#You know there's many different ways that you can kill the one you love

[cheust]

Sometimes I think about the angst potential of a Neglected! Reader that sacrifices themselves for a member of the batfam, not bc they love them, but to hurt them.

I kinda like the idea of a Neglected Reader that becomes volatile over time, the neglect turning them bitter, and with no way to properly cope, rots away on the inside. Filled with the desire to hurt the batfam. They could turn to a life of crime but what would it actually accomplish? More people that feel like they do? One more criminal on Bruce’s roster? No. Crime is not an option for their desire to hurt the bat and his birds.

So what does reader do? Die. They die publicly.

What I have in my head so far is a scene like in the 2009 Astro Boy movie, where Bruce is taking investors and the press on a tour of his companies new projects when Damian “accidentally” (Reader set it up perfectly) sets off a new training robot that’s actually dangerous, and reader pushes him out of the way and ends up being killed by the robot.

All in front of reporters, who do what any reporter would do, report on Bruce Wayne’s failure as a father, and turn reader immortal like Martha and Thomas Wayne.

It only hitting the batfam how much they neglected reader when Reader’s close friends practically plan the funeral for them, telling the batfam through choked sobs how reader would want to be remembered. It hits them more when they have to sit and listen to the stories and memories of Reader that their friends tell the batfam, memories they had no role in. They had no idea how many people loved reader, how many people are crumbling in grief at readers death. And it’s painfully obvious how little the family knows about reader all throughout the funeral. With them not being able to come up with one memory of reader.

On the other hand, bc I love a reader that can get the upper hand!

Reader who fakes their death and escapes the batfam and Gotham City by escaping into a different world all together. A reader who put their all into learning magic so that they can fake their death and not have to suffer the consequences of the batfam somehow finding out, bc there’s nothing more embarrassing than seeing your dad in his armored bat suit, 3 years after faking your death.

Or having your younger half brother berating you for faking your death and “embarrassing the family name with such a stunt”. All the While the oldest brother is crying and squeezing you, saying how sorry they are for not being there for you.

Yic.

So of course you’re safe in this fantasy world, it reminds you a lot of those manhwas you use to read in your spare time. You can now make your own business and dominate in trade and investments. Make friends and foes in your business field.

However, the blood in your veins run icy cold when you hear a certain lastname at a ball you’re attending. A name that you had hoped to never hear again. A name that has your stomach in knots and a million questions in your mind. A name that makes you want to throw up and run away, to hide behind your loyal knight.

Bruce. Wayne.

[shadyr4m]

REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

[gildeddlily]

season 2 started off beautifully. I was ecstatic at the end of episode three, for the simple reason that it had the same spirit as season 1. Vi feeling like she made a mistake so big trying to reach Powder instead of seeing Jinx and the danger she represented that the only way to fix that for her was to join her oppressors. Caitlyn destroying all the progress she'd made, unlearning what she'd been taught about Zaun by being with zaunites like Vi, the moment one of them killed her mother, and embracing her roots we can say, talking of bad blood and "I thought you were different"- showing that the internalised racism was always there ready to resurface the moment it had an excuse to. Caitlyn saying that her mother being killed by a teenager who's never dealt with her trauma and mental illness is the same thing as Vi's parents being killed by members of a military institution, disregarding everything she knew about the pain and abuse Vi went through because of the Enforcers. a "men get abused too" situation, in which one ignores the social and historical background of that type of violence to feel less sorry about it. they were perfectly well written, because they are things we see everyday. my father taught me as a child that black people crossing the Mediterranean to look for work in Italy were a good thing, and now that he's had problems at work with one he's started saying the opposite. a gay man I knew laughed at trans folks and said they made things worse for us, ridiculing them in the company of straight people to feel less threatened. (not the exact same thing as what happened to Vi, but you get what I mean).

those are real things, and Arcane has always been good at showing real things.

later on, episode seven, Jayce fell down. he landed in the deepest hole of Zaun, broke his leg, was forced to wear a brace to walk, suffered and had to claw his way back to the surface, to Piltover, in a strange metaphor of Viktor's journey and life (saw a post talking even more beautifully about this, will put the link here if I find it again), and once he met Viktor again, he told him his illness, his legs, he, were beautiful. not despite everything. because of it. and now he can understand him a little more. now he says "your imperfections are beautiful" and we can believe him, because he's not speaking from the perspective of a man trying to convince his friend to stop harming others. he's a man trying to make his partner see that he still loves him, now that he's finally understood him after years of trying to reach the truth and always being stopped by something, and that he understands him enough to know why he's harming others, and that he cares for him enough to think that he will be able to understand why it's wrong. it's Viktor accepting the inevitability of being seen by someone who went to hell and back to reach him.

those were fucking beautiful arcs. they were.

and then?

