#Yung Felix

[brianelstak]

[colucci333]

Gold 🐆

[plumsaffron]

Ugh Fandom/Viewer Mob Mentality

They Wildin

[koifishanonymous]

do you have a favorite genre or dabble in it all?

i literally went from listening to yung gravy to cavetown to odetari to taylor swift to harrison boe all in the same hour you tell me

[voidandradiance]

* some of these truly are incredibly deep cuts and pressure plate exposition that had, at most, two lines of dialogue. only one of them is made up.

[blackmoonlightexpress]

TTEOTM Creative Team: What else did they work on?

For those who are a bit underwhelmed by the summer drama options or still dreaming about TTEOTM! 😎

Kuk Kok Leung (Lead Director)

Kuk Kok Leung is a veteran director who started his career in Hong Kong's TVB. He's been nominated for the prestigious Magnolia Award and is known for wuxia and serious, warm-blooded historical dramas (he's adapted 7 out of 8 Jinyong novels). His works include...

Legend of the Condor Heroes (1983) as Assistant Director, with Felix Wong and Barbara Yung

The Duke of Mount Deer (1984), with Tony Leung & Andy Lau

Return of the Condor Heros (1983) with Andy Lau & Idy Chan

Legend of the Condor Heroes (2002) with Li Yapeng & Zhou Xun

Demi-Gods and Semi-Devils (2003), with Hu Jun, Jimmy Lin, and Liu Yifei

Water Margin (2011), nominated for Magnolia Award

Cool Sword (2013), with Julian Cheung & Wallace Chung

The Patriot Fei Yue (2013), with Huang Xiaoming & Ruby Lin

The Stand-In (2014), with Wallace Chung

The General and I (2016), with Wallace Chung and Angelababy

He's also a frequent collaborator and producer on Johnny To films, including Election, Election 2, Mad Detective.

So you get the picture. He makes TV for men who are ready to bleed for their country. This all makes him a really interesting choice for TTEOTM (and tells you a bit about the ambition and creative vision of the producers), especially since all his more recent idol dramas were widely panned.

Wang Haiqi, Director & Action Director

We don't know too much about Wang Haiqi because TTEOTM is actually his directorial debut. He started his career in stunts and has worked as the action coordinator on Ashes of Love (2018) and Immortality (unreleased) alongside Luo Yunxi. He was also a stunts man/double in a bunch of Hollywood films, including Mulan (2020) and the Foreigner (2017) through the Jacky Chan stunts team.

He's responsible for most of the action/battle scenes in TTEOTM, and his experience working on films probably explains why the fight sequences are unusually cinematic for TV.

Luan Hexin, Art Director

Luan Hexin is a Magnolia Award nominated art director best known for Huanyu productions, including Story of Yanxi Palace, Winter Begonia, and Royal Feast. He's a serious art guy, as you can tell from this interview.

(Note: Huanyu is Bai Lu's management company. There is a rumor that Luan Hexin is part of Bai Lu's "dowry", but the parties have since clarified that Luan was brought in after she was cast.)

He's also an interesting choice, having never worked on costume fantasies before and better known for his authentic representation of the look and feel of bygone eras.

Huang Wei, Costume Designer

Huang Wei is one of the most sought-after costume designers working today, especially for xianxias. She started her career as a Vogue China editor and was in fact the person responsible for TTEOTM's Dunhuang-inspired aesthetics.

Her better known works include A Dream of Splendor (2022), One and Only (2020), Love O2O (2015), Back from the Brink (2023) as well as a bunch of highly anticipated dramas like Immortality and The Last Immortal. (The joke on Chinese internet is that there is an "expensive" vs. "cheap" version of Huang Wei costumes - her design can be much simpler on lower-budget productions.)

I'd like to think that after designing 40 mostly white costumes for Luo Yunxi in Immortality, she decided to go nuts on color with Tantai Jin.

Tsang Ming Fai, Makeup Designer

Tsang Ming Fai is a big name in the xianxia circuit. He and his team of “students" have worked on a large number of costume dramas, including Ashes of Love (2018), Love & Redemption (2020), Under the Power (2019), Noble Aspirations (2016), Sword of Legends (2014), as well as the... wait for it... unreleased Immortality and Luo Yunxi's currently filming drama Follow Your Heart.

He's sadly been receiving a lot of hate in fan circles over the heavy makeup in TTEOTM (which may or may not have been his call). What I do appreciate is his ability to help actors craft distinct characters with varied hair and makeup choices. For example you can distinguish between different Luo Yunxi characters and their personalities with Runyu's clean cut tie-back half ponytail (ethereal & straight laced), Tantai Jin's slightly brown hair, messy bangs and heavy eye shadow (dark & sickly), Chu Wanning's angular eyebrows and geometric hair puff (strict & proud).

