#Will Write For Fuel

[russenoire]

GO HARD OR GO HOME.

[thestarlightforge]

Rhaenyra kissed a girl that wasn’t Alicent and within one (1) episode Alicent literally walked into a lake. I love this show 💀 messy queer drama at its FINEST

[legayllyblonde]

drawing i made for a narumitsu fic i’ve been writing for the past couple months! it’s 29k words of phoenix tackling his hardest case yet: getting edgeworth to agree to a pet name. completely finished & uploaded, T-rating, established relationship… link’s here if you're interested, if not, enjoy the sillies!

for venturing under the cut, i reward thee with the title card & section break illustrations! my favorites are the origami family and the popcorn pigeon :P

and finally... tigerworth...

[stervrucht]

Part 2 of some art to @cuips-not-cute's fic Blinking Red Light. As a treat🙈

[mischievous-thunder]

What does it feel like to be on the receiving end of it?

[the-palelady]

could you mayhaps perhaps potentially elaborate on simon meeting the love of his life????

this made me giggle

but absolutely

because when i tell you he is down bad…he is down bad bad.

the tickets were soap’s, but he couldn’t possibly go alone. kyle might have been down to attend, but in johnny’s eyes asking simon, a quiet man who you wouldn’t catch dead in a crowded place like this, sounded much more interesting.

of course, simon was reluctant, saying no a million times before he finally gave in. which took some bribing on soap’s end (listen, free beer is free beer).

the show was packed. shoulders touching shoulders, people practically climbing over one another as the stadium’s energy became more intense. but simon had to admit to himself that he was enjoying it, tapping his foot to the beat of the music, a beer in one hand and his free hand shoved into his pants pockets. the colorful lights reflected off his amber eyes until the shine of your own eyes caught his attention.

you were so bright eyed and full of energy. you sang each song, word for word, with the people around you, uncaring of what was going on beyond the walls of the stadium. it was just you and the music. simon almost felt like he was intruding on the peaceful moment you were having (even though ride the lightning is hardly a peaceful song).

it took until almost the end of the show for him to finally work up the courage to speak to you, pushing through the crowd of people as he followed you out to the lobby.

once the concert was over, johnny turned to simon only to find a group of teenagers standing in his place. soap didn’t expect to lose his lieutenant in a place like this. but after almost 30 minutes of searching, he really didn’t expect to find simon leaning against a wall, hands once again nestled into the pockets of his jeans and his hooded head tilted downwards, seemingly looking at something.

“there ya fuckin’ are, lt. been lookin’ for ya fo-”

johnny’s mouth locks itself shut when you come into view, his words not even reaching simon’s ears, too fixated on you.

tiny little thing you are in comparison to simon, monster of a man he is. you have a band shirt on, makeup done although your eyeliner is a bit smudged, and hair jostled about, sticking up in some places. your fingers fiddle with one another, clasped together as you rambled on about something to romeo in front of you.

a sea of people has to step around johnny, his jaw practically touching the floor as he watches simon’s usually disinterested expression stay locked onto you, eating up every word that slips from your mouth. he can see the fireworks going off in simon’s eyes, the subtle nod of his head, urging you to keep speaking. his mouth moves under the black mask that obscures the lower half of his face, but johnny’s not close enough to hear what he’s saying.

even sees his shoulders shake, laughing at something you had said, to which you join in with your own giggles.

after some time, someone shouts, and from the way you perk up, johnny assumes it’s the group you came to the concert with. when you turn back, he utters something before his hand slips out of his pocket, holding his phone out to you.

you take the device with a smile, tapping something in before handing it back and leaving with a big grin spreading across your face, cheeks rosy red and eyes just as sparkly as simon’s.

johnny’s voice doesn’t even break simon from his thoughts when he finally approaches him, still watching you scurry away with your friends.

“thought i was ‘ere to see metallica?! no’ fuckin’ romeo and juliet.”

[bubonicc-writing]

The Rebound

Cooper Howard/The Ghoul x Fem!Reader

Word count: 3194

Summary: It's been a long time since Cooper has felt a loving touch. Perhaps a little too long because he's not entirely sure what to do with you.

CW: Semi-slow burn, smut, P in V, creampies, loving on a crispy man who needs it real bad. Prob ooc because this is my first fallout/reader fic ever (sowwy)

Cooper was a hard man to break. Downright standoffish and a straight-up jackass. At least that was what he was like when you first met him. Charismatic, confident, an excellent shot, but god, was he a prick. That, though, you had gotten used to the longer you traveled together. As the months dragged on, that standoffishness started to shed from the Ghoul. 

It started with random small talk picking up between you two as you travel between settlements. For the first few months together, it was mostly silence or business talk traded between you. Who was the next bounty? Where were they last? Can you scavenge while I get intel? It was all just business. That was until one night, Cooper started making small talk between their travels. Then came the soft conversations by the fire when they settled for the night. Every week, the weight of that duster and those guns on his back seemed to lighten the more he talked to you. Then came the offered cantine of water on a scorching day. Already an out-of-the-ordinary gesture from him, more so because your cantine wasn’t empty and he was offering his for a sip.

You took it.

The small talk turned into jokes with hushed laughs between you. As Cooper drawled on, you watched him over the campfire's tip. The light it threw cast beautiful shadows along Cooper's features, and when that crooked ass grin warped his lips more and more, you felt a tinge in the center of your chest. A little candlelight flickering and quivering whenever he spoke in that long drawl. It blazed when his eyes flicked up at you, staring at you in a way that made it seem like he could see right through you. It was like he could see that candle burning just for him.

Now, when the two of you slept, you were no longer on opposite sides of the room. You both started to creep toward each other every night until you were only a few feet apart. Cooper never laid down when he slept. Instead, he leaned against the wall and semi-slouched. He’d tilt his hat downward until the brim hid his eyes. Finally, he would cross his legs and arms before drifting off. You, on the other hand, preferred your bedroll. While not much, it was still better than the barren floor or the questionable mattress they occasionally came across. 

Tonight, a storm was coming through, bringing billowing winds and harsh rain that pounded the roof of the abandoned gas station they had sheltered in. You had tried hours ago to sleep, but the chill from the wind crept between the broken boards and cracked windows. You tossed and turned for what felt like hours, unable to get warm in any position. You flopped over one more time, now facing where Cooper was slouched against a wall a good two feet from you. His brim was cast down, covering his eyes as usual, but from how still he was, you figured he had fallen asleep a while ago.