Vi saw Caitlyn become what she'd always said she wouldn't become, and there were no repercussions. Catelyn got to walk away and live all the same. she lost an eye to Ambessa, but it was no punishment for what she'd done. how many people did she harm? how many people did her actions have repercussions on? Vi shouted at her once, and then it was like it had never happened- which is still real, I guess. it happens everyday. but I didn't see any wish to make us see how that was wrong. I don't want to be told "this is wrong", I'm old enough and smart enough to understand this, but I also think I can see the difference between trying to show deeper meanings and not wanting to deal with difficult plot lines.

and Zaun? it was sad. pathetic. years of abuse were what, forgotten and then vanished in thin air because there was a common enemy? that, sadly, isn't real. it isn't. years or oppression can't be forgotten so easily, not by the oppressed, for one "glorious" fight. it's lazy. what started as a good depiction of reality turned into an american wet dream of big fights and sad sacrifice scenes and epic love stories that cross any difficulty, and economic and social difference. don't you dare say something against Caitlyn and Vi's ending, they went through all that, they deserve nice things. they do. many other people did. no one cared about them tho.

so.

epic failure. good soundtracks tho.

[nikkalick]

Veilguard Spoilers below the cut. About the Blight, the current state of Southern Thedas, and the Veil…I’ve never made a rant like this so bear with my ramblings, please

I’ve seen so many people say, “We should’ve been able to tear down the Veil” and I feel like I’m going insane every time I see that take like…

MAMA A BLIGHT IS BEHIND IT??!

You think what happened to Southern Thedas was bad this game? You have no idea what’s in store for you if you open up the fucking Veil and let that trickle of Blight become a flood.

Point of Order just to set the scene with how bad the literal Blight is

“They (the writers/devs/Bioware/EA) nuked Southern Thedas so they don’t have to deal with the lore the past content set up there going forward”

Maybe. But also the only other Blight we’ve seen in game was the Fifth Blight. By all accounts a statistical anomaly in how it acted when compared to Blights 1-4. I don’t wanna delve too deep into this because it is so not the point I’m trying to make with this post, but the Architect very much had a hand in waking up Blight numero 5 and very likely impacted it in a way that made it less volatile. Past Blights saw Darkspawn hitting big populations hard and fast. The 5th started slow, in the wilds, at Ostagar. Away from large amounts of people. It is mentioned in DA:O that this Blight “feels different”.

The Blight we see in Veilguard is more in line with the Blights that came before the 5th. Something something the Inquisitor writing “worse than we have seen in living memory” because the only living memory anyone has of a Blight was the one from 20 years ago. Which was bad, but not as bad as they usually are. Veilguard’s is bad the way Blights are meant to be (if not worse because, ya know, the Gods), and it was still ONLY A TRICKLE OF WHAT THE BLIGHT IS BEHIND THE VEIL. If the full force of the Blight escapes the prison/the Fade that’s it. Goodnight to everyone in this world both within and without all of Thedas.

Moving on.

“Solas can move the Blight into the new prison that was meant for the Gods and then tear down the Veil. That was his plan.”

Sorry, did we play the same game? We know what the Blight is now. It’s the last remnants of the Titans. Twisted, broken, angry, nightmarish. It’s all that’s left. All that’s left are the plagued dreams of ancient beings that are so devastated because of what Mythal, Solas, and the rest of the Evanuris did to them with the very dagger we now hold.

I want to take a moment to address that what I’m about to say is said as someone who’s been trapped in Solavellen hell for years. I love Solas and his character, and I believe that yes, he had a plan that would have both moved (or killed) the remaining Evanuris and the Blight to a new prison while simultaneously tearing down the Fade. But if you, like me, wanted to redeem this idiot despite everything, then pray tell how does Solas locking up the Blight offer him said redemption?

How does locking away the only thing that remains of the Titans into a prison and throwing away the key redeem him? The Evanuris fucked up when using the Titan’s, idk…life blood? To take form. Solas fucked up when he, upon Mythal’s behest, created a weapon that sundered the Titan’s (and the Dwarves as whole) from their magic, from their dreams, from their very being. And they did it because they thought they had a right to. They put themselves above the dwarves and as a result they caused the Blight. And then they hid the Blight away. Yes, they hid it away to keep people safe, and yes, locking it and the Evanuris away when they tried to use what was essentially a bio weapon to maintain their position of power was a call that kept people safe for a long time. But the Veil was a consequence of that call. And while the Blight was trapped in its prison, behind the Veil, it got angrier and angrier with every passing generation.

Removing the Veil and shoving it into yet another prison will not only piss it off even more, but it doesn’t allow for Solas to actually atone for the part he played in its creation and the part he played in destroying what the dwarves used to have. He has to uphold the current prison. He has to go to it to try to soothe it. To heal it as best he can. Locking it away elsewhere, and then trying to offer it salvation after the fact? It’s not gonna cut it.

He has to go to the Black City, he has to face what he did, and he has to put aside his favorable bias towards giving the Elves “back what they lost” (a world current day Elves don’t remember and have never known) to instead put the safety and wellbeing of every being in the current world at a higher priority. That’s part of his redemption arc by the way; learning to value the lives of the people that walk this new world he had a hand in creating. Because when he wakes up before the start of DA:I he doesn’t value anyone. Shit, when Felassan declines to help him destroy the Veil and suggests he learns to appreciate the world that has been in place for centuries, Solas kills him for it.

All that said, he can’t fully put things right. He can’t reconnect the Blight with the dormant remains of the Titans. Because, as the game tells us, we’d then be faced with a bunch of Titans the size of mountains rampaging, rightfully so, because of the wrongs that were committed against them. But Solas can put in the work to find a way to ease its agony. And maybe, if given the time and the patience, one day the Veil could come down because the Blight will have had the opportunity and been given the help it needed to actually heal from the trauma that created it. And maybe taking the time to do that will have, in some small way, allowed him to make up for the shitty hand he played in destroying the Dwarves. A race he (finally) sees as his equal. Because that’s a big part of his fucking redemption arc.

