#WELCOME TO MY BLOG INTERESTING POST

[audioandart]

not sure I completely understand what's going on here but I do love trans people so! I reblog! also

"These bitches gay, good for them"

yuri is when there’s themes and motifs and yaoi is when there’s two blokes who do fuck all. if you reblog this you love trans people

[mothmothwoth]

Welcome home neighbors! Hits you with the goobers being silly this update!

[friendlyengie]

For some reason we are scoutposting. Drawing him with his stupid Tom jones tattoo because it is forever funny to me, and some recycled scout ocs that I’ve been wanting to draw .

tried to transcript my writing and the text screenshots in the alt text bc I keep writing so much shit on my sketches and it’s probably not very easy to read !!!

[macksartblock]

I’ve been pretty inactive the past like two weeks due to stuff going on but I’m hoping to be back semi regularly soon

[yuriyuruandyuraart]

Hi? Gosh how do I even start with this :'D

I know it's been ages since I've last popped up on here. I've been debating when to post this for a while, but I kept adding to my draft more and more and now it's the end of JULY omgg I felt so guilty disappearing with zero updates but then thought my birthday would be the best day to finally address this considering it'll feel less random? idk but Ive always celebrated my bday with you guys and I'd feel so bad answering your kind asks without me at least explaining why I was gone for months.

Truth be told, I was dealing with a lot of stuff irl. health issues and sudden declining grades that left me stumped and drained for months now- along with technical issues like having to replace some parts of my computer that took a while for me to find to even draw digitally, which I didn't have the time for anyway with how tired and weary I felt every day.

I'm frankly shaken up by a lot of shit rn and I don't know how to be active online with this burden on my chest- Especially as it's been a while since I've even looked at utmv related content and my motivation dwindled. I swear I'd hype myself up to post or reblog something- but I'd see just how much I've missed or the overwhelming amount of posts I'd need to go through and I'd feel so swamped with exhaustion and most importantly guilt, for not clearing the air up sooner to reassure you guys that I'm, y'know, alive, and not dead in a ditch somewhere. And I'd procrastinate cause typing it all out is hard and I'd give up halfway every time and it's just not fair to you all!

I thought I was handling it well when I started going out and socializing more, instead of staying cooped up at home on my computer all day. and in the first draft of this post I made months ago I was gonna detail some of the fun plans I had, for my life and for this blog :D but relaxing my strict study schedule and letting go a bit of my tight routine, thinking it was better than wringing myself dry to keep it up, backfired horribly, to say the least.

I know right?? so silly to be hung up on stupid shit like studies of all things! but this is a very important thing for me considering my career plans and the competitivity encouraged by everyone I'm surrounded by, the pressure of keeping up adding to my already stressful days. I had to fix myself up first and I couldn't handle the strain nor interact with people and thinking of jobs and exams sapped my energy so much it's frankly embarrassing. writing this feels so cheesy too and it frustrates me to know I could've come back a month earlier if it weren't for that, but I also know putting all of this into words then would just sound like incoherent venting (not that this is very different tbf) and I wasn't in the right headspace to address my absence, or anything really- I didn't want everyone to see me return when I couldn't muster up a genuinely positive message, let alone talk to anyone with a shadow of my usual cheer

I feel like a complete mess and It drives me up the wall how depressed I've gotten. I debated deleting this blog so many times 'cause the fear of disappointing my audience and my friends, for lack of a more fitting sentiment, made me feel even shittier. I'm constantly thinking if this wall of text is worth posting, or if it's better not to burden you all with all my sappy troubles as if it's the end of the world. Trust me, I'll be fine. I'm not trying to dramatize this situation, but I don't think I'm up to pretending I'm all sunshine and enthusiasm you're all accustomed to.