 Chewing your lip, you hesitated momentarily before scooting towards him and bridging the gap. Snuggling up against his hips and thighs, you sighed contently. He smelled of gunpowder and smoke, typical. Slumber tugged at your eyelids, and you finally drifted off within minutes.

A light sleeper for obvious reasons in this hellhole of a wasteland, Cooper had awoken the second you had touched his leg. He waited for you to settle before opening one eye halfway and staring down his brim at you. Studying your peaceful expression and how you pressed your nose into his thigh. Two rouge strands of your hair had fallen against your cheek, slightly curled at the tips.

A former version of himself would have shoved you away, telling you to git back to your side of the station. Except the current version of himself felt something swirling around in his chest. It was slightly uncomfortable but not all too unfamiliar.

It was a sensation he hadn’t felt for over a hundred years, something that longed for that little touch and craved so much more. It flopped around behind his ribcage, and he grits his teeth in annoyance.

Sighing and looking back down, he shifts gently. Bringing one hand down and outstretching two fingers, he tenderly brushes the hair strands behind your ear. With that, he recrosses his arms and sits back, eyes closing.

As the months continue, so do they, but Cooper is different at night. His expressions are somber, his eyes distant while he sharpens his knives. Deep in thought, sometimes it takes calling his name twice before he looks up at you.

“Coop, are you alright?” you ask, your eyebrows furrowed together in concern. You were annoyed when he smiled and chuckled softly, telling you he was peaches and cream. You didn’t push the matter and didn’t have to because he mentioned his daughter three nights later.

He spoke slowly, hesitantly, wondering if he should even be saying any of this to you in the first place. He wasn’t a vulnerable man, not anymore, anyway. 

He spoke, and you listened, night after night, as more pieces of the puzzle of this mystery man fell together. Under all those clothes and behind all those guns, Cooper was still just a man—an ordinary man.

“You’ll find her Coop,” Reaching over from where you were sitting at his side, you placed your hand on his wrist and gently squeezed it, “I know you will.” 

Cooper didn’t respond, but a smile so tiny it almost went missed curved the corners of his lips.

As you lay in your bedroll that night, you felt something shift against your front. Opening your tired eyes halfway, you watched through blurry vision as Cooper lay down next to you. His back was to you, but you scooted against his spine without a second thought. Resting your cheek between his shoulder blades, you closed your eyes again. 

Eventually, Cooper lay facing you. Without saying anything, he would hook your waist and tug you against his chest. Then, you would feel him resting his chin on your head. The first time he had done it, your face burned so hot you feared you might catch ablaze. If Cooper noticed, he didn’t say. No matter, you didn’t want him to stop, and you were sure he didn’t want you to, either. 

In truth, Cooper would be lying if he ever said he didn’t like the sensation of your small palms against his chest. He loved how you played with the buttons on his dirty shirt until you fell asleep.

Each night, you did the same thing, chest to chest, until finally, one night, you nuzzled your face into the nook of Cooper's neck. Soft and plump lips grazed across his scarred skin before placing a gentle kiss on Cooper’s jawline. 

Immediately, Cooper stiffened against you. You felt his fingers tracing lazy patterns on the small of your back pause. You heard him swallow suddenly, and your stomach sank as you expected him to push you away and scold you. 

Instead, Cooper cleared his throat and nestled his chin harder against the top of your head. 

Days in the wasteland dragged on usually, but the following days felt like an eternity since that night. Bounty after bounty, caps collected, and supplies scavenged, Cooper never once brought it up. Instead, he carried on as usual, which, in truth, made your heartache.

It was possible that even after all of this time, the candle he had ablaze in your chest was not mutually lit. 

What you didn’t know was that Cooper's heart had bounced out of his chest and into his throat that night. He didn’t think it was even possible for his cheeks to flush, but damn, they felt hot. It was alien; over 200 years of feeling the kiss of bullets, he had forgotten what a real one felt like. It was incredible but also terrifying.

 He had loved, and he had lost. 

The nights following the kiss, Cooper waited for you to make a move again, but you didn’t. You slept with your back to him and didn’t move when he pressed against you and draped an arm over your waist. After a few minutes, he felt your fingers intertwine with him in a gentle grip. 

The two of you stayed linked that night.

The following night, Cooper watched as you shrugged off your jacket and kicked off your boots, getting ready to sleep after a long day of tracking a bounty through the unforgiving sun. Reaching up, you released your hair from its loose bun and let your locks fall messily over your shoulders.

You half turned when you felt Cooper grab your hand. Watching him bring it to his lips, he kissed your palm and pressed your hand against his cheek.

The brim of his hat temporarily hid his eyes, but when he looked up at you, your heart fluttered. No words were exchanged as you slowly leaned forward, having to stand on your toes even to come close to his marred lips. Centimeters away, you paused, but Cooper filled the gap.

The first kiss was gentle, and your free hand came up to cup Cooper’s other cheek. When you broke away, it wasn’t for long. Reconnecting, your kisses became hungrier, and your hands on Cooper's cheeks drifted downward. Running over his neck, then his collar and chest. You worked your way down as he kissed you until you palmed at his groin.

“Wait,” Cooper pulled away suddenly, stepping back, “wait…fuck” He turned on his heels, pacing back and forth. 

“What’s wrong?” You ask, watching him shake his head and curse to himself. “Coop?”

Once he stopped pacing, he sighed and shook his head before glancing over his shoulder at you.

“I don’t think I have it in me no more, sweetheart.” He laughed softly at himself. 

“What do you mean?” Taking a step towards him, she watched as he finally turned to face her.

“It’s… been a long time. A really long time, sugar.” Too long, really, at least, that is what he thought anyway. Nobody had touched him like this since before the bombs. Nobody had loved him. The only thing he knew now was blood, bullets, and ass jerky.

“Coop,” You said softly, moving towards him and wrapping your arms around his towering frame, “let me take care of you for once.” There was silence before Cooper rested his chin atop your head and laughed. Slowly, his hands came up to rest on your hips, his thumbs dipping under the fabric of your shirt to rub at the soft skin there. 

