel. (Lest you think that Good Omens forgot a rideable animal for their never-ending horses/transportation euphemism fiesta... found the missing camel! 😂) The word gamut also comes from gamma and originally referred to music-- the entirety of the musical scale-- but now you can say "runs the gamut" about anything in a way that means the same thing as the idiom "from soup to nuts"-- just everything, from beginning to end. From creation to completion and back to the start again.

Kappa has ties to some Crowley-related science and spirituality, such as The Kappa Effect, which is a theory explaining how the mind's perception of distance can affect its perception of how much time has passed. In early Buddhist scriptures written in Pali, a kappa-- referred to as a kalpa in later writings-- refers to a very long period of time between the creation and the destruction/recreation of a world or universe and related to the lifetime of that world or universe.

So, we have memory, time, the creation of the universe, crank tools, asking questions... these letters are turning into a whole list of Crowley-related things, yeah? There's more...

Kappa is written in both cases like the letter k-- homophones: 'kay (as in, ok/okay) and cay.

The etymology of ok is actually an example of a briefly-existing cant vocabulary, which... heyyyy. That feels relevant, yeah? 😲

In the late 1830s, a (very limited) cant vocabulary emerged in New England that created new slang out of making acronyms out of intentionally misspelled existing phrases. It is thought to have started or been encouraged by a Boston Morning Post article that mocked a competing newspaper by saying it was spelling things the way its rival did-- spelling "all correct" as "oll korrect." A lot of issues of newspapers from this time period no longer exist so the exact issue that caused this paper to troll its rival is unknown. There is some speculation that it might have been something of a class warfare battle being played out between papers who appealed to different groups of people, given that the mocking "oll korrect" sounds, when spoken aloud, to be of the same pronunciation quirks of the 'pahk the kah in hahvahd yahd' variety of Boston accent.

"Ok" is believed to have originated as an abbreviation of "oll korrect." This article either prompted-- or was an example of-- a cant vocabulary that did a rare thing-- united Boston and New York lol-- for a little while in the late 1830s. There were other abbreviations used as words like this, for which you had to understand one of Crowley's favorite word things-- homophony-- and know the pattern to understand. KG meant "no go", off of the homophonic "know go," for example.

Ngk, like ok and these other words, is an abbreviation being used as a a word. Not of one that's misspelled but one that is from the cant vocab of etymology nerds, making it fun in an especially meta sort of way.

The most famous of these phrases from this late 1830s Boston/New York cant-- and the only one to survive-- is "ok", which etymologists think was probably was helped to remain by being picked up and used in President Martin Van Buren's failed reelection bid in 1840.

As you can probably tell from the fact that I said that it was used in a Presidential campaign, the cant vocabulary spilled into the mainstream and, so, lost relevancy as it was no longer something that not everyone understood. "Ok" was kind of like the "brat" of the 1840 U.S. presidential campaign, in some ways? Once everyone got the joke, people still used it in the mainstream because it was a quick thing to say or write as an affirmative but its subversion was lost by its meaning becoming commonly understood.

While this 1830s cant vocab was *much* smaller, the best anyone can tell-- more like a handful of phrases and not much more-- it's kind of similar to Polari, in terms of the language burning out but leaving lingering words in mainstream English.

Ok, so the other word from kappa: cay.

A cay is a low island. It has a synonym-- one definition of the word key (Key Largo, The Florida Keys, etc.). So, we have a low island-- the use of the beach/the sea/fish/bodies of water as figurative language for sex in Good Omens-- and its also the word that is a key. Keys you use to start engines to drive and also to unlock language. A key is the necessary component to interpreting hidden language and here's one of the keys/clues to taking apart the use of language in Good Omens right here in ngk.

Kappa is from the Phonenician kaph, which meant the hollow of the hand (the palm) when it is forming a cup shape... as in when praying/meditating or when creating or presenting something...

