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lochnessies · 3 years ago

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ok here’s a dissection of a post an anon sent me the link to and bc i have the worst time management possible and i completely forgot i had it lol so sorry anon here you go ❤️🧡💛💚💙💜

I am constantly thinking about how Edelgard just doesn’t seem designed to appeal to cishet men.

i hate to be the one to break this news to you op but just because a character doesn’t show skin like charlotte fire emblem doesn’t mean she isn’t designed to pander to men. she’s very much designed to pander to the (majority straight male) player base with her ‘uwu i only trust you professor omg did u see that rat? pls don’t look at my painting of you uwu’.

then there’s the whole edelgard c support in japanese where byleth makes reference to having come to her room for ‘yobi’ which is

there’s also the scene where byleth can make an unsolicited comment about edelgard’s breast size. which is… uhh… gross.

edelgard also has cipher cards that go from slightly fanserviceie to full on suggestive

and also her breast armor that my sister relentlessly mocked lol

and here’s a chart from the 3h subreddit about gender/sexually in regards to edelgard and edeleth. it’s extremely straight male. op might have just overlooked this since they probably don’t go on reddit and stay on tumblr (which unlike reddit is mostly female and has a high lgbt demographic).

Like the joke is that Bleagles is the Gay House, but everything about her feels deliberately non-hetero.

i don’t like where this is going…

She’s dressed in sharp outfits covering her upper body, with proportions that don’t seem exaggerated.

so women who cover up must be lgbt because straight women are naturally more revealing? oh y i k e s

Her poise and the way she effortlessly flourishes her axe exhibits an air of coolness. While titties out =/= character of no substance, Edelgard being dressed more modestly suggests that she wasn’t designed with male-centred fanservice in mind.

“titties don’t equal no substance but here’s my post on how she has more substance because she doesn’t show titties” ok

And she still looks absolutely stunning in her more modest attire (like seriously, I haven’t felt the need to return to cosplay in years but I want to do her academy look so bad).

yes she does. amazing design 10/10. i have a feeling this is the only part i’m going to agree with

Edelgard is intense. She does not mince her words and she is constantly evaluating you. Though she tries, she has a difficult time understanding her peers initially. Early on, she talks about how she would sacrifice herself and others in the name of some greater good. She is terrible at communicating with her peers. She has to be seen as infallible. Her heart has been hardened for years and she assumes she has to stay that way. She also assumes everyone mourns the same way she does - which is why she (kind of insensitively) insists you move on when Jeralt dies. Because to her, grief has to be channeled towards action, or else you’ll get lost in it. This attitude is demonstrated time and time again as she presses on. It can make her come off as cold and unfeeling - but look closer, and she’s anything but.

don’t really have anything to say at this part. it is pretty on the nose though i would slightly disagree with that last sentence a bit. i wouldn’t say she’s as i feeling as hubert is but all of her talks of the war boil down to how she feels and never her victims.

Her story is ultimately about her realizing that to achieve her goals, she needs to let people in and allow herself to want things like cakes and tea parties and lazy days in peace.

????? what ????? her goals include imperialism, ethnic and religious targeting. her story is about having a set of beliefs and mowing down anybody who stands in her way. that has nothing to do with tea, friends, and lazy days. also am i supposed to be sad that she has to get up everyday and work? i do that and i didn’t start a war and only throw a pity party for myself

The game leaves the player guessing as to how involved the Flame Emperor was in each Part I event, makes you feel hurt by her betrayal, and leaves you with a choice: do you follow the orders of the woman who tried to make you a god without your consent, or a young girl with questionable morals about to throw the world into upheaval?

this isn’t an ideal situation but i think i’m going to stick with the woman who tried to make me a god since i’m not selfish and i know it’s not only my desires and life at stake here. plus the green hair slaps ngl

Choosing her of your own volition (not for completionist reasons) requires the basic ability to sympathize with a woman’s pain. It also requires the player to read beyond her unwavering will and dubious methods to get a sense of how deep that pain goes and how the theme of humanity relates to her differently in each route.

i’m not going to touch this since @nilsh13 made a post on it that i’ll link here. i agree with everything he said so to repeat it would be redundant.

The player must be able to see a young woman’s desperate resolve to change the world so it stops exploiting people and ruining lives. They must be able to accept the fact that women can make the same morally wrong and ambivalent decisions that complicated male characters get to make all the time and still be the one to root for.

literally the same reason i love rhea lol her goddess experiments are dubious at best but her reasons are the same you mentioned. i would say that i like this quality in edelgard too if her ending, while bloody, actually ended in a good outcome for fodlan.

This is not unique to LGBT+ people, but this population is likely to understand why Edelgard feels so strongly about why she has to change the system.

i understand wanting to change a system, i really do. like edelgard, i’m an opinionated bisexual woman (who’s also physically disabled) so yeah i get it. and change can be good but it can also be terrible. even if the church was the boogeyman edelgard treats it as she still replaces it with her own shit regime. so it’s the same circus just with a new conductor.

I don’t think “Edelgard gets undue criticism because she’s a woman” captures the full picture. An important aspect of her treatment by certain parts of the fandom is that she’s a radical woman.

or maybe she does some pretty fucked up shit and it goes unacknowledged in her own route. and yeah she’s radical but in all the worst ways.

Her hatred of the Church and the Crest system resonates way harder with people who have been hurt by institutions that are deeply engrained in our society.

and what about people who have been hurt by systems where their ‘merit’ didn’t measure up and they were left behind? what about people from nations that experienced imperialism?

Siding with her means siding against the Church - which, while different from real world religious institutions, still invokes language about “sin” and “punishment.

yeah the ‘sins’ and ‘punishments’ are used in relation to attempted murders which i think everybody can agree is a bad thing that needs to be condemned.

Choosing Edelgard will likely hit different if homophobic and transphobic Christians used that rhetoric against you.

it has literally nothing to do with ‘sins’ and ‘punishments’ in regards to being gay or trans. that’s you projecting. especially since the church has 2 canon gay characters and two coded ones.

like i can understand why having a church condemn you can be uncomfortable but i’m begging you to please look at the context of what’s happening.

I’m willing to go out on a limb and say that the reason F/F Edeleth is the more popular iteration of that ship because most people who would choose to S-support Edelgard are LGBT+ themselves. This is not a revelation. To anyone in the community, it’s fairly obvious.

i was talking to nilish and he said

so yeah… while there is definitely sapphic femleth shippers out there, there’s still a whole lot of weird fetishizing going on from straight men about edelgard.

Crimson Flower was my first route. I went into the game knowing absolutely nothing. I played it during the last week of 2020 and hoo boy was it cathartic.

i can tell. this wasn’t supposed to be a dig but it came out that way and i’m not taking it out.

I felt like I was living out a gay revolution power fantasy, where I could truly change systems of oppression while fighting alongside a group of troubled students I’d shaped the lives of.

so a gay revolution power fantasy (cringe) goes hand in hand with imperialism and installing a dictatorship? also the war had nothing to do with sexuality.

Through your unwavering support, Edelgard learns that she needs to be human, that she must listen to her friends, and that she’s allowed to enjoy the world she’s creating.

edelgard gets to learn how to be human all while hunting those who don’t. and she doesn’t listen fo her friends. she doesn’t even trust them. she’s willing to talk to byleth but keep the people who’s been by her side for five years in the dark about everything. and yeah she gets to enjoy her new words since she’s on top. hate to be a commoner under her rule after she burned down my village in her war.

I love this character so much.

clearly. and i honestly don’t care if somebody likes her. i do as well even if my sometimes scathing words can make it seem otherwise.

It has been six months since I first played and I am still analyzing her,

me too. please help me escape i’m losing my mind

because there’s so much depth. Yet so many people fail to see that depth and dismiss her as evil,

i mean, she does some fucked up shit that goes beyond any of the less than desirable actions of the other main characters and does an extremely poor job in trying to make herself seem innocent. i personally don’t think she’s pure evil but i completely understand where the people who say she is are coming from.

because they never had the will to understand complicated women in the first place.

that’s big talk from somebody who implies that a gay pope is comparable to homophobic and transphobic irl religions and that leads an oppressive regime all because she uses the vague terms of sin and punishments that you have to gay power fantasy your way out of

#i finished this at 1am so sorry if i’m incoherent #mine

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amphtaminedreams · 4 years ago

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Spring/Summer & Haute Couture Week 2021: Whoops, I’ve Missed a Loooot (Part 2)

Hey to anyone reading,

I’m so sorry for the gap between the last fashion week review post and this one! Argh. I had no idea I posted it as long ago as the beginning of March but I think we can all agree that lockdown has fucked with our perceptions of time completely. I wish I could say the delay in posting was as simple as me being busy but I’ve also started to reflect on whether or not I want to carry on this format of posts for the time being; on the scale of problems, this one is wayyy down there in the very lower quartile of the first world region, but my motivation to carry on this kind of content in the form of long-winded text posts is...meh...not so much there anymore. At first I was thinking the issue was that working on these was my last priority on my daily to-do lists but as I’ve got back into writing fiction, it’s kind of occurred to me that the fact I was putting these posts on my to-do lists in the first place along with things like doing the ironing and contacting student finance speaks volumes. When I’m back from work or winding down, opening up Tumblr and coming back to this draft isn’t something that I think of as a fun stress reliever in the way drafting stories is. It doesn’t feel like I’m using my imagination or my creativity or expressing myself in any way and it’s not much of an escape from day to day life in the way that writing dialogue or exploring characters is. Maybe it’s because I’ve done quite a few of these posts now but I just tend to feel like I’m repeating myself, you know kinda like when you’re writing an essay and trying to fill up a word count; of course there are collections that I do have a lot of opinions on but by and large, sometimes it boils down to THESE CLOTHES ARE JUST FUCKING PRETTY, OKAY?! There’s only so many things you can say about a tulle skirt or an exaggerated collar before you want to strangle yourself with said tulle. I used to think iF VoGUe RuNwaY wRitErs CaN dO iT WhAT's MY exCusE until I realised that 1). Vogue Runway writers actually get paid and 2). for the most part all they do is explain the designer's intentions behind the collections verbatim without giving a critical opinion anyway.

I think a lot of the pressure I feel to justify what are in reality quite simple observations and opinions goes back to some of the feelings I explained in my first ever fashion week review where people who know more about fashion and have a formal education in the subject tend to be kind of gatekeep-y and elitist. It can never be that you appreciate different things about a collection but rather than one of you has taste and the other doesn’t and if it wasn’t obvious, the taste level assigned to you by the powers that be tend to positively correlate with the amount of money you have available to spend on a degree that has a reputation for failing to provide a steady income, which for most makes it an unrealistic avenue to pursue. I know, I know, the pressure is totally self-inflicted and wholly imagined seeing as I have under 500 followers on here and those who do interact with these posts most likely do so for the pictures but I still feel it, and given that I’m going to have enough external pressure to write essays when I return to uni in September, why on earth am I wasting time putting it on myself? When just posting photosets of my favourite looks is not only actually enjoyable for me but is also what other people WANT to see too? Nobody wants to read a self-indulgent paragraph like this when they’re here for the clothes and to be honest, for the most part I don’t want to write them anyway unless it��s something I have strong feelings about or if a collection can only be properly appreciated with analysis. I think I’ve made pretty clear which designers I’m a fan of, do you really need to hear me raving about Gucci or Zimmerman or Miu Miu or Balenciaga again? Is there gonna be anything revolutionary in yet another rant about Maria Grazia? Course not. I mean, if you are reading, you might have to witness those things one last time because I do intend to finish off this season’s review in this format for consistency purposes and because I’ve already got all the notes now but on the whole, I doubt anyone will miss my rambles.

So, with all that in mind, I think after I finish my S/S21 posts I am gonna start just uploading these posts without the written part. I mean, for one, the simplicity of doing this means I’m much less likely to procrastinate making them which in turn means I’ll be able to get them out right after the shows as a kind of summary as opposed to months later when they’re no longer as relevant. This will also give me more time to work on the writing I actually enjoy. Right now I’m going through and editing my 17 year old self’s “grown-up” take on the Pretty Little Liars blackmail murder mystery style plot line which I wrote back when I was completely and utterly obsessed with the show and bitterly disappointed by the last couple of seasons. The writing is pretty mediocre and often hugely cringey to read back now but I am still a fan of the basic plot and I’m genuinely motivated to see if I can make it something actually worth reading, and to get onto that ASAP; this feels especially important right now given that the HBO version of the series’ apparent upcoming release has sent that ever-present writer’s fear of seeing-your-same-storyline-done-better-by-somebody-else-thus-forever-relegating-your-version-to-being-the-poor-imitation-so-you-gotta-get-there-first into overdrive (or maybe that’s just me and my neuroses). Again, it’s a totally unfounded fear based on the fact that the HBO show will probs get millions of viewers whilst I will be doing little more than shouting into the void but anybody who’s used Turnitin to submit an essay that ultimately counts for little more than like 1% of your grade or degree will know that no matter how irrelevant your work is, the concept of failing a plagiarism check, be it via a computer algorithm or one random stranger on the internet’s assessment, is enough to conjure visions of the 4 horsemen of the apocalypse galloping towards you screaming “START THE WHOLE THING AGAIN” before releasing a hoarde of 2015 Chanel vs. Walmart style comparison memes.

Now, speaking of Chanel, I should probably get back into the reviewing.

So for the last time for a little while, here’s Christian Siriano:

Siriano’s designs are a great example of work I feel guilty enjoying. I know that when it comes to quality, the high fashion community have a lot of (negative) things to say and I really can’t speak to that because quite honestly, I know very little about textile manufacturing. Solely from my own point of view though, I do like his work a lot. I wouldn’t claim for a minute that he’s a pioneer in terms of his creations but I would 100% love to wear them and I DO hugely admire his commitment to putting women of all sizes on the runway and designing pieces that don’t simply cater to straight up and down types which is more than can be said for most brands. I get that his collections are pretty formulaic, taking what has worked for the likes of Chanel and Alessandra Rich, De La Renta and Carolina Herrera, Michael Kors too (who is kind of guilty of the same thing himself), but that’s not to say his work is bad. Let’s be real, we’ve been on this planet thousands of years, we’re all taking inspiration from someone, and maybe figures like Kors and Siriano could wait a *little* longer before taking said inspiration but their aim at the end of the day is to sell clothes, not break barriers, a task which although often left to the big name brands, they too often fail at. I’m not going to lie, I’m feeling this whimsical mid-century tea party vibe, it’s elegant and it’s cutesy and My Fair Lady-esque, and you bet your arse I would be absolutely thrilled to wear one of these looks on a summer red carpet. I just can’t say no to anything tulle-maybe it’s that I was on Toddlers & Tiaras in a past life or maybe it’s that I watched too many Barbie Princess films growing up, but I like pretty much everything going on here, especially Siriano is giving us matching fedoras too. Plus, can we take a moment to praise Siriano for his COVID relief efforts? Near the beginning of the pandemic, he turned his studio into a mask manufacturing factory in order to send them out as donations, and I think that is very cool.

Then there’s Christopher Kane who once again came through with the most insanely gorgeous prints:

I mean, paint splattering is hardly a new technique but I haven’t seen it done as a print so tastefully before-it eats the Moschino biro scribble print (which apparently was copied too speaking of the tendencies of designers to “borrow” inspiration) for breakfast. It’s shit because there weren’t many looks in this collection and they weren’t really shot in a way that does them any justice but I thought I’d include the few I saved.

Comme Des Garcons is a fave of the high fashion community and one I look forward to seeing at fashion week but can never quite get behind. I appreciate the what-the-fuckery of it all with this show totally being able to pass as a run-through of some kind of nuclear waste themed scare house at one of Thorpe Park’s fright nights. I assume given that and the plastic Mickey Mouse print it’s supposed to be some kind of reference to the part late-stage capitalism has played in the hellish landscape we find ourselves in today? Or something all intellectual? In which case I made my interpretation with farrrr too much confidence. But Anyway! Who knows! I’ll leave the analysis to the fashion students, and give it one word: trippy.

Onto Dion Lee, a brand I truly do get excited to talk about because it’s rare that I don’t LOVE his work.

Without fail, Lee manages to be confidently ahead of the curve without going out of his way to announce it and his genius to everyone with flamboyant shows and exaggerated designs and extortionate prices. He is very much an underdog in the fashion world in terms of big names but you’ll be hard pressed to find anyone who doesn’t love his collections. His S/S21 collection is one of my favourites of the bunch. I love seeing something I’ve never seen before and the palm leaf breast plate is so odd but so cool and so perfectly Dion Lee at the same time; we’ve seen jungle/tropical inspired collections sooo many times *cough cough D&G cough cough* and THIS is how you make them fresh and unique. I mean, never in a million years did I think I’d get behind the resurgence of the gladiator sandal trend but Lee has me changing my mind. This is one of the very rare times you will ever see me using this meme to praise a man but:

I mean, he has Fernanda Ly modelling for him, that the man has taste goes without saying.

Now for a bit of a full circle moment, given that I did actually praise Dior’s haute couture collection in my first ever post; Maria Grazia did GOOD. Well, with haute couture at least.