Looking up, you place a chain of kisses along his jawline. Meanwhile, one of your hands pressed against his back snaked back to his front. There, you worked your way down again until you felt the subtle tent in his pants. You palmed it gently, drawing out soft groans from your Ghoul. He shifted in place, sliding his chin off your head and burying his face between the nook in your neck. His hips lean forward into your touch, and you purr at that.

“That’s it,” you whisper, working the top button until it pops. Next, you slide his zipper down and slide your hand inside. “I’ve got you.”

Upon grabbing his stiffening cock, you feel him tense against you, even sagging a little bit as you start to stroke. Your thumb rubs over his swollen head, spreading the generous amount of precum around. You feel it pulse against your palm, and you can’t help but smile when Copper’s breath stutters against your neck.

“Fuck darling,” He drawls, “You know how to drive a man mad.” Bringing his hands up from your hips, Cooper knots his fingers into the back of your shirt. It doesn’t take long to have him unraveling. You can feel his thighs trembling and his grip tightening the closer he gets to release. Like butter, he is melting and fast.

Each new noise you pull from him causes a feverish heat to swell over your form. Your stomach flips, and you feel your heat clench with desire. As much as you would like to keep your composure, you lean into him, pressing your forehead into his shoulder as you stroke faster and faster. 

The choked growl Cooper lets out is the only warning you get before hot fluid coats your palm and wrist. His hips lurch in your grip twice before he suddenly sags hard against your form. Finger still twisted in your shirt, he finally lets go and lets his arms swing heavily by his sides. His legs are like jelly, and it takes him a moment to stand up semi-straight, his hat slightly crooked. He looks drunk, his eyes glossy, that stupid ass grin you loved smeared across his lips.

“That good, huh?” Stepping back to give him a little breathing room, you pluck the first few buttons of your shirt open. Allowing your shirt to part and fall from your shoulders, your breasts become exposed. With your other hand, you reach down and open the first button of your pants.

“Well then,” You coo, “come on then bounty hunter.” You shimmy your pants and panties off, kicking them off to the side, leaving your form raw to his eyes. “Come and get it.”

There was no need to ask twice. Rushing forward, Cooper grabbed your hips and slammed your forms together. Your lips crashed together again and again, and you whined into his mouth, horribly needy. You didn’t doubt Cooper had seen the slick glistening on your inner thigh.

Pushing you backward, you allowed Cooper to guide you to your bedroll. Once close enough to it, he kicked his foot out, hooked his heel around your leg, and pulled it out from under you. As you fell backward, he fell with you, landing flat on his palms. Towering over you now, eyes ablaze as they drink in your beet red face and beautiful puffy pink breasts. 

“You’ve been wantin' this for a while, haven’t yah?” Lifting one of his hands and pressing it against your soft belly, he drags it down towards your heat. Without warning, he slides his middle and ring finger through your folds, running over your sensitive clit. You gasp, tossing your head back.

“Ngh! Fuck!” Looking up between your bodies, you watch as Cooper drags his fingers up and down over and over, teasing your swelling clit. “Fuck Coop, fuck!”

“Well,” He growls, “Who am I to keep a lady waitin'?” Without warning, his middle and ring finger coast downward and dip deep into your gushing cunt. The squeal that escapes your lips has Cooper chuckling. He presses deep into you, humming as your walls grip his digits. 

Burying himself knuckle deep over and over, a squelching noise is followed by each hand thrust. You lift and twist your hips from the intense waves of pleasure. Only when you feel Cooper withdraw his fingers do you flop down, panting harshly.

Through half-lidded and blurry eyes, you watch Cooper bring his hand between you. He inspects them before spreading his two fingers apart, a tendril of thick fluid connecting them.

“You get this wet for everybody else? Or just little o’l me?”

Turning your head away in embarrassment, you feel Cooper grip your chin and return your gaze to him. 

“Eyes on me.” He growls as he rolls his hips forward, running his stiff cock between your slick folds. The head bumps your clit, and for a moment, you think you see stars. Over and over again, he grinds against you, littering your chest with kisses in the meantime. 

When you finally feel him lean back and press his head against your opening, he hesitates. 

“It’s okay,” you whisper as you place your hand on his cheek and run your thumb over his cheekbone. “I’ve got you.” Sliding both arms around his neck, you gently tug him into your warm embrace. One hand rugs between his shoulder blades while your other rubs the back of his neck.

Allowing himself to lean forward, he nuzzles into the side of your neck before biting the soft flesh. 

Rolling his hips forward, he breaches and slides into you with ease. Gasping and choking out a soft cry, you feel him bury himself to his hilt. Hip connected to hip for a brief moment, he finally drags himself out. Rolling forward, the pase is slow, perhaps even loving, before your Ghoul gets hungry.

It doesn’t take long before your hips are slapping together. You can’t stop the sobs of pleasure that break past your lips with each sharp snap of his hips. Digging your nails into his shoulder blades, you feel your eyes cross when the head of his cock punches that sweet, sweet bundle of nerves.

“Oh fuck, Cooper!” Your back arches off of your bedroll, “F-fuck! I’m… I’m” The hot waves of pleasure radiating from your belly to your groin all the way down your trembling thighs to your toes are winding too tight. “I’m gonna cum!” 

He didn’t slow down and instead angled himself better to strike that little bundle of nerves that had your eyes rolling back. It took two hard hits before he felt your beck snap into a tight arch. He felt your chest bump hard against him, and your hips twisted to the right as your climate ripped you apart.

Head thrown back, mouth wide open, no sound came out of you as your climax held you prisoner.

Above, Cooper's thrusts started to become sloppy, losing their rhythm as your cunt clamped down on him spasmodically. As much as he tried to hold on, it had been too long, and you had felt too good.

Grunting hard into the side of your neck, you felt a warmth bloom in your groin as Cooper spilled everything he had left into you. He slammed your hips together, holding you in place and burying himself as deep as he could, pumping you full. The sensation had goosebumps blooming across your skin as your body finally deflated back down against the bedroll. 

With eyes half-lidded and glossy, you made out the foggy shape of Cooper still hunched over you, his chest rising and falling as he tried to catch his breath. Every other breath was a soft wheeze. Sweat had beaded on his forehead, and a droplet fell and landed on your chest.