[arrowheadedbitch]

Overview of the things I've decided are canon for my son of zeus au so far (hopefully I don't forget any):

The gods are dicks. They arent *always* dicks, but I don't want to sugarcoat them from their original myths, they do bad shit and often

Denki is favored by Apollo, Dionysus, and Hermes the most, Persephone also likes him pretty well

Zeus is Zeus, meaning who knows when he'll decide he loves his son or hates his son or just genuinely doesn't care, he's such a little hypocrite bitch ain't he

Quirks are the exact same as they are in canon, the presence of the Greek gods didn't affect that at all, the gods have nothing to do with quirks and while they still are probably banging like rabbits they aren't really that active in Japan so no, no one else at UA is a demigod

Zeus slept with Kaminari's mom because he was intrigued by a mortal with a power in his domain (electricity) that didn't come from him

Since Kaminari's powers come from both his quirk and his dad, there's some complexities to them

Kamimari was born with lightning powers but they worked differently before his quirk actually manifested (I'm toying with the idea that his quirk manifested while being smiled by Zeus with lightning? I haven't decided if I like that or not yet)

Kaminari doesn't want other people knowing he's a demigod for classic hero story reasons but also because 1. Greek gods being real is a secret and he ain't about to be the one that spilled it 2. It'd be really complicated and annoying to explain and let's be real, at least one person would come out of that thinking he went crazy

Athena doesn't like him because, well, dunceface, duh. She does appreciate his strategic abilities though

Ares also doesn't like him because he doesn't like killing people, Ares and Athena hate that they dislike the same kid so much that they'd consider changing their tune about him on just that alone

In junior high he went on a big quest, I haven't decided on any details of it, but it involved a lot of fighting way to strong people while way too young as most quests do, this is also how he got into Apollo, Hermes, Dio, and Persephone's (and by extention Hades since he loves Persephone enough to deal with anyone she likes) good graces, the quest was likely given by Zeus and likely involved Hera trying to kill him

He's not really surrounded by people in the ancient greek community, it's not like he has a camp half blood and even if he did he'd skip it to go to UA training anyway, but he is pretty well known in those circles post big quest

I'm toying with the idea that he failed his first quest and thus had to go on a redemption quest

Kaminari doesn't like being serious, but despite what his classmates and teachers think, he CAN do serious, how else would he be such a big shot in the Greek community?

Imma be real, there was probably some kind of war that Kaminari had to lead an army in or something. I'm sorry, child soldier stories just have so many layers to dissect it's not my fault that they're compelling in a way

My point is, serious Kaminari is like war general levels serious, but not even LOA attacks are bad enough to bring out serious kaminari, are you kidding, did you gloss over the part about god war? He's having a little trouble taking literally any threat at UA seriously and he'll have trouble taking almost every threat as a pro hero seriously, it's not his fault junior high set the bar way too high on what situations are serious!

One of Kaminari's demigod powers, as the son of Zeus, is that he can't take fall damage. No matter how high up he falls from, he will never ever get worse than a few scrapes

Pissing him off really badly makes the sky get stormy, I'm talking immediate clear skies to nothing but gray clouds moving in and you can't even SEE the sky anymore, also possibly rain, he doesn't do it often but he can and he'd probably be able to control it if he were to practice his demigod powers along with his quirk but we all know he ain't gonna do that any time soon

He can sword fight, he hopes this never comes up

He has to keep reminding Dionysus about the legal drinking age, Dionysus thinks it's stupid and therefore never listens, they have argued about it multiple times

Apollo and Kaminari play chess together on occasion

Hermes at one point gave Kami a special knife when he decided he liked him enough to give him a gift, it's a magic thief's blade which is just a dagger that cannot be found on his person no matter what you do. Pat him down? You won't feel it. Scan him? It didn't show. Metal detector? It didn't beep at all. But he can pull it out whenever. He won't but he does *have* it just in case. I'm also deciding if making it not be able to leave him would be too much. I don't want it to feel like a riptide ripoff, I'm thinking maybe it sprouts wings and flies to him?

Yes, I've just decided, the Thief's Knife will fly to him if left behind and can squeeze into any crack no matter how small to get to him

I'm shinkami trash so you KNOW shinkami is about to be canon in this au

In either 2A or 3A, Kaminari tells Shinsou his secret about the gods being real and him being Zeus' son, he spends a great amount of time explaining all the details to Shin and answering his questions, it's a lot

What can I say? Shinsou is gus confidant, he was gonna have to tell him at some point 🤷🏻‍♀️💅

He doesnt tell anyone else, but obv they've got to eventually find out somehow, what you think I'd just let it be lame?? Even after they find out, he won't tell them anything he doesn't have to, waits until it comes up to explain things, it's just too complicated he doesn't want to go through all that AGAIN and with twenty people this time

Oh and before you ask, I'm gonna say no on the flying thing. I know it could be a power of a Zeus kid, I know it could be cool, but no. No he cannot fly.