He also excels at creating unusual, iconic looks even for side characters, e.g. Chen Yao's dark lipstick paired with gothic jewelry in Immortality and Chen Duling's retro updo in TTEOTM.

[simonetheestan]

Music Artists That The Blue Lions Would Listen to 🎶:

Dimitri: Mitsuki, Peter Gabriel, Dionne Warwick, Adele, Queen, Whitney Houston, Billy Joel, Beyonce, SZA, Chloe and Halle, Usher

Felix: Rina Sawayama, My Chemical Romance, Kendrick Lamar, the Weeknd, Jack White, KISS, Thin Lizzy, Eminem

Sylvain: Drake, Sexy Redd, Ice Spice, Yung Gravy, Macklemore, Doja Cat, Latto, Tyler The Creator, the Weeknd, Britney Spears, Cardi B

Dedue: Steve Lacy, Adele, SZA, Whitney Houston, Mickey Guyton, Mariah Carey, Billy Joel, The Temptations

Ashe: Blackpink, TWICE, Red Velvet, Sabrina Carpenter, aespa, BTS, TXT, NewJeans, Le Sserafim

Ingrid: Taylor Swift, Chappell Roan, Luke Combs, Carrie Underwood, Miley Cyrus, Ellie Goulding, Reba McEntire

Annette: BTS, Taylor Swift, TWICE, Katy Perry, Ariana Grande, Olivia Rodrigo, Sabrina Carpenter, Marina, Mitsuki, Madison Beer, Harry Styles

Mercedes: TWICE, Marina, Adele, Beyonce, Taylor Swift, BTS, Dolly Parton, Chappelle Roan, Renée Rapp, Megan Thee Stallion, Janelle Monae

[teafiend]

Reviews (summaries) of a few of the drama adaptations for [Legend of the Condor Heroes]/ 「射鵰英雄傳」 from the last three decades:

*Drama posters are from oldest to latest (from left to right, top to bottom)

1983 version (starring Barbara Yung and Felix Wong):

Too young to remember and never rewatched. A feted classic from Hong Kong TVB’s heyday. The only thing I will unequivocally say I love about this version is the iconic theme songs, which are the only musical tracks I can easily recall and identify when it comes to the numerous adaptations.

1994 version (starring Athena Chu and Julian Cheung):

First love. Good performances. Beautiful and ultra-cute JingRong. Favourite balance of visuals for JingRong. Solid production (HK TVB). Newish classic. Faithful to the main storylines. The version which made me fall for Guo Jing and the saga. Sometimes, however, first love only goes so far.

2003 version (starring Zhou Xun and Li Ya Peng):

Gritty. Jiang Hu. Sweeping epic. Mature vibes. Tragic and heartbreak-tinged. Faithful to the main storylines. Brilliant JingRong. Elegantly cultured Huang Rong. Earnestly chivalrous Guo Jing. Love both the portrayals of Guo Jing and Huang Rong (despite the many criticisms received). Loved the veteran gravitas of many of the supporting casts. Performances were fabulous. My only gripe is with Yang Kang (and his actor, Zhou Jie, whose performance I was not especially partial to, but he did okay though). The best Mongolian segment(s) out of all adaptations. Favourite drama adaptation (to date). The main and ending theme songs are fantastic, and the opening track has quite an epic saga feel.

(Some audience disliked ZX’s portrayal, and criticisms abound about her using her own voice during the show - which is a bit husky - but I had absolutely no issues with it. I thought the criticisms weirdly petty, actually. As someone who does not find dubs at all nice, I appreciated her using her own voice/dub for the series. LYP also received his fair share of criticisms for his portrayal. Personally, I enjoyed both tremendously).

2008 version (starring Ariel Lin and Hu Ge):

An adaptation I skipped as neither mains appealed to me, and Liu Shi Shi as Mu Nian Ci was not enough of a draw to make me trudge through an adaption I read was not particularly faithful to the novels. Visuals and vibes wise, I just could not see Hu Ge as Guo Jing - which is simply a personal preference - but I do not doubt that his performance/portrayal would have been fine. That goes for the rest of the cast and their performances.

2017 version (starring Li Yi Tong and Yang Xu Wen):

Pretty. Vibrant aesthetics. Wuxia vibes. Relatively youthful. Commendable production. Sweet, lovey-dovey and affectionate JingRong. Cutie - and handsome - Guo Jing. Excellent Huang Rong. Faithful to the main storylines. Highly enjoyable. Main instrumental track a clever nolstagic callback to the classic Hong Kong songs/themes. Good production. Superb performances overall.