Leaning back and sliding himself from your heat, a thick flood of cum followed. You shivered at the sensation and watched as Cooper lowered himself against your form. Resting his head between your breasts, he inhaled sharply and sighed.

Lovingly, you stroked the back of his neck, enjoying the sensation of his hot breath against your breast.

Together, you lay like that while listening to the rain from a passing storm plink against the tin roof.

When you looked down, Cooper's eyes were closed, and his breathing had finally leveled. Letting your head fall back, you closed your own eyes and smiled.

For once, the wasteland was at peace.

[fatedroses]

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

[mellowwillowy]

ORARARARRARARARARA ORAAAAAA ORARARARRARARARRARARA KYAAAAAAA PREGGER PREGGER PREGGERRRRRR

IM SO PREGNANT PREGGY PREGGER THEIR NECK COLLARBONE THEIR HANDS

THEY ARE SO PERFECT SO CUDDLY SO LOVELY SO SMEXY SO BONITA SO NEEDED TO BE FUCKED IN ALL ANGLE POSITION ON EVERY SURFACE I CAN FIND.

[girlsdads]

https://www.tumblr.com/girlsdads/762007245755170816

It looks like daniel is peeing

em!!! you put this in my brain and i promptly had a crisis, so of course i had to give Max that same crisis, and somehow this became 1.3k 🫡

cw: (consensual?) voyeurism, romanticized peeing

Practice gets red-flagged early on. Max doesn’t see who is in the barrier as he slowly passes, just knows it isn’t Daniel. He’d been assured of that down his radio almost instantly, though he hadn’t asked. He thinks it must be team protocol to tell him this, that it’s not his teammate in the totaled car. Still, Max flushes bone-deep, feeling too exposed, too obvious. Feeling like they know, everyone must know, his brain turns to goop around Daniel and he never catches himself in time.

He trails Daniel to his driver’s room anyway, knowing how it looks. Daniel grins over his shoulder at Max, starts skipping ahead, makes Max chase him. Warmth blooms in Max’s belly. He may be always following behind Daniel, but Daniel is always looking back.

Daniel shrugs his race suit off his shoulders, lets it hang open around his trim waist. The humidity has stamped dark patches on his white fireproofs where he’s started to sweat through. Max closes the door behind himself and stands there awkwardly, trying to think of something to say that will make Daniel laugh, trying not to make direct eye contact with Daniel’s sweaty armpits, lest he shove Daniel against the wall and stick his nose there.

What happens instead is much, much worse.

Daniel is making a beeline to the bathroom, thumbs hooking into the elastic over his flat pelvis. Max’s vision tunnels, the air in the room seeming to close in around him with a swoosh.

“What are you doing?” He hears himself ask, stupidly.

It’s obvious what Daniel is doing. He’s shimmying his hips side to side as he nears the toilet, wiggling the Nomex down. He’s left the door wide open. He stops and smiles at Max, blinding. “Gotta drain the snake, as they say.”

Who is saying this other than you, Max wants to shoot back, knows he should match Daniel’s cheeky tone, rib him a little then leave the fucking room like a normal person. He hears the wet pop of his own bottom lip dropping open, feels the weight of the words against his larynx, but is struck completely dumb watching Daniel pull out his flushed, soft cock.

Max has of course seen Daniel’s dick before, it would probably be more weird if he hadn’t, like he was purposely trying not to. But the handful of other times have only been glimpses in his periphery, nothing like this. Like this, close range and staring openly because Daniel knows Max is there and still he didn’t close the door, Max can see everything.

The double-stacked waistband of his briefs and fireproofs is tucked up snug under his balls. Max can see where the dark, stubbly hairs are starting to grow back, on his sac and around the base of his cock. Daniel has joked before, about manscaping, but to see the evidence of it like this is dizzying. Max wants to go to his knees and pull each ingrown hair free with his teeth.

Daniel holds himself loosely in his left hand, the ruddiness of his shaft clearly visible through the gaps between knucklebones. The head is peeking out past the circle of his index finger and thumb, fat and flushed a little darker than the rest of him. Even soft, his cock looks heavy and full. Max’s mouth floods with saliva and he sucks it back with his cheeks pinched in, hoping Daniel won’t hear the wet slurp.

His skin feels hot. He’s stuck like an ant under a magnifying glass in the sun, his insides incinerating as he watches an arc of piss flow from the gorgeous tip of Daniel’s cock, noisily splashing into the bowl.

Daniel groans, his chin bobbing down toward his chest like someone cut the string that was holding his head upright. Piss hisses out of him, harder now, like he’s pushing it. It is so loud and the walls are thin—anyone lingering nearby must be able to hear, to know. Max wishes he could put up a forcefield, shelter them both inside where only Max can hear the sounds Daniel’s body makes.

It is all over so quickly. The stream trickles to a stop and then Daniel is shaking off the last little dribbles before he’s tucking himself away. Max feels a pang in his chest like grief—he hadn’t finished mentally cataloguing every angle of this moment, needs the image 3D printed into his brain so he can remember forever. Daniel will probably never speak to him again after this, will certainly not let Max anywhere near his bare cock once he turns and sees—Max is hard.

Daniel is shrugging back into the shoulders of his race suit and Max is standing there tenting his own, mortifyingly obvious. Max braces for whatever awkward joke Daniel will try to make to mask his disgust, as he faces Max finally.

He watches Daniel notice. He watches his eyes go slightly bigger and rounder, watches his jaw tick like he’s going to drop it. His gaze feels like a physical weight. Max’s dick throbs once, twice. There is no way Daniel cannot see.

Daniel says nothing, in the end. He smiles at Max, easy as anything, as if Max isn’t a complete freak of nature with a boner from watching his teammate take a piss. He even claps Max on the shoulder as he passes on his way out the door, doesn’t seem to catch how Max sways, knees wobbly, under his touch.

And then Max is alone in Daniel’s driver’s room. Alone and hard and—fuck, a realization burns through him—Daniel didn’t flush.

Max lurches forward before he can stop himself. His foot catches on some part of the floor and he stumbles, nearly going to his knees right there in front of the toilet.