I can't think of anything else right now but I can't wait to wake up in a cold sweat tonight and realise what i forgot

Also, I'm gonna go ahead and tag @iys-cloud since I know iys really likes this au :]

[rhiannonsknife]

You mention vibrator play with (I think coworker!)rhiannon and oh my christ I'm such a sucker for that sort of thing- could we get an expansion on that please?? Tysm!! As per usual your writing continues to be phenomenally incredible please know that you're doing (sapphic) god's work ❤️❤️

-🔆

thank you so much 🔆 anon!! <3 nsfw content below. mdni.

now to vibrator play with (coworker!) rhiannon! there are so many different ways that this could go so let me elaborate…

coworker!rhiannon who’s also your girlfriend and who loves to watch you struggle from across the room...in the morning, while you're getting ready for work together, she’ll bring the idea up to you: you’re zipping up your pants when she wraps her arms around you from behind. rhiannon’s lips press against the back of your neck playfully but that’s not what catches your attention: what does is the cold feeling of something pressing against your bare stomach. before you can ask what it is, she already turned on the little bullet vibrator. “what do you think?” rhiannon murmurs against your skin from behind as she runs it up your body, letting you feel the vibrations on the lowest setting. she doesn’t have to explain herself; she’s brought the idea up enough times for you to understand what she’s planning.

coworker!rhiannon who stuffs it into your underwear once you’ve given her your consent and have come up with a safe word/signal in case she ever pushes you a bit too far. coworker!rhiannon who starts off tame enough. who, at first, only switches it on from her desk when you expect it: while holding eye contact beforehand or even as she’s standing right next to you. “how’s work going?” she’ll ask, and put a hand on your shoulder. yet when you’re about to answer, she flips a switch on the remote in her pocket, and allthe words you were about to say morph into a surprised gasp as you press your thighs together.

coworker!rhiannon who gets the hang of it after a while. once she’s figured out the different settings and how you react to them (which one makes you squirm the hardest in your chair or has you glancing in her direction desperately), there’s no stopping her: she’ll put on the lowest vibration during the entirety of a conference -not enough to make you cum, but just enough for you to be toeing the edge the whole time. or she’ll turn it up suddenly when you’re least expecting it; when you're about to get up for your break, forcing you to sit back down suddenly. she’ll watch you as you get closer and closer on the highest setting, white knuckle gripping the edge of your table, then turn it off at the last second...

coworker!rhiannon who catches you trying to sneak into the bathroom to get off while she’s refilling her coffee. who walks in on you attempting to touch yourself in there. who takes the vibe from you and presses it against your clit on the highest possible setting and keeps it there through multiple orgasms, until you’re shaking from overstimulation and need to hold onto her for support, biting down on your hand/her shoulder so that you won’t scream through the entire office floor.

but also…

rhiannon who ties you up on her bed (or the garage if she’s in a bit of a role-play mood…) and holds the vibrator against you until you’re a babbling mess, begging her to take it off or turn it down. if you really wanted her to stop, one use of the safe word would be enough. yet, you don’t. you want to be at her mercy, you want rhiannon to have her way with you until she decides that it’s enough.

or, alternatively: rhiannon who ties the vibe against your thigh and then leaves you there, with the toy buzzing weakly against your clit. she’ll go down into the living room to do whatever chore still needs to be done, or she will go out on one of her killing sprees. like this, she has something to look forward to when she stumbles back inside a long while later: covered in blood, she enters the house, instantly greeted by the sound of your desperate whines echoing from the bedroom…

[astrofhobia]

I tried to help you.

We were never brothers. Pretending our relationship worked was what ended it. You never cared about me, I was aware of that to a certain extent. I pretended to care about you even if you knew better.

You got angry because of that, no, you didn't get angry because I pretended to care about you, you got angry because I wasn't honest with you, because I didn't tell you absolutely everything that was going on in my head.

Maybe things would have been different if they had treated you well, you were alone, trapped in someone else's mind, you felt pain but never showed it.

You were always very proud, Eclipse.

I tried to please you many times, staying extremely still in those analyzes that you did to me all the time. Until now I don't know why you made them. Was something wrong with me? Were you afraid Moon would take control? I guess you'll keep that secret until you actually die.

I was looking for a way to feed your ego and please you because it made me sad that you were alone without anyone congratulating your achievements. You always made me feel sorry for you. You can deceive yourself but you cannot deceive others. You were an artist deceiving others but you never knew how to continue with your lies and people came out of the threads you built around them. You tricked Moon and he tricked you, you tried to bully Sun and he bullied you. You killed me and I killed you.

Don't blame yourself. No one was really nice to you, no wonder you were so cold and empathetic towards me. Until Earth arrived.

She really changed your perception of people, right? You know, I love her, she's my sister. Nothing will make me hate her.

But I'm jealous of her.

She managed to get you out of your bubble without trying, it only took a few soft words for you to stop considering her a threat. You stopped seeing her as a hunting animal, you saw her as a friend.

I tried that many times. But the only thing I received was slaps and insults. You changed with others, but you never did with me.

That's my problem.

I tried to pretend that I didn't care about you. I regretted many times yelling at you, hitting you or disappointing you. I erased those feelings over and over again but they always came back.

I felt like you deserved a hug, a "I'm sorry" many times but I was never able to say it.

I was terrified that you would leave me. All those tests, I was so worried that you would leave me alone like they had left me... But my obsession with the star led me astray.

Maybe if I had been nice to you things would have been different. I mocked you when you betrayed me. But that really hurt me, my own creation stabbed me in the back.