...and the sole (homophone: soul) of the foot-- its arch, in particular. Arch, alternative meaning: playful, knowing, dry teasing.

In other words, kappa, etymologically, is the movement of the hands and feet-- it's living on Earth. It's using the hands to make magic and art, to worship and give to others. It's the the cobbler walking the Earth-- living life.

Crowley's story is the double consonant of gamma+kappa. Not just the angel he was and his life on Earth since his fall but how they're really all intermixed into one person because he's always been the one person. Ngk is who he is and that is why, of all the possible sounds, he says this one.

While it was both an acronym and a sound prior to the novel, ngk was, to the best of my knowledge, not written as a word in its own right prior to the publication of Good Omens. Crowley's exclamations are the first utterances of ngk as a word and our understanding of what it means comes from the context of when and how he uses it in the novel and in the series. In that way, ngk is Good Omens' own contribution to language evolution.

Terry Pratchett, who wrote his Discworld novels and Good Omens with etymology-based figurative language, made word history such a big part of Good Omens that he had the book itself contribute to language evolution by having it birth a word in Crowley's ngk.

From interpreting its meaning by the context of how Crowley uses it... from researching from where this grouping of three letters as a word could have originated... from incorporating the word into fan art and fanfic... and from using it amongst ourselves in real life and explaining it to other people if they ask for the last couple of decades?

We've all been collectively helping Terry Pratchett contribute a new word to the English language.

Let's get it into the dictionaries next. 😊

[catgirlforeskin]

Since Wizards of the Coast is torpedoing all the good-will they have with DnD to wring more money out of it, I want to make a guide for people who recognize they should jump ship, but don’t know alternatives.

If you’re deeply invested in DnD and want something as similar as possible, Pathfinder 2 is what you want. It’s the next biggest game in the tabletop scene (in the US), you can find physical copies in stores easily, and Paizo allows free resources online to exist without constant threat of being taken down like WotC does. It will remain free to play on any VTT while DnD will require you to subscribe to their proprietary one.

Most importantly, though, it improves on almost every aspect of DnD. Combat and class balance is extremely well thought out and makes all combats engaging and difficult in a fun way, requiring teamwork and clever thinking. Roleplay is integrated into character creation and play better, and you no longer have to choose between being good in combat or exploration or roleplay, you get to play and feel useful during all aspects of the game. It’s hard to emphasize how much better it is without just playing, if you still want something like DnD, play Pathfinder 2.

If you like high fantasy adventuring but are willing to get more out there, Fellowship and Dungeon World are good options. Fellowship is a more free-form adventure game focused on creating a cinematic experience over getting bogged-down in rules-heavy play. If you want to play a Lord of the Rings style campaign and have it feel like the movies, Fellowship is the way to go.

Dungeon World is called “Powered by the Apocalypse” which means it was inspired by Apocalypse World, an amazing ttrpg that revolutionized the scene and became the gold standard for interweaving roleplay and gameplay. Dungeon World is meant to be a bridge between DnD and indie rpgs, and it’s good for that, though there are better PbtA games. It’s a good introduction to principles like failing forward and playing to find out what happens (and hell, a good introduction to games having principles lol). There’s also an Avatar the Last Airbender licensed PbtA game that’s very good, if that’s your thing!

Speaking of licensed games, Free League Publishing sets the benchmark for rpgs built for existing intellectual properties, and while I haven’t played all of their games, I’m a big fan of what I have played. They also have independent settings, like Twilight 2000, a really good apocalypse survival game set in a collapsing warfront between an alternate-history NATO and Soviet Union as the two dying empires bring all of society down in their death spiral. I’m using it as the base for my Halo rpg, it’s very good.