It should be mostly clear, with how they are supposed to be staying hydrated, but apparently Daniel is not doing a very good job. Max has to steady himself with one hand on the wall as he stares down into the bowl, dazed. The water is tinged an unmistakable yellow. It hits Max viscerally, that Daniel has bodily functions and that he did one of those right in front of Max, was comfortable enough to not care if he saw. It’s unbearably intimate in a way that Max can’t think too hard about or he’ll forget how to drive his car, probably. He thinks, wildly, that he wishes he could live inside Daniel’s body, surrounded by all the microscopic things that make him him. He wants to kiss every single one of Daniel’s cells and thank them for keeping him alive.

Even more wildly—he wants to massage his bladder from the inside, tell it he’s sorry it had to get so full, that Daniel should never have to hold it for too long, that he could always if he cannot wait tell Max to go to his knees, and Max would, anywhere, tip his head back and open up for everything Daniel has to give—

Max rips his layers off, feeling frenzied. Elastic stretches around his thighs as he squats lower, his cock now leaking bare over the bowl full of Daniel’s pee. He had foregone underwear earlier, the crotch of his fireproofs now absolutely soaked through with precome. It will be cold and sticky around his cock and balls when he gets back in the car, he will have to drive again and feel it and he will think about Daniel and his dehydrated piss and the sound he made when he let go—

Max comes, shaking, aiming his cock so that it splatters into the bowl, milky white swirling with yellow. Max and Daniel together, like it should be always.

[hppjmxrgosg]

to all the fanfic writers who write about small, niche tropes and random crossovers that have less than a thousand works total and rarepairs and one specific vein content so that despite the master pieces you write you only get a couple hundred hits: you are doing god's work. i am kissing you on the head. you are my lifeblood.

edit since its getting lost in the tags: the thousand works comment is not to minimize the people who write for subgenres with maybe 10 works or rairpairs with like 3 works, but to include people who, while garnering more attention than the former, may still feel disheartened for receiving less attention on their work than people who write for megafandoms or very common tropes. 1000 is more than ten, but 1000 is closer to 10 than 200,000.

[distant--shadow]

The Witch and the Widow – Chapter One – The Lake

Laudna Bradbury had murdered her husband.

Maybe murdered. Apparently. That is what brought Imogen here - indirectly, at least.

Not that she's with the law enforcement or anything. Not that, definitely, though ironically being an officer - an interrogator - would suit her well, at least on paper. Passion and enthusiasm would be a different question - and that's why she's here. Sorta. Indirectly, again, for a different question. Words travel, by means of mouth or ink or thoughts (apparently, she had found out), even though thoughts should not travel past the head that they were made in. But they did, and continue to do so, and Imogen had heard enough accounts about the man himself (the Lady’s husband, when he was alive and after the fact), had seen enough women squashed under the boots of the men they were tied to to intimately know and understand a flash decision made in a moment for self-preservation-

all too often women tempered their instincts to allow themselves to become the soil underfoot rather than the sole of the shoe

so much as to say that Imogen does not care much if Laudna Bradbury had murdered her husband.

She cares more about what the words whispered and weaved and waded in the time after wrote:

Laudna Bradbury had used witchcraft to murder her husband.

The only utterances of magic Imogen had heard of, had seen, had unexplainably received taken telegraphed by inner voice and grey matter before that rumour, were her own.

Imogen needs answers, desperately, as though a necessity purely imperative like breathing and eating, and so she brought herself to the source of the lake before it divided and weakened and meandered from river to muddy stream to drink directly from her-

(it.)

Laudna Bradbury is a widow, a widow who continues to live on the estate her husband’s heraldry and wealth had afforded them, company kept by a small team of housemaids and gardeners and the like.

and it is a large estate, a lot to look after, for sure, certainly, with its couple hundred maybe more years in age and just as many acres. There's hairline cracks in the stucco, a missing roof tile here and there

but there is no denying that it is a fine example of architecture, certainly was the highest of fashion at the time. A grand country house with an East Wing and a West, bay windows and towers and pleasing ratios between alcove and doorways and arches and walled topiaried gardens that extend from north to south, illustrations in stained glass ornately framed with flowering climbing ivy

statues that step out from domesticated bordering jungles, now appearing more as gargoyles thanks to the decay of time, noses eroded like they have rotted off, birds’ nests of briars thorned crowns or horns

rosemary bushes skirt the main building’s façade, perfuming the sometimes hot-and-humid, more often brisk-and-grey air carried through the opened lead-lined boiled sweet coloured window panes into the dark mahogany-panelled and silk-embroidered tapestried interiors.

Off of the West Wing there is an extension nearing the height of the gargoyled walls that surround the estate. This is the wall that fortifies the Lady Bradbury’s private garden; with doors adjoining directly to her study - both of which are off limits. Imogen doesn't know much of pretty and imported flowers, but she knows local common sense, knows what berries to pick and which weed’s sap causes a blister that will never heal again should it brush her skin.

Through small cracks in the masonry delicate tendrils curl out; leaves crawling, surfacing, small purple flowers with yellow tear-drop centres blooming.

Deadly nightshade.

She wonders what else grows behind the wall, patiently biding its time until the decay of such allows it through. 

It is in the stables that Imogen spends most of her own time; her years of experience working under Master Faramore awarded her an earnest recommendation, and it sure helped that a couple of the Lady’s mares and a stallion were from his own livery, that they had been raised and trained by Imogen's own hands before they left them.

She needs answers, so she has taken herself to them, to the lake to drink from. She observes from a distance, listens to any whisperings and wonderings that bed with her in the servants’ quarters.