I would have done it too if my creator abused me like that...

I'm not the Eclipse who treated you like that but I don't know how to talk to you without my larynx shutting down. I want to treat you better but our relationship is at the bottom of the sea and I don't know how to start a conversation without sinking further.

At the moment Earth appeared I was so hated by everyone, I was scared when she appeared, she didn't attack me, she didn't ignore me, she tried to be on good terms with me because she didn't know me. He knew what he had done, what he had done to you. But she still approached. She said I could have a second chance if I wanted.

I guess that's when I understood that I could improve.

I moved because I had done so much damage here that trying to walk near daycare or your family became extremely anxious and I hated that feeling.

When I got here I expected everyone to hate me. But apparently, this place is so different and the same at the same time. I feel at home but very far from there.

I try to start something new here, I want to get away from the problems but those problems are still there.

That's my problem.

But I still want to help you.

[antispopausandstuff]

stans criticize antis for including the scene of Catra scarring Adora as a child in the cycle of abuse, going on about how she was just a kid, that a kid can't be abusive, etc., but here's the thing:

there's this kid i know and love. they're autistic, non-verbal // limited in speech, and are prone to emotional bursts. they always know more than people think, try to help you if you cry, and absolutely loves sharing food // treats with others and meeting new people.

but there are times i'm scared of them. hell, there's times i, admittedly, hate them.

i understand that they have little impulse control, that they're a child, a disabled one at that, and they don't understand the consequences of hurting someone or maybe even that they're hurting someone at all, but your "fight or flight", your anxiety, your fears, PTSD, etc. does not care who or what it is.

that and, honestly, i still resent my bullies. i know they were kids, too, but that doesn't take away from the pain and embarrassment i felt. for so long, i thought i was completely unlikable, and it was because of them. my ma tried to teach me the "ignore them", "kill them with kindness", "sympathy // empathy" lessons, but none of them worked.

bullying and abuse aren't that different, if they are at all. the victims always suffer, in one way or another, and bullying // abuse can lead to suicide, mental decline, physical decline, and overall ruin your entire fucking life for so long.

i understand that kids are little balls of energy and don't understand the consequences of their actions. my bullies likely thought what happened to me wasn't a big deal or was just a joke. maybe they didn't even have bad intentions in the first place. but that doesn't take away what i've gone through since then, because of them.

Catra was a child, yes, but so was Adora. why do you forget that? any child would be scared of someone, even their best friend in the whole world, if they just suddenly clawed them in the face just for asking "why did you do it?", any child. anyone, in fact.

there's exceptions, but generally speaking, we're afraid of what severely hurts us. Catra severely hurt Adora, just for asking a question that anyone else would've asked.

the cycle of abuse continued when Catra didn't care about Adora's health and safety, meanwhile Adora always cared.

now, after this, it's just speculation, but i had an interesting thought.

Catra punched Lonnie ( presumably, as there's no scar or implication that she clawed her, just that she hit her, and that typically means punching ), but clawed Adora. and hard enough to send her flying halfway across the room.

yeah, Catra was angry with Lonnie ( jealous ), but, ultimately, it's Adora who suffers the worst consequence. the writers obviously let Catra do what she likes, but i think this is just more evidence that she knew, even subconsciously, that Adora wouldn't fight back.

i originally thought that Catra only used her claws against Adora because of her hatred and knowing that Adora wouldn't do anything, but there's something else to consider.

she's clawed Octavia, disabling her, and almost did the same to Lonnie.

now, why would she do that to either of them, when neither have that much important to her, in comparison to Adora?

in the first scene, Catra did it just because she could. just because she thought Octavia was, more or less, ugly.

in the second scene, Catra did it because Lonnie pissed her off. but she's been pissed off before, many times, even to Lonnie, so why only try to claw her now?

to me, it reads as her using her claws on a person ( directly or indirectly ) when she knows the other is defenseless, in some way or form, or as a form of punishment. not necessarily because they have importance to her.

Adora just happened to be the one she wanted to punish the most.

[cynthiav06]

Annabeth stans and Percabeth shippers are talking about how ooc Annabeth is in WOTTG with her thinking Percy is stupid as if she hasn't constantly made fun of Percy's intelligence since the very beginning. As if she doesn't do it in every book, multiple times. Rick's characterization of Annabeth isn't changing, people are finally just growing up and realizing their fave ship when they were 12 isn't healthy. But instead of actually acknowledging that it's a bad ship they just blame the author.

Warnings: This is going to be a rant; bear with me. People from the "take everything as a personal offense" group stop reading. Will give us both the luxury of a peaceful mind.

It's easier to blame Rick, I think, given his series of shit decisions. The Wrath of a Triple Goddess is a complete abomination, and so is Chalice of the Gods in many ways. But at least it has helped readers understand the glaring flaws of Percabeth as a ship. How Percy's character is butchered to hype up Annabeth.

And I am completely exhausted of trying to get any of them to think rationally and in an unbiased manner. I can't make a willfully blind individual see sense after all.

But yeah, Annabeth has many, and I mean many character flaws throughout the series. The number of times I have made a post on Annabeth's flaws or even why Percabeth is incompatible.... At this point, I believe open-minded and careful readers are going to see and make their own conclusions, and the blind shippers will keep doing their own thing. This , I think, was my most recent post and will probably be one of my last ones on a similar topic. Unless I get newer asks that have some different viewpoints that I can actually explore cause, all has been said so far, I think.