She’s always pretty hamfisted with her references, there’s no denying, with that Grecian Goddess style RTW collection typifying that statement completely, but luckily she struck gold this time round; as someone who studied the Tudors for A-level history, seeing a modern take on the exaggeratedly feminine renaissance silhouettes with the baroque prints and the deep jewell tones got me super excited especially when you throw in the dreamy tarot theming and the nods to the mystical and arcane. Seeing as the Heavenly Bodies Met Gala (I know, I know, I need to move on) was some time ago now and Cersei Lannister’s *SPOILER* been crushed by a rock (could also be seen as a metaphor for the irrelevancy David Benioff and D.B Wise condemned GoT to when they aired that shitty ending tehe) and so probably won’t be getting a collection based on her costumes any time soon, this is the only fashion take on this kind of period dress I’m going to get…and you know what? I’m okay with that. Thanks Maria, I guess?

Her RTW collection wasn’t absolutely awful either, and slightly better than the past few collections at least. Put a monkey in a room with a typewriter (or show it enough similar well-received collections) and it will eventually write something that makes sense, don’t they say? I like the nomadic feel of a lot of the looks and there’s beautiful layering going on but the aura of exotic opulence unsurprisingly didn’t stick around for long and I found that there was a decline in quality in the midsection of the show that landed a lot of the outfits in either awkward mother of the bride at a beach wedding or The Only Way is Essex Ocean Beach PLT sponsored poolside party territory. The looks picked back up a bit towards the end stretch of the show but I wasn’t a fan of the Gucci style oversized glasses which were so out of place with the rest of the theming that if anything they seemed like a cheap grab at relevancy. So yeah, a middling, subpar Etro-esque collection which is better than usual for Dior I suppose.

Next, Elie Saab, whose S/S21 collection was kinda disappointing, tbh. Oh how the turns have tabled given that positive Dior review and my usual love of Saab’s collections.

I know his dresses lose some of their appeal when we can’t see them in motion but even ON the runway I can’t see myself being dazzled by any of these pieces the way I usually am. They’re lacking the level of detail and craftsmanship I associate with the brand seemingly in favour of block colours and suits and the issue is that the whole Disney Princess fantasy has always been the appeal for me because the silhouettes aren’t interesting enough on their own. They’re not ugly pieces, they’re nice, but does nice really have a place in high fashion when the pieces are so basic in both their design and presentation that the shots could pass as ripped from a catalogue? The strongest parts of the collection were when it did go down the more delicate route with the muted blue suits and the white feather trimmed dresses, the small, ornamental gold details reminding me of a very toned down nod to Schiaparelli’s hardware, but with regards to the bright coloured pieces, I can’t lie-they did look like something you could find in the M&S Per Una holiday section. Then you’ve got the weakest parts, which were just flat out ugly: sheer giraffe print, sweat band style elasticated waits, and long chiffon shirts that I hate to admit read as frumpy. There are times where I’ve not been particularly excited by an Elie Saab collection in the past, but I do think this is the first time I’ve actively disliked parts of it.

Conversely, Erdem’s S/S21 collection was super strong, and solidified the brand’s place in my mind as a dependable source of kooky maximalism, this time round giving us Anya Taylor Joy’s Emma wardrobe on speed. You could tell me Erdem Moralıoğlu had just raided the Bridgerton set’s fitting rooms and put it on a runway and I would 100% believe you and I mean that in a positive way because to give my unpopular opinion, the clothes were the only good thing about that show. The endearingly florid details of exaggerated bows and clashing florals were still there but this time in a way that felt more subtle and self-assured, as if the calming influence of the wooded set’d had a direct hand in the designs, giving the rugged, ethereal feel to the collection I associate with brands like Brock and Simone Rocha, all whilst keeping the parts of Erdem I’m so fond of.

Is it really much of a shock that I included pretty much every look from the Etro S/S21 show? Like, you know that Christian idea of God, like, (the voice in my head is very much taking on the dumb valley girl voice that anybody who reads this is most probably getting too) knowing our souls? I think Veronica Etro knows mine. So no, no surprise. Though there were a few unconventional touches thrown into these looks (the campier prints and nautical theming we see with the 80s beach towel print, for example, reminded me a bit of Versace) the mystical bohemian it girl that Etro designs for would still be highly satisfied. Sure, it might be a wardrobe fit for a holiday less adventurous than backpacking but if she wanted a tropical poolside holiday, this collection is the one, the paisley print chiffon mini and maxi dresses especially. I’m just gonna pretend I don’t see the monstrosity that is leggings worn as trousers-it’s a fashion rule I refuse to abandon-because they are the only stain on an otherwise expectedly gorgeous collection.

Next, an unusually reserved RTW collection from Fendi:

More in line with the wardrobe of a European fashion editor than the glamorous trophy wife (who let’s say uses that facade as a guise to ruthlessly run her husband’s whole business empire from behind the scenes because in this house we do complex female characters only), these pieces are lot “smarter” and more professional looking than Fendi’s typical offerings; where I feel Fendi usually designs for the society girl who wouldn’t mind a front page scandal, these are the kind of outfits a young member of Monaco’s royal family would wear for a positively received but business-as-usual press tour. I know, Fendi is an Italian brand, but this is more Southern France to me. We’re talking some 2nd page shots of a Kate Middleton type on a yacht on the Riviera smiling and waving as her PR team’s ideal scenario. Still, whilst fewer exaggerated silhouettes, animal prints and overtly luxurious fabrics (real leathers, silks and furs for example) mean that the drama’s a little toned down, it’s all still very expensive looking and combines the classically feminine glamour of the past and the minimalism of modernity in the artful manner that we’re used to. Maybe it’s me being a basic bitch but I always love seeing Ashley Graham on the runway too, even if brands to tend to use her as their single token plus size model.

Kim Jones’ debut haute couture collection for Fendi, however, wasn’t a very well received one. I don’t hate it personally but I can see where the criticisms are coming from. Whilst it’s closer to the version of Fendi I’ve come to expect and there were some stunning pieces which completely encapsulated that distinctive aura of luxe and glamour, there were quite a few lazy pieces which could’ve been from any designer. I also felt the collection was a bit upstaged by what seemed to be a who’s who of the modelling world; having Bella, Cara, Kate and Naomi ALL walk in one show was a bit distracting and took the focus off the clothes completely.

Giambattista Valli’s RTW collection was gorgeous as ever; the man has undeniably mastered the art of delivering classic, objective elegance, the kind of designs I feel would make you light on your feet and smell like strawberries and cream the minute you put one on. Whilst as a brand his RTW shows are rarely trendsetting, they reliably produce a plethora of unfailingly graceful and demure pieces, as appealing to your mum and your grandma as they are to young women and little girls, and this collection is another victory lap for Valli when it comes to upholding his signature tea party and artisan cupcake making and rose garden strolling and bottomless rosé brunch appropriate aesthetic. There were a lot of outfits that were bordering on overly juvenile, with structures a little too basic to justify the amount of sequins thrown on, but when it’s good, it’s so sweet that regardless of how to formula it is, I can’t help but fall in love.

Valli’s haute couture collection was stunning too and for sure a more exciting offering than the RTW. There was of course a lot of the signature tulle but it was head-turning, over the top in a way that leant far more towards the experimental than I expected. The photos themselves are 100% believable as a some kind of Vogue behind the scenes editorial shoot on the set of live action Disney princess movie (in between takes of the climactic ball scene if you wanna get specific with the vision); if you are looking for a prettier alternative to the primary colours and disruptive shapes of a Molly Goddard collection, this is the one. It’s giving the themes of excess and abundance I associate with that of the Hunger Games Capitol but through the softer lens of a Sofia Coppola movie, and being the typical cinema loving white girl I am, I’m obviously on board with that vibe.

I did SUCH a 180 on Givency’s S/S21 collection from when I first saw it to writing a review. My initial reaction was one of disappointment, I guess simply because Givenchy has given us so many bold pieces and presentations over the last few years whereas this is more low-key. After properly considering it though as I would any other brand, I came to the conclusion that I do actually really like it. It’s still got the strange, androgynous silhouettes popping up throughout and the futuristic space-age details but with a more down-to-earth, streetwear feel, albeit a very slick, glossy spin on the trends of the rabble (that’s us guys) of course before we go believing it’s achievable. On the one hand, the devil horn accents are a touch Claire’s accessories halloween range but at the same time, done with confidence they’re kind of cool and bring something new and fun to the table in line with the dark theatre of Givenchy’s last few shows.

Now for Gucci, which for the first time I have to say, if I'm attempting objectivity, is not a standout.

Like, can I just start by saying though the format it’s presented in is cute, it’s not ideal as a way of actually showing the collection. I get that the vintage shop bin vibe is a huge part of Gucci’s brand but polaroids make it SO hard to actually see the clothes, and that’s what we’re here for right? I don’t want to give the impression that I don’t like what I see here-the clothes are gorgeous, an idyllic ode to the off-duty wardrobes of Studio 54-ers, bohemian style icons like Charlotte Rampling and young Olivia Newton-John, psychedelic rock guitarists and the inhabitants of San Fransisco’s Haight during the late 60s and early 70s, Alessandro Michele’s favourite period of reference. I can’t pretend otherwise, or act like I wouldn’t want to wear the shit out of this collection. Buut, for Gucci? It’s a little underwhelming. These are the kind of filler looks we get in a typical Gucci show to go alongside the more statement pieces, which this collection is lacking. It’s just that these are designs which usually gets people talking and these pieces don’t do that. It sucks because for most other brands this would be a stand out collection, an immersive, luscious vignette of what people tend to think of as a cultural golden era, but when you’ve had a show that involved models carrying replicas of their own decapitated heads down the runway in the last 5 years, of course something more toned down like this is gonna generate a lot of “is that it?”s.

I owe Hermes an apology. Looking back, I have disliked all their previous collections for the same reason that I now really like this one; maybe it’s in part down to the frustration of still having to whack out the winter coat on occasion in May (fuck British weather and climate change), but suddenly I really appreciate the value of some good quality, versatile outerwear. Hermes is giving us that in spades here and for that, I bow down to them. The pieces on offer are clearly well-made and genuinely practical, and through the minimalist approach manage to retain both an air of timeless sophistication whilst also being youthful and on trend. The leather tactical vest co-ord I can easily see edged up and taking centre stage on one of those insane Seoul street style slow-mo TikToks that were big a couple of months ago and there are several pieces that could tie together a grunge influenced k-style look just as well as they could exist for years on end as the wardrobe staple of a high-powered businesswoman. Designer Nadège Vanhee-Cybulski’s strengths really come through with the simpler looks and it’s the patterned pieces that drag down an otherwise flawless collection; I guess because the aesthetic is very minimalist, the patterns can’t be anything overly decorative but unfortunately this has a bit of a dowdy effect when you pair it with such modest silhouettes. Disregarding those elements of the collection though, it was super good.

It goes without saying that Iris Van Herpen’s haute couture collection was breathtaking; if the fashion community can agree on anything, it’s that this woman’s work is consistently awe-inspiring. She captures the wonder of the universe, the biological structures and kaleidoscopic colours we don’t even register, through fashion in a way that others can only imitate, to mesmerising, truly transcendent effect; I can only assume Van Herpen has mother nature whispering into her ear because how the hell else do you explain her ability to take the kind of microscopic organisms they show you images of in an outdated GCSE science powerpoint and make a dress that resembles one so stunning? Care to explain, Iris? Because if there is some kind of line of communication between the two of you can you please tell the bitch I’m over this weather and that I have cute summer outfits I’m waiting to wear so can she pack this torrential rain shit in? K, thanks xoxo

See it seems shady as fuck to go from IVH to Isabel Marant like this because we are talking 2 designers with totallyyyy different approaches to fashion; Iris Van Herpen is haute couture for starters whereas Marant is commercial, and that’s her thing, but unfair comparisons aside this collection is still a bit of a let down. This is considering I do usually really like Isabel Marant collections based on whether or not I’d wear the pieces, which seems a more appropriate barometer to use to come to a quality verdict. Whilst there were a few of the elegant bohemian pieces my mind goes to when it comes to her brand, the steps outside of that comfort zone didn’t pay off; graffiti print (can be cool if done with some subtlety which apart from a few exceptions was not the case here), cheap looking reflective fabric, and MC Hammer style dungarees, it seems to be an attempt to merge 80s trends with modern urban culture, and an attempt that at times verged on the disastrous. It’s good for a brand to experiment, of course, and appeal to a wider client base than usual, but when it’s bad the unfortunate take away is that the design team don’t have the chops to pull off straying from familiar territory; designers wouldn’t be showing at fashion week if this was truly the case because disregarding the influence of nepotism, fashion is an area you need real talent, perseverance and business smarts to excel in, and so it doesn’t do a team justice when they do fail.

J.W Anderson, on the other hand, really put his best foot forward this season and presented this work in a really cool way too which only added to the positives; whilst the way the shots were edited was funky af, it didn’t detract from the actual outfits, and if we are to see the same limitations when it comes to the F/W collections being released, this is something a lot of designers and editing teams should take note of. The idiosyncratic exaggerated shapes that we see as a recurring feature of Anderon’s collections were still on show but this time round with added femininity, billowing skirts and trailing jewellery that channel the stage looks of Stevie Nicks in a way that’s modern and functional and maybe even fit for the office if you were to work in a more creative industry with a chill boss. Could also work for a coven of witches who practice meditation by bonfires in the moonlight and burn the letters of men who wronged them in some Arizonian desert, so like I said, functional! Who doesn’t like versatility? The only thing I’m not too keen on is the shoes but they’re not so bad that it affects my opinion of the collection and they look comfy I guess.

Lastly, we’ve got to talk about Jacquemus, one of the most influential names in fashion at the moment. And yes, this time round, I’m doing it: I’m buying into the hype.

This collection is gorgeousss! I can see already that a lot of the recurring elements of the show are going to be big summer trends for this year (the cut outs and strappy details on the blouses are everywhere already) even though it isn’t hot enough to have collectively decided the time to start dressing for heat is upon us yet, and that’s always a good indicator of how successful the designer was in their vision and attempts to assess the needs and wants of fashion enthusiasts; whether I’m as big a fan of his work as everyone else seems to be, there’s no denying Simon Porte Jacquemus has always excelled at this practice if the buzz around him is anything to go by. It makes sense given the last year of us all being stuck in and suppressed that a lot of us are already romanticising the summer ahead, anticipating picnics and beach days and general Theresa May running through wheat fields type shenanigans galore, in spite of how dubious an assumption it is to make that British weather will allow for this; Porte Jacquemus has very much catered to this wishful thinking and the popularity of the whole escapist “cottage core” aesthetic, sexing it up a little bit with pieces that hug the body in ways only Mugler knows how whilst being lightweight and relaxed enough to look good with windswept, sandy hair and a little dose of sunburn. I’m talking enough to give you some cutesy freckles and rosy cheeks not PSA on the importance of suncream territory, guys, what is it with those of us on the gen Z/millennial cusp not taking sun damage seriously!? Why do I have to beg so many of my friends to wear it!? Does nobody else remember those photos they’d show you in PSHE in English primary schools of burnt people’s skin under UV lights? Or is that just me being weird and only having such a vivid memory of the images because teachers told us we had to wait until year 6 to see them due they to their “graphic” nature only for my gore-loving self to be extremely underwhelmed when we finally did get that lesson? They showed us a woman giving birth in year 4 for fuck’s sake. THAT was traumatising.

Back to the actual point anyway, with just a couple of negatives, the first of which being that the pieces are very similar to those feminine looks we saw dotted about the Jacquemus menswear collection from last year that were all over fashion Twitter. In Simon Porte Jacquemus’ defence though, it makes sense that those tones and silhouettes would be revisited in a full womenswear collection for that very reason; considering they went down so well and that lockdown gave us a bit of a half-baked summer in 2020, expanding on those elements enough for a whole new collection makes good business sense. We did get some cool additions too, mainly in the form of accessories, with the hardware details on the belts similar to those included in the Givenchy collection and the abstract hair slides being standouts for me. It was all exquisite-the shoes, the jewellery, the styling, everything 10/10. My other nitpick, and I say nitpick not because it’s not important but because it’s an issue that’s hardly restricted to Jacquemus (this casting team are far from the worst offenders, Saint Laurent I’m looking at you), is that I WISH we’d see more diversity with the models. Despite what my body dysmorphia yells at me, I am small, and yet seeing all those fucking minuscule waists made me die a little inside; it’s crazy to me that in 2020 the lack of variety in body types on the runway is still such a problem.

I must have said this a million times but I don’t want to end on a negative note so let me reiterate: this collection was STUN. NING. Plus there were some others I’ve talked about in this post that I’m sure will make it into my top 20 in the final part, Jacquemus, Dion Lee and Etro for sure; we even got some gorgeous pieces from Maria Grazia which I thought was a sentence I’d never type out. Have I said enough to not leave a bad taste in the mouth of anyone who read to the end of this post? I hope so, lol! TBH, it’s impressive given everything that’s going on that the majority of designers did roll out collections in September as usual so serious respect to them and their design teams for that.