So sorry for worrying you all! I'll try to catch up, deliver some missed birthday gifts, and answer some asks while I'm at it! Again, I can't state how much I appreciate your support throughout the years. It's frankly a miracle I kept any of you around with how much I keep popping and leaving at random with no warning. I definitely can't promise for my stay to be without a hitch, and if you don't mind an inconsistent schedule you're free to stay of course, but I'm afraid I can't sustain the pace I had when I first started this blog. I'll keep posting art, but lower my activity in the fandom sphere to reduce the strain on my mental health. so fewer rants and walls of text, more art, and less stress overall. Love you all and thanks for waiting for this long <3

[wiseatom]

i tried for a well thought out post. instead you get this mess that i’m begging you not to twist:

the outraged cries of “cliques” are people being actual friends with each other. the people complaining about certain blogs or creators being on pedestals are usually the same people putting them there. i’m not one to belittle feelings - i understand where the upset is coming from. i even understand my place in it! but at the end of the day, we’re working ourselves up over what? notes? followers? hits on a fic? things based on luck and timing??

i can only speak for myself, but i work a full time job and i’m hard scheduled 45 hours a week. all of my free time goes towards fic writing, because that’s For Me and that’s what’s important for my mental health, and even then, i am usually too exhausted to do that. i would love to read fic and interact more! my to-read list is a mile long! it is just genuinely hard for me to find the time. i prioritize my friends because they are my friends — real, actual people i know beyond tumblr mutualship, who i talk to about more than just fic writing — and even then i am late getting around to it. i’m not saying this as a “woe is me, my life is hard” moment, but moreso trying to offer a perspective that is not even being thought of. and i get it, no one wants to hear it, because you’re frustrated, and being vocal about frustration feels nice (i know, bc here i am)!!

someone is going to come for my throat for making this post as a “big author” and “part of the clique we’re all vagueing” and maybe it’s juuuuust me but like. if you’re that unhappy, log off. if seeing a friend group you’re not part of interacting makes you unhappy, log off. if seeing the engagement other people get on their posts or fic or art makes you unhappy, log off. you cannot force people to interact with you or your creative work, and aggressively posting about it when they don’t is not inviting them to. i am begging you to stop having expectations of people you do not know, because at the end of the day, you’re setting yourself up for disappointment.

[two-corpses-in-the-burial-mounds]

It's interesting to me how much of the fandom seems to be convinced that Wei Wuxian has low self-worth, considering that I (having only watched the live-action, admittedly) see very little evidence of this in canon.

I assume this is because of his tendency towards self-sacrifice, which shows up multiple times in canon like with the golden core transfer, but I personally think this is a false equivalence. Yes, Wei Wuxian often makes decisions actively detrimental to his own health and wellbeing; he gives his golden core to Jiang Cheng, he takes a curse from Jin Ling, he takes the Wen brand for Liu Qingyang and he takes a whipping from Madam Yu and considers the loss of a hand for Lotus Pier.

However, in none of these circumstances does this choice seem to be made from a lack of care for himself. Instead, it is usually made because he thinks he can handle the situation better than the person in question. Wei Wuxian thinks that between him and Jiang Cheng, he can better handle not having a golden core. Between him and Jin Ling, he thinks he can overcome the course where Jin Ling cannot. The Wen brand is less premeditated, but again the pattern is clear in that Wei Wuxian makes the choice to take the brand because he thinks having it on his chest is better than Liu Qingyang having it on her face. At the fall of Lotus Pier, Wei Wuxian decides that his pain and his hand is an acceptable loss for the lives of everyone in Lotus Pier.

These acts hurt him, but that is a side effect of a larger goal. The choice to handle these events himself does not indicate a lack of value in himself, but rather a prioritization of other goals. However, there seems to be a common conflation of Wei Wuxian's prioritization of others with his not caring or valuing himself. However, if Wei Wuxian doesn't value himself, then why does he make such an effort to survive for as long as he does? If he does not value his own thoughts and opinions, then why does he argue with Lan Qiren in the Cloud Recesses study arc? The problem is not that Wei Wuxian has low self-worth, it is that Wei Wuxian's decision-making process weighs harm to himself as acceptable in the pursuit of his moral imperatives. He wants to live without regrets and stand with justice, and to stand with justice, sometimes he has to walk a single-plank bridge. Necessarily, that will sometimes hurt him.

I suspect this association of Wei Wuxian's sacrificial acts as indicative of low self-worth stems from modern Western storytelling practices, which are deeply interested in the psychology of our characters. Recent media has been interested in the consequences of heroism on the hero themself and fandom especially is heavily interested in the psychological ramifications of these actions on characters. There's an idea that's been popular lately that extreme heroism is inherently self-destructive, and the solution to this is to raise a character's self-worth to convince them that they, too, are worth saving.