The days are long, mostly spent between mucking and feeding and exercising and grooming the horses and watching the Lady Bradbury taking a walk around the herb garden with knees as muddied as the kitchen staff’s, or cutting bark segments from off of the trees that dot the grounds as if she were operating in front of an amphitheatre of flora and fauna students whilst Imogen brushes down one of the horses or shovels hay

and despite the distance and Imogen's best efforts to remain subtle, the Lady Bradbury’s eyes would sometimes catch hers observing (staring, admittedly), and she would smile, and perform a barely perceivable curtsey (one of many behaviours outside of expectations), and Imogen would tip her brimmed suede hat in return, and would think of how despite the fact that the Lady’s practices of class and boundaries and what is proper were different, a bit odd, nothing of the woman's behaviour suggested that of a killer - only the situation that she stood in - the peculiarly beautiful widow with a walled off poison garden. And so maybe the same is to be said of her magic, should she even be harbouring or practicing any (although admittedly her appearance certainly is bewitching…)

and it's like the instances before but unlike them - Imogen stealing glances of the Lady Bradbury as she potters about her estate (she probably really does potter, she fills so much of her time with crafting and making. Imogen wouldn't be surprised to see her pale skin elbow-deep in caked-on terracotta pigment digging out clay rich soil into old whisky barrels to have carried by willing hands to a throwing room with a secret kiln.) but on this day, when their eyes in new routine now inevitably meet across the wildflower-speckled field (that in itself is unusual, highly out of vogue, it isn't the acres of well-kept uniform lawn and paths laid with talking-point pebbles imported from the coast that the other estates boasted and Imogen had glanced when ferrying Master Faramore’s horses elsewhere) the Lady Bradbury takes pause, before she starts to make her advance towards Imogen.

shit.

She's been brushing the same patch of short thick hair on Foie Gras’ shoulder for so long that she's surprised there isn't a bald patch. Maybe the Lady Bradbury is worried as such. Maybe Imogen has been too obvious in her observing (admitted staring). Maybe she has been found out.

She feels her brow start to perspire, the muscles in her limbs wishing to move erratically and awkwardly and restlessly and to carry her to stand out of sight hidden behind the thick neck of the horse like an obvious child playing hide and seek behind a tree trunk, or to flatten the creases in her breaches and her linen tunic and pick out the strands of hair and hay that have lodged themselves into their weave, untwist the grasp of her suspenders over her shoulders - but she practices restraint - is trained and cautious and intentional and thorough she was only being thorough with the mare, casts her gaze in iron like the blacksmith hammering the horseshoes and steels herself for the Lady Bradbury’s approach.

Her skirts are full and structured and plumed by many layers of petticoats that hide the movement of her feet across the wildflower lawn, causing her to appear to be drifting like the bees do from petal to petal, pollen dusting her pleats though ghostly her skin in contrast to the fine fabrics that she dresses for the part, black in mourning, still, bodice tight and sleeve leg of mutton, an ornate decorative layer of black lace laying over each yard of textured textile like spider webs on porcelain patterns, her husband's tableware collecting dust in the kitchen cupboard.

real impractical for how tending towards practical the Lady dares to be, hands on, too busy for errant hairs in piano key ivory and ebony windswept and loose from the high bun she pins in place with a cameo broach, a memento mori engraved in silver and inlayed with ruby eyes and tied with red ribbons. Her skin also proudly displays the age and perhaps trauma that her hair does, lines from laughter and furrowed brows and the feet of the crows that cry from the top of the chimney pots

Imogen has heard her call them her children (the birds that is, not the wrinkles) - has heard her talk to them as if they are responding, oftentimes giving her own tampered voice to do so (and to Imogen’s amusement)

The Lady never had children of her own; those are their own rivers of rumours within themselves. Imogen did not care for that stream of gossip at all.

The Lady steps closer, and the yet-to-be familiar fog of her mind cocoons Imogen, water transmuted into mist against jutting rock at the plummet of rapids, relief from the laborious work and humidity, her previous restraint to keep her body in check breaking as she visibly swallows and licks her lips, suddenly aware of how dry they had been.

The Lady Bradbury rests her hand on the back of Foie Gras’ neck, fingers long and pale and decorated in black lace like mother of pearl inlay and marquetry on a lacquered curious curio cabinet that perhaps Imogen had eyed through a stained glass window standing in the corner of the out-of-bounds office.

“Good day. It's Imogen, correct?” her delicately veiled fingers comb through the mare’s mane, her dark mahogany eyes seeming to look over the gloss of Foie Gras’ coat to inspect the way the late morning sunlight rests upon its sandy hues before turning her attention back to Imogen with a smile.

She hadn't spoken much to the Lady since she was hired a few weeks back - not much being that this is the third time, after her interview and a brief acknowledgment when being shown around by one of the housemaids the day she started.

The Lady Bradbury’s lips are painted a deep purple, an unusual colour for sure; Imogen had only seen illustrations and paintings of the dignitary from era’s passed in shades of peach and pinks and reds, stencilled in exaggerated shapes, and as with the landscaping of grounds, to wear such obvious make up itself is frowned upon, old fashioned, conveniently equated with providing false fronts.

The Lady’s teeth are bright, especially in comparison to the purpled dark lips.

and sharp

especially in comparison to how soft-

“You must pardon me, have I got it wrong?”

shit, fuck-

“Oh! n-no-” Imogen was staring, definitely “I apologise m’lady. You are right, it is Imogen.”

God dammit - she’s gonna get herself fired, fired for daydreamin’ and giving the horses receding hairlines and ignoring the Lady of the Manor when she addresses her-

The Lady chuckles to herself delicately, an act displaying a markable absence of frustration and bewilderment.

“From Master Faramore’s, yes? How are you finding the new environment? I am sure the stables here pale in comparison to his, but I do not believe that they afforded such space and the opportunity for frequent walks around such a beautiful lake…”

“Certainly, m’lady. There are less of them so they get more attention, they can be well looked after-”

“Indeed, plenty of grooming at the very least-”

Imogen can feel the hot blood rush to the surface of her cheeks, unable this time to wrangle her body’s motor reflexes.

“I have yet to visit the lake m’self, I am sure they enjoy bein’ taken by you though, they always seem happier when they come back.”

“Is that so? Well, I must insist you see the lake for yourself, if not only to relish the fact that you took great part in an amount of their contentedness.”

The Lady Bradbury looks to her expectantly, Imogen expected to have a reply for the unexpected.

“Would you accompany me this afternoon?”

Imogen can read thoughts. She can read thoughts but what if the Lady Bradbury can too? Or what if she can tell that she is imposing? Would she find herself in the bottom of that lake on her very first visit? A drink more filling than what she had wanted, her lungs full and void of buoyancy. Imogen can read thoughts but she dares not to read the Lady’s.

She can feel them, though, that first and second and now third time in her vicinity, feel how they are different, an audible silence amongst the swarm of bees wings and small talk and anxieties

At some point the Lady had stepped around Foie Gras’ head to stand beside Imogen

She smells like sage and gunpowder

On the day of her interview she had smelled of eucalyptus and raw animal fat-

“You’re quite the thinker, aren’t you?”