(I found this version’s GJ a bit too prettily handsome, which is lovely but also felt a bit not-GJ. Still enjoyed his portrayal a lot though).

2024 version (starring Bao Shang En and Ci Sha):

Strong Wuxia vibes. Solid aesthetics and production. Youthful. Squee-worthy JingRong. Adorably devious Huang Rong. Favourite Guo Jing and JingRong (to date). Wonderful performances all around. Faithful to the main storylines. Some distinct emotional beats.

Especially noteworthy was the beautifully shot and conveyed scenes from near the end during GJ’s mental and spiritual struggles with his grief and martial abilities. Superbly done and went to the heart of the novel’s themes.

Flaws included pacing and issues with storylines length. Uneven focus. Lack of epic-ness.

(Ci Sha is not really my cup-of-tea visuals wise but he looked and felt like what Guo Jing *should* be and his performance was compelling and layered. His portrayal embodied the 靖 of 郭靖, and I think that meant something significant. He truly came into his own by the last third when the confidence and composure GJ cultivated throughout the series made his nuanced portrayal fangirl-scream worthy. *fainting away* Love his steady, gentle and devoted GJ to bits. The focus and complexity they afforded Yang Kang in this version made him a much more complex and conflicted antagonist, which was fascinating. This Wanyan Hong Lie inspired major feelings for a character I already found especially interesting and tragi-complex since the 2003 adaptation. The soft-spot I have for him is too real).

[exoshensejeong]

Huang Rong and Guo Jing ❤️ FOREVER ICONIC ✨️❤️ Whose legacy stays on ❤️

MY first ever OTP, ultimate OTP, a super special spot in my heart ❤️ beautifully balancing out each other ❤️

Thank you to Barbara Yung and Felix Wong for bringing these characters to life ❤️

SHOUTOUT TO the 1983 TVB version, an absolute classic ✨️❤️

[weirdagnes]

The Madrigals as (very specific) Filipino Family Stereotypes

Abuela Alma

lola mong level 659 na sa candy crush

nagshashare ng minions quotes at ai jesus art

malaki koneksyon sa barangay

“Pusong Bato” kinakanta sa karaoke

solid magmajong at sumugal pero paminsan minsan lng kasama mga kumare nya tulad ni Senyora Guzman

Abuelo Pedro

lolo mong mahilig magkaraoke pero puro “My Delilah”, “Lonely is the Man Without Love” o “Kahit Maputi ang Buhok Ko” lng kinakanta

marerealize mo nalng pag matanda ka na na never pala syang nagkwento ng buhay nya sainyo (pero malupet backstory nila ni lola)

nag-iisa sa pamilya na tumatangkilik padin ng dyaryo. adik din sa lotto at crosswords

Bruno

tito mong biktima ng money extortion dahil sa mga pamangkin

artist ng pamilya na sinususpetsa ng lahat na bading (no. 1)

loyal subscriber at lore master ng mga madradramang teleserye

anti sa paggamit ng pandikit sa daga

Julieta

nanay na adik sa lotto (mana sa tatay)

believer ng unbranded herbal medicines

avid collector ng tupperware

halos lahat ng mga nanay sa compound nyo kumare nya

Agustin

tatay mong di marunong mamalengke pero laging nag uuwi ng snacks/candy

kinalakihan mo music taste nya kase laging nagpapatugtog sa speaker pag hapon

taga repair ng mga gamit pag nasira

Isabela

ate mong maarte at micromanager

lahat ng damit mo galing sa kanya

yung nanggugulat sayo gamit mga plastik na ipis, butiki, etc

sya ang tinatawag ng mga kapatid pag may lumilipad na ipis (hindi si Luisa)

lahat ng barbie dolls nya dismembered na

Luisa

ate mong di mo matatalo sa habulan, hampasan, at lahat ng larong panlabas

atleta 1 ng pamilya

pag naglock to sa kwarto o cr, umiiyak yan

nakababatang kapatid na madaling utusan (utusan no. 1)

kineep nya lahat ng stuff toys nya at niyayakap padin hanggang sa paglaki

Mirabel

nakababatang kapatid na madaling utusan (utusan no. 2)

pinsan mong pikunin

dumaan sa emo phase at pizzap era pero lowkey lng para di pagtawanan

artist ng pamilya na sinususpetsa ng lahat na bading (no. 2)

Pepa

tita mong supplier ng mga high-quality laruan

wine tita pero kayang talunin si tito Felix sa redhorse at gin

“Akin Ka Nalang” at iba pang mga kantang may birit ang paboritong kantahin sa karaoke