Blades in the Dark is another big name in the indie scene, and for good reason. It’s a heist game that has been adapted to lots of other settings (games that say they’re “Forged in the Dark” take inspiration here) and it’s clear to see why so many have used it as a foundation once you’ve played, it’s an exciting crime procedural where you play a group of scoundrels punching above your weight and facing the consequences

There’s a million other amazing rpgs I could mention here, and I’m sure people will talk about plenty of lovely ones I’ve missed in the notes, but I think the most important thing I want to convey with this is that there’s a whole world of diverse and interesting rpgs at all levels of production, from big corporate teams to one girl with a laptop who barely knows how to make a pdf, and there’s no better time to start exploring them.

A common refrain is that DnD can be modified to do anything, but once you’ve played other rpgs you’ll see why that’s not true, and why those creative efforts would be better spent in other systems. Hacking rpgs is as old a tradition as rpgs themselves, but if the only tools you know are DnD, you’re being limited with what you can create more than you could possibly know. There’s no better time to leave this Plato’s Cave and see the beauty and wonder of the whole ttrpg scene

[dalishious]

Dragon Age: Vows & Vengeance Episode 1 Thoughts

Okay, so... I actually don't have a lot to say because I feel like the episode really speaks for itself; it's off to a REALLY good start.

The writing is excellent. It feels right at home with the larger Dragon Age franchise, yet styled in a way that is fitting for the podcast medium.

The voice acting is all very well done, as is the sound design.

As a certified lore nerd, I'm especially interested in what new information we can unlock about the world of Thedas, and in that regard, the story seems very promising. Just in this first episode, there's quite a lot to ponder on, namely surrounding whatever the hell happened with the Eye of Kethisca ritual, and the Andante family history?

The character of Nadia Carcosa rubbed me a little bit the wrong way at first, but about half-way through I started to vibe with her. So if you're initially put off by her too, I would suggest giving her a chance. I was afraid her only deal in the story would be "wah I can't get married", but thankfully there is more to her than that, and I now look forward to exploring her even further.

Really, my only real gripe is I'm not entirely sold on Nadia and Elio's relationship. It feels a little to Hallmark for me, but that might change, who knows.

Also, the music is a little underwhelming. It's very generic sounding, in my opinion.

But other than those two things, I really can't think of anything I didn't like about it. It's a wonderful first episode, and I would highly encourage folks to either listen to it or read the official transcript!

[sundewhasaudhd]

Hi Tumblr :D 👋

My name is Sundew, I’m a MINOR (high school age) I’m acespec, pan, trigender, xenogender, ambiamorous, and use all pronouns

I’m an artist, actor, script writer, theatre kid, and AuDHD haver

Current hyperfixations: DSMP, Hatchetverse, The Skinjacker Trilogy reincarnation AU, my OC's

Special Interests: DSMP, musical theatre, casinos, Tumblr history, and some others that I can’t think of off the top of my head

Current fandoms: DSMP, musical theatre (especially Hatchetverse), Trolls, Frankenstein or the Modern Prometheus, Amphibia, TOH, DDLC, The Skinjacker Trilogy, ROTTMNT, Ramshackle (kind of), QSMP (kind of), Gravity Falls, Steven Universe Nimona, Mitchel’s vs the Machines, Chikn Nugget (that counts as a fandom right?), Bluey, SheRa, Ducktales, Adventure Time, Vocaloid, Tangled the Series, DHMIS, Descendants, Moral Orel, and probably more tbh

I'm currently working on 5 different DSMP AU's/ animated fanfics, and one day I would like to make 'DSMP the Animated Series' and my high fantasy OC's cartoon, both of which would be indie animated and available on YouTube (but we'll cross those bridges when we get there)

This blog does not support cc!Wilbur or his actions, cc!Wilbur supporters DNI

Speaking of DNI, here’s my DNI list: queerphobes in ANY way (and that includes hating on xenogender people and people who use neopronouns), racists, sexist/misogynists, zionists, antisemitic/neo-nazis, islamophobes, anti therian and anti furry people, cc!Wilbur Soot/William Gold supporters, cc!Dream Team supporters, Robert Manion supporters

