#WRONG FUCKING ARM

[mochispresso]

Redraw of an old BuggyShanks sketch. Shanks doesn't look much better honestly, but this ain't about him. It was about the way I drew Buggy.

[everotten]

The originals

[kamkairo]

now and then I end up doodling my spindly johnny again

[rinammonroll]

It’s been a while. Med school has me swamped to high heaven. My lack of RinaJack art will not stop my love for them though. Commissioned the wonderful @yanabeardoodles to draw my bg Rina with Jack. She did her so much justice I’m. Screaming. Forever in love with this piece.

[soldier-lodbrok]

"You're gonna live... Sephiroth." / sketch

I told you, since Zack can have his dramatic death-scene and that EC event threw the Glenn&Sephiroth and Zack&Cloud comparisons in my face, this would happen.

[kheprriverse]

Volga ref, fire dragon form included!

I decided his humanoid form wasn't dragon-y enough for a dragon-man. Also don't worry about what's wrong with him its nothing he's fine he's definitely fine.

[umblrspectrum]

got carried away practicing in preparation to make something else

[et-is-an-alien]

Youre gonna hate the end of episode 6

If you want any fanfic recommendations lmk

AZIRAPHALE AND CROWLEY, BOTH OF YOU GET YOUR ASSES BACK IN THAT BOOKSHOP AND MAKE UP RIGHT NOW

[mbat]

and thinking about the difference between bill and fiddleford when it comes to fords hands and fords 'genius'

bill makes fords polydactyly a focal point, something impossible to ignore. he tells ford that he'll fit right in with bills band of "freaks" all because his hands are a little different than other humans. he never lets him forget it, even if he says it as something to be proud of, but he and everyone else knows that ford kinda never stopped holding onto the insecurity that was associated with this trait. bill also never let ford forget his smarts, he played into the what ford always wanted to hear about his smarts, but fords brain was only ever a tool to bill. fords hands were (part of) a reason bill wanted to bring him along in his crew, and fords mind was simply a means to an end

and then we have fiddleford who, upon meeting ford for the first time, immediately saw ford as this genius who cared about what he had to say and they connected over their shared love for all that nerd stuff, and it was something that was important to them both and brought them together, and kept them together

and fiddleford says he didnt even notice, after hours and hours of sitting in a room with ford and them focused on eachother (and math)... he didnt even notice that fords hands were different until afterward, when he was looking at a photo of them both. this thing ford had been forced to worry about his whole life, and it wasnt even a thing to fiddleford.

ford wanted to be known, to be loved, for his brain and what he could do. and, in my opinion, it sometimes feels like he almost wanted to make up for the fact he was different, to prove he wasnt 'less than' because of some difference he was born with, this thing that everyone made such a big deal out of

and between the two biggest people in his life (aside from his brother of course lmao), one focused on and made a big deal out of his difference, and the other didnt even notice it. one saw his genius as a tool, and the other saw it as something amazing and admirable.

hell, if the bit of their conversation in the book of bill when they meet is, well, when they meet and is their first words to eachother... the first name or nickname that bill calls ford is, of course, sixer. and one of the first things fiddleford calls ford... is friend.

and i just feel like it says a lot about those two relationships and him.

[rowan-ashtree]

I'm actually still thinking about "do better than i did... or don't."

[unicornpopcorn14]

Do you ever think that if Dazai one day decided to do things the conventional way, or act the closest thing to what people call normal, how much that'd freak out the people familiar with him?

-> Dazai walking into the PM with no bandages on, wearing a casual outfit fit for his age, to which Chuuya does a double take at, gaping in horror.

At first, Chuuya'd take on their normal bickering, rub his eyes dramatically as if he's seeing things- "Who the fuck are you???" He'd exclaim. But then he'd bombard him with questions, ask if he'd run out of bandages, tell him he has extra rolls in his office-

"You're acting as if being wrapped up in gauze is normal, stupid slug."

"It is for you."

-> Dazai finishing his whole plate of curry, asking for seconds, and Oda would watch him with eyes widened a fraction, his own version of a shocked stare.

He wouldn't say anything, because he's afraid that drawing attention to the action would make Dazai stop doing it. He'd share that with Ango later, though, and Ango wouldn't even believe him.

→ (tw) Dazai not expressing his infatuatation about suicide for an entire week, disappearing for Kunikida to find him in his dorm instead of the usual river.

He's sit with him, ask if he's okay, fumble his words when he touches on the subject. Because how can you approach someone about your concern regarding their lack of suicidal tendencies, lately?

-> Dazai showing up early to the ada, taking his coat off, and immediately working.

The whole agency would hide behind the entrance, watch him with wide eyes as they share questioning looks.

"He- He didn't flop on the couch at all???"

"He didn't even look its way!"

"I mean, that's great, but something just doesn't sit right with me-"

"Is he sick?"

"Even I can't explain what's happening right now."

"Someone do something!"

And ppl often assume that Kunikida would be ecstatic about this, but no, I believe he'd be the most horrified one of all, trying to make sense of things but ending up empty handed. 😭

Fukuzawa would come up to find a swarm at the door, watching something inside that he'd assume to be a spider at first.

"What is going on here?"

"Dazai's working."

Fukuzawa'd rush to confirm, and sure enough.

He'd sigh in resignation, knowing this day would come.

"Get the exorcist."

~

It's endlessly amusing, how Dazai has his own version of conventional that if he were to deviate from, just slightly, panic would ensue through the people he's familiar with.

Even if it leads him to do healthier actions.

Something is wrong, and they need to figure out what, because this isn't the Dazai they know.

[puppetmaster13u]

You know what I need for a DCxDP crossover

Alternate timeline ghost/realms Batman who may or may not have become a god of family adopting the entirety of Amity Park. Like every single liminal or ghost, they're his kids now. Sure they have human parents in the living realm too, but they're all developing cores and need a realms parent too.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[lotuslate]

the right thing at the wrong time!

[tradingjack]

cringefail late valentine's day posting some rushed kiss studies bc I worked like 36 of the past 72 hours yippee

and I STILL can't draw kissimg this shit haaard how yall do it 😭😭

[brodorokihousuke]

every time i cross my arms i receive the mildly embarrassing reminder that I used to put my left arm over my right but spent a month teaching myself to do the opposite because that's what apollo does

did it work? yes. i successfully taught myself to cross my arms like apollo and i cannot undo this