In the next post, I’ll fingers crossed be able to include everything from Kim Shui (exciting!) through to at least Off-White (actually pretty good this time?!) and make this whole thing a 4 parter before getting straight on top of the photo posts I’m thinking about doing for the time being for the F/W21 shows. So as usual, if you did read to the end thank you so much and I respect the perseverance you must have to get through all my rambling, lmao. Hope everyone is well and coping okay and again, my inbox is always open for any post suggestions, constructive criticism, or just a chat for anyone who needs a listening ear.

Big love and thank you again!

Lauren x

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kingofterrors · 4 years ago

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I was tagged in this ask by @inktog - thank you!

I’m not great at tagging other folk, but if you see this and you fancy doing it, consider yourself tagged! Also, by the way, if anyone seeing this really likes being tagged in these kind of things, let me know! I will tag you in future!

This was hard. At first I was like, “I’m not sure I can even name ten relationships I ship”, and then had far too many as soon as I thought about it for more than ten seconds. So here we are. :)

First, list your top 10 ships without reading the questions below.

1. Luz Noceda / Amity Blight – The Owl House

2. Harrowhark Nonagesimus / Gideon Nav – The Locked Tomb Series

3. Sabran / Eadaz du Zāla uq-Nāra – The Priory of the Orange Tree

4. Caleb Widogast / Essek Theyless – Critical Role Campaign 2

5. Beauregard Lionett / Jester Lavorre – Critical Role Campaign 2

6. Harrowhark Nonagesimus / Ianthe Tridentarius – The Locked Tomb Series

7. Kara Danvers / Lena Luthor – Supergirl

8. Amity Blight / Boscha – The Owl House

9. Korra / Asami – The Legend of Korra

10. Percy / Vexahlia – Critical Role Campaign 1

Then answer the questions.

Do you remember the episode/scene/chapter that you first started shipping 6?

I’m going to be honest, it was from the very beginning of Harrow the Ninth – the Prologue, where we get that amazing moment of Ianthe kneeling down and taking Harrow by the chin. I’m going to quote, because this scene just marched up to my house, kicked my door down and stole my entire mind.

You were shocked into opening your eyes when you felt the girl opposite cup your chin in her hands – her fingers febrile compared to the chilly shock of her gilded metacarpal – and put her meat thumb at the corner of your jaw. For a moment you assumed that you were hallucinating, but that assumption was startled away by the cool nearness of her, of Ianthe Tridentarius on her knees before you in unmistakable supplication. Her pallid hair fell around her face like a veil, and her stolen eyes looked at you with half-beseeching, half-contemptuous despair: blue eyes with deep splotches of light brown, like agate.

Looking deep into the eyes of the cavalier she murdered, you realised, not for the first time, and not willingly, that Ianthe Tridenatrius was beautiful.

Dude.

Have you ever read a fic about 2?

Yup! More than one! I don’t generally seek out smut for my ships, for whatever reason, but I freely admit that I sought out smut for these two. And found it. Found it with quality in spades. Praise be. Is this a good spot for recs? If so:

Sleepless by pugoata

Like a Lullaby by SweetScentences

Has a picture of 4 ever been your screensaver/profile pic/tumblr?

Nope. I tend not to change my pics very much, and they tend to focus on single characters rather than ships, again for whatever reason.

If 7 were to suddenly break up today, what would your reaction be?

Yeah… Well of course they’re not together in canon. I ship supercorp foolishly, helplessly, knowing all the while that the chances of it becoming reality are vanishingly small. That said, we don’t ship purely for canon, do we? So if Kara and Lena were together and then were to break up I’d be disappointed, but I suspect they’d find their way back to each other. These two have a history of being separated, then rediscovering their love and coming back together. I give it a couple of weeks. :)

Why is 1 so important?

Man, I don’t know! It snuck up on me! I think there’s something here about firstly, the context for Lumity. Amity’s crush on Luz was just presented as normal, as something fine and good and natural, and that meant so much to me. There’s a softness here that I love so much. I also heavily empathise with Amity – the trying to live up to expectations and feeling that you have to hide yourself behind emotional walls – and the thought of her finding love with someone like Luz who is so open and emotionally giving does my heart good. I want Amity to find acceptance and openness with Luz. I want Luz to find herself seen and valued for exactly who she is by Amity. I want to see them finding strength and security in each other. I just love them, you guys.

There’s a bit in this wonderful YouTube video essay, which I recommend to the moon and back – watch it if you haven’t! (“The Owl House is Great and Here’s Why, by Film Freak”) Where the essayist concludes their section on Lumity by saying: “I don’t know if Disney will chicken out in the future with regards to Lumity or any other queer rep, but for now I’m cautiously optimistic. Maybe I just have rose-tinted goggles for how soft this ship is, but whatever, let me stan just once.”

And… yeah. That.

Which one has the strongest bond?

Wow, tough one. Probably Sabran and Ead. They’ve gone through everything together, and are prepared to wait for each other in the end. Their bond is strong enough to take that and more.

Which ship has lasted the longest?

For me or the ship itself? For me of all of these probably Korra / Asami. Shipped ‘em first time I saw LoK, and haven’t stopped.

How many times, if ever, has 6 broken up?

Have they ever gotten together? If they ever did get together they’d break up every couple of days. These two are a mess, and their relationship is a toxic trainwreck. Still ship ‘em though. Can’t help it. Sometimes ships are just fascinating. If this was real life I’d want them to not come within shouting distance of each other. In fiction I’m riveted.

If the world was suddenly thrust into a zombie apocalypse, which ship would make it out alive: 2 or 8?

Definitely Harrow and Gideon. Those two have fought through apocalyptic situations before, and my money would be on them to do it again. Plus they are the quintessential battle couple. Can you imagine Harrow’s bone magic and Gideon’s martial expertise being unleashed on zombies? Those two would save the whole damn world.

Amity and Boscha would put up a good fight, I think, but I can see them disagreeing on key decisions which might hurt their chances.

Did 7 ever have to hide their relationship for any reason?

Given that Kara is a whole secret identity, we could say they are continually hiding their relationship when Kara is out there as Supergirl? I could also see them hiding their relationship at Lena’s insistence to protect Kara from Lex before she realised Kara was actually Supergirl. She might even want to do that afterwards as well, on reflection. Lena is very protective of Kara, ironically enough. :)

Is 4 still together?

Right now? This is another non-canon ship. That said, this is one I’m genuinely hoping for a canon appearance from. Their relationship might be put under strain from the fact that they’re both mages, and mages tend to get selfish and power hungry (or at least these two claim that’s how it goes). I think they’d work through it though. These two talk big about their own selfishness a lot, and then in practice are very caring and protective of others. I can see that extending to each other. Just kiss already.

Is 10 canon?

Yup! My token het ship are still very much together, growing old and having babies.Good for them. :)

If all 10 ships were put into a couple’s Hunger Games, which couple would win?

This is an invitation to go into huge depth, but my initial feeling is that Harrow and Gideon would again have it hands down. Those two are world-endingly powerful. Although that said, Kara and Lena might give them a run for their money. Pure power ranking? Let’s see…

1. Harrow / Gideon

2. Kara / Lena

3. Korra / Asami

4. Beau / Jester

5. Caleb / Essek

6. Percy / Vex

7. Harrow / Ianthe

8. Sabran / Ead

9. Amity / Luz (no shade, but these guys are literal children. Grown up they’d put up a better showing, I’d bet)

10. Amity / Boscha

Has anyone ever tried to sabotage 5?

I mean… Fjord? I wonder sometimes what would have happened if Beau had genuinely put in a play for Jester, rather than stepping back to let Fjord make his move. She very obviously decided that Fjord should have a free shot, and I wonder how it would have worked if she actually decided to compete. Would Fjord have stepped back to let Beau make a try for Jester if he was aware of her feelings? I don’t know. A genuine competition would have been heartbreaking but oh so interesting to see.

Do you spend hours a day going through 3’s tumblr tag?

Not hours, but I have put some good time into finding fanart for these two. There is some good work out there!

If an evil witch descended from the sky and told you that you had to pick one of the ten ships to break up forever or else she’d break them all up, which ship would you SINK?

Amity / Boscha. Sorry you two! I wrote myself into shipping Amity and Boscha, when I fell in love with Boscha and decided she could actually be good for Amity in a snarky, take no shit kind of a way. I would still love to see more of them. (Halfway through that one-shot btw.) But if it was them or everyone else? Sorry guys. :(

#ask games #shipping asks #this was fun!#thanks for tagging me!#long post

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stevensavage · 4 years ago

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Strange Days: Regretful Artificial Memories

(This column is posted at www.StevenSavage.com and Steve's Tumblr. Find out more at my newsletter.)

Strange Days is one of those films more people have heard about than seen. "That cyberpunk film with Ralph Fiennes" is how I usually hear it summed up. Though this 1995 movie has quite a pedigree - written by James Cameron, directed by Kathryn Bigelow - it did not do well in the theater. When I saw it recently, I could see why; Strange Days is a mostly-courageous, mostly-creative film that mostly ignored popular trends.

Seen now, one can see the audacity, and though there are flaws of the "mostly" variety, there's much to take away.

The Hollow Man

In 1999, right before the end of the millennium, ex-cop Lenny is busy selling the ultimate high - people's recorded memories. A recording technology called SQUID, once meant for police work, now serves as a way to relive people's experiences. A bustling underground in other's lives emerged, and the sleazy-but charming Lenny is ready to make a buck.

When we meet Lenny (Ralph Finnes), he's reliving the memories of a crime someone else committed - another high on a portable disk. We soon realize his entire life is trading memories, some contracted for, some sold, all with a market. He relishes his role as a merchant of dreams, even if a little bit of con and trickery is needed.

But Lenny's life and joy are as false as his fake designer watches. When not trading for experiences, he keeps reliving his life with his former girlfriend Faith (Juliette Lewis). She's moved on to live with eccentric but powerful music producer Philo (Michael Wincott), while Lenny keeps reliving the same days off of a disk. His life is just a loop of other people's memories and his recorded ones.

The film explores Lenny slowly and has a rare quality - the courage to explore a concept. The SQUID is the only difference between our worlds, and our gateway to Lenny's world is Lenny. By seeing his life - and his addiction - we get a natural feel for the impact of technology on people.

Of course, Lenny, is missing a lot of what's going on.

A Small Man In The Big Picture

Lenny's world is a small one of recordings, sales, and his two friends. Detective Max (Tom Sizemore, as charmingly sleazy as Fiennes) helps him with cons and provides information. Bodyguard and driver Mace (an incredible Angela Bassett) provides transport and muscle, as well as common sense. They also help him navigate the larger world - and his problems because Lenny is a damaged man.

The Los Angeles of the film is damaged as well and all too believable. Police brutality is a constant, and communities conflict. The murder of a famous Rapper on Philo's label threatens to set the city aflame. One can almost understand why Lenny finds customers - who wouldn't want to escape? Lenny's own withdrawal and delusions seem entirely sensible.

Lenny may be trying to escape himself, but he can't escape after consuming a random memory disk someone dropped in his car.

Hell Is Other People

The memories Lenny finds are of a brutal rape and murder of a prostitute in his circle - from the killer's view. These scenes are disturbing, raw, and ugly - and pumped straight into Lenny's mind.

Though these vicious memories are horrible on screen, they're made more horrible by seeing Lenny's reaction. We jump-cut between the POV murder and Lenny's horrified expression as he cries and tries to make sense of what he's living. We do not just see what is going on, Fiennes makes us feel what is going on and what he is experiencing.

Despite the disturbing nature of this sequence, the courage of the film is on display here. First, the film extrapolates how a sick mind might use the technology. We've seen Lenny's customers buy sex or POV robberies, but now we're forced to reckon with how far people may go. It's not hard to look at this scene and say, "Yes, people would do this. Yes, they would pay for it."

But just as - or more - courageous is the scene comes off as a critique of POV Slasher movies. Often these films put people in the shoes of the killer as they go about their gruesome business. Through Lenny - and Fiennes's performance - he experiences the killer's mind and how disgusting it is.

Lenny, the dealer of a modern-day electronic drug, has just had the ultimate bad trip.

An Erratic Path

The film follows Lenny, Max, Mace, and the others as they deal with the city on edge, the question of the murder, and their own problems. At this point, summing up the film is both difficult but would also spoil too much.

It would spoil too much because, at heart, this is a kind of murder-mystery film. It is the kind of movie - like a human memory - you have to experience to see the winding path and where it goes. Without spoiling, let us say it is like life - some things are dramatic when small, and some dramatic things turn out to be illusions. Strange Days isn't afraid to be messy or disappoint you appropriately.

Unfortunately, the difficulty in explaining the film is that sometimes the film overexplains. The film's courage gives out in parts, where you don't have slow revelations but large infodumps. These are not as satisfying, and I could easily give away huge parts in a few sentences - because that's how the film does it.

The ending ends up both exciting and disappointing. There are believable ugly and beautiful plot twists, next to feel-good tropes and violence out of an opera. For all it's courage, too many parts near the end seem contrived to be audience-pleasers. These parts are in stark contrast to the film's, gritty, messy mood - Lenny's world isn't clean, and neither should the end of his tale be.

Seventy-Five Percent Courageous

Though I am critical of parts of the film, I have to applaud the sheer commitment to its core ideas for most of the movie. The film is willing to extrapolate on technology. The story is messy in most of the right splots because life is messy. There are elements that I cannot see people being brave enough to include today.

I may critique the film, but that's because it only falters when it loses that courage that infuses so much of it. The film feels easy in so many ways, sprinting forward with its ideas horrible and wonderful, so when it trips, you feel the jolt. I'll take courage most of the time over cowardice predominating.

None of my critiques are directed at the cast, who are uniformly excellent. Fiennes is absolutely believable as Lenny. Basset's Mace is a real bad-ass. You can feel the cast's courage, and indeed they carry the film when it's bravery isn't apparent.

Stumble Towards Greatness

The lesson that stays with me from the film is that in creativity, courage always beats cowardice. Even partial courage is better when it predominates. This film may not have done well at the box office, but it has been re-evaluated in time, and that validates the flawed bravery of the movie.

Much like its protagonist, the film is imperfect and has shallow moments, but it does keep going. If you don't stop, maybe you get to a place that's better.

Steven Savage

www.StevenSavage.com

www.InformoTron.com

#review #movie #strange days #ralph fiennes

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trashyeggroll · 5 years ago

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Please explain appeal of Danolsen to me cuz I honestly don't get it! My blocks for shipping it currently - it feels like a make up for Kara/Jimmy being broken up so fast not an organic pairing. There's no filler to their relationship it's all just cute looks this season. Kelly in S5 feels like she could be replaced with extra of the week & nothing would change sadly. So why should I ship Danolsen 2.0 when I could just rewatch Sanvers stuff or another show?

Ok ok ok wait, parameters here. What are the terms of the discussion?

filler vs cute looks: usually I would use the word filler to describe vapid or irrelevant content (“empty calories”); in the context of your message, I think you mean substantive storylines vs the cutesy moments?

Danolsen vs Dansen: just so I don’t confuse myself, if I say Danolsen it’s Kara/James and Dansen is Alex/Kelly

Some overhead disclaimers from me:

1. While Dansen and ThunderGrace are often used as examples of white wlw rejecting wlwoc, we’re talking about an entire media landscape and the experience of being in wlw fandom spaces online, whether this hellsite or AO3 or whatever.

There are a lot more ships of varying degrees of development/duration involving women of color out there, across networks. All American has Coop/Patience. I hear Annalise Keating’s storyline is all unfolding around her wlw identity in How to Get Away with Murder. Proven Innocent made me cry with the romance between Madeline and Wren. Charmed has had like four or five romantic interests for Mel Vera. Freya and Keelin got fckn married in The Originals, and they’re still married in the sequel spinoff.

And if you spend enough time looking for wlw content around this site, you’ll see that white wlw are watching whole series and movies even the single gifset of wlw content… but it’s never these couples. “This fandom” and “that fandom”, whatever—but it’s almost never interracial couples or wlwoc. Why? Why do people spend the time writing whole apologisms for Gentleman Jack and the predatory behavior of Anne Lister, but they “just don’t see it” for healthy relationships? Why is it more appealing to watch fascist propaganda ruining the lore of witches, cheering on the love of someone who isn’t even aware that the person she loves is part of a massive campaign to force people to die by suicide en masse?

And we see when media rises and passes from blog to blog, too. Word of mouth is absolutely a thing, even here on the ol’ tumblr, so we see how a single kiss from a series circulates like wildfire and a whole gifset of ThunderGrace gets no notes—over and over and over and ov

2. Whenever this topic pops off in the Discourse, almost without fail, and a white wlw reacts to the above questions, it’s about “chemistry” or an adjacent concept. Again, this isn’t about one single ship—it’s about black women and nonblack poc being told their ships just have “no spark” over and over and over and ov

3. While there is logic to comparing ships in terms of quality, duration, and volume of content in order to assess who reasonably or “rightfully” gets more attention or dedication, that’s all just subjective and honestly sounds like bull to me. See #1.