I post very sporadically because of school (and by post I mean post creative works, like fanart and scripts), but when I do post, it’ll mainly be DSMP stuff (especially my own AU’s), but I will also post stuff for other fandoms, especially Hatchetverse

I’m absolutely obsessed with c!TNT duo and with take pretty much any opportunity I can get to draw/talk about them. Same with Wilbur Cross and the Lords in Black (and Webby)

Like I said earlier, I don’t not support cc!Wilbur in any way shape or form. That being said I really really super like c!Wilbur (o!Wilbur and q!Wilbur are neat too) and most of my AU’s have him as a big role

Feel free to ask me about my DSMP or Hatchetverse headcanons (or headcanons for any other fandom listed above), just know I might not always answer immediately because of school and shit like that

Also, I have a few side blogs:

@csundewsaysfuckitwebawl my DSMP OC role play blog

@yousummonusonceyousummonustwice my Lords in Black and Queen in White ask blog

@just-a-lil-theatre-guy my Hatchetverse OC role play blog

Double also, say hello to my Tumblr siblings:

@rxccoonboo @cotableats (which is an account he and our friend Cota share) @a-sociopath-do-your-research @rae-unbeloved @loneycorner

@alchemicalwerewolf @silverwaredrawersys @beattlecub

Triple also, finally updated my pronouns

Anyway, I hope you all have a nice day and enjoy my Tumblr :D

[crumblinggothicarchitecture]

Hello! I’m curious to know if you listen to Hozier? Since his music also gives literary and it’d be interesting to know what you think!

Hello! Thanks for the ask

Hozier is wonderful! I love him!

I think he's incredibly creative, and he clearly knows how to write! He also clearly knows so much about the history of music, art, international politics, and so much more. There's nothing I admire more in an artist than some real intelligence. It shows in his command of the language. I've been listening since "Take Me to Church" went viral. I was absolutely in tears listening to that for the first time.

One point I've been thinking about lately is the way he wrote "Nina Cried Power" and how it's different from the way someone like Taylor Swift name-drops in her music.

The point here is that Hozier has immense respect for the people he mentions in the song, his obvious knowledge and respect for these people is ever-present. He thematically connects them from the perspective of their own lives into the message of the song. Meaning that it is the type of song they would co-sign. It's so moving for this very reason, it's like the people in his song are singing with him. In "Nina Cried Power" he's clearly using southern-inspired gospel-esque blues to sings about the way in which civil rights activists, and those musicians who broke the chains away, sang their activism into life. It's so lovely for him to use musicality stemming from Afro-American culture to sing about the major civil rights activist and artists from the era. He's literally brilliant, and I love his perspective on how the US civil rights movement impacted Irelands own civil rights movement. He's fucking brilliant.

And this line brings me to tears, "And I could cry power/ power has been cried by those stronger than me/ straight into the face that tells you to rattle your chains." He's so compelling both in storytelling and in intercultural dialogue. Beautiful. And how beautiful it is to remind us that no matter the location, your words and actions matter- activism matters. Power is with the people.

What a writer- what a message to send. Especially these days, when so many major public figures are refusing to speak on current events. How important it is to remind the public that there is no real reason to not speak up in times of injustice.

As opposed to Swift who can only name-drop people like Dylan Thomas in relation to being able to self-deprecate. Her impulse towards self-obsession shows in how she even represents the lives of others as ultimately being about her. It shows an immense disrespect and obvious distain for the people she writes about. She clearly only thinks about others when considering some hierarchal form of self-adulation. People are either better or worse than her- however, it is always about her. Dylan Thomas was an incredibly vocal activist and revolutionary spirit in his day, and Swift puts him in a cheap shot about herself? Painful, stupid, gag. Thomas was an avowed anti-fascist during the rise of the most horrific fascist regimes we've ever seen; as such he would be horrified at being eulogized by someone like Swift who lives and breathes money and power. I wish I could go back in time and unhear her besmirching his name.