Of that she is guilty, though usually she can argue that the majority of the thoughts that weigh her down are not her own.

“Apologies m’lady, I wasn’t sure I had heard you right. Did you want a horse saddled for you for this afternoon?”

Imogen had never thought that her accent sounded particularly thick or clunky, but it felt as heavy as her mind tends to be around other company when speaking with the Lady, her tongue all thick tangled muscle swelling against the roof of her mouth and her teeth.

Perhaps this is some sort of witchery. She waits for the molasses to take a hold on her muscles and limbs, for the her skull to be crushed concave from the inside

But it doesn’t happen.

The Lady smiles (again)

“Almost. One for you and one for me, if you would accompany me around the lake - there isn’t a cloud in the sky today and it would be a shame to keep the clear reflections of the mountains to myself and Foie Gras here.”

Imogen is thrown. Yes, y’all could argue that this is exactly what she came here for; time alone with the Lady Bradbury, the opportunity to form a rapport or to subtly pluck at her brain but there is something in the way that she carries herself, how she talks to Imogen with ease and lack of formality that is alarmingly disarming, and leaves Imogen cloudy on why she came here in the first place-

“C-certainly, if it’s what the Lady wants-” she chuckles (again, again) waving her hand dismissively before catching herself and laying it over the patch of hair on the mare’s shoulder that surprisingly hasn’t thinned from all of Imogen’s enthusiastic (distracted) brushing.

“I will take Ceviche; you seem to have formed quite the bond with Foie Gras.”

Imogen can only nod with lips parted in silenced protest as she feels her cheeks flush again.

~

The walls of the stable are thick and stone, absent of windows save for the upper halves of the handful of wooden doors that allow for the horses to pop their heads out in eager greeting to Imogen as she walks towards them with their buckets of feed.

It is a clear day, as the Lady Bradbury has said, hot and humid and Imogen is grateful for both the surroundings and the company of the stable.

As she rakes the trodden-in and dirtied hay across the flagstone floor she allows the earthy scents of the dried grass to remind her of the smell of the sage, the crumbling mortar imitating gunpowder.

She wipes the back of her shirt sleeve across her brow, skin also sweating at the wrist where the gloves wrap work-beaten leather over shielded skin

Soft skin, mostly - save for where her fingertips appear to be frost-bitten.

A fairly visible reminder of why Imogen is here, should she forget again in the Lady’s presence-

Not that she would dare to take off the gloves.

That would only lead to questions.

‘Jammed in between horse-drawn carriage and stable door’ - she used to say, before the purple bruised tips started to migrate further, splitting out like surfaced capillaries that encompassed her fingers one knuckle at a time

They mark half-way over her palms now – like someone had dipped fine dense vegetable roots in an inkwell and struck them in lashings across her hand, punishment obfuscating her palmistry.

She hears one of the horses whinny – Ceviche most likely, a little restless, the black stallion not having been let out onto the fields yet today, as Imogen was now preparing him for his ride to be taken shortly.

The Lady’s saddle is very ornate, the leather finely tooled and decorated with organic flowing arrangements that resemble leaves and petals and insects with patterned wings or many many limbs

Its material and stitching is kin to the other saddles, the ones for notable guests and stablehands alike, brands the same maker’s mark

After a short amount of time observing (staring), Imogen suspects that the Lady tooled it herself.

~

The Lady does not ride sidesaddle – she straddles the stallion proper.

Imogen can only assume that she changes from her garden-strolling undergarments to allow for this, having never worn a crinoline herself - that would both be out-of-class, and, more importantly (to Imogen at least) - real impractical.

She had noted as such about the Lady on the first day she had seen her taking one of the horses (it was Carpaccio, a black and white paint) out of field.

It was the first instance of out-of-expected behaviour that she had witnessed.

Imogen can admit to herself that such a small thing had ignited her warming to the widow.

~

Imogen allows the Lady Bradbury and her steed to take the lead, pace set by the older woman’s enthusiasms making themselves known in short enough time from pointing out ‘notable’ forms in the sloping rock faces lining the well-worn path, covered in blankets of moss and ferns and tall stems of bell-shaped pink and white foxgloves and pomanders of wild thistles.

“I just can’t help but imagine what tiny creatures would love to make home between the cracks in the rock and the tree-stumps.”

“’lotta mice and rats I imagine, probably squirrels-”

“Well, yes, certainly…”

Ceviche’s slow walk carries on ahead of Foie Gras’, and the Lady sways with his gate in the saddle, though despite this Imogen could just about read the slight deflation in her shoulders when she had replied to the Lady’s statement.

Her head turns over her shoulder, gaze searching and challenging Imogen’s, caught staring (again), dark eyes hollows of homes burrowed in rocks, the high sun exaggerating high cheekbone architecture, pleasing ratios of brow to bridge of nose.

“…I refuse to believe that there are no imps or fairies when the land is so perfectly carved for them.”

“I can only say I’ve heard stories…” Rumours, rivers.

“Certainly, else you would not be here, would you?”

The Lady holds her gaze a moment longer, as if expecting Imogen to have an answer worth vocalising for that. Imogen feels her pulse begin to thud at her temples, the sweat returning to her hairline and underneath the cuff of her gloves.

The Lady giggles melodically and dismissively, returning her attention to whatever catches its fancy on the path ahead.

“How ugly it is that we must quarry and build. I have thought more than once about leaving the manor to the animals and the girls and making my home in the cave by the lake- oh, I am so very thrilled to show it to you.”

Her excitement cuts the atmosphere, spring back in her step transposed through the steed’s, one hand off of his reins and gesturing in the air.

“You can see it from the upper floors of the house – though that is rather rude of me to say, isn’t it? If you will allow that injustice to fall upon the architect and how societal structure seems to love its walls and assigning basement dwelling.”

Imogen finds herself inadvertently allowing Foie Gras to fall at a pace beside the Lady and Ceviche.

“That’s alright, most nights I tend t’lodge in the stables; eases my mind that I’ll be near the horses should anythin’ happen.”

“Plenty of wild animals around, yes? They do get spooked so easily.”