I had a feeling that things would get better as they got older, more mature, you know, an Annabeth character arc of some sort. Maybe exploring the positive and negative nuances of Percabeth or even Percy's suicidal thoughts, non existent self esteem and how Annabeth has been unknowingly feeding into those.

She is one of the more iconic characters to people even outside the fandom. One from a very, very , and exclusive pool of actually strong female characters and the way her character is devolving isn't helping anything.

-------------------------------------------------------

All of Riordan's characters have such high potential, and the amount of plots he could explore is staggering, and yet he still dishes out the same generic plot again and again. He is in it for the money now, has been for a while, and so there's no hope there.

This might be a very hot take, but I think romance ruined the series. Rick kept slapping romantic relationships on every character as if that would suddenly make things better. Give them a relationship rather than explore their trauma. I guess it's the easier of the two.

But seriously, Caleo? Jiper? Solangelo ? (I can see the hate comments already). Whatever he was doing with Reyna, but at least she wasn't completely butchered.

Rick's problem is that he keeps giving more importance to romantic relationships and makes that the entire personality of a character.

He butchered Percy, even Jason at times, Leo bloody Valdez and Nico more prominently.

The way Percy and Nico's very deep and volatile bond and heavily dynamic relationship was butchered and distorted to feed into Solangelo and Percabeth, and I can't possibly understate how highly that's been going on.

Then Luke and Thalia's relationship was completely butchered for no absolute reason. I have no idea why. They were in love or at least had romantic feelings for each other, and Thalia just woke up and wanted to kill him? He literally gave all the angst to Annabeth even though Thalia had known him longer, and they had a more nuanced bond.

Jason's relationship with Camp Jupiter individuals was completely scrapped, his and Reyna's dynamic completely watered down, or even his and Leo's great friendship discarded all for Jiper or whatever else was shoved at him.

-------------------------------------------------------

As opposed to this whole shit show, I loved the relationships in the Magnus Chase series and Kane Chronicles. That was good stuff. Both character relationships and romantic ones even though I am pretty sure he got a lot of diverse representation wrong or so I have read recently.

Then there's the stupid, blind, bigot part of the fandom that just can't help themselves. I mean dumb Percy takes, Annabeth stans ruining Percy's character arcs and overinflating Annabeth's character, which in turn made Rick do the same.Then the boring Jason thing? What the hell was that? It's like everyone missed the point of why Jason is the way he is. I am going to make a post on that soon, but seriously, the shit that's been going on.

Then the shippers. Solangelo stans and Percabeth stans. They have single handedly ruined the ships for me with their distorted ideas of character dynamics. And their blatant and brutal hate against other Percy or Nico ships is just ridiculous and heavily toxic.

It's a fandom, not a monopoly. Everyone can have their own little thing as long as you don't meddle in someone else's own thing. Let everyone enjoy their own thing.

And for all our sakes, at this point, just pick your own version of canon. Choose which books to stop at. Trust me, it's less frustrating that way.

[enemylv1]

Ok firts note goal reached here are some kirby headcanons

- gooey and coo have a father-child bond, while gooey really adores all the animal frends coo is the one that took more care of them, thats also the reason coo does no have any mission related to a love one on dreamland 3

-kirby's copy ability over the years have become more complex, that been showed by using burning and fire

- adeline is trans, ado was a temporal name

-ribbon and bandana dee bond over their parental figures rulers talking of silly missions and events they helped organize

-shadow kirby's new mischief was aleays there, they where just too scared to show it

- chilly likes spicy food

-magolor dye and fixes his clothes with magic thats why they became grey and broke on the magolor epilogue

-dark matter's do no have a name unless they are consider elite and/or have an special role, dark rimuru,rimuro and rimura had scout and gain a lot for zero so they earn a name, while blade and miracle are in higher positions of power

-gooey is sensible to light

-waddle dees have almost no differences bettew male and females

-dark matters actually start invading a planet way before what it looks like, having multiple weaker scouts who only work is to gather information, they are almost undetectable, yet they usually lost their vessel when the actual invasion start as they lack more control

-Nz and other creatures of the like are the result of organic beings who had been assimilated, mere puppets with vague idea of their previous lifes

-the reason why so many characters hide their feautures is out a supersticion ,the idea is that both being like void and kabamon do no reconoze you enough for them to imitate you

-mekai was a testing ground for many of the tecnology used in the rest of the galaxy

-kabula is gnc

-magolor has a vtuber model on the main canon too

-bandee is learning to cook, he is trying its best

-kirby is no that interested on tecnology but learned a lot thanks to dedede and sussie

-susie and taranza are on a queer platonic relationship

-almost all planets on gamble galaxy where being observe by dark matters but they started firts with the hardest (the most positive)

-king dedede (game) knows all waddle dees by name, the anime dedede does not know any of them

-pink and mine are best friends

-Gim was joking about wanting a robot invation, yet it really wanted to meet more robots

-the difference bettew spark and plasma is just the illumination, kirby does no realize they are the same ability

-kirby is a good boy and would no jaywalk or stay awake past bedtime (unless somethinh important is happening)

-bandee has a really strict scheshulde tough it always ends broken in these adventures