Now, whether this applies to Wei Wuxian is up to interpretation. However, he views his actions as correct in many of the sacrificial cases indicated above and these choices are framed by the narrative as being in some way noble. I don't think it's radical to suggest that the above actions cause harm to Wei Wuxian's self; that is not in question. I do, however, doubt that increasing Wei Wuxian's self-worth would change any of these decisions. He isn't throwing himself into harm's way because he believes his life is worth less than those he is taking harm for, he does it because he understands the harm he is incurring and chooses to take it upon himself because he thinks it minimizes the harm that would be done.

Rather than leaving the Jiang sect leader without a golden core, or a child with a very dangerous curse, or a young female cultivator permanently disfigured, or allowing Lotus Pier to be attacked and slaughtered, Wei Wuxians chooses to accept consequences in their place. It is more difficult to replace a sect leader than a head disciple. It is more difficult for Jin Ling to overcome the curse, so Wei Wuxian does it in his place. It is less consequential for a young male cultivator to take that brand to the chest than for a Liu Qingyang to be disfigured unjustly, so he does. It is more important than him, as a singular disciple, that Lotus Pier is safe. This is how Wei Wuxian approaches these problems.

Raising Wei Wuxian's self-worth would not change the reasoning behind these choices. He would not revisit these situations and decide to take a different course of action due the inherent value of himself as a person. His value as a person has always been part of the equation, but it is not his priority.

Self-sacrifice does not inherently equal unwellness. Recent trends in Western storytelling suggest that self-sacrifice is both admirable, but an indicator that a person is struggling. However, there are other models of heroism. There are other sets of values. In some moral systems, the willingness to commit self-sacrifice, even when a person does want to live and does value themself, is an admirable virtue. This appears to be the framework that Wei Wuxian is working within.

Does self-sacrifice inherently mean that a person does not value themself? I don't think so. But it's interesting that a lot of people seem to think it does.

-- Right Corpse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I'm gonna briefly chime in Right Corpse's post here with my thought as an Asian person:

I totally agree with what RC said here. I don't think self-sacrificing should be conflated with low self-worth. A person can view themselves as noble, upstanding and honorable (which, inherently is a very confident mindset) and be self-sacrificing as a result of that mindset, because helping others in spite of yourself in a dire situation is essentially a very noble trait.

And I'm glad RC brought up Western storytelling practices, because I thought the difference between Western and Eastern's mentality is exactly where this discourse came from. Western mentality is individualism-based, and Eastern mentality is more collectivism-based. Western mentality values individual's well-being, rights and freedom, while Eastern mentality values the well-being of group/societal-unit as a whole. I'm not saying one is better than other, I'm simply pointing out that it makes sense for Wei Wuxian to act the way he did given the setting of the story, regardless of his own view of himself. No matter how much self-worth a person has, growing up in this setting means the expectation is that you'd always put the clan's well-being, your family's well-being above your own. Filial piety is a very heavy expectation in this society, clan loyalty is a very heavy expectation in this world.

A noble, morally-upstanding cultivator who pride himself as such should be doing what Wei Wuxian was doing. And a big part of the MDZS story is definitely a criticism toward all of the clans and cultivators, who call themselves all those traits and did the opposite. Wei Wuxian saved Jiang Cheng not only because he viewed Jiang Cheng as his brother, but also because saving the leader of your clan when you have the mean to was the right thing to do, both for your leader but most importantly, for the clan as a whole, for the region of Yunmeng. Hundreds of people rely on the Jiang family and Lotus Pier, and Jiang Cheng is the figurehead of it. You can argue that Wei Wuxian can take over if JC is indisposed, but that's not how it works, that's not how politics works. So Wei Wuxian made the best choice for the collective given the circumstances, even if that came as a cost to him, and to circle back to what RC said earlier, Wei Wuxian calculated the risk and believed that he can handle that cost, and he did.

Similarly, Wei Wuxian saved Jin Ling because he believed as an adult, he could handle the risk better than a child like Jin Ling, and as a man, he could live with a scar rather than a young woman like Mianmian. In fact, I think he took pride in himself in all of these instances. He didn't boast about them to other people, but I think he's proud of himself that he can live according to his principles and never fail them.