Felix

tito mong itinakdang host ng inuman. nagiging pilosopikal din pag lasing

biktima din ng money extortion sa mga anak at pamangkin (pero pag inuman lang)

nag alaga na to ng manok at some point

commentator sa mga palabas na boxing at basketball

Dolores

pinsang chismosa

dumaan saglit sa jejemon phase bago naging indie girl ng pamilya at laging nagrereference ng quotes sa mga tula/pelikula/librong underrated

ateng mahilig mang-utos sa mga kapatid

Camilo

pinsan mong tarantado

atleta 2 ng pamilya pero mas competitive (lagi syang talo kay Luisa)

tirador ng handaan sa mga birthday/reunion

nahulog na din sa kanal sa maraming okasyon

laging naoospital nung bata kase kung ano ano ginagawa/kinakain

Antonio

batang pinsan na tulog sa kwarto pag may birthday

nakababatang kapatid na mahirap pagtripan kase iyakin

nag-iisang may pakeng alagaan aso nyo

iPad kid

[yawnzloverz]

⋆｡⋆☂˚｡⋆｡˚｡⋆..⋆｡⋆☂˚｡⋆｡˚｡⋆..⋆｡⋆☂˚｡⋆｡˚.⋆｡⋆☂˚｡⋆

After the storm

And when the clock strikes twelve, will we be back to being strangers who never speak to each other?

⋆Pairing: Choi Yeonjun x fem!reader

⋆Genre: strangers to enemies to lovers, slow-burn,fluff, angst, slice of life,

*Warnings: Cursing and cussing here and there. Mention of hookups and slight sexual innuendo.

⟶ Summary- With the failure of your past relationship, you try to move on with closure and no regrets; which you fail miserably. You don't need help, but a shoulder to lean and cry on. But what if that shoulder belongs to a total stranger? or so you thought...

a/n: RAGHRAGHRAGHRAGH CHAP 2 NAAAA I HOPE YOU GUYS LIKE IT :DDDD As always, feel free to leave an anon ask or dm if you have any suggestion, critics, or opinions. I would be very happy to hear them :) Thank you! -val! 🧸

�� Chapter II Part 1- Crushiecakes

Nagising ako na naka hilata sa kama ko. Nakapilipit ang isang binti sa unan at may naninigas pa na laway sa giid ng labi. Teka, kung ganoon...sino ang nagdala sa akin dito..? SI FELIX BA?? SHUTA! Kinilig ako ng ma-imagine ko itsura namin kagabi...

Joke lang, loyal ako kay hooniebear ko. EME!

Mabilis akong tumayo at tumakbo pababa. Nadatnan ko si Kuya Jake na nagluluto na ng tanghalian. Nandoon din si Chaewon at Giselle.

"HUY MHIEEE!" SIgaw ni Chae bago tumakbo para yakapin ako.

Niyakap ko si Chae at Gisele habang tinatapik ang ulo nila ng biglang may kumaltok sa batok ko.

"Tignan mo yung oras oh, Alas-Dyis na. May seminar ka pa mamaya. Tsk tsk"

"Sorry na, 'to naman eh. Basang-basa na nga ako kagabi oh, maawa ka naman..."

"ANO?! ANONG BASA?" Natatarantang tanong ni kuya. Grabe talaga mag-isip to si kuya, ang lala.

"Tanga, ang lakas ng ulan kahapon, dumi talaga ng isip neto eh" tinarayan ko siya.

Nagtatakang mga mukha ang lumingon sa akin. TInitigan nila ako bago sila tumingin sa isa't isa.

"Ulan? Parang wala naman akong natatandaang may ulan kahapon. Epekto lang ng kalasingan mo yannn HAHAHAHHAHA" Sambit ni Ni-Ki.

"Ulol HAHAHAHA Baka sa area lang Pasay may ulan" dagdag ni Giselle.

Nagchikahan lang kami habang nag-aalmusal, parang namiss ata nila ako, ems

Pagkatapos kumain, naghanda na ako para sa seminar namin mamaya. Sino ba kasi nagpa-uso ng seminar kahit Sabado? Ta's required pa. Hmph. Okay lang yan Y/n, para 'to sa future mo, future niyo ni Sungho-AY EME.

On the bright side, another excuse 'to para makita ang aking beloved Hooniebear. Kababata namin siya. Kaso lumipat sila ng bahay causing him to switch schools. Ngayong college year, he transferred to the same university I go to. Para bang, tinadhana talaga kami eh 'noh? KEME!

Now, he lives just a block away from our house, pero hindi na kami gaanong close dahil sa tagal naming hindi nakita. Pero close pa rin siya kay Kuya Jake. Since then, I liked him, and I still do now. Para siyang naging default crush ko. Every time I experience a heartbreak or minor inconvenience in a relationship, my heart runs back to him. Para bang, pakiramdam ko siya ang sasagip sa'kin. At yun, 'nak, ang love story ng mommy at daddy niyo. AY, CHAROT!