4. Unless you’re a Trump voter, you’re most likely reading these posts and going, but I’m not racist, and I’m only one person. It’s easy to say. But we are all a product of a racist, xenophobic system, and at the end of the day, you can do what you want, watch what you want, but if you get defensive about these indirect callouts… It’s up to you to put words to why that is.

Ok, parameters set, now I’ll get to SG—

Making up for Danolsen: Honestly I highly doubt that that’s what the writers were trying to do—it’s an entirely different couple? Unless the implication is that they’re trying to treat an interracial couple better, which… is a good thing? I’m of the mind that SG added Azie because the cast would be almost entirely white once Mehcad left. Remember, Kelly Olsen was not introduced as a love interest for Alex, but the actresses thought their chemistry was too good, and they asked for it, which I thought… is exactly what we want from shows. I think the fact that she’s James’ sister is arbitrary, just a means to plug her into the story, and they’ve been winging it since then.

Dansen content in season five: I guess there are multiple elements to this, but for the “no filler” bit—the question is what kind of filler you want. They had lots of romantic moments early in the season, and then continued to be happy and in love. So is the content you want relationship drama or storylines that cut closer to the core of each episode? Because when I go back and look at Sanvers, there was a lot of pain and struggle in that relationship, which is sometimes how they go until people get their bearings, but ya’ll… It doesn’t have to be that way. There was Kelly’s PTSD moment and subsequent breakup with Alex, but they resolved that in one episode and… that’s a good thing, too. They talk about things, openly and truthfully, without shame or strife, and that’s what a good relationship should look like, whether it’s wlw or any other variation.

Like I get that the meat and potatoes of TV romance has always been friction. No story without conflict, right? But I worry that the insistence that Sanvers had so much more chemistry is largely based on the sharp rises and falls, which yeah produce lots of emotions and stirring words and speeches with clauses that you can print on a shirt, but that type of relationship will always burn out, or burn you out, if you don’t figure out how to prevent it from getting to that point.

So what I’m saying is, see #2. Nobody has to do anything or support anyone, but there’s no absolute truth to interpretation of a relationship. I’m sure I am preferential to Dansen over non-canon ships like SuperCorp because I’m old and married and I move through the world as a team with my badass wife, and that’s what I see for them. Kelly brought Alex her lunch and Alex practically squealed with delight even though they definitely woke up in the same bed a little while earlier.

And what’s confusing to me too is, you don’t have to stop shipping Sanvers? That relationship existed, the content is there, the storyline was ended with a padlock? (Folks: Please do not ever stay with someone hoping they will change their mind about having kids) But you can also look at how happy your fave is with her new girl and see it for them? Maybe kudos some fics, reblog a couple gifsets, not tweet about them lacking chemistry?

At the end of the day, a tension here is that the big picture makes fandom spaces feel hostile and dismissive towards fans of color, especially black women. How is someone supposed to feel when they finally have a complex, long lasting wlwoc relationship in front of them, and it’s constantly degraded for “chemistry” reasons while all the white ships, even ones with zero canon content, float to the top and get all the art and content that we are all here to enjoy? The whole issue is that fandom and culture are, and have always been, lenses into society and people’s worlds. It’s a question of empathy and openness and accountability, and it’s not just about one ship versus another.

#asks #dansen #fandom hates black people #long post #fandom stuff #DISCOURSE

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toxicxxmyth · 5 years ago

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Dating Richard Camacho headcanon

Authors Note: This all over the place lmao so bear with me. I also got a little carried away oops.

Y’all prolly met at the club or a house party tbh(like almost every other Richard fic :’)

And you were there looking bomb as ever ;)

And he was there looking fine as ever ;)

And you were just in a corner talking to a few friends when he sat beside you

At first it wasn’t a big deal bc it’s a couch..hello

But when y’all got a good look at each other’s faces under the smoke and blue laser lights

Y’all were like

So that’s how you met, lol

It might’ve taken a long time for you guys to actually start dating

With him being so private and secure when it comes to relationships

And you having bad experience with relationships

You guys took it slow, yet you both considered each other as your s/o even if you guys haven’t even shared a kiss

And after, let’s say, four months, y’all started dating

Anyway

Starting now with and actual headcanon

My boy’s hands are on you 24/7

Your hips, waist and ass are his hand holders

Literally cannot get enough of you

If you’re cooking you can bet your ass he’s wrapping his arms around you(or just unpacking takeout if you don’t cook)

Squishing you into his buff chest with his strong arms :’) whatta dream

Even in public his hands are wrapped tightly or losely around your waist, 0 fucks given at the pictures people take or the stares

He’s you number one support and judge

Perfect candidate to take to the mall when you want to buy some clothes or whatever

This is one horny ass man(but y’all knew that already)

Anything you wore he’d just melt and start making Inappropriate jokes

“How’s this one” you’d mutter mostly to yourself as you examined the dress

“It’s great ma, it look even better on the floor tho” He’d chuckle darkly

But your just like

“guess I’ll fuck him in the dressing room ¯\_(ツ)_/¯ “

Sometimes you have those down moments where you basically just hate yourself(terrible fucking feeling m8)

BUT RICHARD IS HAVING NONE OF THAT

I feel like he’d cancel EVERYTHING he has on his schedule and clean the whole house and set up the cutest fort and puts on a shit ton of Disney movies and snacks for you

He takes his time leaving soft and gentle kisses all over your body, starting from the top of your head to the tip of your toes, whispering sweet nothings in your ear before lazily clicking play on the little mermaid

He could barely focus on the movie

His hands would be draped lazily over your stomach squeezing the soft skin(making you uwu)and his head buried in the crook of your neck, giving you innocent kisses

A wide smile permanent on your face

You’d order some take out and just drink some red wine as he worships your body in the most innocent ways possible to the dirtiest ways

This dude is the dream boyfriend once he’s met the one honestly

and vice versa

Every time he feels down(which isn’t a rare thing) you’d be there.

His head would be against your chest as you softly massage his scalp, lips pressed against his forehead and you whispered all the things you love about him and all the good qualities that he has

MELTING IS WHAT THIS BOY IS DOING ON THE INSIDE

MELTING

Anywhore, moving on

it took Richard 6 months for him to introduce you to Aaliyah bc he wanted to make sure that you were actually serious

Which is completely understandable

He was so nervous bc like

whAT if you don’t want that big of a commitment??

Or what if Aaliyah doesn’t like you???

His worst nightmare is both his baby girls not getting along

Literally had to take a moment alone so he could recompose himself

He wouldn’t know what hell to do if both the loves of his life dont get along

But let’s be honest

He was stressing for nothing

You guys ended up loving each other

It took Aaliyah a few minutes to open up due to her shyness

But y’all ended up being the best of friends

And Richards heart just meLTED

You ended up befriending Yocelyn too

And Richards all like :0

If you weren’t confident before you met him, then he really did boost your confidence up little by little

Starting with random messages throughout the day

Some sweet other explicit ;)

Would take so many pictures and videos of you just so you could see how pretty you are

And if you were already confident(which we all should be :’)

Y’all would take some bomb ass pictures together

Like them cute ass insta couples

Will make such cute and inappropriate comments under your posts

Making many fans gush and hollar

Ugh, goals man, literal goals

Most fans don’t take the news well

Hate comment after hate comment

But you know what?

Y’all prolly fucking too hard to pay attention

This man is a sex God(I have no proof but I have no doubts either)

Y’all caNNOT change my mind

Pull out game weak(sorry lol)

But goOD THING YOU’RE ON THE PILL!!

This one kinky motherfucker istg

From bondage to breeding to choking to ooff I need a shower

Will take you anywhere in the house

The couch? check

Kitchen? check

Guest room? check

I want to say that he’s into public sex but I doubt it, like he’d think it’s hot but he wouldn’t want to risk anything

LUCKILY YOU’RE THERE TO PUSH HIS BUTTONS!!! ;)))))

Lazy make out sessions are a common thing

Lots of booty grabbing

My man loves that booty

You get along perfectly with the guys

Even though at first all of you were a bit iffy

Because

“Oh shit, new girl and she isn’t a one night stand :0”

But after like a week maybe, all of you started getting more comfortable

Maybe a little too comfortable which had Richard seeing red

I mean

He’d love the fact that everyone was getting along

BUT THERES BOUNDARIES !!

Ooff did I mention that he’s super protective with a tad bit of possessiveness

Not enough to be considered dangerous or unhealthy but enough to irritate you

“Like back tf up bruh I can protect myself”

And he’s all like

You could be at the club, dancing and having the time of your life and some guy just creeps up behind you

And Richards got this murderous look on his face that even scared you

But let’s not lie, mad Richard is a sexy Richard

Y’all have some bomb sex after but then a deep conversation about your faithfulness to each other

Speaking of conversations

It’s 2:49am and y’all talking bout raiding Area 51 or some shit

You’re both drunk off sleep that you just go deep in thought

Or it could be 11:11pm and you guys are just confessing your love for one another

Singing his songs while you clean around the house or catch up on your work

And his just staring at you with the biggest heart eyes

Random slow dances with or without music happens at least one a week

Dates could go from a fancy ass Italian restaurant or a stop at 7/11 and a drive around the streets listening to slow r&b music

You could be gazing up at the stars and he’d try his best to focus on the road instead of your beautiful face

Days away from him suck ass

With him touring and practicing could be hard on both of y’all

But you make it work

Or when he’s finally home and you have to go to uni or work leaves him a bit disappointed

But you’ll do some romantic shit when you or he gets back

THIS MAN WILL SPOIL THE SHIT OUT OF YOU

will surprise you with diamond earrings or necklaces

You end up calling him your sugar daddy jokingly

Speaking of nicknames

Calls you mami more than your name

Like, does he even know your name?

Prolly not(jk)

You’re just mami, baby girl or babe

But you don’t mind whatsoever

Teaching you Spanish)if you already don’t know it) and kissing you every time you get something right

He’s a messy one lady’s

So every time you fight it’s prolly bc of his mess

You end up yelling at him to clean the mess

And he act all offended but does as you says cause he’s a good boy

Literally cried when Aaliyah calls you mommy

But your panicking

Like full on panicking

Like what if Yocelyn comes and drags your ass??

You’re out here worrying while Richard is bawling his eyes out in happiness

None of them have a problem with it thankfully

It just means you’re treating their baby girl right

Now it’s your cue to cry

Damn you love both of them so much

And he loves both of y’all twice as much

OH and meeting your family would be the end of him

His having a full on breakdown once again

His confidence is out the window

Cause what if they don’t accept him bc he’s a dad????

Or bc he’s constantly on the road and not being able to give you all the love and attention you deserve???

That’ll crush him

And Yashua’s prolly making fun of him lowkey

Your dad(or male figure if you don’t have a dad) would intimidate THE SHIT out of him

But once again, after a few minutes or hour

Everyone got along perfectly

Your family ended up loving him and his family ended up loving you just as much

And there’s so much more that could go on with dating Richard but this is all my poor brain could think of

Plus I’m afraid that if I write more tumblr will fuck my shit up like always :’)

Deuces 🤙🏼

#cnco #richard camacho #richard camacho imagine #richard camacho headcanon #richard camacho one shot #cnco imagine #cnco imagines #cnco one shot #cnco headcanon #cnco fanfic #cnco x reader

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buttercupsfrocks · 5 years ago

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So, tumblr, by popular demand, (Hah! Get me!), here’s a loooong post on my living room display cabinet.

I started collecting 1930s ceramics when I was 17, shortly after my grandfather died. My dad, as his only child, was given the job of sorting through the contents of his flat, which is how I first came into possession of a couple of Art Deco nicknacks - a plastic jewellery box, which sadly fell to pieces, a chrome and enamel powder bowl, and an electric clock with a peach mirror glass face. Also this amazing uplighter seen, along with the clock and few pieces from the china collection, in the living room of my previous flat.

But back to my mid teens. At around this time I saw Cabaret on the big screen for the second time, and resolved shortly afterwards to reinvent myself as a Sally Bowles/Louise Brooks hybrid.

Thus the 30s became my thing. For life it turns out. Since I was still living in my childhood home in my tiny childhood bedroom, it started with beads and earrings as I didn’t have room to collect much else. The necklace I’m wearing here was one of the first things I ever bought – from the long gone Twentieth Century Box in the King’s Road – and the dress belonged to my great grandmother.

At some point though I bought this little Art Deco jug, which proved to be the thin end of the wedge. I knew it was a piece of cheap tat – it didn’t have a stamp on the base and cost a mere £1.75 from Camden Market – but I loved it then and I still do, crazing, cheap lustre finish, indelible stains and all

Before long it had found a friend in a Shelley jug and they’ve been together ever since. I acquired a few small pieces of Carlton Ware here and there, as it was cheap and commonplace, but the china collection didn’t really get going in earnest till I came face to face with these ...

... and these...

... Paragon cups, saucers, and tea plates. It was the delicate flower handles that did for me. My heart literally stopped when I spotted the whole lot filling a display case on a stall in the Barrett Street Antiques Market in St Christopher’s Place. I’d never heard of Paragon, which is comparable in quality to Shelley, before; and I’ve only ever met one other person who avidly collected it. The colour work here is a combination of basic transfer and hand painting, and I’d never seen anything so beautiful, nor coveted anything quite so desperately, in all my puff. Back then were three trios in each design, and they would have cost entry-level graphic designer me two weeks wages so it was a no go. I chatted to the dealer for ages, heaved a sigh of resignation, and left. Then fate stepped in in the form of some freaky, life-changing events: 1) My paternal grandmother died and left me five grand, and 2) The company I was working for decided on a radical restructure and I was one of those made redundant. I decided to use the money to start my own business – an illustration agency – and marked this momentous decision by returning to Barrett Street to buy the Paragon. I didn’t have the space to display it all until I moved into my own place a couple of years later but there was no looking back once I did.

Most of these pieces are made by Paragon too, the exception being the Royal Doulton cup and saucer on the right, which was a gift. The un-lidded sugar bowl on the left cost me two quid in a car boot sale while the lidded one in the front cost me under a fiver from another late King’s Road haunt called Eat Your Heart Out. With two notable exceptions, I’ve never parted with serious money for any of this stuff. I also rarely buy to sell, so not all of my collection is in perfect condition. Obviously it’s great when it is, but the cumulative effect of seeing it altogether is way more important. And the cumulative effect is pure joy. Which puts me in mind of the book I mentioned a couple of posts ago, which posits the idea that liking colourful stuff is not a mark of shallow, unsophisticated character, and that joy is not something innate without stimulus, but rather a reaction to the objects and environments that surround us. This resonated deeply with me.

I used to write in an alcove in the L-shaped hallway of my previous flat. It was a nicely decorated hall. Yellow-gold marbled wallpaper with paintwork a shade lighter and a yellow gold carpet to match. The light was good too. But I didn’t have many pictures in those days so the walls were blank apart from my grandmothers mirror; nor were there any shelves on which to house books or display tchotchkes. One day I started writing in my living room instead, which contained all of these things including my trusty display cabinet, and I realised I felt creatively stimulated; galvanised even. From then on I’ve always worked surrounded by colour, pictures, objects and books.

So, on with the show.

This adorable little person is a powder bowl from Germany. I don’t often go for figurative ceramics but I completely fell in love with her. She came from a junk shop and cost me about quarter of what she was worth at the time I bought her. Behind her is a Parrot Ware biscuit barrel, a gift from my potter friend Steve, who is also an avid collector of ceramics, and has contributed many pieces to my collection over the years. Behind that is a Parrot Ware plate I found in a junk shop in Lye in the West Midlands. To the left of her is a Paragon chintz ware trio, another gift from Steve.

The coffee cup and saucer is the only piece of Clarice Cliff I own. It was a present from a family friend back when I first started collecting. Then, as now, Cliff, Susie Cooper and Charlotte Rhead were the big names and overpriced accordingly, so I decided to concentrate on the more affordable end of the market. The hand painted Poole vase is, I think, from the 60s, as is the Royal Winton plate behind it, but I think they blend in well enough. The same can be said about this Brentleigh Ware breakfast for one set...

It came from a car boot sale many years ago. The rain was chucking it down and the sellers were so desperate to go home they practically gave it to me. How could I refuse?

This is the only glass piece in the cabinet. I’ve occasionally seen these swizzle sticks for sale individually but this is the only set I’ve seen with the matching base. Behind it is a pair of hand painted Czechoslovakian vases of the type that Cliff clearly ripped off. For that reason alone I feel they should be worth a whole lot more than they are. Russian folk art, as reinterpreted by the likes of Natalia Goncharova for Diaghilev’s Ballet Russes, was also a huge influence on the Art Deco movement. The majority of my pieces are simply 30s as opposed to full on Deco but the colour palette is often in keeping.

The green cheese dish is a Royal Winton piece I bought in the 80s, while the yellow one, a more recent acquisition from a charity shop, is Crown Ducal. Which brings me to something else. Video may not have killed the radio star but eBay definitely murdered the antique market. Some time in the mid 90s I consciously stopped adding to the collection. It was harder to find at a reasonable price and I also felt I’d reached Peak Thirties so to speak. Contributor No 1: Knowing how much I loved the period, my stepgrandmother had promised me a pair of French bronze book ends when she died. And although my mum and stepfather were divorced by the time she did, he honoured her promise on the understanding that I’d never sell them.