-- Left Corpse

[heymacy]

💛

[xxplastic-cubexx]

YOU HAVE SO MANY ACCOJNTS IM CEYING

AND I FORGOT I HAD AT LEAST TWO MORE P L E A S E

[eggdrawsthings]

love your latest art. but where is bo?

busy kissing the Armorer on Mandalore wym

Seriously if u follow me u must know that I DO NOT ship Din with anyone. At all. Ever. Also, since you clearly don't understand it, a duet means a song for TWO ✌️people. It's a Clan of TWO. Leave the old man and his weird son alone jfc o(-(

[sweeetgrapesss]

HIIIIIII welcome to my blog loveee 💕, this acc is jst for fun tbh, I post my thoughts and stuffs from pinterest 🌷.

Here's a lil introduction of me:

° im 16 y/o

°pronouns: she/her

°fav colors: pink, white, purple and black 🌸

IF U WANNA BE FRIENDS TEXTTT MEEE!!!

Some random things I love:

Bows and ribbons, fairycore, vampires, nature, swans, jellyfish, 2000s movies, maths, chinese, writing, dancing, drawing, girly stuffs, flowers, wonyoungism, music, cats, fashion, girlblogging, literature, grapes AND MANYYY OTHERR THINGSSS!!!!

Thanksssss for reaaadingggggg♡

[shmorp-mcdurgen]