Kasabay ko si Lee Know lumabas as usual since parehas kami ng course at kailangan namin ummattend sa seminar na 'to. Pero dahil diyan, palagi kaming napag-kakamalang may something. Matagal na naming kaibigan si Lee Know kaya super close talaga kaming dalawa. Siy yung tipong kaibigan na pag na-leak ang gc, puwede siyang makulong. Pero minsan may limitations din ang pagiging close namin, lalo na in public. Mabilis kumalat ang chismis at fake news sa uni, baka makarating pa kay Hoon, baka mawalan siya ng gana. AY! DELULU LANG?

Mahaba-haba rin ang biyahe papunta sa uni, kaya sinalpak ko muna ang earphone ko sa tenga ko.

[You Belong With Me (Taylor's Version)]

♫ Taylor Swift ♫

1:03 ──⚬──── 3:51

⇆ ◃◃ ıı ▹▹ ↻

Pagdating ko sa uni, unang bumungad ang tarpaulin na may mukha ni Sunghoon. SIya kasi yung model ng "APPLY NOW" poster namin. Gets ko kung bakit siya ang kinuha, kahit sino naman, mapapahanga pag nasilayan nila ang kaguwapuhan niya. I'm happy for him, kaso hindi ko na siya ma-gagatekeep. Aw.

Nakakaantok yung seminar. Bahagya akong tumitingin kay Hoon, pasulyap-sulyap lang, gano'n.

Siya yung tipo na para bang lahat nasa kanya na. I bet he will treat me better than that douche. Kaka-ahon ko lang sa break-up pero may tinititgnan nanaman ako. I mean, masisisi mo ba ako? Nakaka-akit talaga yung tingin niya. Siguro, kung siya yung minahal ko, wala na akong ibang hihingin.

Sobrang lalim ng iniisip ko na hindi ko napansin na tinititigan ko pala si Sunghoon ng deretsahan at naka-awang ang labi. SHET! NAKA TINGIN DIN SIYA! GAANO AKO KA-TAGAL NAKATINGIN SA KANYA?!

Initsa ko ang ulo ko sa kabilang direksiyon sa sobrang hiya. Bahagyang napatawa si Sunghoon. Nakita din ata ng mga seatmates niya. Tumalon nalang kaya ako sa bangin (para lang iyong sagipin AY CORNY).

Habang tinatago ko ang mukha ko sa likod ng binder, tinignan ko ang gc namin na sumasabog sa chat. Gagi, nakita ni Lee Know. Chismoso panaman 'yan.

Pag-ring ng bell ay agad akong tumayo perO hindi ako agad umalis para hindi masyadong awkward.

Teka...lumalapit ba siya..? LORD! PUWEDE BA 'TO?! Napagtanto ko na mas awkward pala kapag naiwan kaming dalawa, kaya binilisan ko ang pag-lakad. Kaso nagsisiksikan ang mga estudyante sa may pinto, kahit anong bilis ko, hindi rin ako makakaraan. Palapit na siya! Lord, kayo na ang bahala sa'kin.

"Miss Sim?" dahan-dahan akong lumingon. Shet, lalong umawkward.

"Sim Y/n, right? Do you have something you want to tell me?"

Natulala ako ng marinig ko ang boses niya. The way my name rolled off his lips made me dizzy.

"A-ah wala nammmmman" Y/N UMAYOS KA! KEEP YOUR CALM!

"Oh," Tumango siya. "Kapatid ka ni Jake, right? Who would've thought na magiging ganito pala kaganda ang kapatid ni Jake. Buti hindi ka nagmana sa kuya mo haha" ANG CUTE NG NGITI NIYA SHET.

...Teka..ako? maganda? MAGANDA DAW AKO! WALA KAYO SA'KIN! YES G NANALO RIN!

"Ako nga pala si Sunghoon. Nice to meet you." Sabi niya habang inooffer ang kamay niya habang nakangiti.

GRABE, PATI ATA ATAY KO KINIKILIG!

"Sim Y/n, nice to meet you rin."

Kinamayan ko siya habang pinapakiramdaman ang kinis ng kanyang palad. NAHAWAKAN KO NA KAMAY NIYA! PUWEDE NA AKONG MAMUHAY NG MAPAYAPA!

"Hey um, if you want, we can go for coffee, maybe? Or take a snack?" IS HE ASKING ME OUT?????

"SUre, I'd love to!" Landi mo ses! piyok ka naman nang piyok.

Tumambay lang kami sa malapit na coffee shop habang nagkukuwentuhan.

"What did your kuya say about me?"

"Mabait, malinis, ta's pogi." AY, TUMATAPANG SI IDOL!