Dylan Thomas would love Hozier though :) And so do I!

But anyway, I could totally write some literary criticism on Hozier, and you know what- it would be amazing because he is rich texture to dive into. His command of metaphor and mimetic technique is honestly so impressive! That actually sounds really fun and is totally on my to-do list now :)

[copperbadge]

Hi, please ignore if this is too personal, but as someone with Jewish ancestors who is considering conversion, I'd love to know your reasons for converting? For me it's more about community and reconnecting with that part of my family (there's a complicated family history there) than about religious belief, but I'm worried that might not be enough of a reason, if you know what I mean?

I don't know, I think conversion to Judaism is hard enough that if you don't have "enough" of a reason, you'll find out -- but I also think that one doesn't have to have a "sufficient" reason to convert to any faith which allows it, just determination and respect. If you want a connection to your ancestors and community, that's a very powerful motivation. And if it's not enough to sustain you through conversion, that's still a huge self-discovery for you, and while some practice should remain closed, you can still connect through things like traditionally Jewish foods and appreciation for Jewish art and culture.

For me, it's not that it's too personal, but it's difficult to vocalize; often when I'm asked about converting there's an assumption that I'm marrying a Jewish person, and when I say no, I usually add, "I just hear a call." Which admittedly is much more often said by Christians joining a ministry, but it's the most truthful I know how to be in short. Something in Judaism speaks to something in me. I have very little Jewish ancestry (although every time the DNA websites reevaluate their calculations it ticks up a percentage point, which is hilarious to me; I'm up from 2% to 6% currently) but the attitude towards the divine, the strength of tradition, the respect for learning, they all speak to my soul.

Even the hard stuff -- content in Torah or Talmud that I find difficult to reconcile with modern sensibility -- is at least something to challenge me, and Judaism is a faith that encourages argument, so I'm allowed to have a critical opinion of it. I think a lot about a quote I read from someone (possibly a reader, if so I am so sorry I can't find your name in my memory) who said, "I keep kosher, but sometimes I eat bacon when I'm mad at G-d." I think a lot about my Methodist confirmation class, where I was almost kicked out because I thought the Parable of the Wedding Feast was stupid and continued to argue against it after, realistically, I should have stopped; if it had been a class for a Bar Mitzvah, we might have been allowed to really examine it instead of glancing across it awkwardly and moving on. (As I found out years later, it was basically about how anyone can be a Christian but Jews should be punished for refusing to convert, so you know. Even as a kid I was very Jewish in my approach to theology and knew anti-Semitic propaganda when I heard it.)

I like that so many of the traditions involve things that I find compelling: bread, fire, water, the written word, the cycle of the harvest. I like that there's a search for truth and precision in Jewish scholarship, and that scholarship often seems to reward a neurodiverse approach to faith and study. As someone committed to philanthropy and versed in radical compassion, the exhortation to care for others baked into every foundational Jewish text is also very attractive. Some of the prayers I find viscerally satisfying (particularly the Traveler's Prayer, for some reason).

I find faith in a single divine entity extremely difficult, but one of the first things that got me to seriously consider Judaism (something I'd already been interested in) was being told that you can be an atheist Jew. To be able to commit to a faith community while still struggling with faith itself feels special to me. Whether a divine entity caused the miracle of the oil we celebrate this time of year is immaterial to me; the beauty of the narrative, the righteous rebellion rewarded with eight nights of light, is enough for me.

I might never finish conversion; realistically while I've done a lot of studying I still haven't worked extensively with a rabbi on a conversion path, and I do not call myself a Jew and won't until I complete conversion (I do observe a lot of the holidays and prayers, but mainly because that's generally advice to converts, so they can understand the demands of the faith and the myriad issues with being Publicly Jewish). But that's fine too; Judaism has been around for thousands of years, it'll wait for me, and if I never convert I'm still enjoying the journey.