INTRO POST

~~~~~

Hello there! Welcome to my blog!

Here I mainly draw horror-related art, mostly fanart. My pronouns are They/Them, He/Him

Primary Interest(s): Half Life

Secondary Interest(s): Horror movies/media, Talking Heads, My own oc projects

DNI: anyone that weirds me out honestly. Proshippers, homo/transphobes, all that.

Art tag: #shmorps art

Oc projects: Silver Lining, Whispers of Willows, Home Sweet Home (Co-owned with a friend) (more to come!)

I'm always open to questions, so don't be afraid to send asks!

I also have a discord server! So join if you wanna

[girlstressed]

does anyone else lay out elaborate tests for men to inevitably fail

[goldkirk]

When did the latest 1,000 of you follow me??? good lord hi and welcome, I should maybe pay attention to my notifications and activity page more 😭

[duckdotimg]

no offense but your latest design for salice is so fucking hot its unfair

No go on full offense I like hearing it GIGGLES THANK YOOOU. HAHAHA... My plan is working... local italian bi menace thinks she's hot shit and she kind of is

Doodle for you, kind anon

[cleolinda]

Mitsouko (Guerlain, 1919)

Guerlain, 1919, Jacques Guerlain. Post-2014 formulation; eau de parfum concentration; 2002 decant from the Perfumed Court.

(To discuss: what it smells like, why it smells like that, and the struggle to describe this legendary heritage throwback.)

Trust me, these specifications make a difference. A year ago, I read reviews of different versions and took notes on what I wanted:

Do not get samples from 2007 - 2013, pre-2007 will have real oakmoss. Every concentration has different focus. EdP is mellower than EdT. Extrait is "truest."

You see, the International Fragrance Association (IFRA) restricted oakmoss in 2001, and then more tightly in 2009, from what I can tell. Mitsouko is considered a "reference chypre," a textbook example of the genre, and chypres are, by definition, citrus (usually bergamot), labdanum, and oakmoss. (The Perfume Society adds patchouli to this trio.) Like, you gotta have those for it to be a chypre. But Mitsouko is not THE chypre:

Bois de Jasmin: Guerlain Mitsouko : Fragrance Review (New and Vintage):

Created by Jacques Guerlain in 1919, Mitsouko was a variation on the avant-garde fragrance of the period–Coty Chypre. Chypre was based on the startling contrast among the bergamot top notes, the jasmine heart and the richness of oakmoss. Though undoubtedly beautiful, Chypre was brutal in its impact. […] Mitsouko is a kiss to Coty Chypre’s slap in the face, and for this reason, its popularity endures to this day.

So when oakmoss was restricted as an allergen in the 2000s, perfumers industry-wide scrambled to come up with a facsimile; for Guerlain, with a fragrance this storied, failure was not an option. Reformulations everybody hated were, though. Edouard Fléchier took a crack at it somewhere around 2007, and in 2013, Thierry Wasser reformulated the whole thing to recapture the scent everyone remembered. People seem to have been satisfied with that version since.

So I've worn that new Mitsouko on and off, when I feel fancy, for about a year now. I put a little on a card for my sister to smell the other week, and she said, "It smells old." (She'll be the first to tell you that she’s learning what individual notes smell like.) Being crushingly literal, I don't understand what "smells old" or "smells like old ladies" means. Powdery, she said, struggling to explain. "Old." Maybe I haven't smelled enough old ladies.

Mitsouko does smell… weird, by modern standards. Generally, people either love it or hate it, and Results May Vary in a big way; it's worth getting a sample just to take it for a spin (kind of like Not A Perfume or Glossier's You, in that one regard), and to see what a piece of history smells like. Expert-of-experts Luca Turin says it's the one perfume he'd take to that proverbial desert island, but I am but a gentle woodland creature, a basic vanilla bitch; I would be more likely to take something that cost $10 instead of $145. But I still kind of love Mitsouko. Users who review it positively often speak of not liking it at first, then going back to it again and again. They also speak of a "pissy" stage in the middle that might be civet or oakmoss (or whatever represents those notes now); I know what they're talking about, but it doesn't read as anything so unpleasant to me. It's not easy to wear like the simple scents I usually go for, but the drydown is absolutely gorgeous. That's one of the things that makes Mitsouko so interesting to me: it's like two completely separate perfumes were mingled, and the first gradually recedes to let the Guerlinade take center stage.

But what’s in it? “La Guerlinade,” for starters, is a complex foundation that the historical Guerlains have—a house accord. (You could buy it unto itself for a while.) The exact formula is super secret, of course, but it's said to (possibly) include bergamot, jasmine, rose, orange blossom, orris, vetiver, tonka bean, vanilla, and lilac. The lilac—a note I didn't even know I would like—is what shows up on me with both Mitsouko and Guerlain's L'Heure Bleue (1912); it's a soft light purple note that peeks through from the very beginning, and gradually becomes the glass slipper that Cinderella leaves behind.

Over on the official Guerlain site, they tell us a bit more about the reformulation:

A masterpiece in balance and originality, Mitsouko combines a fruity peach note with jasmine and rose centifolia (May rose) flowers. Its mysterious base combines spicy notes with notes of undergrowth and vetiver.

Warm spices such as black pepper mingle with cold spices like cardamom and pink [pink pepper?] berries.

Patchouli essence features many vegetal, woody and earthy olfactory facets. Combined with rose, moss, and bergamot, patchouli forms the base of the chypre accord.

Hilariously, Guerlain also straight up tells you what Thierry Wasser actually put in New Mitsouko:

ALCOHOL

PARFUM (FRAGRANCE)

AQUA (WATER)

LIMONENE

LINALOOL

EUGENOL

HYDROXYCITRONELLAL

EVERNIA FURFURACEA (TREEMOSS) EXTRACT

CITRAL

BENZYL BENZOATE

ALPHA-ISOMETHYL IONONE

CITRONELLOL

GERANIOL

BHT

HEXYL CINNAMAL

CINNAMYL ALCOHOL

ISOEUGENOL