Napatawa siya. Nakakatunaw talaga yung ngiti niya

"But do you think I am?" Bigla niyang sinabi. Nabulunan ako sa iced coffee ko. "Hm?"

"Sa tingin mo pogi talaga ako?"

Hindi ko mapigilan ang paglunok ko ng laway. Sobrang halata na ako at this point.

"Siyempre naman haha." Hooniebear kita eh.

Pagkatapos ng mahabang kuwentuhan, nagpaalam na kami sa isa't isa.

Mahaba ulit ang biyahe pauwi, traffic pa.

[Enchanted (Taylor's Version)]

♫ Taylor Swift ♫

1:03 ──⚬──── 3:51

⇆ ◃◃ ıı ▹▹ ↻

This is me praying that, this is the very first page, not where the storyline ends.....

.⋆｡⋆☂˚｡⋆｡˚｡⋆..⋆｡⋆☂˚｡⋆｡˚｡⋆..⋆｡⋆☂˚｡⋆｡˚.⋆｡⋆☂˚｡

Chapter II Part 2 is up!

*I had to separate them because of the 10 image limit in tumblr 😭

anyways I hope you guys liked this part xoxo

[h-ao]

interaction  ( ! )

Play 5 songs in your language that you like.

Remember that it should only be in your language ♡

[makorays]

prince mako I have a problem i watched your "cure to incels r femboys" vid and it convinced me to start taking estrogen but i still thot of myself as a hetero pretty boy 100% i just wanted to stay pretty forever(felix) that was almost 2 yrs ago now and im starting to not look like a guy >_< at all (it also made me very gay i really just want a husband now) i kind of secretly wanted to be a girl anyways but i wasnt really ready for all this do u have any advice? i feel like im being forced to socially transition even though i sort of want to I used to be big into fashion like copying drill era bladee but now i cant w/o looking like a mark/easylick becus of my fatass and huge tits it makes me rly sad looking at old pics of myself balling out as a yung pretty boy demon

anyways thanks that video changed my life

yeah man welcome to my nightmare, i didn't like my body with male hormones and now that i have female hormones i find myself just wishing i could have a fully androgynous body

this is why i warn people to be very sure about this before they do it and why i had that massive warning in the middle of that video, i hope you're at least happier with your body now than you were before (i know i am)

[333chinczyk333]

Bizzey - Hoofd Teeh ft. Malik Montana & Bokoesam (prod. Yung Felix, Bart...

[dailyanarchistposts]

Bibliography & Footnotes

Achenbach, Joel. "Two Mass Killings a World Apart Share a Common Theme: 'Ecofascism.'" Washington Post, August 18, 2019. https://www.washingtonpost.com/science/two-mass-murders-a-world-apart-share-a-common-theme-ecofascism/2019/08/18/0079a676-bec4-11e9-b873-63ace636af08_story.html.

AFP. "Earth to Warm More Quickly, New Climate Models Show." News. France 24, September 17, 2019. https://www.france24.com/en/20190917-earth-to-warm-more-quickly-new-climate-models-show.

Ahrensdorf, Peter J. "The Fear of Death and the Longing for Immortality: Hobbes and Thucydides on Human Nature and the Problem of Anarchy." The American Political Science Review 94, no. 3 (2000): 579–93. https://doi.org/10.2307/2585832.

Ambinder, Eric, David M. Jennings, Isadora Blachman-Biatch, Keith Edgemon, and Anna Taylor. "The Resilient Social Network. @occupysandy #SuperstormSandy." Virginia: Homeland Security Studies and Analysis Institute, September 30, 2013. https://assets.documentcloud.org/documents/1357203/the-resilient-social-network.pdf.

Amend, Alex. "First as Tragedy, Then as Fascism." The Baffler, September 26, 2019. https://thebaffler.com/latest/first-as-tragedy-then-as-fascism-amend.

BBC. "New Orleans Rocked by Huge Blasts." BBC, September 2, 2005. http://news.bbc.co.uk/2/hi/americas/4207202.stm.

Belcher, Oliver, Patrick Bigger, Ben Neimark, and Cara Kennelly. "Hidden Carbon Costs of the 'Everywhere War': Logistics, Geopolitical Ecology, and the Carbon Boot-Print of the US Military." Transactions of the Institute of British Geographers 0, no. 0 (June 19, 2019). https://doi.org/10.1111/tran.12319.

Bendell, Jem. "Deep Adaptation: A Map for Navigating Climate Tragedy." IFLAS Occasional Papers, July 27, 2018. https://mahb.stanford.edu/wp-content/uploads/2018/08/deepadaptation.pdf.