“I like how you’ve named ‘em – it’s fun.”

“Oh!, You do? I am so glad! You are the one who has to be calling their names most often after all.” Imogen may be in early days (hours) of learning the Lady’s tells, but the smile that creases the skin around her nose and mouth and deepens the wrinkles at the corners of her eyes feels genuine.

“It does often make me chuckle, I assume you’re fond of raw meats?”

“I suppose you would think so, wouldn’t you?”

“Are y’not?”

The Lady takes pause, her look introspective.

“Have you ever eaten horse?”

“w-what? Of course not – do people actually do that?”

“Mmhmm, across the waters – in all directions. It is certainly a common custom. What makes horse any different from beef?”

“I could never – we share a bond, they let us- they give us-” Imogen's tongue is too thick and heavy again, blubbering with words that do not come easily to it as they do her head. She allows herself a deep breath, collects what little face she has, remembers the presence she is in (a Lady regardless of murder or witchcraft) “-in all honesty I rarely eat any meat, the more time ya spend with animals the more guilty ya feel about doing so.”

“How peculiar…maybe you need to spend more time around carnivores.” The Lady laughs at her own joke this time, hand patting at the side of Ceviche’s neck, the horse unaware of what words have been said. Imogen is thankful, in this instance, though she will admit she has tried more than once to see if her mind reading extended to her four-legged friends.

“But they’ve got no choice, that’s how they were made.”

She mimics the Lady’s movements, lovingly patting Foie Gras at the same spot on her neck.

“Made…yes…You have incisors don’t you? Canines?”

“I do, but I don’t have a mouth full of ‘em. Most of our teeth are as flat as these fellas over here…” she ruffles the mare’s mane “-though I won’t deny that gettin’ bitten still hurts something fierce.”

“Makes you wonder what sort of damage you could do if you so chose to, after all, your eyes are not on the sides of your head.”

~

The lake is beautiful.

Of course it is. It displays itself naturally basined, wrapped in the embrace of the mountains surrounding draped in forest cloak, walls both man-made and much older obfuscating its view from the ground floor of the estate.

The lilac and blue hues of the pebbles are familiar, lining the vegetable patch borders in the garden, larger stones used for holding stable doors open.

It is quiet over the lake. The terrain raised around it shutting out the winds, only the quiet breeze that drifts through the canopies on the mountain crests giving a gentle whistle to the waters below, an enjoyable confusement between what is wind and what is the crashing of the tender tides.

The waters are clear blue with a hint of turquoise, green given by either the surrounding plant life’s reflection or by the ones that live underwater.

It reminds Imogen of the lakes in the mountains from her childhood. It is something else new.

Their horses slow to a stop, on the Lady’s cue.

“Magnificent, isn’t it?”

“It really is - no wonder why the horses come back so happy.”

“And will you be as such on your return?”

“Certainly m’lady, thank you for allowing me such a privilege”

“It is not mine to give, though I will make it explicit that you may come down here whenever you wish – providing the horses are happy, of course. That is what I ask of you.”

Imogen thinks she is blushing again, but the feeling is further inside her than her veins, a warmth radiating.

“You take good care of the servants at the estate, don’t you?”

For the first time, the Lady seems thrown by what Imogen offers, a step behind instead of two larger-horsed paces ahead.

“They take better care of me.”

“I don’t think I’ve ever heard someone wish to leave their home to the help.”

“It would be the very least I could do.”

“You give ‘em food and a roof over their heads-”

“They sow the seeds, they tend to the animals, they butcher their meat and harvest the wheat to bake the bread. I have been so lucky that they have yet to poison me.”

“I can only say from ma short experience that I’d find that hard t’understand.”

Her face softens again. It feels both comforting like a blanket but then uneasing like having the lights blown out.

“Funny thing, perspective…”

Lady Bradbury slides off of her horse, heels of her fine boots falling into the gaps between the pebbles, though her footing remains certain, experienced.

On the surface of the lake the trees grow downwards, the birds fly with their bellies exposed to what lies in the waters.

The Lady halts, dropping to one knee as she makes short work of the laces on her shoes.

Imogen isn’t sure if she should be offering to remove them for her, jumps down from Foie Gras and jogs clumsily on uneven surface towards the Lady regardless. 

“There are old stories of this lake, you know-”

Lady Bradbury confesses a little breathlessly, lung capacity limited by the press of her thigh into her stomach. She swaps her knee for the other on the ground, starting on the other lace.

“I won’t tell of them just yet, I would hate for them to be off-putting.”

She stands straight again, the sieved remnants of harsher winds that have made it over the mountains’ embrace wishing to make field mouse nests of her hair, spiderwebs of the lace collar around her neck, footprints of birds’ feet fossilised in the marble cornering her eyes.

She looks at home at the lake, certainly a natural thing - flesh and blood and bones cocoons to silk cotton to yarn to lace – Imogen wonders what a marvel the Lady could paint and chisel into the mouth of an open cave.

Balancing, she pulls each shoe free, grin knowing, slightly manic, intensely catching Imogen before she gathers the length of layers of skirts into one hand and steps into the clear waters.

Imogen swears she sees something conjure beneath its surface to greet her.

Laudna Bradbury had (maybe) murdered her husband – (maybe) with witchcraft, most importantly - but Imogen has bigger questions that require her answers, and so she follows the Lady into the lake.

[biggestwilliamfinnfan]

good morning fun fact i am not normal about them in any capacity

[reallypleasanttree]

😭

[mads-schubert]

I would've liked to see these two be a little toxic and morally ambiguous together ngl

[cloudkemi]

I always knew Foolish and Vegetta were endgame. From the start Foolish was a loyal lover, I mean he didn't give under the pressure from all the cheating allegations and was determined to stick by Vegetta.

While Vegetta wasn't on the server whenever he did catch a glimpse of Foolish he was always following with a compliment or kind words.

But actually seeing the believing pay off was so satisfying like UGH they were in love your honour. It was nice to see just how solid their bond was in the end, and I like to think the reason Vegetta died there was because he had been protecting Foolish from one of the monsters when he got a nasty wound. I like to think he died in Foolish's arms believing he was going to visit their daughter, filled with love. :)

""If I don't see u tomorrow I will see you tomorrow, tomorrow. [...] Remember me in your other lives"