(AS IF!! These are the balls-out Art Deco bookends of my wildest dreams. I will never, ever sell them. Excuse the dust, by the way. These live, along with a lot more china, in my hall book case, and are lucky if they see a duster once a year.)

Contributor No 2: Prior to working in the World’s Loveliest Gift Shop® RIP, I worked for Steve for the six years he had one. But whereas Lynne restored and upcycled vintage furniture as a sideline, Steve's was vintage ceramics. His brother, who is also an antique dealer, occasionally sold stuff through the shop too. One day I came into work and had an instantaneous repetition of my Paragon experience.

This immaculate, unused Deco-tastic tea for two set is the reason I painted my living room purple. It’s most likely Czechoslovakian too, as indicated by the tiny plate. Too small to be a plate for cake or sandwiches, it was most likely for lemon slices, lemon tea being the norm in that part of the world. The moment I clapped eyes on it I was a gibbering wreck. I didn’t care how many days pay it would take me to work off the debt; it was indisputably Meant To Be.

Having thus snapped up the tea set and inherited the bookends, I decided I actually had sufficient on the 30s front, much to the consternation of my friends. But a handful of years later things began to change. eBay had stuck the boot in so hard that the vintage china dealers, who had previously pushed up the prices to you’re-’avin’-a-laugh-mate heights, started to throw in the towel on their businesses. And vintage ceramics started to show up in charity shops and car boot sales again – at it-would-be-churlish-not-to prices.

I started to find pieces like this...

...and this...

...going cheap as chips in the chazzas.

And those dealers who had somehow managed to weather the storm, were no longer charging stratospheric prices. (Unless they were flogging Cliff or Cooper or Rhead), so I was able to add things like this...

...and this...

...to the mix without feeling the pinch.

Should I emerge from this period of history with body and soul intact and raise the collateral I’m hoping to, one of the cosmetic changes I’d like to bring about in my home is to replace the built in hi-fi cupboard in the corner of the living room with another display cabinet, so I can move some of the china that’s languishing elsewhere in the flat into the living room too. Yes, I know it’ll end up looking like the ceramics wing of the V&A, but, frankly, what’s wrong with that?

Poor abandoned things.

Can’t you see they’re gagging to come and join their friends?

I imagine you’re losing the will to live now so I’ll sign off with my two Beswick fish, which are from the late 60s/early 70s and, despite having no connection with my other treasures, have lived on top of my display cabinet for aeons. Group similar colours together and you can get away with murder. Toodles!

#Look at my stuff!#Vintage china #1930s china #Art Deco #Thirties ceramics #Collections

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let-it-raines · 5 years ago

Text

Not Your (soul)Mate {12/16}

Killian Jones doesn’t like the idea of soulmates. He sees how happy his friends are with theirs, but he still doesn’t like the idea, not when he’s found love and lost it time and time again only to still not know his sign. He has no markings on his skin, no voices in his head, but then one day he meets Emma Swan and everything changes. Because, well, he may not have ink on his skin to tell him who to love, but the very first time that he hears Emma’s voice he knows that she’s the one for him. Then again, that could simply be his desire talking. After all, for every word she speaks, he becomes aroused.

It’s not the worst thing in the world to be incredibly attracted to a beautiful woman, but things aren’t that simple when she doesn’t have any interest in being his soulmate.

He’s screwed. And not in the good way.

Rating: Mature

A/N: As always, thanks to @captainsjedi for all of the time and effort she put into making all of the wonderful artwork for this story! It’s the coolest thing to get to have❤️ And thank you to the organizers of @cssns!

Also, look! I add a chapter! You guys now get an epilogue! Woohoo!

Found on AO3: Beginning | Current

Tumblr: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16

Tag list: @snowbellewells @karenfrommisthaven @skyewardolicitycloisdelena91 @scientificapricot @captswanis4vr @a-faekindagirl @emmas-storybook @searchingwardrobes @spartanguard @ultimiflos @jamif @idristardis @dreameronarooftop15 @nikkiemms @resident-of-storybrooke @tiganasummertree @wellhellotragic @bmbbcs4evr @onceuponaprincessworld @jennjenn615 @mayquita @captainsjedi @teamhook @kmomof4 @ekr032-blog-blog @superchocovian @ultraluckycatnd @cs-forlife @andiirivera @qualitycoffeethings @jonirobinson64 @mariakov81 @xellewoods @thejollyroger-writer @galaxyzxstark @cssns

-/-

Killian: But categorically, you cannot tell me that cold pizza is better than fresh out of the oven pizza.

Emma: Ugh. I’m not saying that. I’m saying that if you get nasty delivery pizza, it’s just as good cold as it is warm.

Emma: If you’re getting wood fired pizza, obviously you eat that shit warm.

Killian: ‘Eat that shit warm’ is not a sentence I ever wanted to read.

Emma: Don’t make it gross.

Killian: It’s too late for that.

Emma: I seriously want Ariel to get a pizza oven in her house because I have to put on a bra to go to Eric’s restaurant.

Killian: I mean, I wouldn’t complain if you didn’t.

Emma: Again, don’t make it gross.

“Are you texting your boyfriend again?”

Emma jumps in her office chair, her phone tumbling out of her hands and onto her desk, bouncing around until it lands on top of her computer’s keyboard, jamming down on several keys all at once like a toddler that just got one of those toys that make too much noise when you press a button. That’s not going to mess the database she was going through up or anything. They finally got the funding to computerize their files, so she spends all of her days doing just that. She’s really regretting putting in that request right about now. She won’t in a few weeks, but she does now.

(At least they didn’t have to make a calendar or do a bake sale. She really doesn’t need to see a picture of David wearing, like, a “Kiss the Cook” apron and nothing else just to raise a little money.)

She also regrets tossing her phone in the air and how quickly her heart is beating. David’s going to see the nerves all over her face, going to see how frazzled she is, and he’ll see right through it. Hell, he pretty much already does. At least he’s a hell of a lot more chill than Mary Margaret.

Not like that’s hard.

(What, like it’s hard? Elle Woods for the win, always.)

Last night she was eating dinner with them at the farmhouse, and for approximately three seconds she looked down at a text on her phone and apparently smiled. She’s sure it was nothing more than a slight curve of her lips, a whisper of happiness, but Mary Margaret practically threw her fork across the table (which is a great way to stab someone in the eye) and demanded to know who she was talking to.

It was Killian. It always seems to be Killian.

She’s not sure how she feels about that even if she’s admitted to herself that she kind of (definitely, really, truly) likes him. It’s a very odd feeling that makes her soul feel like it’s not connected to her body.

She told Mary Margaret that it was Ariel complaining about how much it sucks to be eight months pregnant in the summer heat. The fact that Mary Margaret didn’t call Ariel right then and there and offer up every bit of advice was a miracle. Honestly, looking back, Emma knows that she should have said that she was talking to Ruby about a date that she has. Mary Margaret rarely asks for more details on Ruby’s dates than what Ruby offers up, not that the girl leaves a lot to be desired. It’s one of her best and worst qualities all at once.

But Mary Margaret believed her and got carried away talking about the joys and sorrows of motherhood, and if it weren’t for David, she would have gotten away with her lie unnoticed.

She feels like a freaking Scooby Doo villain thinking something like that.

If only she had a creepy mask to take off too.

Or maybe not. That could be weird. No, definitely weird.

“I don’t have a boyfriend, and you know it,” she says as calmly as she can, reaching forward and grabbing her phone only to look up at David and the smirk that’s plastered on his face with his hands behind his back. “What’s with the creepy look you’ve got going on there?”

“Nothing.”

“You’re a horrible liar.”

“So are you.” He moves his hands from behind his back to reveal a small vase full of yellow roses and whatever that white filler flower is. It’s some weird name like breath of a baby or baby’s breath because that’s totally what a flower should be called. “Because I don’t know about you, but I don’t send baskets of baked goods and flowers to my friends.”

She’s definitely going to kill Killian. The word is in his name, so it’s basically fate.

Murder should not be where her mind goes.

That is probably not the reaction most people have when they’re sent flowers by the man they may possibly have some major feelings for, but she is not most people. She thinks of murder when she should be thinking of...romance? Is that the word she’s looking for? Do these flowers signal romance?

It’s all confusing. Seriously. She has no idea what’s going on. She has no idea if there should be feelings of romance or murder or even friendship.

Okay, friendship seems like the best option. Murder seems like the worst.

“Those probably aren’t for me,” she lies, knowing that it’s a horrible one, especially since David already knows who sent them.

David rolls his eyes before placing them on her desk. “Your name is on the note.”

She glances toward the flowers and at the note, Killian’s handwriting largely penned across the envelope, before she looks up at David, nerves working their way down her arms. Which, technically thinking, that’s how nerves work, but she was never really very good at biology.

“Did you read it?”

“I can be an ass, but I’m not going to read the closed note that your not-boyfriend sent you.” David shrugs his shoulders and sits down in his desk chair, rolling it up underneath the desk. “And I’m not as nosy as my wife.”

“Which is why I can spend so much time with you.”

“You have to spend time with me. Did you notice that we’re missing the hard copies of the files for the Anderson case from two years ago?”

“Yep. I’ve already emailed the records office at City Hall to see if they have anything. I don’t know why it would be there, but it always could be.”

“If this town ever had serious crime, we would be screwed.”

“Hey no, I kick ass. We could totally work that thing out.”

“You’d intimidate everyone until they confessed.”

“I am a very intimidating woman.”

“Who receives flowers from men who are pining after her.”

She huffs, not wanting to even respond to that, but she grabs her empty to-go cup from her coffee this morning and throws it at David, hitting him in the back of the head. He doesn’t even acknowledge it, letting the paper fall to the ground and clatter against the tile floor all while he hums to himself a theme song that she recognizes from one of Leo’s shows…which means she’s heard that theme song far too many times since it’s not her kid.

Seriously.

And Killian Jones is not pining after her. Definitely not.

(David knows far too much, but at least he doesn’t know that Killian is her soulmate.)

They fall back into work after that since they are technically supposed to be competent professionals in a very loose sense of the word, and she tries not to look at the vase of flowers on her desk for the next few hours, telling herself that it’s not a big deal and she absolutely will not read the note until she’s finished getting through this section of files. She will do her job first…whatever it is with Killian can come second.

Surprisingly, working on her computer keeps her busy until her shift is over, and since it’s Friday, she picks up her vase of flowers and holds them in her lap as she drives home, hoping that there’s not pollen or anything to get onto her shirt since she knows from experience that it’s hard to get out. Plus, she really likes this shirt. And it’s not until after she’s changed out of it and into some shorts and a t-shirt that she remembers to check her phone and the note that came with the flowers.

The note with the flowers comes first. Priorities and all that.

Swan,

So I couldn’t decide between sunflowers and yellow roses. And before you get any ideas as to why I’ve sent you flowers (besides the fact that I imagine whoever delivers them to you will tease the hell out of you. I’m hoping for Dave.), just know that Luis and Luca made me buy a voucher booklet from their school, and the one to the floral shop was about to expire. So it was either you or Will, and Will isn’t quite as pretty as you are.

I hope they bring a little extra sunshine to your day.

Killian

She pulls out her phone and sends of a quick text, unable to stop the small smile that’s formed on her face. Unable to want to stop it, really, as she falls back against the couch, her legs hanging over the end.

Emma: I’m glad you used your flower shop voucher on me.

Killian: Yeah, well, like I said, the other option was Will.

Emma: If he comes over tonight, I’ll tell him they’re for him.

Killian: They viewing apartments still?

Emma: Yep.

Emma: I have ‘All By Myself’ playing on repeat.

Killian: That’s very fitting.

Emma: I thought so. Any fun plans for you tonight?

Killian: I am wrapping all of the gifts for tomorrow and then going to sleep early to celebrate the near end of summer and my mildly busy season.

Emma: You are the life of the party.

Killian: Just wait until the baby shower tomorrow. I’m going to crush all of those awful games. No one can change a diaper as fast as I can.

Emma: Is that on your resume?

Killian: Yep. Liam is a bloody stickler of a boss. The skills we have to have here are insane.

Emma: I thought you were co-owners? I don’t think of Killian Jones of ever being anything other than a boss.

Killian: I have that commanding of a presence, do I?

Emma: Well, your ego does demand a lot of the space in the room.

Killian: Luckily for you, I’m happy to share the space so your ego can have a little room to breathe as well.

-/-

When she wakes up the next morning, it’s to the sound of movement in Belle’s bedroom, and she instinctively pulls her pillow over her face. Maybe it’s to cover her ears. Maybe it’s to smother herself over the sounds that she’s hearing in the next room. Who knows? She certainly doesn’t. And as sad as she is to be losing Belle as a roommate whenever she and Will find a place of their own, she is certainly not going to miss the muted sounds of Will’s dirty talk.

Seriously.

A woman can only take so much.

(Belle can apparently take a lot. She keeps asking for more.)

Instead of suffering in silent misery, she gets up out of bed and slips into a pair of sandals, figuring she can go check her mail just to get out of the apartment while Belle and Will finish. She and Killian have mostly been texting over the last few weeks, their conversations going deep into the night and throughout the day, but they’re also still sending letters. It’s a weird thing, she knows, and every internal instinct that she has is telling her to burn the letters and run, but something keeps her from setting it all aflame.

Someone.

She’s lost her mind. She really has. Killian is…he’s Killian. He’s a nice, handsome guy who makes her laugh and causes the bricks weighing down her shoulders to lift one by one until she’s not feeling quite so weighed down anymore. He’s her – they match up well, and she still doesn’t know how to feel about that. She knows how she feels about him, she knows that she likes him, that she enjoys talking to him in the limited way that they can, but then, in the back of her mind that demon comes out and whispers in her ear that he only likes her because they’re soulmates, that the knowledge is tainting their...relationship thing.

That’s been one of her worst fears ever since she found it.

Because what if she falls in love and he doesn’t? What if they break up? What if it doesn’t work out? What does she do then? What happens if the one person she’s supposed to be with forever doesn’t want to be with her? Is she supposed to then live out the rest of her life as the poor girl who was too broken for even the universe to help out?

The ‘what ifs’ kill her.

Not really. She’s obviously still alive and breathing and all that fun jazz, but they still keep her up at night wondering of all the ways this could go wrong. And she doesn’t really know how any of this can go right. She likes sex. It’s a great time, it feels freaking fantastic, but she and Killian can’t possibly live out the rest of their lives wanting to constantly have sex whenever they have conversations. Logistically, that’s not possible. And, like, she knows it’s better now than the first time they met, than the second time too, but every time she spends an extended amount of time with him, especially when they talk, all she wants to do is grab him by the collar again and kiss him.

Just without the clothes and all.

Definitely without the clothes.

If she could put into words how she’s feeling, she’d write it in one of these damn letters and never mail it simply so that she can maybe understand.

Understanding is never going to happen.

There’s no one at the mailboxes or in the laundry room, so before she even gets her mail, she runs back upstairs and grabs her basket of clothes and detergent, humming to block out the noises still happening, and then walks back to the basement, putting her clothes in the washing machine before getting her mail, taking the one letter that resides there, and propping herself up on the wall of unused machines as she reads.

Emma,

I’m going to blame the rum for this letter. I really am. It’s around two in the morning, the moon high in the sky. We’ve just spent the day together, which was bloody wonderful by the way, and I can’t seem to stop thinking of things. Even as I write, it seems rather foolish to put my thoughts onto paper, but hopefully I won’t think to mail the letter. Or maybe I should. I honestly don’t know. This is all uncharted territory for me, and I seem to be diving in headfirst even if I am wearing a life jacket.

You see, I rather fancy you, Emma (No Middle Name) Swan, and it’s been a long time since I fancied a woman for more than one night or possibly a few weeks. The last time that I did, I had my heart broken so horribly that I retired from the Navy and moved across an ocean. Quite dramatic, don’t you think? I’ve been told that I’m a dramatic ass. That may have been Liam, but it also may have been you. I can’t recall at the moment.

Her name was Milah. She was beautiful, absolutely stunning, and I loved her with what felt like every beat of my heart until her heart was no longer mine to love. We met at a Naval Christmas ball. She was there with her brother, and I’ll never forget the black dress that she was wearing. We danced, and as they say, the rest is history. But as you know, I’m a bit of a history buff, so I like the details. I imagine you might too. I always knew that she wasn’t my soulmate. I didn’t have a sign, but she did, a simple tattoo on her hand. It was something we didn’t talk about in our three years together until one day we came across a man with a matching tattoo. She didn’t leave me, not at first, but as she got to know him, she fell for him. And who was I to keep two soulmates from having each other?

I think that’s what makes it worst of all. There was nothing wrong between us, but she had someone who she belonged with. It wasn’t me.

So you may think you’re the only person with an aversion to soulmates. You’re not. We all have our issues, our baggage, but I’ve found that since spilling that iced water down your dress (you should wear that dress more often by the way) the weight on my shoulders seems to have lessened. I’m…happier, I guess. I have such a wonderful life, but lately, I’ve had more reason to laugh. I think it’s because of a certain blonde with a penchant for mismatching her socks and junk food that no sane person would ever eat so regularly.