Bringhurst, Robert, and Jan Zwicky. Learning to Die: Wisdom in the Age of Climate Crisis. University of Regina Press, 2018.

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[1] IPCC, "Global Warming of 1.5°C."

[2] Stocker et al., "Physical Climate Processes and Feedbacks."

[3] The model used by Climate Action Tracker ("Temperatures") projects a 3.2°C warming with current policies. Other models predict as much as 6-7° warming by 2100 (see AFP, "Earth to Warm More Quickly").

[4] Harvey, "CO2 Emissions Reached an All-Time High in 2018."

[5] Gergis, "The Terrible Truth of Climate Change."

[6] Srivastava, "Global Catastrophic Risks 2018."

[7] Spratt and Dunlop, "The Third Degree."

[8] Bendell, "Deep Adaptation."

[9] Meyer, "Human Extinction Isn't That Unlikely."

[10] Hobbes, Freud, and Dawkins are all examples of what the biologist Frans de Waal calls the "veneer theory" of human nature and morality, in de Waal, Primates and Philosophers, 7.

[11] Tansel, States of Discipline, 2.

[12] Spinoza, Ethics, pt. IV, prop. VII.

[13] Brian Massumi, in Deleuze and Guattari, A Thousand Plateaus, viii.

[14] Ahrensdorf, "The Fear of Death." He shows that Hobbes believed it was necessary in a time of peace to disseminate the lessons of fear that others learned in a time of war. Today the culture industry has willingly taken on that role.

[15] Feldman and Stenner, "Perceived Threat and Authoritarianism"; Jost et al., "Political Conservatism as Motivated Social Cognition."

[16] Israel, "Sustainability Expert Michael Mobbs: I'm Leaving the City to Prep for the Apocalypse."

[17] Klinenberg, Heat Wave.

[18] Morgenthau, Politics Among Nations, 4.

[19] For alternative uses of the concept see Gordon, "Prefigurative Politics." My use is closest to what he calls "generative" but my emphasis is more on the affective and cognitive function of social pratices.

[20] Gordon, "Dark Tidings," 249.

[21] Since his piece was originally published Gordon too has become less sure of the near-term collapse of industrial capitalism. "Peak oil" seems to have been postponed as new methods of intensive extraction have preliferated. This also implies the decreased likelihood of a "greener" capitalism (see his comment to the revisited piece "Darkness Falls").

[22] Gordon, "Dark Tidings," 251.

[23] Eco-fascist tendencies do not just exist among obscure writers of the neo-reactionary "Dark Enlightenment" or the recent wave of nazi terrorism (Achenbach, "Two Mass Killings a World Apart Share a Common Theme"). The eugenicist logic in the name of environmentalism popularized by Garrett Hardin (Amend, "First as Tragedy, Then as Fascism.") lives on today with envigorated strength in the climate debate where European academics deploy Malthusian ideas about ‘over-population’ in former colonies (Koutonin, "On The Myth Of 'Overpopulated' Africa.") and where capitalists like Bill Gates finance authoritarian state-run programs of population control (Wilson, "For Reproductive Justice in an Era of Gates and Modi.")

[24] This is both the title of their 2013 paper and their 2018 book (CL). I primarily refer to the book, except where it diverges from the paper.

[25] M&W, CL, 28–30.

[26] M&W, "Political Scenarios for Climate Disaster." In Climate Leviathan they also note Behemoth's "constant failure" to offer alternatives to the crises of liberal capitalism as a reason to doubt its longterm endurance (CL, 44).

[27] M&W considers the Paris Agreement "an important step toward the emergence of planetary sovereignty" and a "legal and political foreshadowing of Climate Leviathan's form" (CL, 38, 35). In the paper they argue that Leviathan will be most likely be build upon the "US-led liberal capitalist bloc" through legitimizing institutions like the United Nations ("Climate Leviathan," 2013, 7); while in the book they argue that it could only achieve true domination by including other geopolitical and economic powers like China (CL, 32).

[28] "Our task is to ... reject Leviathan, Mao, and Behemoth, while affirming other possibilities. What remains? All we have and all we have ever had: X." M&W, CL, 197.

[29] Gordon, "Darkness Falls."

[30] M&W writes that the priority "must be to organize for a rapid reduction of carbon emissions by collective boycott and strike" (CL, 173.) while Gordon advices activists to focus on "delegitimation, direct action (both destructive and creative), and networking" (Gordon, "Dark Tidings," 253.). All this is necessary, but we also need to build our communities in order to survive.

[31] Franzen, "What If We Stopped Pretending the Climate Apocalypse Can Be Stopped?"; Bendell, "Deep Adaptation."