BENZYL ALCOHOL

BENZYL SALICYLATE

TOCOPHEROL

CI 14700 (RED 4)

CI 19140 (YELLOW 5)

CI 60730 (EXT. VIOLET 2)

FARNESOL

Yeah. There's the famous Guerlinade… in there somewhere. They gave that secret away, hidden under a tiny link, because it means fuck-all without proportions or a way to separate it from the composition as a whole. Well played.

A Basenotes user posted a suggested Mitsouko formula that's somewhat more indicative of what those chemicals would smell like (deep breath): sweet orange, lemon, bergamot, elemi, celery seed, tarragon (a component of oakmoss reconstitution), coriander, chamomile, lavender, geranium, ylang, jasmine, clove, anise, castoreum, civet, labdanum, tonka, patchouli, cinnamon, peru balsam, benzoin, vanilla, violet, rose, costus, vetiver, musk, and the famous "aldehyde" C-14: a peach-scented lactone from 1908.

Logically, Mitsouko (1919) must not have been the first fragrance to use gamma-undecalactone, but I'm not sure any other has survived the ages like this one. Carter Burr (another top expert) writes that Jacques Guerlain most likely got it from the supplier Firmenich, via their Persicol peach base:

C-14 was a marvel, a fruity, aromatic, delicious scent that gave ripe peach skin. Guerlain plugged C-14 into the equation perfectly (the rumor is, actually, similar to Chanel 5, that he in fact accidentally overdosed the stuff; who knows), and Mitsouko became a thing of subtle opulence, strength and balance and silken twilight.

Sidebar: peach is one of my favorite fragrance notes. It's in Tamora, one of the first BPALs I ever tried twenty years ago; I don't know what the actual peach accord in that oil is, but it's still probably my favorite Black Phoenix. No matter how weird people said Mitsouko was, I was GOING to try it for that landmark peach lactone. And that's what shows up at first for me. I do get that Guerlinade lilac peeking through, but the opening as a whole is a spicy autumnal peach lying on the dead-leafed forest floor, more velvet than flesh, Octoberish and unseelie. That first sequence is intriguing, and then it warms up into that unpleasant stage; then that uneasy note fades and the Guerlinade comes fully out, a soft pale purple-blue siren song floating by on a powdery cloud. Those are the two perfumes that seem to be twined: bewitchingly different, each one blended so smoothly that I can't distinguish all the notes within them, yet not quite blended together.

And that's just my own reaction. Watching Fragrantica reviewers describe Mitsouko is a pastime unto itself. It smells like power, sex, domination, old money, "strangely nutty," depressing, elegant, fascinating, bitter, ripe, like oil paint, "an old medicine cabinet," pungent, tangy, moldy, intoxicating, alienating, feminine, masculine, unisex—to quote frugally:

User Aerides: "Mitsouko is gloomy Sundays, walks in the woods after it rains, and empty auction rooms. […] It's incense and burning candles, and waxy floor polish. It's cinnamon peach jam. It's a bouquet of lilacs on the dining room table. It lasts so long it's like a ghost in the room."

User Amararata: "There is something vampire-like about this fragrance. It's the sort of scent a woman leaves behind after she's conquered a man, or a kind of lascivious tryst in the middle of the day."

User querty988: "For some reason, those stinky little [camphor-clove] whiffs endeared it to me. It was like the baby from Eraserhead whispering in my ear, 'yes, I am the most revolting thing you've ever smelled, but I'm here with you in public today, and it's our little secret that I belong to you.'"

User KingRidesBy96: "Can't explain it. Don't want to. She's a witch, it's magic."

Mitsouko is weird as hell, and yet, thanks to the “waxy floor polish” review, and (I swear) a review someone wrote that I can't find now that mentioned linseed oil, furniture, paint, and his wife, I knew exactly what Mitsouko was going to smell like. And I was right. And I think that the mental preparation is incredibly important here. Not to be snooty about what it takes to "appreciate" a perfume like this, but to frame for you where this being of times past is, at least, coming from. Mitsouko is Aslan, present when the Deep Magic was written in 1919, whether the Deep Magic smells good on you or not.

Further reading linkspam

Bois de Jasmin: What Does The Word Mitsouko Mean?

It’s the French spelling of a female Japanese character’s name (Mitsuko, “child of light,” “shining child”) from the 1909 French novel La bataille (“The Battle”); Jacques Guerlain was friends with the author, Claude Farrère, so this is thought to be the most likely namesake. Wikipedia:

The novel is set in Japan during the 1905 Russo-Japanese War, and chronicles a fictional amour fou between a British Navy Officer and one "Mitsouko", the wife of Fleet Admiral Marquis Yorisaka. Both Yorisaka and the British officer sail to war, and Mitsouko awaits with reserve to see which of the two will return alive to her.

Maybe this is reflected in the duality I’m getting from the perfume, I don’t know.

Isn’t all this very orientalist? Why, yes! Our antique faves are as problematic as ever!

Ayala Moriel: Olfactory Orientalism

Arts of the Working Class: Journey with Mitsouko and Mitsuko

More technical discussion:

Persolaise Review: Mitsouko from Guerlain (Jacques Guerlain; 1919 [and Thierry Wasser; 2013/14]):

Suffice it to say that whether it’s because [Wasser] increased the dosage of vetivert in the base, or he revitalised the citruses at the top, or, most interestingly, he created a special ‘oakmoss-like’ accord to compensate for the shortcomings of synthetic substitutes, the result is that the current Mitsouko feels like it has just emerged from the fountain of youth.

The Empress of Moss: Mitsouko

A look at the current state of the chypre: IFRA, Oakmoss, Chypres & Perfume Houses (2022)

Late breaking news: right after I fell down the stairs and injured myself rather thoroughly yesterday, my vintage pre-oakmoss-ban Mitsouko sample arrived in the mail. I’ll update once I can smell it. I also have a 2022 decant of L'Heure Bleue and, uh, about three drops of Samsara from around 1989, so stay tuned for more Guerlain at some point.