But who knows? This could all be the rum speaking.

Love,

Killian

She reads the letter three more times before she truly allows herself to let all of it sink in. It’s been three weeks since Labor Day, three weeks of the two of them going on and continuing to text and write letters – ones other than this one – and yet this one has shown up in her mailbox this morning. Either the US Postal Service really sucks or Killian didn’t send this the night he wrote it. He was likely drunk, at the very least tipsy, but he’s the most well-spoken (written) drunk man she’s ever seen.

And he bared his soul to her.

Because she makes him happy.

She does that.

Her gut feeling is to run, not really sure where she’d run to since this town and these people are her family and she’d never leave them, but she wants to run from her feelings, from the way that her insides unpleasantly twist and the way her heart squeezes. She knows that she feels the same way about Killian, that he makes her happy, but seeing it written out like that, seeing the words in Killian’s handwriting, that’s an entirely different story. And it doesn’t matter that he was drunk. Drunk words are sometimes the most truthful.

How in the world is she supposed to handle any of this?

Does she push it away? Pretend she didn’t get the letter? Does he even know that he sent it? Does he remember writing it? Should she write something back? What the hell would she write back? How would she even do that without having a little liquid courage too?

She can’t get drunk today, not with Ariel’s baby shower, but she really, really wants to.

That’s the thing too. She’s not even sure if she wants to get drunk for herself or because Killian’s letter brought back every feeling of abandonment she’s ever experienced. He was left, just like her yet again, and whether she likes it or not, they do understand each other.

(Of course she likes it, likes being understood.)

Her brain never quite turns off after that, reading the letter over and over again so many times that she might as well have it memorized, and she only knows that she moves because she changes her clothes over into the dryer, cleaning out the lint filter before twisting the knob and listening to it rattle to drown out all of her thoughts.

Goodbye shower. The laundry room is now the place to have an existential crisis.

But she does somehow manage to turn her thoughts off enough to know that she really does need to shower, so while her clothes are drying, she heads back upstairs and takes one, quickly washing her hair and her body, shaving her legs up to her knees since her dress for today only really shows half of her calves. She’s got three hours until Ariel’s baby shower, but she needs something to do, so she tugs on her dress, letting the blue and white striped print hug her body, and takes the time to apply her makeup, going through an actual routine instead of simply slapping some mascara onto her lashes.

Today really must be shaping up to be a day.

“Why are you already dressed?” Belle asks when she walks out of her bedroom, making her jump at the sight of Belle sitting at the table eating a bowl of cereal in pajamas that she definitely wasn’t wearing an hour ago. “And why do you look like a deer in the headlights?”

“Oh, I, um…”

She tugs at the waist of her dress, pulling the tie a bit to tighten it as she thinks of a lie. As much as Belle knows about she and Killian, she doesn’t know the half of it. She purposely hasn’t told anyone. She can’t. If everyone thinks that she and Killian are flirting and maybe fucking, that’s fine with her. That’s nothing. But if anyone were to know that they were soulmates, it’d make everything far more complicated. There would be expectations and hopes, and if others have those, how could she not? And why can she not figure her brain out?

But Killian told her he wouldn’t tell anyone, so no one else is going to know.

“I’m doing laundry,” she finally says, knowing that the best lies are routed in truth. “I needed something to pass the time, so I went ahead and got ready. Well, with everything but the mess of my hair.”

Belle’s brows pinch together, but she doesn’t say anything else, scooping her spoon into her bowl before taking another bite. “So Will and I think we found an apartment yesterday.”

“Really?”

“Yeah,” she smiles, nodding her head. “It’s downtown, in that cute little complex across the street from Granny’s with the pink awning. I loved it. I mean, it’s bigger than this place, but it feels very homey. And there’s this built in bookshelf that I think I might love more than I love Will.”

“Oh good. That means I can keep the one here.” Belle rolls her eyes, and Emma walks forward to pull out her chair from the table before sitting down. “I’m so happy that you guys found a place. Like, obviously I’m going to miss you, but after the show I heard this morning, I think we might need a little space.”

Belle doesn’t even blush. All she does is reach into her bowl and pick up a dried strawberry, flicking it at her. “In all fairness, you never wake up that early on a Saturday.”

“I mean, how could I sleep through such a performance? Whatever you’re doing, you’re obviously doing very well.”

“You’re going to share all of this at the wedding, aren’t you?”

“Oh absolutely. And if you put a little tequila in me, I might even act out my own version of the events.”

“I’m pretty sure you’ll get arrested for that.”

“I’m on good terms with cops. Where is your partner in crime, by the way?”

“I left Ariel’s present at his place, and he went ahead and went home to get it and get ready. You want to drive there together?”

“Absolutely.”

-/-

“Why do you look like you’re dying?” Ariel asks, wrapping her arm around Emma’s waist as she stands in Ariel’s kitchen looking at the spread of food out ahead of her, Max wandering around the table in an attempt to get scraps.

“Because I am. What’s up with the creepy pigs in a blanket snacks that are made to look like babies? Am I supposed to eat those?”

“No, no.” Ariel rubs her hand up and down Emma’s back, and if she wasn’t already thinking about the fact that one of her best friends is having a baby while the other is getting married, she’d definitely be thinking of all of the motherly instincts that Ariel possesses and how she has likely never had those even if she thought that she did at one point. “That’s just a weird thing that Mary Margaret brought. I think she saw it on Pinterest and thought it would be cute, but it’s super creepy.”

“I mean, like, the creepiest. And the deviled eggs are the same way.”

“I’d stick to other foods if I were you.”

“Anything not baby related.”

“Ah, yes, but save room because I believe there’s a game later where we have to eat baby food.”

“Just kill me now.”

“It can’t be that bad.”

She rolls her eyes and leans her head over to Ariel’s shoulder, wrapping her arm around Ariel’s waist knowing that she’s taking up too much time from the guest of honor, but everyone else seems to be just fine milling around the kitchen and living room, most of Ariel’s regular furniture pushed aside to fit in table cloth covered tables with flower centerpieces sitting in the middle of all of them. It’s cute, and she has to admit that Mary Margaret definitely knows how to host a party, weird food choices aside. But it most definitely hasn’t been the worst hour of her life, especially since she knows every single person here. The only real issue was when Killian showed up because she thought that she was going to have to stop talking, which isn’t the easiest thing in the world when she’s with her friends. But he stayed away from her, making sure to speak quietly instead of being his usual commanding presence.

His words, not hers.

And mostly she was thinking about how refreshing it is to have both the father of the baby and male friends at a baby shower. She gets that the woman pretty much does all of the work (she’d like to speak to someone about that because it seems fundamentally unfair), but both Ariel and Eric are having a baby. It’s not simply Ariel’s to raise. It’s Eric’s too. And yet most fathers don’t show up to showers, don’t put in the effort, and no part of her has ever understood that. But maybe she’s simply hoping for something that’s better than most people’s reality. She doesn’t know. She never had parents, never got to see it first hand, but when she thought…no, it doesn’t matter. None of that was real, and there’s no use in thinking of it now even if thoughts of Neal have been niggling themselves into her mind since this morning.

She’s simply glad that Ariel has Eric, that they have each other and baby Fisher.

They have a family.

“I’m not eating pureed food unless it’s, like, pureed donuts or something.”

“They don’t make pure sugar for infants. That would be a fundamentally awful idea.”

“Eh, I don’t think so. The babies would probably be super happy.”

“You’re going to be the person who gives the baby sugar right before you send them back to me, aren’t you?”

“You bet your ass I am.”

“Alright,” Mary Margaret claps, making Emma turn her head to look in the living room, “who wants to play a game?”

The game isn’t eating pureed baby food, but somehow it is much, much worse. In reality, she knows that it’s really not that bad. It’s cute and funny, and if she wasn’t who she is, she’d be thankful that this is the game that Mary Margaret picked out because it’s damn fun.

Who’s That Baby?

She’s got a large board full of baby pictures, some of them adorable, others a little scary (not that she would ever say that out loud), and everyone is having to guess which baby is who. She hasn’t guessed a single one because, really, she’s selfish and can only think about the fact that her picture isn’t up there.

And she knows this because, well, Mary Margaret never asked her for one. While Mary Margaret can work wonders, it would be pretty much impossible for her to gather baby pictures of everyone without anyone knowing, so she must have asked everyone to send them in. But Emma was never asked, not at all. Sure, she could pass it off as an oversight, as a mistake, but she knows that none of that is true.

Mary Margaret didn’t ask for her baby picture because she knows that she doesn’t have any.

Today was not supposed to be emotional like this. Today was supposed to be…a sob suddenly catches in her throat, one she has to force to keep down, and when she feels hot tears forming in her eyes, threatening to escape, she quietly excuses herself from the room, knowing that she won’t be missed if she ducks into the bathroom for a moment. But the bathroom is locked, and since she sure as hell isn’t going to go into the nursery right now, she opens Ariel’s bedroom door and collapses against the wall, letting her legs bend until she’s sitting on hardwood and pulling her legs to her chest as she tries to breathe.

Breathing is seeming pretty difficult at the moment.

So is not crying.

Why does she want to cry?

That’s a dumb question. She knows why she wants to, why she’s about to, but it’s been almost eight years. Things like this shouldn’t hurt anymore, should they? She should be over it. She has to be over it.

She isn’t over it.

Another sob rumbles through her, this one escaping from the confines of her throat, and when she hears it, even she notices how ugly of a sob it is. It’s one of those where she can’t breathe, can’t think, can’t do anything but let her shoulders tremble and tears fall down her cheeks. The more she tells herself to calm down, the more uncontrollable she gets, the more she feels like she has no control over anything.

And then there’s a click, a turn of a knob, and she’s paralyzed in fear and embarrassment that is only exacerbated when she sees tight blue jeans over muscled legs and a simple white button down with small light blue stripes that she knows belongs to Killian.

Words don’t come out of her mouth even though she’s got an excuse on her tongue, a pathetic one about being allergic to the weird baby themed foods, and while she expects him to be snarky, he’s not. It’s so much worse because after she takes one look at the raised brow on his forehead, he slides down on the wall next to her, their thighs hitting each other as his arm wraps around her shoulder so tentatively that she nearly grabs onto it and pulls it over her shoulder herself.

She definitely has gone crazy.

But when she doesn’t flinch, doesn’t move away from his embrace, he moves closer to her, his embrace a little tighter, and she can feel the heat of his body all over her as his hand rubs up and down her shoulder while she buries her face in his shirt near the slight exposure of his collarbone and the chain that resides there. He smells like the spice of his cologne, something warm and comforting, and even though it’s ridiculous, that’s what calms her, what makes her stop crying, just the smallest of whimpers and hiccups occasionally escaping her lips.

It should hit her that she’s having a meltdown in her best friend’s bedroom at said best friend’s baby shower in front of the man who she has…something with. But honestly, she feels puffy and exhausted, and she’s more concerned with the fact that her mascara is going to ruin Killian’s shirt and the way that his hand seems to be large enough to cover every inch of her as he comforts her.

And she focuses on the fact that he’s silent.

Well, he was.

“You know, darling, I think that you should cry in here a little longer so that Ariel and Eric can get some practice with someone crying in their bedroom at weird times.”

She huffs into his chest, rubbing her nose into his collarbone as his scent consumes her. “That’s bold of you to assume that there’s not already someone crying in here on a regular basis.”

There’s a thud against the wall as Killian’s head falls back with laughter, his chuckles deep but light, and she hiccups again in response, not really able to do much else.

“Now, Swan, I don’t think their sex life is that bad. They are having a baby.”

“Believe it or not, an orgasm is not required for conception.”

“No, it’s not.” He rubs his hand up and down her arm again, squeezing her bicep before continuing and moving along her back so that his nails trace patterns into her skin. She must be really upset and out of touch with herself right now because they’re talking, and she feels no shivers running down her spine or heat curling between her thighs. Maybe all it takes is for her to be having a meltdown. That makes it even worse. It’s probably just that they haven’t talked enough. “Would you like to talk about what’s got you hiding away in here, or do you want to talk about our friends’ sex life for a little longer?”

“Can I have the option of neither?”

“No.”

“That’s unfair.”

“So is life.”

Emma rolls her eyes knowing that Killian can’t see it, and maybe that is the reason why she rubs her eyes into his shirt some more. “Aren’t you going to get a boner if I talk too much?”

“That’s a risk I’m willing to take.”

Ridiculous man.

(Sweet man.)

“I got your letter about Milah this morning.” Killian’s hand stills and his tongue clicks, but she keeps going, knowing that if she’s going to talk, it’s got to be while she can’t control her body and emotions and her tongue basically has free range. “I don’t know if you knew that you sent that, if you did it on purpose or got drunk again, if the mail was just late. I don’t know, but I read it while washing clothes and I hated it. I hated that you were screwed over, that you were screwed over by the whole soulmate thing. I mean, you were in love, and it ended because of what? Because she had a tattoo that matched another man? That’s such bullshit.”

“It’s okay, love.”

“It’s not. Nothing about any of this is okay. But, like, that’s not even why I’m having a meltdown. I mean, you definitely put me in a confused mood because you talked about your heartbreak and how I’m helping with that, and I – I can’t deal with any of that right now when all I can think about today is the fact that there are all of those baby pictures up on that board and not one of them is of me. Mary Margaret didn’t even ask because she knows that I don’t have one, that no one cared enough about me to take a picture and give it to me. And obviously I’m spiraling because then I get upset about a baby that never even existed. I’m not even one of those people who desperately wants a baby or something.”

“What are you talking about, Swan? What baby?”

The only reason she has the bravery to say this is because she’s not being forced to look at Killian, to look at the blue of his eyes, and if she can’t see his eyes, none of this is real, right? It’s like the texts. They’re separated enough that it’s not all overwhelming for her.

“When I was seventeen, I met a guy, Neal. You’ve probably heard of him from our friends. They’ve never met him, but I guess…he’s kind of a legend in the group. Anyways, we dated for three years, and when I was twenty, my period was late. So obviously I’m freaking out, probably having a panic attack, but then I take a test that says I’m pregnant. And weirdly, I feel calm. I feel calm because, you know, I’m going to have a family, have something I’ve never had.”

“Swan – ”

“I wasn’t pregnant,” she interrupts, not wanting him to stop her and ask any more questions. “It was a false positive, a cheap test. But I didn’t know that until after I told Neal, and he basically told me that I should have kept my legs shut before packing his bags and leaving to go live with his father in fucking Tallahassee. So I was left alone with no boyfriend, no kid, and a hell of a lot of bitter thoughts because I thought the man was my soulmate and I’d never have to feel alone again. I thought I was done being abandoned. The joke was on me.”

She’s not crying anymore, not even sniffling, but she feels cold and stiff and like she can’t really breathe through her nose. Here she is baring her soul to this man who has all of the power to break her, and yet she still told him, still let the words pass her lips are they were spoken into his skin. But he did tell her about himself too, tell him how he was broken too, and maybe that comforts her.

Maybe it also comforts her that she knows Killian’s got to be pitching a tent right about now. She’s been talking for ten minutes at the very least with her long pauses and ramblings, and there’s no way that he isn’t struggling. And yet he’s sat in almost silence listening to her and comforting her all the while he wants to fuck her.

What the hell even is their lives?

And that’s why she starts laughing, a chuckle bubbling up through her throat while her shoulders shake, the corners of her mouth curving into a smile, and she moves her head up to look at Killian even though she knows that she probably looks like a raccoon would after a night out at the bar.

That thought is unsurprisingly not the weirdest thought she’s ever had, not even the weirdest this week.

“There’s that smile,” Killian encourages, nodding his head and thumb at her chin while his own smile appears on his face, making eyes crinkle. She likes that a lot. It makes her stomach twist in unfamiliar and yet not entirely unpleasant ways. He complains about them only being there because he’s older than her, but she doesn’t mind in the slightest. “The sun would rise early to see your smile.”

“But then I would literally get less sleep or have to spend money on blackout curtains.”

“I’ll buy them for you.”

She chuckles again and shakes her head even as Killian’s thumb moves from her chin to beneath her eyes, wiping away the tears that remain and probably still continue to flow. She feels like jelly or a blob or something else shapeless, something else that can’t be contained. They haven’t been this close since…she wants to say since she kissed Killian on the fourth of July, but it’s most likely as close as they were on Labor Day.

Summer holidays seem to be a pattern for them.

But it’s nearing autumn now, and her breath hitches as she looks at the scar on his cheek, the freckles near his nose, the long, dark lashes contrasting against blue eyes. He’s such an attractive man, almost so much that it would take her breath away if it wasn’t already gone. She’s not going to kiss him now. She knows that he’s not going to kiss her. But their breaths are intermingling, and she can still feel the warm presence of his hand on her arm.

“I’m sorry that you were hurt like that,” he whispers, her gaze flicking up from his lips to his eyes. “I’m sorry that you were hurt by Neal and Walsh and your parents and every other person who doesn’t deserve you and your funny sense of humor and kind heart.”

“It’s fine. It was all a long time ago.”