-bandana greatest fear is that their friends really just think of him as another waddle dee, yes he is glad to be a waddle dee but they are also an individual

-king dedede is scared of bees and wasps

-taranza is scared of mirrors

-magolor eats apples with spite

-gooey still calls dark matter (and dark matter-like beings) its family

-"star" in the name of planets is actually a lost in transladation word from the ancients

-landia has mixed feeling over their tittle is guardian angel, afterall the crown's origin is quite closely related to a god

-dark matters (mainly defective ones) can get stuck in a body usually because of it having already strong negative emptions, still having control and the easier way to get unstuck is killing it

-kracko is quite good with no kirby kids

-popstar gravity is wonky and has a bit of magic, thats why most things in there had varing sizes

-the whole body horror dark matters can do depends on the vessel, if it is too weak it may barely be able to do something without destroyint it, king dedede is quite resistant so he is a prime target

-after zero two's death, most dark mattet of its hive where leaved without any contact with the hive or guide , only more independant (defective) ones like gooey survived, maybe in some place there is another

-gooey eats glue , kirby only does so if needed and bandee does no

Ask for more if you want! I can made of other media too just ask :D

[jungle-fae]

Thank you, I wholeheartedly agree with this. Like you’ve said, Ash’s death to me speaks more to the tragedy of the abuse he suffered so young. It’s not about whether he deserved to die, it’s about whether he was able to live under the circumstances. And it’s unfair and horrible, but when you become as entwined in that kind of life as Ash was, there sometimes isn’t a way out.

Does that mean Ash deserved to die? Of course not. He deserved to heal, he deserved to be happy, he deserved the world after what he went through, especially when his heart remained pure in spite of everything. But as the OP put it, the abuse he suffered forced him into a life of crime, and that life of crime was not so easy to escape.

I still wish it would have ended differently, because I love Ash. The amount of pain he suffered in his short eighteen years of life is unfathomably horrific, and more than anything I wanted to see him happy. But I will not say that Yoshida’s decision to end the story that way was bad, or that it means she believes Ash deserved death. Ash’s death is not narratively insignificant in any way. Do I hate that it ends that way? Yes, with every fiber of my being, but the fact that I hate it so much, the fact that I shed so many tears over this fictional character, exposes the tragedy inherent in Ash’s story. The prolonged abuse that forced him towards gangs and the mafia is also what prevented him from leaving it behind. In that I find a powerful message about the resounding echoes of this kind of repeated, sickening violence.

When Ash dies, we are forced to confront the horrors of his life. Sure, it can be argued that all of Banana Fish forces us to do that, but when we receive the shock of his death, we immediately start creating a chain of events in our head to figure out how he ended up at that point. And through that process, we internalize the ways in which the violence done to him stretched beyond any single moment to touch every aspect of his life. That creates an endless, soul-rending stream of grief because we are left with a deep sense of injustice—he only ended up dying because his life was so irreversibly shaped by his trauma, and no one deserves that. No one deserves to have the ability to choose the course of their own life taken away, but that is the tragedy of Banana Fish. Ash lost that ability so young, and that is a very painful reality to face.

If anything, I would say the only one believing Ash deserved to die for the blood on his hands was Ash himself. I won’t go into detail about this because honestly, I’m not sure whether that was truly what was going through Ash’s head when he made the decision to go to the library. What we do know is that he did struggle with a lot of self-loathing. He often saw himself as a monster because of the people he had killed, the things he had done to survive, and so he could never see himself as Eiji did, or as we did through Yoshida’s story. The people who hurt Ash did so to the point that he believed he wasn’t worthy of healing, that he believed he was only hurting others by being around them, and that is once again an effect of that consistent abuse.

That is what saddens me the most about Ash’s death, that he might have believed he didn’t deserve better, when he did. But we all saw it—we all knew, from the very beginning, that Ash was a kind soul whose life was cruelly domineered by his abusers, and he did deserve to live and heal.

What people seem to constantly misunderstand about what Akimi Yoshida said regarding how Ash couldn't have just gotten away scot-free from his life of crime is that it ISN'T Yoshida saying Ash "deserved" to die. Yoshida frames Ash as a hero from beginning to end. He's shown to be a genuinely good and kind person, that goodness remarked upon again and again by multiple characters, and his death is seen as a tragedy. That should be enough to convince people that Yoshida didn't hate Ash or think he deserved to die. The fact she frames him in such a positive light shows she understands that Ash is a good person that was forced into doing terrible things for his own survival and the survival of others. So this insistence that she thought he deserved to die because she said in some fan-translated interview that he couldn't just walk away from his life of crime, or that there's a price to be paid for murder, is ridiculous. It relies on nothing but assumption about the character of the author.

It's also a problem in fandom, in general, where interviews with authors, in which they're often giving on the spot and half-baked answers to random questions without any prepreation, are given greater credence in interpreting the author's intent than the actual, published work itself. How about letting the work stand on its own and interpret it as is? I've seen so much hate lobbed at Yoshida for supposedly hating Ash or thinking he deserved to die, when the actual story itself does nothing but portray Ash as deeply sympathetic and tragic. Again, no one could read "Banana Fish" with any level of reading comprehension and come away with anything but the impression that Ash is the hero and a good person who's life and death was deeply unfair and unjust. That fact alone should override any answer Yoshida gave in any interview, especially when it's obvious how much Yoshida hates giving interviews and very obviously, intentionally gives half-assed answers that she doesn't put much thought into. It's clear from the work itself that Yoshida has a great love for Ash as a person and as a character. She based his design off of River Phoenix, her favorite actor, she shares her birthday with him, and again, the way she frames Ash and his actions is as that of a hero, from beginning to end. I don't know, maybe it's because she sees Ash as a hero herself?