[32] The limit for human heat tolerance is around 35°C (95°F) at 100% relative humidity at which point the body can no longer get rid of excess heat. Hundreds of millions could be impacted by such conditions by the end of the century (Coffel, Horton, and Sherbinin, "Temperature and Humidity").

[33] Steffen et al., "Trajectories of the Earth System in the Anthropocene".

[34] This is what she refers to as "disaster capitalism." Klein, The Shock Doctrine, 6.

[35] Kastner, "USAID Forced Sweatshops on Haiti."

[36] This is not to say that there is no dependency. As the author of the book on Mutual Aid, Peter Kropotkin, notes, a reciproal relation can arise from the recognition of the "mutual dependence of all upon every one" which he also calls "solidarity"; Ethics, 293.

[37] van Holm and Wyczalkowski, "Gentrification in the Wake of a Hurricane."

[38] Chun, "Gentrification of Neighborhoods in New York City after Hurricane Sandy."

[39] Klein and Brown, "Robert De Niro Accused of Exploiting Hurricane Irma to Build Resort in Barbuda"; Simmons, "Plans to Rebuild Hurricane-Ravaged Barbuda Reignite a Decades-Old Land Dispute."

[40] Carrington, "Climate Change Is a 'Big Business Opportunity for the UK.'"

[41] Gray, "As Fresh Water Grows Scarcer, It Could Become a Good Investment."

[42] Shannon, "Climate Chaos Is Coming - and the Pinkertons Are Ready."

[43] Securitas AB, "Securitas Sustainability Report 2017."

[44] Schulman, "Defense Contractor: Climate Change Could Create 'Business Opportunities.'"

[45] BBC, "New Orleans Rocked by Huge Blasts."

[46] Romero and Lacey, "Looting Flares Where Authority Breaks Down."

[47] "Earthquake Frees Haitian Prisoners from Port-Au-Prince Jail, 80% Never Charged with a Crime."

[48] Devi, "Helping Earthquake-Hit Haiti."

[49] Ehrenreich, "Why Did U.S. Aid Focus on Securing Haiti Rather than Helping Haitians?"; Waterfield, "Haiti Earthquake."

[50] Leonard, "US Accused of 'occupying' Haiti as Troops Flood In."

[51] Mbembé, "Necropolitics."

[52] Internal Displacement Monitoring Centre (IDMC), "Mid-Year Figures 2019."

[53] Schwartz and Randall, "An Abrupt Climate Change Scenario."

[54] In a survey after Hurricane Sandy most respondents reported that the disaster "brought out the best in the people in their neighborhood" and that neighbors were helping each other (Tompson et al., "Resilience in the Wake of Superstorm Sandy," 8.) For historical examples, see Colin Ward's Anarchy in Action, 34-. Concerning "disaster communism" and "disaster anarchy" in the context of climate change see Dawson, Extreme Cities, chap. 6; Clark, The Impossible Community, chap. 8; and Firth, Disaster Anarchy.

[55] Firth, Disaster Anarchy (forthcoming).

[56] Ambinder et al., "The Resilient Social Network."

[57] Buber, "Society and the State."

[58] Levitas, "Educated Hope."

[59] M&W, "Climate Leviathan," 2013, 7. In the book they update this analysis to include the scenario where a US-led capitalist bloc collaborates with China (CL, 32.)

[60] M&W also mentions these two possibilities in CL, 152.

[61] It might seem unlikely that the US could take the lead on climate change but political trends can change with a few elections and oil crises. As I have noted, the "deep state" within the US is taking climate change very seriously and anything that can be marketed as a "war" and requires US "leadership" could be politically advantageous in US elections.

[62] As Ostrom writes, it is essential to reexamine the view that "solutions to global change must be global in scale" ("A Polycentric Approach for Coping with Climate Change," 2).

[63] Malm describes the link between empire and fossil economy in Malm, "Who Lit This Fire?"

[64] Crawford, "Pentagon Fuel Use, Climate Change, and the Costs of War"; Belcher et al., "Hidden Carbon Costs of the 'Everywhere War'"; Sanders, The Green Zone.

[65] M&W, CL, 176.

[66] Carter, A Radical Green Political Theory, 120.

[67] Carter, 201-.

[68] Carter, 251.

[69] Jameson, Archaeologies of the Future, 199.

[70] Morton, Dark Ecology, 25.

[71] Clark, The Impossible Community, 215.

[72] Klinenberg, "Want to Survive Climate Change?"

[73] As project director Søren Hermansen explains: "We wanted to establish a platform of citizens capable of taking responsibility for their own community. It matters less whether the end product is windmills or a new Internet connection or a new ferry… We had to learn to cooperate." Papazu, "Authoring Participation.". The information summarized in the above paragraph is all from Pazu's paper.

[74] Paz, Durruti in the Spanish Revolution, 478.