“Wounds made when we’re young tend to linger, and it very obviously isn’t fine. You’re having a bit of a time hidden away in our friends’ bedroom, and that’s okay. You’re allowed to be hurt. I wrote you a drunk letter about my ex because I was hurt. I still get angry over my dad leaving and my mom dying. The universe has fucked me over in a lot of ways, but I think it did something right in letting me meet you.”

Oh well damn. That’s just not fair.

“No one should be as good with words as you are. Like, even your drunk letters were basically professional novels.”

He shrugs at the same time that he reaches forward to tuck her hair behind her ear, the warmth of his touch sending shivers down her spine. “I was a wonderful English and literature student if I do say so myself. And for someone who reads as many books as you do, I’m surprised you’re not always speaking in limericks.”

“Yeah, well, besides the occasional historical romance, I read a lot of books about murder and mystery. They’re not exactly teaching me to speak like Shakespeare.”

“All I got out of that was that you know how to murder me and get away with it.”

Emma chuckles, shaking her head as she gently pats his chest, their faces still impossibly close. “I’ve told you before, I’m not someone you really want to mess with.”

His brows raise in the way that they always do, the lines on his forehead appearing. “Oh, I don’t know about that. I’ve told you how I quite fancy with you even when you’re yelling at me, haven’t I?”

“You fancy my ass,” she deflects.

“I am a fan of every part of you,” Killian sighs, rubbing his hand over her back in the way that he does where his hand nearly covers all of her, his forearm pulling her closer. “If that includes your ass, so be it. Though, I always considered myself a breast man. You seem to have converted me to both.”

“I’m not sure if I should be flattered or completely and totally disgusted.”

“You can compliment my ass if it makes you feel better.”

Rolling her eyes, she pulls back from him, putting more space between as she moves back to sit a little closer to the bed, her limbs still a little shaky. “I’m not falling for that.”

“Damn, I really could have used the ego boost.” Killian stands from the ground, and she’s not at all distracted by the way his thigh muscles look under his jeans. But maybe she kind of is as she doesn’t notice the way he holds his left hand out, the one covered in scars from the accident, until he’s looking down at her expectantly. She takes his hand, the warmth and roughness overwhelming her, and he helps her stand so that her legs are a little more stable. “Do you think you’re ready to go back to the party? I’m sure they’ve moved onto A opening up breast pumps and someone doing something entirely inappropriate with them. How could we miss that?”

“I mean, the only thing that could top that would be if there were more weird, baby-shaped food.”

“Isn’t that bloody disturbed?” Killian laughs, his face lighting up with joy in that way that makes her stomach twist yet again. Her intestines must really hate her. “I mean, why would I eat that?”

“Because it tastes good.”

“You should not say things like that. I can’t look at you the same way hearing those words come out of your mouth.”

“Hey now.” She holds her hands up before reaching back and tucking the hair that keeps falling in her face behind her ears. “At least there’s not one of those cakes with the baby’s head coming out of a frosting vagina.”

“Swan,” he groans, leaning forward and resting his head against her shoulder while his own shoulders heave with muted laughter, “please don’t talk about that. I’m rather fond of that particular area, and I’d rather not imagine things coming out of it.”

“That sounds kind of painful for all of your sexual partners if you can’t pull out.”

“Well, the baby does have to be made somehow.”

“That’s the most ridiculous thing you’ve ever said.”

“You can’t say that about everything that I say.”

“I can if you keep getting that ridiculous.”

Killian laughs once more before leaning back off of her and wrapping an arm around Emma’s shoulder, the weight heavy and comfortable while he opens the bedroom door with his free hand. “Come on, love. Let’s go see if there’s a cake depicting Ariel giving birth. If not, I hear Mr. French takes requests.”

Ridiculous.

Such a ridiculous man who is making her laugh and feel comfortable with his arm around her shoulder after she just spilled her guts to him about some of the darkest parts of her life. She should feel uncomfortable, awkward, ready to run. She’s been waiting for all of those things since she read his letter. They’re not coming. They could later, but for now, all she can do is laugh at Killian telling her about Liam nearly passed out when Elsa gave birth.

In all of this, all that has happened, all that she has revealed, only one cohesive thought truly remains.

She and Killian are inevitable, always have been, always will be, and she’s fallen into the trap of liking him much more than she ever intended to.

Maybe even loving him.

That’s the craziest thought of them all.

But she has to wonder about the fact that she didn’t feel aroused once in that conversation when she always thought that was the thread that was holding the two of them together.

#Not Your (soul)Mate #cs fic #cs ff #captain swan fic #captain swan

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theliterarywolf · 5 years ago

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So... Let's talk about Hetalia. Controversies, Specifically.

Tagging @apply-force-too-begin since they’re the one who was interested.

Hetalia was one of my first big fandoms outside of 'The Big Three' anime (Naruto, Bleach, One Piece) and outside of video games (mostly whatever wee babby weeaboo me could get on the Gamecube).

And, you know what? It's a dumb, silly anime about stereotypes, poking fun at the absurdities of History, and one's relationships with clashing cultures. It's dumb... But, remember, we all need our daily thirty minutes of dumb. And some of the characters are cute.

And, you know what? Most of the most engaging aspects of the fandom were those who used the initial shallow splash of history that the anime gave them to actually research and make engaging, well-written, culturally-sensitive content.

Of course, I'm not going to ignore how... Over-the-top some members of the fandom have been. We've seen how, whenever recent political conflict or natural disaster have occurred, we have to remind younger members of the Hetalia fandom to not cutsiefy it with the Hetalia characters. Examples that come to mind are: when the conflict between Russia and Ukraine was surging up, kids kept trying to draw art of 'Russia just wants his big sister back~!', and the last major earthquake that hit Japan that had people making fanart of the Japan character which, while some was tasteful and was meant to bring awareness and donations for Disaster Relief, not... all of it was...

Hell, that’s not even bringing into account the last time I went to Anime Expo (way back during Hetalia’s hayday), I was walking around and saw a bunch of Russia and Baltic State cosplayers being interviewed by the news and the one dressed up in a USSR uniform was holding up a Communist flag and shouting ‘Whoo! SOVIET TAKEOVER!!’

However, one thing that I have noticed, while researching for this write-up, was this:

Most of the controversies and pieces of fandom-wank that have surrounded Hetalia and its fandom... Aside from one instance... Are the results of the Western-fandom and Western-localization of the anime via Funimation.

Aside from one... Most of the issues surrounding Hetalia are due to the West and not even the source media in of itself.

So, with that in mind, let's talk about the main controversies of both Hetalia and its fanbase.

Controversy 1 – The South Korea Controversy/Protests

As I recently answered a question about this, so I'll just pull that answer for this segment:

'To summarize it: there’s a Hetalia character meant to represent South Korea. As every Hetalia character has a gag related to them (America gorges himself on fast food and constantly proclaims himself to be the Hero, Italy is cowardly, Germany is constantly angry, China constantly builds Chinatowns wherever he goes and sells bootleg merchandise, etc), so did S. Korea.

His gag was calling all the other Asian countries ‘big brother’ as well as groping the chests of male characters (China and Japan mostly), proclaiming ‘these mountains belong to South Korea, da ze!’

Of course, people would draw pictures of S. Korea doing his thing but one day during a meeting between a bunch of South Korean politicians and representatives, someone brought out a piece of fanart that depicted S. Korea groping Japan’s chest with the latter looking embarrassed and what not.

They interpreted the character as being an offensive, lecherous stereotype that was somehow belittling S. Korea’s worth as a country.

There were a bunch of small protests until, finally, Himaruya Hidekazu (the creator of Hetalia) just decided to say “you know what? Fine! I’m not getting rid of the character but he’ll never appear in the anime adaptation, okay?!’

So… Yeah! Fun times…'

Magnitude of Controversy – MAJOR

Like... In what universe is 'this meme hurt my feewings, we need to take VALUABLE TIME DURING GOVERNMENT FORUMS to talk about it RATHER THAN OTHER PRESSING ISSUES' a good response? And the fact that people took to the streets to protest? Come on, guys! There's so much more to worry about in this world...

Controversy 2 – Emperor Heliogabalus and Himaruya's 'Transgender Erasure'

There was a section of time where Himaruya Hidekazu, rather than focusing on the nation characters of the series, made chapters and updates about certain historical figures. They were all done for laughs while interspersing various bits of trivia and facts about them.

One of these updates centered around the Roman emperor Heliogabalus (or 'Elagabalus'). And this is where certain portions of this hellsite got soooooo upset...

You see, Himaruya titled the update centered on Heliogabalus as 'The Emperor Who Tried to Live as a Woman... Even Though He Was Really a Guy'.

Almost immediately people were typing up callout posts about how 'transphobic' Himaruya was for the title and 'how dare he misgender my precious trans baby~!' or 'this just goes to show how ignorant Japanese people are to Western history' and so many more, all because Himaruya didn't use out-and-out female pronouns for Heliogabalus.

Now. Mm, two things!

One! This was during the time when Himaruya had an open blog where, not only did he post pictures and updates about where in the world he was traveling and what he was researching, but it also had an inbox that was open for people to send insight to him.

So, if people were really incensed by this, you would think that they would use such a means to let a creator know 'hey, this is kind of problematic; can you edit it to show this information', right?

Right?

NO ONE tried to inform Himaruya of their upset; they literally didn't want an answer, they just wanted to be upset!

But, here's the kicker: the guy that all of these people were stanning for? Emperor Heliogabalus?

WASN'T FUCKING TRANS!!

The real Heliogabalus was a sadistic little shit who was connivingly put on the throne by his mother via a bunch of espionage and assassinations... Who, as thanks, had his own mother murdered once he was emperor. Other wonderful exploits of this 'icon' that tumblr kids decided to stan was:

Getting politicians and countrymen drunk and then, while they were passed out, brought in lions to kill and eat them

Deciding 'fuck Jupiter, Helios is my husbando – We're all going to worship him now!'

Completely wrecking Rome's monetary system

Promising favors to his lovers (whom he called his 'husbands' despite not making anything official) that strictly contradicted favors to his other lovers

And just generally being a hot mess

So... why were tumblr children so insistent on him being a transgender woman?

You ready for this?

Okay.

Because he occaisionally dressed in women's clothing and called his male lovers his 'husbands'.

Yeah.

One of the earliest case of tumblr children trying to ruin someone's life because they didn't follow their headcanons.

Magnitude of Controversy – Honestly, this was just fandom-wank. But it was one of the earlier instances of fandom brats using serious terms (transphobia) to justify being upset at a creator not following their headcanons.

Controversy 3 – The Passover Photoshoot

…

I'm sorry, just...

Everytime I remember or have to go over this one, I have to stop and reflect; maybe grab a drink.

…

Okay.

So, pretty early into the Western reaches of the Hetalia fandom, a group of friends and Hetalia fans decided to meet up together at a mall for a cosplay photoshoot.

Okay. Cool. Fine.

They were all dressed up as their favorite characters from the series! Germany, Austria, Hungary, P-Prussia, Holy... Roman Empire...

Ahem. Okay. Cool. Fine.

So, they get to the mall and start taking pictures. But then someone in the group gets the amazing idea for everyone to do certain poses.

I... You know, why did I start this, I could have just not done thi--

Nazi salutes. You had a bunch of dumb kids dressed up as Germanic nations. Performing Nazi salutes and shouting 'Heil Hitler'.

Now, as bad as this was... you could have just drawn it out as shitty edgelord humor; we still have plenty of that going on today.

H-however. There were two factors that made this photoshoot 50 Shades of Tasteless.

Number one. This photoshoot took place during Passover.

And number two. The mall that this photoshoot took place at...

WAS JUST A HOP, SKIP, AND A JUMP FROM THE UNITED STATES HOLOCAUST MUSEUM!!!

This is the one, THE ONE, instance where, anytime someone talks about 'lol, young Hetalia fans are so cringey', this is what pops into my head.

Those of us older members of the fandom can never fucking forget this. Yeah, the perpetrators were called out; yeah, they learned their lessons, yeah it opened up a conversation about appropriate behavior in fandom. But this one event will always remain as the big 'Ooh, baby, nooooo! What are you doing?!' moment in the fandom.

Even moreso than what the current batch of hatedum is about.

Magnitude of Controversy – Huge. The South Korea controversy was discussed on a governmental scale, but the Passover Photoshoot is what remains as the biggest mark on the fandom.

Controversy 4 - FUCKING FUNIMATION!!

Okay, I...

This one is so infuriating because it’s the result of Funimation just not giving a DAMN.

So, Hetalia got popular enough to be localized! Yay... And it was going to be handled by Funimation. Yay... They do quality work... Sometimes.

*kicks the Black Butler dub into the sun*

So, they dubbed Hetalia. And, you know what? So many questionable decisions went into this fucking dub.

You have Vic Mignogna! You! *clap* Have! *clap* Vic! *clap* Mignogna! You could have easily put him as one of the Axis characters or the Allied characters and you...

Don’t use him...

Until three seasons down the line...

And then you have him as Greece.

A character who barely says anything.

... And this was WAY before the clusterfuck of KickVic, so they really had no excuse.

Oh, also! For China, who is a main character, maybe we should have an actual voice-actor?

Pssh! Fuck that shit, let’s just have some random chick from accounting voice him.

... They literally had some random-chick from accounting do an overly stereotypical Chinese accent and said ‘yeah, that’s fine; print!’

And she gave us such... wonderful line-reads as: during the Hetalia movie Paint It, White! --

“SUCK BALLS! I knew za fortune cookie today was bad ruck~!”

But as bad as the dub got sometimes (Oh God, I’m having war flashbacks of Russia...), the exchange from the dub that people constantly point to as ‘see! This show was antisemitic all along!’ were these:

Exchange 1 -

S. Italy/Romano - ‘Hey asshole, I have a surprise for you~!’

Germany - ‘What is it? Another Jew?’

And, you know what? As asinine and idiotic as that brief exchange was...

IT WASN’T IN THE ORIGINAL MATERIAL!

Funimation, in their infinite wisdom, wrote that in and thought ‘yeah, that’s fine; print!’

So, there goes another issue of ‘problem that only existed because of the idiocy of a Western presence’.

Magnitude of Controversy - Well, people are still talking about it, despite it literally being because of Funimation’s laziness, so...

'Controversy' 5 – The Civil War fanart

So, this segment will be short because it doesn't even need to exist. But, you may have noticed an upsurge in people hating on the series again; even going so far as to raid Discord servers for fans of the series with gore.

Hell, I even scrolled past one person doing a 'call to arms' for people to spam any server that has to do with Hetalia as a big 'gotcha'.

And you wanna know where this fandom-wank started?

Someone on tumblr re-posted an old piece of... questionable chibi fanart of Confederate!America and Union!America. Union!America is hiding a slave woman behind him while shouting at Confederate!America to 'Pick your own damn cotton!'

(deep breath... okay)

And, while the art in of itself is... not great, the fact that it is an old piece of fanart and that someone posted it onto tumblr for the 'lol, look at this cringe' lolz, is what rallied some people to start shitting on fans of the show and raiding servers.

There also may have been some drama over on picrew by some teenage LGBT user lashing out at the whole 'stop spamming Picrew with gay shit' sentiment and then some edgelord over on this hellsite screencapping their game and talking about 'lol, of course it would be a cringey Hetalian to post some dumb shit like this; get off the site, queer' but, honestly, this last one, while being the reason why people are acting dumber than usual, is the most inconsequential.

Magnitude of the Controversy – It would be minimal at best, especially compared to the other ones in this write-up, but like I said, it does have some trickling into the current hatedumb.

So, yeah, here was my little write-up/mini-dive into the madness. You guys can let me know if you want more insight or if you have any questions, and I love you and buh-bye!

#fandom-wank #fandom history

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steve0discusses · 5 years ago

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Yugioh S4 Ep8: Magic Mai

So fun fact, I was out of town around this Thanksgiving and I grabbed a laptop from my Dad’s stack of machinery he’s sort of collected over the years and lo and behold--he put Linux on it.

Like I dunno if you all can relate to this problem, but everything he touches turns into Linux and he’s trying to live this Windows free/Mac free lifestyle, and I get it, I’m friends with so many vegetarians, but like I hate this laptop. I'm using Gimp to make these screenshots...So I can re-do them later in Photoshop because...it just doesn’t feel right to put Papyrus on this computer. It already has Linux. This poor machine has suffered enough. Long story short, this’ll be a small update because right clicking on linux is ass.

Also, because I was on a laptop and realized how small my blog is for the first time--I don’t have control over the size of pictures in text posts, tumblr does, and in this particular theme it’s not allowing me to change the size, and so do me a favor. Click ctrl and + at the same time a couple times (I’m assuming most of you are on firefox). There. the pictures are the right size now. If you hated that, you can click ctrl and - but like lets be real, my font is occasionally...tiny.

Anyway, we start discussing this episode on the confusing legs of the last one, where Mai is evil now, and it’s really not entirely clear if she’s possessed or if she’s just always been this way, or if she just FEELS like it.

And that’s all this episode is about, start to finish--is this Mai’s choice or was this not Mai’s choice? The answer is the same as it would be for a normal person: it’s complicated. Maybe it’s everybody’s choice. Maybe it was because no one did anything that Mai went completely haywire? Maybe it was because Mai hid how she was feeling so no one had any idea she needed help? Or, overall, maybe Mai is kind of a toxic person and wanted to be this way? Especially while she’s on children’s cartoon card drugs?