Ash dying only demonstrates the point further about how child abuse ruined Ash's life. He was led into a life of crime because of the abuse he suffered, and the fact it was that life of crime that led to his eventual death, with it basically being a gang dispute that got him in the end, only further drives home the point of how devastating and ruinous child abuse is. Ash wasn't a criminal because he was a bad person, he was a criminal because the abuse he suffered drove him to become one, and then, eventually, that life of crime he'd been forced to lead came back on him in the form of Lao stabbing him, which is what I think Yoshida actually means when she says Ash couldn't just walk away from the life of crime he'd lived. That inability to walk away further demonstrates the tragedy of the abuse Ash suffered, because it shows how it forced him into doing things which eventually came back to haunt him, things which he couldn't "escape". Lao stabbing Ash was in consequence to his being a gang leader, and his being a gang leader was a result of the abuse he suffered. The two things are interconnected with one another. It's not about Ash deserving to die because of the lives he'd taken, it's about how the life Ash was forced to live as a result of his abuse eventually led to his death. That's where the whole notion of "you live by the sword, you die by the sword" comes from. It's not necessarily a moral condemnation of the person committing acts of violence, but an acknowledgement that violence begets violence. That violence is cyclical. But the fact of Ash's death as a result of his life of crime only further demonstrates the true devastation wrought by the abuse of children, and that's the ultimate point of "Banana Fish's" ending. It's meant to force us to face, through the tragedy of Ash's death, the tragedy of his life in turn.

[h-f-k]

also WHY is tumblr showing ghost likes? i see my posts are liked but when i check my activity no one liked them?

[unproduciblesmackdown]

Lackadaisy Enrichment

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[crumblingsugarcookie]

The wild thing is that Azula is most similar to Sozin! Both of them were constantly compared to their sibling, with them being the stronger bender but not good enough to be a decent firelord (although Azula's weakness was her belief that domination was the only way to rule).

At the same time, because they were the stronger bender, they were favored by their father and pushed to be "perfect". Being perfect meant being ruthless.

That ruthlessness extended to their loved ones. We have them both caring about their friend(s), yet being willing to abandon them for their vision of the future. Especially once they realize that their friends were capable of stopping them. The love and care did not disappear. But there was no room for disappointment The only difference is that Azula didn't leave Mai and Ty Lee to die (or try to kill them).

I think is where Ursa's side kicks in, which means Roku. Azula is strong in her beliefs and her ideas of what the world needs, which pushes her to be firm and force people to submit to her. Roku could've killed Sozin, but instead let him go with a warning because of their relationship. Azula could've killed Zuko, Mai, and Ty Lee for their betrayal. But chose not to.

Azula would run around saying she was going to become an only child, but now it sounds more like when Arthur told D. W. that she would "be a lonely child" once he sold her. She would never kill him. But she would capture and take him in if it meant sticking to her beliefs and dreams for the world.

Even when she hit Zuko with lightning, she knew he wouldn't die. Although she was definitely going to maim Katara. PLUS, how she treats the gang is something to be considered. Like, my girl definitely could've killed them.

She was definitely focused more on capturing them. If Azula was like Azulon or Ozai, then Zuko, Mai, Ty Lee, and the gang would've been dead 10x over. It's so interesting. Because everyone kept seeing Roku in Zuko and kept pushing the idea of getting to choose your bloodline.

But Azula was written off because she showed the more ruthless and firm sides of both Sozin and Roku. It's clear that Roku's traits shine through. No one cared enough to look because she was Ozai's favorite. Like, fuck Iroh lowkey. Imagine being a war criminal, who was favored by his bloodthirsty and callous father because of Iroh's bloodthirsty nature. And then looking at young girl, who is essentially just like you, and writing her off as evil.

All in all, I don't think Azula is like Ozai or Ursa at all. She's not bloodthirsty or ruthless enough, has principles, and cares about others and how they view her (why she was struggling on Ember Island). Unlike Ozai, she doesn't believe herself to deserve the best because it's her right. She believes she deserves the best because she works to be the best.

She's not soft or sly enough, selfish, or jaded. Unlike Ursa, she's rough and approaches dislikes and confrontation head on. Azula speaks and takes action, rather than being resigned to her "fate". Unlike Ursa, Azula can live with tough decisions and the terrible things she does. Azula doesn't hide behind her hard life. She knows she's doing fucked up shit and stands 10 toes down because those are her PRINCIPLES.

Ruthless. Caring. Overly conscious of her position and who she is as a person. In many ways, Azula is the perfect combination of Sozin and Roku. Although Sozin and Roku ended as enemies, they were friends because they were similar. Their visions for the world were the only thing that drove them apart.

Imagine what Azula could have been if she was given a fraction of the empathy Zuko received (from other characters). I could see her being a great addition to Zuko's administration.

people keeping arguing about if azula is more similar to ozai or ursa but I don’t think we’re considering the potential of azula being most similar to azulon

[pyrosomatic-metamorphosis]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.