(read more under the cut)

So to start off, a weird thing happened at the beginning of this episode. After about 4 seasons, someone finally mentioned this:

How many seasons has Yugi been talking to himself? Like, out loud. In front of everyone and Kaiba? This whole time, right? Like Valon just dashed my headcanon where I figured Yugi was smart enough to think his thoughts instead of speak his thoughts. He’s just not that smart, unfortunately.

Meanwhile, Mai has managed to attract this other (teenager?) guy and like...to go worse than Joey so quickly is kind of shocking. Mai just seems embarrassed by the amount of very young boys in love with her. And she’s not even a cougar about it, she doesn’t really seem to want this to happen but it keeps on happening.

And although he is essentially the card form of a drug pusher, Valon has this soft spot for a girl I guess to give him some sort of redeemable flaw. However, she only wears tube tops and minis and spends like hundreds of dollars on her hair, so it doesn’t really make him seem any less shallow, tbh.

PS I’m surprised, that unlike all the other characters on Yugioh, I can’t just type in Valon’s name into Google and get his age and weight. No idea what his age is, and if you know, feel free to tell me but he just seems...exactly the same age as Joey. He seems very 17. Maybe it’s the obsession with motorcycles and children’s playing cards? Maybe it’s his big ol childlike eyes? He just seems young and niave like how a teenager who just fell in love with a very angry older woman would.

Joey tries to remind everyone, multiple times, that this game is the worst idea ever since it requires one of them to super die, but Mai is on card drugs so I don't know why they bothered. Also, why is Joey still surprised by this after 4 seasons of this?

Yo it’s S4 and Mai witnesses magic non-stop but still has basically no idea how it works. She really did say “I have no soul” and it was like...I’m 90% certain she literally thinks she has no soul right now. Which I guess, statistically speaking, is rare to actually have a still intact soul after hanging out with the main villain, with the way this show typically goes.

Meanwhile, last episode it really sounded like Duke Devlin was driving to Pegasus’ company building. It really sounded like he would have gone directly there, since Weevil and Rex told him that Yugi was going to Pegasus.

Remember that Duke Devlin works for Pegasus and probably has his own parking spot.

So where did he go instead?

You know how there’s only one gas station in the entirety of America?

I can’t believe it blew up.

Y’all what is the red splotch in the middle of the pile ps? That is legitimately a pile of blood, right? I didn’t shop that in. There’s just a red puddle in this kid’s show.

Y’all what is that? Like was there a scene with a red handkerchief that I missed? Is that a red handkerchief?

But to move past the mysterious pool of blood that confirms those bikers are so hella dead, I have no idea why Duke was here, I have no idea how he got the tip off that Yugi visited this place, but then he turned around and went back to SF so like...I guess he’ll arrive 3 days from now because again, they are in Arizona. They keep telling me this is right outside SF but like--Mesas. There’s Mesas.

And then this happened.

That one guy on the writing staff who just stans Seto Kaiba so hard got into the drawing room, I see.

PS someone had to pose for this shot for them to draw this shot from this angle.

Meanwhile, lets see why Mai turned evil. Ah, because it is Yugioh, the biggest reason is that she has no friends (probably because she’s got the most acidic personality known to man) and isn’t card popular enough and got super bitter and jealous.

Speaking as an artist who is online, I can understand the frustration here. Sometimes (99% of the time) you work really hard and no one cares and you get like 2 notes. And honestly, why should they? Like, why do you do it in the first place?

Mai echoes a lot of the issues of Seto last season, where she wants so badly to be the absolute best to prove herself to the ghosts of her past who really don’t care any more.

But, since Mai was in a coma when Seto got through all of that, I guess she never got the memo and still seems stuck on just wanting to be the best with no other reason than “to be the best” which again, sounds so much like art school problems. This is everyone who has ever had an interest in animation. We all go through that phase.

Generally we don’t take peoples souls as a reaction to that type of discouragement, but then Mai made sure to mention in almost a foot note that she did spend like an entire season and a half trapped in Marik's shadow realm. And that kind of effed her up in a really big way.

Thanks, Marik.

Really feels like Marik should be dealing with this problem--really feels like maybe Marik is the only person that we can actually point to and say “Oh yeah, that guy is to blame for Mai right now” And he is the only person that Mai does not actively go out and try to kill.

And I’ll have you know I just deleted like a 15 K word rant about the difference between character assassination and your character just--evolving into a jackass, and how it’s OK to have your character change into a jackass, especially after trauma. I felt this need to really have to defend this ancient writing technique that people have been using since about as long as stories have been around.

Then I remembered “Oh yeah, I’m just making this point because a few number of very loud idiots on the internet want to have very lukewarm hot-takes about popular characters solely because they enjoy baiting people on twitter into getting into week-long arguments that don’t go anywhere.” and I just...let it go. I let it just...go into the ether. Ah. The peace that comes when you already know you’re right.

But anyway, back to Yugioh, which thankfully doesn’t take a stance on this nuanced subject, and only presents this very serious problem without actually offering a solution (because there isn’t a one fit’s all solution to falling off the deep end and getting into drugs and murder), Mai decides to just go and blame this decision she made on anyone else. Because, why take responsibility for your actions, when you can pin it on people who were on the other side of the freakin planet when it happened?

Like, I just want to remind y’all that she was in ATLANTIS.

I wonder how good the cell reception is in ATLANTIS.

I just...Mai is like in her mid twenties maybe thirty’s. She’s so arbitrarily old that she plays Yugi’s Mom in the video game spinoff where they’re reincarnations of medieval times. That’s how old she is.

Imagine if you made some epically BAD decisions because you were jealous of some teenager’s success and didn’t want to be weak anymore, and then you confronted those teens, and said “This is all your fault.”

Imagine looking someone as dysfunctional as Joey Wheeler and telling him “You made me like this” because lollllllll

And I present this as a joke but like basically this happens all freakin time. We’ve all had a friend like Mai. Past tense of course, because it’s really hard to keep a friend like Mai for very long. (One of my friend’s who went Mai destroyed my apartment one summer and then literally blamed it on me for going to California for 2 months and leaving her unattended.) But like...don’t let Mai’s do it to you. They can get better, but only if it’s their choice, really. You can’t force them to save themselves.

But, as Mai was finally ready to give up cards and probably improve her quality of life by a huge degree, unfortunately, she got sucked right back into the trap.

Bro note: being a serial murderer cultist is basically working at McDonald's in this universe so maybe this wasn’t even that weird?

But that aside, this is alllllmost like a dark version of “Mai got into an abusive relationship to fill the void in her heart” except she’s not even really dating this guy? Like she hates this guy? He’s just kinda there?

Y’all I really can’t tell if Valon is in an abusive relationship with Mai who is using him for power or if she’s in an abusive relationship with him because he only wants her pretty face and wants to kill Joey because Joey liked her once--and maybe it’s both? Maybe both of these people are just...really bad for each other?

Overall Joey is kind of tossed into this not-a-love-triangle and I’m like

“Hey show? show? Am I supposed to....were any these people ever dating? Is there supposed to be an implied history? Am I supposed to get attached to this?” because I mean...the only character who was able to get some actual physical romance on this show was Pegasus when he macked the ghost of his dead wife because, again, Pegasus is the freakin king of this entire show. Of course HE can do it.

But have this show clarify what the hell is happening between Valon and Mai? I’m gonna take a bet that we will never get to see it beyond Valon being like “Ain’t she a beaut!” Like Steve Irwin talking to an alligator, and Mai just pretending he doesn’t exist. Yugioh romances are so completely one way every single time. If something more than that happens, I’ll be

shook.

Anyway, as all the children on the show keep repeating over and over again, they haven’t had any contact with Mai since she left the freakin country and they went back to High School.

And so someone threatens to kill himself, as is Yugioh tradition, and someone else barks at him to NOT kill himself, as is also tradition, and they decide to play real cards next episode.

This whole entire episode, PS, Joey went out of his way to just...not play cards. that was this whole episode. Way to draw out a card game over three episodes, I guess.

Anyway if you want to read these from the start you can do so by clicking the link here

#yugioh #ygo #episode recap #photo recap #Yugi muto #mai valentine #Valon #joey wheeler #Tristan Taylor #Tea Gardner #That moustache sideburns guy? I think his name is Raphael or something?#S4 #Ep 8 #PS I just noticed my episodes were numbered wrong #so that's nice #I may also decide to do some tagging shenanigans so you can have a link to read which season you would like to go to instead of just from S1 #but that will be when I get bored over christmas I have some client stuff to wrap up right now

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jingabitch · 4 years ago

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Aesthetics Tag Game

omg SORRY this is so late!!! i had such a busy week (I don’t know how one week I’ll have 0 plans at all and then the next I’m going out almost every day lel)

Tagged by @iniquitouspoppy, thank you for thinking of me love!

rules ; bold the aesthetics you relate to and add twenty of your own aesthetic qualities for others to bold

Tagging: @jkeuphoriadreamland @wwilloww @lorealchanelll @kkulmoon and anyone else who wants to do this!!! i think everyone’s been tagged anyways since i’m so late 😔

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ask-de-writer · 5 years ago

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FRIEND AND THE IMPERIAL EGGS : Part 7 of 7 : MLP Fan Fiction

Return to the Master Story Index

Return to MLP Fan Fiction

FRIEND AND THE IMPERIAL EGGS

A Daring Do tale

Part 7 of 7

De Writer (Glen Ten-Eyck)

8927 words

This is a Fan Fiction based on My Little Pony. Canterlot, Princess Luna and the name Daring Do are owned by Hasboro Inc.

//////////////

Users of Tumblr.com are specifically granted the following rights. They may reblog the story. They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions, provided that such things are done without charge. I will allow those who do commission art works to charge for their images.

All sorts of fan art, cosplay, music or fictions is actively encouraged.

///////////////////////

Still trying to sort out the reason for her direct orders from the Throne, Skraatch gathered up her notes and images. She got her ID ready. Ever since the Civil War, the tourist areas of the Imperial Aerie were sealed off. Everybeing needed proof of either residence or reason to enter the rest of the Aerie.

At the checkpoint, Skraatch showed her ID and her permission to enter the Hospital to the guards. One took the flimsy and checked it against a stack of copies on an organizer ring. His crest popped up at what he found. He double checked another organizer and, though it did not seem possible, his crest went higher in surprise.

He came out, returned Skraatch’s flimsy, and waived them through.

It was a whole different world. It was full of Gryphons going about their business. All of the signs and notices were in Gryphon only. Along the way that they were going, there was a raised roof flight lane for those in a hurry. Judging by the traffic, there were many Gryphons in a hurry.

Those on the walking floor rubbed folded wings without seeming to notice. Sometimes, two or more would meet, raising wings to varying degrees. Much chatter in Gryphon would always follow.

As they followed twisting, branching and turning ways, the Baron was glad that he had a guide. They came to a way where there was no flight roof. It was short but there were open doors of steel at the Aerie end. The other end was blocked by closed steel doors. Both the doors, the walls, ceiling and, he noticed, the floor had apparently recent bullet scars.

Skraatch walked confidently to a small iron barred wicket and presented her press credential and interview permission flimsy. She took the Baron’s and added it to what was taken. There followed a checking of assorted pages on various rings. Finally the credentials were returned.

With tiny clicks, two gun ports opened behind them. The two outer steel doors shut with a small boom of finality. Only then did the doors in front open.

They were greeted by the smells of an active hospital anywhere. A surprisingly clear voice was announcing calls for various doctors to report to rooms and other such hospital business.

They went up ramps and along hallways. The Baron noticed that the usual flight ports in this hospital were all sealed. That and the other massive security precautions led him to think, “Perhaps I was over hasty with this enterprise. I have got in, but how to get out? If the ancient creature that they have guarding the eggs spends most of her time oblivious, as I have heard, I can perhaps winkle an egg out from under it. I have managed to do so without disturbing the mother bird before. My hidden compartment in the camera bag has not been found yet. I will have to trust to chance.”

They were halted at yet another checkpoint. A guard here, trotted up the hallway and tapped at a door. A few quiet words were exchanged. He returned and guided them to the door and tapped.

As the door was opened, he stood back respectfully. The door was held by Nurse Grayyk. Past her, they could see the little grayish changeling with her filmy pale blue mane and tail. She and the Imperial nest were all surrounded by a nearly invisible green glow of magic from her smallish horn. Her vestigial wings of the same material as her mane and tail fluttered lightly, presently fanning two eggs. She did not even look up at the newcomers. Delicately she used a long specialized claw to turn an egg, not all the way, just a little.

Nurse Grayyk gestured them in. “Please forgive Doctor Do. She is worn out from this morning’s physical therapy. She is tired but alert. Skraatch, if you take your place next to her Hospital nest, up by her head, it will be simplest to pose your questions and hear the answers.”

Turning to the Baron, she pointed to Friend. “This little changeling is named Friend. This warning is as blunt as I can make it. By the Order of the Throne of Empire, it is an immediate death sentence to go nearer to Friend and the Nest of Empire than that pale glow of her magic.”

Thinking with contempt, “Magic that weak? There is lots of room around the nest to get enough out of sight of the others shielded by the back of that ancient hen! The egg is as good as mine!”

Taking pictures for a cover to his real object, he got pictures of Daring Do in the Hospital nest with the young Eaglets huddled about her. Tired as she obviously was, she was using her left hoof to dangle them strips of meat to gobble down. There was a stand with a bottle and hose leading under Doctor Do’s coverlet on the right side.

Then, as Skraatch began to ask her many carefully prepared questions for Daring Do, the Baron took some pictures of Friend, apparently oblivious to all but the eggs that she was tending.

He snickered to himself, “A poor choice to guard these eggs! I will have mine in a trice and none the wiser!”

The many Eagles perched about the room watched him with avian disapproval. Unseen by the Baron, there was a fine web of the palest, nearly invisible green wisps covering the whole floor at that end of the room. He worked his way through it without noticing it, so delicate was it. Getting many pictures, quite a few of them including the huge Eagles, the Baron achieved the position that he wanted.

The bulk of Friend’s back hid his activity from the others, all clustered at the far end of the room. Ever so delicately, he began to reach.

Quite abruptly, the pale wisps of magic, no longer delicate, but still near invisible, whipped about him! No matter how he struggled, he could not move!

Skraatch looked up, crest lifted triumphantly! “Why Esquire Willworthy, what seems to be the trouble? Or should I ask that of Baron Yoksonu?”

Daring Do’s right hoof was uncovered. She was holding a big revolver pointed at him with a steady aim. Nurse Grayyk had a pistol out too!

The voice of Friend, speaking without looking up from her tasks with the Imperial clutch, announced, “The Hunt is over. The prey is caught and fairly. It was given every chance to escape that could be. Friend claims this prey as hers!”

Skraatch asked Daring Do, “What about his camera? It is quite a good one and it seems that he got a number of good shots.”

It was Friend whose confident voice replied, “Take the camera and the bag. I/we have felt the bag with my magic and it has a hidden pocket to hold the stolen egg. Do be careful of his lenses. They are of the very best quality.”

Skraatch did take them. Setting down the bag, she unloaded it with care. She took pictures of the innocent looking bag and then demonstrated the false bottom and finally showed the open cushioned compartment for the stolen egg.

She got some fine pictures of Friend on the nest, holding Baron Yoksonu solidly in the grip of her magic.

Skraatch asked curiously, “When and where will the egg murdering Baron Yoksonu be executed?”

Daring Do pointed to fur going gray at his muzzle and other signs of aging. “It is happening right now. Friend is a truly excellent predator.

“First, she set a bait to lure the prey. Then she laid webs to see that the prey could find her lair. Then, she even gave her prey an opportunity to escape, life intact before she pounced. Now, she is draining his life and love together. When he is almost gone, then she will kill him and eat the carcass, as a good carnivore should.”

Skraatch, taking notes and photos, commented, “You are an herbivore, like the Baron. Doesn’t this bother you?”

Daring Do considered her answer carefully. “I am an herbivore. I am not an herbivore like HIM.

“Friend, an emotivore/carnivore saved my life by using prey like him. They were ones that had no care for the lives of others or for the laws of civilized societies. They were destroying a whole civilization to gain a little power.

“The Baron is breaking the laws of two nations to kidnap and murder an egg from the Throne of the Empire, who happen to be friends of mine as well.

“His death will not be meaningless. His life will be shared out by Friend to benefit the eggs, these lovely Eaglets, and me. She understands that love shared grows and creates greater love and strength.”

Friend hopped off of the Imperial clutch and smiled. Her smile bared her very impressive set of fangs. Almost delicately, she bit deeply into the neck of Baron Yoksonu. As he collapsed, all of the Eagles fluttered down and joined her in stripping the meat from the carcass. There was no squabbling among them as they fed, sharing both the kill and the gentle, loving green magic of Friend.

“No, it does not bother me.”

–THE END–

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#FRIEND AND THE IMPERIAL EGGS #Part 7 of 7 #MLP Fan Fiction #Written by De Writer

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